Chicago & Acid House 101 Items

Super Rhythm Trax is excited to welcome 303 enthusiast and incredible conceptual artist (check out his website) Yuri Suzuki to the label. Yuri serves up 4 acidic tracks that are perfect fit for the label, all of them giving you that little bit extra, burrowing deep into the groove whilst giving plenty of extra elements to push the listener that bit further ‘out there’.

Yuri has collaborated many times with DMX Krew and appeared on labels as diverse as Matthew Herbert’s Accidental Jnr, Jared Wilson’s 7777 and Chicago’s mighty Trax records.

After his sought-after debut 12” on I Love Acid last year, which sold out in less than an hour, notorious Brooklyn DJ & producer Wtchcrft returns with a full EP on Posthuman’s Balkan Vinyl imprint. Four tracks of hyper-energetic acid & jack, direct gear for the dancefloor and already heavily club tested. Title track “Drugs Here” sets the pace for the whole EP, with “No Time To Lose” bringing Wtchcrft’s signature vocal edit style. B side banger “Uhmm” recently featured on TSHA’s Fabric mix compilation. Hand numbered edition of 666 copies, randomly assigned to either red or blue marbled heavyweight 180g wax.

‘Code of Conduct EP’ the second instalment from Obia Records takes the labels sound through a darker path. Sinful acid spirits are summoned to drive out the past period of solitary confinement in which we all linger. ‘Discharge’ the records main cut is built by a solid acid line and crispy clear drums that highlight the slow tempo. ‘Code of Conduct’ continues on a similar pattern but with adverse drum programming that shapes the feeling of inner conflict. ‘Ethic of Reciprocity’ completes the cycle of healing with a more rhythmic and uplifting vibe and warm pad. All tracks were made with an original Roland Tb-303.

Limited edition clear vinyl in hardplastic cover with visual illusion effect.

With the eight release (zc-elec008) of our Electro Acid Series Zodiak Commune Record delivers four talented electro-acid producers who are taking you on a diversity of adventurous musical journeys. Grab your copy!

Dream Ticket celebrates 10 releases on this planet with a VA matching old label favourites with fresh new blood. Multidisciplinary artist Koolmorf Widesen kicks things off with a madcap acid squirmer that will terrorize your sense of direction as much as it moves your body, before DT stalwart Binary Digit hits us with his latest signature braindance pounder. On the flip, Ryan James Ford, another DT alumni, brings us a techno banger that marries the best of Detroit and Berlin, then newcomer ZDR closes things out with stuttering, dreamy piece of jungly dnb magic. Here’s to the next 10!

The fourth collection of cuts from Various Artists of The Black Lodge multiverse. The first sound offering on side A comes The Poetic Painter M, an avatar of Chicago pioneer and visionary Traxx, aka Melvin Oliphant III, head of Nation Records and sub-labels Kode & Dirty Blends. A2 comes from Chilean born sonic explorer Pablo R. Ruiz, who resides in the sacred lands of Detroit and has a number of releases on Portage Garage Sounds. The flip side begins with an acidic banger from Midwest producer/engineer Grey People who has numerous releases on great labels such as Frigio Records, Valcond Video, Public System Recordings, and others. B2 is an experimental mind-bender from Bay City, Michigan artist Fashion Flesh aka John Talaga, a true gear head who makes his own electronic equipment, oscillators, generators, sound toys, and modulators and has released on cult labels such as Unknown Precept and Fit Sound (Est. 83'Records), among others. The EP ends with a beautiful piece defying genres from Fauna53, a collective of electronic artists from Italy, headed by Asymmetrical who runs Raw Culture Records).

