Classic Rock Vinyl 3292 Items

Rumplestiltskin Black Vinyl Edition

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Back on LP for the first time since its 1970 release! Their sole album boasts members of the Wrecking Crew along with three Motown producers, all experimenting with a commercial psychedelic sound that defined the end of an era. Sitar head-swirlers, sunny, melodic harmonies and a country folk influence all blend together to bring listeners Truth!

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Rumplestiltskin

LP | 1970 | EU | Reissue (Sommor)

Rumplestiltskin Green Vinyl Edtion

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Psychedelic, funky hard-rock with plenty of distorted guitar and Hammond by this “supergroup” created by legendary producer Shel Talmy and featuring some of the best session musicians from the UK: Herbie Flowers (bass), Alan Parker (guitar), Clem Cattini (drums), Alan Hawkshaw (keyboards) plus Peter Lee Sterling (Daniel Boone!) on powerful vocals.

This is their first album from 1970, originally released in the UK, Europe and the US, now officially reissued on vinyl for the first time, faithful to the original UK edition with the effects between songs and the lavish gatefold sleeve (both omitted on the US one).

Riyl: Led Zeppelin, Ugly Custard, Hungry Wolf, Black Cat Bones, Atomic Rooster…

*Original UK artwork in gatefold sleeve *Sourced from the original master tapes *Insert with liner notes by Alec Palao and rare photos / memorabilia

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Rumplestiltskin

LP | 1970 | EU | Reissue (Sommor)

December's Children Pink Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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December's Children

LP | 1970 | US | Reissue (Sundazed)

La Mia Gente Blue Vinyl Edition

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Bluesy rust-belt psych from Ohio's December's Children! Bouncing between male and female vocalists, tight harmonies, country flavor and rock 'n' roll style, their sound fit the transition between pop and heavy rock in the late '60s. Pressed on pink vinyl!

This country-blues psych album was originally released near the end of 1970, and though it was their sole album, December's Children are a good example of how music was changing between the end of the '60s and beginning of the '70s. Accented by psychedelic keys & organ (especially in "Trilogy"), it's been described as Texas garage rock, with funky, hook driven guitar - particularly in "Sweet Talkin' Woman" and "Last Monday Night."

Opting for a more straight forward rock 'n' roll sound, the band never considered themselves psychedelic (though that was being pushed at the time), and though they weren't as heavy as Blue Cheer, their country-blues sound is nearly a precursor to later albums by Savoy Brown and Blodwyn Pig.

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Enzo Jannacci

LP | 1970 | EU | Reissue (RCA)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Life Goes On)

Wizards From Kansas

Creedence Clearwater Revival

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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An obscure Country-Psych Rock relic from Kansas. In 1968 four of the five original members of The Wizards From Kansas formed a band called ‘New West’, and began playing in the Lawrence, Kansas area, at clubs and parties. Californian guitarist Robert Manson Crain joined the group soon thereafter, expanding to a quintet. Reaching on the same esoteric drift as Clear Light or Emitt Rhodes, the band unleashed an even excellent cover of Buffy Sainte-Marie ‘Cod’ine’, more in the vein of Quicksilver M.S.

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Travelin Band (Live At Royal Albert Hall)

LP | 1970 | US | Reissue (Craft)

14,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (The Saifam Group)

New Trolls

32,39 €* 35,99 € -10%

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Endless Happiness)

Fotheringay

LP | 1970 | EU | Reissue (Endless Happiness)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Fotheringay is the self-titled album by the group formed by Sandy Denny after she left Fairport Convention in 1969, and was the group’s only contemporaneous release. It was recorded in 1970 with former Eclection member and Denny’s future husband Trevor Lucas, with Gerry Conway, Jerry Donahue, and Pat Donaldson. The album includes five Sandy Denny compositions (one of which was co-written with Lucas), one song by Lucas, as well as one traditional song and two cover versions: Bob Dylan’s “Too Much of Nothing” and Gordon Lightfoot’s “The Way I Feel”.

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Jan Dukes De Grey

Sorcerers

26,99 €* 29,99 € -10%

La Buona Novella Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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This incredibly rare release predates their more widely-known second album, Mice and Rats in the Loft. This is superb psych-folk dated 1969. The Jan Dukes De Grey started out as a duo of two multi-instrumentalists, Michael Bairstow and Derek Noy, who stood midway between Tyrannosaurus Rex and Jethro Tull with very short all-acoustic songs with strange lyrics. Similar to early Incredible String Band or Mark Fry, with a touch of Comus weirdness. A mixture of trippy and stoned songs and instrumentals with eastern feel. A unique album. One of the most brilliant acoustic experiments of folk-psych-prog rock ever.

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Fabrizio De Andre'

LP | 1970 | EU | Reissue (RCA)

37,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Elemental)

Linda Perhacs

Parallelograms

First Battle Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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An album whose depth and beauty is, nearly five decades on, still utterly staggering."- Mojo Released by the Kapp label in 1970 and produced by the Oscar-winning Leonard Rosenman, Parallelograms was the first and only album by American psychedelic folk singer Linda Perhacs until the release of The Soul of All Natural Things in 2014. Discouraged by the lack of commercial attention and the label's reluctance to promote the album, Perhacs returned to her career as a dental hygienist. In the 30 or so years that followed, this record gradually developed a cult following. Combining fragile and ethereal melodic acid folk with perfectly rendered electronic effects, Parallelograms consists of what Perhacs herself described as "visual music." The spotlight is placed clearly on Linda's guitar and voice, where echoes of Joni Mitchell, Joan Baez and even Grace Slick (lead singer of Jefferson Airplane) can be traced. As was common in his work, Rosenman's production ends up shaping a soundscape located somewhere between jazz, classical music and the avant-garde. All Music reviewer Richie Unterberger gave it 4 ½ out of 5 stars, stating that "Perhacs' cult favorite Parallelograms instantly evokes the spare and isolated feel of the songs and the production on Joni Mitchell's first albums. Perhacs is adept at dropping unusual effects and arrangements into the mix, that on occasion have a mildly disquieting and psychedelic vibe. Not all of the record is unusual, though; much of it's just attractively wistful, moody singer/songwriter folk, sometimes with an engaging folk-jazz backup, sometimes just with a guitar, sometimes enlivened by creative smudges of organ and electric guitar.

