CD 5333 Items

Essential Blues & Soul

CD | Original (Crimson)

CD | DE | Reissue (Reprise)

Release: Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Gram Parsons

GP / Grievous Angel

Franz Schubert, Matthias Goerne, Deutsche Kammerphilharmonie Bremen, Florian Donderer

Release: DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Schubert Revisited

CD | Original (Deutsche Grammophon)

CD | DE | Reissue (Warner Bros.)

Release: Original

Genre: Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Paul Simon

There Goes Rhymin' Simon

Bob Seger And The Silver Bullet Band

Release: DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case.
All booklets included.

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Nine Tonight

CD | EU | Original (Capitol)

Bob Seger And The Silver Bullet Band

Release: EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Stranger In Town

CD | EU | Reissue (Capitol)

CD | EU | Reissue (Beggars Banquet)

Release: EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Mark Lanegan Band

Bubblegum

And That's That - The Demos

Release: EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case.
All booklets included.

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Plainsong

CD | EU | Reissue (Taxim Records)

Electric Music For The Mind And Body

Release: EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Country Joe And The Fish

CD | US | Reissue (Vanguard)

CD | EU | Reissue (Cooking Vinyl)

Release: US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Murder By Death

In Bocca Al Lupo

CD | EU | Reissue (Reprise)

Release: EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Ry Cooder

Into The Purple Valley

The Man In Black (The Definitive Collection)

Release: EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case.
All booklets included.

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Johnny Cash

CD | UK | Reissue (Columbia)

CD | DE | Original (Reprise)

Release: UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case.
All booklets included.

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Ry Cooder

Paradise And Lunch

Release: DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case.
All booklets included.

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Audioslave

CD | EU | Reissue (Epic)

Release: EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

The Rompalation Volume 1

CD | US | Reissue (Romp)

Release: US – Reissue

Genre: Hip Hop

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Description Mac Dre, the root of the saucy Ballejo, Cali flava is back, mixin' that Bay love up like gumbo after a 5-year Federal vacation. He is joined on this top-notch Bay Area rap compilation by Mac Mall, Coolio Da' Unda Dogg, 187 Fac, Dubee (Da Suga Wolf Pimp), Da 5 Footaz, J.T. The Bigga Figga, Dangerous Dame, N2Deep, Get Low Playas, Young Lay and many others. Producers include Da' Unda Dogg, Johnny Z, K-Lou, Stevie D, Mac Dre and Khayree. 16 tracks (74 minutes) of highly addictive Bay Area dope!

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CD | US | Reissue (Strictly Business)

What's Really Going On

13,99 €*

Release: US – Reissue

Genre: Hip Hop

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7 song EP by the Bay Area super rap star.

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The Musical Life Of Mac Dre Volume 2 True To The Game Years 1992-1995

CD | US | Reissue (Young Black Brotha)

18,99 €* 19,99 € -5%

Release: US – Reissue

Genre: Hip Hop

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Volume two of the three volume series contains 12 songs from the Strictly Business Records years 1992-1995. Mac Dre's early hits produced by Khayree laid the groundwork for his massive popularity and iconic underground Bay Area rap legacy. Remastered for the best sound ever on these Mac Dre classics.

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CD | US | Reissue (Thizz)

Appearances 2

Release: US – Reissue

Genre: Hip Hop

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Da King of "Err Thing" is back with his second installment of "Appearances of Mac Dre". Always a Thizz fan favorite. 18 back to back slaps 4 yo 4 "15" slammin! Featuring Dubee, Messy Marv, J-Diggs, Da Looie, Luni Coleone, E-40, Mac Mall, Sleep Dank, Skyballa, Husalah and more.

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Mac Dre Presents Thizz Nation Volume 7

CD+DVD | US | Reissue (Thizz)

Release: US – Reissue

Genre: Hip Hop

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Mac Dre brings you the seventh installment of Thizz Nation featuring members of the whole Thizz Nation and containing a DVD of Mac Dre himself along with all of his clan. DVD is Ntsc.

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2CD | US | Reissue (Thizz)

Best Of Mac Dre Volume 5

Thizz Nation Volume 11 Starring Johnny Cash

Release: US – Reissue

Genre: Hip Hop

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2010 two CD collection from the late great Hip Hop star, one of the innovators of the Hyphy style. Mac Dre's Thizz Nation empire continues to thrive five years after his death and never seems to go out of style.

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Johnny Cash (Rapper)

CD | US | Reissue (Thizz)

Release: US – Reissue

Genre: Hip Hop

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Thizz Nation 11 starring the fast gunna Johnny Cash of the Money Gang. Cash is the future of Thizz Nation so get used to MGM MOb. Featuring Money Gang, Fendi Boyz, Thizz South, Magnolia Chop, Trill Real, Thugga, Tuffy and Thizz Nation.

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Mac Dre Presents Thizz Nation Volume 5

CD+DVD | US | Reissue (Thizz)

Release: US – Reissue

Genre: Hip Hop

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This is the 5th hot real-life mixtrack from the Nation featuring Mac Dre, Mac Mall, Dubee aka Sugawolf, PSD, Ryda J Klyde, Money Gang, Bavgate, Mistah FAB and others.

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Mac Dre Presents Thizz Nation Volume 4

2CD+DVD | US | Reissue (Thizz)

26,99 €*

Release: US – Reissue

Genre: Hip Hop

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The fourth volume of the Thizz Nation series features appearances by Mac Dre, Keak Da Sneak, P.S.D., Mobb Figaz, Mac Mall, Equipto, Money Game, Fendi Boys, J-Diggs, Dubee a.k.a Sugawolf, City Side Crew, Mistah F.A.B., Miami, Budda Mac, Little C Style, G-Stack, Crest Creepas, Black Mafia Family, Vital and others.