Eight years after Cuthead's "Give'n'Take", it's Sneaker's turn to put together four of his favorite tracks for Uncanny Valley's compilation series. The artwork is once again by Planetluke.com aka Luca Lozano. "This record is a vista of my world where music inhabits the air between people. As an exchange of genius, emotions, gestures - even conventions, rituals, and love. Dedicated to L.B. BaD, whose music I inhaled and whose records inspired me on my quest for deepness. You will be missed!" (Sneaker) Besides L.B. BaD's wonderful "Late In The Evening (Music's Seeping Thru)" you'll get three absolute bangers on top. The Optimistic Misanthropes are Mystic Bill, VeXaTioN and Sneaker himself. One of the most influential Chicago House DJs, true to the underground for over three decades now, and once part of the Trax Records roster... Mystic Bill. VeXaTioN already got to know him back in the days but is currently hailing from Mexico City. His track was born in Los Angeles and remixed by Sneaker in Berlin. Also, Left Unknown's "Maedchen" got the jacking Midas touch from Sneaker, a touch you've come to recognize. Behind the one-off project is Saxonian Gnista aka DJ Detox and somebody who wants to remain incognito. Jacob Korn however is well-known since the early days of Uncanny Valley and is above all Sneaker's best buddy at TailOut Studio, Dresden.

Grenoble based label Sekhem returns with a brand new VA gathering french talents. This time, Charlou, Saonore, Clementuu and SSD (Sea Side Department) are in charge of this 3rd release filled with oldschool techno, acid and trance accents.

Next up in the line of fire is Wod021, the second in our Machine Funk series. Six tracks of the highest calibre from some of the best producers in the dance music world.

First up is the legend that is Andreas Gehm. Never far from our thoughts and still so sadly missed, we are sure that Andreas would be happy that his music is helping to keep that party well and truly alive. A2 sees WOD favourites Auto Sound City with a stripped back 5 min jack, something you can close your eyes to and get totally lost in. A3 is Iron Blu, a man that needs no introduction and quite frankly has been there and done that and wore a few pairs of shoes out walking around that there block.

B1 brings in Chicago’s Steve Summers. Steve is on fire with his last album on U.S L.I.E.S and a back cat that absolutely busts up any dancefloor you are on when his music is playing. B2 is Dez Williams with a track that started as a jam and part of a mix that he did for the Unity WOD show, an absolute slammer of a track. Last but by no means least it’s Body Hammers own Scott Fraser, Label stable mates back when we were both part of the great AW’s Emissions Audio Output going back some 30 years. Scott delivers something that you’re going to need a bit of staying power with, absolute Monster!

Sealed copy!

Stunning bit of research by Andrea Dallera (Dualismo Sound) and Gabriele Casiraghi who've been meticulously digging Italian bins. After endless sifting through this crucial time in Italian dance floor music, we are presented with their final distillation of this transitory period between 80's afro cosmic and Italo's peak into early 90's rave and Italo house era. In their words: “The whole concept was born as we started to find records that were into a kind of hybrid zone that was clearly pre-announcing some of the huge musical changes brought by the 90’s. The sound at play can be understood as looking closely to Belgian New Beat, Uk's Acid House and German early Techno but still connected with some dynamics of the ‘80s sounds: lashing snares and catchy melodic phrases joined by filthy acid bass lines, highly compressed kicks and 'World music' samples are just some of the most recurring elements.” Hands down mandatory for any dance floor oriented record collection.

Writing on label sticker.

It's coming home, it's coming home - house music is coming home! A second instalment of the Groove Access: series Chicago Is Home offers us five fresh tracks from the windy city landing in a glorious cavalcade of razor edged snares and hypnotic jack house. Ed Nine & Kid Enigma's 'Bandleaders' opens side one in spectacular fashion with spoken mantras lying deep in the mix, distinctive phasing arpeggios, poking keyboard riffs and ringing cymbals. JSquare's 'Get Wicked' kicks with even more power, tribal rhythms bouncing of bleepy melodies, before 'Move' by Geto Mark rounds off the side with the strutting, beautifully brutal 'Move', a proper 3AM peak time pleaser. Steve Noah's 'The Hater' opens side two, a wily acid line worming its way across a raw, stripped down backing before exploding into serious gnarliness when you least expect it. AFTR's 'Undercover' rounds things off with another knuckle duster of a tune, leaving no doubt that Chicago is still the place to be when it comes to house.

Four trax of filthy warehouse techno featuring two fast and furious bombs from Spanish underground whizz-kid Seon - "Fuck The Church" already garnering a cult following with it's cheeky sample. Co-Ax and Pest control go dark and dirty with the clanging "Saturated", whilst Technika funks it up on "It's Alive!".

