Classic Rock 4239 Items

Release: 1974 / UK – Reissue

Genre: Rock & Indie

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2LP | 1974 | DE | Reissue (Zappa)

Frank Zappa

Roxy & Elsewhere

Release: 1974 / DE – Reissue

Genre: Rock & Indie

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LP | 1974 | DE | Original (Polydor)

Roy Buchanan

Rescue Me

10,99 €*

Release: 1974 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 1974 | JP | Original (Asylum)

Bob Dylan / The Band

Before The Flood

19,99 €*

LP | 1974 | EU | Reissue (Vinyl Lovers)

Release: 1974 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, but with insert. Vinyl close to VG+

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New York Dolls

Too Much Too Soon

25,99 €*

LP | 1974 | EU (Vinyl Lovers)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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remastered reissue of the original 1074 album on 180g vinyl

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Nico

The end

Release: 1974 / EU

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Sony BMG)

Bob Dylan

Blood On The Tracks

LP | 1974 | US | Reissue (Epic)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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180 gram vinyl of Rolling Stones number 9 ranked best album ever.

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AC/DC

74 jailbreak

33,99 €*

LP | 1974 | EU | Reissue (MCA)

Release: 1974 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Lynyrd Skynyrd

Second Helping

14,99 €*

Bolex Dementia Splattered Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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incl. 'sweet home Alabama'

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Hard Stuff

Bolex Dementia Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Second and last album by Hard Stuff, originally released in 1973 on Purple Records. This time, the three-piece hard-rock group led by John Cann (Andromeda, Atomic Rooster…) and featuring John Gustafson on bass and Paul Hammond on drums, incorporate some cool funk-rock and experimental touches to their powerful sound. After touring with Deep Purple, Uriah Heep and Captain Beefheart, Hard Stuff started recording their second album at A.I.R studios with a few songs actually registered at De Lane Lea. Sadly, just before the LP was released, tragedy struck and Cann and Hammond were badly injured in a car crash in Belgium. Hammond took the worst part, having to stay for two months at the hospital. That was the end for Hard Stuff. “Hard Stuff’s second album, the underrated 1973 platter Bolex Dementia is perhaps a more accomplished and varied studio effort.” -Plastic Crimewave

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Hard Stuff

Original Broadway Cast - Jesus Christ Superstar

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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V.A.

LP | 1973 | JP | Reissue (MCA)

9,99 €*

Parsifal Picture Disc Vinyl Edition

Release: 1973 / JP – Reissue

Genre: Rock & Indie, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI! Vinyl is close to NM and the cover is close to VG+!

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Pooh

LP | 1973 | EU | Reissue (Warner Music)

37,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Chicago VI Turquoise Vinyl Edition

Chicago

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Chicago VI Silver Vinyl Edition

Chicago

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Lady Killer Bi-Colored Vinyl Edition

Mouse

Lady Killer Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Led by legendary prog-fusion / session guitarist Ray Russell (John Barry Seven, Graham Bond, Georgie Fame, Running Man…) and bass player Jeff Watts (Steel Mill), Mouse released their only album in 1973 for the short-lived Sovereign label. An eclectic mix of progressive sounds, hard-rock, psych, blues and glam with stunning acid lead guitar. Includes their celebrated cover of Medicine Head’s “All the fallen teen-angels”. Remastered sound, original artwork in gatefold sleeve just like the original, insert with liner notes and pictures.

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Mouse

LP | 1973 | US | Original (Warner)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Malo

Evolution

LP | 1973 | US | Reissue (Riding Easy)

Release: 1973 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

top spine is torn

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ODA

LP | 1973 | EU | Reissue (Grönland)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Of the plethora of touted "private press hard rock monsters'' out there, very few live up to the swaggering riff-fury of west coast blasters ODA. Commonly known as the "Black Album," the first clobbering platter by the quartet was released on their own tiny Loud Phonograph Records imprint and now commands large sums—but is actually worth the heavy hype. The band naturally centered around Randy Oda, a multi-talented ax shredder and keyboardist, and the lineup was filled out by his brother Kevin on drum assault, Art Pantoja on lead bellows and rhythm guitar, and galloping bassist Kyle Schneider.

