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Joni Mitchell - Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set
Joni Mitchell
Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set
2LP | 1970 | US | Reissue (Mobile Fidelity)
159,99 €*
Release: 1970 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
PRESSED AT RTI ON MOFI SUPERVINYL, AND STRICTLY LIMITED TO 5,000 NUMBERED COPIES
1/4” / 15 IPS / Dolby A analogue master to DSD 256 to analogue console to lathe


Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolour painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.

Sourced from the original analogue master tapes, pressed on MoFi SuperVinyl at RTI on MoFi SuperVinyl, featuring new liner notes, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set delivers Ladies of the Canyon with bracing intimacy, detail, balance, and depth. Marking the first time the LP has received audiophile treatment, it's one of six iconic Mitchell records Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.

Playing with organic warmth, superb clarity, and ample spaciousness, this collectible UD1S edition benefits from the inherent properties of SuperVinyl — a virtually non-existent noise floor, reference-calibre groove definition, and ultra-silent surfaces among them. Primarily recorded solo, with spare accompaniment on select tracks, Mitchell practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; relatedly, the soundstage extends far and wide, with carbon-black backgrounds adding to the uncanny realism.

The deluxe packaging of the Ladies of the Canyon UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue is made for listeners who prize sound quality and production, and who desire to engage themselves in everything involved with the album, including Michell's illustrative painting that serves as the cover art.

Deemed "powerful and brilliant" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.

Mitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving "a pattern all her own."

That pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. Within months of releasing Ladies of the Canyon Mitchell would find herself at the centre of the singer-songwriter movement — and preparing songs for another album whose impact is still felt today.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
Joni Mitchell - Blue
Joni Mitchell
Blue
2LP | 1971 | US | Reissue (Mobile Fidelity)
159,99 €*
Release: 1971 / US – Reissue
Genre: Rock & Indie
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Johnny Cash - Complete Mercury Albums (1986-1991) Box Set
Johnny Cash
Complete Mercury Albums (1986-1991) Box Set
Box Set | 2020 | US | Original (Mercury Nashville)
147,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Joni Mitchell - Joni Mitchell Archives Volume 4:The Asylum Years 1976-1980
Joni Mitchell
Joni Mitchell Archives Volume 4:The Asylum Years 1976-1980
4LP | 2024 | Original (Rhino)
124,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Jean-Louis Murat - Parfum DAcacia Au Jardin
Jean-Louis Murat
Parfum DAcacia Au Jardin
Box Set | 2024 | EU | Original ([Pias] Le Label)
122,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-09-27
Nanci Griffith - Working In Corners
Nanci Griffith
Working In Corners
LP | 2023 | US | Original (Craft)
119,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Bert Jansch - Bert At The Bbc
Bert Jansch
Bert At The Bbc
4xLP | 2022 | US | Original (Earth)
116,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Bert At the BBC is a comprehensive collection of Jansch's appearances at the BBC, featuring over eight hours (CD box set & vinyl bonus download) of rare and unreleased recordings, including live-on-air spots, studio sessions and full concerts straight from the BBC vaults, delving further into this legendary performer's canon. Bert Jansch was the very essence of folk music, providing inspiration for everyone from Paul Simon and Neil Young to Led Zeppelin and countless folk revivalists. This unparalleled limited-edition compendium is available as a 4xLP and 8xCD set, housed in a coffee-table book set with a lavish 40-page book tracing the recordings from Bert's earliest moments at the BBC. It includes interviews and insights from Lauren Laverne, Jools Holland, Johnny Marr, Jacqui McShee, Bob Harris, Bernard Butler, Mark Radcliffe and many more. Twenty broadcasters, producers and collaborators contribute at length to the booklet, with great affection for this gentle, maverick genius. Bert's BBC legacy remains the most significant and exciting untapped reservoir of his music. The undeniable advantage of recordings made for broadcast is that they were, by their nature, created for public consumption and, barring live-on-air appearances - which might go well or go badly, but were going out either way - were explicitly signed-off by the artist as representations of his art that were good enough to be heard. The set is compiled by Colin Harper, author of Dazzling Stranger: Bert Jansch and the British folk and blues revival (Bloomsbury, 2000), who contributes detailed liner notes to the package. The release is mastered by IFTA award-winning engineer Cormac O'Kane. The vinyl release features 48 tracks on LP and is accompanied by a download card with over six hours of extras spanning 1966-2009, including BBC4's St Luke's concert (2003), and a complete Queen's Hall, Edinburgh concert (2004) for BBC Radio Scotland. It is also available as a special 8xCD set containing all 147 tracks and encased within a coffee-tab...
Bob Dylan - Fragments-Time Out Of Mind Sessions 1996-1997:
Bob Dylan
Fragments-Time Out Of Mind Sessions 1996-1997:
4LP | 2023 | EU | Original (Sony Music Catalog)
114,94 €* 120,99 € -5%
Release: 2023 / EU – Original
Genre: Rock & Indie
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Bob Dylan - Blonde On Blonde Box Set
Bob Dylan
Blonde On Blonde Box Set
3LP Box | 2013 | US | Original (Mobile Fidelity)
111,99 €*
Release: 2013 / US – Original
Genre: Rock & Indie
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Limited, numbered box set edition on 45 rpm 180 gram audiophile vinyl!
James Morrissey - Real To Reel: Garech Browne And Claddagh Records
James Morrissey
Real To Reel: Garech Browne And Claddagh Records
LP | 2023 | EU | Original (Decca)
110,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Kasey Chambers
Backbone
LP | 2024 | Original (Essence Music Group)
109,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra - Tapestry 3LP Deluxe Boxset Edition
Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra
Tapestry 3LP Deluxe Boxset Edition
Box Set | 2023 | EU | Original (Cinedelic)
104,49 €* 109,99 € -5%
Release: 2023 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Following the release of the first volume of the Koto: Tapestry series, Cinedelic completes the series of 3 with the release of the remaining two valuable albums. 'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the awakening and the consequential spread of traditional music in larger contexts. The extreme accuracy of the marvellous recordings is also remarkable. The performers on this fabulous album are: Toshiko Yonekawa - learned to play the koto at an early age, performing in a public concert as early as 8 years old. For three years, from 1941 to 1944, she won prizes as the best performer in the Japanese Cultural Federation's competition for traditional trios. She also received an award from the Prime Minister. Many other important recognitions followed, until she became president of the Reichokai and executive director of the Sankyoku Association. In 1996, she was appointed Living National Treasure. As a koto player, her best-known characteristics are her extreme precision of intonation and rhythm and the unparalleled beauty of her sound. Kiyoshi Yamaya - born March 1932. He attended the Kunitachi College of Music. Between 1956 and 1960, he performed with 'Nobuo Hara and His Sharps & Flats' (clarinet, saxophone, etc.) and was responsible for composition and arrangement. In 1959, he formed the 'Modern Jazz Three Association' with Norio Maeda and Keitaro Miho, which contributed to the improvement of the level of composition and arrangement in Japanese jazz. In 1965, he became conductor of the 'Tokyo Union Orchestra' and received the Japan Record Award's Arrangement Award. His name appears on more than 100 albums. An unmissable session for those seeking new sounds. Original masters licensed by Nippon Columbia for the first ever reissue. Includes OBI and insert.
Eden Ahbez - Eden's Island Extended Deluxe Edition With T-Shirt Size 2XL
Eden Ahbez
Eden's Island Extended Deluxe Edition With T-Shirt Size 2XL
2LP Box | 2022 | EU (Everland Psych)
99,99 €*
Release: 2022 / EU
Genre: Rock & Indie
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The ultimate reissue of one of the world’s most important albums in the field of Exotica, Jazz and even Proto Psychedelic Music from 1960 - and the first official reissue ever!