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Waterloo

Gravy Train Gold Colored Vinyl Edtion

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Regarded as one of the best European progressive rock albums from the 70's, the sole release by Belgian group Waterloo was originally released on the Vogue label in 1970. Entirely sung in English, “First Battle” is a blend of progressive rock, psychedelia and heavy prog with top guitar/organ, flute and obvious Jethro Tull influence but with something else really of their own, making of it a very special album. First officially reissued by us in 2017 and long out of print, we present an improved reissue in hard cardboard sleeve + OBI and insert with liner notes and photos.

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Gravy Train

LP | 1970 | EU | Reissue (Future Shock)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Originally released in 1970. One reason early 1970s Vertigo releases hold up so well is they were progressive but not explicitly arty. This Gravy Train album is a fantastic example. Basically, this is blues derived rock. But as many of the best progressive bands, Gravy Train did not try to reinvent the wheel, or make the wheel a symphony. A fresh turnaround here, an expansion of a bridge there, and the form was new with only subtle modifications. With the flute giving this music a sharp and welcome twist and roots deep in both jazz and blues, Gravy Train has not dated a bit. Gold vinyl; gatefold sleeve.

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Majic Ship

24,29 €* 26,99 € -10%

LP | 1970 | UK | Reissue (Panegyric)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Mixing fuzzed-out hard-rock with tinges of psychedelia, Majic Ship’s only album from 1970 is a classic from the US private press / psych scene. Raw fuzz guitars, organ, and soulful-melodic vocals on nine original tracks plus their homage to Neil Young / Stephen Stills on the 11 minutes cover of “Down by the river” / “For what it’s worth”.

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McDonald And Giles

Mcdonald And Giles

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Dónde Está Esa Mujer A La Que Yo Amé

Grupo Uno

7" | 1970 | EU | Reissue (Madmua)

LP | 1970 | EU (Endless Happiness)

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Hypnotic organ-fueled psych-pop from Argentina 1970, now having a new life thanks to Madmua Records. As usual, 500 copies that are instantly sold out at source (we have 50 copies available only now). Nice new cover artwork (original came in plain generic cover), with insert and two postcards.

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Nico

Desertshore

Release: 1970 / EU

Genre: Rock & Indie

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Desertshore is Nico's third solo album, recorded and released in 1970. It was co-produced by John Cale and Joe Boyd. Like its predecessor The Marble Index, it is an avant-garde album with chamber music elements. The back and front covers feature stills from the film La cicatrice interieure by Philippe Garrel, which starred Nico, Garrel and her son Ari Boulogne. A few of the songs from the album were included on the soundtrack of the film.

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Jawbone

LP | 1970 | US | Reissue (Lion)

Release: 1970 / EU

Genre: Rock & Indie

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Psychedelic pop act Jawbone had ample talent and keen industry connections yet remained unjustly obscure. Core members had been active in The Mirage, who signed with CBS and later recorded for Phillips; drummer David Hynes and bassist/future Elton John Band mainstay Dee Murray briefly joined the Spencer Davis Group, but regrouped as Portobello Explosion, which became Jawbone. Their rare self-titled debut, released by Carnaby in 1970, had an undercurrent of Americana, and there’s a one-off cover of The Beatles’ ‘Across The Universe’; this edition features bonus track ‘Way, Way Down,’ a non-LP Carnaby 45.

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Limonada

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Quatermass White Vinyl Edition

Quatermass

LP | 1970 | US | Reissue (Friday Music)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Quatermass is the only studio album by English progressive rock band Quatermass, released in May 1970 and produced by the Swedish wizard Anders "Henkan" Henriksson. The record started to attract considerable attention in 1975, when guitarist Ritchie Blackmore covered the second track, "Black Sheep of the Family", for Rainbow debut album. As a consequence of the revived interest, Quatermass was re-released and sold further 20,000 copies. Since then, it has gained a cult status and has received favorable retrospective reviews.

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Dave Mason

Alone Together

42,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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7" | 1970 | EU | Reissue (Madmua)

Manolo Y Ramon

Lágrimas, Sonrisas

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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In 1970, famous Spanish duo Manolo y Ramón, known as El Dúo Dinámico since the early 60s, changed musical direction and name and recorded a full album in London in a cool pop-psych style. Using a dream team of session musicians (Jimmy Page, Ian Anderson, Billy Preston…) and arrangers connected to George Martin, the duo laid down 13 tracks of which “Lágrimas Sonrisas” backed with “Adiós, Adiós, Goodbye” were selected for a 45 release. It went unnoticed at the time but now “Lágrimas, Sonrisas” is mod psych anthem, full of powerful vocals, Hammond splashes, female chorus…highly sought after by DJs and collectors, here’s a deluxe legit reissue limited to 500 copies (not to be repressed). Includes postcard and insert with liner notes in Spanish by Vicente Fabuel.

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Elias Hulk

Unchained

12" | 1970 | EU (Trading Places)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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A classic in the collecting circuit since ages, the sole release by UK group Elias Hulk was out in 1970 on the Youngblood label. Raw hard-rock, adding some Eastern and blues-rock elements as well. Previously available on our Sommor sub-label and out of print, we present a new edition on Guerssen.

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Mungo Jerry

In The Summertime

13,99 €*

12" | 1970 | EU (Trading Places)

Release: 1970 / EU

Genre: Rock & Indie

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After performing together in the skiffle-oriented band Good Earth, singer-songwriter Ray Dorset and keyboardist Colin Earl formed Mungo Jerry, whose breakthrough single, “In The Summertime,” remains a stone-cold anthem of the early 1970s. With Paul King on banjo and jug, Mike Cole on string bass, Earl on ragtime piano and with Dorset’s humorous vocals upfront, “In The Summertime” was skiffle-tinged rock at its best. The reissue of this uncommon 12-inch also features Dorset’s “Mighty Man,” with King’s kazoo and harp, as well as a great cover of Woodie Guthrie’s “Dust Pneumonia Blues.” A must-have!

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Titus Groan

Open The Door Homer

13,99 €*

Mona The Carnivorous Circus

Release: 1970 / EU

Genre: Rock & Indie

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Proto-prog act Titus Groan came together in London from disparate influences: drummer Jim Toomey, who later played in the Tourists, had a trad jazz background, and then played in a soul act with saxophonist/flutist/oboist Tony Priestland; bassist John Lee had played with jazz saxophonist Dick Morrissey, and guitarist/keyboardist Stuart Cowell was a blues fan, hence the diverse directions of their sole LP. Rare 12-inch ‘Open The Door Homer’ features their cover of the unreleased Bob Dylan song that was also tackled by Fairport Convention, originals ‘Woman Of The World’ and ‘Liverpool’ between blues rock, jazz rock and prog.

