Classic Rock 162 Items

The Endless River has as its starting point the music that came from the 1993 Division Bell sessions, when David Gilmour, Rick Wright and Nick Mason played freely together at Britannia Row and Astoria studios. This was the first time they had done so since the 'Wish You Were Here' sessions in the seventies. Those sessions resulted in The Division Bell, the band's last studio album.

In 2013 David Gilmour and Nick Mason revisited the music from those sessions and decided that the tracks should be made available as part of the Pink Floyd repertoire. It would be the last time the three of them would be heard together. The band have spent the last year recording and upgrading the music,using the advantages of modern studio technology to create The Endless River.

The Endless River is a tribute to Rick Wright, whose keyboards are at the heart of the Pink Floyd sound. It is a mainly instrumental album with one song, 'Louder Than Words', (with new lyrics by Polly Samson), arranged across four sides and produced by David Gilmour, Phil Manzanera, Youth and Andy Jackson.

The Endless River has as its starting point the music that came from the 1993 Division Bell sessions, when David Gilmour, Rick Wright and Nick Mason played freely together at Britannia Row and Astoria studios. This was the first time they had done so since the 'Wish You Were Here' sessions in the seventies. Those sessions resulted in The Division Bell, the band's last studio album.

In 2013 David Gilmour and Nick Mason revisited the music from those sessions and decided that the tracks should be made available as part of the Pink Floyd repertoire. It would be the last time the three of them would be heard together. The band have spent the last year recording and upgrading the music,using the advantages of modern studio technology to create The Endless River.

The Endless River is a tribute to Rick Wright, whose keyboards are at the heart of the Pink Floyd sound. It is a mainly instrumental album with one song, 'Louder Than Words', (with new lyrics by Polly Samson), arranged across four sides and produced by David Gilmour, Phil Manzanera, Youth and Andy Jackson.

In 2019, at a time in which irrationalism seems to be king, with far-right politics enjoying mainstream status worldwide, religious fundamentalists, flat-earthers, and anti-vaccinists testing the limits of freedom of speech, Planet of Zeus return with their highly anticipated fifth studio album, "Faith in Physics" (Heavy Psych Sounds records). Lyrically, this album seems to be Planet of Zeus's most socio-politically conscious release, dealing with themes such as digitalization, religion, social network pseudo-revolution, addiction and lonerism. Musically, it sounds like the band's chosen to take the dirtiest path possible in order to create the highly charged atmosphere needed to get its messages through. 46 minutes of heavy, intellectual riffology and fat grooves, reminiscent of RATM's best days, MC5-esque attitude and energy, coupled with QOTSA's pop sensibilities. An album that flows like water and closes with Planet of Zeus's signature psychedelic last track, that sounds like "the Doors" landing in 2019 Athens via teleportation.

Cosmic acid-psych-soul-funk-prog extravaganza from Spain, 1971! A delirious concept album about the solar system and its planets, fuelled by fuzz-wah guitars, powerful and crazy vocals, bizarre electronic effects, Hammond organ, soulful horns and funky drums. This reissue also includes the previously unreleased 'Proyecto B' recordings from 1974, which were meant for the (unissued) second Proyecto A album.
This material features founder Frank Dubé backed by the famous Spanish prog band Iceberg and sax/flute player Juan Mena (ex-Maquina and Eddie Lee Mattison Band). A must for fans of Latin-psych-funk and library/cinematic sounds! The 8-page insert offers rare photos and detailed liner notes in Catalan, Spanish and English.

