Breaks | Breakbeat 51 Items

180g 2LP 45rpm

One per customer only!

An album had been finished by the spring of ’95 and all recorded onto DAT and placed in a box. K&D pressed up 10 copies and gave 4 away to some suitably eccentric individuals.
Then the room’s doors opened and in a tremendously big cloud of smoke time rushed in, K&D rushed out, and the years went rolling by. The days got filled with remixes, touring and life.

Then in early 2020 that chance moving of a box at the back of a room exposed the DATs and their time transporting properties. As K&D went through them they ended up comfortable and back in the room and that wonderful haze of 1995.

180g 2LP 45rpm

180g 2LP 45rpm

180g 2LP 45rpm

all their hits collected on this album

The Maltasian master Sound Synthesis with a brand new album! Another fine timeless journey into electro and electronix that will stand the test of time..

Younger Than Me announces his debut full length "The Golden Age Of Love", to be released on 90's Wax this coming March 2024. The record is the perfect example of the breadth of his irrepressible and unique sound. Featuring collaborations with Massimiliano Pagliara, Brame & Hamo and Pablo Bozzi. The artist is an Italian native known for a modern interpretation of '90s club music' - a dynamic blend of Progressive House, Trance, EBM, Breakbeat, and Techno ideas. This first album is a love letter to a deep-rooted passion for the idiosyncrasies of rave culture and the crossover points with contemporary electronic music.

Younger Than Me, an artistic project by Francesco Mingrino that is steeped in the nostalgia of ‘90s rave, yet not at all trapped in that past. A project that has cemented a special place in the electronic music scene with a string of records on labels like Bordello A Parigi, Amsterdam-Utrecht based platform XXX, Rotterdam’s Bar and Jennifer Cardini’s Dischi Autunno. To this point Francesco has pushed his fun yet forceful sound, with many releases on his own 90's Wax, and collaborations with people like Skatebård, Francesco Farfa, Timothy Clerkin and Curses (as Y2c).

"The Golden Age Of Love" as a package is curated in Younger Than Me's characteristic style. Opening with "Long Life Death", a track that sets the stage with a cinematic soundscape in a classic Carpenter vibe. Picking up the tempo "Zarathustra Dance" takes you right into the golden age itself, its low slung beat and carefully sequenced lead line pushes an ever building tension designed to crack any dancefloor. The track with Massimiliano Pagliara, "Eternal Sunshine Of Solitary Mind", is one of the highlights, perfectly building around a catchy lead with tight arpeggio and sequenced acid. Leading us into the 2nd half of the record "Sadness Is The Only Way To Happiness" is a proto-trance beast, inspired by that period in the early 90s when Trance was less bright lights and big stages and more dark rooms and smoke filled spaces, an ever building progressive run of haunting vocals, rave stabs and rolling bass.

Whilst YTM is at home presenting dancefloor focussed material, we see him explore the other side too, with "Memory Is A Clock" like the earlier "Vortix", he ditches the 4x4 for breakbeat territory. Whilst the bass keeps the solid metronome you would expect, "Memory Is A Clock" is a track that takes a few moments, contemplative melody and trademark arpeggios take the lead. When it comes to the other collaborations on the record, the appearance of Brame And Hamo on "Raver's Heart Is A Mess" sees them lean into the Progressive nature both artists love so much. Then Pablo Bozzi lends his own unique outlook to "We Don't Know The Way, We Just Stay" in one of the standout tracks, epitomising Younger Than Me’s ability to create profound experiences.

The album concludes with "Music Will Never Stop, Heartbeat Will Never Fade, Party Will Never End", less of a title and more of a personal philosophy – the perpetual essence of rave culture and its timeless impact on music. A rhythmic belter, juxtaposed with incendiary synth-lines and staple catchy sequence work, finishing the record with one of the true highpoints. In addition the release also features four digital bonus tracks, including "The Other Face Of Loneliness" and a Prog Dance Reshape of one of the records more eclectic cuts "Zarathustra Dance" all offering an extended exploration into the creative landscape YTM inhabits.