Eden Ahbez was said to be "the first Hippie on earth", his enchanting life and his amazing music laid the foundation of the Hippie movement.

This reissue of Eden Ahbez' sole album includes 20 almost unreleased bonus songs from different sessions, carefully restored and remastered from original master tapes by prolific grammy nominated sound engineer Jessica Thompson.

Co Produced by movie maker Brian Chidester, who now, after 20 years of research, completed the full time documentary movie
Eden Ahbez - Eden's Island Extended Deluxe Edition With T-Shirt Size XL
Eden Ahbez
Eden's Island Extended Deluxe Edition With T-Shirt Size XL
2LP Box | 2022 | EU (Everland Psych)
99,99 €*
Release: 2022 / EU
Genre: Rock & Indie
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The ultimate reissue of one of the world’s most important albums in the field of Exotica, Jazz and even Proto Psychedelic Music from 1960 - and the first official reissue ever!

Eden Ahbez was said to be "the first Hippie on earth", his enchanting life and his amazing music laid the foundation of the Hippie movement.

This reissue of Eden Ahbez' sole album includes 20 almost unreleased bonus songs from different sessions, carefully restored and remastered from original master tapes by prolific grammy nominated sound engineer Jessica Thompson.

Co Produced by movie maker Brian Chidester, who now, after 20 years of research, completed the full time documentary movie
Eden Ahbez - Eden's Island Extended Deluxe Edition With T-Shirt Size L
Eden Ahbez
Eden's Island Extended Deluxe Edition With T-Shirt Size L
2LP Box | 2022 | EU (Everland Psych)
99,99 €*
Release: 2022 / EU
Genre: Rock & Indie
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The ultimate reissue of one of the world’s most important albums in the field of Exotica, Jazz and even Proto Psychedelic Music from 1960 - and the first official reissue ever!

Eden Ahbez was said to be "the first Hippie on earth", his enchanting life and his amazing music laid the foundation of the Hippie movement.

This reissue of Eden Ahbez' sole album includes 20 almost unreleased bonus songs from different sessions, carefully restored and remastered from original master tapes by prolific grammy nominated sound engineer Jessica Thompson.

Co Produced by movie maker Brian Chidester, who now, after 20 years of research, completed the full time documentary movie
Eden Ahbez - Eden's Island Extended Deluxe Edition With T-Shirt Size M
Eden Ahbez
Eden's Island Extended Deluxe Edition With T-Shirt Size M
2LP Box | 2022 | EU (Everland Psych)
99,99 €*
Release: 2022 / EU
Genre: Rock & Indie
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The ultimate reissue of one of the world’s most important albums in the field of Exotica, Jazz and even Proto Psychedelic Music from 1960 - and the first official reissue ever!

Eden Ahbez was said to be "the first Hippie on earth", his enchanting life and his amazing music laid the foundation of the Hippie movement.

This reissue of Eden Ahbez' sole album includes 20 almost unreleased bonus songs from different sessions, carefully restored and remastered from original master tapes by prolific grammy nominated sound engineer Jessica Thompson.

Co Produced by movie maker Brian Chidester, who now, after 20 years of research, completed the full time documentary movie
Eden Ahbez - Eden's Island Extended Deluxe Edition With T-Shirt Size S
Eden Ahbez
Eden's Island Extended Deluxe Edition With T-Shirt Size S
2LP Box | 2022 | EU | Original (Everland Psych)
99,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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The ultimate reissue of one of the world’s most important albums in the field of Exotica, Jazz and even Proto Psychedelic Music from 1960 - and the first official reissue ever!

Eden Ahbez was said to be "the first Hippie on earth", his enchanting life and his amazing music laid the foundation of the Hippie movement.

This reissue of Eden Ahbez' sole album includes 20 almost unreleased bonus songs from different sessions, carefully restored and remastered from original master tapes by prolific grammy nominated sound engineer Jessica Thompson.

