Classic Rock 141 Items

Originally released on Philips in 1970, Zweistein's trippy kraut psych experimental masterpiece gets its first vinyl reissue ever. Even more experimental than Faust, Kraftwerk or Cluster, their only album was a triple LP housed in a marvelous double gatefold cover, all made in silver & gold cardboard, with the front embossed and featuring a small mirror on it. Electronically adventurous, the sounds give you what's promised in the title in the form of an avantgarde collage produced by Suzanne Doucet -a successful pop singer and TV guest then, and now a famous voice in New Age music- with the help of her sister Diane and sound engineer Peter Kramper, who besides his recognised work as a studio wizard starting with many German beat bands like The Rattles or The Blizzards and later remixing albums by the likes of Hawkwind a.o. He also played synthesizer in some Amon Düül albums an records by other krautrock travellers like Utopia's 1973's self titled LP.

At the time Suzanne didn't want to link the avantgarde experiments collected here with her succesful pop career, so she used a pseudonym and signed the production as Jacques Dorian, while the recordings were issued as being made by a whole band named Zweistein. The photo you see on the cover of their only 45, here included as a bonus, show the Doucet sisters surrounded by friends who where ask to play any instrument they could, be a tambourine, a flute or simply stomp their feet on the ground, on the sessions.

The Wah Wah reissue has been licensed from Suzane Doucet, comes with remastered sound and will include one bonus 7" reissue of their non LP single. Like the original, it will be printed over metallic silver & gold embossed cardboard, plus comes with an insert with liners and photos. Limited edition, only 500 copies pressed!

In 1995, Zao released their first album, "All Else Failed," on Steadfast Records. Never a band to repeat a past success and always searching for new boundaries to push within their own music, "The Well-Intentioned Virus" finds Zao utilizing just as many familiar touchstones from their catalog as introducting new ones. Dense and clastrophobic one moment, beautiful and spacious the next. Vinyl version includes digital download.

Historical Graffiti is the band’s fourth full-length, out in 2016. Gary Arce, the guitarist, seems comfortable sitting on a single vamp throughout the opener ‘The Wind Cries Edalyn’, allowing the additions of violin and bandoleon accordion (played by the tango musicians Sara Ryan and Adolfo Trepiana, respectively) to weave melodies in between. Despite the titular connection to the Jimi Hendrix song, it bears no discernible resemblance to ‘The Wind Cries Mary’ and it is a deceptive number; what seems such a simple, almost easy-listening song reveals more colour with every listen. ‘Her Phantom Finger of Copenhagen’ is slightly darker and almost sounds, with the slight distortion on Arce’s guitar, as if it could have come from Pot Head, the EP the band released in 2005. Mario Lalli, the bass player, begins the third song, ‘Naomi Crayola’ with a throbbing single note, aided by Bill Stimson’s metronomic drumming. Imagine if Can grew up near the beach, it’s that sort of vibe. The only problem with the song – and the album, as it happens – is that it is too short. Ryan’s violin returns in ‘The Secret Language of Elephants’, this time playing the role of keeping the main vamp alive while Arce’s guitar generates an evocative soundscape that opens in your mind a wide, violet sky like that above a desert the moment after the sun disappears for the night. The closing song and title track is the most free of the five on the album, with Stimson’s beat conjuring memories of Kyuss’s more mellow moments from Welcome to Sky Valley, Lalli’s bass marking the simplest of bottom ends and Arce having a ball over the top. (taken from the band's Bandcamp)

Historical Graffiti is the band’s fourth full-length, out in 2016. Gary Arce, the guitarist, seems comfortable sitting on a single vamp throughout the opener ‘The Wind Cries Edalyn’, allowing the additions of violin and bandoleon accordion (played by the tango musicians Sara Ryan and Adolfo Trepiana, respectively) to weave melodies in between. Despite the titular connection to the Jimi Hendrix song, it bears no discernible resemblance to ‘The Wind Cries Mary’ and it is a deceptive number; what seems such a simple, almost easy-listening song reveals more colour with every listen. ‘Her Phantom Finger of Copenhagen’ is slightly darker and almost sounds, with the slight distortion on Arce’s guitar, as if it could have come from Pot Head, the EP the band released in 2005. Mario Lalli, the bass player, begins the third song, ‘Naomi Crayola’ with a throbbing single note, aided by Bill Stimson’s metronomic drumming. Imagine if Can grew up near the beach, it’s that sort of vibe. The only problem with the song – and the album, as it happens – is that it is too short. Ryan’s violin returns in ‘The Secret Language of Elephants’, this time playing the role of keeping the main vamp alive while Arce’s guitar generates an evocative soundscape that opens in your mind a wide, violet sky like that above a desert the moment after the sun disappears for the night. The closing song and title track is the most free of the five on the album, with Stimson’s beat conjuring memories of Kyuss’s more mellow moments from Welcome to Sky Valley, Lalli’s bass marking the simplest of bottom ends and Arce having a ball over the top. (taken from the band's Bandcamp)

Svart Records set to release the 10 year anniversary edition of Voivod's Target Earth. 2LP edition, including a booklet with photos and extra graphics. The limited Svart exclusive colorway comes with a slipmat.