"The Golden Age Of Love" is a debut album that ticks all the boxes; it's a celebration of a bygone era through the lens of the contemporary. Younger Than Me stands as a testament to the enduring spirit and evolving nature of the music that began in the ‘90s rave scene, with an LP that pushes Love, Progression and Fun to the forefront.

3 years in the making, Peaky Beats debut 10 track LP 'Bloodlines' takes us on a spiritual journey through ancient and modern middle eastern sounds fused with the spectrum of UK Bass music. Heavy subs and intricate rhythms bring this listening experience to life from the hypnotic melodies to the samples only a well-trained ear can catch. As well as teaming up with some good friends on two collaborations, Peaky has delved into a diverse and new sound whilst staying true to his musical roots in late 90’/ early 00’s UK Garage / Dubstep.

At the turn of the ‘90s, British dance music gave birth to two interconnected styles that put heavy sub-bass front and centre: bleep techno and breakbeat hardcore. Such was their popularity that the styles inspired countless imitations and mutations, both within the UK and far beyond.

This is the story told in a major new retrospective from Musique Pour La Danse, Bleeps, Breaks + Bass, a carefully curated and well-informed collection of rare and sought-after tracks from the early ‘90s selected by label founders Olivier Ducret and Bunkerheadz. Available on two limited-edition double LPs (each presented in heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl), compact disc and digital download, Bleeps, Breaks + Bass features artwork by legendary graphic designer Trevor Jackson and extensive liner notes from dance music historian Matt Anniss, author of the acclaimed book Join The Future: Bleep Techno and the Birth of British Bass Music.

A quick glance at the track listing will confirm the depth and variety of Bunkerheadz and Ducret’s selections, which largely sidestep celebrated anthems in favour of overlooked gems, deeper cuts and genuine rarities – all of which have been re-mastered by legendary bleep producer and engineer Rob Gordon (Forgemasters, Xon, co-founder of Warp Records) and half-speed mastered/cut by Sidney Meier at Emil Berliner.

Across the collection you’ll find lesser-celebrated gems from significant figures in the scene (Unique 3’s long-overlooked ‘Digicality’, rare tracks from 4 Hero side projects R-Solution and Tek9); surprise bass-heavy excursions from popular outfits of the period (A Man Called Adam, A Certain Ratio and The KLF’s ‘What Time Is Love’ as remixed by The Moody Boys); significant but frequently forgotten underground anthems (outings from Boneshakerz, Hypersonic, Ubik and Kcc); secret weapons (Three Sons, Heychild, Techno Excursion); and even a sub-heavy classic from Norwegian ambient legend Biosphere. It all adds up to a significant celebration of one of the most fertile periods in the development of dance music with bleeps, breaks and bass.

At the turn of the ‘90s, British dance music gave birth to two interconnected styles that put heavy sub-bass front and centre: bleep techno and breakbeat hardcore. Such was their popularity that the styles inspired countless imitations and mutations, both within the UK and far beyond.

This is the story told in a major new retrospective from Musique Pour La Danse, Bleeps, Breaks + Bass, a carefully curated and well-informed collection of rare and sought-after tracks from the early ‘90s selected by label founders Olivier Ducret and Bunkerheadz. Available on two limited-edition double LPs (each presented in heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl), compact disc and digital download, Bleeps, Breaks + Bass features artwork by legendary graphic designer Trevor Jackson and extensive liner notes from dance music historian Matt Anniss, author of the acclaimed book Join The Future: Bleep Techno and the Birth of British Bass Music.

A quick glance at the track listing will confirm the depth and variety of Bunkerheadz and Ducret’s selections, which largely sidestep celebrated anthems in favour of overlooked gems, deeper cuts and genuine rarities – all of which have been re-mastered by legendary bleep producer and engineer Rob Gordon (Forgemasters, Xon, co-founder of Warp Records) and half-speed mastered/cut by Sidney Meier at Emil Berliner.

