Classic Rock Vinyl 753 Items

LP | 1975 | EU | Reissue (Musica Per Immagini)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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You know you're into something good when you open the album you just bought and find a lyrics sheet, then play it and quickly realise the record is actually instrumental. The unruliness that defined Costa Blanca's short-lived career resulted in such nonsensical contradictions, and helps understand why one of Spain's best jazz-rock bands of the 70s never had a proper breakthrough. Hailing from sun-bathed Alicante in the Spanish Levantine coast, Costa Blanca shared the stage with some of the country's best-known rock acts of the time, including Triana, Guadalquivir, Bloque or Coz, often receiving praise from fellow musicians and music critics alike. The band's sole LP takes the listener through a typical summer in the Mediterranean, from its blissful afternoons by the sea to galloping thunderstorms, and is reminiscent of some kind of Weather Report with a Mediterranean flair. Formed by four musicians of diverse musical backgrounds, the band members proved to be exceptionally skilled despite their limited experience, remarkably drummer Pedro Barceló who, aged just 17 at the time of recording, delivered an astonishing 9-minute solo and grew to become one of the most in-demand session musicians in Spain. Napi Carratalá's guitar makes sure his inclination for psychedelic rock doesn't go amiss and the imperturbable Chiki Navarret provides the funky bass lines that hold the band together, while the French saxophonist Alain Fabrizio blows the jazz influence, adding a bit of soulfulness into the blend.

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Ugo Busoni

Valvole

LP | 1973 | EU | Reissue (Music On Vinyl)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Soundtracks

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Ugo Busoni's “Valvole” is a classic example of the so-called library music records released – between the end of the Sixties and up to the Nineties – in Italy as in the rest of the world, in order to provide 'background music' to be used in the editing of news broadcasts, radio and newsreels. These were records made by highly experienced composers and musicians who, in a very short time and with limited or non-existent budgets, had to make music to be synchronized to images. For obvious reasons, they had to be tracks of short duration, characterized by a certain didactic 'formalism' that allowed an immediate choice for their main use. The titles given to the compositions had to recall a specific topic or setting that would make the choice of technicians easy for synchronization. Tokyo, Uscita Da Scuola, Raid, Polvere Cosmica, Su Una Nuvola, Controspionaggio and Starne are, not surprisingly, some of the titles of the tracks of this album published more than forty years ago by Nuova Idea. Sounds from the Far East, folky and rock guitars, psychedelic rhythms, avant-garde tunes, cosmic echoes and much more are some of the elements of one of the most indecipherable records of that historical period, reissued for the first time on vinyl by Musica Per Immagini with a brand new artwork.

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America

Hat Trick

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Intorno Alla Mia Cattiva Educazione Clear Red Vinyl Edition

Alusa Fallax

LP | 1974 | EU | Reissue (BTF)

LP | 1973 | EU | Reissue (Vinyl Magic)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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A five-piece from Milan, Alusa Fallax were formed in 1969 deriving from Gli Adelfi, and released their first single the same year, with a second one not long after. Also in 1969 one of the members (there were two of them with the same name) released a solo single as Guido degli Alusa Fallax (Guardarti negli occhi on West Side).

The band kept playing and released their one and only album in 1974 on Fonit; a great little-known gem, in the best Italian prog tradition, led by keyboards with classical influences, it reminds the best things Banco del Mutuo Soccorso ever made. No less than 13 tracks are listed on the label, but these are connected to form two long suites very well played and sung, and with interesting lyrics.

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Blocco Mentale

Poa Yellow Vinyl Edition

LP | 1970 | US | Reissue (BYM)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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A very obscure and one of the rarest albums from Italian rock music scene of the 70's. This album takes on ecology as its theme and sings of the evil of polluting the planet. Terrific basic progressive music housed in a creative gimmick sleeve with window to flower. Blocco Mentale were a quintet, consisting of Aldo Angeletti (who wrote the music) on vocals and bass, Michele Arena on drums and vocals, Gigi "Roso" Bianchi on guitar and vocals, Filippo Lazzari on keyboards, harmonica and vocals, and Dino Finocchi on vocals, sax and flute. Musically Blocco Mentale is characterised by a progressive style with some personal touches. The best intruments are the horns and the keyboards.

The album opens with angular staccato sax riffs and then slides into a lush melody somewhat reminiscent of PFM ( Premiata Forneria Marconi ) in their early (and best) days. There are rich vocal harmonies blended with organ and flute, and once again a Meditteranean sensibility which distinguishes much of the best Italian progressive rock. (The opening lines of that opening track, "Capita," are recapitulated in the closing lines of the sixth track, "Ritorno," but the album still has one track to go at that point, oddly enough). Swelling Mellotrons blend into vocal harmonies, and give way to a cascading piano line. The music moves around a lot in the course of the album. The fourth track, "Io E Me," is an amazing Meditteranean blues, with a wailing harmonica taking the lead.

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Los Blops

43,99 €*

LP | 1974 | EU | Reissue (Dialogo)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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The debut from the experimental folk / rock band recorded during the revolutionary days of the late 1960s in Chile—the first of three the band recorded between 1970 and 1973. Remastered from the original pressing and authorized by the founding musicians. Features the original artwork and unreleased material updated by designer Antonio Larrea.

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Spirale

Emerges Black Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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First Official LP Reissue Ever!

**Sourced from the original master tapes and housed in a deluxe gatefold cover. Edition of 500 copies**

The Milan based imprint, Dialogo, returns with the first ever vinyl reissue of Spirale’s lone 1974 self-titled LP. Resting at a fascinating juncture between progressive and free jazz, it was years ahead of its time when it first appeared, rendering it to the shadows for decades, before its ultimate ascent to becoming one of the great holy grails of Italian Jazz prog.

This is a release known mostly by Italian progressive rock lovers, since its sound can be easily associated to the jazz-rock delivered by the way more popular Napoli Centrale and Perigeo - but also to the ‘fundamentals’ Dedalus, Arti & Mestieri, Uno, if not Maad, Nadma or Aktuala, or even the lesser known Bauhaus for instance. But playing this kind of music and trying to release an album in the first half of the ’70s in Italy was also incredibly hard and courageous: Spirale, in fact, was one of the many bands that lived a very short life, before splitting up and disappear forever.