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Mac Dre Presents Thizz Nation Volume 3

2CD+DVD | US | Reissue (Thizz)

26,99 €*

Release: US – Reissue

Genre: Hip Hop

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This is a continuation of the Thizz Nation series, but this time it's comin' legit with all new tracks! Features appearances by Mac Dre, Mac Mall, Keak Da Sneak, Money Game, Mobb Figaz, Equipto, Mistah F.A.B., Budda Mac, Little C Style, City Side Crew, Fendi Boys, Dubee a.k.a. Sugawolf, J-Diggs, Miami, Crest Creepas, P.S.D., Vital, G-Stack, Black Mafia Family and others.

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Mac Dre Presents Thizz Nation Volume 1

CD | US | Reissue (B4-N-Afta)

Greatest Hits Murderbook Author Part 2

Release: US – Reissue

Genre: Hip Hop

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Get a chance to see how Thizz Nation came together. This was an underground release, long out of print, that is being made available as a limited edition release. Classic Mac Dre and Mase songs that also include Husalah, Rydah J. Klyde, J-Diggs, Crest Creepaz, Mistah Fab and more.

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Sleep Dank

CD | US | Reissue (Sumo)

Thizz Nation Volume 26 Masareti Music

Release: US – Reissue

Genre: Hip Hop

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Sleep Dank is one of Mac Dre's original "Cuddies" from the infamous "Crest" of Vallejo, CA. for years Sleep Dank has been an original voice of the bay area rap scene. His new CD collects 20 of his best tracks and includes appearances by Dubee, San Quinn, Keak Da Sneak, J-Diggs, Mac Dre and more.

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Kafani

CD | US | Reissue (Thizz)

Release: US – Reissue

Genre: Hip Hop

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Get ready to pop bottles and spend money, Thizz Nation 26 starring the bay rich kid (Kafani aka Ice King) will drive the D-Boyz crazy with nothing but hood classics on this one. Featuring Dubee, J-Diggs, San Quinn, Rydah J. Klyde, Chop Da Hookman, Vital and many more.

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12" | NL | Original (Fresh Fruit)

Fresh Fruit Classics

9,99 €*

Release: NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

CD | UK | Reissue (Polydor)

The Who

Live At Leeds

Release: UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Songs As Performed In The Motion Picture Easy Rider

CD | UK | Reissue (MCA)

CD | US | Reissue (Chrysalis)

Release: UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Jethro Tull

Stand Up

Release: US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

CD | EU | Reissue (Parlophone)

Kate Bush

The Whole Story

8,99 €*

Release: EU – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

CD | UK | Reissue (Virgin)

Phil Collins

No Jacket Required

9,99 €*

Release: UK – Reissue

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

CD | DE | Original (Columbia)

MIA.

Was Es Ist

Release: DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

De Puta Madre

L'intégrale

3CD | US | Original

36,54 €* 42,99 € -15%

Release: US – Original

Genre: Hip Hop

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Metal case collector 1992 - 2005

(Smimooz, Rayer, Sozyone, Dj Grazzhoppa )

The complete collection of Belgian underground rap group DE Puta Madre, including their two albums: Une ball dans la tête and Technikstonic, plus all previously unreleased tracks from 1992 to 2005. Remastered and produced by Smimooz.

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The Musical Life Of Mac Dre Volume 3 The Young Black Brotha Years 1996-1998

CD | US | Reissue (Young Black Brotha)

Tomaso Albinoni – Anthony Camden, The London Virtuosi, John Georgiadis

Release: US – Reissue

Genre: Hip Hop

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The third volume in the series of releases chronicling the early career of Mac Dre. Includes previously unreleased tracks.

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Oboe Concerti Vol. 1 Op. 9, Nos. 2, 3, 5, 8, 9 & 11

CD | DE | Reissue (Naxos)

Release: DE – Reissue

Genre: Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

CD | DE | Original (Normal)

Various

OST Sin Nombre

Release: DE – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: VG+

CD | FR | Original (Odd Size)

Maybe Mental

Lotuses On Fire

Release: FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Doors Sacd Hybrid Multichannel Sacd

Doors

CD | US | Reissue (WEA)

38,99 €*

Release: US – Reissue

Genre: Rock & Indie

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LP+CD | EU | Reissue (Munster)

Los Jets

Leccion De Twist

LP+CD | EU | Reissue (Munster)

Release: EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Formed in 1961, Los Jets are one of the essential bands in the emergence of rock & roll music in Argentina. They were the first group (and possibly the only one) to include two drummers, they sang and did three-part choruses before The Beatles appeared on the scene, and were also pioneers in fusion as they recorded Argentine and Latin American folk songs with a rock beat. This compilation gathers tracks from their two LPs, singles and their only surviving live recording, registered in January 1966. Includes CD with 15 bonus tracks.

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Marc Jonson

12 In A Room

Release: EU – Reissue

Genre: Rock & Indie

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"How does one create three minutes of music that somehow tweaks the soul and seems mysteriously in sync with the most private dreams and longings? On "12 In A Room", Marc Jonson offers an able demonstration of how it's done." Kristine McKenna Self-recorded and produced, Marc Jonson's second album came out in 1992, two decades after his debut, the psych folk/baroque pop masterpiece "Years". "12 In A Room" was another brilliant display of his gift for beautiful pop music, now available on vinyl for the first time. Presented in updated artwork and pressed on 180g vinyl. Includes CD.

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Ray Lamontagne

Trouble

CD | US | Original (RCA)

Release: US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

CD comes in a soft case, instead of the original crystal case.
All booklets included.