Across the collection you’ll find lesser-celebrated gems from significant figures in the scene (Unique 3’s long-overlooked ‘Digicality’, rare tracks from 4 Hero side projects R-Solution and Tek9); surprise bass-heavy excursions from popular outfits of the period (A Man Called Adam, A Certain Ratio and The KLF’s ‘What Time Is Love’ as remixed by The Moody Boys); significant but frequently forgotten underground anthems (outings from Boneshakerz, Hypersonic, Ubik and Kcc); secret weapons (Three Sons, Heychild, Techno Excursion); and even a sub-heavy classic from Norwegian ambient legend Biosphere. It all adds up to a significant celebration of one of the most fertile periods in the development of dance music with bleeps, breaks and bass.

Sacd

Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Yes' 1972 Atlantic Records masterpiece!

Hybrid Stereo SACD

Yes's 1972 3-track recording masterpiece, Close to the Edge, presents a snapshot of an adventurous rock band at the peak of its powers, daring to push itself musically, both as individuals and as a unit.

The first half of the 1970s was an especially fertile period for British progressive rock, laying claim to classics such as Tarkus, Selling England by the Pound, Larks' Tongues in Aspic, The Dark Side of the Moon, and Thick as a Brick. Collectively these and other works represent the best British progressive rock had to offer. Yet, many reviewers cite Close to the Edge as the ultimate prog rock album.

Author and music journalist Will Romano writes: "Yes had previously penned epic tracks for The Yes Album and Fragile, but nothing on the magnitude of the musical gems appearing on Close to the Edge. It's something of a small miracle — perhaps even magic — that the virtuoso quintet crafted such a cohesive and compelling album during an often-hectic recording process that very nearly relegated this monumental work to the dustbin of history."

The album's centrepiece is the 18-minute title track, with themes and lyrics inspired by the Herman Hesse novel Siddhartha. Side two contains two non-conceptual tracks, the folk-inspired "And You and I" and the comparatively straightforward rocker "Siberian Khatru." Original drummer Bill Bruford found the album particularly laborious to make, which culminated in his decision to quit the band after it was recorded, to join King Crimson.

Close to the Edge became the band's greatest commercial success at the time of release. It peaked at No. 4 on the U.K. Albums Chart and No. 3 on the Billboard 200 in the United States, the highest position Yes has reached on the latter chart.

In 2020, Close to the Edge was ranked at No. 445 on Rolling Stone's list of the 500 Greatest Albums of All Time.

Hybrid are cemented in dance music history.
An act that with 5 artist albums under their belt, and its feet pressed firmly in the electronic music scene, Hybrid's music has also moved seamlessly into film and game scores. This is perhaps of little surprise given their unique fusion of epic orchestral sounds, ambient styles, and breaks.
It is with great pride, as both fans of vinyl and of Hybrid, that we exclusively bring you the only album that has not been released previously on vinyl, their masterpiece, I Choose Noise.
The full-length versions on this limited, deluxe 2-disc, heavyweight vinyl edition, has been masterfully cut by Pete Norman, who we consider one of the best (if not the best) cutting engineers in the UK.
A high quality 5mm printed outer sleeve, spineless printed inners, and the inclusion of their originally hidden, bonus track 'Everything Is Brand New' make this a release not to miss!