Co Produced by movie maker Brian Chidester, who now, after 20 years of research, completed the full time documentary movie
Hiss Golden Messenger - Devotion: Songs About Rivers & Spirits & Chil
Hiss Golden Messenger
Devotion: Songs About Rivers & Spirits & Chil
4LP | 2018 | US | Original (Merge)
93,99 €*
Release: 2018 / US – Original
Genre: Rock & Indie
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V.A. - In The Beginning Was The Puls - 50 Years Of Passion
V.A.
In The Beginning Was The Puls - 50 Years Of Passion
3LP | 2024 | EU | Original (Kirkelig Kulturverksted)
91,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-18
Emmylou Harris - The Studio Albums 1980 - 83 Record Store Day 2019 Edition
Emmylou Harris
The Studio Albums 1980 - 83 Record Store Day 2019 Edition
5LP | 2019 | US | Original (Warner Bros.)
90,39 €* 112,99 € -20%
Release: 2019 / US – Original
Genre: Rock & Indie
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Emmylou Harris The Studio Albums 1980 - 1983 collects five of her albums in a single box set: Roses In The Snow,
Evangeline, Cimarron, Last Date and White Shoes. All in, it features 54 songs, including ten Top 10 singles. Emmylou
received five Grammys for various repertoire on the enclosed albums. It is the compendium to her first box set
released two years ago on Record Store Day.
These five albums feature a who's who of Country and Rock music in the early 80's, including Dolly Parton, Johnny
Cash, Linda Ronstadt, The Whites, Ricky Skaggs, Willie Nelson, James Burton, Rodney Crowell, Jerry Douglas, Amos
Garrett, Emory Gordy, Jr., Glen D. Hardin, Waylon Jennings, Albert Lee, Larrie Londin, Bill Payne, Herb Pedersen, Dr.
John, Barry Tashian, Tony Brown, Hank DeVito, Paul Kennerley, John Ware, Don Williams, Bonnie Bramlett, Don
Heggington, Jim Horn, Keith Knudsen and John McFee, and many others
Cheb Hasni - Volume 1-2-3 Box Set
Cheb Hasni
Volume 1-2-3 Box Set
3LP Box | 2022 | EU | Original (Outre National)
89,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Raï is the music of a youth hungover from Algeria's recent independence. It became a space for a liberated, transgressive dialogue that told the social truths of its time -- an up-front yet poetic voice that covers the taboos and frustrations of daily life, expressing emotion without detour. This voice is heard at weddings, cabarets, in the nightclubs of the Oranese coast, and casually on the street... With the boom of the audio cassette, an avalanche of raï tapes were produced in Oran and diffused all over the world. Both women and men sang and listened to the new sound, as raï is intimately tied to parties, alcohol and the night. With the spontaneous improvisation of its singers as the main part of each song, raï keeps reinventing itself. In this style, Cheb Hasni, along with Cheb Nasro, incarnates a second generation of musicians. With the "love raï", or sentimental raï, Hasni sings about love, passion and its setbacks -- moving away from the bittersweet daily chronicles of the first chebs and chebates. Having recorded nearly 150 cassettes, Cheb Hasni remains one of the most prolific and talented raï singers of his generation. Almost thirty years after his death, this three-volume compilation of rare tracks from his cassette releases on the Oriental Music Production label is a tribute to the lasting legacy of Cheb Hasni -- ya raï! The three volumes come in a ince 12’’ box set including liner inotes and large postcards. Limited to 300 worldwide.
V.A. - Another Day, Another Time: Celebrating The Music Of Inside Llewyn Davis
V.A.
Another Day, Another Time: Celebrating The Music Of Inside Llewyn Davis
3LP | 2015 | US | Original (Nonesuch)
87,99 €*
Release: 2015 / US – Original
Genre: Rock & Indie
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A one-night-only concert was held at New York City’s Town Hall last fall, to celebrate the music of the Coen brothers film Inside Llewyn Davis. The evening was filmed for a documentary that was broadcast by Showtime last winter, and now Nonesuch Records releases a live recording of the concert, Another Day, Another Time: Celebrating the Music of “Inside Llewyn Davis,” on January 13, 2015. The concert, documentary, and live album were produced by Inside Llewyn Davis writer/director/producers Joel and Ethan Coen and soundtrack producer T Bone Burnett. It features Elvis Costello, Conor Oberst, Marcus Mumford, Jack White, Willie Watson, and many others
Wilson Pickett - The Exciting Wilson Pickett Atlantic 75 Series
Wilson Pickett
The Exciting Wilson Pickett Atlantic 75 Series
2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)
86,99 €*
Release: 2023 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-10-18
Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

R&B, soul singer Wilson Pickett's classic third album

Features "In the Midnight Hour," "Land of a Thousand Dances" and "Ninety-nine and a Half (Won't Do)"

180-gram 45 RPM double LP

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

The Exciting Wilson Pickett, released in 1966, was R&B and soul singer Wilson Pickett's third album, charting at No. 3 on the U.S. Billboard R&B albums chart and No. 21 on the popular albums chart, becoming the highest-charting studio album of Pickett's career.

The making of the album saw Pickett end his relationship with Stax Studios in Memphis, Tennessee, where he had cut his early singles, and move to Fame Studios in Muscle Shoals, Alabama, where he would record for the next two years. According to AllMusic, this album firmly established Picket's "stature as a major '60s soul man," launching four major crossover hits.

The chart-toppers include "In the Midnight Hour" reached No. 1 on the Billboard R&B singles chart and No. 21 on the pop singles chart. "Land of a Thousand Dances" reached No. 1 and No. 6 respectively, his biggest pop hit. "Ninety-nine and a Half (Won't Do)" reached No. 13 and No. 53. "634-5789 (Soulsville, U.S.A.)," a song which Pickett had not on first hearing liked, reached No. 1 and No. 13.

The deeper album cuts hold significant appeal as well and include standards "Something You Got," "Barefootin'" and "Mercy Mercy" as well as several original tunes with Memphis Soul greats Steve Cropper, Eddie Floyd, and David Porter.

Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
Willie Nelson - Shotgun Willie Atlantic 75 Series
Willie Nelson
Shotgun Willie Atlantic 75 Series
2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)
86,99 €*
Release: 2023 / US – Reissue
Genre: Rock & Indie
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180g 2LP 45rpm Gatefold Sleeve

Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Willie Nelson's breakthrough solo album!
180-gram 45 RPM double LP
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jacket by Stoughton Printing

Before Shotgun Willie, Willie Nelson had struggled to gain widespread recognition as a solo artist, despite having written many successful songs for other artists. Nelson's big break came when he signed with Atlantic Records in 1973. The pivotal moment in his career came after Atlantic Records executive Jerry Wexler, known for his work with artists like Ray Charles and Aretha Franklin, took an interest in Nelson's music. Wexler saw potential in Nelson's unique approach to country music and signed him to the label. With the creative freedom offered by Atlantic Records, Nelson was able to record Shotgun Willie with the artistic freedom he had long desired. The album's unconventional sound and honest lyrics resonated with both critics and fans.

