Classic Rock Vinyl 156 Items

- "Experience" sampled by A Tribe Called Quest for "If the Papes Come"

- "Little Miss Lover" sampled by A Tribe Called Quest for "Scenario" and
Luscious Jackson for "Daughters of the Kaos"

- "EXP" sampled by Beastie Boys for "Jimmy James (Single Version)" and
Yomo & Maulkie for "Soul Psychedelic Side"

Nomadic Pursuits is the second Yawning Man studio album, released in 2010. With a five-year gap between the first album and this one, the band had time to further expand on their freeform desert sound. Heavy Psych Sounds is now giving new life to this psychedelic gem with a new special edition!

Nomadic Pursuits is the second Yawning Man studio album, released in 2010. With a five-year gap between the first album and this one, the band had time to further expand on their freeform desert sound. Heavy Psych Sounds is now giving new life to this psychedelic gem with a new special edition!

2022 repress of 2010’s GAF & The Love Supreme Arkestra’s debut album - another tour de force from this multi faceted band, showcasing its surprising chameleonic ease of play with multi references to space rock, free jazz and the raw German sound of the early 70's. Electric mantras meet hazy synthesizers and gaseous guitar drones float weightlessly into the cosmos. If Carl Sagan had a chance to listen to pieces such as “Shine” or the sublime “Decata na sunceto”, he would surely turn into their unconditional fan. Recorded, mixed and mastered by Jorge Lozano in 2009 at Gallinero Studio ( Los Realejos, Tenerife) Artwork: Felipe González Cabezas Originally released by Foehn Records in 2010

A serious obscure object of desire ! Amazing collection that gathers some of the rarest Persian 45s. Such an eclectic mix of styles, from garage rock to cool Persian beat, exotic rock&roll and astonishing prog/psych numbers. Featuring female drummer & singer Zangoleah with some killer garage/rockin' tracks, obscure bands like Takkhalha doing a fab cover of the Stones 'Play With Fire' and an amazing take on the Persian traditional song 'Mastom, Mastom', Golden Ring-styled beat by Big Boys, exotic Persian beat by Saeed and Tigers, terrific garage-beat by Ojubeha and the two sides of the Kambiz 45, probably the major discovery from Iran in the recent years and one of the few, if not the only truly Persian prog/psych 45s ever recorded.

2010 remastered reissue. Cover is close to NM!

Vinyl is Close to VG+.

Limited Edition.

Red vinyl is close to NM. Gatefold cover with hype sticker has tiny wear. With insert.

Only record 2! Record 1 is missing! Orange vinyl 2021 reissue. Vinyl seems unplayed. Tiny wear.

Copy is close to NM!

Clear vinyl. Limited edition. Numbered copy. Tiny wear.

Golden vinyl has a few scuffs. Still in shrink but opened. Limited edition 2014 reissue.

Still sealed with hype sticker. 2024 reissue.

Record with just a few paper scuffs, close to VG+.

Record looks unplayed.

Mixed by the man who brought you Wu-Tang vs. The Beatles, Tom Caruana.

Limited To 2500 Copies Colour

From Guy Skornik, the composer and arranger behind Popera Cosmic and Pour
Pauwels, comes the enigmatic instrumental cues for Alejandro Jodorowsky’s
rarest and most overlooked feature film, Tusk.
Cherry-picked from pre-recorded synthesiser fuelled cosmic pop sessions by
Skornik, these compositions provided Tusk with arabesque new age synthesis
alongside full-blown ambitious electro rock
As part as Finders Keepers ongoing dedicated Jodorowsky soundtrack series
we present the first ever release of the original film edits from the 1979 studio TRACKLIST sessions featuring Steve Hillage (Gong) and members of Cossi Anatz.

New Jersey's Omnibus formed from the ashes of garage bands from the New Milford area: The Cliffhangers, The Forerunners and The Vandals. Original members came from these three local bands and consisted of Jay Polt, Al Raimondi, Bob Wegrzyn, Bobby Marcinczack and Jerry Garino. They soon hit the local scene and got in touch with brothers Steve and Eric Nathanson who would become their managers and finance their first recordings.

A United Artists recording deal was the next step, through wich the band issued their debut 45 "The Man Song" / "It's All In Your Heart" plus their eponymous LP in 1970.

