CD 3441 Items

Release: 2024 / UK – Original

Genre: Hip Hop

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Ash Ra Tempel Remastered By Manuel Göttsching

CD | 1971 | EU | Reissue (MG.Art)

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Schwingungen (Remastered By Manuel Göttsching)

CD | 1972 | EU | Reissue (MG.Art)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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We proudly announce the CD REmaster Editionof the 1972 Original release , one of the most important German
Krautrock albums - Remastered by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“

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Seven Up (Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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“Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with
American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous
Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed
September 1972 at Dierks Studios in Stommeln, Germany. First release in spring 1973 by OHR Musik - the
first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001.
We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th
2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels
of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously
unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos
from the recording session. ->continued on page 2->continued on page 2
As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler”
(published by Head Heritage, 1st ed. 1995):
“When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards...
7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic
group, but even weirder that he chose to sing a wild yelping freaked out blues !
Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the
mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it
all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer
weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality.
The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it. Hartmut
Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as
the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would
have sounded psychedelic.
7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous
sounds have been allowed to stay, to drift and to dance around the performers.
The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the
grandest of traditions.
In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though,
Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all
segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W.
Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like
Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away.
In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the
Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown

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Join Inn (Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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“JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr
Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.
In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album,
and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus
decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two
legendary last concerts in February 1973 in Paris and Cologne.
Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for
him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since.
It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also
Hartmut (the Hawk) Enke soon after quit the Bass and music forever.
Join Inn marks the end of the collaboration with Klaus Schulze.
However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of
our Series, it is considered a highlight of the Krautrock movement.
As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head
Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock
riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none
of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple
major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s
the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to
transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it.
-> continued on page 2“Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo
pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and
expressionist for just long enough before slipping back into the musical fabric of the song.
As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful
Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’
meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never
sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves.
Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series.
(…) After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

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Starring Rosi(Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

João Paulo Esteves Da Silva Trio w/ Mário Franco & Samuel Rohrer

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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"Starring Rosi“ is the 5th Album by Ash Ra Tempel. Released 1973 in the same Year as "Join Inn".
The CD Version is remastered by Manuel Göttsching himself.

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The River

CD | 2023 | Original (Arjunamusic Records)

Release: 2023 / Original

Genre: Electronic & Dance

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The Wild, The Innocent & The E Street Shuffle Sacd

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Bruce Springsteen

CD | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

44,99 €*

Jewel Case 2CD | 2024 | EU | Original (90's Tapes / HHV)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Sacd: Mastered ON Mobile Fidelity's Renowned Mastering System: Numbered-edition Hybrid Sacd Plays With Expressive Clarity / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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Walkin' Large

Riverside Pictures

CD | 2016 | Original (Hustle)

Release: 2024 / EU – Original

Genre: Hip Hop

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Limited edition of 300 copies on 2CD in jewel case incl. 11 instrumental versions.

Originally released in 1995, "Riverside Pictures" marked the debut album by Walkin' Large creating buzz far beyond Germany. O.N.O.'s lyrical talent paired with DJ Ara as well as Roe Beardie behind the boards still remains timeless, same goes for the features by Fabe and Jeru The Damaja.

Available in a limited run on 3LP, extra 7" of "Reachin' (For My People) / When I Flow Feat. Jeru The Damaja" in original artwork sleeve, 2CD in jewel case, double cassette and digitally on all major platforms.

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Lil' Keke

Self Made

Release: 2016 / Original

Genre: Hip Hop

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CD | 2024 | AU | Reissue (Gentleman's Relief Records)

Mathematik

H20

CD | 2024 | AU | Original (Gentleman's Relief Records)

Release: 2024 / AU – Reissue

Genre: Hip Hop

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One of the finest artists to emerge from the 90s independent hip hop scene, Toronto MC Mathematik stood out from the crowd with his reflective and intricately crafted wordplay on classic releases such as the Down To Erf EP and Ecology LP. This tradition continues on the H2O EP, featuring Math's trademark meticulous flow over ethereal production from Debonair P. Featuring 8 vocal tracks + 8 instrumental versions. Limited edition of 250 CDs!

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Godfather Don

The Ill Tone Generator

CD | 2024 | EU | Original (Mr Bongo)

Release: 2024 / AU – Original

Genre: Hip Hop

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The latest dose of verbal illness from Godfather Don, produced by Debonair P. Featuring 8 vocal tracks + 8 instrumental versions. Limited edition of 250 CDs!

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O'Donel Levy

Simba

CD | 2024 | US | Original (Legendary Music)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Proudly presenting a new series of Mr Bongo reissues exploring the incredible back catalogue of Sonny Lester’s iconic Groove Merchant record label. First up, the spellbinding funk-fuelled, soul jazz album ‘Simba’, by guitar maestro O'Donel Levy.

Baltimore-born, Levy was already well regarded as one of the best up-and-coming jazz guitarists at the time of Simba’s release. Having toured with George Benson and Jimmy McGriff, as well as featuring on McGriff’s Black Pearl album on Blue Note, he went on to sign with Sonny Lester’s Groove Merchant. Produced by Lester himself and recorded over two back-to-back days of sessions in 1973, Simba features a who's who of ‘70s session players. The album features the legendary studio drummer Steve Gadd, Cecil Bridgewater on Flugelhorn, bass by Tony Levin and arrangements by Manny Albam.

