Classic Rock Vinyl 794 Items

LP | 1986 | EU (Trading Places)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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UK reissue of this classic Velvet Underground album (their fourth), originally released on Cotillion in 1970. Edition on 180-gram vinyl.

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The Tryp

My Brain Collapsed

LP | 1970 | EU (Wiseraven)

Release: 1986 / EU

Genre: Rock & Indie

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The roots of 80s English psychedelic freak band The Tryp lie in a hoax perpetuated by Steve Lines’ indie mag Mardenbeat, based in the town of Calne in the Marden Delta, which reviewed a gig by a non-existent band; former JP Sunshine main man Rod Goodway and partner Christine Cotter then gave flesh to the beast with Lines and Paul Ricketts of Unhinged mag, cutting My Brain Collapsed! as an exploration of mushroom-fuelled mental instability. First issued on cassette label Mardentapes and later by Acid Tapes (just as Lines took over from Alan Duffy), this edition is the first on vinyl-A Must Have FOR ALL Tryppers!

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The Sun Also Rises

LP | 1973 | SK | Reissue (Wohn)

Release: 1970 / EU

Genre: Rock & Indie

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Released in 1970 on the british cult label The Village Thing (owned by singer/songwriter Ian A. Anderson), the sole album by couple Anne and Graham Hemingway is a superb acid folk manifesto. Coming all the way from Cardiff, the duo has been described as a mystical, magical hippie small family. Alongside classic guitars, they played dulcimer, glockenspiel, vibes, bells, kazoo and small percussion, joined throughout by label-mate John Turner (bowed and finger-picked string bass) and Andy Leggett.

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The Strollers

Waiting Is ...

My Girl Hates My Heroin Red & Black Splatter Vinyl Edition

Release: 1973 / SK – Reissue

Genre: Rock & Indie

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South Korean reissue of 1973 LP. Limited to 500 copies.

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The Stooges

LP | 1989 | EU | Reissue (Diggers Factory / FGL)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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2LP | 1970 | EU | Reissue (Elektra)

The Stooges

Fun House

Gift Silver Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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14 tracks

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The Sisterhood

LP | 1986 | EU | Reissue (Cadiz - Merciful Release)

Release: 1986 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Cuba 35th Anniversary Special Edition

The Silos

2LP | 1987 | EU | Reissue (Hanky Panky)

34,99 €*

LP | 1972 | EU | Reissue (Sommor)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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The Silos, the still-kicking band Walter Salas-Humara co-founded in New York’s post-punk ‘80s scene played Alt-Rock, Alt-Country, and Americana before any critics coined those terms. They were named Best New Artist in the Rolling Stone magazine critics' poll in 1987 after the release of Cuba. The album has since been considered a stone-cold classic, being hugely influential in the so-called Americana or alternative country scene that followed in its wake. “Cuba is one of those albums that has become a kind of talisman among true music fans. Because you know that Cuba exists inside everyone, and this extraordinary album can take you there. It's a journey filled with longing and loss, warmth and wonder”. (Anthony DeCurtis) This gatefold double LP 35th anniversary special edition, includes the additional album The Bird Album Live On Kcrw. Recorded on April 18, 1990, shortly after the release of their self-titled third album for RCA Records, The Silos performed about 75 minutes of music for the Snap alternative music radio program. Broadcast on Kcrw in Santa Monica, California, near Los Angeles, it features versions of all but one song from that third album. Both of the singer-songwriter-guitarists from the band's early days, Walter Salas-Humara and Bob Rupe, were in the line-up for this broadcast which also included Graham Maby on bass, Brian Doherty on Drums, and Kenny Margolis on Keyboard. Salas-Humara’s legacy would seem secure; his name is on 24 albums, his Horse Paintings hang in homes and galleries around the world, and his WaltersDogs portraits even appeared in the film “Get Him to the Greek” (Nicholas Stoller, 20210). but he’s hardly ready to call it a day: The Silos have a new album out now called Family and are currently touring the world.

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The Running Man

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Top notch hard progressive album with blues/jazz influences, originally released in 1972 on the collectable RCA-Neon label. Featuring the legendary Ray Russell (John Barry Seven, Graham Bond, Georgie Fame…) on devastating fuzz guitar plus Alan Greed (Harsh Reality) on bass, Alan Rushton (Mouse) on drums and Gary Windo (Centipede) on sax.

Bootlegged many times on vinyl, here’s an official reissue with fantastic remastered sound by Ray Russell, original artwork in gatefold sleeve plus color insert with liner notes and rare photos / memorabilia.

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Undercover Half Speed Remastered Edition

LP | 1983 | EU | Reissue (Polydor)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Tattoo You Half Speed Remastered Edition

LP | 1981 | EU | Reissue (Polydor)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Some Girls Half Speed Remastered Edition

LP | 1978 | EU | Reissue (Polydor)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Metamorphosis UK Green Record Store Day 2020 Edition

LP | 1975 | EU | Reissue (Universal)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2020 Release.

The first official Rolling Stones’ rarities collection originally released in June 1975 to try and outwit the bootleggers. The release combines some legendary out-takes and rarities as well as focusing on the wealth of demos that Jagger & Richards composed for other artists (produced by Andrew Loog Oldham or Jimmy Miller). Remastered by Bob Ludwig (Gateway Mastering) and Lacquer cutting by Sean Magee (Abbey Road Studios) Released exclusively on 180g Hunter Green vinyl Includes exclusive iron-on t-shirt transfer of the sleeve design, which alludes to Franz Kafka’s ‘The Metamorphosis’ (the story of a man who wakes up one morning to find himself inexplicably transformed into a huge insect!). This release replicates the U.K. version, with two extra songs, “Some Things Just Stick In Your Mind” and “We’re Wastin’ Time” that were not on the original U.S. release.