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Live At The Knitting Factory · Volume Two

CD | DE | Original (Enemy)

Release: DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

CD | EU | Original (Getting Out Our Dreams)

John Legend

Once Again

Ella Fitzgerald & Louis Armstrong

Release: EU – Original

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Copy is close to NM!

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Ella And Louis Again Mono Sacd Edition

SACD | 1956 | UK | Reissue (Analogue Productions)

38,99 €*

Somethin' Elsehybrid Stereo Sacd

Release: 1956 / UK – Reissue

Genre: Organic Grooves

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Sacd

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Cannonball Adderley

CD | 1958 | US | Reissue (Blue Note)

38,99 €*

Release: 1958 / US – Reissue

Genre: Organic Grooves

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Blues & Roots Atlantic 75 Series Sacd

Charles Mingus

CD | 1960 | US | Reissue (Analogue Productions Atlantic 75 Series)

46,99 €*

The Genius After Hours Sacd Edition

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Sacd

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Ray Charles

SACD | 1961 | UK | Reissue (Mobile Fidelity)

51,99 €*

Tell Him Clear Vinyl Edtion

Release: 1961 / UK – Reissue

Genre: Organic Grooves

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Sacd

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The Exciters

LP | 1963 | EU (Destination Moon)

CD | 1964 | EU | Reissue (Schema)

Release: 1963 / EU

Genre: Organic Grooves

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The Exciters began as the Masterettes, a girl group formed by high school friends Brenda Reid, Carol Johnson, Lillian Walker, and Sylvia Wilbur. A single was cut for Brooklyn’s Le Sage label before Wilbur was replaced by Brenda’s husband, Herb Rooney, and after auditioning for Leiber & Stoller, the Exciters recorded the international smash ‘Tell Him’, a song so popular that it spawned foreign language renditions. Our edition of this marvellous debut LP includes the spectacular follow-up hit, ‘Do Wah Diddy,’ another immortal nugget of irresistible pop soul. Bright, light grooves for your dancing feet!

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Sahib Shihab

Summer Dawm

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Sahib, besides being an undisputed leader and releasing records for prestigious European and American labels, was one of the key members of the prestigious Kenny Clarke Francy Boland Big Band.

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Revolver Special Edition Super Deluxe CD Box Set Edition

Box Set | 1966 | EU | Reissue (Apple)

138,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie, Pop

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Revolver Special Edition Standard Digipak CD Edition

CD | 1966 | EU | Reissue (Apple)

Release: 1966 / EU – Reissue

Genre: Rock & Indie, Pop

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Revolver Special Deluxe 2CD Edition

2CD | 1966 | EU | Reissue (Apple)

25,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie, Pop

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2CD | 1967 | EU | Reissue (Polydor)

The Who

The Who Sell Out

Big Brother And The Holding Company

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Following recent super-deluxe editions and multi-format releases of classic Who albums – ‘My Generation’, ‘Tommy’ and ‘Quadrophenia’, and the success of ‘Live at Fillmore’, we follow with The Who Sell Out – this set shaping up to be the most superlative of all…!! Released in December 1967 – the album reflected a remarkable year in popular culture. As well as being forever immortalised as the moment when the counterculture and the ‘Love Generation’ went global, 1967 produced tremendous musical upheavals as “pop” metamorphosed to “rock”.

Originally planned by Pete Townshend and the band’s managers, as a loose concept album including jingles and commercials linking the songs styled as a Radio London broadcast – born out of necessity as the band’s managers wanted a new album and there weren’t enough songs.

The original plan was to sell advertising space on the album – Jaguar cars, Coca-Cola etc. The jingles pay tribute to the pirate radio stations and expose the myths of ‘pop-culture’ and mock consumer society – way ahead of their time…

The homage to pop-art is evident in both the advertising jingles and the iconic sleeve design – created by David King (art director at the Sunday Times) and Roger Law (who invented Spitting Image) producing four giant images for each band member – Odorono deodorant, Medac spot cream, Charles Atlas and Heinz baked beans (Roger apparently caught pneumonia from sitting in the cold beans for too long).

Photography by renowned portrait photographer David Montgomery (rare out-takes included)

The album is a bold depiction of the period in which it was made – the tail-end of the ‘swinging-60s’ meets pop-art mixed with psychedelia and straight-ahead pop craft. It’s glorious blend of classic powerful Who instrumentation, melodic harmonies, satirical lyrical imagery crystallised for what was only the group’s third album – the ambition and scope is unrivalled by the Who, or any others from that period.

Within the bold concept, were a batch of fabulous and diverse songs – I Can See for Miles (a Top Ten hit) is a Who classic, Rael, a Townshend ‘mini-opera’ with musical motifs that reappeared in Tommy and the psychedelic blast of Armenia City in the Sky and Relax are among the very best material of the 1960s.

One of the most extraordinary albums of any era – it’s The Who’s last ‘pop’ album. Two years later came Tommy – a double concept album about a deaf, dumb and blind kid…

“We were hoping to get free Jaguars. We got fifty tins of free Baked Beans”

Pete Townshend

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Cheap Thrills SACD Edition

CD | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

42,99 €*

Lightnin' (The Blues Of Lightnin' Hopkins) Clear Vinyl Edtion

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Sacd

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Lightnin' Hopkins

LP | 1969 | EU (Destination Moon)

Release: 1969 / EU

Genre: Organic Grooves

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Texan country blues kingpin Lightnin’ Hopkins was rated one of the top 100 guitarists of all time by Billboard, and was a notable influence on Stevie Ray Vaughan, among others. Recordings for Aladdin and Gold Star cemented his reputation, and after performing at Carnegie Hall with Pete Seeger and Joan Baez, ‘Mojo Hand’ was a breakthrough hit. The superb 1961 LP Lightnin’ (The Blues of Lightnin’ Hopkins) benefits from the understated presence of King Curtis’ drummer, Belton Evans, and jazz bassist Leonard Gaskin, placing Hopkins’ guitar licks and raspy voice at centre stage, playfully relating heartbreak and woe.

