Classic Rock Vinyl 230 Items

tiny wear

With booklet and inserts.

Vinyl with a couple of light scuffs. Still in shrink, but opened, with hype sticker

US import.
The critically acclaimed and long-out-of-print 2009 debut solo album from The Black Keys singer and guitarist Dan Auerbach. An intimate and underrated affair with shades of greazy rock & roll, blue-eyed soul, and bluegrass hollers. Reissued with new artwork and pressed from the original master.

Heavy Psych Sounds is re-issueing the Yawning Man old demo recordings The Birth Of Sol in brand new Colored Vinyl and new cover. Dating back to 1986, these demo recordings by Yawning Man were originally only spread amongst close friends of the band. They were released on iTunes in 2009. Today you can have them on brand new Colored Vinyl in gatefold sleeve.

Heavy Psych Sounds is re-issueing the Yawning Man old demo recordings The Birth Of Sol in brand new Colored Vinyl and new cover. Dating back to 1986, these demo recordings by Yawning Man were originally only spread amongst close friends of the band. They were released on iTunes in 2009. Today you can have them on brand new Colored Vinyl in gatefold sleeve.

Heavy Psych Sounds is re-issueing the Yawning Man old demo recordings The Birth Of Sol in brand new Colored Vinyl and new cover. Dating back to 1986, these demo recordings by Yawning Man were originally only spread amongst close friends of the band. They were released on iTunes in 2009. Today you can have them on brand new Colored Vinyl in gatefold sleeve.

Repress of the Josiah fourth album in new coloured vinyls !!! "Those who’ve experienced Josiah’s groove-heavy swagger know that it’s the guitar of Mat Bethancourt in the starring role, but this trio relies almost as much on the backing rhythms on Procession. Blink and you’ll miss the first two tracks, “Procession” and “Broken Doll,” both of which are under two and a half minutes, but for the other three cuts of studio material (“Thirteen Scene,” highlight “Dying Day” and the more garage rock “Dead Forever”), it’s just as much Beacom and Beasley’s show as it is Bethancourt's. That would be the end if not for the five live tracks from Josiah’s Swedish run in 2007. Four out of the five — “Looking at the Mountain,” “Time to Kill,” “Silas Brainchild” and closer “I Can’t Seem to Find It” — come from the band’s final recorded full-length, No Time, and only “Malpaso,” reaches back further, having first appeared on the 2001 10” Out of the First Rays. Not that we needed it by this time, but these live versions are basically just further confirmation of what underground rock lost with Josiah. The crash-heavy shuffle blues of “Time to Kill” alone are worth whatever they’re asking for Procession." - The Obelisk

Repress of the Josiah fourth album in new coloured vinyls !!! "Those who’ve experienced Josiah’s groove-heavy swagger know that it’s the guitar of Mat Bethancourt in the starring role, but this trio relies almost as much on the backing rhythms on Procession. Blink and you’ll miss the first two tracks, “Procession” and “Broken Doll,” both of which are under two and a half minutes, but for the other three cuts of studio material (“Thirteen Scene,” highlight “Dying Day” and the more garage rock “Dead Forever”), it’s just as much Beacom and Beasley’s show as it is Bethancourt's. That would be the end if not for the five live tracks from Josiah’s Swedish run in 2007. Four out of the five — “Looking at the Mountain,” “Time to Kill,” “Silas Brainchild” and closer “I Can’t Seem to Find It” — come from the band’s final recorded full-length, No Time, and only “Malpaso,” reaches back further, having first appeared on the 2001 10” Out of the First Rays. Not that we needed it by this time, but these live versions are basically just further confirmation of what underground rock lost with Josiah. The crash-heavy shuffle blues of “Time to Kill” alone are worth whatever they’re asking for Procession." - The Obelisk

Repress of the Josiah fourth album in new coloured vinyls !!! "Those who’ve experienced Josiah’s groove-heavy swagger know that it’s the guitar of Mat Bethancourt in the starring role, but this trio relies almost as much on the backing rhythms on Procession. Blink and you’ll miss the first two tracks, “Procession” and “Broken Doll,” both of which are under two and a half minutes, but for the other three cuts of studio material (“Thirteen Scene,” highlight “Dying Day” and the more garage rock “Dead Forever”), it’s just as much Beacom and Beasley’s show as it is Bethancourt's. That would be the end if not for the five live tracks from Josiah’s Swedish run in 2007. Four out of the five — “Looking at the Mountain,” “Time to Kill,” “Silas Brainchild” and closer “I Can’t Seem to Find It” — come from the band’s final recorded full-length, No Time, and only “Malpaso,” reaches back further, having first appeared on the 2001 10” Out of the First Rays. Not that we needed it by this time, but these live versions are basically just further confirmation of what underground rock lost with Josiah. The crash-heavy shuffle blues of “Time to Kill” alone are worth whatever they’re asking for Procession." - The Obelisk