Target Earth is the thirteenth studio album, and the sixteenth release overall, by the Canadian heavy metal band Voivod, which was originally released in 2013. This is the first Voivod studio album to feature Daniel "Chewy" Mongrain on guitar (replacing the late Denis "Piggy" D'Amour) and the only one since 1991's Angel Rat with Jean-Yves "Blacky" Thériault on bass.

The main songwriters on Target Earth were Jean-Yves "Blacky" Theriault, in his first songwriting credit with Voivod since 1991, and Daniel "Chewy" Mongrain, who replaced Piggy. As Michel "Away" Langevin explained, Mongrain's role was both challenging and natural: "He had to think from his point of view how Voivod should sound like nowadays...He learned to play guitar listening to Voivod, and he knows all the albums, he's a fan of all the eras, so it feels very natural for him to write Voivodian material."

"Target Earth is somehow, against all odds, the best Voivod album since probably The Outer Limits. It’s super-prog, plenty heavy, and pretty damn weird. And it has something to offer fans of any era of Voivod’s past, while also having its own identity and direction. Welcome back, guys." - The Angry Metal Guy

"For this, VOIVOD's thirteenth studio album, ever present drummer Michel "Away" Langevin and long reinstated vocalist Denis "Snake" Belanger managed the coup of dragging founding bassist, Jean-Yves "Blacky" Theriault out of retirement, making it three-out-of-four original VOIVOD-ers - the better to facilitate new guitarist Daniel "Chewy" Mongrain's unenviable task of filling Piggy's space boots. To his credit, Mongrain blends right in, and so too does "Target Earth" blend in with numerous portions of VOIVOD's itinerant musical past, arguably making it the band's first truly "regressive" - not "progressive" - album, and, as such, likely good news for the band's oldest fans." - Blabbermouth

Svart Records set to release the 10 year anniversary edition of Voivod's Target Earth. 2LP edition, including a booklet with photos and extra graphics. The limited Svart exclusive colorway comes with a slipmat.

Target Earth is the thirteenth studio album, and the sixteenth release overall, by the Canadian heavy metal band Voivod, which was originally released in 2013. This is the first Voivod studio album to feature Daniel "Chewy" Mongrain on guitar (replacing the late Denis "Piggy" D'Amour) and the only one since 1991's Angel Rat with Jean-Yves "Blacky" Thériault on bass.

The main songwriters on Target Earth were Jean-Yves "Blacky" Theriault, in his first songwriting credit with Voivod since 1991, and Daniel "Chewy" Mongrain, who replaced Piggy. As Michel "Away" Langevin explained, Mongrain's role was both challenging and natural: "He had to think from his point of view how Voivod should sound like nowadays...He learned to play guitar listening to Voivod, and he knows all the albums, he's a fan of all the eras, so it feels very natural for him to write Voivodian material."

"Target Earth is somehow, against all odds, the best Voivod album since probably The Outer Limits. It’s super-prog, plenty heavy, and pretty damn weird. And it has something to offer fans of any era of Voivod’s past, while also having its own identity and direction. Welcome back, guys." - The Angry Metal Guy

"For this, VOIVOD's thirteenth studio album, ever present drummer Michel "Away" Langevin and long reinstated vocalist Denis "Snake" Belanger managed the coup of dragging founding bassist, Jean-Yves "Blacky" Theriault out of retirement, making it three-out-of-four original VOIVOD-ers - the better to facilitate new guitarist Daniel "Chewy" Mongrain's unenviable task of filling Piggy's space boots. To his credit, Mongrain blends right in, and so too does "Target Earth" blend in with numerous portions of VOIVOD's itinerant musical past, arguably making it the band's first truly "regressive" - not "progressive" - album, and, as such, likely good news for the band's oldest fans." - Blabbermouth

Box is close to NM.