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Mick Farren

LP | 1970 | EU | Reissue (Akarma)

Release: 1970 / EU

Genre: Rock & Indie

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The adventurous singer, guitarist and music journalist Mick Farren launched his solo career after being sacked by his fellow Deviants, the protopunk band he fronted from 1967-69. Suffering from depression and other mental health issues, Farren teamed up with an all-star cast, including members of Quartermass and ex-Tyrannosauros Rex honcho Steve Peregrin Took for debut opus Mona The Carnivorous Circus, mixing hard rock, spoken word, spaced-out interludes, radio cut-ups and garage rock, rendering a work as compelling as it is hard to classify. Strange, delightful and a favourite of Julian Cope, this is an aural journey to savour.

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Patto

LP | 1970 | EU | Reissue (Akarma)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Limited edition - Gatefold - 180 gram. Re-issue of this 1970 recording originally released on Vertigo, Patto were an unequaled force in the UK rock scene producing two notable albums for Vertigo and a third for Island. Featuring the extraordinary guitar work of Ollie Halsell who is capable of reaching unimaginable peaks of distortion and jazz inspired runs on both electric guitar and vibraphone, along with a fierce rhythm section and the vocals of Mike Patto . The late Mike Patto was wild man of U.K. rock who spent time in the Bow Street Runners, Spooky Tooth and most notably Timebox (which became into Patto).

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Bruce Palmer

The Cycle Is Complete

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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After leaving the Buffalo Springfield because of a drug bust, bassist Bruce Palmer released this 1970 solo album for Verve Forecast. Consisting of only four tracks, The Cycle Is Complete seamlessly explores psych, folk and jazz territories to cultivate a sound that now seems decades ahead of its time. Opening track "Alpha - Omega - Apocalypse" features vocals by Rick Matthews (later known as psychedelic soul star Rick James). An exploratory cult classic.

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Black Velvet

This Is Black Velvet

Women And Children First Black Vinyl Edition

Release: 1970 / EU

Genre: Rock & Indie

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Initially formed in southeast London in the mid-1960s as the Coloured Raisins, obscure black rock quartet Black Velvet infused their sound with soul and reggae undercurrents, a testament to the Caribbean origins of the group members, and the pervasive styles inspiring the black communities that inhabited London’s marginal outskirts. Produced by Don Lawson for the Beacon label, which was launched by the Antiguan businessman and future politician Milton Samuel, Black Velvet’s powerful debut is a snapshot in time of London’s black underground that will appeal to anyone interested in the black British music scene of the early 1970s.

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Ancient Grease

LP | 1970 | EU | Reissue (Sommor)

Creedence Clearwater Revival

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Heavy-rock / bluesy sound with West Coast overtones and some devastating fuzz-wah guitar. Originally named Strawberry Dust, Ancient Grease was a hard psychedelic band from Wales, connected to Eyes Of Blue and Racing Cars. They were supported by John Weathers (Eyes Of Blue) who also acted as producer and songwriter for their sole album, recorded in London. When eventually released in 1970, “Women and Children First” was credited to Ancient Grease instead of Strawberry Dust (one of those “great” ideas by major labels). The album was first issued in the US and later in the UK, both on the Mercury label but with different sleeves (being the UK one the most desirable and collectable).

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Pendulum

LP | 1970 | EU | Reissue (Fantasy)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Dedicated To Markos III (A.K.A. Black Flower)

Nirvana

LP+7" | 1970 | EU | Reissue (Wah Wah)

LP | 1970 | US | Reissue (Don Giovanni)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Nirvana's third LP is a masterpiece of late UK sixties popsike turning into symphonic pop, but not having received proper promotion despite being equally good as, if not better than their previous releases, it also marked the end of the collaborations between Patrick Campbel-Lyons and Alex Spyropoulos back in 1969.

Nirvana presented it to Island boss Chris Blackwell under the title of Black Flower. Blackwell, however, decided to turn it down for release, but gave the masters to Campbell-Lyons and Spyropoulos so they could find a new label to release the album. That was to happen in the USA through Metromedia Records in 1969. At that time, the label's owner went through a scandal due to the payola days, which left Nirvana's third offering without any promotion - as a result of that, very few copies were pressed. There was also a UK release on PYE and it was even released by Metromedia in Japan. However, for years it remained as "the lost" Nirvana release, with the added fact that none of the released editions launched the album under its original title of Black Flower but under the rather cryptic Dedicated To Markos II (read why in the liner notes!).

Musically, this is Nirvana at their best. The tune that should have been the title track, Black Flower, is an incredible piece of symphonic psychedelia and probably the best produced Nirvana track ever. Campbell-Lyons and Spyropoulos were backed for the occasion by Spooky Tooth, who played on many tracks of the album, and big orchestral arrangements mesmerize the listener in one of the duo's darkest offerings. This song aside, the rest of the album was deemed as sounding too much like a French soundtrack by Island, which may do at some points –without that being a bad thing,– but there is a lot more to it, since Nirvana have not lost that popsike edge that characterised their sound in their two previous outings.

This is also a record that was widely acclaimed in the hip hop scene. And samplers of it have been used by several artists, most notably DJ Shadow used Love Suite in his 1996 debut album Endtroducing.

The Wah Wah edition has been remastered from the original tapes by Roger Prades @ Prades Mastering and comes with a bonus 7" EP and a four page colour insert with liner notes by Malcom Dome, plus a sheet with the lyrics of the songs. First ever official vinyl reissue since 1970 in a limited edition of 500 copies only!

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The Maglory Dengluch

Release: 1970 / US – Reissue

Genre: Rock & Indie

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An Evening With Dando Shaft

Dando Shaft

Release: 1970 / EU

Genre: Rock & Indie

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Formed in the West Midlands manufacturing town of Coventry in 1968, esteemed psychedelic folk group Dando Shaft are revered as key influencers of the progressive strand of the 1960s folk revival, and the interplay of melodies on guitar, mandolin and violin made their sound distinctive, thanks to frontman Martin Jenkins, whose expressive vocals compliment his intricate lines, while Roger Bullen’s melodious bass helps to lubricate the proceedings. Recorded before Polly Bolton’s harmonic presence shifted the emphasis of their output, this masterwork is required listening for all progressive folk devotees.

