Classic Rock Vinyl 247 Items

tiny wear

With booklet and inserts.

Vinyl with a couple of light scuffs. Still in shrink, but opened, with hype sticker

US import.
The critically acclaimed and long-out-of-print 2009 debut solo album from The Black Keys singer and guitarist Dan Auerbach. An intimate and underrated affair with shades of greazy rock & roll, blue-eyed soul, and bluegrass hollers. Reissued with new artwork and pressed from the original master.

Heavy Psych Sounds is re-issueing the Yawning Man old demo recordings The Birth Of Sol in brand new Colored Vinyl and new cover. Dating back to 1986, these demo recordings by Yawning Man were originally only spread amongst close friends of the band. They were released on iTunes in 2009. Today you can have them on brand new Colored Vinyl in gatefold sleeve.

Heavy Psych Sounds is re-issueing the Yawning Man old demo recordings The Birth Of Sol in brand new Colored Vinyl and new cover. Dating back to 1986, these demo recordings by Yawning Man were originally only spread amongst close friends of the band. They were released on iTunes in 2009. Today you can have them on brand new Colored Vinyl in gatefold sleeve.

Heavy Psych Sounds is re-issueing the Yawning Man old demo recordings The Birth Of Sol in brand new Colored Vinyl and new cover. Dating back to 1986, these demo recordings by Yawning Man were originally only spread amongst close friends of the band. They were released on iTunes in 2009. Today you can have them on brand new Colored Vinyl in gatefold sleeve.

Repress of the Josiah fourth album in new coloured vinyls !!! "Those who’ve experienced Josiah’s groove-heavy swagger know that it’s the guitar of Mat Bethancourt in the starring role, but this trio relies almost as much on the backing rhythms on Procession. Blink and you’ll miss the first two tracks, “Procession” and “Broken Doll,” both of which are under two and a half minutes, but for the other three cuts of studio material (“Thirteen Scene,” highlight “Dying Day” and the more garage rock “Dead Forever”), it’s just as much Beacom and Beasley’s show as it is Bethancourt's. That would be the end if not for the five live tracks from Josiah’s Swedish run in 2007. Four out of the five — “Looking at the Mountain,” “Time to Kill,” “Silas Brainchild” and closer “I Can’t Seem to Find It” — come from the band’s final recorded full-length, No Time, and only “Malpaso,” reaches back further, having first appeared on the 2001 10” Out of the First Rays. Not that we needed it by this time, but these live versions are basically just further confirmation of what underground rock lost with Josiah. The crash-heavy shuffle blues of “Time to Kill” alone are worth whatever they’re asking for Procession." - The Obelisk

Repress of the Josiah fourth album in new coloured vinyls !!! "Those who’ve experienced Josiah’s groove-heavy swagger know that it’s the guitar of Mat Bethancourt in the starring role, but this trio relies almost as much on the backing rhythms on Procession. Blink and you’ll miss the first two tracks, “Procession” and “Broken Doll,” both of which are under two and a half minutes, but for the other three cuts of studio material (“Thirteen Scene,” highlight “Dying Day” and the more garage rock “Dead Forever”), it’s just as much Beacom and Beasley’s show as it is Bethancourt's. That would be the end if not for the five live tracks from Josiah’s Swedish run in 2007. Four out of the five — “Looking at the Mountain,” “Time to Kill,” “Silas Brainchild” and closer “I Can’t Seem to Find It” — come from the band’s final recorded full-length, No Time, and only “Malpaso,” reaches back further, having first appeared on the 2001 10” Out of the First Rays. Not that we needed it by this time, but these live versions are basically just further confirmation of what underground rock lost with Josiah. The crash-heavy shuffle blues of “Time to Kill” alone are worth whatever they’re asking for Procession." - The Obelisk