Omnibus had an amazing psychedelic sound that took all the right elements from West Coast bands like The Doors or The Jefferson Airplane, Bosstown sound acts like Ultimate Spinach or Chicago hipsters like H.P. Lovecraft to produce their very own Made in Milford, N.J. mixture. Strong, dramatic vocals, tons of fuzz guitar and swirling organs built up their magic sound.

Wah Wah proudly offers the first ever reissue of their original 1970 album, plus a whole second LP compiling previously unreleased recordings from rare acetates with earlier recordings of some of the LP tracks and some non released songs. Also added is an extra bonus 7" with the garage killer "The Farm", which would have been an explosive 45 for the band had not been withdrawn from release.

A luxury remastered 2LP + bonus 7" set that includes a facsimile of a vintage Omnibus gig poster in a gatefold package respecting the original artwork, plus an 8 page booklet with photos, lyrics and liner notes written by Jay Polt himself and reissue curator Ezra Lesser - all this in a strictly limited edition of only 500 copies, get yours while still available!

If you like bands like The Doors, The Children, Ultimate Spinach, The Beacon Street Union, Fever Tree or Clear Light you ought to have this one on your collection!

180g Vinyl LP Reissue Mastered at Half-Speed at Abbey Road Studios



Creedence Clearwater Revival is arguably the definitive American rock band. Hailing from the San Francisco Bay Area and borrowing heavily from the musical traditions of the Deep South, the gritty and powerful foursome served up a potent stew that appealed to a broad audience not just in the States but around the world. Their creative arc was relatively brief yet highly influential, and some five decades after their heyday, their straight ahead raw energy continues to echo in the rock and pop sounds of the modern day.



It was in January 1969 that Creedence released the first of its three Top Ten albums that year, Bayou Country. The product of frontman/songwriter John Fogerty's fascination with Louisiana swamp-rock and R&B, Bayou Country is chock full of classics including "Proud Mary," "Born on the Bayou," the Little Richard cover "Good Golly Miss Molly," the eight-minute plus "Graveyard Train" and the seven-minute plus "Keep on Choogling."



Mastered at half-speed at Abbey Road Studios, benefiting from an exacting process that allows for an exceptional level of sonic clarity and punch, bringing this classic recording a new vibrancy. The 180-gram vinyl LP comes housed in a handsome tip-on jacket replicating the packaging of the original pressing.

Creedence Clearwater Revival is arguably the definitive American rock band. Hailing from the San Francisco Bay Area and borrowing heavily from the musical traditions of the Deep South, the gritty and powerful foursome served up a potent stew that appealed to a broad audience not just in the States but around the world. Their creative arc was relatively brief yet highly influential, and some five decades after their heyday, their straight ahead raw energy continues to echo in the rock and pop sounds of the modern day.



The 1968 release of the band's self-titled album paralleled the flowering of the San Francisco music scene, but the CCR phenomenon had little in common with the "San Francisco Sound." The Creedence Clearwater Revival album was anchored by rock and blues standards such as Dale Hawkins's "Susie Q" and Screamin' Jay Hawkins' "I Put a Spell on You," (both of which became immediate hits) as well as original material by John Fogerty, who was to emerge as one of rock's most omnipresent hitmaking songwriters in the years that followed.



Mastered at half-speed at Abbey Road Studios, benefiting from an exacting process that allows for an exceptional level of sonic clarity and punch, bringing this classic recording a new vibrancy. The 180-gram vinyl LP comes housed in a handsome tip-on jacket replicating the packaging of the original pressing.