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Crystalline

Axe Music

LP | 1970 | Reissue (Mute)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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First reissued by us in 2012 and out of print for many years, here’s a new, improved repress of this UK psych holy grail. Axe (known also as Axe Music and finally Crystalline by the time they recorded their rare acetate) were an obscure British psych band led by acid-rock guitar player extraordinaire Tony Barford and graced by Vivienne Jones ethereal vocals. The band hailed from Northampton (home also of their mates Dark of “Dark Round The Edges” fame). In 1970, they recorded a demo album of which only 12 copies were pressed as a demo acetate. Here's a straight reissue of this legendary artifact, as the previous "reissue" on the Kissing Spell label from 1993 and credited to Axe was altered without the band consent and included newly edited tracks, artificial echo / phasing effects, altered song titles...

Here' you'll find the acetate recording on its pure form: 100% unadulterated heavy psych and acid-rock sounds full of raw, fuzzed-out guitars and dreamy female vocals. Four impressive original songs plus a long, psyched to the max cover of Love's "A house is not a motel" which has to be heard to be believed. Carefully remastered from an original acetate copy in 24-bit. Unfortunately, no masters survived and no 100% clean copies are known to exist of the original acetates, but you’ll get the best result for the possibilities. In fact we’ve managed to improve the sound a bit over our first edition from 2012. * New artwork (the original acetate came in blank sleeve), insert with unseen pictures and liner notes by Paul Cross (Sweet Floral Albion). Rated with the maximum rarity (six stars) in Hans Pokora's 5001 Record Collector Dreams book.

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Can

Soundtracks

Release: 1970 / Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Bonfire)

Affinity

32,99 €*

LP | 1970 | EU | Reissue (Cosmic Rock)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, gatefold vinyl The sole album by cultish british prog-blues combo. Originally released in 1970 on influential label Vertigo, their self-titled album is still one of the most original effort of the England jazz-rock scene. Fronted by Linda Hoyle, a powerful vocalist who sounds like a cross between Carol King and Julie Driscoll, the line up was completed by Mo Foster (bass), Mike Jupp (electric and 12-string guitars), Lynton Naiff (keyboards) and Grant Serpell (drums and percussion). Their eclectic mixture was truly compelling moving over a certain psychedelic feel, thanks also to the ubiquitous Hammond organ. A singular effort that made definitely history.

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Richard Twice

LP | 1970 | EU | Reissue (Bonfire)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Fuzz guitars, organ, celestial vocal harmonies, a single effort and then…eternity (or obscurity if you look at the other side of the coin). In 1968 leader Richard Atkins - Richard Manning his artistic partner & co-writer, hence the name - was building toward success, his musical adventures and philosophy not that far from the likes of The Byrds or the more eccentric Simon & Garfunkel. He’d won a contract with Mercury Records, and recorded with the Wrecking Crew members, a group of Los Angeles session musicians famous for their work with the Beach Boys, Elvis, Frank Sinatra, and hundreds more. But stage fright triggered a disastrous make-or-break performance in a small Hollywood nightclub, and everything abruptly fell apart. Atkins gave up music in the prime, and for 50 years he refused even to listen to a radio, so painful were his memories of a career he was convinced could have been. Featuring top-notch backing from musicians such as Drake Levin (Paul Revere & the Raiders), Larry Knechtel (Bread), Mark Tulin (the Electric Prunes) and Rusty Young (Poco), the album - nonetheless - it's bound to appeal to all fans of high-quality early '70s US pop-rock. In 2017 the short history of this unlucky but brilliant combo was featured in a short animated movie of 10 minutes !

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Julian's Treatment

A Time Before This

Jiro Inagaki & Soul Medicine

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. 1970 the year prog rock broke ! A time Before This was the sole album of british cultish band Julian's Treatment. Fronted by sci-fi author/keyboards player Julian Jay Savarin the band became an extra-cult because of their lyrics and arrangements extravaganza. Savarin – who later embraced a solo career - was born in Dominica and moved to Britian in the early Sixties. He started rehearsing with John Dover (bass), Del Watkins (guitar), Jack Drummond (drums) and Australian born Cathy Pruden (vocals). In june '70 the label Youngblood released their first album "A Time Before This". Based after a survivalist concept the album still stands as an original artefact of the time, still maintaining a sort of baroque feel. Leader Savarin keyboards maybe all over the place (with that sort of proto-hard church organ feel), but a virtuoso rhythm section and the vocal performance of Cathy Pruden (imagine a crossing line between Julie Driscoll and Grace Slick) give the record an embraceable feeling overall.

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Woodstock Generation Colored Vinyl Edition

LP | 1970 | EU | Reissue (Cinedelic)

Jiro Inagaki & Soul Medicine

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Finally this Ghost Gem left by Jiro Inagaki's Soul Media has been repressed on vinyl for the first time thanks to Cinedelic Records. ‘Woodstock Generation’ is a masterpiece of Japanese jazz/rock funk/soul that for some it even considered better then the acclaimed "Head Rock" in terms of perfection; surely there are many points in common between the two albums having been made a few months later, in 1970. Behind "The Soul Medium" name hides saxophonist Jiro Inagaki, an iconic figure of the japanese Jazz Rock scene during the late sixties to the early seventies. Jiro is supported by his legendary quintet "Soul Media" under its first incarnation featuring Ryo Kawasaki (g) Yasuo Arakawa (b) Masaru Imada (org) Sadakazu Tabata (ds) with Tetsuo Fushimi & Shunzo Ohno on trumpet in addition. "Woodstock Generation" is a tribute album to the Woodstock Festival including cover of songs performed on the stage by Sly & Family Stone (I Want To Take You Higher) The Who (Summertime Blues) or Ten Years After (Spoonful) but also Woodstock (written by Joni Mitchell in honor of the Festival) and Mamma Told Me (Not To Come) written by Randy Newman for Eric Burdon and The Animals. Titles include also variations on the "Head Rock" theme "The Ground For Peace” and original composition of Masahiko Sato "Knick Knack". All tracks arranged by Jiro Inagaki.