There's no mucking about from Raised Fist frontman Alexander 'Alle' Hagman when he's asked for his feelings on their new studio album Anthems. The urgency and sincerity with which the songs are delivered on the Swedes' seventh album belies their status in the scene. 'It's so non-generic and it's not touching anything of this generic hardcore metal digitally produced shit that you can hear bythe dozens every hour you look up bands' Alexander says. 'Right at this time, we're actually producing something that has a new sound'. It doesn't fit the usual rock n roll myth that bands are able to stick around for 7 records. The band wanted to focus their efforts on just ten tracks to keep the album short and sweet and the intention clear. 'We've never done anything like this before and the quality is a big step-up from the things we've made in the past.' Produced by Roberto Laghi & Jakob Herrman at Top Floor Studios in Gothenburg and Oral Majority Recordings, the guitars and drums punch through with a driving beat to raise your fist too. Alexander insisted that all 10 songs have a recognisable hook to grab the audience's attention.'We felt like we created a masterpiece' - Alexander Hagman

Colored Vinyl, download, limited to 2000, indie-retail exclusive Limited edition for Record Store Day 2015!

Sabattis were an underground hard-rock band from New York formed in 1968 by Jim Marvin (guitar & lead vocals), Gary Culotta (keyboard and vocals), Larry Wegman (drums) and Rocky Kaler (bass).

Influenced by bands like Deep Purple, Mountain and Grand Funk, they gigged around town playing lot of psychedelic clubs and venues. In 1970, they recorded a demo with the intention of securing a record deal which never came. The demo tape was in fact a fully finished album recorded and engineered by a friend from the band, Mick Gauzaski, who despite using a homemade studio, managed to obtain a real pro sound. No wonder Mick is now a multiple winner Grammy award!

The Sabattis demo remained unreleased until 2011 when Jargon Records discovered the tapes and put out a CD edition with the band involvement.
So we're proud to present a new reissue of "Warning In The Sky", remastered from the original tapes and including an insert with rare photos and liner notes by Klemen Breznikar (It's Psychedelic Baby)

Sabbatis sound is powerful heavy-psych sound with swirling Hammond organ and hard guitar which brings to mind other obscure acts like Jungle.

Limited and numbered edition of 500 copies on orange and white vinyl in a deluxe heavy-duty cover case.

A n d w h a t i f t h e i n f a m o u s
UNDERGROUND and OVERGROUND
albums had a third psychedelic
chapter, still secret and unreleased
until today?
Yes, you heard correctly: this
SUPERGROUND LP is sonically akin to
the legendary pair for which composer
Sandro Brugnolini will always shine
worldwide, and ideally brings the
trilogy to a close. Composed and
recorded in two sessions between July
1969 and November 1970, the album
echoes the shocking 1969's Charles
Manson massacre, with tracks
dedicated to the villa at Cielo Drive, in
Hollywood, where Sharon Tate e Roman
Polanski lived for six months. Some
music was also used for an animated short movie signed by Pino Zac, “Radice Quadrata di 3”, a little art-film
gem about the consumer society.
The recordings have all in common the terrific line up, featuring MARC 4 members Antonello Vannucchi
(organ), Maurizio Majorana (bass), Roberto Podio (drums), along with Angelo Baroncini (guitar) replacing Carlo
Pes. An incredible groovy combo that plays a strange psychedelic rock and r’n’b with funky and prog flavor.
Another lost masterpiece from Italian golden age soundtracks finally rescued and brought back in life to see
the light of the wax for its very first time.

Performance at Filmore from 1968.

Listening today to the music produced by Sensations' Fix, a project founded and directed by Franco Falsini in '70s, can't just leave anyone indifferent. Already in the mid-'60s, Falsini was full-time involved in musical activities: a tireless traveler and experimenter, an artist with uncommon curiosity and intuition, after having lived for some time in the United States and England, he finally established again in Italy where he gave shape to Sensations' Fix and signed a contract with Polydor for the release of six records in five years. Often associated with the sound of Tangerine Dream and the so-called German 'cosmic couriers', Sensations' Fix were much more than mere clones of something already existing.

"Boxes Paradise" is the fifth Sensations' Fix album, originally released in 1977 and never officially reissued on vinyl to date. Musically, it follows the same path inaugurated on the previous "Finest Finger", with an even more refined and elegant production, more structured and longer tracks (three out of seven exceeding the 6-minute length), all sung by an increasingly confident Franco Falsini. There are also various instrumental sections, guitar solos and 'spacey-sounding' keyboards reminiscent of the band's previous records. A real gem that sounds fresh and ripe even today!