A masterclass in tight yet effortlessly funk-driven rhythms, the tracks showcase these musicians at their zenith. Album opener 'Bad, Bad, Simba' wouldn’t have been out of place on a Lalo Schifrin ‘70s car chase soundtrack. Levy's playing is brilliant, bright and slick, with an infectiously exuberant energy that is complimented perfectly by Gadd's supreme drumming. ‘Playhouse' serves up another vibrant offering, Wah Wah guitars, horns and flutes duelling it out in a fast-paced fashion.

The cinematic thread continues throughout, yet with the tempo taken down a notch. 'Sierra Lonely' and ‘Sad, Sad, Simba’ head into lush ballad territory, with superb arrangements by Albam and beautiful playing by Collins and Bridgewater on Flugelhorn. Here Levy shines without taking any limelight, as the players synergize to a relaxed perfection. ‘Nigerian Knights’ closes the album flawlessly, showcasing once more Levy’s understated yet magnetic flow on the guitar.

Every track on ‘Simba’ is a winner. As with CTI Recordings of the same era, the feel and textures of Sonny Lester's productions have that pre-emptive, hip-hop aesthetic, which later producers would rework and reimagine. This album is expertly balanced, deftly arranged and magically executed, ebbing and flowing with a cool buoyancy that just grooves and grooves.

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Living Legends

The Return

CD | 2024 | US | Original (Warner)

Release: 2024 / US – Original

Genre: Hip Hop

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The Living Legends, return after a 15 year hiatus with the aptly titled album, "The Return". As one of the premiere groups in the DIY, underground scene of the 90's and 00's the Living Legends have amassed a dedicated fanbase who are still ready for new music. The album features production from the crew's own Eligh, as well as the likes of Statik Selektah, Amp Live, Ant from Atmosphere, Chase Moore, Voodoo Lion and more. Along with the 7 members of the crew handling vocals, they invite the likes of, Del The Funky Homosapien, Atmosphere, Jay Worthy, Brother Ali, Opio, Pep Love, N8 The Gr8, Nate Curry, and Reverie.

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Earl Sweatshirt

Voir Dire

CD | 2024 | US | Original (Doomtree)

Release: 2024 / US – Original

Genre: Hip Hop

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Earl Sweatshirt and The Alchemist surprised both the music and media landscapes at large with the initial August release Voir Dire, which arrived with the exciting lead single, "Sentry" ft. Mike. As the anticipation for the album in its entirety continued to grow, the second DSP-accessible track, "The Caliphate" materialized alongside the release of its visual, featuring Vince Staples. Today marks the official release of the entire album in its original form and sequence — with two previously unreleased tracks including "Heatcheck," and "Mancala," the latter of which features Vince Staples for his second appearance on the album. Supporting the album’s release, the duo is trekking an 11-stop tour spanning the month of November featuring Earl Sweatshirt and The Alchemist performing together with support slots from Mike & Black Noi$e. The Alchemist initially hinted that they put out a secret album on YouTube under a fake name but four years went by without any fans discovering it. Fast forward to this summer, a new series of clues led fans on a scavenger hunt that unearthed Voir Dire, the long-rumored and highly-anticipated album from Earl Sweatshirt and The Alchemist.

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Paper Tiger

All Over The Place

CD | 2024 | EU | Original (Ideal)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Paper Tiger’s All Over the Place is a moody record, but also muscular—with strong kick patterns, spare but catchy vocal sampling, and short songs that make their mark then make an exit. Paper manages a nostalgia without sentimentalism, a 90s-style urgency and earnestness. The lead single, “A Different Trish,” features some drum and bass patterns that could score a new Run Lola Run sprint scene; it’s a dark, tightly-wound, electronic universe built and dismantled in 3 minutes and 21 seconds. Paper Tiger has a long list of credits as a hip hop producer, but working solo allows his style room to maneuver; All Over the Place explores everything from slow, drumless ambient compositions to hard, dark dance music. There’s a unifying sensibility, though: the chord progressions lean melancholy, textured timbres feel a little like grainy film, and distinct song sections reveal his pop fluency. For this record Paper set aside some of his digital rig to work with hardware instruments, in part because of what they can’t do. “Creative limitations can generate new ideas quickly for me—also you can’t get email or breaking news on a synthesizer.” The product of Paper’s efforts is a 12-track album with a distinct cinematic quality; All Over the Place is one of those records that turns your life into a movie as soon as you hit play. The tides of synth in your headphones swallow up the din of traffic and strangers’ chatter and the frame rate slows on your walk home. And everything feels infused with some new, deliberate significance: the guy on the corner stuck to his phone becomes a sympathetic everyman, the cityscape is suddenly vivified by all the human stories unspooling in it—you in your headphones among them.