The Oda brothers were born in Alameda County, California, attending Kennedy High School in Richmond, and started the band while still teenagers at the beginning of the '70s. ODA was influenced by hard UK rockers like Deep Purple, Zep, Free, and the Who, and they gigged all over the Bay Area, with Randy garnering comparisons to Jeff Beck's molten six-string mastery. This 1971 self-titled LP (aka the Black Album) fully displays their blistering talents, but despite some local airplay on Ksan radio, the band packed it in by '73.

This would not be the end of the Oda story, as Randy joined CCR's Tom Fogerty in the outfit Ruby afterwards, laying down his licks on two LPs that flirted with the mainstream, while staying true to his highly electric guitar muse. In 1983, ODA actually reformed for one more LP on Loud Phonograph, entitled Power Of Love. The comeback album delves a little deeper into radio friendly power pop, which makes sense, as in '82 Oda co-wrote "Think I'm In Love" with Eddie Money (which, let's face it, is Money's best song by like a mile). Randy would also collaborate with Fogerty as a duo, and the posthumous Sidekicks album (released after Fogerty passed) listed the clearly-integral Randy Oda as "arranger, composer, guitar (acoustic), guitar (electric), keyboards, primary artist, and producer.” In the 2000s, Randy would start another band with his brother called OPO which means "to lay a foundation" in Hawaiian, and ODA would reform to play a benefit in 2015 along with other obscure and heady/heavy Bay Area rockers like Savage Resurrection and Country Weather (some live footage of the event shows the band still rocking hard).

At last, Riding Easy is legitimately reissuing ODA's first smoking, gargantuan LP with bonus tracks, so crank this one up in the '70s Camaro with the windows open, and some dirt weed joints a-blazin'.

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Harmonia

Musik Von Harmonia

25,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

Lou Reed

Berlin

60,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Rocksession Colored Vinyl Edition

Embryo

LP | 1973 | EU | Reissue (MIG)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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A Wizard A True Star Magenta Vinyl Edition

Todd Rundgren

2LP | 1973 | US | Reissue (Friday Music)

81,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Bridge Over Troubled Water

Simon & Garfunkel

14,99 €*

Release: 1973 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing, without Obi. Cover has light foxing.

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The Wild, The Innocent & The E Street Shuffle Limited Edition Ultradisc One-Step 33rpm Supervinyl Edition

LP | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

139,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Strictly Limited TO 7,500 Numbered Copies: Ultradisc One-step 180g 33pm LP SET Presents 1973 Album IN Audiophile Sound 1/4" / 15 IPS / DBX analogue copy to DSD 256 to analogue console to lathe / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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The Wild, The Innocent & The E Street Shuffle Sacd

CD | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

LP | 1973 | JP | Reissue (Universal Music Japan)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Sacd: Mastered ON Mobile Fidelity's Renowned Mastering System: Numbered-edition Hybrid Sacd Plays With Expressive Clarity / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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Motoaki Masuo

First

34,99 €*

It's Like You Never Left = 忘れえぬ人

Release: 1973 / JP – Reissue

Genre: Rock & Indie

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Motoaki Masuo, known for his active role as a guitarist in the 1970s and 1980s, debuted his album on Polydor in 1973. This album, a hidden gem of Japanese soft rock, showcases his talent as a songwriter, arranger, and singer. Notable guests on the album include Masami Tsuchiya, who later formed Ippudo, as well as Takeru Sato and Tetsuji Hayashi.

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Dave Mason

6,99 €*

2LP | 1973 | JP | Reissue (Warner Music Japan)

Release: 1973 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

No Obi, no insert.

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Flower Travellin' Band

Make Up

47,99 €*

Tales From Topographic Oceans

Release: 1973 / JP – Reissue

Genre: Rock & Indie

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An analog reissue of Flower Travellin' BAND's last album in the 70's, "make UP", has been decided! The strongest new rock band, Flower Travelin' Band (ftb) The last album in the 70's, full of live feeling that most embodies the band's style. Produced by: Flower Travelin' Band, Yuya Uchida, Ikuzo Orita

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Yes

2LP | 1973 | JP | Original (Atlantic)

33,99 €*

2LP | 1973 | JP | Reissue (Liberty)

Release: 1973 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM. Japanese pressing.

