Chicago & Acid House Vinyl 278 Items

‘Code of Conduct EP’ the second instalment from Obia Records takes the labels sound through a darker path. Sinful acid spirits are summoned to drive out the past period of solitary confinement in which we all linger. ‘Discharge’ the records main cut is built by a solid acid line and crispy clear drums that highlight the slow tempo. ‘Code of Conduct’ continues on a similar pattern but with adverse drum programming that shapes the feeling of inner conflict. ‘Ethic of Reciprocity’ completes the cycle of healing with a more rhythmic and uplifting vibe and warm pad. All tracks were made with an original Roland Tb-303.

Cocktail d'Amore Music returns from a short hiatus with a new release from Russian producer TMO. The three tracks are tied together by a propensity for heavy rhythm construction and distorted acid lines, executed to great effect. Opening with "Last Moment Jam" , a searing main room projectile, TMO presents what is heavily inspired by early Chicago acid track. For those looking for something on the trippier end, "Drums Jam" provides a low bpm hallucination full of delays. Closing is, "Buchla 909 Jam", a 10 minute slow burn exercise in analog fundamentals for late night fantasies.

Detroit imprint My Baby returns with its third musical offering, a split release from two Motor City heavyweights, in the form of Rex Sepulveda and Acid Pimp. This fledgling vinyl only label has got off to a superb start showcasing music from Detroit locals on its first two stellar Eps. With a focus on the underground sound of the city it resonates with global fans of quality house and techno and continues to do so here with four outstanding new tracks.

Tim returns on home label Offworld Records with a classic 4-track EP of future-focused ethereal techno and electro. A-side opener Dystopia paints a bleak post-apocalyptic image that flows into the uplifting pad-driven 303 cut Enrichment. Driving electro vibes feature on title track Echo Waves, closing out with the late-night Detroit atmospheres of Form Fatigue. Essential deep techno release on limited Color Vinyl!

Post-nuclear landscape, strobe lights and smoky streets. Roboscopic techno for Juan Atkins and Blade Runner lovers. Mastered by Stefano Genta. Feedback: -Thanks for sharing your music with me, there are definitely tracks in there that I would play!" Intergalactic Gary! -"Satisfaction is def my favorite one ! Nice one!" Mick Wills Also supported by: Olivia, Lokier, Miley Serious, Kovyazin D and Jerome Hill.

Second release comes from label head Traxman and legendary Fast Eddie! As goodie on top of this great ep there is the track called "Eddie's House" which was recorded in 1987. It's now for the first time on vinyl!

RAWAX joined forces with the great dutch SlapFunk label! The result is a fantastic v.a. ep called "Slap Wax 1" with track by Samuel Deep, Locklead, William Caycedo and Julian Alexander!

This new Chicago based label is runned by Steve Poindexter and Traxman. The first release comes also from the label heads.
Track A2. is an remarkeble co-production between Steve Poindexter and legendary Armando. On B2. Traxman remixed Armandos "Snare yo Azz off".

Hailing from Helsingborg but living in Berlin since 2012, swedish street artist and electronic musician Erik Jaahalli releases his debut on Borft. With smudgy analog romantic morning theme tracks bordering between chicago house, detroit techno and european new beat influences. But what youre hearing is geographically the sound of Lichtenberg Berlin now and more specifically the morning vibe at the private continous party Domestic Affairs. Lennie the cat and Dong Xuan Center included. -DJ Joakim Cosmo

Dripping Acid is a series of separate 12"s exploring themes of melodic liquid acid. Part 2 of 6 limited releases by the Tin Man!! -- For Tin Man, acid endures. Like the lapping of a sizzling ocean on the shores of a distant planet, the peaks and troughs of expansive 303 basslines have been a constant in the music of the producer born Johannes Auvinen. He dedicated his mid-2000s early period to the sound, and even as his productions have expanded in scope and style - from the vocaltinged techno of Cool Wave, Wasteland and Perfume, to the intricate, classical-leaning compositions of Vienna Blue - he has returned often to Roland's indelible bass synthesizer. His plaintive, searing melodies have anchored Absurd Recordings' venerable Acid Test series since its first release, and they've punched through the mix in the club music of recent collaborations with Gunnar Haslam (Romans), with Cassegrain, and also with John Tejada. So it wouldn't be accurate to call Tin Man's latest project, Dripping Acid, a rededication. Yet his most ambitious project to date - six 12"s comprised only of new acid compositions - embraces the style as wholeheartedly as he ever has. While the brittle machine-music of '80s Chicago is the blueprint of any acid track, Dripping Acid refrains from revivalism, instead looking forward and inward as it harnesses the 303's psychedelic potential through sumptuous production and adventurous composition. Though it's focused on a single style, Dripping Acid is tremendously diverse, expanding upon the evocative physicality of its track titles ("Evaporated Acid," "Drenched Acid," "Oozing Acid") to rend dancefloors of all shapes and sizes. Tin Man's acid can be exuberant and coy, bleak and technicolor, maximalist and impressionistic, even completely unrecognizable as acid - but as Auvinen stretches the sound to the point of snapping, he shows there's still bend in a decades-old template, and plenty more alien waves to ride.