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LP | 1973 | EU | Reissue (Polydor)

Goats Head Soup

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Exile On Main Street Half Speed Remastered Edition

2LP | 1972 | EU | Reissue (Polydor)

38,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Emotional Rescue Half Speed Remastered Edition

LP | 1980 | EU | Reissue (Polydor)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Dirty Work Half Speed Remastered Edition

LP | 1986 | EU | Reissue (Polydor)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Rock Hard Silver Vinyl Edition

The Rods

LP | 1980 | EU | Reissue (High Roller)

32,99 €*

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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12" | 1983 | EU | Reissue (Miss You)

The Redhots

Redhot

9,74 €* 14,99 € -35%

LP | 1980 | US | Reissue (Hollywood)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Powerful downtempo ballad with heavy emotions from Louisiana based guitarist Chris McCaa. Originally released as a 7” promo oriented record in 1983, the band had hopes of it leading to bigger projects but most of the pressing probably ended up in someone's basement with very few copies available online. 40 years later, “If I Had To Say Goodbye” is back again to bless your ears at the ending sets of special dancefloors. Featuring a sound that is highly reminiscent Chris Rea's aesthetic, both in terms of vocal and guitar use, yet still breaking new ground in the power ballad department. Now in 12” 45rpm format with an extended edit by Castro on the B-side, remastered at Berlin's finest manmade mastering.

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The Queen

Game

31,99 €*

Release: 1980 / US – Reissue

Genre: Rock & Indie

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The Plastic People Of The Universe

Pasijove Hry Velikonocni / Passion Play

LP | 1980 | EU | Reissue (Guerilla)

50,99 €*

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Bear Family)

The Petards

Hitshock

LP | 1985 | US | Reissue (Jackpot)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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With their first, self-titled album for Liberty, The Petards from the state of Hessen in Germany had produced a real hit. The year 1969 meant for Klaus and Horst Ebert, Roger Waldmann and Arno Dittrich above all a wealth of appearances; at that time there was
probably no band harder working in Germany than The Petards. In September 1969 producer Sigi Loch called the band back to Munich's Trixi Ton Studio to record the next album. And as one would expect from the band, the musicians came to the studio well prepared. Within five days, enough new songs were recorded to create four singles in addition to the new album. All the titles were written by the two Ebert brothers, who apparently never ran out of ideas. The musicians used whatever kind of tools the studio gave them: synthesizers, Mellotron and piano were skillfully integrated into the Petards sound. As with the previous albums, the band captivated with an enormous amount of variety and talent. Progressive rock, Krautrock - everything was in the Petards songs - and yet with less than four minutes of running time they remained deeply suitable for airplay.
In early 1970 the new album 'Hitshock' was released on Liberty and continued the track of success of the four Hessians. For many people 'Hitshock' is the most mature and best produced album of the four from Schrecksbach. Fans and critics agreed. In April 1970, The Petards made it into the arts pages! Director Charles Lang had selected the band from 70 applicants and invited them to the Bremen Theatre. There they took part in the play 'Was ihr wollt', freely adapted from Shakespeare (’Twelfth Night’, or ’What You Will’). All arrangements were made by the musicians, some titles were rewritten. Unfortunately no recordings have been preserved. The play was not a great success, but The Petards got off well with the critics, and of course this also meant a good promotion for their new album. At least the four musicians had a lot of fun participating, but still they found time to carry the songs from 'Hitshock’ live through the republic. Bear Family releases this album for the first time again in the original artwork on 180 gram vinyl and adds a reproduction of the original poster to 'Hitshock'. This record is the third of four scheduled vinyl re-releases of the great Petards on Bear Family.

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The Miracle Workers

Inside Out

LP | 1970 | US | Reissue (Don Giovanni)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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When the 80s U.S. garage/psych explosion started, one record in that genre towered above all others — THE MIRACLE WORKERS’ 1985 debut LP Inside Out.
Initially formed in 1982, the classic line-up on this debut was a five-headed, five-star beast and one of the most ferocious live bands of the era. With four songwriters, they rarely had to rely
on the crutch of cover versions that many of their paisley contemporaries had to lean on. No lazy Pebbles compilation wanna-bees or drippy long-form psych yawns here; just 13
songs that are up there in the pantheon of garage rock (and really any other rock genre).

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The Maglory Dengluch

30,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Nobody Loves Me / Don't Want You Back

The Letters

7" | 1980 | EU | Reissue (You Are The Cosmos)

13,99 €*

State Of Confusion Blue Vinyl Edition

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Second pressing (only 300 copies) of this powerpop/punk gem, originally released in 1980.

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The Kinks

LP | 1983 | US | Reissue (Friday Music)

41,99 €*

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Percy Record Store Day 2021 Edition

The Kinks

LP | 1971 | Reissue (Sanctuary)

I've Got The Music In Me Half-Speed Master

Release: 1971 / Reissue

Genre: Rock & Indie

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Record Store Day 2021 Release.

Limited edition, remastered, picture disc vinyl. 1LP 50th anniversary release of the 1971 British comedy film soundtrack album. Performed by THE Kinks with additional orchestral arrangements by Stanley Myers. Their ninth official studio album and last on the PYE label. First re-issue on vinyl for 20 years. Sleeve artwork and textured cover as per the original release. Produced in association with THE Kinks.

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The Kiki Dee Band

LP | 1974 | UK | Reissue (Demon)

39,99 €*

Release: 1974 / UK – Reissue

Genre: Rock & Indie

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Weird Scenes Inside The Gold Mine

2LP | 1972 | UK | Reissue (Warner)

29,99 €*

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Elektra)

Waiting for the sun

24,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Elektra)

24,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Rhino)

Morrison Hotel

31,34 €* 32,99 € -5%

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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L.A. Woman Yellow Vinyl Edition

LP | 1971 | Reissue (Rhino International)

45,99 €*

Release: 1971 / Reissue

Genre: Rock & Indie

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2LP | 1971 | US | Reissue (Acoustic Sound)

L.A. Woman

80,99 €*

LP | 1978 | EU | Reissue (Speakers Corner)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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45RPM, 200g Vinyl Edition!

