Breaks | Breakbeat Vinyl 134 Items

BigM Productions is back full force!

Born October 1966. Break Dancer in 1984, under the moniker Mad Max, started a crew named the Back Street Warriors, Busking all over the UK at places such as Covent Garden/Leicester Square Performing on stage & in clubs. They once jammed with the Rock Steady Crew in Camden Palace in front of an audience.

Then in 1987 he became a DJ, playing all genres of music, he first played on RJR Radio, playing Electro, Hip Hop, Soul, R&B & Reggae. Moving forward he started playing Acid House & Four to the Floor Music styles, by the early 90s he played on Weekend Rush and then went onto Defection, Touchdown, Don & Passion FM, playing Acid & Hardcore Jungle.

In the early days MixMaster Max was one of the Innovators of Jungle music by mixing Hardcore, Reggae & Hip Hop together, helping others to produce, fuse & gain ideas in the music industry. He was by Far the most Original, Innovative, DJ anybody had ever heard.

In 1991 he played alongside John Saunderson at the Camden Palace on a Friday night, he also played at the famous Hacienda club in Manchester. He was the First DJ to create the Topsy Turvey, which is one turntable on top of the other, he came runner up in the DMC world championships in the early 90s.

He played at some of the Biggest Raves back in the day, Pirate club 93, Fantazia 92, Dungeons 91/92, Turnmills 92, to mention a few. He also played on Avenues FM & People's Choice, which were legal Radio Stations, not forgetting Kool fm & Centreforce.

He performed on stage with the We Papa Girl Rappers in 1990 at the Notting Hill Carnival. This Legendary Cult figure is a Master of the Nunchuckers & TurnTables! His innovative Mixes were ‘legendary’ he was a pioneer precursor to the Art form known as Jungle Music, not to mention his Scratching abilities, which was ‘extraordinary’!

For those that listened to pirate radio back in the day, he was the legendary cult figure that inspired us all, giving us the freshest musical styles that had never been heard before!

He can still be heard on OriginUK.Net Radio today... What an inspiration this unsung hero has been to us All!

South Korea various artists remix/edit from some korean stuff…

Step into Simplexia's new adventure, where Mood presents a journey that will take you to feel the freedom to play it making the dancefloor explode in pure ecstasy.

Crucial EP contains 3 original tracks and 2 remixes.

We love all tracks for his unique, whimsical sound: catchy melodies, House/Break-Beat/Electro drums, and an irresistible sense of party. Naux picks up the essence of ''Oblivion'' to transform it into a Bomba, bringing out its strong roots in French House.

Adrià transforms ''Electric Tribe'' into a mix very different from the original, making his Electro influence very present.

This release is a must have in your collection.

Cover and vinyl are close to NM. With insert.

Frankey & Sandrino drop ‘Brainscan’ on Rekids this September.

The German duo have been making music together for over a decade, running the Sum Over Histories imprint and releasing on revered labels such as Innervisions, Mule Musiq, Kompakt, and Diynamic. Now arriving on Radio Slave’s Rekids for the first time, the pair deliver two stunning productions that showcase their ability to craft emotive and punchy dancefloor tracks.

On the A-side, ‘Brainscan’ leads with wonky synths, trippy FX, and dense vocal chants evolving into a lush, chugging track. On the flip, ‘Condesa’ combines slow-motion breakbeats, dynamic progressions, and soaring leads for a riveting piece that perfectly rounds out the B-side.

Meda Fury are buzzing to welcome Silvestre to the fold for a 6 track EP of low-slung party starters. This Lisbon native and London resident has been on several tastemakers lips for the last year now, serving up no-nonsense but seriously fun dance music, comparable to the spirit of mighty Portuguese scene labels Principe and Naive. Joao’s tracks are mind bending hybrids of breakbeat, reggaeton, R&B, rave and house. His recent artilary coming via Seceretsundaze, Diskotopia and his own Padre Himalaya, he now adds the Yeah EP to his weaponry.