Shotgun Willie marked a new beginning for Willie Nelson's career, and it set the stage for his subsequent albums and his emergence as one of the most influential and iconic figures in the history of country music. The recording was one of the first albums of outlaw country — a new subgenre of country music and an alternative to the conservative restrictions of the Nashville sound, the dominant style in the genre at the time

The album — the first to feature Nelson with long hair and a beard on the cover — gained him the interest of younger audiences. It peaked at No. 41 on Billboard's Top Country Albums and the songs "Shotgun Willie" and "Stay All Night (Stay A Little Longer)" peaked at Nos. 60 and 22 on Hot Country Songs respectively.

We are so pleased to bring you this deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of the timeless Willie Nelson classic, Shotgun Willie. Cue it up and prepare to be transported!
Bob Dylan - Good As I Been To You
Bob Dylan
Good As I Been To You
LP | 1992 | US | Reissue (Mobile Fidelity Sound Lab)
84,99 €*
Release: 1992 / US – Reissue
Genre: Rock & Indie
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Clannad - In A Lifetime Super Deluxe Bookpack Edition
Clannad
In A Lifetime Super Deluxe Bookpack Edition
2LP+LP+4CD+7"+Book+4Cards+Poster | 2020 | EU | Original (Warner)
83,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Box including a 4CD Anthology, 2LP on black vinyl, 1 LP of Macalla, a 7", a book, 4 post cards and a poster.
Bob Dylan & The Band - Before The Flood
Bob Dylan & The Band
Before The Flood
2LP | 1974 | US | Reissue (Mobile Fidelity Sound Lab)
83,99 €*
Release: 1974 / US – Reissue
Genre: Rock & Indie
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180 gram audiophile vinyl, numbered limited edition!
Johnny Cash - At Folsom Prison
Johnny Cash
At Folsom Prison
2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)
83,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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Simon & Garfunkel - Bridge Over Troubled Water
Simon & Garfunkel
Bridge Over Troubled Water
LP | 1970 | US | Reissue (Mobile Fidelity Sound Lab)
83,99 €*
Release: 1970 / US – Reissue
Genre: Rock & Indie
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Astor Piazzolla - The American Clavé Recordings
Astor Piazzolla
The American Clavé Recordings
3LP | 2022 | EU | Original (Nonesuch)
81,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Janis Ian - Breaking Silence
Janis Ian
Breaking Silence
2LP | 1992 | US | Reissue (Analogue Productions)
80,99 €*
Release: 1992 / US – Reissue
Genre: Rock & Indie
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Joan Baez - Diamonds And Rust In The Bullring 45rpm, 200g Vinyl Ediiton
Joan Baez
Diamonds And Rust In The Bullring 45rpm, 200g Vinyl Ediiton
2LP | 2020 | US | Original (Analogue Productions)
80,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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A very difficult-to-find LP, originally released on a small, independent label. Originally released on a very limited run of vinyl. The original LPs are demanding a nice price on the Asian market. A beautiful recording with absolutely fantastic sound. Includes a performance of her hit song "Diamonds and Rust" as well as the audiophile classic "Famous Blue Raincoat." This may be an under-the-radar title, but it's a can't miss for the discerning audiophile. The album chronicles a show performed by Baez in a bullring, naturally, in Bilbao, Spain, in 1988, and it demonstates what makes her such a draw overseas. Half of the collection, side two of the LP, consists of songs sung in Spanish. Now we've upped the ante even more for true audiophile bliss — the 45 RPM 2LP version reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. Natural tonalities, superb balances, pristine clarity and more are all revealed. »This record was made in a bullring in Bilbao, Spain, in 1988. It is dedicated to the Mayor and the people of Bilbao, who came out between thunderstorms to see me perform. The song in Catalan "Txoria Txori" is about a sweet little bird ... I want to thank Pasku who taught it to me, and thank the Bilbao public for singing it so beautifully.« — Joan Baez. Illustrations by Joan Baez; additional vocals Mercedes Sosa.
Dragonchild - Black
Dragonchild
Black
4xLP | 2023 | Original (FPE)
79,99 €*
Release: 2023 / Original
Genre: Rock & Indie
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Judee Sill - Heart Food
Judee Sill
Heart Food
2LP | 2017 | US | Original (Intervention)
75,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
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Patsy Cline - Greatest Hits 45RPM, 200g Vinyl Edition
Patsy Cline
Greatest Hits 45RPM, 200g Vinyl Edition
2LP | 1967 | US | Reissue (Analogue Productions)
75,99 €*
Release: 1967 / US – Reissue
Genre: Rock & Indie
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What praises haven't been lauded the immortal singing talent of the late, great Patsy Cline? She died at the height of her career, at age 30, with two other stars of the Grand Ole Opry, and her manager, in a private plane crash near Camden, Tennessee, on the group's return to Nashville from Kansas City. Before that ill-fated flight, though, she left a musical legacy as one of the most influential and successful female vocalists of the 20th Century.
In the late 1950s and the '60s, country music was essentially a singles medium. This album, first released in 1967, collects a dozen of Patsy's biggest hits — all of them from the country singles market — including "Walkin' After Midnight", "Sweet Dreams (Of You)", "Crazy", and "I Fall to Pieces".
Producer Owen Bradley surrounds Cline's full-throated, emotionally charged vocals with lush, sophisticated arrangements that set the standard for Nashville's 'countrypolitan' sound. And trust us, on this 200-gram QRP pressing, mastered by Sterling Sound, Cline's seductive vocals have never sounded clearer or richer.
Cline's life and career has been the subject of numerous books, movies, documentaries, articles and stage plays. She has sold millions of albums through the past 50 years, giving her an iconic fan status, similar to that of country artists such as Johnny Cash and Dolly Parton. In 1992, the U.S. Postal Service honored her, along with Hank Williams, on a U.S. postage stamp. And in 1995 she was honored with a Grammy Lifetime Achievement Award. Cline was also honored with a star on the Hollywood Walk of Fame in 1999.
Before Shania Twain found a new (though not necessarily improved) way to combine country and pop in the 1990s, this was the top-selling country album of all time by a female artist.
Willie Nelson - And Then I Wrote 180g Edition
Willie Nelson
And Then I Wrote 180g Edition
2LP | 2022 | US | Reissue (Analogue Productions)
75,99 €*
Release: 2022 / US – Reissue
Genre: Rock & Indie
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Crosby, Stills & Nash - Crosby, Stills & Nash Atlantic 75 Series
Crosby, Stills & Nash
Crosby, Stills & Nash Atlantic 75 Series
2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)
75,99 €*
Release: 2023 / US – Reissue
Genre: Rock & Indie
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180g 2LP 45rpm. Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Crosby, Stills & Nash — The debut studio album from the rock supergroup!
180-gram 45 RPM double LP
Mastered directly from the original master tape by Bernie Grundman
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Several unique features set the debut studio album by folk rock supergroup Crosby, Stills & Nash, released in 1969 by Atlantic Records, apart. It's the only album by the band before adding Neil Young to their lineup. The album spawned two Top 40 singles, "Marrakesh Express" and "Suite: Judy Blue Eyes," which peaked respectively at No. 28 during the week of August 23, 1969, and at No. 21 during the week of December 6, 1969, on the U.S. Billboard Hot 100. The album itself peaked at No. 6 on the U.S. Billboard Top Pop Albums chart. It has been certified four times platinum by the RIAA for sales in excess of 4 million copies.