Virgo Four return on CHIWAX to present us the fourth Part of the E-series!
Another great release from the Chicago Masters!

Chiwax Welcomes The Legendary Ray Barney Aka Suburban Boyz! The Man Behind Dance Mania For A Long Time! We're Very Proud To Have Him On Board!

Omar S starts 2011 with this absolutely incredible track. This is on a level with the likes of Psychotic Photosynthesis! One sided release.

French Chicago Techno imprint Ghettomania celebrates 15 years with old collegues like Manu Kenton, Traxman
and Label head Manatane.

Sound Synthesis returns to eudemonia with another stellar acid-infused Electro EP. This time the Maltese delivers four wonderfully crafted tracks that send you to the outer space.

Chiwax presents Manooz - Juno Dreams EP (12") After two fantastic releases on Housewax it's was now the right music and time to bring this great artist to Chiwax! Juno Dreams EP is a trip back to the best days of this genre. Highly recommended!

Ed Nine returns to Chez Damier’s Inner Balance label with the third part in his The Journey series, as ever foregrounding the most classic of house sounds. Chicago from his head to his toes, Ed’s signature nods to the Windy City greats while pushing things forwards with fresh sound design and his innate musicality. From the bright and sunny melodies on ‘Nostalgia’ and ‘Time Will Tell’ to the driving bump and groove of ‘Not On The Radio’ and ‘There’s Always A Chance’, Ed establishes his credentials alongside the best of them.

We are very happy to present you "the 909 Files" on Chiwax 40! This fantastic retrospective of the 90's sound will be available in November! Highy recommended!

A timeless classic created and arranged by Glenn Underground originally released in the mid-90s on a Boo Williams' EP. The track took Europe by storm and now on a special 1-sided 12" from Strictly Jaz Unit Muzic it's available again. Limited edition first pressing on yellow colored vinyl!

A re-issue of the highly sought after Corrosive 002 with all 3 original tracks, plus a bonus 2020 remix of Acid Corrosion by Punky Junx (aka Tassid and label boss Austin Corrosive). Classic Acid Techno!

On the 25th release of their label Restoration (after 15 years of its foundation), the original trippy “Someone Else” comes with a mesmerising chicagoic heavy shuffled remix by dj Fett Burger. On the B side, the sophisticated beats and the classy arpeggios layered over the gloomy “Amazon Crime” comes together with the first track produced by Francesco del Garda and The Analogue Cops’; “Good Breath” (edited by Del Garda) is the state of the art of years spent behind the decks looking for the perfect combination of garage bass lines, eccentric beats and esoteric pads.

Dekmantel regular Matrixxman returns with the third, and final instalment in the Sector series, Part III: Polyphony. In this triptych, the producer from San Fransisco sets out to highlight the key components behind the sounds and style of techno, exploring the range within the confines of a particular limitation. Following Parts I and II, which looked at Rhythm, and Acid, Charles McCloud Duff charters the realm of Polyphony with four, meticulously produced techno tracks, expanding his repertoire of cult, dancefloor music.
Polyphony refers to the simultaneous combining of many notes in a musical sequence. In electronic music, this specifically refers to the role of the synthesiser - such as the Minimoog, ARP Odyssey, which can produce different pitches simultaneously. Polyphony has been an integral characteristic of the genre’s sound for over a quarter of a century, and can be heard in many key records, living a the sonic forefront of these four tracks.
”Sector Series: III Polyphony” provides an exercise in melody and polyphony. Throughout the EP, swaggering rhythms are inter-washed with a sea of multi-melodious, reverberated notation. ‘Initiation’ resonates with the grandiosity, and harsh claustrophobia of early Underground Resistance. ‘Access Granted’, drives hard with pulsing effects, with a dystopic, rhythmic cacophony of euphony. ‘Desert Planet’ plays around with a differing tempo, imagining a more fantastical vision of music, echoing back to earlier Plastikman productions, using a vast sonic spectrum to conjure up a colour palette of alien imagery. ‘Horizon’ rounds things off; a track that builds on minimalism with a progressive composition, allowing the polyphonics to drive the track, harnessing the adept production qualities that Matrixxman has come to be recognised for.