Zodiac Childs present their debut album “Atoms To Atoms” on Zodiac Wax across three pieces of vinyl in a full and vivid expression of the pair’s passion for classic breaks and the UK’s hardcore legacy. Zodiac Childs have been cultish in their release schedule previously - releasing sell out vinyl on their label Zodiac Wax which aims to work within the standards of rave culture’s key fixtures - records that are made to be played loud in the dance. ‘This album is a proper snapshot into the mind of Zodiac Childs & the foundation of what’s to come. It’s all about a genuine vibe, a feeling, a love for playing with energy & emotion. A rich tapestry of sound, not being confined to a specific genre & a constant obsession with analogue synths & hardware reverbs’ - Zodiac Childs Released on triple vinyl, cut by Simon Davey at The Exchange with a precision-perfect tri-fold sleeve designed by Ben Rix - the release has been executed in the most sonically and dynamic process as possible in a highly elegant package. In addition to presenting 8 new original tracks, 4 of ZC’s best received previously released works that have been remastered for the album - Goblin, Circuits, O to the M and Basic Process. The album is designed to move the listener through the moods and feelings of a full night of rave experience - with an atmospheric opener in Submersion setting the tone. Circuits follows - a pure anthem for the convoys of cars, filled with weekend warriors riding their first chemical waves. The release moves through the emotions and sounds that ZC are about - building off their hardcore style breaks and moving between touching melodies, wiggling 303 lines, guttural low end frequencies and spacious hardware reverbs are a constant theme in ZC’s work. Atoms to Atoms is designed to take you through to the iconic spaces and movements of a transcendent party experience - from the inner city warehouses that set the scene for Breach all the way to the energy of abandoned northern English factories and mills, rusted and empty like on Northern Fury. It’s a timely reminder of the sheer heights of joy and ecstasy that UK dance music culture was designed for produced and presented in an expert package.

Vinyl with a bit of heat damage, plays fine. Small stickers and writings on labels.

Note: INCOMPLETE!
Disc 4 Side G & H is missing.
Includes original inner sleeves.

Record is close to VG+.

2020 reissue. Still sealed with hype sticker.

Still sealed. Nzmbered Limited edition. 2023 reissue.

Cover is missing!

8 panel gatefold. CD is missing. Original inner sleeves.

Cyberphunk is a journey through the universe of electronic music, across the galaxies of Electro and Breakbeat, to contemplate how the explosion of Acid, SubBass and Breaks supernovas is absorbed by black holes of energy, leading us to the mysticism of Cosmic Singularity.

Calagad 13 is a DJ and producer involved in the Electro & Breaks scene. With a versatile style, his sessions encompass genres ranging from Funk, Rap, and Ragga to Electro, Breakbeat, Jungle, and D&B.

close to NM. Limited edition

Orange vinyl. Still sealed with hype sticker. Tiny corner wear.

20 Years of Sonic Mayhem Bong-Ra's 'Bikini Bandits Kill! Kill! Kill!' Vinyl Debut on Redrum Recordz.

Hail the sonic mayhem as we commemorate two decades of groundbreaking beats! Bong-Ra's iconic masterpiece, 'Bikini Bandits Kill! Kill! Kill!,' is set to make its vinyl debut on Rotterdam's Redrum Recordz. This record is a genre breaking fusion of breakcore, jungle and experimental electronic sounds that define Bong-Ra's visionary work. Safe to say; a classic! With guest appearances of The Dirty Dred (Skindred / Dub War), Mike Redman (Deformer) and Lolita Storm. In homage to the album's relentless energy and fiery spirit, the 20th-anniversary edition comes in striking red double vinyl. Order now to ensure you don't miss out on this limited release.

Seam splits. Vinyl is close to NM. 180gr vinyl Limited edition.

Qui Existe isn't just an album, it's a kaleidoscopic journey through Mézigue's soul. Each track is a chapter, a glimpse into the artist's life, blending raw energy, rhythmic eloquence, and fearless experimentalism.

This release solidifies Mézigue's status as a visionary, unshackled by genre constraints.