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James K

Elektra

13,59 €* 15,99 € -15%

CD | 2023 | US | Original (Mom's Basement)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Elektra (Scream Through the Eyes of a Statue), is a multimedia performance broadly conceptualizing the female voice as an “X-ray to the bones of sound.” It was commissioned by Issue Project Room and performed April 26th, 2018 in Brooklyn, New York. Taking poet, essayist, and Classics professor Anne Carson’s translation of Sophocles’ tragic play Elektra as a point of departure, James K monstrously externalizes the inner sonic world of female vocalization through a scored collaborative framework interpreting each of Elektra’s “screams” in the Greek tragedy.

The piece develops unique methods of screaming through musical and non-musical objects -- performed through manipulated text, videos, and live contributions from James K (voice, electronics, violin, video) Brooklyn-based musician Eve Essex (alto saxophone, various winds and electronics), electronic producer and performer Dylan Shir (electronics), composer and cellist Leila Bordreuil (cello), and poet/artist Eli V Manuscript (textual alchemy, projections).

Within this collaborative framework, James K scores “the scream” to express the various relations between hysteria and the “gender of sound” -- a blurred and overlapping feminine sound defined by its fragmentation and resistance to scripted narrative. Elektra’s presence is emblematic of a radical alienation that occurs as a standing discrepancy to tragic convention. Amongst society, she is the anti-dialogue, a symbol of protest.

‘my cries are wings, they pierce the cage’

Elektra’s vocalizations pierce through language, revealing a shattered interior of multifaceted reflections constructed against habitual linguistic or vocal expression. In tragic convention, such habitual vocalization takes the shape of the often terse, patriarchal voice of the Greek philosopher -- a didactic, conceptual container in opposition to the expressive “becoming” of Elektra’s cries that riot against fixity. As a tragic character, Elektra is radical and alien for Sophocles and his audience -- an ever-present conviction that demonstrates how female shame has constructed a life-size funeral urn around her.

Through translating a text within layers of translations, a fragmentation of the firsthand into traces, James K mirrors Elektra’s deconstruction of reality into siren shards, offering an experiencing of female sign language as a means of sabotage to the world of normal utterances. By sliding on the edge of convention to sharply abandoning rational speech and sonic construction, K’s piece aims to embody Elektra’s strained and stretching screams, as cuts against the glass; her sabotage bound within the blanket loop. In response to rigid vocalization and fixed sonic understandings, Elektra (Scream Through the Eyes of a Statue) takes the scream as an unruly, emotive sonic experience projecting outwards into objects and audience: to the very bones of sound.

This is a live recording of its single performance. Recorded by Bob Bellerue at Issue Project Room in Brooklyn, NY. Mixed by James K. Mastered by Jack Callahan. Performed by James K, Eve Essex, Via App, and Leila Bordreuil. Conceived and scored by James K for four players, and written in collaborative improvisation with the performers. Textual alchemy by Eli V Manuscript. Design and layout by Nicola Tirabasso and James K. Label management by Joachim Nordwall.

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Ghost Party

Afterlife Of The Party

12,99 €*

CD | 2018 | EU | Original (JWS)

Release: 2023 / US – Original

Genre: Rock & Indie

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The long awaited debut full length from Ghost Party Is finally here! The album is titled Afterlife Of The Party and judging by its title, you know you’re in for a good time. Ghost Party is a pop punk supergroup that specializes in writing songs about having fun, horror movies, beer, girls, beer, pizza rolls and beer. You might think that the singer’s voice sounds familiar and that’s because it probably Is, as it’s Teflon Dave from the infamous Horror Section on guitar and vocals. The band also features Billy Putz on Bass and backing vocals and Patrick Mcvay on drums, both from The Putz, so you can see where I’m getting that whole pop punk supergroup thing from. This album is for fans of Green Day, Horror Section, The Putz and Mr. T Experience.

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Ty Dolla $Ign& DJ Smoke

Dolla Bill

Release: 2018 / EU – Original

Genre: Hip Hop

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CD | 1995 | UK | Reissue (The Vinyl Spot)

Mista Boss Mann

Pimp Or Die

19,99 €*

Release: 1995 / UK – Reissue

Genre: Hip Hop

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CD | 2013 | UK | Original (YNR)

Micall Parknsun

Me Myself And Akai

Release: 2013 / UK – Original

Genre: Hip Hop

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CD | 2009 | EU | Original (Membran)

Ginex

Russisch Roulette

13,59 €* 15,99 € -15%

Release: 2009 / EU – Original

Genre: Hip Hop

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CD | 2023 | EU | Original (Putojefe)

Dorothy Carter

Waillee Waillee

CD | 2014 | US | Original (Beyond Beyond Is Beyond)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Reverse board tip on with silver pantone print. The first ever reissue of Dorothy Carter's 1978 folk/psych/drone masterpiece. A truly unique album in Dorothy's catalog of otherwise traditional psaltery folk music, Waillee Waillee's essence sits in the confluence of Dorothy's mastery of the dulcimer; its shimmering notes fully enmeshed with the tremulous, cavernous drones of Bob Rutman's bowed steel cello. The core of this album, Dorothy's only with a full band, lies in the contradiction of traditional psych-folk idioms and the minimal avant-garde, referencing Henry Flynt and Laraaji as much as Karen Dalton. This LP version includes 12 page booklet with unpublished manuscripts, drawings, photographs, and songbooks of the songs from the album, as well as extended liner notes from friends and family of Dorothy Carter, including notable musicians such as Laraaji, Bob Rutman, and Alexander Hacke (of Einstürzende Neubauten). Drops soon - a joint release between Palto Flats & Putojefe Records.