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The Doobie Brothers

Minute By Minute

12" | 1973 | US (East End)

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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How the Doobie Brothers came to form a “family” is not only a fateful event but also a good story. While getting high on a marihuana joint (or doobie) that was passed from one to the other in a practice room, one of the group apparently uttered the following momentous words: »We are all Doobie brothers«. Later, when in possession of all his faculties, the co-founder of the group, Tom Johnston, was thinking along the lines of a Motown sound, with a bass line resembling that of Seals and Crofts, and vocals in the style of Stevie Wonder. That "Minute By Minute", the first album to appear in the post-Johnston era, so perfectly reflects the mature style of the group is mostly thanks to the two experienced former Steely Dan musicians Jeff “Skunk” Baxter and singer Michael McDonald.
Subtle, gently electrified groove epitomizes the main focus of this album. Its laid back, colourful and glittering sounds are rounded out with powerful rhythms and warm sounds ("What A Fool Believes"). Solo vocals are layered over rolling chords on the piano, a snappy bass and a multi-voiced background to create an appealing harmony ("Here To Love You"). Perfectly tempered and accomplished solos from the lead guitar and saxophone are welcome extras that never drown out the impressive leader of the group. So much brotherliness on a record certainly deserved to be recognized with three Platinum Records and a Grammy Award.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: 1978 at Warner Bros.-Studios, North Hollywood, by Donn Landee and Loyd Clifft
Production: Ted Templeman

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The Doobie Brothers

Long Train Running

13,99 €*

Release: 1973 / US

Genre: Organic Grooves, Rock & Indie

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7" | 1974 | US | Reissue (Just Add Water)

The Damned

Morning Bird / Theta

15,99 €*

LP | 1982 | EU | Reissue (Columbia)

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Back in print for the first time in 50 years! This studio creation Junk Shop Glam grail was produced by Miki Dallon (The Sorrows, Boys Blue, Shakane, New York Dolls) for his Young Blood International label in 1974. This is Obviously not the later more famous UK punk group of the same name. This was a one-off studio project. We first heard this on our good friend Phil King's superb Velvet Tinmine comp yonks ago. Made to be played in the discotheques back before disco ruined said discotheques." 300 pressed.

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The Clash

Combat Rock

LP | 1985 | US | Reissue (Friday Music)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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The release comes on 180g Vinyl.

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The Cars

The Cars Greatest Hits

Release: 1985 / US – Reissue

Genre: Rock & Indie

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The Byrds Audiophile Violet Vinyl Edition

The Byrds

LP | 1973 | US | Reissue (Friday Music)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Let It Be Limited 50th Anniversary Deluxe Edition

The Beatles

Box | 1970 | UK | Reissue (Apple)

214,99 €*

Let It Be 50th Anniversary Edition

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Following on from the global success of ‘Abbey Road’, Apple Corps and USM are proud to present the next multi-format Beatles album reissue of ‘Let It Be’.

January 1969 – The Beatles planned to return to live performance, setting up in Twickenham Film Studios, London, for 21 days of rehearsals. They then decamped to their new studio in their Apple office building in Saville Row and on January 30th performed their last ever live group performance on the rooftop. All of this was filmed for a proposed documentary (eventually released in 1970). During the rehearsal process, they asked Glyn Johns, who had been hired to help with the live sound, to attempt a mix to create an album. This was never released, becoming known as one of the great ‘lost’ albums in rock history and is now included in this Super Deluxe Set. The album was delayed further and in fact became their 12th and final official album release on 8th May 1970 following additional production by American producer Phil Spector.

The Beatles iconic final studio album being released to coincide with the worldwide release of Peter Jackson’s 3 part documentary ‘The Beatles: Get Back’
New stereo mix of the original album by Giles Martin
Additional discs featuring a selection of outtakes from the recording sessions

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The Beatles

LP | 1970 | UK | Reissue (Apple)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Stage Fright 50th Anniversary Limited Deluxe Boxset

5LP | 1970 | EU | Reissue (Capitol)

148,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Stage Fright 50th Anniversary Edition

LP | 1970 | EU | Reissue (Capitol)

31,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Cahoots 50th Anniversary Box

Box | 1971 | EU | Reissue (Capitol)

135,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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2021 marks the 50th anniversary of The Band’s fourth studio album, ‘Cahoots’. On December 3, Capitol/UMe will release the newly remixed and remastered album in variety of formats to celebrate this iconic and influential album.

‘Cahoots’ was the fourth studio album, and last album of original material for four years.
The front cover painted by New York artist/illustrator Gilbert Stone Back cover features a photograph portrait of the group by Richard Avedon.
Features guest vocals from Van Morrison (on “4% Pantomime”)
Super Deluxe Edition

Newly Remixed and Remastered in Hi-Resolution Surround Sound
Blu-Ray Audio
2 CD’s
180g LP, DMM, Half-Speed Master
“Life Is A Carnival” / “The Moon Struck One” 7” Single
Bonus Tracks, Alternate Versions & Instrumentals
Olympia Theatre, Paris,1971 Bootleg Performance Audio
Booklet
All-New Liner Notes by Rob Bowman
Collectable Lithographs

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LP | 1971 | EU | Reissue (Capitol)

Cahoots 50th Anniversary

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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The Aynsley Dunbar Retaliation

Remains To Be Heard

LP | 1970 | UK | Reissue (Not Bad)

37,99 €*

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Eat A Peach Colored Vinyl Edition

2LP | 1974 | EU | Reissue (Vinyl Lovers)

34,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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reissue with original insert on 180g vinyl plus three bonus tracks

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LP | 1973 | EU | Reissue (Capricorn)

Brothers & Sisters

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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2LP | 1971 | EU | Reissue (Elemental Music)

At Fillmore East

38,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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2LP | 1971 | EU | Reissue (Island)

At Fillmore East

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Here comes a great reissue of The Allman Brothers Band’s classic album. All recordings got fully remastered and cut with help from Abbey Road Mastering Direct Metal Mastering (DMM). Pressed on 180g vinyl.