Spirale were an Italian quintet from Rome, consisting of Gaetano Delfini (wind instruments, vocals, percussion), Giancarlo Maurino (saxophone, flute, percussion), Corrado Nofri (piano, marimba, mbira, siren, Jew’s harp), Giuseppe Caporello (contrabass, guitar, percussion) and Giampaolo Ascolese (drums) who released a single eponymous album in 1974.

Spirale was originally released on the International King record label, thanks to Mario Schiano, a free-jazz saxophonist who discovered the band, and producer Toni Cosenza, who included the album in the ‘King Jazz-Line’ series. Consisting of just four tracks, most of which taken by the 13-minute long “Cabral, Anno 1” and the marvellous 17-minute “Peperoncino (Cose vecchie, cose nuove)”, Spirale is an incredibly balanced and flowing record that sounds still fresh and inspired even today, and it’s a shame that it has remained hidden and overlooked for such a long time. Moreover, it is characterized by that undescribable and particular Mediterranean flavour that only Italian musicians were able to obtain. This beautiful album is of course immensely rare in its original edition, and is now finally reissued on Dialogo record label in a faithful restored version that will satisfy any collectors who have waited for years for this beauty to see the light again!

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Stone Harbour

LP | 1974 | EU | Reissue (Out-Sider Music)

LP | 1988 | EU (Trading Places)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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The absolute king of lo-fi basement psychedelia, originally released as a private pressing in 1974 by this duo from Ohio. From dreamy melancholic tracks to insane fuzzed-out heavy psych ones.

“Two multi-instrumentalists creating a melancholic dreamlike state with songs fading in and out of the speakers, cavemen drums, primitive electronics and murky fuzz lurking in the background. The best tracks go into places no other albums reach” Patrick Lundborg (Acid Archives). " ‘Emerges’ as in slowly from the primordial sludge of the universe. 'Emerges' like a slow, slouching spectre hauling itself out of the swamps. But then what's a boy to do?

It's 1974, you're young and have a head full of Hawkwind and Roky and the Elevators, old brutalist blues in the Hound Dog Taylor / Fred McDowell backwoods whisky-fucked mode, freakfolk and LSD; you're stuck in Hicksville, USA - that's Youngstown, Ohio to you lot; the music scene sucks; glam's dead or dying slowly; punk a good year of so from even starting to get itself born. Town's too damn small to even muster up a band in. It's just and your buddy and that's it, man.

So you grows your hair and wear satin, wander wide-eyed and tripping across small town railway tracks and hang loose at the weekend in your basement. You gather a bunch if cheapo instruments on the never-never and you start cutting low-fi bedroom demos. Slowly, slowly Stone Harbour emerge.

Stone Harbour were Ric Ballas - electric, acoustic and slide guitars; organ; piano; synthesizers; bass guitar percussion and voice - and Dave McCarty - lead vocals, drums and percussion... and out of nowhere and nothing, at entirely the wrong time, they cut an LP that will blow your head clean off. This is a trip into the true dark heart of psychedelia.

The music? What can I tell you? ‘You'll be a star’ shimmers and aches in the midnight; cymbals wash over you, Dave McCarty's vocals emerge from some subterranean cave and the keyboards flicker, flicker, flash across the periphery of the song; ‘Rock & Roll Puzzle’ is dark, twisted fried garage punk blues brutality in the same mould as 'White Faces' or 'Cold Night for Alligators', pre-empting The Gories and Pussy Galore by a good ten years!!

"Who invented rock & roll? And who invented soul? Was it you or was it me?" Indeed. Songs fade in and out; finger-picking blurs into screaming squeiching synths; guitars melt in the mid-summer heat. ‘Grains of Sand’ frazzles like The Stooges through a fucked-up amp and filtered through a transistor radio with the valves burning out.

‘Thanitos’ is the freak-out ending of ‘Julia’s Dream’ lost in suburban downtown US of A with the taillights cutting on the freeway... whilst ‘Summer Magic is Gone’ is the most haunted, haunting song I've heard in many a long strange moon. Shimmers like stars in the 2am fug and haze and bleeds lost and lonely and bruised into the heat-warped dawn. You're still awake though the brain don't work like it used to. Blurred and bleary and exhilarated and stoned the very core of the soul. Best record I've heard all year." Hugh Dellar (Shindig!)

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Kingdom Come

Offenbach Clear Vinyl Edition

Release: 1988 / EU

Genre: Rock & Indie

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God of Hellfire’ Arthur Brown made an indelible impact in The Crazy World Of Arthur Brown, performing outlandish theatrics with a burning helmet and being deported from Italy after a naked appearance at the Palermo Pop Festival in 1970. When his bandmates quit to form Atomic Rooster, Brown formed Kingdom Come to cut three esoteric albums for Polydor, this self-titled sophomore set inspired by the element of water. It’s a deep dive into prog concept territory, with churning organ, pounding bass and drums, wah-wah excursions and Brown’s internal conversations drifting between the speakers. Fantastic stuff!

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Offenbach

LP | 1977 | CA | Reissue (Return To Analog)

Release: 1977 / CA – Reissue

Genre: Rock & Indie

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Wayne County & The Electric Chairs

Things Your Mother Never Told You

LP | 1978 | EU | Reissue (Spittle)

Wayne County & The Electric Chairs

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Jayne/Wayne County's most audacious album is also possibly among the most important albums of its age. Released in 1979 just as the new wave was teetering on the brink of some kind of bold step forward, Things Your Mother Never Told You was one of the sudden shoves which sent it sprawling into its destiny. Electro-punk starts here. Producer David Cunningham takes only a portion of the credit; in years to come he would lead the Flying Lizards into the realm of heavily stylized electronica. But County's songs match his ambitions all the way, from the harsh, grating soundscapes behind "C3"'s muttered imprecations to the soft-spoken paranoia of "Waiting for the Marines," and onto "Berlin," the song that put into words everything David Bowie (among others) tried to convey about that city via image and insinuation. It's not all electro-art smarts, of course. "Boy With the Stolen Face" and the pouting, punishing "Wonder Woman" are archetypal Electric Chairs - a reminder of how, at the band's very best, they could run the Rolling Stones close in the swaggering rock & roller stakes - and the murder mystery "Wall City Girl" could have fallen off a forgotten volume of Nuggets or Pebbles. The title track, meanwhile, doesn't simply seethe with all the promise -- sexual, social, and societal -- which made County the superstar (s)he so very nearly was, it also lets listeners know why no one has ever truly snatched that crown away. (All Music)

