Classic Rock Vinyl 506 Items

Neil Young finally releases his 1975 album "Homegrown" which was shelved back then due to him feeling uncomfortable with it being to personal.

Alle fünf Studioalben der Band um Rio Reiser versammelt auf acht 180g Vinyl-Platten in dieser Box plus Buch und Poster sind wieder erhältlich.

Erkin Koray and Sublime Frequencies are pleased to present this collection of rare tracks and lesser-heard singles. All tracks were recorded and released in Turkey between 1970 – 1977 and culled from Koray's personal vinyl collection. Includes exclusive photos and remastered audio. What more is there to say about Erkin Koray? An iconic guitar and songwriting genius. A voice of gold – Having founded the country’s first ever rock and roll group in 1957, he is regarded worldwide as the father of Turkish rock. Forging western sounds with his own inimitable musical mastery, he self-produced singles and LPs throughout the 1960s and 1970s that shook and altered Turkish society. Erkin didn't stop at rock and roll. Over time, he began to find inspiration in folk sounds from Turkey's Anatolian interior, and radio broadcasts received from Egypt and Lebanon. He looked to the east from his west-leaning Istanbul perch, and began incorporating these sounds into his own work. This amalgamation was as unprecedented and unorthodox in Istanbul at the time as rock and roll itself had been in the 1950s. The resulting hybrid sound ignited what became known as the Arabesque music movement in Turkey – which continues to this day. While Erkin has recorded and performed tirelessly throughout the years, [both as a solo artist, and with the powerful groups he formed,] his extensive back catalogue only began to be explored by the international community in the 1990s. He is now recognized as one of the foremost global leaders of psychedelic, folk rock, pop and balladry. His music has stood the test of time more than many of his western contemporaries and influences have managed to, and his prolific work ethic has not ceased. He continues to live and breathe music, performing epic concerts, and continuously plotting new recordings and strategies. His vision and integrity, coupled with his pronounced world views and inherent musical greatness, have made him the unique and magnificent living legend he is today. This collection features tracks not found on the many unauthorized Erkin compilations and LP reissues that have emerged in the west over the years. Ranging from the sublime to the surreal, these tracks offer an essential glimpse into the extensive repertoire of the great Erkin Koray.

In the words of Mr. Plant "This is the last night of the last tour". The final New York show and the last concert of the 1973 Tour in fact. The opening numbers are just powered through and Jimmy's playing is spectacular! The Whole Lotta Love version is a strange one , with Bonham doing a full 5 minute non-stop hammering and Plant filling in with some eerie echo moans. A necessary addition for all the Zep fans !

Really an amazing atmospheric and psych-influated album by Afet Serenay. Mind-blowing tunes by the players, band members were famous musicians and the band called "arilar" (which means The Bees). Some hard-hitting rhythm section blending into a prime example of the swingin' sound of the cool influences of Psychedelic Folk.. Most of the songs are from traditional Turkish folk songs with groovy arranges, drum attacks, percussions, saz and absolutely superb moog sounds going there and here.. Lovely and tasty Turkish Delight..! Enjoy the sound!

Like a puff of smoke, Stoned Jesus have risen above the Carpathian Mountains as not only the heaviest, but perhaps the most important rock band to emerge from Ukraine. Prior to Stoned Jesus' first communion, affable frontman Igor Sydorenko was just another familiar face among local progressive rockers. But after rekindling his old flame for metal amidst a stormy period in his personal life, Igor and his two new bandmates went off in search of more crushing highs. While only their second album, Seven Thunders Roar marks an early milestone for Stoned Jesus. The riffs still roll downhill with all the sludgy force of a mudslide, but the band added crisp acoustic guitars to reflect their newfound inner strength. "Climbing up", Igor sings on "I Am The Mountain", a 16-minute instant classic that charges through lush folksy valleys and peaks of headbanging doom at full steam. "And we're never going to stop". For fans of Black Sabbath, Sleep, Electric Wizard. 1. Bright Like The Morning 2. Electric Mistress 3. Indian 4. I'm The Mountain 5. Stormy Monday 6. Bright Like The Morning (Extended) 7. Stormy Monday (Extended) 8. I'm The Mountain (Extended)

Türküola proudly presents a brand new Cem Karaca album where most of the songs made their premieres inside this release. From the original masters of Türküola, we will be hearing Apaşlar, Ferdy Klein and even Dervişan era of Cem Karaca with English lyrics. As the opening track, we hear “Mutlaka Yavrum” which he recorded with Dervişan in 1975 which is really a political piece also with English lyrics. Karaca tells the stories of the children in refugee camps because of the Palestine and Israel conflict. The English versions of “Kendim Ettim Kendim Buldum”, “Emmioğlu”, “Muhtar” and “Baba” have the same playback with their Turkish versions but this time directly and faithfully transferred from their original masters. These tracks were recorded with Ferdy Klein Orchestra in 1970. The Turkish versions of these songs were previously released but the English ones were in the treasure box till now. “Tears”(Resimdeki Gözyaşları), “No No No” (Emrah 1970), “Why” (Oy Babo) and “Istanbul” (Istanbul’u Dinliyorum) are the recordings of Apaşlar with the support of Ferdy Klein Orchestra dated 1968 and the English versions were also released in the same era as two separate singles. In this album, we also hear instrumental tracks played by Apaşlar with the support of Ferdy Klein Orchestra namely “Memories of Marmara” (Emrah 1970) where vocal parts are replaced with strings, “Laila’s Dream” (Resimdeki Gözyaşalrı-Tears) where vocal parts are given with brass and solo sax, “Oy Bana Bana” where vocal parts are replaced with electric guitar and sax. These three songs were previously released in the LP of The Bosporus Sound Orchestra named “Laila’s Dream” which had been released by United Artists, Liberty, and Türkofon before. The Bosporus Sound Orchestra was, of course, Ferdy Klein’s pseudonym for his orchestra. Thanks to Türküola for making these legendary recordings meet its collectors and Anatolian Pop fans via faithfully transferred master recordings.