Apron Records has been instrumental in shaping the current landscape of contemporary electronic music coming out of the U.K. since 2014. After almost a decade of pushing their unique vision has made the Apron Records imprint one of the most in-demand labels in most independent record stores. Now more than 45 releases deep in their journey, Apron Records have teamed up with Patta Soundsystem to work on their first various artists release and to celebrate this monumental milestone, both camps have collaborated to create a clothing capsule to accompany this release. After working with the artist formerly known as Funkineven on ‘The Wave’ late last year, it was only right to showcase the diverse talents behind this movement.

Sharing a drawing board with Patta for the first time with Apron Records, together they have created a Trucker Cap and a Graphic T-Shirt that echo the racing theme of the whole project. Better Together is the slogan that runs throughout the entire collaboration, stressing how unity makes us stronger as individuals. Artwork for the record has been provided by Amsterdam based artist Jim Klok. His unique Acetone printing technique has now been immortalised on this LP, juxtaposing vintage cars with checkered racing flags to create a dynamic cover that would be right at home in a picture frame as well as a record bin.

System Olympia’s ‘Passi Mai’ is a beautiful 80’s inspired driving riddim layered with her own vocals that wouldn’t be out of place in an arcade or a sticky nightclub floor. Followed up by ‘Leven’ by Brassfoot, we get a wobbler from the NTS regular. Layed with Jamaican vocal samples and audacious arpeggiated bleeps, Leven is a soulful approach to techno tropes that have been bouncing around Brassfoot’s head. Shamos’ 737363 is a cryptic masterpiece. With dreamy pads as a backdrop for shuffling drum beats, euphoric sweeps and dynamically designed synthesis, this closes off the themes explored in the first half of the record.

Side B kicks off with J M S Khosah’s contribution to the record titled ‘Lessons’ which is a dancefloor filler, adorned with glamorous percussion, vocal samples and syncopated stabs ontop of a driving 4x4 kick pattern. Kicking things into 6th gear is a club-ready production from London's most soulful selector Shy One. Groovy basslines and a 2-step riddim make ‘Candy Floss’ an ode to the grimey and the glittery sides of London nightlife. This project champions one of the people that have been pivotal in the success of the label, Steven Julien whose track E46 is an emotional journey through his synth-laden East London studio. Bookending the project are two compositions from Compton’s-own AshTreJinkins. Showcasing his abilities to approach the project from both an ambient and a pure beat-making perspective in order to hold the whole project together.

Hrdflr, Mutex, Acidulant, Mark Archer and Elisa Bee are the ones featured on the first Lazer release. Rolling 303 basslines, electro beats and infused breakbeat grooves all come together in this excellent debut.

Still sealed with hype sticker. tiny wear. Yellow vinyl.

Cocktail d'Amore Music returns from a short hiatus with a new release from Russian producer TMO. The three tracks are tied together by a propensity for heavy rhythm construction and distorted acid lines, executed to great effect. Opening with "Last Moment Jam" , a searing main room projectile, TMO presents what is heavily inspired by early Chicago acid track. For those looking for something on the trippier end, "Drums Jam" provides a low bpm hallucination full of delays. Closing is, "Buchla 909 Jam", a 10 minute slow burn exercise in analog fundamentals for late night fantasies.

Tibor Kocsis doesn't take a minute to introduce himself on his first EP for 030303 records; he presents himself with a slap in your face from the very first second. Title track Delta Ophiuchi is heavy duty dancefloor material... reminiscing of the very best of K Alexi Shelby's early works, just a little more focused and to the point maybe - an instant rush and an instant classic! Second track Nekorb is a little sweeter and more for the after hours. The remaining 3 tracks keep that same flow; a wonderful blend of Chicago, psychedelic British acid house and electronic minimal wave.

Multi Culti conjure Calypso Cult once again with this split ep from Iñigo Vontier & Thomass Jackson. Fresh off back-to-back seasons of Tuluminati rituals, these two well-worn chug warriors of dark disco have kept Mexico dancing throughout the pandemic, maintaining a prolific release schedule on top of a world-leadingly busy calendar of gigs. Thomass Jackson turns in a pair of wonky eyes-closed bangers with the modular-flecked ‘Big Plastic Room,’ and the restrained ecstatic power of ‘Slow Train.’ Iñigo fires back with the twerky, tribal madness of ‘Jungle Tungle’ and the meandering mushroom-inspired-madness of ‘Hipocampos.’