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Storm The Gates Of Heaven

LP | 1978 | EU | Reissue (Spittle)

DNA Clear Red Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Prior to his release this record was simply ‘labeled’ as Punk-Rock but this one comes from the New York Dolls side of Glam Punk. Storm the Gates of Heaven reveals unusual aspects of County's work: serious, reflective and profound. The monologue introducing the title track is the only part that may be considered offensive. The sound is a blend of bass, lead & rhythm guitar, drums & percussion by the versatile Electric Chairs. Embellished by Hammond organ, the title track rages against and laments the suffering caused by religious wars. Cry Of Angels is an eloquent, even anthemic defense of Enlightenment values on which the guitar textures and the hook around the chorus superbly complement one another. An artful blend of County's characteristic outrage and the pure pop genius that lay behind the garish accoutrements, Storm the Gates of Heaven jams its eight tracks between two undisguised classics, the anthemic title track and a so-optimistic reading of "Tomorrow Is Another Day, not to mention a stunning cover-version of the Electric Prune´s "I had too much to dream last Night"

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Jumbo

LP | 1972 | EU | Reissue (Vinyl Magic)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Let It Be Limited 50th Anniversary Deluxe Edition

The Beatles

Box | 1970 | UK | Reissue (Apple)

214,99 €*

LP | 1973 | EU | Reissue (Sommor)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Following on from the global success of ‘Abbey Road’, Apple Corps and USM are proud to present the next multi-format Beatles album reissue of ‘Let It Be’.

January 1969 – The Beatles planned to return to live performance, setting up in Twickenham Film Studios, London, for 21 days of rehearsals. They then decamped to their new studio in their Apple office building in Saville Row and on January 30th performed their last ever live group performance on the rooftop. All of this was filmed for a proposed documentary (eventually released in 1970). During the rehearsal process, they asked Glyn Johns, who had been hired to help with the live sound, to attempt a mix to create an album. This was never released, becoming known as one of the great ‘lost’ albums in rock history and is now included in this Super Deluxe Set. The album was delayed further and in fact became their 12th and final official album release on 8th May 1970 following additional production by American producer Phil Spector.

The Beatles iconic final studio album being released to coincide with the worldwide release of Peter Jackson’s 3 part documentary ‘The Beatles: Get Back’
New stereo mix of the original album by Giles Martin
Additional discs featuring a selection of outtakes from the recording sessions

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Barrabas

Power

LP | 1975 | EU | Reissue (Ossi Müzi)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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“Power” was the second Barrabás album, originally released in 1973. As well as their first album, this is another great example of funk-rock, but this time with glam, hard & psych touches, including some of their most celebrated songs: “Casanova”, “The Horse”, “Children”... After reaching international success with their first album, the line-up of Barrabas experienced some major changes: Fernando Arbex, more and more involved as songwriter and producer for other artists, leaves the drum kit, being replaced by drummer José María Moll (from Juan & Junior’s backing band). From now on, Fernando will focus on songwriting & production duties for Barrabas. Also, due to an accident, bass player / lead singer Iñaki Egaña is forced to leave the band. A new powerful singer is found: José Luis Tejada (from Los No, a legendary beat band from Barcelona). And finally original guitar player Miguel Morales switched to bass. For the album recording, Arbex decided to use the same studio where they recorded the first Barrabas album: RCA in Madrid. J. Cobos was again the sound engineer and Fernando was the producer and main songwriter. “Power” was the result, released in 1973 housed in a glam-tastic gatefold sleeve. Highlights are “Mr. Money” (pure funk-rock which entered the US charts); the atmospheric “The Horse”, the psych-funk of “Time To Love” or the catchy “Children”, which was a big hit in South America, especially in Venezuela.

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Erkut Tackin

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Storyteller Black Vinyl Edition

Storyteller

LP | 1970 | EU | Reissue (Svart)

LP | 1977 | US | Reissue (Tooth Factory)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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A Svart Mondo release. Black vinyl, gatefold jacket.

First released by Britain’s then foremost folk label, Transatlantic Records in 1970, Storyteller’s first album is a forgotten gem of Psychedelic Folk Prog Rock. Warm and silky production courtesy of Andrew Bown and Peter Frampton, fabulous dual vocals and a wistful arrangement of top-drawer UK Folk Prog, make Storyteller a diamond worth digging into.

Around 1969, after being a part of the band The Other Two on Decca Records, working with people like Chuck Berry, Duane Eddy and Jerry Lee Lewis, and touring with Chuck Berry and The Animals, Caroline Attard joined a new band that was being formed; Storyteller. A quintet who followed their own inclination, ignoring current fashions and just doing what seemed to come naturally, Storyteller is a crate-digger’s delight. Up there with Fairport Convention, Jefferson Airplane and Steeleye Span, Storyteller were steeped in folklore tales such as on ‘Ballad Of The Three Laps’, bringing the true spirit of folk alive in their own unique way. With songs written primarily by Roger Moon, and Terry Durham as muse of inspiration with his paintings and wonderful Yorkshire stories, Storyteller’s debut has the authentic and honest vibe of the real McCoy.

No longer confined to being coveted by collectors and those in the know, this lush remastered reissue via Svart Records comes on gatefold vinyl with updated liner notes and interview. If you treasure Folk, Prog and Psychedelic Rock, make sure this is a tale you don’t miss out on!

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Saitana

Jenakuru

LP | 1986 | UK | Reissue (DGM Panegyric)

Release: 1977 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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1977’s Jenakuru was self-produced and reveals a slightly darker, somewhat introspective and perhaps more vulnerable side to Saitana. A great admirer of Jimi Hendrix, Satiana often performed solo during this period. “It was really unheard of at the time to perform without a band. He could entertain people like that and a lot of people loved him because he was such a character.” There was also an increasingly Dionysian aspect to Saitana’s routine as a performer - a gradual advance into drunken showmanship akin to Jim Morrison. Taken from the original reels.

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XTC

Skylarking

27,54 €* 28,99 € -5%

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Rock Hard Silver Vinyl Edition

The Rods

LP | 1980 | EU | Reissue (High Roller)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Hollywood Hollywood Record Store Day 2021 Edition

Roberto Vecchioni

LP | 1982 | EU | Reissue (East West)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Jiri Schelinger & Frantisek R. Cech

Hrrr Na Ne...