Hamburg’s long time standing Goth (Not Goth) / Rock (Not Rock) band outfit The Crystal Apes get a full on electronic remix treatment which has been dubplate tested and dancefloor proved by Intrauterin Recordings mastermind baze.djunkiii as a secret weapon on countless occasions over the past years, slowly and carefully building up towards a full vinyl release.

Pleased to announce that Nicola Kazimir will complete the second opus of the series. The Swiss signs with Sabateans an Ep of four tracks from Techno to EBM and Industrial. And as a bonus, a collaboration with Walid el Barbir.

Hellfish and Bryan Fury, the Axe Gabba Murda Mob, are two of the biggest innovators in hardcore techno. Both have been pushing the genre in all kinds of directions for over two decades providing the pulse for thousands of parties around the globe. So with this in mind, we are honoured to present ‘Baby Eaters’, an earth shaking joyride to the very edge of the human psyche and beyond.

The eponymous A-side strikes terror into the hearts of men, splitting brain cells like atoms with destructive chain reactions of radical distortion and soul-stripping screams. Pure demonic catharsis, sound frequencies don’t get more violent than this. The B side ‘Acid Abyss’ is an LSD stained hardcore techno anthem where eerily cold voices are strangled by crunchy bellowing kick drums and bleeding 303s. Despite still being cranked up, the precision of the fills in this track offsets the chaotic kicks of the A-side, coming off almost subtle in comparison.

This single is for connoisseurs coming lovingly housed with artwork by the wonderful Jim’ll’Paint it, depicting the deadly duo conducting some rather grizzly research in their underworld studio.

Spin desire is back after a little hiatus with its third outing, still on a quest to put out quality music from artists that are flying under the radar. This time with something a bit deeper than the first two releases, from UK-born and Berlin-based artist : Mculo

An artist we were lucky enough to meet a few years ago, capable of producing almost any type of music for any time of night (or day)

For this release he crafted a beautiful 4 trackers ranging from peak time house, UK infused breaks, to deep and hazy after hours house and closing it with a downtempo beauty.

Hope you enjoy it as much as we do.

DJ Elephant Power (Nicolas Baudoux) based in Brussels, Les Octaves de la Musique awarded musician, is returning with his new EP ‘Blowing From Above’ on May 2024 with limited edition vinyls. The abundantly creative producer never tires of exploring the possibility of new sounds and rhythms. This time he delves deep into numerous genres from breakbeat to bass and he added more colours on each track which composed, performed and produced by himself. Mastering was done by Beau of Ten Eight Seven Mastering in UK. This new EP will be the first page of the upcoming album in June 2024. ‘Blowing From Above’ feat Eunsol Now you entered the city where you can feel the atmosphere of heat with full of energy. Under the welcome sign of breakbeat and bass, you breathe the dopamine of electronic dance deeply. Alongside baseline skyscrapers covering the sound of this city, mysterious Korean words lead you to hyper pop buildings. Across the traffic lights with barking dog and staccato synth arpeggio on the road, you reach the futuristic bridge between jungle and grime. ‘I Got You’ Under the repeated street lights of ‘I Got You’ scratch samples, you are in the car passing through continuous cowbel 808 sounds on the techno road. In front of the funk graffiti wall, a powerful metal guitar sprays the paint with no compromise. Buildings of synth grab you to follow the new banging club anthem. ‘Shades’ Curly hair architect, who is well known for perfectionism of repeated linear, built a new Mantronix satellite laboratory. This is located on the mountain of Detroit and built on the solid ground of analogue synth signals. Filtered synth and bassline are the main columns of the building. In the main lab, the next satellite has been developing on woah woah sound mattress. Visitors can experience zero gravity in the room in the middle of kick and snare which provides perfect unbalance. ‘Infinity’ A colourful new dish is ready for you. You will feel beautifully balanced and harmonious tastes of progressive techno, trap and bass. This astonished dish was sourced the very best of heavy bass and synth melody for well balanced scent with thoughtful contacts. Geomungo, a traditional Korean string instrument, enhances and amplifies stunning ingredients and it makes a highlight with amazing pairings.