Dorothy Carter was many things - a virtuoso player, storyteller, historian of Celtic and Appalachian folk music, avid lifelong busker, avant-garde musician, and itinerant troubadour, laying a framework for music that existed both within and outside of standard folk idioms - never better represented than on her 1978 masterwork, Waillee Waillee. Underscored by Bob Rutman’s cavernous bowing of the steel cello, the richness of Waillee Waillee’s sound produces an album unlike any other in her discography. In particular, its two side-ending pieces, “Summer Rhapsody” and “Tree of Life,’’ glide with the shimmering filigree of hammered dulcimer and Dorothy Carter’s ephemeral voice floating over Rutman’s droning buzz of the steel cello. The elements of these two tracks suggest something akin to a transcendental Appalachian raga or whirling cosmic folk music, an effortless combination that serves to add additional substance to the remaining tracks on the album.

The title track is one of her most enduring compositions, often performed in stripped down versions throughout her career, and one of her sole recordings featuring a full band, with the contrapuntal interplay of tremulous flute, vibrating steel cello, bass and drums. Lyrically and tonally, her voice would never sound as stirring and refi ned as on this, her most outwardly accessible song.

She counted musical colleagues as diverse as Constance Demby, Einstürzende Neubauten and Laraaji, as well as her lifelong artistic partner and friend Bob Rutman, whose imprint is felt throughout the grooves of this record. The master tapes for this recording were fortuitously discovered in Rutman’s Berlin studio, many, many years later. As recounted in Laraaji’s contribution to the liner notes, Dorothy was “someone who really influenced my early zither exploration and vocabulary and inspired my shift toward hammered zither performance and recording,” after encountering him busking on the sidewalk one day in the 1970s. Later, when living in Berlin in the early 1990s, Dorothy would begin work on manuscripts detailing the history of the dulcimer family and providing extensive sheet music, selected material of which is reproduced in the twelve page booklet included with this release. Dorothy would find later success touring and performing in the late 90s with the ensemble Mediæval Bæbes, which she led with British musician Katherine Blake, playing a prominent role on their first four albums.

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Prince Rupert's Drops

Climbing Light

Release: 2014 / US – Original

Genre: Rock & Indie

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Sick Boi Digipak Brain Edition

Ren

CD | 2023 | EU | Original (The Other Songs)

16,14 €* 18,99 € -15%

CD | 2024 | US | Original (New Retro Wave)

Release: 2023 / EU – Original

Genre: Hip Hop

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'Ren's Brain' edition: matte with foil and debossed detailing.

Digipak.

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Nina & Ricky Wilde

Scala Hearts

Release: 2024 / US – Original

Genre: Electronic & Dance

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The time is now. NRW is proud to present an absolute GEM from powerhouses NINA & Ricky Wilde. This is an album for the lovers of 80s pop and Dreamsynth. Ladies and Gentlemen...SCALA HEARTS is here.
credits
released September 29, 2023

“SCALA HEARTS” DEDICATION

RICK
This album is dedicated to my amazing Mandy, my rock always, and to Mickie Most, still so very missed.

NINA
I dedicate this album to my mum and Omimi. I miss you forever! Also, Oliver for being my knight of light and all my Synthians for shining my way. *Special thanks to my Patrons: Eric Majka, Adrianna Penc, Holger Barz, Grant Sweeney, Shane McGuinness, Robert O’Connor, Mark Boszko, Jose Gutierrez, Christian James, Mikael Peltola, Shane Stewart and Andrew Dodd.

RICK & NINA
We feel indebted to all who contributed and worked so hard to help make SCALA HEARTS possible, and to see the light of day. Radio Wolf, Sean Vincent, Jonathan Atkinson, Ten S, L’Avenue, and especially the amazing Lee Bennett..
What a dream team! We feel honoured to call you all our dear friends. We love you guys!

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Untourable Album

Release: 2024 / CA – Original

Genre: Rock & Indie

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Untourable Album: Japanese Edition

Release: 2024 / CA – Original

Genre: Rock & Indie

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Tailwhip Deluxe Edition

11,99 €*

Release: 2024 / CA – Original

Genre: Rock & Indie

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Oncle Jazz

Release: 2024 / CA – Original

Genre: Rock & Indie

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11,99 €*

Release: 2024 / CA – Original

Genre: Rock & Indie

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Headroom

11,99 €*

Release: 2024 / CA – Original

Genre: Rock & Indie

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Forever Live Sessions

12,74 €* 14,99 € -15%

Release: 2024 / CA – Original

Genre: Rock & Indie

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Cassette | 2006 | US | Reissue (Cleopatra)

Glenn Danzig

Black Aria 2

16,14 €* 18,99 € -15%

Release: 2006 / US – Reissue

Genre: Rock & Indie

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The Lost & Found (1987-1993)

Def Jam Blaster

CD | 2023 | EU | Original (Hip Hop Enterprise)

20,99 €*

3sunz X Confidence X J Ferra

Release: 2023 / EU – Original

Genre: Hip Hop

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After the amazing NoDōz album we dropped last year, we hooked up with Def Jam Blaster once again to bring you more rare & unreleased heat! We have compiled no less than 19 tracks from the vaults of Def Jam Blaster. All tracks were transferred from the original master tapes and were recorded between 1987 and 1993.