Sensations' Fix albums are generally difficult to find; almost none of them has been reprinted in over forty years, but thanks to this series of reissues on the VM label it is now possible to rediscover them all.

First ever LP reissue, on violet Colored Vinyl!

LIMITED TRANSPARENT BLUE 180G VINYL ... GATEFOLD ... 2000 numbered limited edition

Solar Project don´t try to impress with technical craftsmanship, fast licks or complex passages, but concentrate with a Pink Floyd-like overall sound. This overall picture is filled with excellent keyboard and guitar parts, various singing voices, mysterious sound effects and nice solos. The fact that Solar Project are heavily influenced by Pink Floyd only contributes to the overall idea. On Here I am, you hear that Solar Project do have a sound of their own. The core of the band is formed by keyboardist Robert Valet and guitarist Peter Terhoeven, two German musicians with a progressive heart of gold. They are assisted by several guest musicians, who are the backing band for Solar Project. Complex art rock, sometimes heavy, sometimes floydian-style filigrane, sometimes psychedelic, this perfectly describes the musical spectrum.

Do you remember when Rock was young? Do you remember when Rock was fun? It seems some folks still do cuz some bad bad Bananas did a heist on the Buddha vault, lifted the hooks from Shakin' Street, & opened up the Joey Johnny Dee Dee Tommy throttle and let 'er rip. Five years on from their debut album of stompin' Bubblegrunge covers of Garage Rock staples by Paul Revere, The Monkees, Chocolate Watch Band, 1910 Fruitgum Company, Flipper et al ("Pebbles 2000" on Agitated Records, folks) the five-piece from the western shores of Granadaland return with a new album of all-original hip-shakin' nuggets to make your feet move and your head spin! That's right! That's right! 14 tasty trips tailor made for rock'n'roll radio ...plus 4 hidden midget gems of post-punk junk for ya ta chew on" ...Plus 4 hidden Midget Gems of Post-Punk junk for ya ta chew on! It's greasy! It's freaky! It's insane! ...and never forget: "Bubblegrunge Music Is The Naked Truth". For fans of having a good time, all the time! Stack up your heels and party Hard with these hardcore funsters.. As CD or limited edition LP with CD (limited to 500 w/w).

Like a puff of smoke, Stoned Jesus have risen above the Carpathian Mountains as not only the heaviest, but perhaps the most important rock band to emerge from Ukraine. Prior to Stoned Jesus' first communion, affable frontman Igor Sydorenko was just another familiar face among local progressive rockers. But after rekindling his old flame for metal amidst a stormy period in his personal life, Igor and his two new bandmates went off in search of more crushing highs. When it first arrived back in 2014, even Stoned Jesus were surprised by The Harvest. Having already reached the summit of stoner metal after just two albums, the band planned on digging into their progressive rock roots. With its synth-laden passages and weaving guitar solo, "Silkworm Confessions'' definitely sows those seeds. But while it leans heavily into the album's sci-fi narrative, "Here Come the Robots" comes busting out the gate with a hard-charging riff that's so aggressively catchy, it could've been programmed by alt-rock radio. "Yet another proposition / I don't want this anymore", Igor rattles off with biting swagger. With The Harvest, Stoned Jesus reaped fresh seeds of invention from stoner metal. For fans of Queens of the Stone Age, Electric Wizard, Black Sabbath 1. Here Come The Robots 2. Wound (03:14)3. Rituals Of The Sun 4. YFS (05:10)5. Silkworm Confessions 6. Black Church

