Chicago & Acid House Vinyl 223 Items

Fourth release from Eupasia, the Portuguese duo 2jack4u bring you four acid jams fuelled with dance-floor feeling.

Atlanta artist 30303 debuts on Vault Wax with five cosmic, space-influenced live acid jams. The far-out journey begins with ethereal, spaced-out breaks and trips into darker, grittier techno turns.

Free jazz electronics, club beat tracks and psychedelic passageways all make an appearance on the latest 33.10.3402 EP for L.I.E.S. which follows up this year's earlier standout EP for the label. Truly exciting music coming by way of Belgrade, unafraid to turn the corner where most would run away. It’s adventurous music for those who know.

Heavyweight sounds from 60 Miles aka John Daly & Cian Frawley. 4 track sampler from the Swamp 2 Sea project.

After releasing a bundle of records on differents labels as Mental Groove, Brique Rouge or RZ in the noughties, A Jackin Phreak's acid house project is now reactivated and brings to you three brand new tracks, fully acid influenced for your own pleasure.
Steps back again in the vibe of '88 second summer of love with the Chicago jackin' sound of 'Good As You', let yourself go and do the trance-dance to the acid groove of 'Addicted' then go further and loose your control with 'Pulsion'.
As you can expect, 'Good As You' EP is released as limited random color vinyl pressing and, as a complete artist's project, its full color sleeve is designed by the A Jackin Phreak's himself.

Food Music welcomes A1 Bassline to the label to release his first LP - Technicality.

The album’s title draws from the club night “Technicality”, a monthly Drum & Bass night at Herbal in East London, which is run by Chris Inperspective and continued the sound of early Reinforced and Metalheadz records as well as pushing new forward thinking music. The album is centred around growing up as a teenager discovering this jungle/drumfunk sound through his college friend Rahim (Lab Creation), where the likes on Fold, Ben UFO, Breakage would attend the club.

In addition to well received records on DirtyBird, Pets Recordings and his collaborative work with Leon Vynehall as Laszlo Dancehall, the album is a stamp on A1’s sound and his influences from his teenage years to growing up and discovering House and Techno.

A5 shows us his talents for deepness over 4 tracks of sun-kissed grooves!

We are very happy and honored to welcome the Electronic Music Legends, Roman Flügel & Jörn Elling Wuttke aka Acid Jesus to the Rawax Family! Our first collaboration will be the re-issue of Radium, Uranium Smuggle & Hibernation Drive! All these tracks have been produced at Klangfabrik between 1995 - 1997 For the first time those three tracks will be available in this constellation on one record! Highly recommended!

Detroit imprint My Baby returns with its third musical offering, a split release from two Motor City heavyweights, in the form of Rex Sepulveda and Acid Pimp. This fledgling vinyl only label has got off to a superb start showcasing music from Detroit locals on its first two stellar Eps. With a focus on the underground sound of the city it resonates with global fans of quality house and techno and continues to do so here with four outstanding new tracks.

“Illegal Rave Tapes” is the first ever wax treatment for Acrelid, courtesy of Dance Data Records. Originally comprised of 134 tracks, this distilled selection by label head Dreams is a snapshot of John Lee Richardson’s archive of music from between 1999-2012. Since the ripe age of 12, he’s been drawing inspiration from the UK rave scene in the 90’s that he found himself in. That spark was the beginning of a lifelong obsession. He set out to capture the essence of what he felt and saw surrounding him during that time; whether it was via recording loops out of a playstation 1 to cassette / CD or borrowing any other gear he could get his hands on / that people would lend him. What’s less important than all the gear he used are the sounds he captured with them. “Sinister beats” that all share a driving quality of rhythm, spanning across smudged influences from jungle to acid and the BBC Radiophonic Workshop transmissions. It’s clear from the tunes that this is someone who’s clocked 1000’s of hours tinkering and refining his sound, and who has squeezed every function out of his machines, just for the fun of it all. Having seldom released music since the 90’s, John’s been waiting for the right moment to share it with the world, and this collection has very much been worth the wait." Words by Jesse Sappell ***Includes a 16-page colour zine designed by Acrelid, transforming thatcheraian-era anti-rave news propaganda and 90’s UK culture into incredibly thoughtful lore, providing a never before seen look into the world of the artist behind the Illegal Rave Tapes.**

Split release from Serbian-born, Macedonia-based Alavux on side A and The Hague's Gallus on side B, each with their own interpretation of the more harsh and heavy industrial machine-driven electro-robot alienation, perhaps of some modern hidden 'Deus ex Machina'?