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Calling all blowhards, cosmic-jesters and techno-goons:Bintus is back at the juggernaut’s wheel, belching flames and generally causing a right old stink. After a five-year hiatus adrift in the fusion zone the angry behemoth returns to bring the pain. Grinding his gears hard on this toxic two-tracker, old man Bintus throws down a barbaric acid gauntlet; guaranteed to satiate the inner panel beater in even the most battle-hardened rave warrior.

In true Power Vac tradition Bintus bows out with a brace of scree-face electro grinds. "Rag It!" gets medieval on your ass then quits the scene in a wheel spin of cosmic dust; leaving your brain to cessate in rapturous turmoil. Millennium Speaker Stand slaps a gutsy acid line against a pock-marked 7/8 beat, while in the background the fabric of society breaks down - a not unwelcome aural distraction in these turbid times.

So, enjoy one last night ride thru babylon with Thee Prince of The Retail Park. As the tyre smoke recedes we are left in a haze of joy, sensory disorientation and the hope that visionary lunatics like Bintus will continue to rescue our souls from the stasis grip of consensus reality that threatens to consume us all.

Deep futuristic techno tracks on one of the longest going labels from the Motor City. Gary Martin, Derrick Thompson, FBK, and Chris Baumann on this Deepintel compilation with some solid electronic beat excursions on Drivetrain Records (Detroit, Usa). Recommended!

Deutsche Krimi passionnel' oder 'Ostalgie fuer begeisterte Kranken'? Well, this album may very well have been the perfect soundtrack of some very obscured 5-year-planned and very mentally disturbing, for truly some very fucked-up alienating D.D.R. / East German Democratic People's Republic remake of Tarkovski's old sci-fi classic 'Stalker' and that somehow, thank God, never made it to the Elevated Socialist Working Masses, for otherwise that 'Berliner Mauer' would have collapsed much earlier and certainly with a hell lot of more drastic damage! I mean, ''Mein Selbstmord! Im Monschein hinter dem Baum!'', now, what psychotic poetry of Goethean-Nietzschean 'Faustian' 'Sturm und Drang Tragoedie' and Romantic Mass-Industrial 'Todestrieb' Mantra is that? 'Das Ewig Weibliche (oder gibt's vielleicht auch Das Ewig Maennliche?) des alten Werthers Leiden in Teutobuerger Schwarz-und-buchenwaldklinik?' For this dark synth-guided croonin' could have turned into the ultimate 'Alan Vega Suicide' Project of the Soviet Bloc, its bloody very last Collective Act! Mastered by Guy Tavares.

Factory Music Chicago presents Traxman - Westside Boogie Vol. 3 This Ghetto House Monster was originally released on legendary Dance Mania. Soon back on solid black vinyl! Don't miss!

Chicago legend Gene Hunt lands on Elorf imprint with The Next Phase Ep. Certified banger!

We are happy to present you some unreleased treasures from the 90's on "Volume One" EP! Furthermore there will be another two releases out in 2021 from the Chicago Master. Stay tuned!

A soundtrack about a day in an imaginary city called Madrid in 1979 where kids took Opel Kaddetts to drive by in neighbourhoods like Ciudad Lineal/Ventas/San Blas. A science fiction version of the town where people listened to acid electro as well as music by flamenco rock artists of the Cano Roto Sound. And where the city and its inhabitants ressembled the comics in Metal Hurlant magazine.

Heavyweight 12" just in time to soundtrack the demise of humanity. No internet-ready 'deep' home listening tracks but a continuation of the previous 12"s. Big nods to the past, but then again it somehow seems fitting that our demise is founded on the relics of the past. For those who like to get wild or die trying!

Trackmaster Dre ode to the traditional squelching acid melting listful old school beats with Grandmaster Acid. The record contains decelerated beats married with laidback, thick and bubbly bass. The title track starts off as a raw and elastic dance floor mover, with a chamfer like 303 bassline that smooths out rougher edges. Blockhead Deuce is a simplistic track with shuffling drums that play with an impish bassline that squawks and squelches. Old school viscid synths and bass keep an aloof feel with the progression in 4th.

First V/A on Winthorpe is a 4 track EP featuring Lee Kelly (Tasetful Nudes, First Second Label) plus newcomer Ngoni backed with Crispy Jason (Solar Bears) and Splitradix.