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Let It Be Limited 50th Anniversary Box Edition

Box | 1970 | UK | Reissue (Apple)

151,99 €*

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Following on from the global success of ‘Abbey Road’, Apple Corps and USM are proud to present the next multi-format Beatles album reissue of ‘Let It Be’.

January 1969 – The Beatles planned to return to live performance, setting up in Twickenham Film Studios, London, for 21 days of rehearsals. They then decamped to their new studio in their Apple office building in Saville Row and on January 30th performed their last ever live group performance on the rooftop. All of this was filmed for a proposed documentary (eventually released in 1970). During the rehearsal process, they asked Glyn Johns, who had been hired to help with the live sound, to attempt a mix to create an album. This was never released, becoming known as one of the great ‘lost’ albums in rock history and is now included in this Super Deluxe Set. The album was delayed further and in fact became their 12th and final official album release on 8th May 1970 following additional production by American producer Phil Spector.

The Beatles iconic final studio album being released to coincide with the worldwide release of Peter Jackson’s 3 part documentary ‘The Beatles: Get Back’
New stereo mix of the original album by Giles Martin
Additional discs featuring a selection of outtakes from the recording sessions
Blu-ray contains Dolby Atmos mix, 5.1 surround mix, plus high-res stereo mix of the original album

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Let It Be 50th Anniversary Edition

CD | 1970 | UK | Reissue (Apple)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Let It Be 50th Anniversary Deluxe Edition

2CD | 1970 | UK | Reissue (Apple)

25,99 €*

CD | 1970 | EU | Reissue (Far Out)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Hermeto Pascoal

Hermeto

17,99 €*

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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SACD | 1970 | US | Reissue (Mobile Fidelity)

Miles Davis

Bitches Brew

66,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

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CD | 1970 | Reissue (Universal)

Rodriguez

Coming From Reality

17,99 €*

Release: 1970 / Reissue

Genre: Rock & Indie

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CD | 1971 | US | Reissue (RCA)

Gil Scott-Heron

Pieces of a man

Hozan Yamamoto With Sharps & Flats

Release: 1971 / US – Reissue

Genre: Organic Grooves

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his groundbreaking debut!

- "Home is Where The Hatred Is" sampled by Kanye West & Common for "My Way Home"

- "Pieces of a Man" sampled by KMD for "What a Niggy Know"

- "The Revolution Will Not Be Televised" sampled by Masta Ace for "Take a Look Around",
Professor Griff for "Real African People 'Rap' pt 2",
Queen Latifah for "The Evil That Men Do" and
Salt-N-Pepa for "Whatta Man Luvbug Remix 1"

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Beautiful Bamboo-Flute

CD | 1971 | EU | Reissue (Mr Bongo)

CD | 1971 | US | Reissue (Dolemite)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Seminal Japanese jazz album from 1971. Journeys through jazz fusion, soul and big band moods. Impossible to obtain in its original format these days. Official Mr Bongo reissue.

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Rudy Ray Moore

The Cockpit

CD | 1971 | US | Reissue (Now-Again Reserve Series)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Although the cover lists it as his third, this was actually Rudy Ray Moore's seventh full length comedy album release. After the massive success of Eat Out More Often and This Pussy Belongs To Me in 1970, Moore had developed a formula taking long traditional spoken monologues, or "toasts", and freshening them up for the "now generation" as he would call it. The release of The Cockpit in early 1971 continued this formula and also introduced the world to "Petey Wheatstraw: The Devil's Son-in-law", a character which Moore would later base a feature length film around in 1977. The Cockpit remains one of Mooreís most popular albums. It also needs to be
noted that this was the first time Rudy used completely topless women in his artwork and this may in fact be the first major record release that includes a man on the cover with semi-naked women!

- Mark Jason Murray, Biographer

Rudy Ray's Petey Wheatstraw was inspired by the real deal, an influential blues recording artist from back in the 1930's who spelled it "Peetie" and billed himself not only as the Devilís Son-in-Law but also the High Sheriff From Hell with song titles like "I Want Some Seafood" and "Meat Cutter Blues." Poetic humor. Rhythm and rhyme. That's where Rudy Ray got the name and then turned his jokester character from a comedy bit into a 1976 motion picture... and during the filming where I, Don Randell, first met Rudy Ray Moore.

The Cockpit was recorded in front of a live audience, their great applause an indication of how deeply into Rudy Ray they were with his pimpin'& players sex on wax party album... ghetto street rhymes that help them free their minds and release some pressure. Rudy Ray Moore takes them on a high flyin' wicked ride, in total control at the helm in "The Cockpit."

- Liners Notes by Donald Randell

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Mark Fry

Dreaming With Alice

Forever Changes Sacd Edition

Release: 1971 / US – Reissue

Genre: Rock & Indie

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The definitive reissue of one of rock’s rarest and most sought-after albums – “acid-folk” – equal parts pastoral folk and contemplative psychedelic. The first time since 1971 that this album has been run from the original master tapes, recently discovered in Italy. Mark Fry was 19 – recently graduated from high school and in Italy studying painting – when he walked barefooted into RCA’s Italian subsidiary, played some songs he’d written on his guitar and was signed to record the album that would become legend. The first recordings he made proved stuff, so he was paired with members of the Scottish band Middle of the Road, who were in Rome while under contract to RCA Italiana. Convening in a basement home studio with two 4-track reel-to-reel recorders, Mark’s visions coalesced in a dreamy, airy manner – “Nick Drake meets Dr. Strangely Strange with a touch of Lewis Carroll” The Word Magazine would later write. Pressed in small amounts for Vincenzo Micocci’s RCA sub-label It, Alice remained an out of reach masterpiece for many but its creator, who returned to England in 1971 and subsequently traveled the world, playing music, sometimes recording and painting. By the time of its rediscovery, its master tapes were assumed lost. The pristine source material reveals nuances not heard on anything but original It pressings and pairs Alice with previously-unreleased recordings from the mid-70s.