Repress of the Josiah fourth album in new coloured vinyls !!! "Those who’ve experienced Josiah’s groove-heavy swagger know that it’s the guitar of Mat Bethancourt in the starring role, but this trio relies almost as much on the backing rhythms on Procession. Blink and you’ll miss the first two tracks, “Procession” and “Broken Doll,” both of which are under two and a half minutes, but for the other three cuts of studio material (“Thirteen Scene,” highlight “Dying Day” and the more garage rock “Dead Forever”), it’s just as much Beacom and Beasley’s show as it is Bethancourt's. That would be the end if not for the five live tracks from Josiah’s Swedish run in 2007. Four out of the five — “Looking at the Mountain,” “Time to Kill,” “Silas Brainchild” and closer “I Can’t Seem to Find It” — come from the band’s final recorded full-length, No Time, and only “Malpaso,” reaches back further, having first appeared on the 2001 10” Out of the First Rays. Not that we needed it by this time, but these live versions are basically just further confirmation of what underground rock lost with Josiah. The crash-heavy shuffle blues of “Time to Kill” alone are worth whatever they’re asking for Procession." - The Obelisk

Reale Impero Britannico surely is the rarest record of the Goblin universe, together with Cherry Five of course. Released in a very small batch of copies in January 1976, as the soundtrack of an obscure movie called "Perché si uccidono" tough it was recorded some time before, when the members of Goblin still called themselves Cherry Five, as the band still featured Cherry Five singer Tony Tartarini (who sings in the excellent "My damned shit") and drummer Walter Martino. Afterwards the band will change its name in Goblin recording its breakthrough record bestseller: the soundtrack of Profondo Rosso.

This is also why "Perché si uccidono" is the perfect musical hook-up between Cherry Five and Goblin. Some tracks where composed by Fabio Frizzi, a famous composer of thriller and horror scores, one alone namely "Kalì", and the other four, "Epopea", "Ammoniaca", "Epopea (Reprise)" and "Edda" (sung by the Italian actress Edda dell'Orso) together with the musicians that soon will call themselves Goblin: Simonetti, Morante, Pignatelli and Martino.

Willy Brezza has composed the remaining instrumental five tracks: "My damned shit", with A. Pietravalle, "Dodici e un quarto", "Block", "R.I.B.", "Apotheke" and "Distrazioni". An essential and rare record for Goblin lovers!

17 Rare tracks by folk unknowns Jim Schoenfeld, Jim Ransom, Richard Smyrnios, Tucker Zimmermann, Kierian White, Les Moore, Rob Carr, Jack Hardy, George Cromarty, Jay Bolotin, Tony Trosley, Roger Lewis, Tim Ward, David Kaufmann, John Villemonte, Bob Brown and Robb Kunkel.

Vinyl is close to NM.

Vinyl close to VG+

Blue vinyl is close to NM. Limited edition. 2008 reissue.

Vinyl with scuffs and hairlines

New reissue of the Stonewall Noise Orchestra legendary album Constants In An Ever Changing Universe with brand new Colored Vinyl by Heavy Psych Sounds. It was quite chaotic putting this album together. It’s recorded in 5 different locations. Rehearsal rooms, a living room, a super professional studio, high and low really. I guess it was quite a challenge for Robert Ekholm to do the mixing. It was also some personal challenges at the time which resulted in John Hermansen doing the vocals. John is an incredible singer and an awesome dude, we’re very thankful he helped us keeping the band rolling. The album was supposed to be released earlier than it was but due to all kinds of stuff out of our control it took some time. In the middle of this chaos was the music, the constant in an ever changing universe. It’s an album we’re proud of and we still play many songs from it live.

New reissue of the Stonewall Noise Orchestra legendary album Constants In An Ever Changing Universe with brand new Colored Vinyl by Heavy Psych Sounds. It was quite chaotic putting this album together. It’s recorded in 5 different locations. Rehearsal rooms, a living room, a super professional studio, high and low really. I guess it was quite a challenge for Robert Ekholm to do the mixing. It was also some personal challenges at the time which resulted in John Hermansen doing the vocals. John is an incredible singer and an awesome dude, we’re very thankful he helped us keeping the band rolling. The album was supposed to be released earlier than it was but due to all kinds of stuff out of our control it took some time. In the middle of this chaos was the music, the constant in an ever changing universe. It’s an album we’re proud of and we still play many songs from it live.