Instantly lifting the group to stardom, along with the Byrds' Sweetheart of the Rodeo and the Band's Music from Big Pink, the previous year, the album is cited by music reviewers for initiating sweeping changes in popular music. In 2021 the album held the rank of No. 161 on Rolling Stone's 500 Greatest Albums of All Time list.

Crosby, Stills & Nash was "the perfect blend of David Crosby's social conscience, Stephen Stills's virtuoso musicianship and Graham Nash's ability to craft the perfect pop melody for radio," writes Rolling Stone, in its review.

The band was brought together after Crosby was fired from The Byrds, Stills's band, Buffalo Springfield had broken up (a band which also featured later member, Neil Young) and Nash's departure from The Hollies. The three decided to form a band after an informal jam led them to discover how well their voices harmonized. Released in May 1969, the band would perform nine of the album's 10 songs at Woodstock, which was the second time they ever did, in August of the same year.

The album features some of CSN's most well known and iconic songs; "Suite: Judy Blue Eyes," "Marrakesh Express," "Guinnevere," "Wooden Ships," "Helplessly Hoping" and "Long Time Gone." This album saw a shift in sound to what was popular at the time — blues based rock, opting for a more folk rock, and sometimes jazz-based sound. It would lay the foundations for the California Sound that would be popularised out of Laurel Canyon in the ‘70s. Artists such as The Eagles, Jackson Browne and Fleetwood Mac would take inspiration from the sound of this record.

All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
Love - Forever Changes
Love
Forever Changes
2LP | 1971 | US | Reissue (Mobile Fidelity Sound Lab)
74,99 €*
Release: 1971 / US – Reissue
Genre: Rock & Indie
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Mastered from the Original Master Tapes for Unsurpassed Analog Sound: Mobile Fidelity's 180g 45RPM 2LP Set Opens Up Scale of Lush Orchestral Architecture and Elegant Baroque Textures.
Bob Dylan - Bob Dylan's Greatest Hits
Bob Dylan
Bob Dylan's Greatest Hits
2LP | 1976 | US | Reissue (Mobile Fidelity Sound Lab)
74,99 €*
Release: 1976 / US – Reissue
Genre: Rock & Indie
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180 Gram 45RPM Audiophile Vinyl, limited/numbered, Mastered from the Original Master Tapes, Five-Times Platinum Collection of Dylan's World-Changing Singles Spanning 1963 Through 1966
Jerry Garcia & David Grisman - Jerry Garcia & David Grisman
Jerry Garcia & David Grisman
Jerry Garcia & David Grisman
2LP | 2014 | US | Original (Mobile Fidelity)
74,99 €*
Release: 2014 / US – Original
Genre: Rock & Indie
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2LP, 180 Gram Audiophile Vinyl, Numbered Limited-Edition
Hillbilly Thomists - Marigold
Hillbilly Thomists
Marigold
LP | 2024 | Original (Vere Music)
73,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-04
Kegawa No Maries - The End
Kegawa No Maries
The End
LP | 2024 | JP | Original (Nippon Columbia)
73,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Kegawa No Maries - Tin Pan Alley
Kegawa No Maries
Tin Pan Alley
LP | 2024 | JP | Original (Nippon Columbia)
73,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Kegawa No Maries - Kegawa No Maries
Kegawa No Maries
Kegawa No Maries
LP | 2024 | JP | Original (Nippon Columbia)
73,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Bottle Rockets - Brooklyn Side Record Store Day 2024 Orange Vinyl Edition
Bottle Rockets
Brooklyn Side Record Store Day 2024 Orange Vinyl Edition
2LP | 1994 | US | Reissue (Real Gone Music)
73,99 €*
Release: 1994 / US – Reissue
Genre: Rock & Indie
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The Bottle Rockets’ 1994 record The Brooklyn Side ranks right up there with Uncle Tupelo’s Anodyne in the pantheon of alt country albums…yet it has Never come out on vinyl. We’ve hooked up with original producer Eric “Roscoe” Ambel and mastering engineer Scott Hull to score the original tapes and create an all-analog release of this legendary record…but we didn’t stop there. We’ve also added six bonus tracks to flesh out this 2LP Expanded Edition, winding up with the track that started it all, Brian Henneman’s “Indianapolis.” Reissued with the full consent and cooperation of the band, this 30th anniversary release stands as one of our biggest Real Gone coups. Flame orange vinyl limited to 1500 copies worldwide, for Record Store Day 2024.
Chu Kosaka & Four Joe Half - Motto Motto
Chu Kosaka & Four Joe Half
Motto Motto
LP | 2024 | JP | Original (Sony Music Direct)
72,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Picture
Coming Soon
Billy Strings
Highway Prayers
2LP | 2024 | Original (Reprise)
70,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-09-27
Endless Valley - Kaskashir
Endless Valley
Kaskashir
LP | 2024 | EU | Original (Copper Feast)
68,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-04
Giora Feidman - 88 Maestro Giora Feidman Blue Vinyl Edition
Giora Feidman
88 Maestro Giora Feidman Blue Vinyl Edition
LP | 2024 | EU | Original (BuschFunk)
67,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Eden Ahbez - Eden's Island Extended Deluxe Edition
Eden Ahbez
Eden's Island Extended Deluxe Edition
2LP Box | 2021 | EU | Original (Everland Psych)
66,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Deluxe edition in wooden box set.

The ultimate reissue of one of the world’s most important albums in the field of Exotica, Jazz and even Proto Psychedelic Music from 1960 - and the first official reissue ever!