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Love

SACD | 1971 | UK | Reissue (Mobile Fidelity)

47,99 €*

CD | 1971 | UK | Reissue (Sanctuary Midline)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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Sacd

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Colosseum

Colosseum Live

7,99 €*

Release: 1971 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Ash Ra Tempel Remastered By Manuel Göttsching

CD | 1971 | EU | Reissue (MG.Art)

21,59 €* 23,99 € -10%

CD | 1972 | US | Reissue (Dolemite)

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Rudy Ray Moore

The Turning Point

CD | 1972 | UK | Reissue (Mobile Fidelity Sound Lab)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Rudy Ray Moore
The Turning Point

Dolemite Records
DOL103-CD
8 29357 01032 2
$8.14

Throughout the 1970s, Rudy Ray Moore made his name as one of the most uniquely explicit, anti-establishment underground comedians working. With his profane, controversial material, and frequently taboo stories surrounding his famed pimp character Dolemite, Moore commanded a cult-fanbase throughout the decade, remained a star of blaxploitation films of the era, and was a strong influence on rap stars such as Snoop Dogg, Big Daddy Kane, and 2 Live Crew. His party records were considered too vulgar to be displayed in record shops, but word of mouth made his albums the stuff of legends.

Though Rudy Ray Moore was widely known for his provocative stand-up, less is known about his musical side. Though he found success as a comedian he had always wanted to be a famous singer, and deeply loved to perform music. (His stand-up shows regularly featured a backing band, providing his monologues a backdrop of jazz and R&B music.) In 1972, as his comedy career was booming with cult-popularity, Moore released The Turning Point, and fans were treated to the raunchy raconteur's previously unheard croon. The album features smooth R&B renditions of songs by Curtis Mayfield, The Impressions, The Platters, and other favorites of the comedian, even featuring two originals written by Moore himself.

The music on The Turning Point could easily stand toe-to-toe with the smooth, silky 70s soul of greats like Isaac Hayes or Lou Rawls. Over 35 years later, Dolemite Records, with a dedication to bringing Rudy Ray Moore's legacy to a modern audience, now brings you this compact disc reissue, complete with retrospective liner notes from Rudy's former manager Donald Randell.

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Eagles

Eagles SACD Edition

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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The Mystic Revelation Of Rastafari

Grounation

2CD | 1972 | UK | Reissue (Soul Jazz)

CD | 1972 | EU | Reissue (Guerssen)

Release: 1972 / UK – Reissue

Genre: Reggae & Dancehall

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Like Sun Ra's Arkestra and John Coltrane are to jazz, the Mystic Revelation of Rastafari are to reggae - the ultimate expression of roots music and Rastafarian ideology in reggae music, music functioning at a high level of spiritual consciousness combined with an equally avant-garde and forward-looking approach to sound.The group's stunning, unique and groundbreaking 1973 album 'Grounation', a mighty conceptual triplealbum (the first ever reggae triple!) is, similar to Marvin Gaye's 'What's Goin' On', a definitive allencompassing cultural statement of its time and place. A sprawling album of raw and unique cultural expression that combined Rastafari consciousness with deep spiritual jazz music - an absolute and essential classic of Reggae music.The Mystic Revelation of Rastafari group came into existence at the start of 1970s, the union of two artists (and groups) of equal repute - Count Ossie and his African Drums and saxophonist Cedric 'Im' Brooks' and his group, The Mystics. Both Ossie and Brooks were alumni from the great Studio One Records.

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Top Drawer

Solid Oak

Harvest 50th Anniversary Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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One of the rarest private pressings from the US, originally released in 1972 by this band from Mansfiel, Ohio. Psychedelic hard rock with a charming, homemade feel. Including the monster psych opus "Song Of A Sinner" plus more cool tracks with great guitar/organ interplay.

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Neil Young

3CD+2DVD | 1972 | EU | Reissue (Reprise)

Close To The Edge Atlantic 75 Series Sacd

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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CD1: Harvest Remastered
CD2: Neil Young BBC In Concert (The Royal Albert Hall, London, UK 23/02/71)
CD3: Harvest Outtakes
DVD1: Harvest Time (The Making Of Harvest) - previously unseen 2 hour documentary
DVD2: BBC In Concert, February 1971 - previously unreleased UK TV broadcast concert

Die DVDs haben keine Untertitel.

DVDs come without subtitles

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Yes

CD | 1972 | US | Reissue (Analogue Productions Atlantic 75 Series)

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Yes' 1972 Atlantic Records masterpiece!

Hybrid Stereo SACD

Yes's 1972 3-track recording masterpiece, Close to the Edge, presents a snapshot of an adventurous rock band at the peak of its powers, daring to push itself musically, both as individuals and as a unit.

The first half of the 1970s was an especially fertile period for British progressive rock, laying claim to classics such as Tarkus, Selling England by the Pound, Larks' Tongues in Aspic, The Dark Side of the Moon, and Thick as a Brick. Collectively these and other works represent the best British progressive rock had to offer. Yet, many reviewers cite Close to the Edge as the ultimate prog rock album.

Author and music journalist Will Romano writes: "Yes had previously penned epic tracks for The Yes Album and Fragile, but nothing on the magnitude of the musical gems appearing on Close to the Edge. It's something of a small miracle — perhaps even magic — that the virtuoso quintet crafted such a cohesive and compelling album during an often-hectic recording process that very nearly relegated this monumental work to the dustbin of history."

