Classic Rock Vinyl 181 Items

180 gram vinyl!

guess who's back?

180 gram vinyl!

Hey Stoopid is the 19th studio album by rock singer Alice Cooper, released in 1991. After his smash 1989 hit album Trash [MOVLP1862], Cooper attempted to continue his success with this follow-up album, which features guest performances from Slash, Ozzy Osbourne, Vinnie Moore, Joe Satriani, Steve Vai, Nikki Sixx and Mick Mars (both of Mötley Crüe).

Released in 1991, Angel’in Heavy Syrup’s self-titled debut LP ensured that they would be remembered as one of the greatest all-female Psych-prog-rock bands ever. With only one CD reissue to its name, this album has become one of the most sought after albums of Japan’s early-90’s underground rock scene. Make sure not to miss the first-ever reissue of this phenomenal album on vinyl, available only from P-vine Records and Alchemy Records’ Alchemy Records Essential Collection.

Although there were not that many psychedelic rock bands made up of all females in the world of the 1980s, "Angel'in Heavy Syrup" was the rarity one emerging from the Japanese noise rock scene, they were influenced by krautrock bands such as Amon Düül II, but drew primarily from psychedelic and progressive rock, resulting in their characteristic ethereal neo-psychedelic sound. Following reissuing the debut album last year, P-vine proudly presents their succeed releases on vinyl for the first time! This is still highly acclaimed 2nd album released in 1995 featuring their well-known tunes such as 'naked SKY High' and 'Kitto Aeruyo', which were played frequently as standard songs at their live shows. Also includes a cover of the mega-hit song by Sonny & Cher 'I Got You Babe'.

Although there were not that many psychedelic rock bands made up of all females in the world of the 1980s, "Angel'in Heavy Syrup" was the rarity one existing in the underground scene of rock and punk in Kyoto / Osaka area along with SxOxB, Outo, Nightmare and Hijo-Kaidan etc. Following reissuing the debut album of Japanese female psychedelic rock band "angel'in Heavy Syrup" last year, P-vine proudly presents their succeed releases on vinyl for the first time! Their third album, with its brilliant psychedelic cover artwork, is regarded as the greatest work of their career. Compared to their previous albums, the sound production is even more progressive rock-oriented, and includes songs such as 'Boku Dakega...', which encompasses a sad melody like that of Morita Doji, and the instrumental 'Water Mind', which develops into a spectacular piece of music. The album is the most fantastic of the entire works of their career.

Pride by Arena, released in 1996 was the bands second release. For the first time the original release has been remastered and released on Vinyl! The double gate fold has two red 180g vinyl discs Full colour cardboard inner sleeves with all the original artwork and lyrics.

Songs from the lion’s cage was the first release by Arena in 1995. For the first time the original release has been remastered and released on Vinyl.

Black Stone Cherry’s third album Between the Devil and the Deep Blue Sea offers another amount of the fully loaded southern rock from the group that was awarded the Best New Band at the Classic Rock Awards in 2007. The opening statement “White Trash Millionaire” refers to the celebrity culture and all the things that will come with being famous. The stomping riffs and country turn of their music is mixed all over the album. They’re bringing something a little bit dirty, but it never get’s too much of the good thing on this record. The melodic compositions, great vocal work and outstanding rhythms makes this another worthy release by the band. Between the Devil and the Deep Blue Sea on black vinyl includes a 6-page booklet.

10 new songs ... 180 gram vinyl !

Modern Times is the thirty-second studio album by American singer-songwriter Bob Dylan, orginally released in 2006.

Keep Your Cool' is the third solo album by the Kyuss- and Fu Manchu-legend, originally released back in 2003 with Duna Records. Full of the soul and funky laid-back grooves Brant Bjork is known and loved for, tongue-in-cheek lyrics and sweet guitar licks oozing from the great 70's era vibes, 'Keep YourCool' is still considered as one of Brant Bjork's accessible and catchiest records to date. Tracks such as 'Hey, Monkey Boy', 'Johnny Called' or 'Gonna Make The Scene' became classics in the stoner rock scene, taken from an album that belongs to every well-sorted Brant Bjork record collection. Heavy Psych Sounds is now giving new life to this gem with a brand new cover and coloured vinyls !!