Uzelli Psychedelic Anadolu is a brand new product from Uzelli label, based in Turkey. Uzelli was established as a cassette label in Frankfurt in 1974 and since its beginnings was bringing Turkish music to Turkish people in their homeland and Germany. Produced more than thousand of albums of various artists from genres as arabesque, tavern, arabic music, psychedelic pop and rock, bellydance, Turkish classical music and folk.
Following a big international demand for original and obscure Turkish music from 70s and 80s, Uzelli selected tracks from their archive and brought them together as a compilation of psychedelic sounds of famous and unknown artists of Turkey. Compilation consists of highly popular names such as Erkin Koray or Ünol Büyükgönenç from legendary KardaÅ?lar band as well as undiscovered talents of vintage Turkish pop, rock and folk - Akbaba Akilisi, Zor Beyler, Kerem Güney, AÅ?ık Emrah, Elvan Sevil, NeÅ?e Alkan and Ali Ayhan. All tracks were recorded and produced by Uzelli between 1975 and 1984. Most of the tracks were never released on any other source than cassette. Uzelli brings them on vinyl, CD and digital. Compilation consists of 10 tracks plus 1 hidden track - all remastered by Emil Berliner Studio in Berlin. The design of the release was created to follow the original style of Uzelli's cassette covers' style from 70s and 80s.
Uzelli Psychedelic Anadolu is a first production that initiates a new project of Uzelli - creation of series of compilations and albums from its vast archive. Bringing original, undiscovered sounds from Turkey to worldwide music amatours is a main goal of the production. The project is created by international crew - curated by Polish music explorer and digger, esthetically redesigned by Polish artist, backed by Turkish researcher, American ethnomusicologist, Israeli and German DJs and producers. All production and management of the project takes place in Istanbul, in the headquaters of Uzelli company. All this make the production awaited by many music and culture networks all around the world.

OBI is missing! Record with scuffs and slight scratches!

Original inner sleeve.

1st Repress in Limited Edition of Trees Speak’s debut album. Trees Speak's debut record, Trees Speak, is the band's first of five albums they've produced in half a decade, and it is finally getting its worldwide reissue to their fans' long-awaited anticipation. Released on Cinedelic Records. Before their first album, they planned to create music with an unrehearsed approach performing simple beats, riffs, sequences, and going by instinct. They endeavored to create an auditory environment that let the listener's mind to be set free of tone, melody, and structure. They began to experiment with sounds, blending vintage aesthetics and equipment, which led them on an unexpected journey into creating and producing records. Always with their roots in 1960s-70s jazz, rock and roll, and experimental music they began to experiment with live sound performances and performance art. The band's live performances dramatically captured their idea of merging early experimental music such as the Dadaist, John Cage, and early electronic experimental music. While their music might seem organic and unrehearsed, the band has developed an creative way of communicating ideas into sound using visual art. For example, they use diagrams when communicating a musical idea. The band often refers to musical diagrams to express dynamics, chords, key signatures, and emotional expressions. These graphic notations are a template to communicate esoteric concepts, which they ingeniously transform into their music. They also use this form of illustrated art expression during live performances and in-studio recordings. It is a simple way to explain an overarching idea through music and art. Trees Speak are Daniel Martin Diaz and Damian Diaz both appear also on the album by Others (Cinedelic Records).

Live at Leeds is the first live vinyl record by the English rock band The Who. It was the only live album that was released while the group were still actively recording and performing with their best known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon. The complete 33 track set form Leeds University, 14 February 1970. Mastered At Abbey Road Studios. This record was cut using half-speed mastering. In their early prime the Who hit #4 U.S. with "Tommy" ('69), "Who's Next" ('71) and maybe the best live album ever, "Live at Leeds." The 1970 LP only featured six songs from the band's storming set at Leeds. The 1995 CD upped the songs from that show to 14, then a 2-CD edition (2001) finally unveiled all 33 songs the Who played at Leeds-but the running order was not true to the original performance. That "Leeds" us (sorry) to this: the 180-gram triple-vinyl deluxe edition, which restores their storied set's original sequence and boasts superior sound due to half-speed mastering at Abbey Road. If ever an album was meant to be turned up to 11, it's this: "I Can't Explain," "Young Man Blues," "Happy Jack," "Substitute," "The Acid Queen," "Pinball Wizard," "Tommy Can You Hear Me?," "I'm Free," "Summertime Blues," "My Generation," "Magic Bus" and more of the Who on stage at their electrifying best in 1970! Universal UK.

Original inner sleeve. Vinyl is close to NM.