On the 25th release of their label Restoration (after 15 years of its foundation), the original trippy “Someone Else” comes with a mesmerising chicagoic heavy shuffled remix by dj Fett Burger. On the B side, the sophisticated beats and the classy arpeggios layered over the gloomy “Amazon Crime” comes together with the first track produced by Francesco del Garda and The Analogue Cops’; “Good Breath” (edited by Del Garda) is the state of the art of years spent behind the decks looking for the perfect combination of garage bass lines, eccentric beats and esoteric pads.

Cosmic Club is a Sylax Sub – label. For this 14th release, we give you the opportunity to grab 6 fantastic trax done by one of today’s hotest producer from germany : ANDREAS GEHM aka ELEC PT1.After a bunch of releases on MATHEMATICS, BUNKER, CHIWAX, SNUFF TRAX, he sent us his brand new tracks & we felt it was so good that we decided to release them straight ! His sound is firmly rooted in proto-house and acid. A whirlwind of crystalline electronics, playful synthesizer riffs (with a dash of original chi-town jack thrown in), it comes on like a particularly cosmic jam session between Stevie Poindexter & drexcya. Jack Attack ! On this evidence, Andreas is clearly one to watch!

Romantic proto-acid written and composed by a young Ukrainian student Maxim Shubski in 2010 on a cold winter day in East Germany and subsequently released later same year as a limited run of 100 vinyl copies under “Andreuccio Torelli” moniker. This release was accompanied by a fake story about the lost & found master tapes by an unknown Italian producer from the 80’s. The story is still available as a PDF on the label’s website. Since the original vinyl stampers are long lost, Baran Records has made a new limited 7 inch vinyl reissue.

After a long wait, we are proud to present our 6th installement. 3 spaced out originals from ardb, topped out with a phat acid remix by the UK legend Silverlining to close out things!

2015, Kenneth Werner aka AS IF has released his first vinyl release with ROHS! - MOMENTS EP. This EP is a pure retro-futuristic Acid-Downtempo vision. Initially it was released on white label 7 inch vinyl of 50 ONLY limited copies. It has been reissued in 2019 with a totally new face/design and on 250 limited copies for the world. This is a pure gold futuristic gem on wax.

Embark in an extraordinary odyssey with Ascot/ww debuts on La Sabbia, where dynamic beats and tangy acid melodies intersect. Unveil dance floor artillery as Techno and break intertwine, forging an unwavering and distinctive sonic experience.

Produced by La Sabbia Written and composed by Matteo Pasini Mixed by Alessandro Paolone Mastered by Claudio Brioschi Designed by At Studio

Producer Pantelis Theodoridis was introduced to us 10 years ago, when he and his band created the wonderful universe of Regressverbot, moving in minimal synth/post punk paths. Lately, under the alias Athens Computer Underground, he has been releasing compositions influenced by various electronic subcultures such as drum n bass, house and electro, introducing the acidic melodies of tb 303 as a central element of the instrumentation. Contrasting the well-polished computer music with the methodology and aesthetics of oldschool hardware sequencers and vintage synths, he creates a sound that evokes the underground moments of early acid house or the sound of labels like rephlex and breakin records. His new 8-track album is titled To Filima (The kiss) after the eponymous poem by Maria Fili, which is included in the second track of the album and sets the tone for what to expect. Behind the d.i.y, grit-in-the-mix style production and distorted drum machines lies a divergent sensibility and upbeat yet elegiac instrumentals that make the album reminiscent of a melodic diary.

backtotheparty, focused on restructuring and representing, without compromising the original spirit. Three cuts as versatile as they are captivating, from a crunching acid-laden powerhouse to a jazz funk bomb, rounded off with a hip house flecked, percussive groover.

Acidic powerhouse Bill Converse makes his debut on FIT SOUND. His sound is a refreshing perspective informed by the midwest warehouse parties of which he was schooled mutated into his own blend. Treading the line between melody and brutality, while never being heavy handed, Converse has proved himself once again to be a true original lurking in the underground today.