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The Ventures

On Stage '73

LP | 1973 | JP | Original (A&M)

Release: 1973 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI. 1976 reissue.

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Carpenters

Super Max 20

9,99 €*

LP | 1973 | JP | Original (A&M)

Release: 1973 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi, with insert. Japanese pressing.

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Carpenters

12,99 €*

L'orso Bruno Black Vinyl Edition#

Release: 1973 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI.

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Antonello Venditti

LP | 1973 | EU | Reissue (Saifam)

39,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Björn & Benny, Agnetha & Anni-Frid

Ring Ring

LP | 1973 | EU | Reissue (Polar)

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2011 reissue.

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Moonstone

23,74 €* 24,99 € -5%

LP | 1973 | US | Original (Columbia)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Re-issue of the Canadian band's only album released back in 1973 on the small Kot'Ai label. Moonstone came from Winnipeg, Manitoba and were a small cult band active in the early 1970's. They played mainly acoustic folk rock with psychedelic overtones and beautiful harmonies.

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Paul Simon

There Goes Rhymin' Simon

9,99 €*

Jim Reeves' Golden Records

Release: 1973 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Cover has a cut corner.

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Jim Reeves

LP | 1973 | UK | Original (Camden)

4,99 €*

Release: 1973 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

The Byrds Audiophile Violet Vinyl Edition

The Byrds

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Rigor Mortis Orange Vinyl

John Entwistle

LP | 1973 | UK | Reissue (Demon)

36,99 €*

Release: 1973 / UK – Reissue

Genre: Rock & Indie

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Storia Di Un Impiegato Edizione Way Point Black Vinyl Edition

Fabrizio De Andre'

LP | 1973 | EU | Reissue (RCA)

37,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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The Wild, The Innocent & The E Street Shuffle

LP | 1973 | US | Reissue (Sony)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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LP | 1973 | US | Reissue (Future Days)

Robb Kunkel

Abyss

19,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 1973 | EU | Reissue (The Saifam Group)

Rocky's Filj

Storie Di Uomini E Non

33,59 €* 47,99 € -30%

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | US | Original (Virgin)

Mike Oldfield

Tubular Bells

LP | 1973 | US | Original (Epic)

Release: 1973 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

damaged spine. RI pressing

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Poco

Crazy Eyes

15,99 €*

7" | 1973 | UK | Original (Polydor)

Release: 1973 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Terre Haute Pressing.

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Slade

My Friend Stan

3,99 €*

Release: 1973 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1973 | JP | Original (Capitol)

Grand Funk Railroad

We're An American Band

40,99 €*

LP | 1973 | JP | Reissue (CBS/Sony)

Release: 1973 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. OBI is missing. With insert.

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Aerosmith

40,99 €*

2LP | 1973 | NL | Original (Ariola)

Release: 1973 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Tiny wear. OBI is missing. 1975 reissue.

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The Flying Burrito Bros

Live In Amsterdam

17,99 €*

Release: 1973 / NL – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1973 | DE | Original (Ariola)

T. Rex

Tanx

16,99 €*

Twice Removed From Yesterday

Release: 1973 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

taped spines, small tears and writing on cover. Original inner sleeve. Vinyl is Close to VG+.

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Robin Trower

LP | 1973 | FR | Original (Chrysalis)

Release: 1973 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with seam split on spine

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Brownsville Station

Yeah Red Vinyl Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Klimt)

Aunt Mary

Janus Red Vinyl Edtion

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Aunt Mary was a prog rock band formed in Fredrikstad, Østfold in Norway in the early 70's. Signed a contract with Polydor in Denmark to release Aunt Mary in 1970. The group gradually moved towards progressive rock with the records Loaded in 1972 and Janus in 73. In the spring of 1973, during the preparations of their third album, Svein and Bjørn decided to take their music even further and spent months together writing for what they wanted to be the band's international album. The music was more prog-orientated than its predecessor. Fans and critics would later compare it to Pink Floyd, King Crimson or even a psychedelic version of The Beatles ! In June 1973, the band entered the studio. But its members were so tired of life on the road that they decided to cut the album, do the launch tour and then split up. Knowing that this album was "their swansong", they really did their best to make it shine. The band spent so much time recording that the producer, Svein Robert Ludviksen, almost lost his job. But the album turned out to be what the band would consider "the best of their career".