We have Private Identity (3-2 & Def Jam Blaster), NoDōz, Big Mike, Infinity, Black B. Nimbl, Kerijames, D. Latroi and Billy Dee M.C. all spitting on this historical piece of Houston, TX hip-hop.

Once again you will be treated with a Werner Von Wallenrod interview with Def Jam Blaster about him opening up the vaults and dropping knowledge about this project. The booklet contains no less than 12 pages and besides the interview it will also include additional photos from the contributing artists and a track by track commentary by Def Jam Blaster filling in the blanks for us.

All music has been remastered by Jee Van Cleef and the artwork was handled by LDL. The CD will be limited to only 250 copies!

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The Ride

CD | 2023 | EU | Original (Hip Hop Enterprise)

CD | 2010 | Original (Fake Four Rec.)

Release: 2023 / EU – Original

Genre: Hip Hop

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3Sunz (Ishmael Nehemiah and Solomon) have been making a buzz in the underground for some years now. These 2 young lyricists from the Tennessee mountains with a gift for introspective rhymes hooked up with longtime friends and producers Confidence and J Ferra back in 2021 and the result of that was "The Ride".

Here's what Ishmael Nehemiah had to say about the album last week.

"What a ride this music journey has been for me. I mean truly such a series of ups and downs and pluses and minuses. I have been inspired and I have trusted myself enough to know that my art is and will always be impactful. This album still represents exactly what it did To me the day it released and that is to enjoy life with the people you truly love. It’s a wild ride. The work was fully dedicated to the relationship me and my brothers have preserved for one another since we were children. Nothing short of a taste of our whole lives into just a small piece of work. This project is filled with fun, laughter, sadness and sorrow. Self worth and self love. And dedication. Very impactful subjects if you ask me. Thank you to every last soul who made this project become a reality and you know who you are. May this music live on for eternity… To infinity….and beyond"

Now on vinyl and CD in limited fashion! We will have a dope colored edition limited to only 100 copies and a black vinyl edition limited to only 150 copies. The CD will be limited to only 200 copies total.

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Otem Rellik

Elephant Graveyard

Release: 2010 / Original

Genre: Hip Hop

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The Dock Of The Bay Atlantic 75 Series Sacd

Otis Redding

CD | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

46,99 €*

Don't Take It Personal Limited Signed Postcard

Release: 2023 / US – Reissue

Genre: Organic Grooves

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Sacd

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Dizzee Rascal

CD | 2024 | UK | Original (Big Dirte3)

18,99 €*

Release: 2024 / UK – Original

Genre: Hip Hop

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CD | 2024 | US | Original (3 Palm)

Orgone

Chimera

Release: 2024 / US – Original

Genre: Organic Grooves

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The Marshall Mathers LP 2 10th Anniversary Edition

Eminem

2CD | 2014 | EU | Reissue (Interscope)

Release: 2014 / EU – Reissue

Genre: Hip Hop

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2CD | 2023 | EU | Original (Third Man)

Muriel Grossmann

Devotion

Release: 2023 / EU – Original

Genre: Organic Grooves

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CD | 2023 | EU | Original (The Other Songs)

Ren

Sick Boi

CD | 2024 | US | Original (Mass Appeal)

Release: 2023 / EU – Original

Genre: Hip Hop

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Matte with gloss and red foil detailing. Digipak.

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Nas

Magic 3

20,99 €*

Release: 2024 / US – Original

Genre: Hip Hop

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CD | 2023 | Original (Mello Music Group)

Homeboy Sandman

Anjelitu

Release: 2023 / Original

Genre: Hip Hop

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CD | 2023 | Original (Mello Music Group)

Skyzoo

All The Brilliant Things

Release: 2023 / Original

Genre: Hip Hop

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CD | 2014 | US | Reissue (Mello Music Group)

L'Orange

Ordinary Man

Release: 2014 / US – Reissue

Genre: Hip Hop

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White Peach Instrumentals II

V.A.

2CD | 2024 | UK | Original (White Peach)

Jewel Case 2CD | 2024 | EU | Original (90's Tapes / HHV)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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A compilation of Grime and Dubstep music that was originally released between 2017 and 2018 from some of the artists on White Peach.

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Scienz Of Life

BX To New Jeru

12" | 2024 | EU | Original (Pingipung)

Release: 2024 / EU – Original

Genre: Hip Hop

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Limited edition of 300 copies on 2CD in jewel case.