Like a puff of smoke, Stoned Jesus have risen above the Carpathian Mountains as not only the heaviest, but perhaps the most important rock band to emerge from Ukraine. Prior to Stoned Jesus' first communion, affable frontman Igor Sydorenko was just another familiar face among local progressive rockers. But after rekindling his old flame for metal amidst a stormy period in his personal life, Igor and his two new bandmates went off in search of more crushing highs. When it first arrived back in 2014, even Stoned Jesus were surprised by The Harvest. Having already reached the summit of stoner metal after just two albums, the band planned on digging into their progressive rock roots. With its synth-laden passages and weaving guitar solo, "Silkworm Confessions'' definitely sows those seeds. But while it leans heavily into the album's sci-fi narrative, "Here Come the Robots" comes busting out the gate with a hard-charging riff that's so aggressively catchy, it could've been programmed by alt-rock radio. "Yet another proposition / I don't want this anymore", Igor rattles off with biting swagger. With The Harvest, Stoned Jesus reaped fresh seeds of invention from stoner metal. For fans of Queens of the Stone Age, Electric Wizard, Black Sabbath 1. Here Come The Robots 2. Wound (03:14)3. Rituals Of The Sun 4. YFS (05:10)5. Silkworm Confessions 6. Black Church

Quarta Pagina (Poliziesco) is an unique obscure recording by The Braen's Machine Now available for all music library lovers." - Despite a long series of reissues and rediscoveries that are throwing the ultimate light on one of the most fascinating and enigmatic periods of Italian music history - that of sonifications - the project that goes by the name Braen's Machine continues to evade categorization, and positive information. If you are among the many who got their hands on the beautiful "Underground", republished by Schema a few months ago, you will already know of the involvement of, among others, Piero Umiliani, Alessandro Alessandroni - the name Braen seems to be his alias - and Oronzo (Rino) De Filippi, real name of the other credited author, the mysterious Gisleri. For this new chapter from Braen's Machine, the beautiful and hard to come by "Quarta Pagina (Poliziesco)", published apparently in 300 copies, there are few available pieces of information, pointing to an involvement of Giuliano Sorgini, hidden under the name of Raskovich, and author of five out of the eleven tracks on the release.

The lack of reliable information and the enigmatic flavor surrounding the project Braen's Machine, as opposed to the ease with which the music allows us instant identification, are among the secrets that make their records unique. Unlike "Underground", "Quarta pagina" portrays with great skill some possible - who knows if they ever have been realized - crime scenes, with hard-boiled and dark atmospheres, alternating with the psych funk rides that have always characterized many of the projects related to the Italian cinematic genre. All this without excluding, however, avant-garde attitudes and atonal passages that makes "Quarta pagina (Poliziesco)" comparable to the best pages of the Gruppo d'Improvvisazione Nuova Consonanza.

The track titles, fascinating as usual, tell of "Fraud", "Shadowing", "Remorse", "Soliciting", and emphasize decisive moments as in the case of "The Victim", "On the Run" or "In Prison", while the indications that accompany the pieces will be a treat for fanatical collectors of sonifications. It's not that hard to imagine situations of "exotic full moon, preparation for a violent action, spiritualism, facing fear, sexual freedom, preparation for a revolt" while listening to these precious eleven tracks, which alternate between "slow and animated". And, believe it, you don't even need a dose of LSD (as per the advice of "The Den") in order to travel back to 1971, the year of the album's first release. A page 4 ("Quarta pagina") crime story perhaps, but a legacy of sound that largely deserves a nine-column headline on the front page ...

This album was the last for one of the founders of The Cavestompers! Ivan "Cosmos".His final contribution was the authorship of several songs.Do not look for him on the cover photo-he is Kosmos and invisibly present in our ranks like a phantom.His place at the moment occupied by Paul Petrov ,who together with llya"Crusher" Sterzhanov in the 90s founded the first Russian garage punk band the Crushers.
This is the ultimate russian garage punk!!! fuzz all over...listen it...

Captured live on a legendary radio broadcast from the Roadhouse Blues Tour following the release of their 'Morrison Hotel' album. A lecture in pure 70's rock, this is the Doors at the peak of their power. Comes in a double LP set on shiny black vinyl.