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2LP | 1971 | EU (Vinyl Lovers)

At Fillmore East

Pyramid 2024 Remaster Clear Vinyl Edition

Release: 1971 / EU

Genre: Rock & Indie

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180 gram gatefold cover double vinyl reissue incl. 2 bonus tracks!

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The Alan Parsons Project

LP | 1978 | Reissue (Cooking Vinyl)

LP | 1972 | EU | Reissue (Vinilisssimo)

Release: 1978 / Reissue

Genre: Rock & Indie

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The third studio album "Pyramid" by The Alan Parsons Project was originally released in May 1978. As with other APP albums, the focus was on very high-quality studio sound production. "Pyramid" was a worldwide hit, achieving platinum and gold status in numerous territories including the USA, Germany and Canada.Limited edition 180g Heavyweight Clear Vinyl LP Half speed remastered by Miles Showell at Abbey Road studios.

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Tarkus

2LP | 1971 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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"For every copy of one of the great and collectible rock albums one finds on Peru's stalwart MAG label, one has a dashed dream about finding Tarkus, one of South America's whispered hard rock holy grails. I've never found one, and I've been looking for the better part of two decades. It's a fiery set of Black Sabbath style jamming and worthy of its praise."- Eothen Alapatt aka Egon (Now Again) The Peruvian-Argentinian band Tarkus was only together for six months and recorded only one album, but the record's unprecedented sound and the limited number of copies released made it legendary for fans of hard rock in Latin America. Recorded under the influenced by the Argentinian groups Almendra, Pappo, Manal and Led Zeppelin and Black Sabbath from the United Kingdom. Details:The only album released by Peruvian band Tarkus (featuring members of Telegraph Avenue), from 1972, is a heavy psych/hard rock masterpiece with echoes of Led Zeppelin, Black Sabbath and Deep Purple. Only a handful of promotional copies were made available at the time of its release, making it for years a true lost classic and one of the rarest records of Latin American rock. Tarkus was born after the 1971 split of Telegraph Avenue, one of the most popular Peruvian bands at the time. TA member Walo Carrillo was joined by Argentinian musicians Guillermo Van Lacke, whom he had met previously in Lima, and 16-year-old Darío Gianella. They got together and started making music very influenced by bands such as Black Sabbath, Led Zeppelin, Cream, Deep Purple_ They immediately developed a heavy, hard rock sound uncommon in Peru, and asked former Telegraph Avenue member Alex Nathanson to join them. They recorded their first album between April and May of 1972 for the MAG record label, which was expecting something closer to Telegraph Avenue and didn't know how to market such a heavy sound. Soon after, guitarist and main composer Darío Gianella decided to leave the band to follow his religious faith, just before they presented th...

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T.Rex

Electric Warrior

75,99 €*

LP | 1970 | EU | Reissue (Parlophone)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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T. Rex's Exotic Landmark Signals the Birth of Glam Rock, Features "Bang a Gong (Get It On)": Electric Warrior Swaggers with Libido, Flamboyance, Fantasy, Fun, Hooks, and Theatricality

Mastered on Mobile Fidelity's State-of-the-Art Mastering System: 180g 45RPM Vinyl 2LP Set Presents the 1971 Record's Reverb, Colors, Tones, and String Arrangements in Full-Tilt Glory

Bang a gong and get it on. At once sardonic, flamboyant, and trashy, T. Rex's uncommonly unique Electric Warrior catapulted leader Marc Bolan to stardom, triggered an ongoing fascination with glam rock, and launched a movement that soon involved David Bowie, Roxy Music, Mott the Hoople, and more. Yet none of those namesake artists ever released a record that out-glammed, out-innuendoed, out-thrusted, or out-camped Electric Warrior – named the 160th Greatest Album of All Time by Rolling Stone and included in the celebrated book 1001 Albums You Must Hear Before You Die.

Mastered on Mobile Fidelity's state-of-the-art mastering system, pressed on dead-quiet vinyl at RTI, and housed in a gatefold sleeve, the label's numbered-edition 180g 45RPM 2LP set gives the 1971 landmark the widescreen sound quality it has always deserved. Tony Visconti's warm, reverb-soaked production and Roy Thomas Baker's ace engineering remain two of the work's most famous and revered elements. Here, the production and music can be experienced in all its full-tilt glory, from the subtle albeit elegant classical touches to the instantly identifiable Les Paul guitar licks to Bolan's sensual, wispy, are-they-or-aren't-they-serious vocals.

As Sean Egan wrote in the liner notes of a long-out-of-print reissue: "The sound is recognizably rock, yet a previously unheard exotic variant, almost as if concocted by inhabitants of one of the Tolkien-esque worlds common in Bolan's lyrics. The strings are overt but discreet in shape and tone, injecting just the right amount of class." All these aspects and more come to life with a realism, vibrancy, detail, and textural palpability that surpass the presentation on any prior analog edition. If you can hear colors, this audiophile version of Electric Warrior will stimulate your inner synesthesia.

At the time of the album's creation, such cosmic-related phenomenon were well within Bolan's orbit. But the differences between Electric Warrior and the singer/guitarist's earlier works are as vast as those that divide high art and low-brow culture. Chief among them: Bolan's decision to channel his acoustic hippie-inspired visions into hyper-sexualized, metaphor-rich statements that benefit from amplified foundations. And still, part of the songs' charm relates to how they tread a fine line between rock and pop.