During the mid-to-late 90's, Scienz Of Life flourished in the underground scene with releases on Fondle 'Em and later on SubVerse Music. Over the years, the trio consisting of Lil Sci (also known as John Robinson), Inspector Willabe and ID 4 Winds built a massive reputation in conscious rap with singles like "Powers Of Nine Ether" or "Doin' Our Thing" which still remain timeless. "BX To New Jeru" is a collection of tracks from that era including 6 never before released demo tracks from the original tapes.

Available in a limited run on 3LP in gatefold sleeve, 2CD in jewel case, double cassette and digitally on all major platforms.

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Umeko Ando

Ihunke

14,44 €* 16,99 € -15%

CD | 2024 | EU | Original (Pingipung)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Umeko Ando (1932-2004) was a folk singer from Japan. She was a representative of the Ainu culture on the Hokkaido Island in the north of Japan. “Ihunke” is her first album which was recorded with the Ainu musician and dub producer Oki Kano in 2000. The 16 Ainu songs on “Ihunke” are delicate, natural gems. They are built on Oki Kano’s Tonkori patterns (a 5-string harp), over which Umeko Ando develops her repetitive, mantric vocals, often in a call-response manner. Oki Kano is one of very few professional Tonkori players who performs worldwide with his Oki Dub Ainu Band. The songs possess a mystical energy – when crows call accurately with Ando’s brittle voice in the first song, it seems like natural powers join in with her music. Her voice sounds like animals of the sky and the forest. Oki Kano: “It was a lot of fun to record with Umeko Ando. Many Ainu hesitate to break from tradition - if Umeko hadn’t been so flexible to work with the younger generation and recording technology, this album would never have happened. Our sessions were intense, and we were proud and happy about making such beautiful music.” Upcoming in autumn: remixes of “Ihunke” by Tolouse Lowtrax, M.Rux, DJ Ground, El Buho Mark Peters, Gama, Andi Otto, and Dreems.

Historical background: Only recently (in 2008) have the Ainu officially been acknowledged as indigenous people who are culturally independent from Japan. This record is an example of how their music has been passed on through generations in the underground Ainu communities while it was oppressed by the Japanese hegemony. It deserves a huge audience.

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Anadol

Uzun Havalar

13,59 €* 16,99 € -20%

CD | 2024 | EU | Original (Pingipung)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Anadol is a psychedelic synth folk project by Gözen Atila, a Turkish sound artist and photographer based in Berlin. Her third album Uzun Havalar is based on collective improvisations of middle eastern folk songs called „uzun hava“. They turn out as rich, atmospheric synth ballads. A diverse roster of improvising musicians creates their fascinating complexity. Anadol recorded them during extensive sessions in Istanbul. You can hear drummers laughing and playing guitars, composers howling, announcements in French and screams in no language, record collectors playing oscillators, and trumpets through spacious echoes. Anadol represents Gözen Atila’s liberation from a rather academic approach to electronic composition which she pursued during her music technology studies in Istanbul. She calls her education the „darkness of serious music“ where she first tried to belong, then to break free with the help of lo-fi synth pop. As a producer of radio plays and an expert field recording artist she has developed a distinct sense of timing, editing and sound design. Her Anadol project walks in the footsteps of lone synth experimentalists like Bruce Haack and The Space Lady with their childlike curiosity for electronic sounds, pushing the boundaries of minimal equipment. On Uzun Havalar she translates her experimental background into these floating folk ballads. The album was originally released on tape via Kinship in 2018.

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Anadol

Felicita

CD | 2023 | EU | Original (Omen Wapta)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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“Whether it is traditional or contemporary, we need to be authentic,” says Gözen Atila who performs as Anadol. “I don't claim that I am authentic, but this is what I want to achieve.”

A sense of authentic exploration, introspection and celebration coats every inch of Anadol’s latest album. After 2019’s Uzun Havalar, the Turkish artist returns with an album that continues to explore a variety of deeply embedded musical traditions while also hurtling into new terrain.

The music and influences - as well as the history, culture and geography behind them - that make up Atila as an artist all coalesce to create something entirely new. The result is something that is simultaneously exploring history and tradition, while harnessing innovative modern sounds and techniques. “If there is any tradition I am somehow connected to, or influenced by, then it’s multi- genres,” she says. “Such as Turkish Pop and Arabesk music from this country where I grew up. There is a connection to Folk and also French pop or Flamenco, Middle Eastern melodies and orchestration, Greek adaptations, Kenny G. solos, American guitars.”

This can be heard on Felicita, not in as much as you can link up the influences directly but in the way it glides across genres, eschewing convention and predictability along the way, to result in a kaleidoscopic experience. For the album, Atila found a talented roster of Jazz musicians in Istanbul who she recorded on top of her synth productions and field recordings. Soon enough saxophone, drums and strings began to stack up against preset drum loops from vintage organs. It’s a record where woozy psychedelic excursions bleed into dreamy synth lines, immersive ambience and the occasionally disconcerting yet incredibly tactile use of field recordings.