Calling all blowhards, cosmic-jesters and techno-goons:Bintus is back at the juggernaut’s wheel, belching flames and generally causing a right old stink. After a five-year hiatus adrift in the fusion zone the angry behemoth returns to bring the pain. Grinding his gears hard on this toxic two-tracker, old man Bintus throws down a barbaric acid gauntlet; guaranteed to satiate the inner panel beater in even the most battle-hardened rave warrior.

In true Power Vac tradition Bintus bows out with a brace of scree-face electro grinds. "Rag It!" gets medieval on your ass then quits the scene in a wheel spin of cosmic dust; leaving your brain to cessate in rapturous turmoil. Millennium Speaker Stand slaps a gutsy acid line against a pock-marked 7/8 beat, while in the background the fabric of society breaks down - a not unwelcome aural distraction in these turbid times.

So, enjoy one last night ride thru babylon with Thee Prince of The Retail Park. As the tyre smoke recedes we are left in a haze of joy, sensory disorientation and the hope that visionary lunatics like Bintus will continue to rescue our souls from the stasis grip of consensus reality that threatens to consume us all.

Rawax proudly welcomes back Mr. Boo Williams! We are very happy to present you "Natural Service EP" on Chiwax#37 The 6th release from the Chicago Legend on our label - in our opinion a modern classic.

None other than Blawan on his lonesome ownsome — after collaborations with Pariah as Karenn, and Surgeon as Trade — returning to the blood-drenched scene of his heinous Why They Hide Their Bodies. New name, new sound; heavier and slower than his Ternesc output. The title track is the banger. Acid techno — deliberate, widescreen and ominous.

Part 2 of this amazing double EP. When acid madness meets perfectionism and unbelievable depth then we all know Boston 168 cant be far away. They are an integral part of the ODD Even label and long-time friends of Andre Kronert and now finally back with a fabulous release. As in the good old days, they know how to combine harmony and punch. Get ready for it! No more word! Just Listen!

BufoBufo (Klasse Wrecks, Dream Ticket, Cabaret) and Qeta (Further Electronix, Wave Function, brokntoys) join forces for an eight track split LP, diving into aquatic synths, sliding breakbeats and amphibious atmospheres. Moving from the galactic leads and drum & bass tempo of BufoBufo’s ‘Caloris Basin’ to the dreamy melodies and trip-hop beats of Qeta’s ‘Art II’ , it ends on the expansive, horizon-gazing tones of their collaboration ‘Gloaming’, all shimmering interwoven bleeps and hefty breaks.

Caucasian Boy (Previously Strictly Rhythm, Skint & Music For Freaks) Present's three energetic, straight-up house bangers!

'A-Side 'Phuture' the Remix is a homage to the roots of Acid House; 'We Are Phuture' by Phuture, released initially on seminal Chicago label Trax Records in 1988, the track has now had a radical makeover and remix.

B.1 ‘Bounce’ is a peak time floor filler with catchy vocal hooks and infectious rave inspired keyboards and a bassline to die for!

B.2 'Gimme A Beat' is an in your face, 303 acid monster! Pounding drums and a driving bassline...Classic acid house for a new generation.

Reasons', the new vinyl release from Caucasian Boy (the second release on Crispin J Glover's Century City Music imprint,) is a deep, ethereal, and soulful vocal production drawing comparisons with the classic 'Gabrielle' by Roy Davis Jnr. in both style and spirit.

A departure from the recent peak-time party bangers, the track highlights the range and diversity of production employed by Caucasian Boy, who combine techno, house and funk and countless other influences into their music.

'Reasons' is backed with 'Cinematix', the 'B' side track is a textured journey into classic Deep House.

Complex and emotional strings, classic synth basslines and robust drums make this an essential 3 am choice for the more decerning D.J.

Hot release! Riverette is back with another reference this time produced by Cliff Lothar. Old Jams Die Hard #1 stands as a classic and old school release full of techno and nasty acid bass lines. Warning! Beware of the dance floor! Want to miss this one?