Eden Ahbez was said to be "the first Hippie on earth", his enchanting life and his amazing music laid the foundation of the Hippie movement.

This reissue of Eden Ahbez' sole album includes 20 almost unreleased bonus songs from different sessions, carefully restored and remastered from original master tapes by prolific grammy nominated sound engineer Jessica Thompson.

Co Produced by movie maker Brian Chidester, who now, after 20 years of research, completed the full time documentary movie
Bob Dylan - Trouble No More: The Bootleg Series Volume 13/ 1979
Bob Dylan
Trouble No More: The Bootleg Series Volume 13/ 1979
4LP+2CD | 2017 | EU | Original (Columbia)
66,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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Bob Dylan - The Cutting Edge 1965-1966: The Bootleg Series Volume 12
Bob Dylan
The Cutting Edge 1965-1966: The Bootleg Series Volume 12
3LP+2CD | 2015 | EU | Original (Columbia)
66,99 €*
Release: 2015 / EU – Original
Genre: Rock & Indie
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Guy Van Nueten - Decent Music
Guy Van Nueten
Decent Music
LP | 2024 | EU | Original (Teles Music)
66,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-11
X0o0x_ - Ningyou
X0o0x_
Ningyou
LP | 2024 | JP | Original (Cutting Edge)
66,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Richard Edwards - Two Sad Little Islands Drift Together, Two Lonely Little Monkeys Find A Tree (Rare And Unreleased) 2015-2023 Orange Creamsicle Splatter Vinyl Edition
Richard Edwards
Two Sad Little Islands Drift Together, Two Lonely Little Monkeys Find A Tree (Rare And Unreleased) 2015-2023 Orange Creamsicle Splatter Vinyl Edition
3LP | 2023 | US | Original (Profound Discomfort)
66,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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"The most underrated songwriter of our times" - Los Angeles Review Of Book.
Alexander ''Skip'' Spence - Andoaragain Record Store Day 2019 Edition
Alexander ''Skip'' Spence
Andoaragain Record Store Day 2019 Edition
3LP | 2019 | US | Original (Modern Harmonic)
64,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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AndOarAgain provides unparalleled access to what David Fricke calls ''the most harrowing and compelling artifacts of rock & roll's most euphoric era, across three dozen unheard tracks! A triple LP pressed at RTI, AndOarAgain features nearly two hours of unheard music on the way to Oar –along with roads not taken–that both clarifies and muddies the enigma of how psychedelic legend Alexander ''Skip'' Spence determined the final state of his iconic masterpiece.
Carly Pearce - Hummingbird Yellow Vinyl Edition
Carly Pearce
Hummingbird Yellow Vinyl Edition
2LP | 2024 | US | Original (Big Machine)
64,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Christoph Bouet - Groeninger Bad 23
Christoph Bouet
Groeninger Bad 23
LP | 2024 | EU | Original (1301 Media)
62,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Agnetha Fältskog - Singlar Och Andra Sidor Clear Vinyl Edition
Agnetha Fältskog
Singlar Och Andra Sidor Clear Vinyl Edition
LP | 2024 | EU | Original (Cupol)
62,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Sufjan Stevens - Songs For Christmas
Sufjan Stevens
Songs For Christmas
5LP | 2018 | EU | Original (Asthmatic Kitty)
62,09 €* 68,99 € -10%
Release: 2018 / EU – Original
Genre: Rock & Indie
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Bob Dylan - Triplicate
Bob Dylan
Triplicate
3LP | 2017 | US | Original (Columbia)
60,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
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Bob Dylan - Bootleg Series Volume 1-3
Bob Dylan
Bootleg Series Volume 1-3
5LP | 2017 | EU | Original (Columbia)
60,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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Orbweavers - New Moon / Silver Moon
Orbweavers
New Moon / Silver Moon
LP | 2024 | AU | Original (Mistletone)
60,99 €*
Release: 2024 / AU – Original
Genre: Rock & Indie
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V.A. - We Still Cant Say Goodbye: A Musicians Tribute To Chet Atkins
V.A.
We Still Cant Say Goodbye: A Musicians Tribute To Chet Atkins
LP | 2024 | EU | Original (Morningstar Music)
60,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Carole King - Tapestry
Carole King
Tapestry
LP | 1971 | US | Reissue (Mobile Fidelity)
59,99 €*
Release: 1971 / US – Reissue
Genre: Rock & Indie
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Boban Petrovic - Zur / Zora
Boban Petrovic
Zur / Zora
2LP | 2024 | EU | Original (Everland)
59,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Wilco - The Whole Love (Expanded) Record Store Day 2024 Vinyl Edition
Wilco
The Whole Love (Expanded) Record Store Day 2024 Vinyl Edition
3LP | 2011 | EU | Reissue (Sony Music Catalog)
59,19 €* 73,99 € -20%
Release: 2011 / EU – Reissue
Genre: Rock & Indie
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Quantity: 4500
Release type: RSD Exclusive Release