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Doobie Brothers

Captain And Me

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Yeah Featuring Smokin' In The Boys Room Colored Vinyl Edition

Brownsville Station

Release: 1973 / US – Reissue

Genre: Rock & Indie

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LP | 1973 | JP | Reissue (Universal Music Japan)

Vodka Collins

Tokyo New York

49,29 €* 57,99 € -15%

Release: 1973 / JP – Reissue

Genre: Rock & Indie

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Zerfas

14,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1973 | UK | Original (Elektra)

V.A.

The One That Got Away

3,99 €*

Release: 1973 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1973 | AU | Original (Virgin)

Link Wray

Beans And Fatback

48,99 €*

Larks' Tongues In Aspic 50th Anniversay Edition

Release: 1973 / AU – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Price tag. Small tear on cover.

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King Crimson

2LP | 1973 | UK | Reissue (Panegyric)

38,99 €*

Release: 1973 / UK – Reissue

Genre: Rock & Indie

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50th anniversary edition of King Crimson’s classic 1973 album. Packaged in two gatefold sleeves with booklet in a rigid exterior slipcase.

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Greetings From Asbury Park N.J.

LP | 1973 | US | Reissue (Mobile Fidelity)

99,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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2LP | 1973 | NL | Original (Ariola)

The Flying Burrito Bros

Live In Amsterdam

25,99 €*

Release: 1973 / NL – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

El Inca Black Vinyl Edition

Wara

LP | 1973 | EU | Reissue (Guerssen)

Between Nothingness & Eternity

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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One the Holy Grails of South American heavy progressive rock, originally released in 1973 by this Bolivian band. Influenced by hard-rock giants like Uriah Heep or Deep Purple, Wara (whose name translates to Light of the Star in the Aymara language) also added touches of their own Bolivian heritage to the mix, resulting in a pioneering work of fusion between prog/psych rock and Andean folklore. Raw fuzz-wah guitar, organ, occasional violin & flute, heavy drumming, passionate Spanish vocals a la Ian Gilan…

"El Inca" was originally pressed on black vinyl with very few copies on transparent green vinyl. Both editions are virtually impossible to find now.

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Mahavishnu Orchestra

16,19 €* 17,99 € -10%

Carlos Santana, John McLaughlin

Release: 1973 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI. Vinyl with a couple of light scuffs, close to VG+. Cover with spine damage

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Love Devotion Surrender

Release: 1973 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with insert, OBI is missing. close to NM

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Chicago

Chicago VI

19,99 €*

Release: 1973 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1973 | CA | Reissue (Return To Analog)

Peter Tessier

By Turning A Knob

25,64 €* 26,99 € -5%

Release: 1973 / CA – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Lipposen Levy Ja Kasetti)

Jukka Tolonen

Summer Games

LP | 1973 | US | Reissue (Mobile Fidelity)

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Tolonen’s 2nd solo album from 1973 reissued in its original gatefold format with insert including new interviews with all key players – Tolonen, Esa Kotilainen, Häkä Virtanen, Måns Grundstroem.

100 copies available only.

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Paul Simon

There Goes Rhymin' Simon

119,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Contaminazione Purple Vinyl Edition

Rovescio Della Medaglia

LP | 1973 | EU | Reissue (RCA)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP+10" | 1973 | EU | Reissue (Bonfire)

Bachdenkel

Lemmings

29,99 €*

LP | 1973 | EU | Reissue (Universal)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Bachdenkel was an English rock band that started under the name The U (Don't) No Who in 1968. The three piece consisted of band leader Colin Swinburne on vocals/guitars/keyboards, Peter Kimberley on bass/piano/vocals and Brian Smith on drums, with Karel Beer as an additional musician, engineer and producer. The group relocated to France to live, perform and record. Thei first effort – Lemmings – was released on Philips France in 1973, showing their excellent musicianship and songwriting. Conceived as a three sided album it was recorded during the summer of 1970. This double version includes 3 missing tracks originally conceived for the Initial Recording Company EP, a small label ran by Karel Beer. The album has an evident late sixties british psych-rock flavor, but comes with occasional harder moments and longer, more developed compositions in a proto Prog rock manner.