Cool late ‘60s US Pepperish psychedelia with inventive arrangements, fuzz guitars, studio effects…Recorded in 1967-68 but shelved at the time.
Famous for their “Psychedelic Illusion” 45, US garage-psych band ONE OF HOURS formed in Lexington, KY, in 1966. After adding guitar player Bob Willcutt to their line-up, they released their second 45, “Feel the Pain" / “Psychedelic Illusion”, in 1967. Work then began on an album of a complete but varied musical experience called "When You Hear the Music, It's Yours".
Fuelled by the creative force of band member Shawn Foreman (a true visionary who would create the cult electro / disco project Transistor-Jet in the 80s), the group (now called Dandelion Wine) entered Chetwyd Studios where they, in true psychedelic mode, experimented and used unusual techniques like backwards recording, paper under piano strings, singing through a comb, interconnecting Fuzz boxes, etc.
The finished master tape containing 12 songs with titles like “Two Heads For 25 Cents”, “Sweet Dragonfly” or “Incense C-19X” was sent to the Liberty label with the promise of an album contract for 1968…but the deal never came through and the master tape was destroyed in a warehouse fire. Luckily, Bob Willcutt kept a first generation copy of the master with perfect sound which we present here in a deluxe vinyl edition, housed in a silver mirrored die-cut sleeve.

You may or may not know of Tony Joe White, but we all know his two most famous songs — "Polk Salad Annie" and "Rainy Night In Georgia". This record is up to the standards of those great numbers. So soulful, humid, rich and textured. Or as Tony Joe would say, »It's swampy«.
And because it's such a classic, such a southern musical touchstone, we've gone and upped the ante — making this standout a 45rpm double LP release. Veteran audiophiles know and hear the difference. With more LP real estate, inner groove distortion is reduced and tracking by your stereo cartridge is improved. That's a major sonic advantage! Mastered by Kevin Gray at Cohearent Audio from the original analog tape, this LP sounds phenomenal from the first note to the last fade out.
The last four songs on side two of this album are going to positively floor you. They are so sparse and bluesy and emotional. And the sound is as good as the music. With this new QRP pressing, the sound is so good it's tape-like. So solid and jet-black is the foundation from which the music just jumps. Ya gotta hear it to understand what we're trying to describe. It's one of those jaw-hit-the-floor, sit-in-stunned-silence, goose-bump-raising, tears-in-your-eyes records. You know, the kind we're all looking for as audiophiles?
When Chad decided to reissue this album, he knew that it wasn't going to be a top-seller. But it's one of his all-time favorites for music and sound, and we feel that whoever takes a chance on this one is going to be richly rewarded. We gotta figure this one is going to end up being one of the favorites of some of our customers, too. If you trust us at all, you can buy with great confidence.
"Homeade Ice Cream" was originally released in 1973 on Warner Bros. and was co-produced by White and legendary Atlantic producer Tom Dowd. It's White's sixth overall record and his third for Warner Bros. This is very much a back porch acoustic affair. The music has the space to breathe, one of the reasons for the life-like sound.

Blazing sitar and crazed percussion– a 50 year old mystery! Known only in legend from their appearance in 33 ⅓ Revolutions Per Monkee, the Moon Express album finally arrives 50 years after its recording! Paul Arnold (mastermind behind The Inner Sounds Of The Id) and Tsvia & the Followers weave peculiar music that ebbs and flows with unusual time signatures, sonic baths of wild, exotic percussion and other fascinating and hypnotic sounds, all under Arnold's booming narratives and Tsvia Abarbanel's spellbinding, out of this world vocals. Enjoy this lost '60s treasure as you were intended to half a century ago. Includes a bonus 7'' of Beatles covers!

• Cover art by famed artist Hiroshi Nagai
• Extensive liner notes and bios
• Compiled by Andy Cabic (Vetiver), Zach Cowie (DJ & music supervisor) and Mark “Frosty” McNeill (dublab)
• 2xLP housed in a deluxe wide spine jacket with over sized fold-out booklet, full color printed inner sleeves, and custom die-cut obi card
• Remastered audio

Pacific Breeze documents Japan’s blast into the stratosphere. By the 1960s, the nation had achieved a postwar miracle, soaring to become the world’s second largest economy. Thriving tech exports sent The Rising Sun over the moon. Its pocket cassette players, bleeping video games, and gleaming cars boomed worldwide, wooing pleasure points and pumping Japanese pockets full of yen.

Japan’s financial buoyancy also permeated its popular culture, birthing an audio analog called City Pop. This new sound arose in the mid ’70s and ruled through the ’80s, channeling the country’s contemporary psyche. It was sophisticated music mirroring Japan’s punch-drunk prosperity. City Pop epitomized the era, providing a soundtrack for emerging urbanites. An optimistic spirit buzzed through the music in neon-bathed, gauzy tableaus coated with groove-heavy strokes.