LP | 1977 | EU | Reissue (Supraphon)

Preserve Wildlife Orange Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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inner sleeve

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Mama Lion

LP | 1972 | EU (Future Shock)

24,69 €* 25,99 € -5%

A Divina Comedia White Vinyl Edition

Release: 1972 / EU

Genre: Rock & Indie

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Debut album for Lynn Carey's band, Mama Lion. The ten song blues rock recording, which opens with a three-minute remake of Bill Withers' "Ain't No Sunshine", showcases curvaceous Carey competently backed by bassist Neil Merryweather, guitarist Rick Gaxiola and drummer Coffi Hall. Has to be one of the best album covers of all time.

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Mutantes

LP | 1970 | EU | Reissue (Vinyl Lovers)

L'aurora Crystal Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Originally released in 1970 this was the third album from Os Mutantes, the geniuses of wacked out Brazilian psychedelic rock. They may have been trying to pay homage to their better known icons back in the States, but in doing so they created something that went beyond all that until, 30 years later, they became the ones that everyone was trying to imitate. This album, further testimony to their limitless creativity and considered by many to be their best, was recorded during the height of the Brazilian military regimes crack down on artists, and fellow members of the Tropicalia movement, Caetano Veloso and Gilberto Gil had already been sent into exile in the UK.

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Le Orme

LP | 1970 | Reissue (AMS)

Release: 1970 / Reissue

Genre: Rock & Indie

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2LP | 1980 | EU | Reissue (Rhino)

Fleetwood Mac

Live

31,99 €*

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Never Say Die Black Vinyl Edition

Black Sabbath

LP | 1978 | US | Reissue (Rhino)

27,99 €*

Release: 1978 / US – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Green Tree)

Abacus

Midway

LP | 1972 | EU | Reissue (Green Tree)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Studio Album, released in 1973. Vinyl reissue 2012 New Music-Green Tree + 2 exclusive bonus tracks. Digitally remastered

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Abacus

Everything You Need

Immersione Colored Record Store Day 2021 Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Studio Album, released in 1972. CD reissue 2012 New Music-Green Tree + 2 exclusive bonus tracks. 8-page booklet, digitally remastered

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Adriano Pappalardo

LP | 1982 | EU | Reissue (Numero Uno)

Daddy's Dream / Since You've Been Gone Colored Record Store Day 2021 Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Pop

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Record Store Day 2021 Drop 2 release Italy.

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Stratos Demetrio

7" | 1972 | EU | Reissue (Numero Uno)

12,59 €* 13,99 € -10%

Premiata Forneria Marconi

Release: 1972 / EU – Reissue

Genre: Rock & Indie, Pop

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Record Store Day Italia 2021 Drop 2 release.

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Photos Of Ghosts Colored Vinyl Edition

LP | 1973 | EU | Reissue (Numero Uno)

30,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Radius Colored Record Store Day 2021 Edition

Alberto Radius

LP | 1972 | EU | Reissue (Numero Uno)

31,99 €*

LP | 1975 | EU | Reissue (Life Goes On)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2021 Drop 2 release.

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Tin Pan Alley

12,34 €* 12,99 € -5%

Showmen 2 (Napoli Centrale) White Transparent Record Store Day 2021 Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Tin Pan Alley is the name given to a collection of New York City music publishers and songwriters who dominated the popular music of the United States in the late 19th century and early 20th century. It originally referred to a specific place: West 28th Street between Fifth and Sixth Avenues in the Flower District of Manhattan. Haruomi Hosono (Apryl Fool, Happy End, Ymo), Masataka Matsutoya (music producer, arranger, keyboard player and composer married to popstar Yumi Arai), Shigeru Suzuki (also guitarist in Happy End) and drummer Tatsuo Hayashi (later on in fusion prog-bands such as Aragon and Parachute) took the name for granted. Their 1975 self-titled debut is stil one of the most sophisticated venture in the so called city pop scene.

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Showmen 2

LP | 1972 | EU | Reissue (Udp Disco Piu)

Layla And Other Assorted Love Songs

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2021

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Derek & The Dominos

2LP | 1970 | UK | Reissue (Universal)

38,99 €*

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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L'Uovo Di Colombo Red Vinyl Edition

L'Uovo Di Colombo

LP | 1973 | EU | Reissue (Vinyl Magic)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | CA | Reissue (Return To Analog)

Morse Code

Procreation

Release: 1976 / CA – Reissue

Genre: Rock & Indie

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Shootout At The Fantasy Factory

Traffic

LP | 1973 | UK | Reissue (Island)

LP | 1970 | UK | Reissue (Island)

Release: 1973 / UK – Reissue

Genre: Rock & Indie

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The Sixth studio album by Traffic would meet mixed reviews from the music press but non the less songle like “Evening Blue” and “(Sometimes I Feel So) Uninspired” are high points. They summarized that the album “embodies the inconsistencies that beset the band as well as the high points that have kept Traffic moving. Re-Issued individually from the phenomenal 2019 Traffic – The Studio Albums 1967-74 Boxset. Remastered from the original tapes, pressed on 180g heavy weight vinyl and artwork caringly overseen and interpreted, this album is a must for any newcomer or indeed, seasoned Traffic fan.

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Traffic

John Barleycorn Must Die

LP | 1973 | SK | Reissue (Wohn)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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After a brief disbandment Traffic returned in Summer of 1970 with John Barleycorn Must Die, hitting No’5 in the US Billboard Chart and thus making it their highest ever peak position in the US. John Barleycorn would take the band’s jazz/rock leanings beyond mere jamming and give Winwood excuse to exercise his expressive voice as punctuation to the extended instrumental sections. Re-Issued individually from the phenomenal 2019 Traffic – The Studio Albums 1967-74 Boxset. Remastered from the original tapes, pressed on 180g heavy weight vinyl and artwork caringly overseen and interpreted, this album is a must for any newcomer or indeed, seasoned Traffic fan.

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The Strollers

Waiting Is ...

Los 4 Jinetes Del Apocalipsis

Release: 1973 / SK – Reissue

Genre: Rock & Indie

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South Korean reissue of 1973 LP. Limited to 500 copies.

