Classic Rock Vinyl 350 Items

50th anniversary boxset containing all three Niagara albums, released in a limited edition of 500 copies, housed in a wooden Box - Colored Vinyl

Niagara - Niagara: Niagara was more a project than an actual band formed by German jazz drum legend Klaus Weiss. He formerly worked with another jazz legend from his mother country, Klaus Doldinger and gained fame in the German jazz circuit of the 60s and 70s. His 1971 works with Niagara was the offspring of the vision to create an orchestra made entirely of drummers and percussionists. Despite the fact that there is definitely no regular melody instrument to be heard on this album, the two lengthy compositions are arranged in such an enthralling way, that they have a rather catchy and memorable feel. Among the cult drummers featured on this album are Udo Lindenberg (yes, this icon of German rock and pop started as a drummer!) and session hero Keith Forsey. So what both compositions offer is an ever pulsating rhythm inferno, a maelstrom of different grooves and sounds. If you go for this album to find some pop tunes, you better change your mind. If you wish to be enchanted and hypnotized by a massive wall of percussion sounds and be dragged deeper and deeper into a state of trance, which is utterly addictive, you are welcome. This album goes deeper as most psychedelic rock with dreamy melodies and heavy organ work. You cannot compare it to anything else, so open your mind for the ultimate rhythm experience and join in if you dare. Only if you dare.

Niagara - S.U.B.: Rhythm master Klaus Weiss knew he had a good thing going with Niagara. The first album was a gathering of every outstanding drummer and percussionist he could get hold of and despite the fact that there were only rhythm instruments featured , it became quite a memorable and unique record. Now for the second album “S.U.B.” he felt he had to go other ways, and recorded with a complete rock outfit plus the one or another brass instrument. ‘S.U.B.’ is definitely worth being traded for 180,00 Euros and more among collectors for a clean original and when the needle hits the groove you will realize why. There is a tightly woven web of rhythms from drums and percussions, as the solid and ever pulsating base with a laid back but really present bass guitar adding more depth and power to the beats and clean rhythm guitars with a nifty wah wah effect for the extra kick. From time to time the guitars fire off a memorable steaming riff on top of the rhythm pulse and the horns answer the call for arms. You really have to look at the backcover to find out that this is a German outfit instead of one of these utterly hot and hip US funk rock cult bands of the time. Niagara aka Klaus Weiss waive the vocals so it is an instrumental record you face with ‘S.U.B’, but then this band goes so wild in some of the compositions, that you will be left breathless on your knees by all these simmering performances. Each musician participating in this project is a professional, but they all let the music erupt into a climax of sound you can only achieve, when you put your whole heart and soul into it. A masterpiece of funky and utterly unleashed rock music from the early 70s.

Niagara - Afire: Niagara's third LP Afire is the rarest one from kraut drummer, formerly of Sunbirds, Klaus Weiss' band. An astonishing album which returns to the minimal sounds based on percussion and rhythm of their first album, yet retaining a feel of harmony all through it - this time not provided by the brass instruments that had been added in S.U.B., but though to the high emphasis put on combining a variety of drums each tuned to their perfect pitch, and the contribution of Embryo's bass player Dave King. Also present on the sessions were percussionists George Brown, Sabu Rex and Norman Tolbert. The phenomenal rhythms contained on this LP have made it a very sought after piece among those looking for cool samplers to mix. Klaus Weiss is considered one of the best drummers of the German jazz scene, he was always very active and played with a lot of USA jazzmen travelling Germany like Hampton Hawes, Herbie Mann, Mal Waldron or Johnny Griffin, as well as with German greats as Klaus Doldinger, George Gruntz, Friedrich Gulda, etc.