If it’s an album that feels like it travels through a variety of feelings, then it’s because the concept is loosely rooted in such a journey. Felicita translates as “happiness” and this album is something that explores the complexities of such an emotion. “I did not name the album like this because I just wanted to call it happiness,” Atila says. “A song like ‘Felicita Lale’ is a sad and confused song about a female character who can't get out of bed. It’s a funny rumination, in her thoughts, saying to get up and lie down repeatedly. At some point the lyrics say: "hep agla, felicita", meaning: "Cry all the time, Felicita". Like she is talking to happiness itself and telling it to cry. So it is not about happiness, it is more about the concept of happiness which can be very sad.”

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Harald Uunk

Unseen

19,19 €* 23,99 € -20%

CD | 2024 | US (Clocked In)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Harald Uunk's debut album, Unseen, is an immersive, contemplative trip through the forest. The 18 tracks are designed to build on each other, starting close in and gradually expanding to poke at the different corners of your mind. There are heady, overcast and menacing moments offset with pupil-dilating, sweeping, atmospheric levity. Varied tempos, warm basslines, fluttering glitches, undulating percussion and moments of crystalline equilibrium lean into elements of dub, minimal and introspective techno. Five years in the making, Unseen puts all of Uunk out to the world. The output is a reflection of the energies around him and the result is a spatiotemporal play.

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Picture
Coming Soon

Jus-P

Black Menace To Society

No Mountains In Manhattan

Release: 2024 / US

Genre: Hip Hop

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Preorder shipping from 2024-06-07

Jus-P is back on the scene with this new release Black Menace To Society soon to be a Hip Hop classic! Jus-P has enlisted a group of elite Emcees and Producers for this piece of art! Features include El Da Sensei, Da Beatminerz, Reks, Ruste Juxx,and more. The Queens New York Native delivers clever wordplay and punchlines with his melodic flow over Boom Bap production. This album is for the listener who can appreciate that Golden Age Hip Hop sound!

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Wiki

CD | 2017 | Original (XL Recordings)

Release: 2017 / Original

Genre: Hip Hop

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CD | 2017 | EU | Original (Rough Trade)

Princess Nokia

1992 Deluxe

Release: 2017 / EU – Original

Genre: Hip Hop

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CD | 2017 | EU | Original (JWS)

50 Cent & DJ Smoke

The General Mixtape

Release: 2017 / EU – Original

Genre: Hip Hop

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From The Coming To The Big Bang Mixtape

Busta Rhymes & DJ Smoke

CD | 2017 | EU | Original (JWS)

Release: 2017 / EU – Original

Genre: Hip Hop

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CD | 2017 | EU | Original (JWS)

Snoop Dogg & DJ Smoke

Doggyland

Release: 2017 / EU – Original

Genre: Hip Hop

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CD | 2016 | EU | Original (JWS)

2 Chainz & DJ Smoke

Trap Advisor

Release: 2016 / EU – Original

Genre: Hip Hop

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Musik Ist Keine Lösung Premium 2 Edition

Alligatoah

CD | 2015 | DE | Original (Trailerpark)

Release: 2015 / DE – Original

Genre: Hip Hop

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CD | 2024 | EU | Original (Alto Fuero)

Alto Fuero

11,19 €* 13,99 € -20%

Ripe Fruit Falls But Not In Your Mouth

Release: 2024 / EU – Original

Genre: Rock & Indie

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Alto Fuero are a duo from France currently residing in Brussels, cartoonesque sounds and spasmodic rhythms intertwined with traditional folk-inspired spellbinding chants, their trance-inducing music could be read as post-folk; their energetic and mind-melting live performances are experienced as the soundtrack to near-future gatherings in the ruins of our modern world. "Live Rec" is a compilation of lives excerpts between 2022 and 2023.

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Hua Li

CD | 2024 | Original (Next Door)

Release: 2024 / Original

Genre: Hip Hop

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Preorder shipping from 2024-06-14

CD | 2020 | US | Original (Paper Route Empire)

Young Dolph

Rich Slave

Release: 2020 / US – Original

Genre: Hip Hop

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CD | 2023 | Original (Al Dente Recordz)

Microphone Mafia

Merenda

Release: 2023 / Original

Genre: Hip Hop

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Bejarano & Microphone Mafia

Esther

CD | 2023 | Original (Al Dente Recordz)

Release: 2023 / Original

Genre: Hip Hop

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CD | 2019 | US | Original (Empire)

Iggy Azalea

In My Defense

Release: 2019 / US – Original

Genre: Hip Hop

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Tink

Heat Of The Moment

Release: 2022 / US – Original

Genre: Hip Hop

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Rich The Kid & Youngboy Never Broke Again

Nobody Safe

Release: 2022 / US – Original

Genre: Hip Hop

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DJ Kay Slay

Accolades

Release: 2022 / US – Original

Genre: Hip Hop

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Yung Bleu

Moon Boy

Release: 2021 / US – Original

Genre: Hip Hop

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The Big Butter,Part 1 & 2

Waxolusionists

CD | 2018 | Original (Duzz Down San)

Release: 2018 / Original

Genre: Hip Hop

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Trae Tha Truth

Exhale

Release: 2021 / US – Original

Genre: Hip Hop

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D Smoke

Black Habits

Release: 2021 / US – Original

Genre: Hip Hop

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CD | 2017 | DE | Original (Digitale Dissidenz)