It defied reason. Forming a band in order to raise from the dead a short, obscure musical period of lawlessness between 1965-67, in a day and age of predictable, artificial and uninspired "music".
Coming from the 4 corners of LA County, The Sound Reasons got it together. Locals began seeing where it was at, because, every performance they saw, the boys brought the thunder and lightning down in the form of a hip shaking, pounding, jangly, fuzz drenched soundscape.To the Sound Reasons, music is THE THING with no artificial ingredients, and real SOUL. With the Sound Reasons, Rock and Roll, really,
is alive and well. For this band, the only thing that counts is getting it tight, out of sight and nailing the elusive SOUND.
This debut release is sure to turn your party, cookout, or freakout ON because these guys have the stuff.
The stuff that defies Reason!
Heavy Carton delux edition, oldschool sleeve glued backflip

“Havana Moon” captures the historic, once in a lifetime concert by The Rolling Stones in Havana, Cuba on 25th March 2016. Directed by Paul Dugdale (Adele, Coldplay) this epic, record breaking concert is packed with hits and classic tracks. Filmed at the end of the “América Latina Olé” Tour, Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood performed a truly spectacular set to an estimated 1,2 million adoring fans. The highly anticipated free show attracted a huge audience in the same week as President Obama became the first serving US President to visit Cuba in 88 years. TV News reported that Obama was 'the warm up act' for the Rolling Stones and Obama paid tribute to the Stones in his first speech to the world's media in Havana. As the Stones took to the stage under a perfect “Havana Moon” for a show that will forever go down in history books as a life changing moment for a country on the brink of change, there was nothing that was going to come between the band and their fans including the Vatican in Rome who had objected to rock n roll in Havana on Good Friday.
This release contains 3LPs and the DVD.

Copy is close to NM!

Digipack.

digipack box

UK psychedelia moved into prog rock with spices of hard rock in the late sixties, some even coined a new label to describe the strong textures resulting of the mixture of rockier blues sounds, jazz, revolutionized freakbeat and the hardest side of popsike - ‘heavy psych’. Amongst the best works of the era were the two splendid LPs recorded by Welsh band Eyes Of Blue.

The Eyes Of Blue where formed in 1966 and soon won the Melody Maker Beat Contest, a fact that secured them a recording deal with Deram records. The label issued their first 45s, they were good but -due to company pressure- more Blue Eyed Soul or even bubblegum oriented. By the time they released their first LP, on Mercury, their real sound had surfaced, showing influences by some of the coolest bands from the US West Coast like The Doors or Love, and also counted on the help of Graham Bond.

Originally released in 1969, In Fields Of Ardath was the follow up to their superb debut LP, expanding the path of heavy Hammond based psychedelic progressive rock at its best with their aim of experimentation. This album contains also material they recorded for the movie Toy Grabbers in collaboration with Quincy Jones.

Members of Eyes Of Blue would later join Man, Pete Brown & Piblokto! and Gentle Giant.

First ever legit vinyl reissue, in a limited run of only 500 copies, including two bonus tracks from a non-LP 45, in remastered sound and featuring an insert with photos and liner notes.

For the first time on vinyl and pressed on 180-gram vinyl.

For the first time on vinyl and pressed on 180-gram vinyl.

Still in shrink but opened with hype sticker. Tiny wear. Blue vinyl is close to NM. 2017 reissue. Limited edition. With insert

Cardboard sleeve.

8 panel gatefold. CD is missing. Original inner sleeves.

Yellow vinyl. Tiny wear. Limited edition. With insert

180gr vinyl. with insert.

Still in shrink but opened with hype sticker. Vinyl is close to NM. With insert.

Limited edition for Record Store Day 2017!

Squadra Omega is one of the bands which best represents the vast spectrum of the Italian underground. Psychedelic, avant-garde, jazz-rock, improvisation, kraut-rock, rock in opposition and ethno-tribalism blend seamlessly into the work of a collective that moves and expands depending on the urgency of the moment, focused around a core that rotates around the two members OmegaMatt and OmegaG8. In the band's wide discography we find compositional freedom, improvised jam-sessions in and a amplitude of references, all of which move between different spaces and times.

Materia Oscura (Dark matter) offers a glimpse at the same time the soil of the "rock" matter as well as the alien, seen from multiple points of view, neighbors and materials distant and mysterious. Three tracks that stretch their eyes at Orient or Africa as well as into the depths of the cosmos, landing on the side of the art-rock of the '70s and towards some psychedelic, visionary, cinematic drives then explode into a real ecstatic trip. Inputs from Coltrane, Canterburian jazz-rock, Grateful Dead and Synthy-Space views are melted into free-form landings until they discover their own personal form of prog. Different Universes collide and coexist in the band in a constant mutation, maintaining faith in one single ideal: "music for the third eye”.