180gr vinyl Limited edition. close to NM

Quantity: 3500
Release type: RSD Exclusive Release

With the exception of the La Bamba soundtrack, Kiko sold more than any other album in Los Lobos’ 45+ year career. It hasn’t been reissued on vinyl for ten years, and this RSD Black Friday release sees the album cut to lacquer by Dave McNair and sequenced over 2 discs for improved fidelity. It also includes a third LP of previously unreleased demos

In the late 1980s, Disco was taking a backseat to the burgeoning psychedelic scene in San Francisco, marking a pivotal shift in musical culture. A dynamic transformation was underway as the younger generation sought a fresh auditory adventure, all while the devastating AIDS epidemic cast a somber pall over the city's nightlife. Amidst this evolving backdrop, a subtle yet distinct sonic movement quietly emerged within the confines of San Francisco’s vibrant club scene, often referred to as "The Beat." Although Hip-Hop, New Wave, Gothic, Punk, and the burgeoning Modern Rock genre held considerable sway, the pre-RAVE clubs in SF witnessed the fusion of these genres into a unique amalgam of sound that insiders dubbed “The Beat.” This musical tapestry encompassed everything from Hip-Hop and Freestyle to Industrial, New Wave, Boogie, Miami Bass, and Techno – the unifying thread being the distinctive vibe that characterised this eclectic mix.

As House, Techno, and Raving gradually gained prominence along the West Coast, a distinctive interpretation of these evolving sounds took root. Drawing inspiration from influential hubs like New York, Chicago, Detroit, Europe, and notably the UK, which saw a wave of talented young DJs migrate to California, San Francisco became the backdrop for its own version of the second Summer of Love. While the exact chronology might spark debate – some recalling '92, while others leaning towards '93 – what remains indisputable is the era spanning from 1990 to 1994, an unparalleled epoch of exuberant dancefloor revelry on the western shores.

In the face of limited backing from major labels or established independent dance music entities of the time, a grassroots movement of labels and producers emerged organically, ardently championing this distinct sound and catapulting it onto the global stage. This sonic identity was deeply influenced by “the Beat,” acting as a creative wellspring that informed the musical landscape. While the tracks compiled in these volumes might not encompass the entirety of this transformative musical epoch, they offer a vivid snapshot of the melodious tapestry that coloured San Francisco and the broader West Coast during that era. Each track featured stands as a 100% Sure Shot that was played heavily by DJ Spun back in those very heady days.

Finally, but by no means least, we unveil the third and concluding volume of this extensive, impeccably curated chronicle of San Francisco's underground rave scene and its unique soundscape. Mirroring the same fervour and meticulous track selection as the first two volumes, 'The Beat By Spun' is nothing less than indispensable for any dedicated music enthusiast, DJ, or dancer. Once again, this collection showcases an outstanding array of tracks, featuring music from talents like Mattski, Bass Kittens, Hawke, and Deep2, all maintaining the high standards set by the previous volumes. It's a blend of rarities, classics, and obscurities, combining to deliver an exhilarating, almost transcendental experience to those who dare to immerse themselves in the sonics!

In the late 1980s, Disco was taking a backseat to the burgeoning psychedelic scene in San Francisco, marking a pivotal shift in musical culture. A dynamic transformation was underway as the younger generation sought a fresh auditory adventure, all while the devastating AIDS epidemic cast a somber pall over the city's nightlife. Amidst this evolving backdrop, a subtle yet distinct sonic movement quietly emerged within the confines of San Francisco’s vibrant club scene, often referred to as "The Beat." Although Hip-Hop, New Wave, Gothic, Punk, and the burgeoning Modern Rock genre held considerable sway, the pre-RAVE clubs in SF witnessed the fusion of these genres into a unique amalgam of sound that insiders dubbed “The Beat.” This musical tapestry encompassed everything from Hip-Hop and Freestyle to Industrial, New Wave, Boogie, Miami Bass, and Techno – the unifying thread being the distinctive vibe that characterised this eclectic mix.