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Woodstock Generation Black Vinyl Edition

LP | 1970 | EU | Reissue (Cinedelic)

Velvet Night Violet Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Velvet Night

Gleemen Clear Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Recorded in 1969, these White Plains NY kids created a horror show of late psych, which they fully admitted to on “Freak Show,” a slow bluesy creeper with spirally spiderweb organ and the fantastic and sexy sorceress vocals of Lynn Boccumini. Recorded in New York’s Record Plant under the guidance of cult producers Jimmy Curtiss and Steve Kanyon (best-known for their involvement with popsike favourites the Hobbits and the New Hobbits), this Italian-American psych rarity originally appeared in 1970 and has barely been heard since. A mixture of covers of songs by Cream, Donovan, the Band and Tim Hardin and eerie originals such as the hard acid-rock title track

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Gleemen

LP | 1970 | EU | Reissue (Vinyl Magic)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | CA | Reissue (Return To Analog)

Souls Of Inspyration

Release: 1970 / CA – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Bonfire)

Brethren

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Exclusive liner notes by Dr John himself ! Published in 1970 on the small imprint Tiffany Records, the self titled debut album by Brethren still deliver the goods half a century upon its original release. Way long before the genre Americana was certified, even before the ‘blue eyed soul mania’ arose, this talented combo pave the way for an intense songwriting. Girl group The Blossoms was on board for several tracks on backing vocals, while the almighty Dr. John played keyboards as a guest and wrote some intense liner notes. Folk rock mixed with some country and a dash of gospel, that was the original essence of the album, a serious runner up in the Little Feat/Allman Bros category. But if you look further this band could have been easily described as the US answer to Steve Winwood’s Traffic. “Midnight Train” has a southern rock feel while the vocals and composition on “Don’t Talk Now” could pass as a tune from The Band. “I’ve Been Provided For” would fit in at a church revival while bluesy numbers such as “Outside Love” and “Success Brand Oil” have an uncanny jazz rocking instrumental feel. Fully remastered and licensed ltd to 500 copies, 180 gr.

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Màquina!

Why? Black Vinyl Edition

Glorieta De Los Lotos Half-Black Half-Orange Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Along with Smash, Cerebrum or Pan & Regaliz, Catalan band Màquina! were one the truly pioneers when talking about the underground Spanish psych-prog scene from the late 60s. “Why?” was their debut album, originally released in 1970 on the Diábolo label and housed in a striking surreal sleeve designed by band member Jordi Batiste. English vocals, wicked acid fuzz-wah guitars, Hammond organ, flute…including the legendary self-titled track, 24 minutes (split in two parts) of wild psychedelic improvisation. Featuring Josep Maria “Tapi” Vilaseca (later of Tapiman) on drums, Josep Maria París on fuzz guitar, Luigi Cabanach on wah guitar, Enric Herrera on organ and Jordi Batiste on bass/flute/vocals. Highly sought-after by psych collectors worldwide, here’s a long overdue new vinyl reissue of this cult album featuring newly remastered sound, original artwork and insert with detailed liner notes and cool photos.

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Smash

LP | 1970 | EU | Reissue (Philips)

Storyteller Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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One of the biggest names of the Spanish 70's underground, Smash came from Seville and featured the well-known guitarist Gualberto who also found fame with later solo albums. Of the two longplays released by Smash, "La glorieta de los lotos" is the first of them. It was originally released in 1970 and mixes psychedelia with Andalusian roots. A very rare album, now available again on special vinyl half-black half-orange.

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Storyteller

LP | 1970 | EU | Reissue (Svart)

LP | 1970 | US | Reissue (BYM)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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A Svart Mondo release. Black vinyl, gatefold jacket.

First released by Britain’s then foremost folk label, Transatlantic Records in 1970, Storyteller’s first album is a forgotten gem of Psychedelic Folk Prog Rock. Warm and silky production courtesy of Andrew Bown and Peter Frampton, fabulous dual vocals and a wistful arrangement of top-drawer UK Folk Prog, make Storyteller a diamond worth digging into.

Around 1969, after being a part of the band The Other Two on Decca Records, working with people like Chuck Berry, Duane Eddy and Jerry Lee Lewis, and touring with Chuck Berry and The Animals, Caroline Attard joined a new band that was being formed; Storyteller. A quintet who followed their own inclination, ignoring current fashions and just doing what seemed to come naturally, Storyteller is a crate-digger’s delight. Up there with Fairport Convention, Jefferson Airplane and Steeleye Span, Storyteller were steeped in folklore tales such as on ‘Ballad Of The Three Laps’, bringing the true spirit of folk alive in their own unique way. With songs written primarily by Roger Moon, and Terry Durham as muse of inspiration with his paintings and wonderful Yorkshire stories, Storyteller’s debut has the authentic and honest vibe of the real McCoy.

No longer confined to being coveted by collectors and those in the know, this lush remastered reissue via Svart Records comes on gatefold vinyl with updated liner notes and interview. If you treasure Folk, Prog and Psychedelic Rock, make sure this is a tale you don’t miss out on!

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Los Blops

43,99 €*

Let It Be Limited 50th Anniversary Deluxe Edition

Release: 1970 / US – Reissue

Genre: Rock & Indie

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The debut from the experimental folk / rock band recorded during the revolutionary days of the late 1960s in Chile—the first of three the band recorded between 1970 and 1973. Remastered from the original pressing and authorized by the founding musicians. Features the original artwork and unreleased material updated by designer Antonio Larrea.

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The Beatles

Box | 1970 | UK | Reissue (Apple)

213,99 €*

Let It Be 50th Anniversary Edition

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Following on from the global success of ‘Abbey Road’, Apple Corps and USM are proud to present the next multi-format Beatles album reissue of ‘Let It Be’.

January 1969 – The Beatles planned to return to live performance, setting up in Twickenham Film Studios, London, for 21 days of rehearsals. They then decamped to their new studio in their Apple office building in Saville Row and on January 30th performed their last ever live group performance on the rooftop. All of this was filmed for a proposed documentary (eventually released in 1970). During the rehearsal process, they asked Glyn Johns, who had been hired to help with the live sound, to attempt a mix to create an album. This was never released, becoming known as one of the great ‘lost’ albums in rock history and is now included in this Super Deluxe Set. The album was delayed further and in fact became their 12th and final official album release on 8th May 1970 following additional production by American producer Phil Spector.