Wilco’s legendary 2011 album now on three LP’s. Expanded to include all related single, EP and bonus tracks - plus A selection from The Loft's archive of live in-studio performances and previously unreleased alternate mixes and demos. Includes Wilco classics "Art of Almost", "Dawned on Me”, "Sunloathe” . 3LP Box
B.J. Ward - Vocal Ease
B.J. Ward
Vocal Ease
LP | 2019 | JP | Original (Universal Japan / Dessinee)
58,99 €*
Release: 2019 / JP – Original
Genre: Rock & Indie
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Japanese import
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-18
Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
Johnny Cash - Songwriter Clear With Black Splatter Vinyl Edition
Johnny Cash
Songwriter Clear With Black Splatter Vinyl Edition
LP | 2024 | Original (Universal)
57,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Limited Clear with Black Splatter Colored Vinyl. Johnny Cash recorded an album's worth of self-penned songs in 1993. Shortly thereafter, he released the American Recordings albums and re-established himself as one of the world's greatest songwriters, introducing him to a new generation of fans. Songwriter's unreleased 11 songs have been updated and produced by his son John Carter Cash and co-producer David Ferguson.
Vsq No Sporta - Avatama
Vsq No Sporta
Avatama
LP | 2023 | JP | Original (Vap)
57,99 €*
Release: 2023 / JP – Original
Genre: Rock & Indie
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Nancy Sinatra - Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition
Nancy Sinatra
Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition
2LP | 2023 | US | Original (Light In The Attic)
57,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.
Norio Maeda And Tin Pan Alley - Soul Samba
Norio Maeda And Tin Pan Alley
Soul Samba
LP | 1977 | JP | Reissue (Lawson)
57,99 €*
Release: 1977 / JP – Reissue
Genre: Rock & Indie
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* Originally released in 1977 * Featuring covers of 'The Girl from Ipanema' and 'The Look of Love' * Pressed on Black Vinyl A masterpiece of samba released in 1977, featuring Norio Maeda, a major pianist and arranger in the jazz world, and Tin Pan Alley by Haruomi Hosono, Shigeru Suzuki, and Tatsuo Hayashi. This album features several of the greatest Bossa Nova numbers such as 'Wave', 'One Note Samba', 'The Girl from Ipanema', 'Summer Samba', and famous songs such as 'The Look of Love' by Burt Bacharach. This is an album full of highlights.
Stevie Nicks - Bella Donna Deluxe Record Store Day 2022 Vinyl Edition
Stevie Nicks
Bella Donna Deluxe Record Store Day 2022 Vinyl Edition
2LP | 1981 | EU | Reissue (Rhino Atlantic)
56,99 €*
Release: 1981 / EU – Reissue
Genre: Rock & Indie
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Limited to 15000 copies.