As House, Techno, and Raving gradually gained prominence along the West Coast, a distinctive interpretation of these evolving sounds took root. Drawing inspiration from influential hubs like New York, Chicago, Detroit, Europe, and notably the UK, which saw a wave of talented young DJs migrate to California, San Francisco became the backdrop for its own version of the second Summer of Love. While the exact chronology might spark debate – some recalling '92, while others leaning towards '93 – what remains indisputable is the era spanning from 1990 to 1994, an unparalleled epoch of exuberant dancefloor revelry on the western shores.

In the face of limited backing from major labels or established independent dance music entities of the time, a grassroots movement of labels and producers emerged organically, ardently championing this distinct sound and catapulting it onto the global stage. This sonic identity was deeply influenced by “the Beat,” acting as a creative wellspring that informed the musical landscape. While the tracks compiled in these volumes might not encompass the entirety of this transformative musical epoch, they offer a vivid snapshot of the melodious tapestry that coloured San Francisco and the broader West Coast during that era. Each track featured stands as a 100% Sure Shot that was played heavily by DJ Spun back in those very heady days.

The second installment of this remarkable journey into the underground scene maintains the same profound level of depth and significance as its precursor. Showcasing tracks from Electroliners, High Lonesome Soundsystem, Single Cell Orchestra, DJ Emma, and Spun's own Central Fire project, all harmoniously enclosed within the captivating and arresting artwork by Villain Standard, this release stands shoulder to shoulder with its forerunner. Beyond a mere compilation, it's an indispensable extension of the narrative that has indelibly shaped the culture of underground American dance music within the region, embodying the era and the individuals involved. This is the authentic underground sound that reverberated across San Francisco and its surrounding environs, a truly distinctive and exceptional moment in time and space.

The Beat by SPUN – West Coast Breakbeat Rave Electrofunk 1988-1994

In the late 1980s, Disco was taking a backseat to the burgeoning psychedelic scene in San Francisco, marking a pivotal shift in musical culture. A dynamic transformation was underway as the younger generation sought a fresh auditory adventure, all while the devastating AIDS epidemic cast a somber pall over the city's nightlife. Amidst this evolving backdrop, a subtle yet distinct sonic movement quietly emerged within the confines of San Francisco’s vibrant club scene, often referred to as "The Beat." Although Hip-Hop, New Wave, Gothic, Punk, and the burgeoning Modern Rock genre held considerable sway, the pre-RAVE clubs in SF witnessed the fusion of these genres into a unique amalgam of sound that insiders dubbed “The Beat.” This musical tapestry encompassed everything from Hip-Hop and Freestyle to Industrial, New Wave, Boogie, Miami Bass, and Techno – the unifying thread being the distinctive vibe that characterised this eclectic mix.

As House, Techno, and Raving gradually gained prominence along the West Coast, a distinctive interpretation of these evolving sounds took root. Drawing inspiration from influential hubs like New York, Chicago, Detroit, Europe, and notably the UK, which saw a wave of talented young DJs migrate to California, San Francisco became the backdrop for its own version of the second Summer of Love. While the exact chronology might spark debate – some recalling '92, while others leaning towards '93 – what remains indisputable is the era spanning from 1990 to 1994, an unparalleled epoch of exuberant dancefloor revelry on the western shores.

In the face of limited backing from major labels or established independent dance music entities of the time, a grassroots movement of labels and producers emerged organically, ardently championing this distinct sound and catapulting it onto the global stage. This sonic identity was deeply influenced by “the Beat,” acting as a creative wellspring that informed the musical landscape. While the tracks compiled in these volumes might not encompass the entirety of this transformative musical epoch, they offer a vivid snapshot of the melodious tapestry that coloured San Francisco and the broader West Coast during that era. Each track featured stands as a 100% Sure Shot that was played heavily by DJ Spun back in those very heady days.

Originally produced and self-released by Abelcain in 2015. Vocals by Andrea von Bolz’n. Newly remastered for vinyl in 2022.

Price tag.

Vinyl is very close to VG+.