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Zarpa

LP | 1978 | EU | Reissue (Sommor)

LP | 1973 | EU (Trading Places)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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A conceptual album featuring five long tracks with raw in–your–face sound and production, over–charged fuzz & wah wah guitar, powerful vocals with killer echo/reverb and studio effects. This is must for any hard rock / metal / heavy psych aficionado, reissued for the first time on vinyl and remastered from the original tapes.

Including insert with liner notes and rare pictures from the archive of Vicente Feijóo, the original guitarist & vocalist from Zarpa. Heavy carboard sleeve + OBI.

Formed in Mislata, Valencia, in 1977 by four teenager friends (Vicente Feijóo on lead vocals & lead guitar, Eduardo Feijóo on bass & vocals, Javier Herviás on guitar and Jesús Martinez on drums), Zarpa Rock (“Claw Rock”), later shortened to Zarpa, evolved from a group called Wolframio. After spending most of 1977 learning how to play their instruments, they were approached by a management agency called Zeus Rock, joining their roster in company of bands like Doble Zero. Under Zeus Rock guidance, the band did their first recording: a conceptual album titled “Los 4 Jinetes del Apocalipsis” (The Four Horsemen of Apocalypse) which due to low studio budget, was recorded “live in the studio” in a single one-hour-and-a-half take. After the bankruptcy of Zeus Rock, the proposed album project was shelved. Zarpa shared stage with legends like Ian Gillan and later on, in the heyday of Heavy Metal in Spain, they managed to release two more LP’s which established them as a very popular band, even opening for Barón Rojo, true Metal Stars in the early 80’s. They’re still in active.

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Ithaca

A Game For All Who Know

20,99 €*

Release: 1973 / EU

Genre: Rock & Indie

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Plastic Ono Band Deluxe Edition

John Lennon

2LP | 1970 | EU | Reissue (Universal)

42,99 €*

LP | 1973 | EU (Trading Places)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Plastic Ono Band was the debut solo album by John Lennon. Released on December 11th 1970, John and Yoko had started writing and demoing at Abbey Road (emi Studios) in the summer, with recording sessions during September/October

After the break-up of The Beatles that year, John and Yoko embarked on a period of self-reflection and experimentation, with the results that the songs and sessions for Plastic Ono Band were heavily influenced by his immersion in Arthur Janov’s primal therapy. John was able to find emotional depth and honesty within himself that few artists had ever done before, with John saying to Rolling Stone “now I write all about me and that’s why I like it. It’s me.” . The result is perhaps the most honest and emotionally raw album that anyone has ever released, let alone someone who was one of the four most famous musicians on the planet. With a small core band comprised of just Ringo Starr on drums and old friend Klaus Voorman on bass, co-produced by Phil Spector, the album peaked at 8 in the UK charts and 6 in the USA. It has come to be regarded by many as John’s finest solo work and has continued to grow in stature and reverence and has often featured in various Best Of lists through the years since. Not only does this album feature some of John’s best-loved and most impactful songs – Mother, Working Class Hero, Isolation, God – but this new set also includes the singles Give Peace A Chance, Cold Turkey and the classic Instant Karma! (We All Shine On).

Released on the same day was Yoko Ono’s Plastic Ono Band album, the couple regarding the release as a pair of albums rather than two entirely separate projects, albeit of course it not achieving the same sort of coverage or chart success as John’s.

Coming as this does hot on the heels of last year’s much loved and well-reviewed “Gimme Some Truth” set and “Imagine” before that, the audio has been completely remixed from the original studio tapes as part of the ongoing John Lennon Ultimate Mix series. The aim for this mix process is to achieve three things: to remain faithful and respectful to the original recordings; to ensure that the sound is sonically clearer overall and to increase the clarity of John’s vocals. As Yoko says, “it’s about John” and this new mix shows that it is his voice that brings the biggest emotional impact of the album.

This multi-format release included a Cd/bd Super Deluxe Box with 130 page book featuring many exclusive and new photos, track-by-track notes in the words of John and Yoko, lots of tape boxes and full breakdown and descriptions of the audio content. As well as the new Ultimate Mix, we have 5 further CD discs, each focusing on different and new aspects ,including: original outtakes, demos, Elements Mixes (focusing on individual aspects of the songs to reveal unheard elements), Evolution Mixes (the story of each song from demo to complete recording), Raw Mixes (unadorned studio takes that place you inside the room almost sitting alongside the band) and a further disc of studio Jams. There are two Blu-ray Audio discs that feature hi-res stereo (192/24) versions of all the above as well as surround mixes in 5.1 and Dolby Atmos. Further material only available on BD includes the Yoko Ono Band/Plastic Ono Band Live Sessions from the original recording sessions and featuring Ringo Starr and Klaus Voorman.

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Tucky Buzzard

Buzzard

15,99 €*

LP | 1975 | EU | Reissue (Wmspain)

Release: 1973 / EU

Genre: Rock & Indie

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The roots of hard rock act Tucky Buzzard lie in psychedelic group, The End, who supported The Rolling Stones on an early tour, leading Bill Wyman to produce their sole LP. The band then morphed into Tucky Buzzard, now with scorching lead guitar licks and Hammond organ parts to the fore, and Wyman still on board as producer and manager. For their final album, Buzzard, released on Deep Purple’s Purple imprint in 1973, there is a mix of hard-edged blues rock, with a fine interpretation of perennial classic, “Who Do You Love,” and wistful originals like “Hanging On In There.” As ever, Wyman’s sterling production and presence on acoustic and electric piano makes this one a must for all Stones fans.

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Goma

14 De Abril

LP | 1973 | US | Reissue (Beat Ball Music)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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1975. Another historic album from the Spanish prog scene. Goma was a supergroup from Sevilla formed by members of Smash, Gong (the Spanish ones), Chicle and others. Very progressive but using some jazz elements as well. Relevant sax work goes hand by hand with good guitars and organs. This is their only album, originally on Movieplay.