DirtybLends edition is another 3 track inferno release combining 3 different ideas together from heavy Jakbeat to old school slower style tracks of the label: Chicago Underground to early 80s proto-house instrumentals of Boyd Jarvis!!

tHe A siDe kicKz oFF wit the return of kincaid presenting a daRk n meNaciNg composition played n created wit bLood n sweat behind the vintage music boxes to come with this 12 minute riPPer of beauty entitled: Circuit Collapse

The 1st production on the B-side comes from new member of The Klan of The Beatheadz: Cliff Solomon on this production the caT honors the timeless work of the originator Boyd Jarvis & Timmy Regisford from 1985 on next plateau. developing drum and bassline ideas with elevated drama and deepest respect for the true pioneers of the underground."

the final tune on Dirtyblends 11 on the B side is a collaboration from The Jak and Lex Lathan recorded at Nation HQ presenting their idea to keep the spirit of the early releases on Chicago Underground that were produced more slower in style entitled: The CaLL {oN tHe EdgE}

-Late night escapades- Wandering endlessly through desolated city's. Behind the dystopian area that favours the odd minds. We had to go under the ground. Nothing is left only an Abbatoir of Dreams. For Dark is the Suede That Mows Like a Harvest.

Post-nuclear landscape, strobe lights and smoky streets. Roboscopic techno for Juan Atkins and Blade Runner lovers. Mastered by Stefano Genta. Feedback: -Thanks for sharing your music with me, there are definitely tracks in there that I would play!" Intergalactic Gary! -"Satisfaction is def my favorite one ! Nice one!" Mick Wills Also supported by: Olivia, Lokier, Miley Serious, Kovyazin D and Jerome Hill.

Crotocosm is an occasional collaboration between Jordan GCZ (Lushlyfe, Off Minor) and Willie Burns (Black Deer, WT Records). Tracks were recorded together live in Amsterdam and Brooklyn between 1996 and 2017..

incl. Ivan Smagghe & Ron Hardy Edits

"Civil Defense" was—and still is—a tone poem. It was written in 1984 and first performed in various beatnik-esque coffee houses (with a simple beatbox) in and around Chicago. (I went to college on a full poetry scholarship-- believe it or not!)", as Danny himself says, and we think it's right.
"Civil Defense" was recorded at Seagrape Studios, Chicago. Produced by the late David Bell; mixed by Brett Wilcots.
It is considered to be one of the earliest vinyl releases of House Music. (Earlier House tunes were shared via mix tapes.)
http://waxpoetics.com/features/articles/persona-records-launched-producer-career-frankie-knuckles-showed-world-house-music-really-sell/
and was never repressed as a legitimate 12".
LDdlm is honored to bring you this " long lost piece of the puzzle" in the retelling of Chicago House Music history.
The LDdlm edition of the original recordings documents the enduring legacy of this iconic piece of audio history, including the long lost Ron Hardy edit and a reshape of the edit of Ivan Smagghe for the first time on vinyl.

Intense minimalist industrial acid tekno mantra beats by Albert van Abbe as Datasmok. A 'mini-concept-album' full heavy-hitting, brutal mean-and-lean, 'dirty-brown-and-miserable' psychotic visions. The Datasmok project was kickstarted by default when Guy Tavares and Albert decided to release archived tracks from Van Abbe on Tavares' Bunker Records. All tracks of this second volume of back-catalog material got special treatment in Tavares' subterranean master studio... Datasmok is one half of Penik Ettek.

DJ ARG is back on Dream Ticket and once again he is Not. Fucking. Around. Four headmelters from the master himself that traverse breaks, house, techno and booty. Hardware was indeed harmed in the making of this record. Live with it!

Precursor to DJ Die Soon's upcoming monster of an album on Morphine, this 7inch introduces the legendary beatmaker from Berlin with a more stripped down, clashy dancefloor killer on one side, and a 'deep doped' heavy roller on the B side. TIP!