Save for the lashing out of "Rip Off," Electric Warrior retains a mellow core underlined by a gauzy tint, gossamer temperament, and crushed-velvet feel. The perception that he record contains blustery heaviness is furthered – and initiated – by the now-iconic album cover, which depicts a giant-sized Bolan standing in front of an equally giant amplifier stack, striking a rock-star pose and giving the impression everything within is designed to go to the proverbial 11 on the volume knob. Akin to a majority of the songs themselves, the visual functions as clever illusion, absurd humor, ostentatious simplicity, and playful pretense.

Bursting with excessive fun and unchecked libido, T. Rex's catchy boogies, shuffles, and vamps scoot by on a seemingly impossible blend of concise hooks, non-sequitur fantasies, and theatrical swagger. From the chart-topping "Bang a Gong (Get It On)" to the beautiful "Life's a Gas," the R&B-stoked hit "Jeepster" to the pout of "Motivator" and galactic soul of "Planet Queen," Bolan, percussionist Mickey Finn, and boards manipulator Visconti craft a rewardingly strange, parallel universe of sound, style, and sex that still has no equal.

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Syd Barrett

Madcap Laughs

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Parlophone)

Syd Barrett

Barrett

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | DE | Reissue (Bureau B)

Sven Grünberg

Hingus

27,99 €*

Best Of Survivor - Greatest Hits Colored Vinyl Edition

Release: 1981 / DE – Reissue

Genre: Rock & Indie

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Reissued on vinyl, this is a wonderful Berlin School influenced electronic album (originally from '81) with progressive and psychedelic undertones from an Estonian musician. The 23-minute title track invites us into a fascinating, futuristic world of sound, laced with Far Eastern tonality, embellished with a church organ, extremely rare synthesizers and extraordinary percussion effects. And the other two tracks are no less superb.

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Survivor

2LP | 1989 | US | Reissue (Friday Music)

65,99 €*

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Daddy's Dream / Since You've Been Gone Colored Record Store Day 2021 Edition

Stratos Demetrio

7" | 1972 | EU | Reissue (Numero Uno)

11,89 €* 13,99 € -15%

LP | 1979 | EU | Reissue (Universal)

Release: 1972 / EU – Reissue

Genre: Rock & Indie, Pop

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Record Store Day Italia 2021 Drop 2 release.

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Stradaperta

Maida Vale

34,84 €* 40,99 € -15%

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Storyteller Black Vinyl Edition

Storyteller

LP | 1970 | EU | Reissue (Svart)

Emerges Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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A Svart Mondo release. Black vinyl, gatefold jacket.

First released by Britain’s then foremost folk label, Transatlantic Records in 1970, Storyteller’s first album is a forgotten gem of Psychedelic Folk Prog Rock. Warm and silky production courtesy of Andrew Bown and Peter Frampton, fabulous dual vocals and a wistful arrangement of top-drawer UK Folk Prog, make Storyteller a diamond worth digging into.

Around 1969, after being a part of the band The Other Two on Decca Records, working with people like Chuck Berry, Duane Eddy and Jerry Lee Lewis, and touring with Chuck Berry and The Animals, Caroline Attard joined a new band that was being formed; Storyteller. A quintet who followed their own inclination, ignoring current fashions and just doing what seemed to come naturally, Storyteller is a crate-digger’s delight. Up there with Fairport Convention, Jefferson Airplane and Steeleye Span, Storyteller were steeped in folklore tales such as on ‘Ballad Of The Three Laps’, bringing the true spirit of folk alive in their own unique way. With songs written primarily by Roger Moon, and Terry Durham as muse of inspiration with his paintings and wonderful Yorkshire stories, Storyteller’s debut has the authentic and honest vibe of the real McCoy.

No longer confined to being coveted by collectors and those in the know, this lush remastered reissue via Svart Records comes on gatefold vinyl with updated liner notes and interview. If you treasure Folk, Prog and Psychedelic Rock, make sure this is a tale you don’t miss out on!

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Stone Harbour

LP | 1974 | EU | Reissue (Out-Sider Music)

LP | 1971 | US | Reissue (Capitol)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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The absolute king of lo-fi basement psychedelia, originally released as a private pressing in 1974 by this duo from Ohio. From dreamy melancholic tracks to insane fuzzed-out heavy psych ones.

“Two multi-instrumentalists creating a melancholic dreamlike state with songs fading in and out of the speakers, cavemen drums, primitive electronics and murky fuzz lurking in the background. The best tracks go into places no other albums reach” Patrick Lundborg (Acid Archives). " ‘Emerges’ as in slowly from the primordial sludge of the universe. 'Emerges' like a slow, slouching spectre hauling itself out of the swamps. But then what's a boy to do?

It's 1974, you're young and have a head full of Hawkwind and Roky and the Elevators, old brutalist blues in the Hound Dog Taylor / Fred McDowell backwoods whisky-fucked mode, freakfolk and LSD; you're stuck in Hicksville, USA - that's Youngstown, Ohio to you lot; the music scene sucks; glam's dead or dying slowly; punk a good year of so from even starting to get itself born. Town's too damn small to even muster up a band in. It's just and your buddy and that's it, man.

So you grows your hair and wear satin, wander wide-eyed and tripping across small town railway tracks and hang loose at the weekend in your basement. You gather a bunch if cheapo instruments on the never-never and you start cutting low-fi bedroom demos. Slowly, slowly Stone Harbour emerge.

Stone Harbour were Ric Ballas - electric, acoustic and slide guitars; organ; piano; synthesizers; bass guitar percussion and voice - and Dave McCarty - lead vocals, drums and percussion... and out of nowhere and nothing, at entirely the wrong time, they cut an LP that will blow your head clean off. This is a trip into the true dark heart of psychedelia.