What would American southern rock be without the scorching sounds of Lynyrd Skynyrd? Analogue Productions and Quality Record Pressings have already brought you exceptional reissues of "Second Helping“ and "Nuthin' Fancy“. Back to the well then, we go, for two more Skynyrd favorites — the epic "Gimme Back My Bullets“ and the band's bluesy, hard-rocking 1973 debut "Pronounced Leh-nerd Skin-nerd“.
Remastered from the original analog tapes by Ryan Smith at Sterling Sound, our Analogue Productions reissue of "Pronounced Leh-nerd Skin-nerd“ is the ultimate in luxurious reproduction and unbeatable sound. 200-gram plating and pressing by Quality Record Pressings, and a tip-on Stoughton Printing jacket round out the package.
The undeniable youthful hunger of "Pronounced Leh-nerd Skin-nerd“ pumps through the subtly witty songs, all strongly rooted in Southern heritage and working-class values. Independent of the most-requested tune in history, "Pronounced Leh-nerd Skin-nerd“ bleeds red, white, and blue and encapsulates the wondrous dichotomies of Southern rock.
Months before Lynyrd Skynyrd enjoyed the privilege of recording its debut, the band entered its seventh year of playing juke joints and assorted dives in a bootstraps effort to land a deal. During a residency at a hardscrabble Georgian club, the group's rambunctious rock, swaggering attitude, blue-collar determination, and country-reared cadence caught the ear of producer/musician Al Kooper. The rest is history. Kooper inked the ensemble to his new imprint and hustled everyone into a Georgia studio for sessions that occurred March through April 1973.
It's at the Studio One space that Lynyrd Skynyrd flashed scampering tempos, cutting give-and-take riffs, loose barroom lines, and off-the-cuff vocalese that entirely separated its approach from that of the more jazz-styled affairs of the Allman Brothers Band. Confederate flags, empty whiskey bottles, cocked pistols, rotgut habits, scorned women, and prodigal drifters populate the songs, nearly all written from first-person perspectives that add to their genuineness. Prophetic touches - twinkling piano notes, soaring mellotrons, a one-off harmonica - provide ideal complements to the intertwined guitar melodies and singer Ronnie Van Zant's comfortable gruffness and way of expressing local customs.

The final instalment of the electronic fusion projects that Walter Bachauer concocted for Klaus Schulze’s Innovative Communication label, Visions of Audio delves further into minimalist musique concrete, extending themes developed on Memorymetropolis in drawing on non-European vocal chants, here applied in dissociative layers. The diverse, complex arrangements include the symphonic synths of ‘Promised Land’ and the war-mode Sensurround of ‘1922 In Baku,’ as well as the obtuse loops of ‘The Final Ritual,’ the work inspiring future hitmaker Pilooski. Mondshine fans, Berlin School freaks and abstract electronica lovers should bag it.

Still in shrink but opened. Cover has tiny wear. Original inner sleeve. Vinyl is close to NM.

Doppel-Vinyl inklusive Bandfoto-Insert!Nach ihrem von der Kritik hochgelobten 7. Studioalbum "Pleased To Eat You", kehren Nashville Pussy mit "Eaten Alive" zurück! Der wildeste Höllenritt in Form eines Livealbums, das beweist, dass die Band zu den besten Live-Acts überhaupt gehört. Aufgenommen in Großbritannien ist dies Nashville Pussys "Live at Leeds" (The Who) oder eines der unerbittlichsten Konzertalben seit Motörheads "No Sleep Til Hammersmith". "Dies ist das Album, das unsere Fans seit Jahren betrunken gefordert haben", sagt Sänger Blaine Cartwright. 'Macht ein Album, das so klingt, wie ihr live spielt!', diesen Satz habe ich schon in Akzenten aus der ganzen Welt gehört", scherzt Blaine. "Hier ist es also, ihr besoffenen Bastarde! "Die hypnotischen Riffs der legendären Gitarristin Ruyter Suys springen laut aus den Rillen und packen den Zuhörer an der Gurgel. Ruyter wurde seit der Gründung der Band mit Preisen überhäuft, unter anderem wurde sie von That Metal Show als eine der besten weiblichen Künstlerinnen aller Zeiten" bezeichnet. Kombiniert mit der unwiderstehlich donnernden Rhythmussektion von Bassistin Bonnie Buitrago und dem knallharten Schlagzeuger Ben Thomas ergibt das eines der befriedigendsten Rockerlebnisse, die je aufgenommen wurden."Eaten Alive" dient nicht nur als perfektes Souvenir für Hunderttausende von glücklichen Rock n' Rollern, die Nashville Pussy in den vergangenen 25 Jahren in mehr als 40 Ländern gesehen haben, sondern ist auch ein hervorragender Einstieg für all diejenigen, die leider noch nicht mit der feurigen Taufe des harten Rocks konfrontiert wurden, den die Band immerzu abliefert. Nashville Pussy freuen sich riesig auf ihre bevorstehende (zweimal verschobene) Europatournee. Sie beginnt beim Sweden Rock mit Blue Öyster Cult und endet zwei Monate später beim Barcelona Rocks mit Judas Priest. Dazwischen wird die Band ihre Fans in ganz Europa bei lebendigem Leib verspeisen. Eaten Alive Live![ENG]Double vinyl includes glossy photo insert of the band!Comin...

