Chicago & Acid House Vinyl 347 Items

The 5th edition of the Dj Skull - Saga is a new release by Ron Maney called "Balance" EP.
It's a classy, original jacking & swinging Chicago House record. Worth to check!

Cover and vinyl are close to NM.

DEAIK is SJ Tequlla's third record on his own imprint Shot Of T. A solo affair, where the Berlin based Japanese artist keeps on exploring a variation of different sounds on his new 12''. Thumping Acid, moody ambient, Acid house for a club night, and some more familiar mellow drum machine and melodic pieces. SJ Tequilla's most varied record to date. Also with an interesting approach to tempo, where each side shifts between 33-45 by preference of the listener. Essential Shot Of T!

After releasing a bundle of records on differents labels as Mental Groove, Brique Rouge or RZ in the noughties, A Jackin Phreak's acid house project is now reactivated and brings to you three brand new tracks, fully acid influenced for your own pleasure.
Steps back again in the vibe of '88 second summer of love with the Chicago jackin' sound of 'Good As You', let yourself go and do the trance-dance to the acid groove of 'Addicted' then go further and loose your control with 'Pulsion'.
As you can expect, 'Good As You' EP is released as limited random color vinyl pressing and, as a complete artist's project, its full color sleeve is designed by the A Jackin Phreak's himself.

Finally, the long awaited follow up to DJ Duke's house classic "Old Skool Deep Sampler Vol 1, which featured homages to Marshall Jefferson (Jefferson), Fingers Inc (Fingers), Larry Heard (Heard) and Ron Trent (Trent). This follow up E.P. (Vol. 2) features another string of worthwhile homages to the late Frankie Knuckles (Knuckles), Farley Jackmaster Funk (Farley), Chip E (Chip E.xtacy) and Boyd Jarvis (Jarvis).
Duke has always respected the pioneers that created the house/club scene and set the grounds for what's become of the biggest music crazes in the world. For example, Boyd Jarvis used to play live on air with Timmy Regisford on NYC radio station 107.5 WBLS using drum machines for the beats and then play keys on top of it. Duke tried to keep the tracks as close to the feeling of these pioneers, selecting the right drum machines, sounds, and overall vibe, but still keep the tracks fresh and not derivative.

Record and sleeve are close to NM.

Tim returns on home label Offworld Records with a classic 4-track EP of future-focused ethereal techno and electro. A-side opener Dystopia paints a bleak post-apocalyptic image that flows into the uplifting pad-driven 303 cut Enrichment. Driving electro vibes feature on title track Echo Waves, closing out with the late-night Detroit atmospheres of Form Fatigue. Essential deep techno release on limited Color Vinyl!

HOUSEWAX presents Chicago Legend DJ Joe Lewis!

Colleagues in Japan provided us with sample product of the following audio artefact – file number ST015 – believing that it may be relevant to the Safe Trip Institute’s ongoing research in this area of study. After rigorous testing and analysis, we would like to offer the following observations:
The artefact contains two related pieces of music, which appear to be the work of a high profile pseudo-scientist known as Hoshina Anniversary.
If you listen carefully to the first piece, “Hakkenden I”, the first thing you will notice is how the lead electric piano line and repetitive electronic motifs – known in colloquial slang as “acid lines” – follow the same melodic pattern, as if Hoshina Anniversary was sending the same powerful psychokinetic instructions to a number of instruments at the same time.
In contrast, “Hakkenden II” is darker and more hallucinogenic in tone. The use of restless, arpeggio-style bass and creepy-sounding chord sequences suggest that Hoshina Anniversary momentarily lost control of his psychokinetic powers before wresting back the initiative as the recording progressed (the return of the melodies and instrumentation heard in “Hakkenden I” in the second half of the piece supports these findings).
We invite colleagues the world over to analyze and test this audio artefact further in order to increase our understanding of this thought-provoking item and its unusual Japanese creator.

DJ Pierre’s legendary Jack Trax Records returns with a delicious set of raw acid tracks from Finnish producer Type-303, who made his 12” wax debut on Posthuman’s I Love Acid imprint, with a release on Lobster-distributed ProForm this past fall.
“What is the Time?” kicks things off with a jacking beat reminiscent of the classic Chicago acid house sound, answering the question with “it’s time to jack”.
Next up is “Sound of Future”, alluding to Phuture’s classic “Acid Track” with a tough, driven beat and acid line that builds up to a psychedelic frenzy of claps, snares, and rides.
The title track, “Ghost in the 303”, follows suit with more of Type-303’s punchy percussion, interjected by moments of frenzied 16th claps, paired with an eerie, otherworldly pad taking the listener deep into the soul of the machine, the classic TB-303.
Last is “Control”—filled with dreamy yet slightly dissonant pads and a wispy breakbeat-inspired snare line that provides a deep, introspective conclusion to this acid laced journey.

Big Release By Florian Kupfer On Hotmix Records!

RB & MB sour up the dance ... Jamal Moss reedited/remixed on Taiwan's R=A. Pickles on 45 (70g, 7inch). TIP!