4 belly melting acid stompers!

Kenji Endo and Kohnosuke Sakazaki (the Alfee) studio recordings from 2004 have been unearthed! Cover illustration by Hisashi Eguchi! This is a finished take from a tape of two songs from Kenji Endo's hit album "Manzoku Dekirukana" (1971), rehearsed by the two of them. Kenji Endo has released a large amount of unreleased material, but we had no idea that such beautiful material was still lying dormant! He expresses himself with his whole body and soul anytime and anywhere. And you will be moved to tears by Sakazaki's loving guitar and chorus.

Sours' analog gear takes control on this dancefloor-oriented release! An indispensable collection of stripped and highly effective acid techno tracks, bundled into one massive double LP release!

Limited printed sleeve edition with two coloured 12" and SOUR's stickerset inside.

Hailing from Berlin, but spiritually from Chi-town, Snuff Crew are back in your area with some freshly served up basement goodies once again. Following on from Basement Jams #1, from all the way back in 2011, the boys bring us tracks with the same playful nature as before but, dare I say it, they go even harder this time. Stalwart fans of the first release can stop reading now because it will almost certainly be a blind-buy for you; four tracks obviously engineered for use in the club, whether its the massive kick in ‘What It Is’ or the ravey acid lead in ‘88cents’. The jams on the B-side may do the most damage. ‘Remember’ holds absolutely nothing back, with its arpeggiated bassline lead and crisper than crisp 909 drum programming. Analog is a term that gets bandied about all the time nowadays, ever since so many young producers became enamoured with tape compression and hiss delay plug-ins. I know Snuff Crew are real analog guys though, in sound and mentality, so hearing Basement Jams #2 for the first time had me so excited once again.

Following up on releases via Apron Records with K15 and with Fred P on his own Modern Dialect label, the Hyperdub, Brownswood and Sofrito affiliate Smbd (aka Simbad) strikes up this surprise collaboration with Capracara (dfa, Cómeme, Unknown To The Unknown). ‘Club Ozone’ leads with ‘Roubaix Cube’ and ‘Prowler Report’ — these two, percolating rhythm tracks mix elements of dub, industrial, primitive machine music into two turbulent, house-not-house music rollers. Heading downtown, the mood switches into the woozy, extended NYC-style, dream-house trip of ‘The Ozone’.

Futuristic, spaced-out Acid Techno by two original Teknobuskers!

Next up on Just Jack recordings, Simoncino takes you on one hell of a journey, through two straight up dance floor destroyers... the lead tracks 'Come With Me Bebe' and 'Acid Life' which thump and twist along, with sparse synths and heavy baselines causing pure ecstasy as they pump their way into your blood stream! And then exploring more experimental territory with three shorter jams (Afrikan I, II & Iii) which take you through tribal rhythms, chants, screams and a hell of a lot of other weird and wordly shit, before he puts you to bed with the beautiful 'Ambient Deep'. You will need it after listening to this EP. Get ready to sweat!

White label copy with artwork glued on sleeve.

This new project is directed by Miho in collaboration with Robert Drewek, the owner of respected label RAWAX. It is a special edition ”RAWAX - AIRA EP vinyl series". We're happy to present you on the second release Mr. Ron Trent!

Concept and mission will always be, to connect and invite great musicians who produce and create "essence of the real music”, not following the trend but let the music speak itself with groove, melody, vibe, energy and soul....

Roland has made evolution in dance music all over the world in 80's, Music needed those machines, and machines needed those creators of music. AIRA are not rehashing of the legendary original TR or TB, But respecting those great machines from the past, AIRA continues to evolve toward into the future simultaneously, newly developed, new generations tools to keep the music alive and to bring more possibilities for the future.We seeks out this exciting movement of dance music history, as the music lover who has actual experience the flow of this evolution, and connections between musicians and machines to make their musical pieces on this project to inspire listeners and to challenge the genres they represent by each series.