The music? What can I tell you? ‘You'll be a star’ shimmers and aches in the midnight; cymbals wash over you, Dave McCarty's vocals emerge from some subterranean cave and the keyboards flicker, flicker, flash across the periphery of the song; ‘Rock & Roll Puzzle’ is dark, twisted fried garage punk blues brutality in the same mould as 'White Faces' or 'Cold Night for Alligators', pre-empting The Gories and Pussy Galore by a good ten years!!

"Who invented rock & roll? And who invented soul? Was it you or was it me?" Indeed. Songs fade in and out; finger-picking blurs into screaming squeiching synths; guitars melt in the mid-summer heat. ‘Grains of Sand’ frazzles like The Stooges through a fucked-up amp and filtered through a transistor radio with the valves burning out.

‘Thanitos’ is the freak-out ending of ‘Julia’s Dream’ lost in suburban downtown US of A with the taillights cutting on the freeway... whilst ‘Summer Magic is Gone’ is the most haunted, haunting song I've heard in many a long strange moon. Shimmers like stars in the 2am fug and haze and bleeds lost and lonely and bruised into the heat-warped dawn. You're still awake though the brain don't work like it used to. Blurred and bleary and exhilarated and stoned the very core of the soul. Best record I've heard all year." Hugh Dellar (Shindig!)

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Steve Miller Band

Rock Love

36,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1979 | JP | Reissue (P-Vine)

Steve Eaton

32,39 €* 35,99 € -10%

LP | 1974 | EU | Reissue (Kosmische Kuriere)

Release: 1979 / JP – Reissue

Genre: Rock & Indie

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This is the second album released by singer-songwriter Steve Eaton, who had previously been part of the group Fat Chance with Bill LaBounty and gained attention for providing songs to artists such as The Carpenters and Art Garfunkel. Originally released in 1979, this LP has become rare and highly valuable, but P-vine is proud to be the first to release it on vinyl. Supported by talented musicians such as Steve Lukather and Leland Sklar, this album features excellent blue-eyed soul tunes including the lively and groovy "All In Love Say 'i'". Over 40 years after its release, it is still highly regarded by Soul / AOR freaks.

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Sternenmädchen

Gilles Zeitschiff

Pretzel Logic UHQR Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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180g, black vinyl. Comes in a standard sleeve.Re-release of the original 1974 album by Gille Lettmann aka Sternenmädchen / Star Maiden.Live in the Quadro Studio: Gille and Klaus Schulze. Music inserts from the LPs "Seven Up" (Ash Ra Temple & Timothy Leary), "Lord Krishna von Goloka" (Sergius Golowin), "Tarot" (Walter Wegmüller).Statements by Sergius Golowin, Timothy Leary, Brian Barritt, Walter Wegmüller, Liz Elliot, Rolf-Ulrich Kaiser.Recorded at the Zeitschiff Studio Dierks. Carefully transferred and remastered from the original analogue master tapes by HaGü Schmitz at Dierks Studios in Pulheim-Stommeln in 2022.

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Steely Dan

2LP | 1974 | US | Reissue (Acoustic Sounds)

255,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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2LP | 1980 | US | Reissue (Analogue Productions)

Steely Dan

Gaucho Uhqr Edition

255,99 €*

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Stadio White Vinyl Edition

Stadio

LP | 1982 | EU | Reissue (RCA)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Dialogo)

Spirale

Woofer In Tweeter's Clothing Gold Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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First Official LP Reissue Ever!

**Sourced from the original master tapes and housed in a deluxe gatefold cover. Edition of 500 copies**

The Milan based imprint, Dialogo, returns with the first ever vinyl reissue of Spirale’s lone 1974 self-titled LP. Resting at a fascinating juncture between progressive and free jazz, it was years ahead of its time when it first appeared, rendering it to the shadows for decades, before its ultimate ascent to becoming one of the great holy grails of Italian Jazz prog.

This is a release known mostly by Italian progressive rock lovers, since its sound can be easily associated to the jazz-rock delivered by the way more popular Napoli Centrale and Perigeo - but also to the ‘fundamentals’ Dedalus, Arti & Mestieri, Uno, if not Maad, Nadma or Aktuala, or even the lesser known Bauhaus for instance. But playing this kind of music and trying to release an album in the first half of the ’70s in Italy was also incredibly hard and courageous: Spirale, in fact, was one of the many bands that lived a very short life, before splitting up and disappear forever.

Spirale were an Italian quintet from Rome, consisting of Gaetano Delfini (wind instruments, vocals, percussion), Giancarlo Maurino (saxophone, flute, percussion), Corrado Nofri (piano, marimba, mbira, siren, Jew’s harp), Giuseppe Caporello (contrabass, guitar, percussion) and Giampaolo Ascolese (drums) who released a single eponymous album in 1974.

Spirale was originally released on the International King record label, thanks to Mario Schiano, a free-jazz saxophonist who discovered the band, and producer Toni Cosenza, who included the album in the ‘King Jazz-Line’ series. Consisting of just four tracks, most of which taken by the 13-minute long “Cabral, Anno 1” and the marvellous 17-minute “Peperoncino (Cose vecchie, cose nuove)”, Spirale is an incredibly balanced and flowing record that sounds still fresh and inspired even today, and it’s a shame that it has remained hidden and overlooked for such a long time. Moreover, it is characterized by that undescribable and particular Mediterranean flavour that only Italian musicians were able to obtain. This beautiful album is of course immensely rare in its original edition, and is now finally reissued on Dialogo record label in a faithful restored version that will satisfy any collectors who have waited for years for this beauty to see the light again!