Pacific Breeze is an expertly compiled collection of choice cuts that range from silky smooth grooves to innovative techno pop bangers and everything in between. Long-revered by crate diggers and adventurous music heads, this music has never been released outside of Japan until now. Including key artists like Taeko Ohnuki and Minako Yoshida, as well as cult favorites Hitomi Tohyama and Hiroshi Sato, the long-awaited release also features newly commissioned cover painting by Tokyo-based artist Hiroshi Nagai, whose iconic images of resort living have graced the covers of many classic City Pop albums of the 1980s.

Many of the key City Pop players evolved from the Japanese New Music scene of the early ’70s, as heard on Light In The Attic’s acclaimed Even a Tree Can Shed Tears: Japanese Folk & Rock 1969-1973, the first release of the ongoing Japan Archival Series. In fact, you could say City Pop set sail with a champagne smash from Happy End, the freakishly talented subversives who included amongst their ranks Haruomi Hosono and Shigeru Suzuki, both featured on this compilation. As Michael K. Bourdaghs noted in his book, Sayonara Amerika, Sayonara Nippon, this music was, “Deconstructing the line between imitation and authenticity.” Some of the best City Pop teeters in this zone—easy listening with mutant exotica, tilted techno-pop, and steamy boogie bubbling beneath the gloss.

This release comes on 180g.

This release comes on 180g.

Türküola gratefully presents an other Barış Manço compilation which gives a full retrospective of the best years of the Turkish psychedelic rock legend. The compilation focuses on the 1967-1971 era of Manço, which is mainly considered as the psychedelic years when the typical Anatolian Pop sound was evolving and Manço was more a rocker than a semi conservative pop folk singer of a neo-Ottoman aura. In the compilation we hear his works with his bands Les Mistigris (Seher Vakti), Kaygısızlar (near in all songs including Bebek, Boğaziçi etc.), Etc (in Dağlar Dağlar 1 &2 , Küçük Bir Gece Müziği (which is a psyche- adaptation Mozart’s “Eine Kleine Nacht Musik” and Derule), Moğollar (Binboğanın Kızı, İşte Hendek İşte Deve). “Binboğanın Kızı” explodes a prog- rock bomb with the legendary Moğollar with Hammond solos of Murat Ses, “Ağlama Değmez Hayat” pushes the limits of Turkish traditional music instruments with its raw but powerful groove, “Küçük Bir Gece Müziği” covers Mozart with its powerful guitars with screaming wah wah pedals, “Boğaziçi” (Bosphorus) gives a mystical and psychedelic mood which would later be a signature of Manço in his electronic prog years . “İşte Barış İşte Manço” will be a good start for the absolute beginners, thanks to traditional Türküola quality...

This release comes on 180g.

Loud pressed vinyl single featuring the best track from the group's 1979 album plus an unreleased take of the track ''My Fate'' on the flip.. Very smooth German AOR..
Limited to 350 copies and released in a beautiful picture sleeve which shows the original LP artwork.
Ara Pacis, a group from the island Föhr in the North Sea, was originally founded in 1971. Initially influenced by blues and classic rock by The Rolling Stones, The Who, and the like, they were also inspired by bands such as Steely Dan as well as the German/British group Lake. However, Ara Pacis created a style of their own
when their privately pressed an self-distributed “To the Westcoast” LP was released in 1979. The songs were mainly characterized by two-part guitar riffs by Töns Brautlecht-Deppe and Wolfgang Schiffner, who also were the core songwriters of the band.
The freshly remastered single starts with the title track “To the Westcoast”. Due to its sunny and yacht-y vibe it is easily amongst the best and most authentic tunes out of the “Westcoast rock” genre recorded in Germany. With family connections in California, lead singer Töns Brautlecht-Deppe was able to create and capture the feeling of the Pacific sea shore just perfectly.
The single is backed with a revised studio version of “My Fate”. The track is also featured on the album but the version presented here on the 7" vinyl is an unreleased, even quite funky and more powerful take. It was recorded in 1981 at the Rüssl studio in Hamburg where Brautlecht had just started to work as an engineer.
As the "To the Westcoast" LP was released during a time when styles like New Wave, Synth Pop and Punk became popular in Germany and the interest in organic and soulful rock declined, Ara Pacis’ debut remained relatively unnoticed until today and even the Krautrock collector’s scene does not seem to be fully aware of this hard to find gem yet of which only 1000 copies were originally pressed. The band is still kept in good memory by their fans as a quite legendary live act and although they
officially split in 1982, the group still served their fan base with revival concerts in 1990 and 2002 plus a website with full band story and lots of images from the early days.