Reale Impero Britannico surely is the rarest record of the Goblin universe, together with Cherry Five of course. Released in a very small batch of copies in January 1976, as the soundtrack of an obscure movie called "Perché si uccidono" tough it was recorded some time before, when the members of Goblin still called themselves Cherry Five, as the band still featured Cherry Five singer Tony Tartarini (who sings in the excellent "My damned shit") and drummer Walter Martino. Afterwards the band will change its name in Goblin recording its breakthrough record bestseller: the soundtrack of Profondo Rosso.

This is also why "Perché si uccidono" is the perfect musical hook-up between Cherry Five and Goblin. Some tracks where composed by Fabio Frizzi, a famous composer of thriller and horror scores, one alone namely "Kalì", and the other four, "Epopea", "Ammoniaca", "Epopea (Reprise)" and "Edda" (sung by the Italian actress Edda dell'Orso) together with the musicians that soon will call themselves Goblin: Simonetti, Morante, Pignatelli and Martino.

Willy Brezza has composed the remaining instrumental five tracks: "My damned shit", with A. Pietravalle, "Dodici e un quarto", "Block", "R.I.B.", "Apotheke" and "Distrazioni". An essential and rare record for Goblin lovers!

17 Rare tracks by folk unknowns Jim Schoenfeld, Jim Ransom, Richard Smyrnios, Tucker Zimmermann, Kierian White, Les Moore, Rob Carr, Jack Hardy, George Cromarty, Jay Bolotin, Tony Trosley, Roger Lewis, Tim Ward, David Kaufmann, John Villemonte, Bob Brown and Robb Kunkel.

Limited edition

Still sealed. 2023 reissue.

Record has many paper scuffs and a few slight scratches! Cover with storage wear!

Repress of the Josiah third album in new coloured vinyls !!! Like a long lost British heavy rock classic from 1970 on the Vertigo label. Josiah has that sound down cold. Think Sabbath, Motorhead, Uriah Heep, and Josiah! These guys rock hard and take no prisoners, and it's just three of them. The songs are potent slices of that point in time where the harder they rocked, the better the world was for it. Echoes of days long gone, when prog rock didn't have that name yet, and the established heavy metal sound was still a decade away. Josiah is certainly capable of shredding with the best of them, and the compositions have enough sharp corners, labyrinths and switchbacks to keep it interesting all the way through. Vocals are powerful and commanding, always dead on key and right in your face. Add to it all some authentic sounding late 60s/early 70s production, and there will be no doubt about it: You've gone back in a proto metal time machine. - Expose

Repress of the Josiah third album in new coloured vinyls !!! Like a long lost British heavy rock classic from 1970 on the Vertigo label. Josiah has that sound down cold. Think Sabbath, Motorhead, Uriah Heep, and Josiah! These guys rock hard and take no prisoners, and it's just three of them. The songs are potent slices of that point in time where the harder they rocked, the better the world was for it. Echoes of days long gone, when prog rock didn't have that name yet, and the established heavy metal sound was still a decade away. Josiah is certainly capable of shredding with the best of them, and the compositions have enough sharp corners, labyrinths and switchbacks to keep it interesting all the way through. Vocals are powerful and commanding, always dead on key and right in your face. Add to it all some authentic sounding late 60s/early 70s production, and there will be no doubt about it: You've gone back in a proto metal time machine. - Expose

Repress of the Josiah third album in new coloured vinyls !!! Like a long lost British heavy rock classic from 1970 on the Vertigo label. Josiah has that sound down cold. Think Sabbath, Motorhead, Uriah Heep, and Josiah! These guys rock hard and take no prisoners, and it's just three of them. The songs are potent slices of that point in time where the harder they rocked, the better the world was for it. Echoes of days long gone, when prog rock didn't have that name yet, and the established heavy metal sound was still a decade away. Josiah is certainly capable of shredding with the best of them, and the compositions have enough sharp corners, labyrinths and switchbacks to keep it interesting all the way through. Vocals are powerful and commanding, always dead on key and right in your face. Add to it all some authentic sounding late 60s/early 70s production, and there will be no doubt about it: You've gone back in a proto metal time machine. - Expose