Atlanta artist 30303 debuts on Vault Wax with five cosmic, space-influenced live acid jams. The far-out journey begins with ethereal, spaced-out breaks and trips into darker, grittier techno turns.

New imprint Jason, Jared & Brians’ Records delivers its first offering with a release from Jared Wilson. This record is dedicated to and influenced by Roland, Dinsync, Social Entropy Engine, and the Pacific Northwest. The three-tracks found on this EP are some of the first to come out of Jared’s new studio in Seattle.
Refining and recommitting to a sound that reaches into the past and future with hints of acid, house, and techno while at the same time not being confined by any theme or style.

So..it's time to make some noise about this release! I'm happy to welcome Riccardo & Saverio Celestri to the RAWAX Family! Her great collab on the A-side aka Planeters sounds like a fantastic journey thru time & space. The B. side belongs to Saverio who gave us 2 massive tracks on top. This bomba will be out in January 2020!

Filthy electro and acid on this new release on Klasse Wrecks' sub-label Zodiac 44! A 'as nasty as it wants to be' four tracker from new producer Ludgate Squatter, the 8th in the labels 12 release only schedule (one for each sign of the Zodiac dummy). ZCANC closely adheres to the labels 'outsider' sound, distorted drums and an atmosphere so dark, demented and paranoid you start to worry a little for the artist after listening to the music. Little is known about Ludgate Squatter and maybe thats for the best, there's an evil genius out there somewhere armed with a broken 707 and he's taking no prisoners. Recommended!!

Intense minimalist industrial acid tekno mantra beats by Albert van Abbe as Datasmok. A 'mini-concept-album' full heavy-hitting, brutal mean-and-lean, 'dirty-brown-and-miserable' psychotic visions. The Datasmok project was kickstarted by default when Guy Tavares and Albert decided to release archived tracks from Van Abbe on Tavares' Bunker Records. All tracks of this second volume of back-catalog material got special treatment in Tavares' subterranean master studio... Datasmok is one half of Penik Ettek.

The 5th edition of the Dj Skull - Saga is a new release by Ron Maney called "Balance" EP.
It's a classy, original jacking & swinging Chicago House record. Worth to check!

DEAIK is SJ Tequlla's third record on his own imprint Shot Of T. A solo affair, where the Berlin based Japanese artist keeps on exploring a variation of different sounds on his new 12''. Thumping Acid, moody ambient, Acid house for a club night, and some more familiar mellow drum machine and melodic pieces. SJ Tequilla's most varied record to date. Also with an interesting approach to tempo, where each side shifts between 33-45 by preference of the listener. Essential Shot Of T!

Trackmaster Dre With His Debut Ep On Chiwax. 4 Old School Club Bangers Reminding Us The Golden Era Of Chicago House - Essential Release!

After releasing a bundle of records on differents labels as Mental Groove, Brique Rouge or RZ in the noughties, A Jackin Phreak's acid house project is now reactivated and brings to you three brand new tracks, fully acid influenced for your own pleasure.
Steps back again in the vibe of '88 second summer of love with the Chicago jackin' sound of 'Good As You', let yourself go and do the trance-dance to the acid groove of 'Addicted' then go further and loose your control with 'Pulsion'.
As you can expect, 'Good As You' EP is released as limited random color vinyl pressing and, as a complete artist's project, its full color sleeve is designed by the A Jackin Phreak's himself.

Finally, the long awaited follow up to DJ Duke's house classic "Old Skool Deep Sampler Vol 1, which featured homages to Marshall Jefferson (Jefferson), Fingers Inc (Fingers), Larry Heard (Heard) and Ron Trent (Trent). This follow up E.P. (Vol. 2) features another string of worthwhile homages to the late Frankie Knuckles (Knuckles), Farley Jackmaster Funk (Farley), Chip E (Chip E.xtacy) and Boyd Jarvis (Jarvis).
Duke has always respected the pioneers that created the house/club scene and set the grounds for what's become of the biggest music crazes in the world. For example, Boyd Jarvis used to play live on air with Timmy Regisford on NYC radio station 107.5 WBLS using drum machines for the beats and then play keys on top of it. Duke tried to keep the tracks as close to the feeling of these pioneers, selecting the right drum machines, sounds, and overall vibe, but still keep the tracks fresh and not derivative.

Big Release By Florian Kupfer On Hotmix Records!

RB & MB sour up the dance ... Jamal Moss reedited/remixed on Taiwan's R=A. Pickles on 45 (70g, 7inch). TIP!