Keep Your Cool' is the third solo album by the Kyuss- and Fu Manchu-legend, originally released back in 2003 with Duna Records. Full of the soul and funky laid-back grooves Brant Bjork is known and loved for, tongue-in-cheek lyrics and sweet guitar licks oozing from the great 70's era vibes, 'Keep YourCool' is still considered as one of Brant Bjork's accessible and catchiest records to date. Tracks such as 'Hey, Monkey Boy', 'Johnny Called' or 'Gonna Make The Scene' became classics in the stoner rock scene, taken from an album that belongs to every well-sorted Brant Bjork record collection. Heavy Psych Sounds is now giving new life to this gem with a brand new cover and coloured vinyls !!

Formed in 1996 by Andy Morten, Mike Poulson and Louis Wiggett, Bronco Bullfrog took their name from the 1970 British cult film of the same title. Combining their mutual love for 60s-70s pop-psych, power-pop, country-rock, sunshine-pop and beyond, the trio fashioned their own sound, full of loud guitars, refreshing vocal harmonies and killer hooks. Imagine The Who circa “Live At Leeds” playing the Rubble songbook and you’re there. Bronco Bullfrog was their magical debut, a CD only release from 1998 (although a vinyl release including a selection of tracks was also issued at the time). Now reissued for the first time on double vinyl and sequenced as originally intended by the band. Including some of their most iconic songs: ‘History’, ‘Del Quant’, ‘Greenacre Hill’, ‘Down Angel Lane’, ‘Together’…

Buon Vecchio Charlie's self-titled record is one of many others who were never released at the time they were made (1972, in this case) but remained hidden in some obscure closet, until a late publication in the '90s.

This is a real gem that we dare to name among the 'fundamentals' of Italian Prog; once released the first time, it soon went out of stock until AMS Records produced a CD version in 2011. A fantastic album, made of pure and complex symphonic prog music, with a beautiful mix of flute, guitar and organ, with strong classical influences; the musicians involved were very skilled, such as the other ones playing in bigger and more famous bands: PFM, Banco del Mutuo Soccorso, Le Orme and Quella Vecchia Locanda, just to name a few.

Today "Buon Vecchio Charlie" is released once again by AMS Records in its 'definitive' edition, on black vinyl, with a cover artwork that reflects the CD's one, including the liner notes written by guitarist and singer Luigi Calabrò. A must-have for any Italian Progressive Rock lovers!

Originally released in 1990, two generations of leading and groundbreaking guitarists combined their efforts to create this legendary album. American Country music legend Chet Atkins and British singer-songwriter, guitarist and Dire Straits front man Mark Knopfler joined forces to produce the wonderful album Neck And Neck.

180g vinyl.

Beyond Colossal is the fulfillment of the promise 2005’s excellent Through the Eyes of Heathens began to see through. The sound is that of the band pushing itself harder, writing stronger songs and compromising none of their edge or aural passion. You can hear it on “Exoskeleton (Part II),” truncated here from its appearance with “Part I” on a 2007 split with Iceland‘s Brain Police, at the 1:39-mark launching of “The Ventriloquist,” on the more traditionally stoner “Grand Inquisitor” and even the quiet “Bound for Greatness” which closes out the album. Dozer are not only on top of their game, they’re well beyond it.

Beyond Colossal is the fulfillment of the promise 2005’s excellent Through the Eyes of Heathens began to see through. The sound is that of the band pushing itself harder, writing stronger songs and compromising none of their edge or aural passion. You can hear it on “Exoskeleton (Part II),” truncated here from its appearance with “Part I” on a 2007 split with Iceland‘s Brain Police, at the 1:39-mark launching of “The Ventriloquist,” on the more traditionally stoner “Grand Inquisitor” and even the quiet “Bound for Greatness” which closes out the album. Dozer are not only on top of their game, they’re well beyond it.