New reissue of the Stonewall Noise Orchestra legendary album Constants In An Ever Changing Universe with brand new Colored Vinyl by Heavy Psych Sounds. It was quite chaotic putting this album together. It’s recorded in 5 different locations. Rehearsal rooms, a living room, a super professional studio, high and low really. I guess it was quite a challenge for Robert Ekholm to do the mixing. It was also some personal challenges at the time which resulted in John Hermansen doing the vocals. John is an incredible singer and an awesome dude, we’re very thankful he helped us keeping the band rolling. The album was supposed to be released earlier than it was but due to all kinds of stuff out of our control it took some time. In the middle of this chaos was the music, the constant in an ever changing universe. It’s an album we’re proud of and we still play many songs from it live.

No Love Lost is our favorite track…originally by Joy Division but with a “Angels Hard as they come” approach. This album was as close as we were ever going to get as an “original Lineup”. Johnny DeVilla came back after a hiatus, and Micheal Davis (mc5) joined the band. Recorded at Woody Jackon’s world famous studio located in Nichols canyon Hollywood California. Laurent Bagnard graced us with bad ass photos of the band. Johnny DeVilla’s wife Jamie posed for the album cover on Eric Or’s of the Cretins Motorcycle Club Norton Commando. Artwork by Sergio Palami.

No Love Lost is our favorite track…originally by Joy Division but with a “Angels Hard as they come” approach. This album was as close as we were ever going to get as an “original Lineup”. Johnny DeVilla came back after a hiatus, and Micheal Davis (mc5) joined the band. Recorded at Woody Jackon’s world famous studio located in Nichols canyon Hollywood California. Laurent Bagnard graced us with bad ass photos of the band. Johnny DeVilla’s wife Jamie posed for the album cover on Eric Or’s of the Cretins Motorcycle Club Norton Commando. Artwork by Sergio Palami.

Lightning Love, a band consisting of siblings Leah and Aaron Diehl and friend Ben Collins, delivers a cheery indie-pop sound flavored with sugary sweet keyboard-driven arrangements and underscored by heart-on-sleeve honesty. Their self-released debut album, November Birthday (2009), leveraged Leah’s compelling vocals and themes of tackling the challenges of newfound adulthood and is sure to appeal to fans of Mates of State, Alvvays, Spoon, and Belle and Sebastian.

All Music Guide wrote at the time, “[November Birthday] was a collection of bright, enthusiastic and minimally arranged indie-pop coupled with dour, neurotic lyrics that swung from ironically witty to the borderline cry-for-help territory. The underlying despair of the album was easily outshined by the band’s gift for hooks and straightforward melodies proud to be uncluttered and classically streamlined, even if they were supporting lyrics about falling-down drunkenness or not wanting to leave the house.”

Lightning Love signed to Quite Scientific in 2011 and released a sophomore album Blonde Album to wider critical acclaim including glowing reviews in Paste, Vice, Under the Radar and My Old Kentucky Blog, and was featured on NPR’s World Cafe. Guitarist Collins went on to lead the Detroit group Minihorse (Park the Van Records) and has recorded with and produced for many bands, including Anna Burch (Polyvinyl). Lightning Love was a finalist in Billboard magazine’s 2011 Battle of the Bands and has been featured on Cartoon Network’s “Adult Swim” and in a number of movies.

The band has toured with The Von Bondies, Jamaican Queens, and Tally Hall. They have also shared the stage with such notable acts as The High Strung, Walk the Moon, Mayer Hawthorne, and Someone Still Loves You Boris Yeltsin. Lightning Love has performed at SXSW, Midpoint Music Fest, Mitten Fest, CMJ, and Daytrotter Session.

November Birthday is a cherished release to the band and their biggest fans and Lost in Ohio is pleased to be re-releasing the album for the first time ever on vinyl. The reissue features stunning new artwork from Nathan Price (BRONCHO), fresh remasters from Adam Boose (Cauliflower Audio), liner notes from Gregory Dean McIntosh (Great Lakes Myth Society) and two bonus tracks!

Beyond Colossal is the fulfillment of the promise 2005’s excellent Through the Eyes of Heathens began to see through. The sound is that of the band pushing itself harder, writing stronger songs and compromising none of their edge or aural passion. You can hear it on “Exoskeleton (Part II),” truncated here from its appearance with “Part I” on a 2007 split with Iceland‘s Brain Police, at the 1:39-mark launching of “The Ventriloquist,” on the more traditionally stoner “Grand Inquisitor” and even the quiet “Bound for Greatness” which closes out the album. Dozer are not only on top of their game, they’re well beyond it.