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Deep Purple

Who Do We Think We Are

LP | 1973 | EU | Reissue (Wah Wah)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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This release comes on 180g vinyl.

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Rupert Hine

Unfinished Picture

LP | 1973 | EU (Trading Places)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Recorded in 1973 at the Church of Saint Mary Magdalene in Paddington, London, Unfinished Picture is Rupert Hine's second LP. The songs where all composed by Hine with lyrics by David McIver and Simon Jeffries. On its sessions, Hine was surrounded by a host of outstanding musicians that included Simon Jeffes (Penguin Cafe Orchestra), Mike Giles (Giles, Giles & Fripp / King Crimson), Mick Waller (Cyril Davis, The Steampacket, Jeff Beck Group), Ray Cooper (Eric Clapton, Elton John) among others.

Rupert Hine's recording adventures started with the release of a 7" 45 by the folk duo Rupert & David "The Sounds Of Silence". In 1971 he was approached by Purple Records for the release of his debut solo LP Pick Up A Bone, which despite its lack of commercial success featured a strong collection of critically acclaimed compositions that made Purple Records want him to record a second album - Unfinished Picture, on which Hine showed a fantastic evolution to a more conceptual, cinematic approach. Echoes of Ray Davies, Kevin Ayers or hints of Nick Drake taken to a more 'happy' territoire mix with beautiful strings by The Martyn Ford Orange Ensemble and even some ARP synth explorations to build a fantastic collection of sounds that take the listener on a trip through the worlds of folk, psych and prog.

Hine's career would soon take off as a famed producer, he did work with Kevin Ayers, Milla Jovovich, Jonesy, Steve Tilston, Anthony Phillips, Camel, Saga, Rush, Tina Turner, Howard Jones, Bob Geldof, Suzane Vega, and many others. The Wah Wah reissue offers the original artwork in its gatefold cover & insert and is limited to 500 copies only!

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Jonesy

Keeping Up

20,99 €*

LP | 1973 | EU | Reissue (Pilz)

Release: 1973 / EU

Genre: Rock & Indie

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Formed in 1971 by guitarist John Evan-Jones and his bassist brother Trevor, obscure British prog-rock act Jonesy had a shifting line-up and unusual elements, Chicago-born Jimmy Kaleth’s battery of keyboards including a Mellotron. Sophomore set Keeping Up saw Trevor return to the fold, along with drummer Plug Thomas, fresh from sessions with Supertramp; guitarist Ray Russell’s lush string arrangements and Alan Bown’s plaintive trumpet and flugelhorn add extra musical dimensions. Capturing the group at their most eclectic, Keeping Up is a must for Mellotron fans and all lovers of pop, jazz, and blues-tinged prog.

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Wallenstein

Cosmic Century

2LP | 1973 | EU | Reissue (Kosmische Kuriere)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Recorded in 1973 at the Dierks Studios by Dieter Dierks and bandleader Jürgen Dollase. In 2022 the original analog masters were remastered. An elaborate work, which has led to a very good result.Lineup:Harald Grosskopf - Drums, PercussionJürgen Dollase - Grand Piano, Mellotron, Synthesizer, Vibraphone, Lead Vocals Bill Barone - GuitarViolin - Joachim ReiserBass - Dieter Meier

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Walter Wegmüller

Tarot

41,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Rock Joint Cither - Silk Road Black Vinyl Edition

Hiromasa Suzuki

LP | 1973 | EU | Reissue (Cinedelic Orient Series)

29,99 €*

LP | 1973 | DE | Original (Charisma)

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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After the space-time experience and the translation into music of the Bible of Japanese civilization, the Fulukotofumi, the following year, in 1973, Hiromasa Suzuki pushes his research and experimentation beyond the borders of his own country by venturing, with the usual companions of adventure (Kunimitsu Inaba, Hideo Sekine, etc.), along the lights and shadows of the Silk Road. A backward journey in search of the musical and cultural sources of mainland Asia, from the gates of India to the roots of China. If the Biwa lute characterized the previous chapter dedicated to the profound ancestral of Japan, here, the sitar, the Asian instrument par excellence, becomes a new narrator; Suzuki plans and manages the interventions by juxtaposing it with an opera that, like the previous one, always remains strongly jazz and rock, at times very similar to Ian Carr's Nucleus. A precious find in the endless and seminal musical archeology of modern Japanese music. Gatefold cover with insert.