The Beatles iconic final studio album being released to coincide with the worldwide release of Peter Jackson’s 3 part documentary ‘The Beatles: Get Back’
New stereo mix of the original album by Giles Martin
Additional discs featuring a selection of outtakes from the recording sessions

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The Beatles

LP | 1970 | UK | Reissue (Apple)

33,99 €*

LP | 1970 | UK | Reissue (Island)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Traffic

John Barleycorn Must Die

A Divina Comedia White Vinyl Edition

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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After a brief disbandment Traffic returned in Summer of 1970 with John Barleycorn Must Die, hitting No’5 in the US Billboard Chart and thus making it their highest ever peak position in the US. John Barleycorn would take the band’s jazz/rock leanings beyond mere jamming and give Winwood excuse to exercise his expressive voice as punctuation to the extended instrumental sections. Re-Issued individually from the phenomenal 2019 Traffic – The Studio Albums 1967-74 Boxset. Remastered from the original tapes, pressed on 180g heavy weight vinyl and artwork caringly overseen and interpreted, this album is a must for any newcomer or indeed, seasoned Traffic fan.

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Mutantes

LP | 1970 | EU | Reissue (Vinyl Lovers)

L'aurora Crystal Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Originally released in 1970 this was the third album from Os Mutantes, the geniuses of wacked out Brazilian psychedelic rock. They may have been trying to pay homage to their better known icons back in the States, but in doing so they created something that went beyond all that until, 30 years later, they became the ones that everyone was trying to imitate. This album, further testimony to their limitless creativity and considered by many to be their best, was recorded during the height of the Brazilian military regimes crack down on artists, and fellow members of the Tropicalia movement, Caetano Veloso and Gilberto Gil had already been sent into exile in the UK.

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Le Orme

LP | 1970 | Reissue (AMS)

Release: 1970 / Reissue

Genre: Rock & Indie

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Layla And Other Assorted Love Songs

Derek & The Dominos

2LP | 1970 | UK | Reissue (Universal)

38,99 €*

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Plastic Ono Band Deluxe Edition

John Lennon

2LP | 1970 | EU | Reissue (Universal)

42,99 €*

LP | 1970 | EU | Reissue (Discos Monterey)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Plastic Ono Band was the debut solo album by John Lennon. Released on December 11th 1970, John and Yoko had started writing and demoing at Abbey Road (emi Studios) in the summer, with recording sessions during September/October

After the break-up of The Beatles that year, John and Yoko embarked on a period of self-reflection and experimentation, with the results that the songs and sessions for Plastic Ono Band were heavily influenced by his immersion in Arthur Janov’s primal therapy. John was able to find emotional depth and honesty within himself that few artists had ever done before, with John saying to Rolling Stone “now I write all about me and that’s why I like it. It’s me.” . The result is perhaps the most honest and emotionally raw album that anyone has ever released, let alone someone who was one of the four most famous musicians on the planet. With a small core band comprised of just Ringo Starr on drums and old friend Klaus Voorman on bass, co-produced by Phil Spector, the album peaked at 8 in the UK charts and 6 in the USA. It has come to be regarded by many as John’s finest solo work and has continued to grow in stature and reverence and has often featured in various Best Of lists through the years since. Not only does this album feature some of John’s best-loved and most impactful songs – Mother, Working Class Hero, Isolation, God – but this new set also includes the singles Give Peace A Chance, Cold Turkey and the classic Instant Karma! (We All Shine On).

Released on the same day was Yoko Ono’s Plastic Ono Band album, the couple regarding the release as a pair of albums rather than two entirely separate projects, albeit of course it not achieving the same sort of coverage or chart success as John’s.

Coming as this does hot on the heels of last year’s much loved and well-reviewed “Gimme Some Truth” set and “Imagine” before that, the audio has been completely remixed from the original studio tapes as part of the ongoing John Lennon Ultimate Mix series. The aim for this mix process is to achieve three things: to remain faithful and respectful to the original recordings; to ensure that the sound is sonically clearer overall and to increase the clarity of John’s vocals. As Yoko says, “it’s about John” and this new mix shows that it is his voice that brings the biggest emotional impact of the album.

This multi-format release included a Cd/bd Super Deluxe Box with 130 page book featuring many exclusive and new photos, track-by-track notes in the words of John and Yoko, lots of tape boxes and full breakdown and descriptions of the audio content. As well as the new Ultimate Mix, we have 5 further CD discs, each focusing on different and new aspects ,including: original outtakes, demos, Elements Mixes (focusing on individual aspects of the songs to reveal unheard elements), Evolution Mixes (the story of each song from demo to complete recording), Raw Mixes (unadorned studio takes that place you inside the room almost sitting alongside the band) and a further disc of studio Jams. There are two Blu-ray Audio discs that feature hi-res stereo (192/24) versions of all the above as well as surround mixes in 5.1 and Dolby Atmos. Further material only available on BD includes the Yoko Ono Band/Plastic Ono Band Live Sessions from the original recording sessions and featuring Ringo Starr and Klaus Voorman.

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Gerardo Manuel & Humo

Apocallypsis

For Sale Brown Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Gerardo Manuel left behind his deepest beat days with The Dolton’s and the Shain’s, plus his garage psych stage with St Thomas Pepper Smelter. At the beginning of the seventies he was joined by a new band formed by other illustrious Peruvian musicians, called El Humo because, according to Ernesto Samamé (We All Together) they met to play unpretentiously, to test the new sound equipment of the Virrey label. The first of the albums was "Apocallipsis" (1970). It was followed in 1971 by the conceptual "Machu Picchu 2000" in which he used all his imagination to tell us about the resurgence of the Inca empire after the third world war that broke out at half past five on December 31, 1999. Songs of lysergic melodies, with Latin touches, give life to this album that looks for peace in the world. Unique and memorable albums, essential for any discography with the best of South American music from the sixties.

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Fever Tree

Stage Fright 50th Anniversary Limited Deluxe Boxset

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Three stunning covers, the traditional ‘Hey Joe’ (as arranged by Jimi Hendrix), Screamin' Jay Hawkins ‘I Put a Spell on You’ (1957) and Love ‘She Comes In Colors’ (1967) for a revolutionary psychedelic album with hints of folk-pop and rare groove (thanks to master drummer Hal Blaine precious performance). Released on New York label Ampex Records in 1970, the record shows up a slight gospel tinge, thanks to backup vocalists the Blackberries. While Dennis Keller bluesy inflection brings to mind a Jim Morrison twin or maybe a proto Mark Lanegan. A must have Texas psych highlight !