The album's centrepiece is the 18-minute title track, with themes and lyrics inspired by the Herman Hesse novel Siddhartha. Side two contains two non-conceptual tracks, the folk-inspired "And You and I" and the comparatively straightforward rocker "Siberian Khatru." Original drummer Bill Bruford found the album particularly laborious to make, which culminated in his decision to quit the band after it was recorded, to join King Crimson.

Close to the Edge became the band's greatest commercial success at the time of release. It peaked at No. 4 on the U.K. Albums Chart and No. 3 on the Billboard 200 in the United States, the highest position Yes has reached on the latter chart.

In 2020, Close to the Edge was ranked at No. 445 on Rolling Stone's list of the 500 Greatest Albums of All Time.

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Schwingungen (Remastered By Manuel Göttsching)

CD | 1972 | EU | Reissue (MG.Art)

The Dark Side Of The Moon Live At Wembley 1974 2023 Master

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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We proudly announce the CD REmaster Editionof the 1972 Original release , one of the most important German
Krautrock albums - Remastered by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“

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Pink Floyd

CD | 1973 | EU | Reissue (Warner)

20,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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CD | 1973 | EU | Reissue (Virgin)

Bryan Ferry

These Foolish Things

7,99 €*

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

The Wild, The Innocent & The E Street Shuffle Sacd

Picture
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Bruce Springsteen

CD | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

44,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Sacd: Mastered ON Mobile Fidelity's Renowned Mastering System: Numbered-edition Hybrid Sacd Plays With Expressive Clarity / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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Starring Rosi(Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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"Starring Rosi“ is the 5th Album by Ash Ra Tempel. Released 1973 in the same Year as "Join Inn".
The CD Version is remastered by Manuel Göttsching himself.

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Join Inn (Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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“JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr
Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.
In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album,
and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus
decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two
legendary last concerts in February 1973 in Paris and Cologne.
Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for
him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since.
It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also
Hartmut (the Hawk) Enke soon after quit the Bass and music forever.
Join Inn marks the end of the collaboration with Klaus Schulze.
However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of
our Series, it is considered a highlight of the Krautrock movement.
As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head
Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock
riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none
of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple
major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s
the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to
transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it.
-> continued on page 2“Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo
pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and
expressionist for just long enough before slipping back into the musical fabric of the song.
As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful
Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’
meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never
sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves.
Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series.
(…) After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

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Seven Up (Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

Mind Games Deluxe Box Set

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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“Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with
American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous
Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed
September 1972 at Dierks Studios in Stommeln, Germany. First release in spring 1973 by OHR Musik - the
first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001.
We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th
2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels
of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously
unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos
from the recording session. ->continued on page 2->continued on page 2
As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler”
(published by Head Heritage, 1st ed. 1995):
“When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards...
7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic
group, but even weirder that he chose to sing a wild yelping freaked out blues !
Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the
mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it
all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer
weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality.
The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it. Hartmut
Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as
the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would
have sounded psychedelic.
7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous
sounds have been allowed to stay, to drift and to dance around the performers.
The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the
grandest of traditions.
In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though,
Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all
segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W.
Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like
Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away.
In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the
Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown

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John Lennon

Box | 1973 | EU | Reissue (Beatles Solo)

164,99 €*

Arias - Neapolitanian Songs

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Slipcase including 6 CDs (walleted) + 2 BLU-RAYs (walleted & sleeved) + 128 Page Hardback 10” Book + Poster + Postcards 6CDs: Stereo Versions of The Ultimate Mixes, Elements Mixes, Elemental Mixes, Evolution Documentary, Out-takes and Raw Studio Mixes. Easter Egg tracks on every disc 2 BLURAYs: High Resolution 24-96 Stereo, 5.1 and Dolby Atmos versions of The Ultimate Mixes, Elements Mixes, Elemental Mixes, Evolution Documentary, Out-takes and Raw Studio Mixes + 2024 Remastered ‘Mind Games’ music video + ‘You Are Here’ (additional out-take) tape boxes video. Easter Egg tracks and videos on both discs. Book: 10-inch square, 128-page glossy hardback coffee table book about the writing and recording of the album, in the words of John & Yoko (taken from hundreds of hours of archive interviews), featuring brand-new interviews with all the musicians and engineers, exclusive never-before-seen photographs by Bob Gruen and exclusive photos, lyrics, letters, original tape boxes and memorabilia from the John Lennon & Yoko Ono Lennon Archives. Poster: Reproduction of the original triptych marketing poster for the album Postcards: Postcard-sized reproductions of artworks made for the marketing of the album in 1973 “citizen OF Nutopia” Passport: With exclusive QR code for use in the forthcoming text based “game” and treasure hunt. More details to follow of “The Game”, no purchase necessary to enter.