Snot's music is a mix of rough around the edge rock 'n' roll and fun funky hardcore punk-rock, especially on the standout songs "Snot", "Deadfall", "Joyride", "The Box". Celebrating the 20th anniversary of the album, Music On Vinyl proudly presents the first ever vinyl release of Get Some!

For the first time on vinyl and pressed on 180-gram vinyl.

180 Gram 45RPM Audiophile Vinyl, Numbered Limited-Edition

Black Friday Record Store Day 2022 Reissue. Color: Might be black. Limitation: 9000. Collection featuring the rare alternate Fleetwood Mac tracks from 1975 -1987. Previously released individually for Record Store Day events on vinyl, they will now be collected together in one set on colored vinyl. The set will include: The Alternate Fleetwood Mac, The Alternate Rumours, The Alternate Tusk (2lp), The Alternate Live (2lp), The Alternate Mirage, The Alternate Tango In The Night, pressed on color vinyl

Limited to 2500 copies.

A new collection of rare and unreleased tracks curated by longtime archivist Jeff Larson. Includes alternate mixes of “Ventura Highway” and “A Horse With No Name” as well as early versions of “Foolin’” and “Riverside”, the Spanish version of “Sister Golden Hair” and more!

1st Repress in Limited Edition of Trees Speak’s debut album. Trees Speak's debut record, Trees Speak, is the band's first of five albums they've produced in half a decade, and it is finally getting its worldwide reissue to their fans' long-awaited anticipation. Released on Cinedelic Records. Before their first album, they planned to create music with an unrehearsed approach performing simple beats, riffs, sequences, and going by instinct. They endeavored to create an auditory environment that let the listener's mind to be set free of tone, melody, and structure. They began to experiment with sounds, blending vintage aesthetics and equipment, which led them on an unexpected journey into creating and producing records. Always with their roots in 1960s-70s jazz, rock and roll, and experimental music they began to experiment with live sound performances and performance art. The band's live performances dramatically captured their idea of merging early experimental music such as the Dadaist, John Cage, and early electronic experimental music. While their music might seem organic and unrehearsed, the band has developed an creative way of communicating ideas into sound using visual art. For example, they use diagrams when communicating a musical idea. The band often refers to musical diagrams to express dynamics, chords, key signatures, and emotional expressions. These graphic notations are a template to communicate esoteric concepts, which they ingeniously transform into their music. They also use this form of illustrated art expression during live performances and in-studio recordings. It is a simple way to explain an overarching idea through music and art. Trees Speak are Daniel Martin Diaz and Damian Diaz both appear also on the album by Others (Cinedelic Records).

Quarta Pagina (Poliziesco) is an unique obscure recording by The Braen's Machine Now available for all music library lovers." - Despite a long series of reissues and rediscoveries that are throwing the ultimate light on one of the most fascinating and enigmatic periods of Italian music history - that of sonifications - the project that goes by the name Braen's Machine continues to evade categorization, and positive information. If you are among the many who got their hands on the beautiful "Underground", republished by Schema a few months ago, you will already know of the involvement of, among others, Piero Umiliani, Alessandro Alessandroni - the name Braen seems to be his alias - and Oronzo (Rino) De Filippi, real name of the other credited author, the mysterious Gisleri. For this new chapter from Braen's Machine, the beautiful and hard to come by "Quarta Pagina (Poliziesco)", published apparently in 300 copies, there are few available pieces of information, pointing to an involvement of Giuliano Sorgini, hidden under the name of Raskovich, and author of five out of the eleven tracks on the release.

The lack of reliable information and the enigmatic flavor surrounding the project Braen's Machine, as opposed to the ease with which the music allows us instant identification, are among the secrets that make their records unique. Unlike "Underground", "Quarta pagina" portrays with great skill some possible - who knows if they ever have been realized - crime scenes, with hard-boiled and dark atmospheres, alternating with the psych funk rides that have always characterized many of the projects related to the Italian cinematic genre. All this without excluding, however, avant-garde attitudes and atonal passages that makes "Quarta pagina (Poliziesco)" comparable to the best pages of the Gruppo d'Improvvisazione Nuova Consonanza.