Pailhead was a collaboration of vocalist Ian MacKaye (Minor Threat, Fugazi), Ministry’s Al Jourgensen and Paul Barker, and drummer Eric Spicer (Naked Raygun). In 1986, MacKaye was just a few years away from his genre-defining work in Minor Threat and on the cusp of starting an even more influential band, Fugazi. Al Jourgensen was also undergoing a transition with his band Ministry after the release of “Twitch”. He wasn’t the guy who would release the game-changing “The Land Of Rape And Honey” a couple of years later, but he was well on his way. Alain met Ian when he was living in London. Both found common ground musically and politically and decided to collaborate on a project that would fuse elements of industrial music with hardcore punk. The result was a bunch of unique and unrepeatable hymns. Pailhead released one first single “I Will Refuse” / “No Bunny” in 1987 and next year the 4-song EP “Trait”, both on the legendary Wax Trax! Records. Limited edition of 500 copies on grey vinyl with deluxe sleeve with soft touch lamination and sticker with classic band logo.

Captured live on a legendary radio broadcast from the Roadhouse Blues Tour following the release of their 'Morrison Hotel' album. A lecture in pure 70's rock, this is the Doors at the peak of their power. Comes in a double LP set on shiny black vinyl.

Summer of '69 - Special Pressing. Pressed on 140g.
Jefferson Airplane’s 1973 live album with the famous “Flying Toaster” cover. This is from their live shows at the Auditorium Theatre in Chicago and the Winterland Ballroom in San Francisco.

Unintended for commercial release Finders Keepers proudly present these previously
unheard demo recordings recorded following the demise of Turkish percussionist Durul
Gence’s ill-fated Asia Minor Mission group.

Summer of '69 - Woodstock 50th Anniversary Special Pressing. Pressed on 140g.
This is the second live album featuring additional performances from the Woodstock festival. Features additional performances by The Butterfield Blues Band, Canned Heat, Crosby, Stills, Nash & Young and more.

A n d w h a t i f t h e i n f a m o u s
UNDERGROUND and OVERGROUND
albums had a third psychedelic
chapter, still secret and unreleased
until today?
Yes, you heard correctly: this
SUPERGROUND LP is sonically akin to
the legendary pair for which composer
Sandro Brugnolini will always shine
worldwide, and ideally brings the
trilogy to a close. Composed and
recorded in two sessions between July
1969 and November 1970, the album
echoes the shocking 1969's Charles
Manson massacre, with tracks
dedicated to the villa at Cielo Drive, in
Hollywood, where Sharon Tate e Roman
Polanski lived for six months. Some
music was also used for an animated short movie signed by Pino Zac, “Radice Quadrata di 3”, a little art-film
gem about the consumer society.
The recordings have all in common the terrific line up, featuring MARC 4 members Antonello Vannucchi
(organ), Maurizio Majorana (bass), Roberto Podio (drums), along with Angelo Baroncini (guitar) replacing Carlo
Pes. An incredible groovy combo that plays a strange psychedelic rock and r’n’b with funky and prog flavor.
Another lost masterpiece from Italian golden age soundtracks finally rescued and brought back in life to see
the light of the wax for its very first time.

Two stunning BBC sessions from the heyday of the british band fronted by Steve Winwood and Jim Capaldi. One shot recorded before the release of the debut album on Island ‘Mr. Fantasy’, the second – December the 11th – right after. Facing the beginning of a new groove ideology after the blues explosion.

Things are getting more sophisticated down here. The band just released his debut album and is ready to roll. Second self-titled album is almost there, so a number of key tracks like ‘Pearly Queen’, ‘Who Knows What Tomorrow May Bring’ and ‘Feeling Alright’. Three different radio sessions from winter and the hot summer of ’68.