Originally recorded in 2010, the highly sought after Midnight To 666 sold out in record time. Quickly regarded as a garage punk classic, this album features thirteen dark seething tracks, full of ferocious vocals, grinding organ and a primitive rhythm section with the ever present fuzz guitar sound you've come to expect from the Lords of Altamont. From the painfully relatable F.F.T.S., through the stomping energy of "You're Gonna Get There",the crowd chanting anthem - and alternate version of - "Get In The Car" up until the moody closing track "Faded Black", this is a soul bearing, primal two wheeled scream into the void. Originally released on the French Fargo Records label, Midnight to 666, with Harry ' Full Tilt ' Drumdini from The Cramps on drums, now finds a new home on Heavy Psych Sounds Records. Featuring the original artwork the band intended before the blood red version went to print, as well as a bonus outtake of "Faded Black", this re-release is a sure bet.

Alle fünf Studioalben der Band um Rio Reiser versammelt auf acht 180g Vinyl-Platten in dieser Box plus Buch und Poster sind wieder erhältlich.

You may or may not know of Tony Joe White, but we all know his two most famous songs — "Polk Salad Annie" and "Rainy Night In Georgia". This record is up to the standards of those great numbers. So soulful, humid, rich and textured. Or as Tony Joe would say, »It's swampy«.
And because it's such a classic, such a southern musical touchstone, we've gone and upped the ante — making this standout a 45rpm double LP release. Veteran audiophiles know and hear the difference. With more LP real estate, inner groove distortion is reduced and tracking by your stereo cartridge is improved. That's a major sonic advantage! Mastered by Kevin Gray at Cohearent Audio from the original analog tape, this LP sounds phenomenal from the first note to the last fade out.
The last four songs on side two of this album are going to positively floor you. They are so sparse and bluesy and emotional. And the sound is as good as the music. With this new QRP pressing, the sound is so good it's tape-like. So solid and jet-black is the foundation from which the music just jumps. Ya gotta hear it to understand what we're trying to describe. It's one of those jaw-hit-the-floor, sit-in-stunned-silence, goose-bump-raising, tears-in-your-eyes records. You know, the kind we're all looking for as audiophiles?
When Chad decided to reissue this album, he knew that it wasn't going to be a top-seller. But it's one of his all-time favorites for music and sound, and we feel that whoever takes a chance on this one is going to be richly rewarded. We gotta figure this one is going to end up being one of the favorites of some of our customers, too. If you trust us at all, you can buy with great confidence.
"Homeade Ice Cream" was originally released in 1973 on Warner Bros. and was co-produced by White and legendary Atlantic producer Tom Dowd. It's White's sixth overall record and his third for Warner Bros. This is very much a back porch acoustic affair. The music has the space to breathe, one of the reasons for the life-like sound.

Two stunning BBC sessions from the heyday of the british band fronted by Steve Winwood and Jim Capaldi. One shot recorded before the release of the debut album on Island ‘Mr. Fantasy’, the second – December the 11th – right after. Facing the beginning of a new groove ideology after the blues explosion.

Things are getting more sophisticated down here. The band just released his debut album and is ready to roll. Second self-titled album is almost there, so a number of key tracks like ‘Pearly Queen’, ‘Who Knows What Tomorrow May Bring’ and ‘Feeling Alright’. Three different radio sessions from winter and the hot summer of ’68.

Non-hippie devastating guitar-psych and PCP induced hard-rock!! ANGEL DUST PSYCHEDELIA is a "100% killers, no fillers" compilation featuring obscure and unknown 45s / unreleased acetates from the US, most of them released on private labels. Many local underground bands of the late 1960s-early 1970s lacked the money and/or material needed to make a full-length album, and would put out a self-released 45 instead. Record collectors and writers have been slow to understand this treasure of vintage private press singles, with music that is every bit as good as hallowed underground LPs like Mystic Siva or Boa. 14 tracks including the monster acid-punker "Time gone to waste" by Local Traffic, post-Stereo Shoestring band Red House with an unreleased track, the mega rare acetate by Matchbox from Houston, tremendous acid-psych by Dick St John and Ragweed Patch, raw hard-rock by Masque and Zoo and more. The perfect companion to those legendary 80s psych comps like Brain Shadows, Acid Dreams, Endless Journey. Remastered sound for a stunning in-your-face heavy guitar experience. Limited to 500 copies.