Rolando Simmons - a revered name in certain acidic circles - joins Utter for the 'Human Remains' EP, a wildly inventive 8-track adventure that deftly dabbles in rave, IDM, Techno and beyond in classic RS style. The project is the creative brainchild of Mattias Östling, who has been on a prolific production streak since the late 2000s, firstly under the name Trackermatte before settling into work under his current moniker.

This particular release is a missing puzzle-piece of sorts, compiled and sequenced by Utter's Alex Egan from a self-released digital collection titled 'Human Touch' which initially surfaced on Bandcamp during the producer's golden 2016 'Walk On Strawberries' and 'World Building' era.

'Human Touch' was a curious selection of unmastered oddities - the first Östling made using audio signal processing environment Cecilia5 - which remained largely overlooked due to its digital limbo. The tracklist itself shifted, with bonus tracks appearing then disappearing. While the excellent Dutch label 030303 cherry-picked the original version of the title track for a 2019 2xLP of the same name, the rest of the material remained frustratingly unavailable on vinyl and elsewhere, including the elusive bonus track which prompted Egan to reach out to Östling in the first place, the stunning 'sq1_mc4_iloveu03a_149unedit'.

That track is firmly at the core of this new EP, under its new title 'Nueva Traditional', as well as the alternative CV Beszállás edit of 'Human Touch'. They are surrounded by every other un-pilfered gem that originally appeared alongside them - however briefly - with all material freshly mastered and cut by Anne Taegert at D&M. The artwork and large fold-out poster (included with the 12") were designed by the Timpani Mystique Agency.

No stone left unturned!

The last step in the Spiral Tribe trilogy from the R-Zac output (aka a collaboration between Sebastian Vaughan and Simon Carter) featuring three tracks in the pioneering style of early Spiral Tribe from 1994, clearly establishing the inspirational groundwork for dancefloor genres and mind sets to come. Driving layers of bass, transients and dubbed out melodic loops transforming into percussive elements and vice versa throughout extended excursions in fast paced machine powered exercises. Viciously remastered for maximum effect on large sound systems.

Hot on the heels of last year’s new era e.p., Marco Repetto returns with the second installment in the planet love trilogy.

Adamha e.p. consists of three tracks, conceived at axodya during the winter of ‘91-‘92, that reveal a more obscure side of the young producer’s mind.

Miraculously, not one of these compositions has seen the light of day before; they were unearthed during a painstaking transfer of Repetto's extensive ‘88-‘04 DAT-archives.

Thirty-one years after instrumentation, return_backspace proudly presents to the world the definitive sound of the future!

This release is a journey back to the glory days of a genre which makes us happy to feel the 90 again. You can expect more action from this talented duo here. Well done, boys!!!

Paryìa label head Marie Montexier announces the third installment on her imprint.

After kicking off the label with records by a.b.u.3.0.3. and Small Crab, Marie is having the Vancouver based acidic specialist Overland, who delivers three cutting-edge dance floor tracks that showcase her rich and versatile fusion of classic acid techno patterns and distinctive bass music rhythms.

Rounding off the record is a remix from the Chicago based up-and-comers Purelink. In contrast to Overland’s dark, fast, and bassy sound, Purelink re-arranged a trippy downtempo version of ‘Paloma’, resolving in the delicate, yet deliberate, chillout ecstasy, they are best known for.

New Stay Up Forever offshoot label SUF Acid Chronicles will be dedicated to bringing all kinds of different Acid music to the table with remixes from the London Acid Techno community. First release is by Portugal's rising techno star Ninna V who provides two stomping, classic Acid tracks with thumping remixes from D.A.V.E.The Drummer and Chris Liberator & Sam DFL.

Whilst his debut release on Accessory Records (ar001) is still refreshing parts other releases cannot reach Miles Mercer is not waiting around. Back with a second EP once again full of underground rawness it’s yet another fine showing for this promising label.

Manchester based DJ and producer Marcus Paulson debuts on MOS Recordings. Kicking of with a typical Aroy Dee-approved sunrise jam on 'No Go Zone' before three slabs of jacking acid take over. Ticking all boxes from thumping Chicago house to gritty acid and emotive tear jerking strings this EP has all MOS characteristics from start to finish.

