Classic Rock 264 Items

Record looks unplayed.

Still shrink wrapped but opened.
Cover as new with faintly worn corners.
Records are slightly warped but still enjoyable.
Includes original inner sleeves.

Green vinyl seems unplayed. cover is close to NM. Original inner sleeve. deluxe edition

Record with just a few paper scuffs, close to VG+.

Yellow vinyl.

Sealed copy.
Cover as new with slightly dented corners.

Still sealed with hype sticker. 2024 reissue.

White vinyl. Original inner sleeve. Tiny wear. Limited edition.

Vinyl is close to NM. Original inner sleeves. Cover has tiny corner wear.

Limited Edition. 180 gram Vinyl.
Copy n° 004977

The box is showing slight storage wear, close to VG+
The original inner sleeves have beginning of seam split on top spine.
Records are closer to NM.

Golden vinyl has a few scuffs. Still in shrink but opened. Limited edition 2014 reissue.

Clear vinyl. Limited edition. Numbered copy. Tiny wear.

On August 27th 2021, The Third Sound will release their fifth album ‘First Light’ on Fuzz Club Records. Dealing in a hypnotic blend of neo-psychedelia, post-punk and new wave, The Third Sound is a Berlin-based band led by the Icelandic musician Hákon Aðalsteinsson, who is the guitarist in Brian Jonestown Massacre and formerly played in the cult rock’n’roll outfit Singapore Sling. A mainstay of the European psych underground in his own right, not just through his collaborations with the likes of Anton Newcombe and Tess Parks, The Third Sound has been Hakon’s primary solo endeavour since the release of his self-titled debut on Newcombe’s A Recordings a decade ago.

Arriving following 2018’s ‘All Tomorrow’s Shadows’ LP, ‘First Light’ marks an evolution into a brighter and at times uplifting sound. Marrying moments of light and dark, the result is The Third Sound’s most dynamic full-length to date. Talking about the album, Hakon said: “This album is definitely less gloomy than the previous one, although some ghosts from the past are lurking in the background. We always try to make something new on each album and never make the same album over again, but this feels like an even bigger change than usual, especially regarding the mood. Something new is beginning although the past is not forgotten. I think the title, First Light, describes the overall feel of the record pretty well.”

‘First Light’ is the fifth full-length from The Third Sound and arrives off the back of 2018’s ‘All Tomorrow’s Shadows’, 2016’s ‘Gospels of Degeneration’, 2013’s ‘The Third Sound of Destruction and Creation’ and their 2011 self-titled debut. With Hakon Aðalsteinsson leading the group on vocals and guitar, the rest of the band is currently comprised of Robin Hughes (Guitar / Organ), Fred Sunesen (Drums) and Andreas Miranda (Bass). With a number of European tours in tow, the band have previously shared the stage with the likes of the Brian Jonestown Massacre, The Warlocks, Singapore Sling, Crocodiles, Clinic, Tess Parks and more.

Still sealed with hype sticker.

Copy is close to NM!

Few paper scuffs. With insert.

Splattered vinyl.

tiny corner wear. Original inner sleeve

Sealed copy with a bent corner! Limited edition on Golden vinyl.

From the same continental cosmic egg that hatched Marc Moulin, Marc Hollander and Belgian synth fusion combo Placebo comes your favourite new Franco-Flemmish pop discovery. COS, where have you been all my life? Compact in name but wide-eyed in nature, it’s understandable how the 70’s band known simply as COS has remained trapped in the tight cracks between pop stardom and prog indulgence where other like minded names like CAN, Zao, Neu! And Egg have managed to squeeze into gaps of your record collection. In presenting one of the band’s most infectious and potentially crossover legible tracks on this exclusive user-friendly 45, COS mastermind Daniel Schell not only breaks an unlikely new format for this lesser-known femme-fronted, electro/jazz fusion/prog pop opera/would-be disco cinematic six-piece but also sends a sonic telegram to a new generation of futurist pop aficionados ready to explore the deep realms of his band’s dense, expansive and consistently rewarding catalogue. Placing the microscope over the central motif of the band’s onomatopoeic 1978 triptych known as Mein Maschine Ist Schön (My Machine Is Beautiful) this very rare proposed single edit from the group’s third album combines the type of warm, brooding, discoid funk and nymphish Morse code vocals that unite fans of Stereolab, Curved Air, Jan Hammer, Emerald Web and Ursula Dudziak not to mention Schell’s own close friends, the aforementioned, Hollander, Moulin and Placebo. A prog rock 45 might sound like a contradiction in terms but with a band like COS you can only expect them to defy convention. Backed here with another deeply conceptual sliced of deep orchestral symphonic psych from Schell’s short-lived FF Boom project from the previous year this suitably compact introduction to your new favourite COSmonauts provide digestible versions of some of Schell’s finest moments and clears the decks for future explorations of a wider musical universe waiting to be explored. Turn on this beautiful machine and let yourself melt into the COSmix.

Cover with bumped corner

Jeff Hill Band strongly resonates with the energetic pop sound of the early 1980s, often referred to as power pop. While their music embodies elements of both pop and power pop, it's evident that they draw inspiration from the diverse landscape of 1960s pop music, incorporating various genres such as doo-wop and surf into their repertoire.

The records look unplayed, but the label on Side 1 has a small tear that goes on top of the matrix runout, this problem does not affect the grooves. Still in shrink, but opened, with hype sticker