The album comes in a thick carton cover and with a central hole.

Official reissue! Spiritual Beggars’ ass-kicking, hard-rocking 8th album bulges with 70s proto-metal trimmings. Michael Amott (Arch Enemy/Carcass) is joined by Ludwig Witt (Firebird/Grand Magus) on drums and Per Wiberg (Opeth) on keys.

This latest instalment in Soul Jazz Records’ successful Deutsche Elektronische Musik series delves deeper into the German nation’s vaults to bring a fascinating new collection that again brings together a selection of classic German electronic and rock groups, including Neu!, Cluster, Popol Vuh, La Düsseldorf, Agitation Free, alongside a host of rare tracks by lesser known artists which includes Michael Bundt, Bröselmaschine, Dronsz, Achim Reichel and others.
The music of Deutsche Elektronische Musik 3 ranges from the introverted pastoralism of Hans Joachim Roedelius and Bröselmaschine, to the angular and futuristic electronic experimentations of Klauss Weiss, Pyrolator, Deuter, Michael Bundt and others, to the proto-punk of La Düsseldorf and the heavy space, progressive and cosmic rock of Missus Beastly, Niagara and Dyzan.
The music on Deutsche Elektronische Musik 3 was all recorded in the 1970s up to the early 1980s, at a time when forward-thinking German electronic and rock groups were searching for a new musical identity in order to separate themselves from both the cultural legacy of post-world war two Germany as well the ‘cultural imperialism’ of USA and UK rock. In this process German groups created some of the most unique and inspired music, the defining motorik beat alongside a host of ethno-musical influences from far afield – including Turkey, India, Brazil – as well as the musical and futurist possibilities of developments in electronics and technology itself.
Deutsche Elektronische Musik 3 is released as a heavyweight 3xLP, deluxe double CD pack and digital release. The new extensive sleevenotes are by David Stubbs, who is the author of the acclaimed book, ‘Future Days: Krautrock and the Building of Modern Germany’ (Faber & Faber).

Soul Jazz Records Deutsche Elektronische Music Volume 2 is now available as two separate double LPs for the first time in over 10 years! Soul Jazz Records' 'Deutsche Elektronische Musik 2' is their second voyage into the world of Krautrock and German electronic music from the 1970s and early 1980s. Features a stunning line-up of seminal German groups, including Can, Faust, Popul Vuh, Neu!, Cluster, Amon Düül II, La Düsseldorf, as well as a host of lesser known and more obscure groups and artists such as Agitation Free, Bröselmaschine, Niagara and many more.

Soul Jazz Records Deutsche Elektronische Music Volume 2 is now available as two separate double LPs for the first time in over 10 years! Soul Jazz Records' 'Deutsche Elektronische Musik 2' is their second voyage into the world of Krautrock and German electronic music from the 1970s and early 1980s. Features a stunning line-up of seminal German groups, including Can, Faust, Popul Vuh, Neu!, Cluster, Amon Düül II, La Düsseldorf, as well as a host of lesser known and more obscure groups and artists such as Agitation Free, Bröselmaschine, Niagara and many more.

Cover has a bent corner, close to NM!

Snot's music is a mix of rough around the edge rock 'n' roll and fun funky hardcore punk-rock, especially on the standout songs "Snot", "Deadfall", "Joyride", "The Box". Celebrating the 20th anniversary of the album, Music On Vinyl proudly presents the first ever vinyl release of Get Some!

Cover close to NM

Yellow vinyl has a few paper scuffs. Original inner sleeve

Straight from the vaults of the legendary Golden Voice Recording Co. comes REMEDY's funky hard-rock boogie sound. Remedy was one of the top live rock bands in Illinois in the early 1970s and their recorded legacy has remained largely unheard until now. This previously unreleased album was created from the restored four-track masters. It includes an insert with a in-depth bio and pictures of this nearly forgotten Pekin, IL band.

The first ever collection of Ranny Sinclair's brilliant late '60s recordings, featuring A- and B-sides plus unreleased material that includes alternate versions. Ranny's four singles were soaked with the vibe and essence of NYC in the '60s and seasoned wi

Vinyl is close to NM. Still in shrink but opened with hype sticker. with booklet and insert. 2017 reissue.

Still sealed with hype stickers. Stuffed corner, cover is close to NM. 2016 reissue on 180gr vinyl.