Originally pressed in 2022, as a vinyl-only release, an edition of 100 fluorescent green 12” and sold exclusively at venues in the USA as part of Luke Vibert & Posthuman’s I Love Acid tour, never made available anywhere else. This second edition repress is in randomly assigned cobalt blue, solid orange vinyl, or split red/black with multiple differently coloured labels.

On the A side - Luke Vibert is “Still In Love” with acid lines & breakbeats here as a sequel to his classic anthem. “Android Webber” strips it back to pure 303, 808, and Jx3p analogue action. On the flip, Posthuman opens with the fierce ravey electro of “Grad” before seeing on the 12” with some signature acid slo-mo chug in “Forever Circles”

Rawax proudly welcomes Luca Piermattei to the family! Luca blowed us away with his great demos. To make a decision and select only 4 tracks was simply impossible, so we took nearly all of them and decided to make series of 4 records, starting with "Serotonin EP".

In the summer before Covid, Lauren Flax and Posthuman played a b2b show at I Love Acid in London. A plan was hatched: “You remix one of my tracks, I’ll remix one of yours, and we’ll stick it out on vinyl” And here we are, two club jackers and two remixes. Hand numbered edition of 303 vinyl – clear wax but with wisps of pink and blue haze.

Picking up DJ support from Nina Kraviz, Josh Wink, Laurent Garnier, Anja Schneider, Scuba, Dusky, Luke Solomon, Martyn Bootyspoon, Vladimir Ivkovic, Nikki Nair, John Barera, Kindimmer, Mystic Bill, Harri, Ford Foster, Santaigo Salazar, Lo Shea, Ciel, Joshua James, Cici, Jackson Ryland, Kristian (Amé), Terry Farley, Dam Swindle, Paul Frick, Luke Sanger, Raw Silk, Hassan Abou Alam & loads more

L/f/d/m, aka Richard Smith, makes his debut on Osàre, exploring the more delicate side of his intoxicatingly abrasive sound. Gold Like Glass is razor-sharp and elemental, with each track cast from long passages of synth dissected into heavy edits. According to Smith, this composition process is akin to printmaking, where the ink on a series of images deviates from the original stencil, becoming looser, softer and increasingly ghostly. ‘After Whitney’ is haunted by peak time rave energy; the drums are disembowelled, leaving a rolling climatic melody, utterly euphoric and disorientating. The track is followed by ‘Blood Byze Leech,’ a thunderously jagged affair, and ‘Delicate Push’ that fizzles like an electrified spinning-top, its frozen melodies accompanied by a lolloping beat. Turning over to the B-side, ‘Plute’ winds its way into dark psychedelia while ‘m-two nine’ descends into the realm of mutant de-accelerated bleep techno. Combing the ciphers of hardcore, its cruxes and suspense, with the serrated edge of minimal synth EBM, Gold Like Glass presents an
alchemical fusion of deeply danceable and cerebral noise.

Iconic Deep House label Large Music returns to the vinyl market with a limited repress of the classic Kerri Chandler release Return 2 Acid. First pressed in 2005, this was the 100th release on Large and has been out of print for 10 years. The A side features Kerri's powerhouse tribute to the glorious days of Acid House laced with driving beats and an incessant 808 acid line. On the flip side Kerri goes old-school, this time with an electro Afrika Bambaataa influenced jam entitled Planet Sonic. Also included for this special reissue is the unreleased Acapella of Return 2 Acid solidifying this as a true collectors item.

4 tracks of previously unreleased material by Emanuel's close friend and Chicago house music pioneer Juju, Compiled by Emanuel Pippin and mastered from the original 4 tracks cassettes.

Rawax proudly welcomes Jared Wilson to the family! We are happy to present you a great five tracker full of acid by the man from Detroit on the 18th Rawax Motor City Edition! Positivity is what we all need! "Jared Wilson is of a new Detroit lilt. He has not been eclipsed by the gravitas that comes with the Motor City, instead he uses it as a bedrock from which to bring forth his own take on techno. Wilson, armed with his analogue arsenal, forces a new rawness; an unashamed baring of teeth to those who think that Detroit has had its day."