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Sparks

LP | 1973 | US | Reissue (Friday Music)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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LP | 1970 | CA | Reissue (Return To Analog)

Souls Of Inspyration

31,99 €*

Release: 1970 / CA – Reissue

Genre: Rock & Indie

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Fickle Heart Black Vinyl Edition

Sniff'n'the Tears

LP | 1978 | UK | Reissue (Chiswick)

LP | 1971 | CA | Reissue (Return To Analog)

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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The “Fickle Heart” LP was a real team effort. Initially, demos were brought to Chiswick Records by drummer/producer Lou Salvoni. Though more associated with the bar band and punk end of music, Chiswick was much more musically diverse. There is a drive in the lead track ‘Driver’s Seat’ which was the signature sound of what was a tougher record than much of the similar music around it. Engineer Barry Farmer was brought in from Pathway Studios, where he had been at the controls for some earlier Chiswick releases as well as those on Stiff. This was older school than the new upstarts and the band was made up of some of the top musicians around London at the time. Much of it was recorded at Regents Park Studio, where Steve Lipson joined the production team.

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Smyle

Glorieta De Los Lotos Half-Black Half-Orange Vinyl Edition

Release: 1971 / CA – Reissue

Genre: Rock & Indie

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First reissue since 1971 of obscure Canadian melodic rock.Song Glory Glory scored a top-40 Canadian hit.Contains a fabulous cover of Joni Mitchell's Woodstock. Limited to 500 copies

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Smash

LP | 1970 | EU | Reissue (Philips)

LP | 1979 | EU (Trading Places)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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One of the biggest names of the Spanish 70's underground, Smash came from Seville and featured the well-known guitarist Gualberto who also found fame with later solo albums. Of the two longplays released by Smash, "La glorieta de los lotos" is the first of them. It was originally released in 1970 and mixes psychedelia with Andalusian roots. A very rare album, now available again on special vinyl half-black half-orange.

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Sky

18,89 €* 20,99 € -10%

Release: 1979 / EU

Genre: Rock & Indie

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Sky's 1979 self-titled album blends technical prowess with catchy melodies, creating an eclectic prog experience. This album showcases virtuoso musicianship and flamboyant arrangements, rivaling classic prog epics, Sky's debut is a hidden treasure waiting to be discovered.

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Skid Row Colored Vinyl Edition

43,99 €*

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Skid Row Colored Vinyl Edition

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Skid Row Audiophile Red Vinyl Edition

44,99 €*

Release: 1989 / US – Reissue

Genre: Rock & Indie

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43,99 €*

Release: 1989 / US – Reissue

Genre: Rock & Indie

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The Concert In Central Park Live

Simon & Garfunkel

2LP | 1982 | EU | Reissue (Sony)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Wah Wah)

Siloah

Sukram Gurk

20,99 €*

LP | 1970 | EU | Reissue (Wah Wah)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Coming out of the boiling Munich scene of the sixties that also gave us the original Amon Düül (Thom Argauer had played in a dixieland band with Chris Karrer in the late 60s, actually), Siloah are one of the best kept secrets of the krautrock production. In 1972 Siloah had suffered a certain number of changes. Thom Argauer was still leading the project, but since his coleagues had left the farm in which they were all leaving he had to start again with new members Markus Krug and Florian Laber. He also looked for a more electric approach, himself moving from acoustic guitar to electric organ.

'Sukram Gurk' was the title chosen for their second LP. It was the name of Markus Krug spelled backwards. Markus' name was chosen because it was the one that sounded better phonetically to the ears of the trio. The sound of the album takes it all one step further, turning into an electric storm, yet retaining the free psychedelic improvisation feel of its predecessor.

The Wah Wah reissue is made in cooperation with Thom Argauer family, it has been cut from the original master tapes, has one bonus track not on the original LP added, features an insert with photos and liner notes and comes in a strictly limited edition of 500 copies only.

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Siloah

20,99 €*

Showmen 2 (Napoli Centrale) White Transparent Record Store Day 2021 Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Coming out of the boiling Munich scene of the sixties that also gave us the original Amon Düül (Thom Argauer had played in a dixieland band with Chris Karrer in the late 60s, actually), Siloah are one of the best kept secrets of the krautrock production. Siloah had a hard core including Thom Argauer, Manuela von Perfall, Heinrich 'Tiny' Stricker and Wolfgang Görner, plus a host of guests coming and going, everybody was free to join and play at any time, guest members often joining from the Baumstassen commune around which the band was living before they eventually moved to an abandoned farm on the outskirts of town.

Their first LP is a trippy acid psychmasterpiece recorded in 1970 and privately issued on German Blues and Undergrund. It showed a strong influence from US West Coast psychedelic music and has a lovely acoustic approach. It's sound is free, full of improvisation and with a charming amateurish feel all through it. It will appeal to lovers of free spirits like Amon Düül themselves, Kalacakra or even Música Dispersa.

The Wah Wah reissue is made in cooperation with Thom Argauer family, it has been cut from the original master tapes, has original artwork (improved by printing it over a mirror finish silver cardboard), has two bonus track not on the original LP added, features an insert with photos and liner notes and comes in a strictly limited edition of 500 copies only.

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Showmen 2

LP | 1972 | EU | Reissue (Udp Disco Piu)

32,99 €*

I Am Missing You Record Store Day 2022 Blue Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2021

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Shankar Family & Friends

12" | 1974 | US | Reissue (Darkhorse)

20,99 €*

7" | 1974 | US | Reissue (Just Add Water)

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Blue Vinyl Pressing for RSD 2022.

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Shakane

Gang Man / Gang Bang

17,99 €*

LP | 1971 | CA | Reissue (Return To Analog)

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Heavy 1974 Junkshop Glam cruncher “Gang Man” available again for the first time in nearly 50 years. B-side is the unreleased original version entitled “Gang Bang” with the tawdry lyrics that could not be released in any way, shape or form back in the 70s. Produced by Miki Dallon who also worked with The Boys Blue, The Sorrows and early Billy Murcia-era New York Dolls. Edition of 300 copies on black vinyl.