14 tracks from the Louisville late 60s/early 70s garage-psych scene.
These cuts (all of them previously unissued except for one originally released on a rare 45) were found in the archives of the city's well known Allen-Martin Studio, after the owners retired and the place closed down.
Including some rather well known names such as The Rugbys, The Illusions, The Keyes and The Oxfords, as well as more obscure local heroes like Free Reign, The Premieres, Roc, Conception…Highlights include fabulous psych rockers by Rugbys and Oxfords; fuzzed out garage by Blues and Illusions; psychedelic hard-rock by Babylon and Free Reign; jangly teen beat by JB and The Young Wheels; killer psych covers of Beatles and Traffic by Keyes and Company Front,…

The fantastic soundtrack of the new Tarantino comes in a double gatefold sleeve with inlay and poster.

A phenomenal soundtrack to a phenomenal movie. Tarantino once again proves that he not only has a great taste when it comes to music, but he also takes a good amount of time to dig through record collections to pick gems for his soundtracks and arrange the 22 songs 9 era-specific radio advertisements.
This should become a movie soundtrack classic.

• Cover art by famed artist Hiroshi Nagai
• Extensive liner notes and bios
• Compiled by Andy Cabic (Vetiver), Zach Cowie (DJ & music supervisor) and Mark “Frosty” McNeill (dublab)
• 2xLP housed in a deluxe wide spine jacket with over sized fold-out booklet, full color printed inner sleeves, and custom die-cut obi card
• Remastered audio

Pacific Breeze documents Japan’s blast into the stratosphere. By the 1960s, the nation had achieved a postwar miracle, soaring to become the world’s second largest economy. Thriving tech exports sent The Rising Sun over the moon. Its pocket cassette players, bleeping video games, and gleaming cars boomed worldwide, wooing pleasure points and pumping Japanese pockets full of yen.

Japan’s financial buoyancy also permeated its popular culture, birthing an audio analog called City Pop. This new sound arose in the mid ’70s and ruled through the ’80s, channeling the country’s contemporary psyche. It was sophisticated music mirroring Japan’s punch-drunk prosperity. City Pop epitomized the era, providing a soundtrack for emerging urbanites. An optimistic spirit buzzed through the music in neon-bathed, gauzy tableaus coated with groove-heavy strokes.

Pacific Breeze is an expertly compiled collection of choice cuts that range from silky smooth grooves to innovative techno pop bangers and everything in between. Long-revered by crate diggers and adventurous music heads, this music has never been released outside of Japan until now. Including key artists like Taeko Ohnuki and Minako Yoshida, as well as cult favorites Hitomi Tohyama and Hiroshi Sato, the long-awaited release also features newly commissioned cover painting by Tokyo-based artist Hiroshi Nagai, whose iconic images of resort living have graced the covers of many classic City Pop albums of the 1980s.

Many of the key City Pop players evolved from the Japanese New Music scene of the early ’70s, as heard on Light In The Attic’s acclaimed Even a Tree Can Shed Tears: Japanese Folk & Rock 1969-1973, the first release of the ongoing Japan Archival Series. In fact, you could say City Pop set sail with a champagne smash from Happy End, the freakishly talented subversives who included amongst their ranks Haruomi Hosono and Shigeru Suzuki, both featured on this compilation. As Michael K. Bourdaghs noted in his book, Sayonara Amerika, Sayonara Nippon, this music was, “Deconstructing the line between imitation and authenticity.” Some of the best City Pop teeters in this zone—easy listening with mutant exotica, tilted techno-pop, and steamy boogie bubbling beneath the gloss.

