Classic Rock Vinyl 519 Items

The first in a series of mini compilations exploring instrumental Dub versions of sought after and long out of print titles from the world of Reggae, Disco, Boogie and House. Many of these versions still contain vocals, snippets here and there drenched in delay or reverb, a style you’ll recognise from many of the Jura Soundsystem edits on the label. The late Glen Adams & Finesse open proceedings with their Island Disco cover of Marvin Gaye’s classic, followed on the A2 by a super rare UK Boogie/Brit Funk mix of Tippa Irie’s ‘Panic Panic’ (shouts to Tippa for personally helping to push through the license) and the A side closes with the 80’s leaning ‘Yes I Do’ from Belgium’s Special Occasion. The first half of the B side comes from Carol Williams with the Special Club Dub mix of ‘Can’t Get Away’, originally a one sided promo only 10” from 1983 complete with spoken word intro from Carol thanking New York’s Metro DJs for their support of the song. The LP closes with a Jura Soundsystem Dubby Edit of La Palace De Beaute’s ‘Sin’ pulling back on the vocal and going heavy on the delay.

Original album on 180 gram vinyl, newly remastered by Jimmy Page in single sleeve replicating the original album.

Alle fünf Studioalben der Band um Rio Reiser versammelt auf acht 180g Vinyl-Platten in dieser Box plus Buch und Poster sind wieder erhältlich.

Erkin Koray and Sublime Frequencies are pleased to present this collection of rare tracks and lesser-heard singles. All tracks were recorded and released in Turkey between 1970 – 1977 and culled from Koray's personal vinyl collection. Includes exclusive photos and remastered audio. What more is there to say about Erkin Koray? An iconic guitar and songwriting genius. A voice of gold – Having founded the country’s first ever rock and roll group in 1957, he is regarded worldwide as the father of Turkish rock. Forging western sounds with his own inimitable musical mastery, he self-produced singles and LPs throughout the 1960s and 1970s that shook and altered Turkish society. Erkin didn't stop at rock and roll. Over time, he began to find inspiration in folk sounds from Turkey's Anatolian interior, and radio broadcasts received from Egypt and Lebanon. He looked to the east from his west-leaning Istanbul perch, and began incorporating these sounds into his own work. This amalgamation was as unprecedented and unorthodox in Istanbul at the time as rock and roll itself had been in the 1950s. The resulting hybrid sound ignited what became known as the Arabesque music movement in Turkey – which continues to this day. While Erkin has recorded and performed tirelessly throughout the years, [both as a solo artist, and with the powerful groups he formed,] his extensive back catalogue only began to be explored by the international community in the 1990s. He is now recognized as one of the foremost global leaders of psychedelic, folk rock, pop and balladry. His music has stood the test of time more than many of his western contemporaries and influences have managed to, and his prolific work ethic has not ceased. He continues to live and breathe music, performing epic concerts, and continuously plotting new recordings and strategies. His vision and integrity, coupled with his pronounced world views and inherent musical greatness, have made him the unique and magnificent living legend he is today. This collection features tracks not found on the many unauthorized Erkin compilations and LP reissues that have emerged in the west over the years. Ranging from the sublime to the surreal, these tracks offer an essential glimpse into the extensive repertoire of the great Erkin Koray.

Neil Young finally releases his 1975 album "Homegrown" which was shelved back then due to him feeling uncomfortable with it being to personal.

Deluxe 4 x LP set of David’s incredible concert in the 2,000 year-old Pompeii amphitheatre in July 2016.
148 minutes of amazing performance across 21 tracks in a hardback slipcase containing 4 x LPs with poly liner bags,
2 x gatefold sleeves and 24-page large format photo booklet.
Produced by David Gilmour. Mixed by Andy Jackson and David Gilmour, assisted by Damon Iddins.
Vinyl half-speed mastering by Mandy Parnell at Black Saloon Studios, London.

For the first time on vinyl and pressed on 180-gram vinyl.

What would American southern rock be without the scorching sounds of Lynyrd Skynyrd? Analogue Productions and Quality Record Pressings have already brought you exceptional reissues of "Second Helping“ and "Nuthin' Fancy“. Back to the well then, we go, for two more Skynyrd favorites — the epic "Gimme Back My Bullets“ and the band's bluesy, hard-rocking 1973 debut "Pronounced Leh-nerd Skin-nerd“.
Remastered from the original analog tapes by Ryan Smith at Sterling Sound, our Analogue Productions reissue of "Pronounced Leh-nerd Skin-nerd“ is the ultimate in luxurious reproduction and unbeatable sound. 200-gram plating and pressing by Quality Record Pressings, and a tip-on Stoughton Printing jacket round out the package.
The undeniable youthful hunger of "Pronounced Leh-nerd Skin-nerd“ pumps through the subtly witty songs, all strongly rooted in Southern heritage and working-class values. Independent of the most-requested tune in history, "Pronounced Leh-nerd Skin-nerd“ bleeds red, white, and blue and encapsulates the wondrous dichotomies of Southern rock.
Months before Lynyrd Skynyrd enjoyed the privilege of recording its debut, the band entered its seventh year of playing juke joints and assorted dives in a bootstraps effort to land a deal. During a residency at a hardscrabble Georgian club, the group's rambunctious rock, swaggering attitude, blue-collar determination, and country-reared cadence caught the ear of producer/musician Al Kooper. The rest is history. Kooper inked the ensemble to his new imprint and hustled everyone into a Georgia studio for sessions that occurred March through April 1973.
It's at the Studio One space that Lynyrd Skynyrd flashed scampering tempos, cutting give-and-take riffs, loose barroom lines, and off-the-cuff vocalese that entirely separated its approach from that of the more jazz-styled affairs of the Allman Brothers Band. Confederate flags, empty whiskey bottles, cocked pistols, rotgut habits, scorned women, and prodigal drifters populate the songs, nearly all written from first-person perspectives that add to their genuineness. Prophetic touches - twinkling piano notes, soaring mellotrons, a one-off harmonica - provide ideal complements to the intertwined guitar melodies and singer Ronnie Van Zant's comfortable gruffness and way of expressing local customs.

Original album on 180 gram vinyl, newly remastered in single sleeve replicating the original album.