Beyond Colossal is the fulfillment of the promise 2005’s excellent Through the Eyes of Heathens began to see through. The sound is that of the band pushing itself harder, writing stronger songs and compromising none of their edge or aural passion. You can hear it on “Exoskeleton (Part II),” truncated here from its appearance with “Part I” on a 2007 split with Iceland‘s Brain Police, at the 1:39-mark launching of “The Ventriloquist,” on the more traditionally stoner “Grand Inquisitor” and even the quiet “Bound for Greatness” which closes out the album. Dozer are not only on top of their game, they’re well beyond it.

produziert von Jan Delay ... Hamburg's finest

The Police reunion world tour ... an entire live show on triple heavyweight vinyl ... incl. a download card for the entire album

guess who's back?

banned as "moral threat" in 1958, here it is with 50 years of delay! ... handnumbered limited pressing of 1000 copies!

Limited edition

Still sealed. 2023 reissue.

Record has many paper scuffs and a few slight scratches! Cover with storage wear!

Repress of the Josiah third album in new coloured vinyls !!! Like a long lost British heavy rock classic from 1970 on the Vertigo label. Josiah has that sound down cold. Think Sabbath, Motorhead, Uriah Heep, and Josiah! These guys rock hard and take no prisoners, and it's just three of them. The songs are potent slices of that point in time where the harder they rocked, the better the world was for it. Echoes of days long gone, when prog rock didn't have that name yet, and the established heavy metal sound was still a decade away. Josiah is certainly capable of shredding with the best of them, and the compositions have enough sharp corners, labyrinths and switchbacks to keep it interesting all the way through. Vocals are powerful and commanding, always dead on key and right in your face. Add to it all some authentic sounding late 60s/early 70s production, and there will be no doubt about it: You've gone back in a proto metal time machine. - Expose

Repress of the Josiah third album in new coloured vinyls !!! Like a long lost British heavy rock classic from 1970 on the Vertigo label. Josiah has that sound down cold. Think Sabbath, Motorhead, Uriah Heep, and Josiah! These guys rock hard and take no prisoners, and it's just three of them. The songs are potent slices of that point in time where the harder they rocked, the better the world was for it. Echoes of days long gone, when prog rock didn't have that name yet, and the established heavy metal sound was still a decade away. Josiah is certainly capable of shredding with the best of them, and the compositions have enough sharp corners, labyrinths and switchbacks to keep it interesting all the way through. Vocals are powerful and commanding, always dead on key and right in your face. Add to it all some authentic sounding late 60s/early 70s production, and there will be no doubt about it: You've gone back in a proto metal time machine. - Expose

Repress of the Josiah third album in new coloured vinyls !!! Like a long lost British heavy rock classic from 1970 on the Vertigo label. Josiah has that sound down cold. Think Sabbath, Motorhead, Uriah Heep, and Josiah! These guys rock hard and take no prisoners, and it's just three of them. The songs are potent slices of that point in time where the harder they rocked, the better the world was for it. Echoes of days long gone, when prog rock didn't have that name yet, and the established heavy metal sound was still a decade away. Josiah is certainly capable of shredding with the best of them, and the compositions have enough sharp corners, labyrinths and switchbacks to keep it interesting all the way through. Vocals are powerful and commanding, always dead on key and right in your face. Add to it all some authentic sounding late 60s/early 70s production, and there will be no doubt about it: You've gone back in a proto metal time machine. - Expose

Black Stone Cherry’s third album Between the Devil and the Deep Blue Sea offers another amount of the fully loaded southern rock from the group that was awarded the Best New Band at the Classic Rock Awards in 2007. The opening statement “White Trash Millionaire” refers to the celebrity culture and all the things that will come with being famous. The stomping riffs and country turn of their music is mixed all over the album. They’re bringing something a little bit dirty, but it never get’s too much of the good thing on this record. The melodic compositions, great vocal work and outstanding rhythms makes this another worthy release by the band. Between the Devil and the Deep Blue Sea on black vinyl includes a 6-page booklet.