Vinyl version of Remastered Original Album + LP of Studio masters, B-sides and demos (many for the first time on vinyl) from the 2016 Bella Donna Deluxe Edition.
John Grant - Boy From Michigan Deluxe Edition
John Grant
Boy From Michigan Deluxe Edition
2LP | 2021 | UK | Original (Bella Union)
56,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Henry Wagons - Four Seasons
Henry Wagons
Four Seasons
LP | 2024 | AU | Original (Ada Global)
56,99 €*
Release: 2024 / AU – Original
Genre: Rock & Indie
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Gleeman - Something To Say
Gleeman
Something To Say
LP | 2024 | US | Original (Mean Dorris Music)
56,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-09-27
Bob Frank - Broke Again Record Store Day 2024 Red Vinyl Edition
Bob Frank
Broke Again Record Store Day 2024 Red Vinyl Edition
LP | 1972 | US | Reissue (Real Gone Music)
56,99 €*
Release: 1972 / US – Reissue
Genre: Rock & Indie
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Originally released in 1972 on Vanguard Records, Bob Frank’s self-titled debut album took elements of Dylan, Johnny Cash, and Ian Tyson and filtered it thru a pot-smoked haze and the infusion of Frank’s long-time friend, Memphis guru Jim Dickinson. Dickinson and Frank shared a mutual admiration that ran so deep that on Dickinson’s own 1972 debut album Dixie Fried (released on Atlantic Records), he recorded one of Bob Frank’s songs “Wild Bill Jones.” But despite the Dickinson/Memphis connection, Bob Frank’s only LP for Vanguard became a forgotten, hard to find relic - until Light in the Attic reissued it to great acclaim in 2014. Now, from Real Gone comes more 1972 Vanguard Bob Frank recordings (all previously unreleased studio songs) coupled with a live set from the Old Quarter in Houston 1973 (the first-ever vintage live Bob Frank recordings to be released). Includes an insert with extensive liner notes detailing Frank’s career self-sabotage by Pat Thomas and the director of the documentary Within A Few Degrees: A Little Gest of Bob Frank, Isaac Pingree. 20 tracks, all unreleased, pressed on stems ‘n’ seeds “marijuana” vinyl.
V.A. - Glitzerbox 2
V.A.
Glitzerbox 2
Book+LP | 2023 | EU | Original (Jimmy Draht)
56,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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This compilation contains folk songs, experimental collages, field recordings and lo-fi pop by artists like Maxine Funke, Tenniscoats, A Happy Return, Benoit Pioulard, New North Wales, among others. All tracks are exclusive or have never been released on vinyl before. It is accompanied by a 20-pages book with illustrations with works by Petra Péterffy, Laurent Impeduglia, Nadine Spengler, Michael Dumontier, Tomoko Mori and Nicholas Stevenson.
Freebo - Smoking Blues
Freebo
Smoking Blues
LP | 1998 | JP | Reissue (Universal Music Japan)
56,99 €*
Release: 1998 / JP – Reissue
Genre: Rock & Indie
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Phil Ochs - Best Of The Rest: Rare And Unreleased Recordings Record Store Day 2023 Edition Jennifer Warnes - Another Time, Another Place
Jennifer Warnes
Another Time, Another Place
LP | 2019 | UK (Impex)
55,99 €*
Release: 2019 / UK
Genre: Rock & Indie
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Tennesse Ernie Ford - Country Hits ... Feelin' Blue
Tennesse Ernie Ford
Country Hits ... Feelin' Blue
LP | 2020 | US | Original (Analogue Productions)
55,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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"Country Hits...Feelin' Blue", released by Tennessee Ernie Ford in 1964, is a throwback — or as the liner notes to this country classic (perhaps Ford's best) say, »You don't hear much singing like this nowadays — just a voice with easy guitar and bass accompaniment«. But oh, what a voice. Ford's resonant-voiced baritone might be best known for his 1955 cover of Merle Travis' grim coal-mining song "Sixteen Tons“, with sales topping 4 million copies. The hit cemented Ford's place as one of America's top entertainers — a singer and TV host who enjoyed success during the 1950s, '60s and '70s in multiple musical genres — country, pop, and gospel.
He first guested on the Grand Ole Opry in 1950, and in 1953 he became the first country singer to appear at London's prestigious Palladium. Soon NBC hired him to emcee the television game show "Kollege of Musical Knowledge", and also to host his own weekday program. His subsequent prime-time network variety programs made »Bless your little pea-pickin' hearts« a household catch phrase and provided wide exposure for his musical renditions of great country and gospel favorites.
The songs chosen by Ford for "Country Hits...Feelin' Blue" are all favorites, some of the best tunes from the inspired pens of such country composers as Hank Williams, Fred Rose, Jenny Lou Carson, Willie Nelson, and Don Gibson. The album (one of Ford's favorite LPs) was recorded with backup provided by just two musicians; guitarist Billy Strange and bassist John Mosher.
Some of these songs go back to the start of Ford's career when he and Strange were working together as cast members of Los Angeles's "Hometown Jamboree" country music radio show. Mosher was a member of Ford's TV show band since its inception. Strange created the musical arrangements for "Country Hits...Feelin' Blue" — a quiet, simple get-together with the songs they had been playing and singing down through the years. That's why it's more than just another album. You can hear the affection and understanding coming through.
For this Analogue Productions reissue we turned to the experts who once again bring their stellar craftsmanship to the creation of a phenomenal-sounding release. Lacquers were cut by Kevin Gray at Cohearent Audio who mastered the LP from the original tape. Plating and 200-gram pressing was by our own Quality Record Pressings, makers of the world's finest-sounding LPs noted for their superior sonics and silent backgrounds. And nothing less than a Stoughton Printing old-style tip-on jacket would suit such a great LP.
Albums have been made with lots more people and lots more sound. But quantity never did mean quality. This is just a simple, great album. Great voice, great guitar and bass, and great songs — the best of each.
Joan Baez - Diamonds And Rust In The Bullring 200g Vinyl Edition
Joan Baez
Diamonds And Rust In The Bullring 200g Vinyl Edition
LP | 1989 | US | Reissue (Analogue Productions)
55,99 €*
Release: 1989 / US – Reissue
Genre: Rock & Indie
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The album chronicles a show performed by Baez in a bullring, naturally, in Bilbao, Spain, in 1988, and it demonstates what makes her such a draw overseas. Half of the collection, side two of the LP, consists of songs sung in Spanish.
»This record was made in a bullring in Bilbao, Spain, in 1988. It is dedicated to the Mayor and the people pf Bilbao, who came out between thunderstorms to see me perform. The song in Catalan "Txoria Txori" is about a sweet little bird ... I want to thank Pasku who taught it to me, and thank the Bilbao public for singing it so beautifully.« — Joan Baez. Illustrations by Joan Baez; additional vocals Mercedes Sosa.
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-18
Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
Damon Albarn - The Nearer The Fountain, More Pure The Stream Flows Deluxe Vinyl Edition Nancy Sinatra - Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition
Nancy Sinatra
Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition
2LP | 2023 | US | Original (Light In The Attic)
55,09 €* 57,99 € -5%
Release: 2023 / US – Original
Genre: Rock & Indie
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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.
V.A. - If Music Presents: You Need This!
V.A.
If Music Presents: You Need This!
4LP | 2022 | UK | Original (BBE Music)
54,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Milk Carton Kids - Prologue
Milk Carton Kids
Prologue
3LP | 2021 | EU | Original (Milk Carton Kids)
54,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Never Young Beach - Yashinoki House
Never Young Beach
Yashinoki House
LP | 2024 | US | Original (Roman Label / Bayon)
54,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Never Young Beach - Fam Fam
Never Young Beach
Fam Fam
LP | 2024 | US | Original (Roman Label / Bayon)
54,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Orville Peck - Stampede Bone Colored Vinyl Edition
Orville Peck
Stampede Bone Colored Vinyl Edition
2LP | 2024 | US | Original (Warner Bros.)
54,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Hannes Aitman - Weak Point White Vinyl Edition
Hannes Aitman
Weak Point White Vinyl Edition
LP | 2024 | EU | Original (Freebird Entertainment)
53,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Neil Gardner - Said The Blackbird
Neil Gardner
Said The Blackbird
LP | 1972 | AU | Reissue (Half A Cow)
53,99 €*
Release: 1972 / AU – Reissue
Genre: Rock & Indie
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Lee Hazlewood - 13 Deluxe Edition
Lee Hazlewood
13 Deluxe Edition
2LP | 1972 | US | Reissue (Light In The Attic)
53,99 €*
Release: 1972 / US – Reissue
Genre: Rock & Indie
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Newly Expanded Deluxe Double LP Edition! Includes the original 1972 album, plus all of Larry Mark's acoustic demos and tracks from his unreleased 1970 LHI LP for the first time on vinyl Previously unreleased session outtake of “Cold Hard Times” plus demos of obscure Hazlewood compositions “Drums,” “The Start,” “Susie,” “Miracle on 19th Street,” and “Peppermint Morning” 30 total tracks Remastered by GRAMMY®nominated mastering engineer John Baldwin Liner notes by GRAMMY®nominated reissue producer Hunter Lea including interviews with Larry Marks, Joe Cannon, Torbjörn Axelman & Suzi Jane Hokom Lee Hazlewood comic strip, the story of 13 told through original artwork by Jess Rotter Double LP housed in a gatefold jacket “Pimps… whores… pushers… dopers… gangsters… and bottom of the human chain shitheels. Now you’re probably thinking I’m writing about major record companies and their unscrupulous executives… and lawyers. You could be right… but this time… You’re Wrong! I’m describing the characters in my album ‘13’ …Some I knew… some I invented … some are true… some are false… some I liked… some I didn’t. But they all had a story to tell and I told it…none of ‘em seem to care… and I don’t either… have fun…" Lee Hazlewood



“He (Lee) took my voice off the album and put his voice on the album. Now don’t forget these were in my keys, it was my charts, it was my everything. Lee Hazlewood was not even remotely going to be considered as an artist for this album and that’s the way he wanted it.” Larry Marks



The album 13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The Bombastic brass heavy funk, deep blues and soul paired with Hazlewood’s subterranean baritone would be best enjoyed with a tall Chivas in an offstrip seedy Vegas lounge. By 1972 Lee Hazlewood had settled in his new homeland of Sweden. His days were spent carousing, making movies with Torbjӧrn Axelman and releasing albums. To keep up his prolific recorded output, Lee began to mine the recently defunct LHI Records archives for material. One such gem, was an unreleased album by Larry Marks (lhi producer, artist and the voice of the first ScoobyDoo theme). Larry’s concept was to take Hazlewood’s strongest compositions and arrange them in a soul vibe. An album was completed, but with no distribution in America and no funding, Lee had no vehicle to release Larry’s record. The tapes were taken to Sweden, Larry’s voice was wiped and Hazlewood’s was dubbed… 13 was born.
Paris Match - Type III
Paris Match
Type III
LP | 2023 | JP | Original (Jet Set)
53,99 €*
Release: 2023 / JP – Original
Genre: Rock & Indie
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Preorder shipping from 2024-09-27
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