The track titles, fascinating as usual, tell of "Fraud", "Shadowing", "Remorse", "Soliciting", and emphasize decisive moments as in the case of "The Victim", "On the Run" or "In Prison", while the indications that accompany the pieces will be a treat for fanatical collectors of sonifications. It's not that hard to imagine situations of "exotic full moon, preparation for a violent action, spiritualism, facing fear, sexual freedom, preparation for a revolt" while listening to these precious eleven tracks, which alternate between "slow and animated". And, believe it, you don't even need a dose of LSD (as per the advice of "The Den") in order to travel back to 1971, the year of the album's first release. A page 4 ("Quarta pagina") crime story perhaps, but a legacy of sound that largely deserves a nine-column headline on the front page ...

First album by Selda Bagcan, originally released in 1976. A collection of well-known poems and folk-songs, recorded in cooperation with the most progressive Turkish musicians / arrangers of the 70s: Mogollar, Dadaslar, Zafer Dilek & Arif Sag, combining traditional instrumentation from Anatolia and Western psychedelic grooves.

Now available on a cool Picture Disc.

“Only this is Rock” Keiji Haino has said of new studio album You're either standing facing me or next to me. “Treat what I call rock like breaking the seal of old manuscripts.”

Since his beginnings in 1970 as the vocalist of the band Lost Alaaf, Haino has spread his work across multiple genres, pushing the limits as a tireless explorer of free-form experimentation. It was with the intense psychedelic soundscapes of Fushitsusha, formed in 1978, that his live set earned a formidable reputation. The band’s debut, released by legendary Tokyo label PSF Records in 1989, was a live album that, together with its 1991 follow-up, were described by now-defunct Stylus Magazine as “some of the most incredible performances ever committed to tape”.

For this latest release, Haino returned to Tokyo’s legendary Gok Sound Studio with guitarist Masami Kawaguchi (New Rock Syndicate), bassist Shingo Nauke and drummer Toshihiko Katano as Keiji Haino and the Hardy Rocks - a project they formed in 2016. You're either standing facing me or next to me consists of ten cover songs of some of the most covered songs in the history of western popular music (plus a cover of his own with ‘Black Petal’). In true Haino fashion, expect the unexpected with complete structural reworks, and creative turns only the master of dark textures could ever conceive.

P-vine is thrilled to present You're either standing facing me or next to me on limited edition vinyl and CD.

Superb collection of the best tracks by Turkish electro-saz legend Arif Sag, some tracks with arrangements by Zafer Dilek. Killer Turkish psych-folk-funk grooves from the golden era of Anatolian Rock, all housed in such a beautiful cover design!!!

This latest instalment in Soul Jazz Records’ successful Deutsche Elektronische Musik series delves deeper into the German nation’s vaults to bring a fascinating new collection that again brings together a selection of classic German electronic and rock groups, including Neu!, Cluster, Popol Vuh, La Düsseldorf, Agitation Free, alongside a host of rare tracks by lesser known artists which includes Michael Bundt, Bröselmaschine, Dronsz, Achim Reichel and others.
The music of Deutsche Elektronische Musik 3 ranges from the introverted pastoralism of Hans Joachim Roedelius and Bröselmaschine, to the angular and futuristic electronic experimentations of Klauss Weiss, Pyrolator, Deuter, Michael Bundt and others, to the proto-punk of La Düsseldorf and the heavy space, progressive and cosmic rock of Missus Beastly, Niagara and Dyzan.
The music on Deutsche Elektronische Musik 3 was all recorded in the 1970s up to the early 1980s, at a time when forward-thinking German electronic and rock groups were searching for a new musical identity in order to separate themselves from both the cultural legacy of post-world war two Germany as well the ‘cultural imperialism’ of USA and UK rock. In this process German groups created some of the most unique and inspired music, the defining motorik beat alongside a host of ethno-musical influences from far afield – including Turkey, India, Brazil – as well as the musical and futurist possibilities of developments in electronics and technology itself.
Deutsche Elektronische Musik 3 is released as a heavyweight 3xLP, deluxe double CD pack and digital release. The new extensive sleevenotes are by David Stubbs, who is the author of the acclaimed book, ‘Future Days: Krautrock and the Building of Modern Germany’ (Faber & Faber).

Limited Anniversary Edition, Violet Vinyl.
Still shrink wrapped but opened.
Cover as new with slightly dented corners.

Limited Red Vinyl Edition
Still shrink wrapped but opened.
Record is slightly warped but still enjoyable.