Part 4 of the PH Scales series from UK 90's mastermind Ron Wells. Here under his Jack Smooth alias. Mighty fine timeless acidic tracks

Excited to present you the first output of Jungle Bridge records. Vol.1 : Flibustier was produced at sea by french producer Itarima, as he was working on the engine room of a cargo ship. With his authentic and unique style, he deep dives us into four acid adventures each accompanied by immersive and unique soundscapes. Each track is dance floor compatible and will set the crowd’s mood.

New label by Innershades, presenting banging house tracks with a raw edge!

Blue translucent vinyl.
Label cover.

THE Shittest (sic) Sounds U Don't Ever Want 2 Hear With Spiritual Titles 2 Prove HOW Deep I AM VOL. 1- Hieroglyphic Being emerges with more electronic easy listening music for the home listener & the defiant ones who move in silence in a crowded world. This project is a sonic tribute 2 the likes of JON Hassell.

Killer Acid workouts from Hard Ton!

Hand numbered and stamped white label.

We are happy to present you some unreleased treasures from the 90's on "Volume One" EP! Furthermore there will be another two releases out in 2021 from the Chicago Master. Stay tuned!

Chicago legend Gene Hunt lands on Elorf imprint with The Next Phase Ep. Certified banger!

Reissue of a few classic Gemini tracks!

Deep futuristic techno tracks on one of the longest going labels from the Motor City. Gary Martin, Derrick Thompson, FBK, and Chris Baumann on this Deepintel compilation with some solid electronic beat excursions on Drivetrain Records (Detroit, Usa). Recommended!

Label: Banoffee Pies Records
Artist: Gallegos
Title: Sentiment Of Love
Catalogue Number: Bp017
Genre: House / Techno / Garage
Release: April 2021

Tracklist:
A1 Sentiment Of Love
A2 Put Me In
B1 Together Flyin' High
B2 Before Or Since

Banoffee Pies Records 17th Original Series release comes via a 4 track Solo EP from Gallegos, making a return after his debut EP "Mad As Hell" in 2018. Along with multiple appearances on compilations and other series on the label, this record is a nostalgic reflection of UK club culture. A "Sentiment Of Love" - the EP title and opening track is a tribute to a different time.
A positive selection of tracks, starting on the A1 with a Winehouse sample, immediately carves the path for what is always a collection of expert sampling from our longest standing label member. The A2 offering, "Put Me In", is a beating club anthem full of heavy distortion and all the acid lines you'd hope for in a moment at the back of a club. A feeling evoked. One Mitsy down.
The B1 "Together Flyin' High" continues this moment with an elevating vocal and ringing synths layered with Broken Beats and the heavily percussive drum patterns Gallegos' sound is so closely developed around. The last track on the release "Before Or Since", immediately teleporting you to the end of a night. Something inward, for a time and place, future or past. BPR x

Mastered: Optimum
Distributed by: Kudos Records

Ships in a label sleeve.

Anyone who followed the development of house music made in the usa in the last decade will certainly have met the art of Fred Peterkin aka Fred P aka Black Jazz Consortium.

His musical set phrase isn't following new trends. Fred is often simply melting shuffling percussions with elementary melodies. but he does it in a sense that the heavy used and abused phrase "deepness" finally gets a fresh truthfully new meaning.

This new project is directed by Miho in collaboration with Robert Drewek, the owner of respected label RAWAX. It is a special edition ”RAWAX - AIRA EP vinyl series".

Concept and mission will always be, to connect and invite great musicians who produce and create "essence of the real music”, not following the trend but let the music speak itself with groove, melody, vibe, energy and soul....

Roland has made evolution in dance music all over the world in 80's, Music needed those machines, and machines needed those creators of music. AIRA are not rehashing of the legendary original TR or TB, But respecting those great machines from the past, AIRA continues to evolve toward into the future simultaneously, newly developed, new generations tools to keep the music alive and to bring more possibilities for the future.We seeks out this exciting movement of dance music history, as the music lover who has actual experience the flow of this evolution, and connections between musicians and machines to make their musical pieces on this project to inspire listeners and to challenge the genres they represent by each series.