Finally, the long awaited follow up to DJ Duke's house classic "Old Skool Deep Sampler Vol 1, which featured homages to Marshall Jefferson (Jefferson), Fingers Inc (Fingers), Larry Heard (Heard) and Ron Trent (Trent). This follow up E.P. (Vol. 2) features another string of worthwhile homages to the late Frankie Knuckles (Knuckles), Farley Jackmaster Funk (Farley), Chip E (Chip E.xtacy) and Boyd Jarvis (Jarvis).
Duke has always respected the pioneers that created the house/club scene and set the grounds for what's become of the biggest music crazes in the world. For example, Boyd Jarvis used to play live on air with Timmy Regisford on NYC radio station 107.5 WBLS using drum machines for the beats and then play keys on top of it. Duke tried to keep the tracks as close to the feeling of these pioneers, selecting the right drum machines, sounds, and overall vibe, but still keep the tracks fresh and not derivative.

DJ Haus goes a little freaky on the Helta Skelta EP. This 4 track ep show his strangely funky side with some odd and jerky rhythms and melodies. It takes it ques from the windy city but doesnt hide DJ Haus's roots in the UK with a bleepy techno twist and pirate radio energy.

HOUSEWAX presents Chicago Legend DJ Joe Lewis!

The godfather of acid house, DJ Pierre, is back – bringing four heavyweight Chicago cuts to the fore, two of which, ‘Pinball Machine’ & ‘The Spirit’ are unreleased, exclusives. ‘Sexy Aquarian’ showcases Pierre’s unique style putting his trademark spin on this classic vocal, combining it with a bumping bass and dizzying acid lines, to trigger old memories whilst giving you something new for your mind, your body and your soul. Next up ‘Pinball Machine’ goes in heavy on the percussion – filling those speakers with a barrage of weighty toms, crisp hats and crunched up snares. The frenzied synth line bounces around relentlessly, pinging off the sides of your brain like a sonic arcade. Take to the flip for a lesson in how to take jackin' house to another level. ‘Whats Mine is Mine’ delves beyond the beat, mixing sassy vocals and spiritual organ stabs, with a touch of swing reminiscent of an era long gone. Closing out the EP, ‘The Spirit’ utilises another treasured vocal layering it behind punchy drum programming, a rumbling bass and atmospheric touches that add an ethereal tinge to the track.

The 5th edition of the Dj Skull - Saga is a new release by Ron Maney called "Balance" EP.
It's a classy, original jacking & swinging Chicago House record. Worth to check!

6 track vinyl-only Ghetto house EP by three producers from the legendary Chicago house label "dance Mania". High energy 130-135bpm bass banging tracks ready to take any dancefloor to the limit. None of these tracks are out digitally. Full picture sleeve.

We are happy to welcome new Chicago based house label Aliens ON WAX to the Groove DIS family. Upcoming releases will feature tracks and remixes by Roland Clark, Kevin Saunderson, BAD BOY Bill, K’ALEXI and more. The debut 12” release on the label is from DJ Sneak, bringing us 4 cuts of classic jackin' drums & deep tracky repetition. Drenched in the "5 AM Chicago warehouse" type vibes that have dance floors around the world hypnotized for decades.

Hot as f*ck Ghettotech from Detroit's very own djkage

Brains rule for the next No Static / Automatic release as the hyper-prolific DMX Krew presents five new tracks of laser gun acid, bleepy electro and mutant tunnelling techno on Brain Mutants EP. Ns/a could not be more honoured to bring DMX Krew to the label, hugely influential in UK’s electronic music world, the sheer mass and relentless ingenuity of his release history is breathtaking. There’s over 24 albums and even more EPs released to date, found on Rephlex Records, his own Breakin and Fresh Up labels, and more recently a string of albums on Hypercolour Records. It really would not be right to pin him down to one style of beat with the expanse of his work covering braindance, electro funk, pop, acid, ambient, techno and beyond. Working with the Aphex Twin created Sample Brain, old disco records and analogue synth notes were fed into the sample mashing web app to create the sounds used on this EP. Label boss Ara-u picked out his favourites from the palette which DMX Krew cut up, looped and added in rock-hard drums. The results are super playful, high calibre club tracks you expect from the one and only DMX Krew - designed for heavy impact on the club floor.

The unstoppable DMX Krew returns for his third full EP on the label. As classy as ever and packed with different flavours. The A side opens with the Wigged out and intense Techno assault of 'Spasm', clearing the path for the tortured alien beauty of Electro track 'Second Moon'. Over on the flip, DMX revisits 'The Wiggly Worm', giving it some DMX Acid with a sardonic stomp for the dancefloor and the EP closes with a nod to Detroit with 'It Isn't What It Was' . Also included are 2 tools, useful bridges for the discerning DJ !