G. Love & Special Sauce's self-titled album is their debut and has reached gold status. On this record you can find their signature's tune "Cold Beverage", featuring lighthearted jive lyrics and funky musical accompaniment, the video to this song got heavy rotation on MTV and it put them on the map.

180 gram pressing!

Superstar Joe Bonamassa Returns To His Roots With New Studio Album Blues Deluxe, Vol. 2, Celebrating The 20th Anniversary of His Best-Selling Independent Release

In Addition, Joe Will Release A Remastered Version Of Blues Deluxe Which Will Drop With Its Predecessor On October 6th via J&R Adventures/Provogue Records

Blues Deluxe is the third studio album by Joe Bonamassa and originally released on August 26, 2003. Recorded at Unique Recording Studios in New York City, it was produced by Bob Held and features nine cover versions of songs by classic blues artists, such as BB King, Jeff Beck, John Lee Hooker, Robert Johnson, Elmore James and more. The album is completed with three original tracks, including the fan favorite Woke Up Dreaming.

With 26 #1 albums, yearly sold-out tours worldwide and custom annual cruises, he's a hard act to beat. These albums are a testament to his credentials and a toast to his longtime fans who remember them originally and new fans who can experience them for the first time. It's Joe Bonamassa at his finest, ready to rock.

the final recordings

Limited to 2500 copies. Grammy Award winner/Rock n' Roll Hall of Fame Inductee (Hot Tuna and Jefferson Airplane) Jorma Kaukonen’s The Land of Heroes is a Relix Records 1995 studio album, and was his first new solo album in over 10 years, displaying once again his mastery of blues guitar. The album incorporated the work of several other musicians, including Michael Falzarano, who had joined Hot Tuna at the time. This deluxe package includes an OBI strip, gatefold album jacket, printed inner sleeve, orginial record labels and hazed-gold-and-black-effect color vinyl.

Re-Enlisment Blues | Trial by Fire | Do Not Go Gentle | From the Land of Heroes | It's a God Almighty World | Follow the Drinking Gourd | Banks of the River | Judge, I'm Not Sorry | Dark Trian | Have More Faith in Jesus

Black Friday Record Store Day 2022 Reissue. Color: Blue & White. Limitation: 2000. Jorma - Guitarist for Hot Tuna and Jefferson Airplane, Rock and Roll Hall of Fame Inductee, Grammy Award Winner one of Rolling Stone Magazine’s Top All Time Greatest Guitarists. Too Many Years is a Jorma Kaukonen studio album released in August 1998, his last on Relix Records. Michael Falzarano returned to play guitar and help produce (as he did on the previous Kaukonen solo album). He also sang lead on several tracks. The keyboard work was handled by former Jefferson Starship keyboardist Pete Sears, who had been playing with Hot Tuna since 1992. This deluxe package includes an OBI strip, Gatefold album jacket with two pockets, two printed inner sleeves (unique for this release), new record labels and two discs: one blue/black and one brown/black smoke vinyl.

Repress of the Josiah sophomore album in new coloured vinyls !!! Josiah melds the sounds of unheralded dropouts Blue Cheer with the nostalgic leanings of Monster Magnet and Kyuss. In fact the lead vocals echo that of Wyndorf, with some bluesy Ron Young moments thrown in. The first three songs show that the band is capable of some killer material – the hard-hitting future classic The Scarlatti Tilt, the backbeat of “Turn It On” and the Beefheart Esque tones to O.B.N. make for guaranteed foot-stompers. “Sweet Time” comes across like Ram Jam‘s “Black Betty” supercharged with simple yet effective song structure. The disc finishes with an appropriately named “Unwind Your Mind”, as I am sure the recording of this album was done in a cloud of smoke. This is a quality release. Heavy Psych and Stoner fans should be all over it. Retro rock with a touch of psychedelic blues, soul and more than enough rock to satisfy metal fans. - Sleaze Roxx