Invasive psychoacoustic acid killer from EVOL for the sympathetic freaks at Sweden’s iDEAL.
Continuing a pursuit of altered states induced by pure frequency manipulation, ‘Purple Melters’ is the fourth work in a series that started with ‘Proper Headshrinker’ (Editions Mego, 2013), a series which will also see a release on Diagonal later this year.
Essentially, it’s acid house without the house, drilling down to the 303’s micro phase variations and psychedelic sleight-of-mind conjuring a sense of movement from ostensibly static phrases.
Granted, you have to be a bit of a sadist to enjoy this, but really only in the same sense as a proper hardcore hooligan who gets their rocks off jackin’ in man-made synthetics to amplified music while gobbling illicit chemicals from a Dutch laboratory supplemented by synthetic hormone-infused energy fizz.

Dark acid from the Pukemaster.

Deutsche Krimi passionnel' oder 'Ostalgie fuer begeisterte Kranken'? Well, this album may very well have been the perfect soundtrack of some very obscured 5-year-planned and very mentally disturbing, for truly some very fucked-up alienating D.D.R. / East German Democratic People's Republic remake of Tarkovski's old sci-fi classic 'Stalker' and that somehow, thank God, never made it to the Elevated Socialist Working Masses, for otherwise that 'Berliner Mauer' would have collapsed much earlier and certainly with a hell lot of more drastic damage! I mean, ''Mein Selbstmord! Im Monschein hinter dem Baum!'', now, what psychotic poetry of Goethean-Nietzschean 'Faustian' 'Sturm und Drang Tragoedie' and Romantic Mass-Industrial 'Todestrieb' Mantra is that? 'Das Ewig Weibliche (oder gibt's vielleicht auch Das Ewig Maennliche?) des alten Werthers Leiden in Teutobuerger Schwarz-und-buchenwaldklinik?' For this dark synth-guided croonin' could have turned into the ultimate 'Alan Vega Suicide' Project of the Soviet Bloc, its bloody very last Collective Act! Mastered by Guy Tavares.

Zc-elec005 - The Earth Portal

With the fifth release (Zc-elec005) of our Electro Acid Series the Earth Portal is reached. Will Dust Devices succeed in sucking you into the Portal and will John Faustus be welcoming you deep down underground? You will find out soon...

Dust devices - Coming from Porto, Portugal this talented musician creates dark but transparant EBM, Techno, Ambient and Electro with a timeless quality.

John Faustus: Pianolessons in the 80's, rocking the guitar in the 90's, pacing free party since the end of the millennium (followed by a hardware addiction), johnfaustus still making noise. Versatile producer, he navigates from dub, awesome electro to death metal with of course some mental acidcore in between.

Dust Devices - Finally Automatic After travelling at lightspeed, hyper focus can no longer be maintained. Not to worry, destination has been targeted, finally we can loosen up and switch to autopilot.

Dust Devices - Around That Place The Earth Portal is near; shall we enter at once? Or better to circle around that place, be cautious and investigate...

Johnfaustus - Titania What's that at the other side of the portal, a moon, that makes sense... but Uranus's moon? Somethings wrong, what to do now?

Johnfaustus - Oort Tough decisions, litte knowledge, who to ask? Oort would have known whether and how to enter the portal...

Design by Chris Nexus Six Mastered by Stefan ZMK

Vincent Koreman a.k.a. Drvg Cvltvre has been cultivating its perfect mix of Techno, Electro and Acid for a few decades, varying speed as his gusto, without removing an iota of intensity or darkness. His high volume of work means that he publishes almost everything through his New York Haunted label, but his productions have also shone on renowned labels such as Pinkman, Viewlexx, Shipwrec, Permanent Vacation or Omnidisc. In this new release through NNY Records, he again stands out from the rest of the producers thanks to four great tracks that move between slow, dense and epic Techno with acid touches and hazy environments (A Lion Sinester, Dead And Gone); the dirtiest and leatheriest Electro (Serbian Ballerinas) and the most abrasive and serious Acid you can find on the dance floor (You Smell Like Cheetos And Sadness).