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Enrico Caruso

2LP | 1973 | DE | Original (RCA)

Release: 1973 / DE – Original

Genre: Rock & Indie, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 1974 | EU | Reissue (Dialogo)

Spirale

CD | 1974 | UK | Reissue (Soul Brother)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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This is a release known mostly by Italian progressive rock lovers, since its sound can be easily associated to the jazz-rock delivered by the way more popular Napoli Centrale and Perigeo - but also to the ‘fundamentals’ Dedalus, Arti & Mestieri, Uno, if not Maad, Nadma or Aktuala, or even the lesser known Bauhaus for instance. But playing this kind of music and trying to release an album in the first half of the ’70s in Italy was also incredibly hard and courageous: Spirale, in fact, was one of the many bands that lived a very short life, before splitting up and disappear forever.
Spirale were an Italian quintet from Rome, consisting of Gaetano Delfini (wind instruments, vocals, percussion), Giancarlo Maurino (saxophone, ute, percussion), Corrado Nofri (piano, marimba, mbira, siren, Jew’s harp), Giuseppe Caporello (contrabass, guitar, percussion) and Giampaolo Ascolese (drums) who released a single eponymous album in 1974.
Spirale was originally released on the International King record label, thanks to Mario Schiano, a free-jazz saxophonist who discovered the band, and producer Toni Cosenza, who included the album in the ‘King Jazz-Line’ series. Consisting of just four tracks, most of which taken by the 13-minute long “Cabral, Anno 1” and the marvellous 17-minute “Peperoncino (Cose vecchie, cose nuove)”, Spirale is an incredibly balanced and owing record that sounds still fresh and inspired even today, and it’s a shame that it has remained hidden and overlooked for such a long time. Moreover, it is characterized by that undescribable and particular Mediterranean avour that only Italian musicians were able to obtain.
This beautiful album is of course immensely rare in its original edition, and is now nally reissued on Dialogo record label in a faithful restored version that will finally satisfy any collectors who have waited for years for this beauty to see the light again!
Italy has proven to be a treasure trove of obscure, archival sounds. For decades, the products of its free-wheeling sonic countercultures - spanning numerous musical genres - remained as overlooked from within as without, until being uncovered by diggers searching for treasures in the shadows of time. Thankfully, those efforts have morphed into countless revelations via the reissue market. Leading the way is the Milan based imprint Dialogo, who have made their name by diving far from the predictable path. Their latest, the first ever vinyl reissued of the lone, self-titled LP produced by the Rome based quintet, Spirale, in 1974, stands among their most exciting offerings to date. A visionary hybrid at the juncture of rock and jazz, it was so ahead of its time that it remained almost entirely overlooked for decades, before ultimately ascending to holy grail status among lovers of Italian prog. Creatively thrilling - filled with emotive highs and lows - it’s a crucial piece in the puzzle of Italy’s wild and wonderful history of radical sound.
Founded in Rome by Gaetano Delfini (wind instruments, vocals, percussion), Giancarlo Maurino (saxophone, flute, percussion), Corrado Nofri (piano, marimba, mbira, siren, Jew’s harp), Giuseppe Caporello (contrabass, guitar, percussion) and Giampaolo Ascolese (drums), Spirale is among the most obscure projects to have emerged from Italy during the first half of the 1970s. Almost as soon as their lone, self-titled LP was issued by International King Record in 1974, the trial goes dark. Members turn up on recordings by Gaetano Liguori Collective Orchestra, Folk Magic Band, and numerous other projects over the years, but in this incarnation the music on Spirale seems to be all we have.
Spirale’s fate seems to have rested with the simple fact that they were too ahead of their time, producing a music that would subsequently come to find broad favour among audiences of popular music only a year or two down the road. Their lone, self-titled LP, carving out uncharted territory between Bitches Brew era Miles Davis and mid-70s Soft Machine, pushed progressive rock into a near undefinable realm; not rock enough to be called rock, not jazz enough to be called jazz.
Across the two sides of Spirale, comprising four works, a band of uncompromising talent stretches out, laying down cycling rhythms and bass lines that channel the modalism of John Coltrane, the funkiness of Donald Byrd, and hypnotic psychedelia, before embarking upon melodic excursions - peppered with Mediterranean sensibilities - into the outer realms.
Joyous, engrossing, and the product of exacting musicianship, how Spirale remained overlooked for all these years is one of the great mysteries of Italian music. An absolute revelation of the highest order brought to us by the capable hands of Dialogo, the first time ever reissue of this 1974, obscure masterstroke is an absolute must for any fan of prog, jazz, or Italian music at large. Beautifully pressed with fully restored and remastered audio and issued in a facsimile gatefold sleeve, reproducing the stunning original design, Spirale is just about as good as reissues get.

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Johnny Hammond

Gamblers Life

17,99 €*

On The Border Sacd Edition

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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This amazing album from 1974 was the natural predecessor to Johnny Hammond’s classic “Gears” recorded with the Mizell brothers the following year. It contains the rare groove/Jazz Funk anthems “Star Borne” and “Yesterday Was Cool”.

“Gambler’s Life” was the album where Hammond switched from his customary organ to electric piano at a time the Mizell brothers had just produced Donald Byrd and Bobbi Humphrey for Blue Note. They had become noted for their "multi-layered funky sound". As much as Hammond shines on electric piano, this album is a true band effort, an all-star jam session of sorts, thanks to the presence of ace musicians such as George Benson, Eric Gale, Melvin Sparks, Ron Carter, Harvey Mason, Billy Cobham, Steve Gadd, Airto Moreira, Ralph MacDonald, Grover Washington, and of course the Mizell brothers themselves.

In addition to the 8 tracks that were on the original "Gambler's Life" album, this CD reissue includes 4 bonus tracks, all of which originally appeared on other Kudu/CTI studio albums in 1971 and 1974, and on those 4 tracks you get to hear Hammond's trademark organ. Title track “Gambler’s Life” was also sampled by Erykah Badu on "Mama's Gun" LP

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The Eagles

CD | 1974 | UK | Reissue (Mobile Fidelity)

51,99 €*

CD | 1974 | EU | Reissue (Repertoire)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Sacd

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Judas Priest

Rocka Rolla

20,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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OST Dolemite: Expanded Edition

Rudy Ray Moore

CD | 1975 | US | Reissue (Traffic)

Straight Shooter Atlantic 75 Series Sacd

Release: 1975 / US – Reissue

Genre: Soundtracks

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Who's the baddest mo-fo to blow onto blaxploitation screens? Forget Shaft, Superfly or The Mack. It's Rudy Ray Moore, the "Godfather of Rap". He gave you the gospel of street hustler, pimp, and all-around ghetto superhero Dolemite. Without a doubt one of the best known and most enduring of all blaxploitation films and scores, Dolemite's legendary story and music helped define a film genre and the sound of an entire decade.