Repress of the Josiah sophomore album in new coloured vinyls !!! Josiah melds the sounds of unheralded dropouts Blue Cheer with the nostalgic leanings of Monster Magnet and Kyuss. In fact the lead vocals echo that of Wyndorf, with some bluesy Ron Young moments thrown in. The first three songs show that the band is capable of some killer material – the hard-hitting future classic The Scarlatti Tilt, the backbeat of “Turn It On” and the Beefheart Esque tones to O.B.N. make for guaranteed foot-stompers. “Sweet Time” comes across like Ram Jam‘s “Black Betty” supercharged with simple yet effective song structure. The disc finishes with an appropriately named “Unwind Your Mind”, as I am sure the recording of this album was done in a cloud of smoke. This is a quality release. Heavy Psych and Stoner fans should be all over it. Retro rock with a touch of psychedelic blues, soul and more than enough rock to satisfy metal fans. - Sleaze Roxx

Repress of the Josiah third album in new coloured vinyls !!! Like a long lost British heavy rock classic from 1970 on the Vertigo label. Josiah has that sound down cold. Think Sabbath, Motorhead, Uriah Heep, and Josiah! These guys rock hard and take no prisoners, and it's just three of them. The songs are potent slices of that point in time where the harder they rocked, the better the world was for it. Echoes of days long gone, when prog rock didn't have that name yet, and the established heavy metal sound was still a decade away. Josiah is certainly capable of shredding with the best of them, and the compositions have enough sharp corners, labyrinths and switchbacks to keep it interesting all the way through. Vocals are powerful and commanding, always dead on key and right in your face. Add to it all some authentic sounding late 60s/early 70s production, and there will be no doubt about it: You've gone back in a proto metal time machine. - Expose

Repress of the Josiah third album in new coloured vinyls !!! Like a long lost British heavy rock classic from 1970 on the Vertigo label. Josiah has that sound down cold. Think Sabbath, Motorhead, Uriah Heep, and Josiah! These guys rock hard and take no prisoners, and it's just three of them. The songs are potent slices of that point in time where the harder they rocked, the better the world was for it. Echoes of days long gone, when prog rock didn't have that name yet, and the established heavy metal sound was still a decade away. Josiah is certainly capable of shredding with the best of them, and the compositions have enough sharp corners, labyrinths and switchbacks to keep it interesting all the way through. Vocals are powerful and commanding, always dead on key and right in your face. Add to it all some authentic sounding late 60s/early 70s production, and there will be no doubt about it: You've gone back in a proto metal time machine. - Expose

Repress of the Josiah third album in new coloured vinyls !!! Like a long lost British heavy rock classic from 1970 on the Vertigo label. Josiah has that sound down cold. Think Sabbath, Motorhead, Uriah Heep, and Josiah! These guys rock hard and take no prisoners, and it's just three of them. The songs are potent slices of that point in time where the harder they rocked, the better the world was for it. Echoes of days long gone, when prog rock didn't have that name yet, and the established heavy metal sound was still a decade away. Josiah is certainly capable of shredding with the best of them, and the compositions have enough sharp corners, labyrinths and switchbacks to keep it interesting all the way through. Vocals are powerful and commanding, always dead on key and right in your face. Add to it all some authentic sounding late 60s/early 70s production, and there will be no doubt about it: You've gone back in a proto metal time machine. - Expose