HIEROGLYPHIC BEING'S Volume 2 of 9 "A SYNTHETIC LOVE LIFE VOL 2" features uptempo electronics & simmering circuit boards stamped with Chicago rhythm patterns. Limited & stamped for MATHEMATICS PLUS.

Two mind melting acidic drippers that Ron Hardy would've been proud of!

Post-nuclear landscape, strobe lights and smoky streets. Roboscopic techno for Juan Atkins and Blade Runner lovers. Mastered by Stefano Genta. Feedback: -Thanks for sharing your music with me, there are definitely tracks in there that I would play!" Intergalactic Gary! -"Satisfaction is def my favorite one ! Nice one!" Mick Wills Also supported by: Olivia, Lokier, Miley Serious, Kovyazin D and Jerome Hill.

A never before released version of a truly, legendary house record from the late great Frankie Knuckles…working in collaboration with The Frankie Knuckles Foundation who will receive 50% of the profits from this project, SoSure Music is proud to present the Director’s Cut re-production of ‘Baby Wants To Ride’. Alongside this, a vinyl exclusive edit by Jimmy Edgar, which was originally a tribute release after Frankie’s passing in 2014, finally gets an official release.
2011 saw the launch of Frankie and long-time production partner Eric Kupper’s ‘Director’s Cut’ project, with the aim to release new music, whilst re-producing classic cuts to fit with the modern dancefloor. SoSure Music is now working alongside Eric Kupper and Hector Romero, with the blessing of both Def Mix and The Frankie Knuckles Foundation, to bring a renewed focus to some of this material.
First up, the illustrious, evocative 1987 anthem, ‘Baby Wants To Ride’. Rightly regarded as a masterpiece of early Chicago house and a pioneering classic through and through. Knuckles and Kupper extend the intro and outro to allow for those sweeping blends, whilst adding deft touches and reprogrammed lines to give a crisper, more detailed feel to this sumptuous slice of definitive house music. Couple that with newly spiritualised vocals and fresh erotic ad libs from Jamie Principle and prepare to rekindle that infectious energy 32 years down the line.
On the B side, Jimmy Edgar showcases his trademark touch to provide a fresh spin on the original whilst staying true to its essence. Reworking the arps, adding atmospheric drops and crunchy percussive elements, whilst holding off on the iconic vocal till the last section, all combine to give this version a unique, big room character that nods to the past, yet reinterprets for the present. A fitting tribute from an artist whose own productions are clearly laced with influence from Frankie Knuckles.

Gonzo MDF is back on Counterweight with his 3rd Release and he does what he is known for and of course he does it pretty well and reckless. Tested on the crowd of their monthly Counterweight events you can be sure that this EP is a real dancefloor weapon. On the A side Fast Fast a hammering and driving track shows what this artist stands for. The Train is Leaving brings in some break beat drums that will drive any crowd pretty mad. Cerdos on the B side with some really heavy synth lines does it’s job incredibly well while Out of the Box is an ideal track to breathe some fresh air into the middle of any set.

Miami's Greg Beato rolling it out on his own Ni Un Pero label. 2 tough old school machine jams on this one. Up there with the best of his LIES & Apron output and certainly club ready! Limited edition 12". SICK TIP!

The godfather of acid house, DJ Pierre, is back – bringing four heavyweight Chicago cuts to the fore, two of which, ‘Pinball Machine’ & ‘The Spirit’ are unreleased, exclusives. ‘Sexy Aquarian’ showcases Pierre’s unique style putting his trademark spin on this classic vocal, combining it with a bumping bass and dizzying acid lines, to trigger old memories whilst giving you something new for your mind, your body and your soul. Next up ‘Pinball Machine’ goes in heavy on the percussion – filling those speakers with a barrage of weighty toms, crisp hats and crunched up snares. The frenzied synth line bounces around relentlessly, pinging off the sides of your brain like a sonic arcade. Take to the flip for a lesson in how to take jackin' house to another level. ‘Whats Mine is Mine’ delves beyond the beat, mixing sassy vocals and spiritual organ stabs, with a touch of swing reminiscent of an era long gone. Closing out the EP, ‘The Spirit’ utilises another treasured vocal layering it behind punchy drum programming, a rumbling bass and atmospheric touches that add an ethereal tinge to the track.

FRAK are back on track with this dreamy album with deep dark hypnotic slow rhythmic tracks. This is experimental analog and haunting dancemusic at slow BPMs which gives you a glimpse of swedish smalltown dystopia in all its glory. The A1 track might give the impression that this is a romantic record and the A side in general will make big city people feel the urge to move to small towns again, but on the B-side it just gets darker and weirder (the smalltown kinda reveals its ugly underbelly) and it all ends with a track that would make the taped nipples fake fetishists in techno city shiver. I could say you need a mask to play this out, but lets not take it that far. For old fans of FRAK this record both delivers (A-side) and challenges (B-side). Me, I want doubles. -Joakim Cosmo

Vinyl close to NM

Marbled gold vinyl.