Psychedelic Garage & Heavy Psych From The Golden Voice Label'. If you think that all the cool & obscure U.S garage-psych 45s have been already exhumed, please listen to this! Golden Voice was a custom label and state-of-the art studio based in Pekin, Illinois. In the 1960s-'70s, countless garage bands from the area recorded there, releasing custom-made 45s in very limited quantities. This vibrating scene had not been documented, 'til the release of this 15-track compilation. The music here is prime cut hard psychedelia, punk-a-delic sounds and proto hard-rock from the late '60s-early '70s with lot of fuzz-wah guitars, groovy organs and effects. All tracks are taken from obscure 45s and previously unreleased master tapes.

Summer of '69 - Woodstock 50th Anniversary Special Pressing. Pressed on 140g.
This is the second live album featuring additional performances from the Woodstock festival. Features additional performances by The Butterfield Blues Band, Canned Heat, Crosby, Stills, Nash & Young and more.

Mexican rock had a strong renaissance in the eighties, when most bands, majorly coming from the prog scene, turned to Spanish language again. One of the big acts from that era was Jorge Reyes' led Chac Mool. Chac Mool counted on its ranks with Carlos Alvarado, who was an accomplished musician on its own and who would record one of the most interesting electronic prog albums of the era, on which Reyes also collaborated. Originally released on mexican private label Momia in 1980. Carlos Alvarado's Via Lactea (Milky Way) is now reissued on vinyl 35 years later. Eurock was especially interested in electronic Cosmic Music exploring both the inner and outer spaces of sound and consciousness. Of all the great music I had heard from Germany’s Klaus Schulze to Tangerine Dream & Spain’s own Neuronium, the album by Carlos stood apart from the rest. The Wah Wah reissue, made under license from and with the help of Carlos Alvarado himself, comes with remastered sound and will include one bonus track not on the original LP. Like the original, it will be housed on a flapped envelope style cover, this time in luxury silk screened metallic copper cardboard. Features are a colour insert with photos and notes, plus a bonus Momia sticker based on the one given on the original release. This is a limited edition, only 500 copies pressed.

Wolf is a Swedish heavy-/power-/speed metal band from Örebro. Formed in 1995, the band has released nine studio albums and toured with bands such as Saxon, Evile, Tankard and Trivium.

Legions Of Bastards is the band's sixth album which was originally released by Century Media in April 2011. Now available on vinyl for the fist time since its release year!

"Musically, it carries harder, faster chords and angered anguish from frontman Niklas Olsson. While Wolf have stayed true to the traditional heavy metal template, with "good times" vibes in tow, they have also pushed for a harsher edge to make their own sound. Here, they've gone even further with that direction, concentrating on solos and picking up the pace. The result is not just heavier, but also sleazier and grittier." -Invisible Oranges

Legions Of Bastards is available on a limited Svart exclusive turquoise/red marble vinyl, limited transparent yellow vinyl and classic black vinyl.

Wolf is a Swedish heavy-/power-/speed metal band from Örebro. Formed in 1995, the band has released nine studio albums and toured with bands such as Saxon, Evile, Tankard and Trivium.

Legions Of Bastards is the band's sixth album which was originally released by Century Media in April 2011. Now available on vinyl for the fist time since its release year!

"Musically, it carries harder, faster chords and angered anguish from frontman Niklas Olsson. While Wolf have stayed true to the traditional heavy metal template, with "good times" vibes in tow, they have also pushed for a harsher edge to make their own sound. Here, they've gone even further with that direction, concentrating on solos and picking up the pace. The result is not just heavier, but also sleazier and grittier." -Invisible Oranges

Legions Of Bastards is available on a limited Svart exclusive turquoise/red marble vinyl, limited transparent yellow vinyl and classic black vinyl.

Mixed by the man who brought you Wu-Tang vs. The Beatles, Tom Caruana.

Mixed by the man who brought you Wu-Tang vs. The Beatles, Tom Caruana.

Mixed by the man who brought you Wu-Tang vs. The Beatles, Tom Caruana.

Yes (1969) is considered among the first progressive Rock albums. We've included a bonus LP to the original package, with early versions of other songs, previously not included on the album. With remastered audio and augmented by a 4-page booklet, this is an essential Prog collector's item!