Almost Heathen is Karma To Burn third album, released in 2001 via Spitfire Records. Heavy Psych Sounds is giving new life to this stoner rock gem with 6 live bonus tracks and brand new coloured vinyls! "Groove laden, instrumental stoner(ish) rock. Not stoner metal, that is—the vibe is more of the “take a shot of whiskey and jump in the mosh pit” variety than “smoke a bowl and space out on the couch”. The energy level is high, with a precision-engineered rhythm section and disciplined guitars that swerve, stop, and start to match. The tracks on this album are pretty interchangeable, in that they are consistently well-made and will induce rhythmic head nods of approval if this is your kind of thing. Not having a vocalist means they never stay in one place too long. They allow themselves to get a little spacy and chilled-out in the last track. Turn it up and hit the wayback machine to 2001." - Altavist Kfjc

Wild Wonderful Purgatory is Karma To Burn second album. Is their first fully instrumental album after the departure of former vocalist Jay Jarosz and it was released in 1999 by Roadrunner Records. After more then 20 years this piece of stoner rock history will have a new repress in coloured vinyls via Heavy Psych Sounds. Heavy metal has, too often, been a case of great music, shame about the singer. It’s been true since the cod-poetic warblings of erstwhile-hippy cock rockers, right up to the present-day offerings of sad white boy pseudo-rappers. So hats off to Yank rockers Karma To Burn, who had the sense, the taste and the balls (don’t forget the balls) to part with their tiresome vocalist, minutes before an important London gig... Wild Wonderful Purgatory is their first album in this new incarnation. And it rocks, hard. Tracks are numbered rather than titled, in the order in which they were recorded. So ’32’ is the slaughterhouse groove characterised by the wildfire barbed wire guitar breaks; ’25’ is the slothful Sabbath grind; ’30’ the colossal, feral beast with all the ferocity of a Rottweiler which has been chained up and fed nothing but raw, red meat for weeks. If there’s an overall stoner-rock vibe to the proceedings, then it is tempered by Karma To Burn’s discipline: not a single note is wasted, and there’s no big-haired egomaniac chundering artlessly along to distract you from the hypnotic beauty of the riffs. Sniff out the testosterone, strike that match, and stand well back. - NME

Wild Wonderful Purgatory is Karma To Burn second album. Is their first fully instrumental album after the departure of former vocalist Jay Jarosz and it was released in 1999 by Roadrunner Records. After more then 20 years this piece of stoner rock history will have a new repress in coloured vinyls via Heavy Psych Sounds. Heavy metal has, too often, been a case of great music, shame about the singer. It’s been true since the cod-poetic warblings of erstwhile-hippy cock rockers, right up to the present-day offerings of sad white boy pseudo-rappers. So hats off to Yank rockers Karma To Burn, who had the sense, the taste and the balls (don’t forget the balls) to part with their tiresome vocalist, minutes before an important London gig... Wild Wonderful Purgatory is their first album in this new incarnation. And it rocks, hard. Tracks are numbered rather than titled, in the order in which they were recorded. So ’32’ is the slaughterhouse groove characterised by the wildfire barbed wire guitar breaks; ’25’ is the slothful Sabbath grind; ’30’ the colossal, feral beast with all the ferocity of a Rottweiler which has been chained up and fed nothing but raw, red meat for weeks. If there’s an overall stoner-rock vibe to the proceedings, then it is tempered by Karma To Burn’s discipline: not a single note is wasted, and there’s no big-haired egomaniac chundering artlessly along to distract you from the hypnotic beauty of the riffs. Sniff out the testosterone, strike that match, and stand well back. - NME

Formed in the late 1960s, the blues rock quartet Katmandu was comprised of four hopefuls on the Miami music scene, namely singer/ke boardist Norman Harris, guitarist Bob Jabo, drummer Kenny Zale, and bassist Bobby Caldwell, who would later score immortal ‘What You Won’t Do For Love’ as a solo singer-songwriter. Having relocated to Las Vegas, the band signed to Mainstream after crossing paths with Little Richard and their resultant self- titled debut holds plenty of appeal, with rocking originals, inspired instrumentals, a soave white soul ballad, and a few well-executed cover tunes to boot. Bobby Caldwell, RIP!