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Sex

Sex Yellow Vinyl Edition

Release: 1971 / CA – Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Bureau B)

Serge Blenner

Magazin Frivole

27,99 €*

Fragments Of Light Blue Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Bureau B present a reissue of Serge Blenner's Magazin Frivole, originally released in 1981. Cold, concise analog synthesizer instrumentals -- on his second album Serge Blenner remained true to his style, albeit shifting course slightly towards pop territory. The juxtaposition of dark harmonies and pop structures is what makes this album so appealing. In places, it feels like a blueprint for early Depeche Mode. Having seen his first album La Vogue (BB 324CD/LP) snapped up by the Sky Records and fast-tracked for release in 1980, Blenner delivered his second LP, Magazin Frivole, the following year. Mindful of the success of its predecessor, Blenner added the name of his debut in big letters to the front cover of the new sleeve. Blenner remained faithful to his musical style, albeit adding more of a pop flavor. Magazin Frivole would not look out of place filed alongside Depeche Mode on the record shelf, as a certain resemblance is undeniable. Moreover, Blenner was one of the few proponents of electronic music who preferred to keep his songs concise, in contrast to the meandering odysseys of many of his electronic contemporaries. The far better-known French artist Jean-Michel Jarre adhered to similar principles, yet although Blenner was often compared to his compatriot, he claims only to have heard his music long after La Vogue had appeared. Minor chords dominate his harmonies, the bass performs octave leaps which mirror the zeitgeist. Unexpected key changes abound, adding a restless, almost disquieting quality. Overall, Magazin Frivole is less dark than the preceding album, but a picture of cheerfulness it is not. Nevertheless, a poppy drum computer introduces a lighter note. From the very first track, chord changes pop up at unexpected junctures -- they seem to come in prematurely, before harmonic sequences have run their course. Blenner doesn't have any explanation for this curiosity, other than to note that "most of the music was played by hand, so of course it wasn't all perfect." "I did all I could to avoid being successful -- on a subconscious level, at least. Unpredictable metrics and irregular beats were definitely part of the process," Blenner admits with an enigmatic smile. Juxtaposed with Blenner's more recent works, one can see what he means. His latest album Musique de Chambre (2008) comprises modern classical chamber music, built on digitally sampled real instruments. Besides, Blenner points out, handling all of those analog devices was a convoluted and complex undertaking.

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Sensations' Fix

LP | 1974 | US | Reissue (Vinyl Magic)

LP | 1974 | EU | Reissue (Universal)

Release: 1974 / US – Reissue

Genre: Rock & Indie

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180g Blue LP /// Listening today to the music produced by Sensations’ Fix, a project founded and directed by Franco Falsini in ‘70s, can’t just leave anyone indifferent. Already in the mid-‘60s, Falsini was full-time involved in musical activities: a tireless traveler and experimenter, an artist with uncommon curiosity and intuition, after having lived for some time in the United States and England, he finally established again in Italy where he gave shape to Sensations’ Fix and signed a contract with Polydor for the release of six records in five years. Often associated with the sound of Tangerine Dream and the so-called German ‘cosmic couriers’, Sensations’ Fix were much more than mere clones of something already existing.

“Sensations’ Fix” is – together with “Portable Madness” and “Fragments of Light” – one of the three titles published in 1974, a collection of short psychedelic compositions, in which glimpses of ‘cosmic’ music can already be noticed; those elements would soon become a trademark in the group’s repertoire. The twelve compositions present here were part of demos that Falsini had sold to the record company, which decided to publish them in the form of a not-for-sale LP, which had “music especially recorded for radio and television” written on the back cover: in practice, sketches of musical ideas had been ‘transformed’ into ‘library music’ and collected in an extremely rare vinyl that sells today for hundreds of euros.

Sensations’ Fix albums are generally difficult to find; almost none of them has been reprinted in over forty years, but thanks to this series of reissues on the VM label it is now possible to rediscover them all.

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Sensations' Fix

Fragments Of Light

40,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Finest Finger Clear Green Vinyl Edition

Sensations' Fix

LP | 1974 | US | Reissue (Vinyl Magic)

Dedicato A Frazz Clear Green Vinyl Edition

Release: 1974 / US – Reissue

Genre: Rock & Indie

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First time on vinyl /// 180g Green LP /// Listening today to the music produced by Sensations’ Fix, a project founded and directed by Franco Falsini in ‘70s, can’t just leave anyone indifferent. Already in the mid-‘60s, Falsini was full-time involved in musical activities: a tireless traveler and experimenter, an artist with uncommon curiosity and intuition, after having lived for some time in the United States and England, he finally established again in Italy where he gave shape to Sensations’ Fix and signed a contract with Polydor for the release of six records in five years. Often associated with the sound of Tangerine Dream and the so-called German ‘cosmic couriers’, Sensations’ Fix were much more than mere clones of something already existing.

“Finest Finger” is Sensations’ Fix’s fourth album, originally released in 1976 and never officially reissued on vinyl until today. The making of this record coincided with the line-up addition of a second keyboard player and, even if Franco Falsini remains the only author of all its songs, the album sounds much more homogeneous, fluent, inspired, better produced than the band’s previous ones and is clearly the result of a proper teamwork. For the first time, Falsini also took care of the singing parts in four of the eight tracks, with very good results. This is probably the first album in which, thanks to the experience and means acquired, the sound of Sensations’ Fix takes on more precise and personal shapes.

Sensations’ Fix albums are generally difficult to find; almost none of them has been reprinted in over forty years, but thanks to this series of reissues on the VM label it is now possible to rediscover them all.

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Semiramis

LP | 1973 | EU | Reissue (BTF)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Sommor)

Second Sign

21,99 €*