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Lindisfarne

Lindisfarne Live

4,99 €*

Release: 1973 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1973 | EU | Reissue (Bonfire)

Julian Jay Savarin

Waiters On The Dance

22,99 €*

LP | 1973 | EU | Reissue (Azzurra)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. Another unsung hero of the long lost british prog history, Julian Jay Savarin is a keyboard player and composer, poet and science fiction author, hence the association with the most epic and romantic tendencies of the genre. He was born in Dominica (an island between Martinique and Guadeloupe in the Caribbean) and moved to the UK in 1962. He debuted in 1970 with Julian's Treatment, a short-lived progressive rock band which his sole album - A Time Before This - soon became a sought after collector's item. Julian went solo in 1973, before leaving the musical scene all of a sudden. Waiters On The Dance was definitely his own creation, a narrative masterwork with sumptuous arrangements. Produced by Miki Dallon (founder of independent label Young Blood) and brought to life with members of Julian's Treatment and singer Lady JoMeek, the album is a mysterious and transcendental opera. Waiters on the Dance sounds like a science fiction concept album of sort. Some of the songs rely on long form suite (the two-part "Child of the Night" and "Dance of the Golden Flamingoes" both lasting nearly nine minutes), suggesting an ideal trance state. Relying on heavy Hammond organ and hard-blues reminiscence, the album stands on his own offering occasional parallelism with Brian Auger & The Trinity and the more eclectic folk-revival. A true rare gem.

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New Trolls

Atomic System

Join Inn 50th Anniversary Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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The album Ut, with a heavier sound, closer to hard rock caused the split of the band with the two leaders Di Palo and De Scalzi going in two different ways. A legal struggle followed, for the use of the famous name, and while Di Palo with the other three chose the Ibis way, in a hard rock direction, Vittorio De Scalzi formed a new band, called N.T.Atomic System to avoid contractual problems, and with a more polished sound. To help their fans to recognize this band as the real New Trolls, early copies of the album had a sticker on the sleeve covering the N.T. name with the full New Trolls brand.

N.T.Atomic System released their first album in 1973, a nice album with a large use of horn instruments, De Scalzi himself playing flute and keyboards along with guitar.

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Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

Seven Up 50th Anniversary Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.

In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album, and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two legendary last concerts in February 1973 in Paris and Cologne.

Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since. It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also Hartmut (the Hawk) Enke soon after quit the Bass and music forever. Join Inn marks the end of the collaboration with Klaus Schulze. However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of our Series, it is considered a highlight of the Krautrock movement. As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it. "Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and expressionist for just long enough before slipping back into the musical fabric of the song. As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’ meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves. Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series. After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice

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Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

Bachman-Turner Overdrive II

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed September 1972 at Dierks Studios in Stommeln, Germany.

First release in spring 1973 by OHR Musik - the first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001. We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th 2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos from the recording session.

As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995): “When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards. 7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic group, but even weirder that he chose to sing a wild yelping freaked out blues ! Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality. The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it.

Hartmut Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would have sounded psychedelic. 7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous sounds have been allowed to stay, to drift and to dance around the performers. The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the grandest of traditions. In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though, Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W. Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away. In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown

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Bachman-Turner Overdrive

LP | 1973 | US | Original (Mercury)

11,99 €*

Release: 1973 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Premiata Forneria Marconi

Photos Of Ghosts Clear Vinyl Edtion

LP | 1973 | EU | Reissue (Numero Uno)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Zerfas

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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This is probably one of the US private press scene's greatest treasures. The sole album published by this American five-piece was released in 1973 in a ridiculously small run and soon was elected as a contemporary cult. The band from Indianapolis consisted of brothers David Zerfas and Herman Zerfas, and was originally formed in 1969. While they released just a single self-titled album, they continued to play gigs until 1983. All the material is self-penned which comes as a surprise as the tracks are uniformly strong, with lots of keyboards, sound effects, and some outstanding harmonies. An excellent mix of proto-garage, psych and even prog with a strong effort on studio wizardly. A rare gem all in all !