Dona Aka Dj Plant Texture’s debut on Mannequin is the result of an effective true love for the early Chicago Acid and Jackbeat, mixed with textures of EBM and Cold Wave. “Mindscapes”, featuring the haunted vocals of Aloth, represents a trip into states of consciousness and psychiatric diseases. Ispired by some reports describing America’s Mental health System during the latest 70’s, the EP is a blend of analog machines, forced to create the perfect jam session.

Another collaboration is on deck as 017 from Hakim Murphy and Hear. Dream Scoring is up with a three track 12” titled Cinematic Panoramas. These tunes create different feels; two that are more straight up dance tunes and one with a flipped out disco vibe. This is the second 12”, following up the psychedelic Image of a Myth on Naissance Music as they continue with their moments of time scoring theme.

Vincent Koreman a.k.a. Drvg Cvltvre has been cultivating its perfect mix of Techno, Electro and Acid for a few decades, varying speed as his gusto, without removing an iota of intensity or darkness. His high volume of work means that he publishes almost everything through his New York Haunted label, but his productions have also shone on renowned labels such as Pinkman, Viewlexx, Shipwrec, Permanent Vacation or Omnidisc. In this new release through NNY Records, he again stands out from the rest of the producers thanks to four great tracks that move between slow, dense and epic Techno with acid touches and hazy environments (A Lion Sinester, Dead And Gone); the dirtiest and leatheriest Electro (Serbian Ballerinas) and the most abrasive and serious Acid you can find on the dance floor (You Smell Like Cheetos And Sadness).

Zc-elec005 - The Earth Portal

With the fifth release (Zc-elec005) of our Electro Acid Series the Earth Portal is reached. Will Dust Devices succeed in sucking you into the Portal and will John Faustus be welcoming you deep down underground? You will find out soon...

Dust devices - Coming from Porto, Portugal this talented musician creates dark but transparant EBM, Techno, Ambient and Electro with a timeless quality.

John Faustus: Pianolessons in the 80's, rocking the guitar in the 90's, pacing free party since the end of the millennium (followed by a hardware addiction), johnfaustus still making noise. Versatile producer, he navigates from dub, awesome electro to death metal with of course some mental acidcore in between.

Dust Devices - Finally Automatic After travelling at lightspeed, hyper focus can no longer be maintained. Not to worry, destination has been targeted, finally we can loosen up and switch to autopilot.

Dust Devices - Around That Place The Earth Portal is near; shall we enter at once? Or better to circle around that place, be cautious and investigate...

Johnfaustus - Titania What's that at the other side of the portal, a moon, that makes sense... but Uranus's moon? Somethings wrong, what to do now?

Johnfaustus - Oort Tough decisions, litte knowledge, who to ask? Oort would have known whether and how to enter the portal...

Design by Chris Nexus Six Mastered by Stefan ZMK

Deutsche Krimi passionnel' oder 'Ostalgie fuer begeisterte Kranken'? Well, this album may very well have been the perfect soundtrack of some very obscured 5-year-planned and very mentally disturbing, for truly some very fucked-up alienating D.D.R. / East German Democratic People's Republic remake of Tarkovski's old sci-fi classic 'Stalker' and that somehow, thank God, never made it to the Elevated Socialist Working Masses, for otherwise that 'Berliner Mauer' would have collapsed much earlier and certainly with a hell lot of more drastic damage! I mean, ''Mein Selbstmord! Im Monschein hinter dem Baum!'', now, what psychotic poetry of Goethean-Nietzschean 'Faustian' 'Sturm und Drang Tragoedie' and Romantic Mass-Industrial 'Todestrieb' Mantra is that? 'Das Ewig Weibliche (oder gibt's vielleicht auch Das Ewig Maennliche?) des alten Werthers Leiden in Teutobuerger Schwarz-und-buchenwaldklinik?' For this dark synth-guided croonin' could have turned into the ultimate 'Alan Vega Suicide' Project of the Soviet Bloc, its bloody very last Collective Act! Mastered by Guy Tavares.