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The Band

5LP | 1970 | EU | Reissue (Capitol)

148,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Stage Fright 50th Anniversary Edition

The Band

LP | 1970 | EU | Reissue (Capitol)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Claire Lepage & Compagnie

LP | 1970 | EU | Reissue (Return To Analog)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | CA | Reissue (Return To Analog)

Dionysos

Le Grand Jeu

On The Way To Eden White Vinyl Edition

Release: 1970 / CA – Reissue

Genre: Rock & Indie

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Dionysos's first album '' Le Grand Jeu '' (1971) is one of the must-hear classics of Quebec rock. Sung in colloquial French, drifting somewhere between swampy blues-rock and the emerging prog aesthetic, with some flute passages and a liberal dose of Hammond organ, it is likely the heaviest record made until then in the entire French-speaking world.

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Eden Rose

Dogfeet Blue Vinyl Editon

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Limited to 200 copies on white vinyl!

Proto-progressive, groovy instrumental psychedelia, recorded in France in 1969 by this pre-Sandrose band and released on the tiny Katema label. Swirling Hammond grooves by keyboard virtuoso Henri Garella, top guitar playing by Jean-Pierre Alacen and a tight, funky rhythm section create one of the best early prog/psych French albums ever. First reissued on Guerssen back in 2016 and out of print for many years, here's a repress in hard cardboard sleeve + OBI - resealable outer sleeve.

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Dogfeet

Black Merda Clear Beer Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Bassist Dave Nichols, singer Alan Pearse, drummer Derek Perry and guitarist Trevor Povey first came together as Chicago Max, followed by brief stints as Sopwith Camel (not to be confused with the San Francisco-based outfit), Malibou and Armageddon. Working in a blues-rock vein (wasn't every early-1970s band dipping their creative toes in the genre), they were signed by the small Reflection Records, though the label immediately demanded a new name. Musically 'On the Road' harkened back to the bands' blues-rock roots, but extended tracks such as 'Now I Know', the attractive atmospheric ballad 'Reprise' and the Western-inspired 'Since I Went Away' set them apart from most of their contemporaries. Not that it mattered. The album vanished without a trace, followed in short order by the band.

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Black Merda

LP | 1970 | EU | Reissue (Lilith)

Underdogs, The (Pig, Mann & Edwards)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Hailing from late-'60s Detroit, Black Merda (pronounced "Murder") were both aesthetically and musically way ahead of their time. When most black groups (including Parliament/ Funkadelic) were still sporting suits, singing about love and using a horn section, Black Merda had already become a tight guitar-heavy freak-funk four piece. By weaving guitar rock and psychedelia into soul and R&B they were the gods of the underground "black rock" movement which fell somewhere between Jimi Hendrix and Parliament and MC5. But it wasn't just about the music, the message was just as important.

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Wasting Our Time

LP | 1970 | EU | Reissue (Wah Wah)

LP | 1970 | EU | Reissue (Wah Wah)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Wah Wah is proud to release the first ever legit vinyl reissue of New Zealand's legendary Underdogs' second LP. By the time of this album, originally released in late 1970, The Underdogs line-up had changed. The original Underdogs had disbanded in 1969, and original guitarist Harvey Mann and bass player Neil Edwards decided to rebirth it with the help of Glen 'Pig' Absolum on drums - hence the band's nickname Pig, Mann & Edwards. This power trio line-up also saw the initial Underdogs UK flavoured R&B sound get heavier and evolve towards a more Cream-ier - Hendrix influenced territory. It was recorded under the production of former Brew man Bob Gillett in their native Auckland and saw its original release on the PYE label.

This is a 500 copies only reissue, housed in its original artwork in a vintage styled backflaps sleeve and featuring gatefold poster insert.

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Farmyard

2LP | 1970 | EU | Reissue (Guerssen)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Hailing from Wellington, the windy city and capital of New Zealand, Farmyard's initial line up consisted of Rick White on bass and vocals, Tom Swainson on drums, Milton Parker on lead guitar, Andy Stevens on sax and Paul Curtis on rhythm guitar and lead vocals. Rick White who formed the band, and Milton Parker were originally in fledgling beat combo The Relics. After being kicked out of the Relics, Rick went on to form Tom Thumb. Tom Thumb moved from R&B, to pop, to progressive rock, and their 1970 Ludgate Hill EP is considered one of the first prog recordings in the country.

After a successful single, Polydor issued Farmyard’s first LP in 1971 which came housed in a silk screened plastic bag, and is an amazing prog-rock killer, with superb musicianship, great tunes and a splendid production by Peter Dawkins.

This is a 500 copies only reissue, housed in its original ‘gimmick’ artwork in a silk screened plastic bag, printed inner sleeve and insert.

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Julian's Treatment

A Time Before This

In Rock (2018 Remastered Version)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Debut, double album by musician/sci-fi writer Julian Jay Savarin. Originally released on Miki Dallon's Youngblood label in 1970, this is a classic since the early days of record collecting.
Hammond dominated, spacey, psychedelic prog-rock with long tracks, cool female vocals and a cosmic, sci-fi concept vibe.
This reissue features the original gatefold sleeve, master tape sound in 180g vinyl, and detailed liner notes by Andy Morten (Shindig!). Essential to anyone into early UK prog-rock!

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Deep Purple

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Bear Family)

The Petards

Hitshock

LP | 1970 | EU | Reissue (Wah Wah)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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With their first, self-titled album for Liberty, The Petards from the state of Hessen in Germany had produced a real hit. The year 1969 meant for Klaus and Horst Ebert, Roger Waldmann and Arno Dittrich above all a wealth of appearances; at that time there was
probably no band harder working in Germany than The Petards. In September 1969 producer Sigi Loch called the band back to Munich's Trixi Ton Studio to record the next album. And as one would expect from the band, the musicians came to the studio well prepared. Within five days, enough new songs were recorded to create four singles in addition to the new album. All the titles were written by the two Ebert brothers, who apparently never ran out of ideas. The musicians used whatever kind of tools the studio gave them: synthesizers, Mellotron and piano were skillfully integrated into the Petards sound. As with the previous albums, the band captivated with an enormous amount of variety and talent. Progressive rock, Krautrock - everything was in the Petards songs - and yet with less than four minutes of running time they remained deeply suitable for airplay.
In early 1970 the new album 'Hitshock' was released on Liberty and continued the track of success of the four Hessians. For many people 'Hitshock' is the most mature and best produced album of the four from Schrecksbach. Fans and critics agreed. In April 1970, The Petards made it into the arts pages! Director Charles Lang had selected the band from 70 applicants and invited them to the Bremen Theatre. There they took part in the play 'Was ihr wollt', freely adapted from Shakespeare (’Twelfth Night’, or ’What You Will’). All arrangements were made by the musicians, some titles were rewritten. Unfortunately no recordings have been preserved. The play was not a great success, but The Petards got off well with the critics, and of course this also meant a good promotion for their new album. At least the four musicians had a lot of fun participating, but still they found time to carry the songs from 'Hitshock’ live through the republic. Bear Family releases this album for the first time again in the original artwork on 180 gram vinyl and adds a reproduction of the original poster to 'Hitshock'. This record is the third of four scheduled vinyl re-releases of the great Petards on Bear Family.