Dolemite's long sought-after soundtrack is available now as a official reissue and comes with 28(!) bonus tracks made from the original multi track master tapes. One of the undisputed blaxploitation classics, the original motion-picture score is a wicked blend of uptempo funk instrumentals, soul ballads, loud 'n' proud themes and Dolemite's crucial statement of intent. This soundtrack's raw genius helped pave the way for countless gritty, street-level funk soundtracks to follow. The pedigree that the oft-duplicated sound spawned is undeniable and the music here is hot enough to melt your stereo. Dolemite is sure to appeal to admirers of pimps, players and private eyes.

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Bad Company

CD | 1975 | US | Reissue (Analogue Productions Atlantic 75 Series)

CD | 1976 | UK | Reissue (Mr Bongo)

Release: 1975 / US – Reissue

Genre: Rock & Indie

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Sacd

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Asha Puthli

The Devil Is Loose

De Las Colonias Del Rio De La Plata

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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We can’t think of many artists that have had as diverse a career and who have been involved in as many different genres of music as Asha Puthli. A musical pioneer who forged a path through 60's psych, free-jazz, pop, rock, disco, and more. Asha's 1976 album 'The Devil Is Loose' is maybe her most well-known record. Featuring the beautiful disco-funk-classic 'Space Talk’, Asha's ethereal soaring vocals take us on a journey that almost mirrors Asha's eclectic career. The track was championed by a wide-range of musical scenes and movements, and over space and time it has been commandeered as their own. You would hear it played by David Mancuso at the now ‘mythical’ underground New York party 'The Loft’, in the most discerning disco nightclubs across the globe, in the Rare Groove scene, and also being sampled by hip-hop heavyweights such as The Notorious B.I.G / P Diddy, and The Pharcyde. The appeal and lifespan of ’Space Talk’ keeps on extending and morphing as new audiences gleefully discover it for the first time - it still sounds as relevant and fresh on the dancefloor today - a sign of a true classic. Here at Mr Bongo we are thrilled to be releasing records by such an iconic musical maverick as Asha, from her roots in India to becoming a globe-trotting artist with a celebrated career in music and acting, whilst always staying true to her art. She has blazed a trail so that others could follow. Whether you are buying this album as a replacement for your worn-out original copy or it's the first time you've heard of Asha Puthli and you're just intrigued and drawn in by the cover, we hope you enjoy this quintessential slice of Asha's world.

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Viejas Raices

CD | 1976 | EU | Reissue (Altercat)

CD | 1976 | UK | Original (Mr Bongo)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Altercat proudly presents the definitive reissue of one of the crown jewels of South American jazz. Essentially the brainchild of Argentinian jazz's leading figure Jorge López Ruiz, the project Viejas Raíces marked Lopez Ruiz's departure from the traditional forms of jazz. The trio that recorded this album, consisting of López Ruiz joined by his life-long friend drummer Pocho Lapouble and gifted Chilean pianist Matías Pizarro, created a thrilling blend of jazz and Uruguayan candombe, surrounded by an undeniable cinematic feel spurred by López Ruiz's long experience in the soundtrack field. When read as one element, the cleverly chosen combination of group name and album title (in English: 'Old Roots of the Colonies of the River Plate') readily hints at the kind of sounds the listener will be challenged with when diving into this LP.

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Ryo Kawasaki

Juice

Trans Europe Express Japan Import Edition

Release: 1976 / UK – Original

Genre: Organic Grooves

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Classic jazz-funk fusion from the late, great Japanese guitarist Ryo Kawasaki. Recorded in New York, and originally released in 1976, 'Juice' presents Ryo at the height of his powers.

Born in Japan in 1947, Ryo had a long and stellar career recording and releasing music up until his passing on 13 April 2020, in Tallinn, Estonia. Ryo is one of the pioneers of the jazz fusion genre, with the Japanese jazz fusion / funk sound becoming extremely influential within the 80s UK club scene and amongst its DJs. His track 'Trinkets & Things' became a bonafide underground classic. In the US he worked with some of the greats of jazz, such as Elvin Jones, Chico Hamilton and Bobbi Humphrey, to name but a few. A forward-thinking and ever-evolving musician, Ryo collaborated with the Roland Corporation and Korg on the 'guitar synthesizer' and later wrote music software for computers. Later in life he relocated to Estonia and worked there, as well as Finland, Sweden, and the Baltic states.

'Juice' has become a much-loved album for crate diggers and jazz-funk enthusiasts, with its tracks frequently being sampled and re-imagined in hip-hop. The smokey, beat-down, spiritual funk jam 'Bamboo Child' has been flipped by Diamond D, Puff Daddy, and Kool G Rap. The album was released in 1976 on RCA Records and features the musicians' drummer Jimmy Young, rhythm guitarist Hugh McCracken, and bassist Stu Woods amongst other luminaries. A solid album throughout that incorporates a heavy dose of tripped-out synths alongside the emerging disco sound of the time. Tracks such as the opener ‘Raisins’, with its drum beat intro and bubbling bass-line, rivals The Headhunters at their finest. A superb album from an underground legend.

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Kraftwerk

CD | 1977 | JP | Reissue (Warner)

Ebo Taylor Jnr & Wuta Wazutu

Release: 1977 / JP – Reissue

Genre: Electronic & Dance

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Reissue from 2014, Japan

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Gotta Take It Cool

CD | 1978 | EU | Reissue (Mr Bongo)