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La Famiglia Degli Ortega

51,99 €*

Stage Fright 50th Anniversary Limited Deluxe Boxset

Release: 1973 / US – Reissue

Genre: Rock & Indie

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First time reissue on vinyl
Remastered from the original master tape
180g heavy weight vinyl
Deluxe tip-on gatefold jacket
4-page insert with rare photos, liner notes & discography

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The Band

5LP | 1970 | EU | Reissue (Capitol)

148,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Stage Fright 50th Anniversary Edition

The Band

LP | 1970 | EU | Reissue (Capitol)

31,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Discos Monterey)

Gerardo Manuel & Humo

Apocallypsis

LP | 1972 | EU | Reissue (Universal)

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Gerardo Manuel left behind his deepest beat days with The Dolton’s and the Shain’s, plus his garage psych stage with St Thomas Pepper Smelter. At the beginning of the seventies he was joined by a new band formed by other illustrious Peruvian musicians, called El Humo because, according to Ernesto Samamé (We All Together) they met to play unpretentiously, to test the new sound equipment of the Virrey label. The first of the albums was "Apocallipsis" (1970). It was followed in 1971 by the conceptual "Machu Picchu 2000" in which he used all his imagination to tell us about the resurgence of the Inca empire after the third world war that broke out at half past five on December 31, 1999. Songs of lysergic melodies, with Latin touches, give life to this album that looks for peace in the world. Unique and memorable albums, essential for any discography with the best of South American music from the sixties.

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Balletto Di Bronzo

63,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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A Muso Duro 40th Anniversary Edition

Pierangelo Bertoli

LP | 1979 | EU | Reissue (Atlantic)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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2LP | 1985 | US | Reissue (Rhino)

Dire Straits

Brothers In Arms

49,99 €*

Release: 1985 / US – Reissue

Genre: Rock & Indie

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LP | 1980 | US | Reissue (Rhino)

Dire Straits

Making Movies

Release: 1980 / US – Reissue

Genre: Rock & Indie

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LP | 1979 | US | Reissue (Rhino)

Dire Straits

Communique

Release: 1979 / US – Reissue

Genre: Rock & Indie

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My Girl Hates My Heroin Red & Black Splatter Vinyl Edition

The Stooges

LP | 1989 | EU | Reissue (Diggers Factory / FGL)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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2LP | 1973 | EU | Reissue (O-Music)

Flower Travellin' Band

Make Up

LP | 1977 | EU | Reissue (Svart)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Make Up is the fourth album by Japanese rock band Flower Travellin' Band, released in 1973, featuring both live and studio recordings. After returning from Canada, Flower Travellin' Band began the recordings of a new effort. The mix of live and studio recordings was planned from the beginning. So they tried acoustic pieces and experimented with material that would be hard to reproduce live. Growing as a band and as individuals, more individual contributions were made. Tracks 1, 2, 5, 7 and 8 were recorded live at Yokosuka Bunka Kaikan in Yokosuka on September 16, 1972, while track 9 is a live studio recording. The band's founder and producer Yuya Uchida provides guest vocals on "Blue Suede Shoes"

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Ave Rock

Espacios

13,99 €*

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Svart)

Virtanen

Hal-00

Claire Lepage & Compagnie

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Svart Mondo presents a limited edition of 500 copies on black vinyl. Highly influential debut album of raunchy and energetic psychedelic early garage punk by Finnish legend Virtanen, originally released on the infamous Love Records label in 1974 and now presented as a first ever vinyl reissue. With a reputation of having wild stage shows, Virtanen’s Hal-00 was touted as the first Finnish punk rock album not only for the raw music but also for the band’s scruffy, outsider image. If Virtanen’s music needs classification, it is a brand of early garage rock, with proto-punk influences, inspired by Bowie, The Who, T-Rex and The Kinks. Ahead of their time in sound and style, Virtanen’s showmanship was unseen for a rock group at the time in Finland, and Hal-00 is nothing short of a timeless classic. Revitalised for a new era, with photo and lyric booklet with extensive liner notes.

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LP | 1970 | EU | Reissue (Return To Analog)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Curly Curve Grey Vinyl Edition

Curly Curve

LP | 1973 | EU | Reissue (Klimt)

On The Way To Eden White Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Hailing from Berlin Curly Curve has been one of the best german rock bands of the 70s. Although there were some relations to krautrock acts (bass player Kurt Herkenberg was one of the founding members of Tangerine Dream for example) they had the emphasis on playing sophisticated blues rock. The band started in 1968 and saw several line-up changes over the years. Alex Conti (later Atlantis, Lake) was aboard for some time but had already left when Curly Curve produced this eponymous album in 1973. It should remain their only official studio album.

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Eden Rose

LP | 1970 | EU | Reissue (Guerssen)

LP | 1989 | EU | Reissue (Panegyric)

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Limited to 200 copies on white vinyl!

Proto-progressive, groovy instrumental psychedelia, recorded in France in 1969 by this pre-Sandrose band and released on the tiny Katema label. Swirling Hammond grooves by keyboard virtuoso Henri Garella, top guitar playing by Jean-Pierre Alacen and a tight, funky rhythm section create one of the best early prog/psych French albums ever. First reissued on Guerssen back in 2016 and out of print for many years, here's a repress in hard cardboard sleeve + OBI - resealable outer sleeve.

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XTC

Orange & Lemons

38,99 €*

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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The album is one of the most requested vinyl reissues as it was only on vinyl for a short period towards the end of the first vinyl era and was, as a result, never available as a decent quality pressing and poorly presented in a single sleeve. Brrraaannnngg!! – As brash, bright & vibrant as its Alan Aldridge influenced, pop art, outer cover art, Oranges & Lemons, XTC’s ninth studio album, issued in February 1989, arrived like a burst of audio summer at the end of winter. Eloquently answering the question: “How do you follow-up a classic album?” with the most obvious answer “with another great recording”, the album consolidated XTC’s position – especially in America – as one of the era’s finest recording outfits. Following the slow burn success of Skylarking, which by then had become the band’s biggest selling album to date, Virgin suggested the band should consider another American producer. XTC settled on session musician Paul Fox who was just establishing a name for himself as an up & coming producer – having remixed tracks for Yes & Culture Club. Recorded in Los Angeles over a lengthy period, the album allowed Andy Partridge & Colin Moulding to further hone a group of songs that had initially been worked on & rehearsed in the UK with Dave Gregory’s, rarely highlighted but often crucial, contributions to the arrangements apparent in the final mixes...

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LP | 1973 | EU | Reissue (Polydor)

Goats Head Soup

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Metamorphosis UK Green Record Store Day 2020 Edition

LP | 1975 | EU | Reissue (Universal)

LP | 1973 | EU | Reissue (Discos Monterey)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2020 Release.