Kilez More

Alchemist

15,99 €*

Release: 2017 / DE – Original

Genre: Hip Hop

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CD | 2020 | AT | Original (Tontraeger)

Kayo

Reunion

Release: 2020 / AT – Original

Genre: Hip Hop

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D Smoke

War & Wonders

Release: 2022 / US – Original

Genre: Hip Hop

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Key Glock

Yellow Tape 2

Release: 2022 / US – Original

Genre: Hip Hop

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DJ Kay Slay

Homage

Release: 2021 / US – Original

Genre: Hip Hop

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Berner

Gotti

Release: 2022 / US – Original

Genre: Hip Hop

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Iggy Azalea

The End Of An Era Deluxe

18,99 €*

Release: 2021 / US – Original

Genre: Hip Hop

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Iggy Azalea

The End Of An Era

Release: 2021 / US – Original

Genre: Hip Hop

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Wale

More About Nothing

Release: 2022 / US – Original

Genre: Hip Hop

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CD | 2019 | DE | Original (Digitale Dissidenz)

Kilez More

Voice Of Peace

15,99 €*

Release: 2019 / DE – Original

Genre: Hip Hop

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Babyface Ray

Face

Release: 2022 / US – Original

Genre: Hip Hop

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Paper Route & Empire

Long Live Young Dolph

Release: 2022 / US – Original

Genre: Hip Hop

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Under Construction,Part Ii

Timbaland & Magoo

CD | 2003 | US | Reissue (Empire)

Release: 2003 / US – Reissue

Genre: Hip Hop

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CD | 2001 | US | Reissue (Empire)

Timbaland & Magoo

Indecent Proposal

Release: 2001 / US – Reissue

Genre: Hip Hop

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CD | 1997 | US | Reissue (Empire)

Timbaland & Magoo

Welcome To Our World

Release: 1997 / US – Reissue

Genre: Hip Hop

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CD | 2021 | AT | Original (Tontraeger)

Texta

Mehr Oder Weniger

Release: 2021 / AT – Original

Genre: Hip Hop

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Curren$y

Collection Agency

Release: 2021 / US – Original

Genre: Hip Hop

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CD | 2023 | JP | Original (Somethin'cool)

Akira Ishiguro

Bon

15,99 €* 19,99 € -20%

CD | 2016 | US | Original (Sub Pop)

Release: 2023 / JP – Original

Genre: Organic Grooves

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Akira Ishiguro is a guitarist at the forefront of New York City. His latest work is a tribute to the spirits of his ancestors and hope for those who survive in the present. The 10 songs were written by 14 highly skilled musicians, including Takuya Kuroda (tp), Maasa Kato (p, keys), Keita Ogawa (perc), and Chris Potter (ts), a master pianist, and the multi-talented Henry Hay, a pianist. The 10 songs were written in the solitude of the pandemic, finding solace in music and working earnestly on the songs alone in their home in New York City. The result is a confident work full of possibilities, incorporating traditional jazz sounds with contemporary grooves and harmonies.

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Clipping.

Splendor And Misery

Release: 2016 / US – Original

Genre: Hip Hop

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CD | 2015 | Reissue (XL Recordings)

Shamir

Ratchet

Release: 2015 / Reissue

Genre: Hip Hop

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2CD | 2024 | UK | Original (Nashazphone)

Unglee Izi

Musique De L'A.S.M.A..

28,99 €*

Da Buze Bruvaz presents Clever 1 x Lord Beatjitzu

Release: 2024 / UK – Original

Genre: Electronic & Dance

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iterally, physically, and metaphorically doubling down on his previous Nashazphone number, Unglee Izi
properly pushes into radical phantasmagoric dimensions over two+ hours of immersive and unpredictable
gear that seemingly revels at all-extremities of modern composition, gliding from highly resolved harmonic
gestures to absolutely crushing assaults on the senses.
Blessed with the vision and sonic mastery of early electronic mavericks, but here articulated with a
contemporary voice, the combined works speak to the most atavistic sense of wonder that makes you
feel like a speck of dust buffeted by cosmic forces in the grandest scheme of things. Neatly summed up by
the label as “delicate music of savage finesse that only wants to address the stars and nothing else”, it is
music that firmly encourages you to “lose yourself” in a manner that makes overbearing musical statements
worthwhile if you give them due attention for the benefit of your imagination and humility.
The vastness of scale and execution to ‘Musique de l’A.S.M.A.’ recalls titans of experimental electro-acoustic
concrète such as Romanian spectralist Iancu Dumitrescu, the religious fervour of Ákos Rózmann, or
indeed the grand master of roiling cybernetic scaping, Roland Kayn, while streaked thru with flashes of
contemporary brilliance and entrancing pathos found in TCF’s YYAA tape, or K-Lis at her most glacial and
testing.
Genuinely staggering stuff for the hardest to please.

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Master Sip - Legendary Teacher Of Bruce Lo

CD | 2024 | US | Original (Grilchy Party)

18,99 €*