Black Stone Cherry’s third album Between the Devil and the Deep Blue Sea offers another amount of the fully loaded southern rock from the group that was awarded the Best New Band at the Classic Rock Awards in 2007. The opening statement “White Trash Millionaire” refers to the celebrity culture and all the things that will come with being famous. The stomping riffs and country turn of their music is mixed all over the album. They’re bringing something a little bit dirty, but it never get’s too much of the good thing on this record. The melodic compositions, great vocal work and outstanding rhythms makes this another worthy release by the band. Between the Devil and the Deep Blue Sea on black vinyl includes a 6-page booklet.

"one of the best albums of the year" - Mojo

/ reputation ... recorded in 1968, for the first time ever in their unique mono mixes!

Still in shrink but opened. Single sided vinyl is close to NM. Tiny wear.

Modern Times is the thirty-second studio album by American singer-songwriter Bob Dylan, orginally released in 2006.

Paul Stanley 180g picture disc!

The most Kiss-like of the four simultaneously released 1978 Kiss solo albums, Paul Stanley showcases Stanley's considerable hard rock songwriting chops. Featuring sidemen like Vanilla Fudge/Rod Stewart drummer Carmine Appice, this is perhaps the most consistent of the four Kiss solo releases.

limited russian edition with Ace Frehley picture disc!

Considered the best of the four solo albums that Kiss released simultaneously in 1978, Ace Frehley does not stray far from Kiss's trademark heavy sound. With future David Letterman band members drummer Anton Fig and bassist Will Lee backing him up, Frehley shows that he is more than a songwriting match for bandmates Simmons and Stanley. In fact, the album yielded a Top 20 hit in "New York Groove."

limited russian edition with Gene Simmons picture disc!

In 1978, Kiss simultaneously released solo albums from all four members. Gene Simmons, most associated with Kiss's heavier side, is revealed to be a closet Beatles fan as evidenced by "See You Tonite," "Always Near You," "Man of 1,000 Faces," and "Mr. Make Believe." But the surprises don't stop there: choirs and string arrangements, 70s funk, and good time rock n' roll also appear alongside heavy rockers like hit single "Radioactive." This eclectic mix of material is supported by guests like Aerosmith's Joe Perry, Cheap Trick's Rick Nielsen, Bob Seger, Donna Summer, and Janis Ian.

10 new songs ... 180 gram vinyl !

Writing on label.

Our attempt to achieve the sound of the Sonics first album with extra raw drums recorded live In Long Beach Ca. Shawn Medina (bass player) did all the guitar playing aside from Wic Coleman (close friend and honorary member) the solo for “Velvet” on a big box 100watt JMP Marshall and 1968 Burns Bison. Johnny had left the band after co-writing and performing most of the songs on this album.***Action was written with the plans to have Poison Ivy play the lead. It was discussed, but never became a reality. Todd Youth (formerly of Agnostic Front/Warzone/Murphys Law/Danzig) joined the band shortly after.

Our attempt to achieve the sound of the Sonics first album with extra raw drums recorded live In Long Beach Ca. Shawn Medina (bass player) did all the guitar playing aside from Wic Coleman (close friend and honorary member) the solo for “Velvet” on a big box 100watt JMP Marshall and 1968 Burns Bison. Johnny had left the band after co-writing and performing most of the songs on this album.***Action was written with the plans to have Poison Ivy play the lead. It was discussed, but never became a reality. Todd Youth (formerly of Agnostic Front/Warzone/Murphys Law/Danzig) joined the band shortly after.

Our attempt to achieve the sound of the Sonics first album with extra raw drums recorded live In Long Beach Ca. Shawn Medina (bass player) did all the guitar playing aside from Wic Coleman (close friend and honorary member) the solo for “Velvet” on a big box 100watt JMP Marshall and 1968 Burns Bison. Johnny had left the band after co-writing and performing most of the songs on this album.***Action was written with the plans to have Poison Ivy play the lead. It was discussed, but never became a reality. Todd Youth (formerly of Agnostic Front/Warzone/Murphys Law/Danzig) joined the band shortly after.

Golden vinyl. close to NM

Still sealed with hype sticker. 2018 reissue.