The first official Rolling Stones’ rarities collection originally released in June 1975 to try and outwit the bootleggers. The release combines some legendary out-takes and rarities as well as focusing on the wealth of demos that Jagger & Richards composed for other artists (produced by Andrew Loog Oldham or Jimmy Miller). Remastered by Bob Ludwig (Gateway Mastering) and Lacquer cutting by Sean Magee (Abbey Road Studios) Released exclusively on 180g Hunter Green vinyl Includes exclusive iron-on t-shirt transfer of the sleeve design, which alludes to Franz Kafka’s ‘The Metamorphosis’ (the story of a man who wakes up one morning to find himself inexplicably transformed into a huge insect!). This release replicates the U.K. version, with two extra songs, “Some Things Just Stick In Your Mind” and “We’re Wastin’ Time” that were not on the original U.S. release.

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Gerardo Manuel & C.V.P.

Janis Joplin's Greatest Hits

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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We have the great honour of presenting to you the first official reissue of the last project of Gerardo Manuel´s trilogy with Humo . Recorded in 1973 in the style of his previous two albums, although this is the most progressive. As the lyrics leant toward social protest, the military in power didn´t want this music to be popular and as a result of this most of the copies were destroyed. This has made the album extremely rare and an authentic lost jewel of South America Rock.

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Janis Joplin

LP | 1973 | EU | Reissue (Columbia)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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The Concert In Central Park Live

Simon & Garfunkel

2LP | 1982 | EU | Reissue (Sony)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Exile On Main Street Half Speed Remastered Edition

2LP | 1972 | EU | Reissue (Polydor)

38,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Polydor)

Eric Clapton

461 Ocean Boulevard

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | EU | Reissue (Svart)

Benoit Widemann

Stress!

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Stunning synth-heavy prog rock from ex-Magma/Heldon/Dan Ar Braz member. Free-jazz elements mixed with rocking synth and piano and drums, the album is a wildly eclectic fusion of atmosphere and moods. Joined by a whole menagerie of the French prog crème de la crème, such as musicians like Patrick Gauthier, Clément Bailly, Guy Delacroix, Jean-Pierre Fouquey, Bruno Menny, Benoit was a free-wheeling synthesizer demon. A cosmic caper of multifaceted dimensions with some real Heldon-esque and Magma vibes peppered throughout. This album is every bit as entertaining and delightful as the day it was released, a stellar example of the diversity of the synth-driven prog of the age. Now dusted off and refreshed with liner notes to head into another future.

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Undercover Half Speed Remastered Edition

LP | 1983 | EU | Reissue (Polydor)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Dirty Work Half Speed Remastered Edition

LP | 1986 | EU | Reissue (Polydor)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Black And Blue Half Speed Remastered Edition

LP | 1976 | EU | Reissue (Polydor)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | US | Reissue (Sony Legacy)

Toto

Hydra

Release: 1979 / US – Reissue

Genre: Rock & Indie

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LP | 1978 | DE | Reissue (Sony Legacy)

Toto

Release: 1978 / DE – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Wah Wah)

Farmyard

Underdogs, The (Pig, Mann & Edwards)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Hailing from Wellington, the windy city and capital of New Zealand, Farmyard's initial line up consisted of Rick White on bass and vocals, Tom Swainson on drums, Milton Parker on lead guitar, Andy Stevens on sax and Paul Curtis on rhythm guitar and lead vocals. Rick White who formed the band, and Milton Parker were originally in fledgling beat combo The Relics. After being kicked out of the Relics, Rick went on to form Tom Thumb. Tom Thumb moved from R&B, to pop, to progressive rock, and their 1970 Ludgate Hill EP is considered one of the first prog recordings in the country.

After a successful single, Polydor issued Farmyard’s first LP in 1971 which came housed in a silk screened plastic bag, and is an amazing prog-rock killer, with superb musicianship, great tunes and a splendid production by Peter Dawkins.

This is a 500 copies only reissue, housed in its original ‘gimmick’ artwork in a silk screened plastic bag, printed inner sleeve and insert.

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Wasting Our Time

LP | 1970 | EU | Reissue (Wah Wah)

LP | 1972 | CA | Reissue (Return To Analog)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Wah Wah is proud to release the first ever legit vinyl reissue of New Zealand's legendary Underdogs' second LP. By the time of this album, originally released in late 1970, The Underdogs line-up had changed. The original Underdogs had disbanded in 1969, and original guitarist Harvey Mann and bass player Neil Edwards decided to rebirth it with the help of Glen 'Pig' Absolum on drums - hence the band's nickname Pig, Mann & Edwards. This power trio line-up also saw the initial Underdogs UK flavoured R&B sound get heavier and evolve towards a more Cream-ier - Hendrix influenced territory. It was recorded under the production of former Brew man Bob Gillett in their native Auckland and saw its original release on the PYE label.

This is a 500 copies only reissue, housed in its original artwork in a vintage styled backflaps sleeve and featuring gatefold poster insert.

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Franck Dervieux

Dimension M

Release: 1972 / CA – Reissue

Genre: Rock & Indie

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La Storia Di Sabazio Orange Vinyl Edition

Triade

LP | 1973 | EU | Reissue (Vinylmagic)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Dezo Ursiny & Ivan Strpka

4/4

LP | 1983 | EU | Reissue (Opus)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Alejandro Medina Y La Pesada

LP | 1974 | EU | Reissue (Svart)

20,99 €*

Faithful Colored Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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A Svart Mondo release. Black vinyl, 500 copies.
Alejandro Medina Y La Pesada was recorded in 1974 and is the only solo vinyl album released by Alejandro Medina. Born on 1 November 1949 in Buenos Aires, Medina had been in big bands since he was a young teenager, joining Le Pasada del Pock and Roll who included some of Argentina’s finest musicians, such as Billy Bond (who handles the production on this album), Jorge Pinchevsky (who plays Violin on this record) and Pappo, among others. Medina recorded four albums with Le Pasada del Pock and Roll who also played at the third Buenos Aires Rock Festival in November 1972, which was recorded in the movie ‘Rock until the sun goes down’. On this, his solo album, he mixes delta style blues, progressive rock and bluesy style experimental ballads that feature sublime guitar work. Eclectic hard-rock guitar journeys with lush violins and powerful vocals. A deep collectors bounty, Alejandro Medina Y La Pesada is a rare Argentinian heavy rock milestone. La Pesada (which means “The Heavy” in English) gives us a good idea of what to expect with this exceptional heavy jewel.