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Siloah

LP | 1970 | EU | Reissue (Capitol)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Coming out of the boiling Munich scene of the sixties that also gave us the original Amon Düül (Thom Argauer had played in a dixieland band with Chris Karrer in the late 60s, actually), Siloah are one of the best kept secrets of the krautrock production. Siloah had a hard core including Thom Argauer, Manuela von Perfall, Heinrich 'Tiny' Stricker and Wolfgang Görner, plus a host of guests coming and going, everybody was free to join and play at any time, guest members often joining from the Baumstassen commune around which the band was living before they eventually moved to an abandoned farm on the outskirts of town.

Their first LP is a trippy acid psychmasterpiece recorded in 1970 and privately issued on German Blues and Undergrund. It showed a strong influence from US West Coast psychedelic music and has a lovely acoustic approach. It's sound is free, full of improvisation and with a charming amateurish feel all through it. It will appeal to lovers of free spirits like Amon Düül themselves, Kalacakra or even Música Dispersa.

The Wah Wah reissue is made in cooperation with Thom Argauer family, it has been cut from the original master tapes, has original artwork (improved by printing it over a mirror finish silver cardboard), has two bonus track not on the original LP added, features an insert with photos and liner notes and comes in a strictly limited edition of 500 copies only.

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Paul McCartney

McCartney

33,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Sony)

Bob Dylan

New Morning

LP | 1970 | UK | Reissue (Parlophone)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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New Morning is the eleventh studio album by American singer-songwriter Bob Dylan, originally released in 1970.

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Jethro Tull

Stand Up

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Supraphon)

Blue Effect

Meditace

27,99 €*

LP | 1970 | EU | Original (Repertoire)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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A reissue of one of the top titles from Eastern Europe's rock history. Blue Effect's 1970 debut-album consists of progressive rock with a touch of blues and some serious underground atmospheres. Recorded in 1969, the line-up comprised Vladimír Misk (vocals), Radim Hladík (guitar), Jirí Kozel (bass) and Vlado Cech (drums). This LP comes on 180-gram vinyl and is presented in a gatefold cover.

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UFO!

UFO 1

Release: 1970 / EU – Original

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Legacy)

Santana

Abraxas

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | US | Reissue (Epic)

Catfish

Get Down

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Syd Barrett

Barrett

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Deep Purple

Deep Purple In Rock

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Universal)

John Lennon

Plastic Ono Band

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Absinthe)

Mogul Thrash

18,99 €*

LP | 1970 | UK | Reissue (Warner)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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German reissue of the great and sole album by Mogul Thrash, originally released in 1970 on RCA Victor. Band members included John Wetton and ex-Colosseum guitarist/vocalist James Litherhand. This LP includes 1 bonus track.

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The Velvet Underground

Loaded

LP | 1970 | EU | Reissue (AMS)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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UK reissue of this classic Velvet Underground album (their fourth), originally released on Cotillion in 1970. Edition on 180-gram vinyl.

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Le Orme

L'Aurora

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Syd Barrett

Madcap Laughs

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Spoon)

Can

Soundtracks

27,99 €*

Creedence Clearwater Revival

Release: 1970 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Cosmo's Factory

LP | 1970 | EU | Reissue (Fantasy)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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The Aynsley Dunbar Retaliation

Remains To Be Heard

LP | 1970 | UK | Reissue (Not Bad)

37,99 €*

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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LP | 1970 | US | Reissue (Poppy)

Mandrake Memorial

Puzzle

Release: 1970 / US – Reissue

Genre: Rock & Indie

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LP | 1970 | UK | Reissue (Panegyric)

King Crimson

In The Wake Of Poseidon

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Rhino)

The Doors

Morrison Hotel

32,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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2LP | 1970 | EU | Reissue (Elektra)

The Stooges

Fun House

42,99 €*

Sunshine & Shadows Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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14 tracks

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Ars Nova

LP | 1969 | US | Reissue (Sundazed)

Chicago Transit Authority Red Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Touted as the “new Doors,” Ars Nova’s second release shows the band genre-bending jazz and heavy psychedelia in a style that’s their own. Shifting from a largely classical centric sound, this was the group’s last album before going their separate ways. Pressed on pink vinyl!

Sunshine & Shadows takes the baroque-meets-psych sound of the debut and turns a bit more to the psych side. The stately brass interludes are gone, but horns still figure prominently in the mix. There’s some jazzy New Orleans flavor to a couple of the tunes, albeit twisted into a 7/4 vamp on “You Had Better Listen.”

The instrumentalists in the band, featuring trumpet and trombone, really give the music a unique flavor, setting them apart from the multitudes of other American psych bands. Ars Nova might be likened to Ultimate Spinach (but without the overly serious, pretentious lyrics) or later Zombies (though with less emphasis on the keyboards).

It’s all very well written and nicely played, and when they do a tender ballad like “Temporary Serenade,” the acoustic guitar is very lute-like, much more along the lines of classical than folk (like the later work of Jan Akkerman with Focus), and the trumpet descant adds a lovely spice.

“Well, Well, Well” is the heaviest rock tune in their repertoire, with a great electric guitar riff and hot organ playing, again set apart by trombone and trumpet. This one is definitely worth seeking out for baroque pop fans.

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Chicago

2LP | 1969 | US | Reissue (Friday Music)

84,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Genesis HHV Exclusive Green Vinyl Edition

Wendy & Bonnie

LP | 1969 | EU | Reissue (Cinedelic)