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Curtis Knight Zeus

Sea Of Time

Fiore Di Metallo Clear Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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In the early 70s, Hendrix’s old friend & collaborator Curtis Knight moved to London and formed Curtis Knight Zeus, recruiting a young guitarist named “Fast” Eddie Clarke (later of Motörhead fame).

Sea Of Time was recorded at Olympic Studios in 1973 but never actually released in the UK, only in a few European countries. Psychedelic hard-rock with soul/funk influences and even some raw proto-punk moves. All songs were written by Curtis, showcasing his versatile songwriting talent, and he’s also on lead vocals / guitar.

Includes the underground heavy-funk-rock hit “The Devil Made Me Do It” and more!

Recommended if you like Jimi Hendrix, Arthur Lee’s “Vindicator”, Chubby Checker’s “Chequered”…

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I Califfi

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Manfred Mann's Earth Band

Messin' Record Store Day 2022 Picture Disc Edition

LP | 1973 | EU | Reissue (Creature Music)

30,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Manfred Mann's Earth Band

Solar Fire Record Store Day 2022 Picture Disc Edition

LP | 1973 | EU | Reissue (Creature Music)

30,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Oasis (US)

Oasis

Duello Madre Clear Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Another psych holy grail, finally seeing the light of day. Oasis was an American rock band from Marin County, California active in the 1970s. They eventually morphed from the prog-folk ensemble R J Fox. Their self-titled debut album was released as a private press in 1973 by the Cranbus label in a small run of 150 copies, imagine that…The record was in fact never released in the States but only in Canada, such a mystery today. Coming from the west coast the band - led by female vocalist and eclectic piano player Sherry Fox – was certainly informed by local stalwarts (Ultimate Spinach and Jefferson Airplane may come to mind) but had certain similarities with the Allman Brothers country rock guitars and David Crosby vocal harmonies circa ‘If I Could Only Remember My Name’. Not to mention the key jazz folk albums of Joni Mitchell. Here’s a superb psychedelic folk rock manifesto, still fascinating and over the top, in the name of universal love.

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Duello Madre

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Everland Psych)

Niagara

Afire

Milano Calibro Nove Clear Green Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Niagara's third LP Afire is the rarest one from kraut drummer, formerly of Sunbirds, Klaus Weiss' band. An astonishing album which returns to the minimal sounds based on percussion and rhythm of their first album, yet retaining a feel of harmony all through it - this time not provided by the brass instruments that had been added in S.U.B., but though to the high emphasis put on combining a variety of drums each tuned to their perfect pitch, and the contribution of Embryo's bass player Dave King. Also present on the sessions were percussionists George Brown, Sabu Rex and Norman Tolbert. The phenomenal rhythms contained on this LP have made it a very sought after piece among those looking for cool samplers to mix.

Klaus Weiss is considered one of the best drummers of the German jazz scene, he was always very active and played with a lot of USA jazzmen travelling Germany like Hampton Hawes, Herbie Mann, Mal Waldron or Johnny Griffin, as well as with German greats as Klaus Doldinger, George Gruntz, Friedrich Gulda, etc.

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Osanna

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Riflessioni: Idea D'infinito Clear Green Vinyl Edition

Dalton

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Bells, Boots And Shambles Neon Green Vinyl Edition

Spirogyra

LP | 1973 | EU | Reissue (Klimt)

7" | 1973 | DE | Original (CBS)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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An essential dark progressive folk re-issue. Initially formed by duo Martin Cockerham and Mark Francis in Bolton in 1968, the band expanded when Cockerham was a student in Canterbury at the end of 1969. In 1973 the band recorded their third album, released on Polydor Records. By this time Spirogyra had become a core of Martin Cockerham (guitar, vocals) and Barbara Gaskin (lead vocals) with Steve Borrill (bass) and guest musicians Dave Mattacks (drums), Julian Cusack (violin, keyboards), Henry Lowther (trumpet), John Boyce (cello), Stan Sulzman (flute) and Steve Ashley (whistle).

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Mott The Hoople

Roll Away The Stone

7,99 €*

Release: 1973 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Ekseptional Classics - The Best Of Ekseption

Ekseption

LP | 1973 | DE | Original (Philips)

4,99 €*

Release: 1973 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1973 | EU | Reissue (Out-Sider)

Brigg