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Todd Rundgren

LP | 1976 | EU | Reissue (Music On Vinyl)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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2LP | 1970 | EU | Reissue (Elektra)

The Stooges

Fun House

42,99 €*

Let Your Light Shine Lime Green Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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14 tracks

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Ruphus

LP | 1976 | EU | Reissue (Karisma)

14,99 €*

Let Your Light Shine Black Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Ruphus’ third album “Let Your Light Shine” marked a new direction for the Norwegian prog rock legends. Keyboard player Hakon Graf had done a stint with a jazz group called Moose Loose, and took inspiration from there back to the newly re-grouped Ruphus. Armed with new, refined jazz compositions, an excited band entered the studio with legendary Terje Rypdal as producer

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Ruphus

LP | 1976 | EU | Reissue (Karisma)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Speakers Corner)

The Doobie Brothers

Minute By Minute

2LP | 1970 | EU | Reissue (Guerssen)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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How the Doobie Brothers came to form a “family” is not only a fateful event but also a good story. While getting high on a marihuana joint (or doobie) that was passed from one to the other in a practice room, one of the group apparently uttered the following momentous words: »We are all Doobie brothers«. Later, when in possession of all his faculties, the co-founder of the group, Tom Johnston, was thinking along the lines of a Motown sound, with a bass line resembling that of Seals and Crofts, and vocals in the style of Stevie Wonder. That "Minute By Minute", the first album to appear in the post-Johnston era, so perfectly reflects the mature style of the group is mostly thanks to the two experienced former Steely Dan musicians Jeff “Skunk” Baxter and singer Michael McDonald.
Subtle, gently electrified groove epitomizes the main focus of this album. Its laid back, colourful and glittering sounds are rounded out with powerful rhythms and warm sounds ("What A Fool Believes"). Solo vocals are layered over rolling chords on the piano, a snappy bass and a multi-voiced background to create an appealing harmony ("Here To Love You"). Perfectly tempered and accomplished solos from the lead guitar and saxophone are welcome extras that never drown out the impressive leader of the group. So much brotherliness on a record certainly deserved to be recognized with three Platinum Records and a Grammy Award.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: 1978 at Warner Bros.-Studios, North Hollywood, by Donn Landee and Loyd Clifft
Production: Ted Templeman

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Julian's Treatment

A Time Before This

LP | 1974 | EU | Reissue (Karisma)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Debut, double album by musician/sci-fi writer Julian Jay Savarin. Originally released on Miki Dallon's Youngblood label in 1970, this is a classic since the early days of record collecting.
Hammond dominated, spacey, psychedelic prog-rock with long tracks, cool female vocals and a cosmic, sci-fi concept vibe.
This reissue features the original gatefold sleeve, master tape sound in 180g vinyl, and detailed liner notes by Andy Morten (Shindig!). Essential to anyone into early UK prog-rock!

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Ruphus

Ranshart

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Fragments Of Light Blue Vinyl Edition

Sensations' Fix

LP | 1974 | US | Reissue (Vinyl Magic)

Finest Finger Clear Green Vinyl Edition

Release: 1974 / US – Reissue

Genre: Rock & Indie

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180g Blue LP /// Listening today to the music produced by Sensations’ Fix, a project founded and directed by Franco Falsini in ‘70s, can’t just leave anyone indifferent. Already in the mid-‘60s, Falsini was full-time involved in musical activities: a tireless traveler and experimenter, an artist with uncommon curiosity and intuition, after having lived for some time in the United States and England, he finally established again in Italy where he gave shape to Sensations’ Fix and signed a contract with Polydor for the release of six records in five years. Often associated with the sound of Tangerine Dream and the so-called German ‘cosmic couriers’, Sensations’ Fix were much more than mere clones of something already existing.

“Sensations’ Fix” is – together with “Portable Madness” and “Fragments of Light” – one of the three titles published in 1974, a collection of short psychedelic compositions, in which glimpses of ‘cosmic’ music can already be noticed; those elements would soon become a trademark in the group’s repertoire. The twelve compositions present here were part of demos that Falsini had sold to the record company, which decided to publish them in the form of a not-for-sale LP, which had “music especially recorded for radio and television” written on the back cover: in practice, sketches of musical ideas had been ‘transformed’ into ‘library music’ and collected in an extremely rare vinyl that sells today for hundreds of euros.

Sensations’ Fix albums are generally difficult to find; almost none of them has been reprinted in over forty years, but thanks to this series of reissues on the VM label it is now possible to rediscover them all.

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Sensations' Fix

LP | 1974 | US | Reissue (Vinyl Magic)

LP | 1975 | EU | Reissue (Sommor)

Release: 1974 / US – Reissue

Genre: Rock & Indie

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First time on vinyl /// 180g Green LP /// Listening today to the music produced by Sensations’ Fix, a project founded and directed by Franco Falsini in ‘70s, can’t just leave anyone indifferent. Already in the mid-‘60s, Falsini was full-time involved in musical activities: a tireless traveler and experimenter, an artist with uncommon curiosity and intuition, after having lived for some time in the United States and England, he finally established again in Italy where he gave shape to Sensations’ Fix and signed a contract with Polydor for the release of six records in five years. Often associated with the sound of Tangerine Dream and the so-called German ‘cosmic couriers’, Sensations’ Fix were much more than mere clones of something already existing.

“Finest Finger” is Sensations’ Fix’s fourth album, originally released in 1976 and never officially reissued on vinyl until today. The making of this record coincided with the line-up addition of a second keyboard player and, even if Franco Falsini remains the only author of all its songs, the album sounds much more homogeneous, fluent, inspired, better produced than the band’s previous ones and is clearly the result of a proper teamwork. For the first time, Falsini also took care of the singing parts in four of the eight tracks, with very good results. This is probably the first album in which, thanks to the experience and means acquired, the sound of Sensations’ Fix takes on more precise and personal shapes.

Sensations’ Fix albums are generally difficult to find; almost none of them has been reprinted in over forty years, but thanks to this series of reissues on the VM label it is now possible to rediscover them all.

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