Hailing from Yerevan, Dave N.A. drops his 'Altura EP,' a seamless blend of jungle and deconstructed club. This marks his debut on no•id, the second release on the label. The four tracks showcase Dave N.A.'s nostalgic yet innovative sound, with sharply cut breaks, a lush palette, and vivid effects, solidifying his place in the label's diverse lineup. For the occasion, 'Pulse' and 'Novox' were co-produced with Belgium’s freq444. The DJ’s join forces around a sultry groove: it goes down smooth as cocoa on a freezing winter’s day.

Breakbeat Paradise Recording kicks off the new year with another big 7 inch drop in the epic Toxic Funk series. This time featuring to of the abololute heavyhitters in the funky breaks scene Paul Sitter & Crash Party.
The duo has put together 2 extreamly toxic party bangers that are sure to put any funky dancefloor on fire. Paul Sitter is a favorite in the funky 45 community with lot of 7 inch releases under his belt so we are pleased to finally get him on a BBP release. Who better to team up with than our very own Crash Party who did the Toxic Funk Vol. 5 and obvious wasn't done shaking off the funky tunes.
Look out for more epic drops from Paul Sitter later in the year, when he is dropping is Hip Hop Delilvery LP - right here on BBP.
Each volume in this series has sold out so you better be quick before Toxic Funk Vol. 9 will do the same thing...
Once again Breakbeat Paradise Recordings is on point to deliver you the funkiest soul and breaks available anywhere out there…

Compassionate Vulnerable Tripping Terminators

Lindenberg Support is the man behind 'Ode To Gallantry', a complex and emotional tale of mistaken identity, trust and honor. The story begins with the beggar Shi Po Tian, aka the Bastard, stealing a bun which contains the Black Iron Token, created by skilled pugilist Xie Yanke, which grants the holder one wish. 'c20/25' and its pounding and pacy rhythmics, carrying pads and heavy hitting vibe, perfectly set the journey's energetic and warm tone. Xie appears yearly, demanding that the clans repay in blood for any heinous act they committed throughout the year. The only way that a rude clan can avoid the cull is for the clan's leader to sacrifice himself for them. With 'sks (101)' and its soothing and floating pads carrying the gentle lo-fi drums, the story heats up and evolves to a deeper intricacy. Fearing that Bastard might make him promise to stop his annual harvest of death, Xie spirits him away and trains him in martial arts so powerful that he is certain it will kill him, but instead, it makes him strong and resilient. The uplifting pads in 'Gate', supported by a reckless broken beat and pinging vocals, create a celestial vibe that pushes Bastard to his limits. He is rescued by the Chang Lo Clan that mistakes him for their villainous leader Shi Zhongyu and then treats him as their boss. With each case of mistaken identity, he becomes drawn into a number of heated conflicts between several rival schools and gangs - a dilemma that he just isn't prepared to deal with. The dreamy ambiance of 'Kinda Weak' and its well-wrought drum pattern slowly shroud the memories of his old life. The final point is set with 'Pol-1 (For Stefan)' - an emotive and profound ambient piece to close the story. He's sure to learn some valuable lessons about brotherhood and honor, but at what price?

Makesense Records is very excited to presents Sou Akeyama ’s first 12’’ release. Machinedrum and Monomachine skilled composer, Sou explores romanticism within hard-break-core and glitchy music. In the manner of a Japanese countryside landscape merging modernism into nature, Sou is giving birth to a Four-Tracker exploring tonality and speeds, organic and electric. Substractive Percussion Synthesis at it’s finest fighting for existence with FM pads thru a genuine compressor chain. From the center of earth to the very edge of it’s canopy highest leaves, Seed grows under your feet: break beats patterns progressivly transforming Chaos into Life. You’ll feel the rhythm running into your veins. Blood Pressure Monitor drops as n14 big basses and laidback and impulsive broken beats will drive you into the fog. Frenetic yet so warm, scattered rhythms stabbed by aerial pads: a colored thunder from inside the cloud. Contrasted fog dissipates and i2 lands you back safely, ending the journey with a downtempo yet futuristic and excited trip-hop narrative.

Datafive is hailing from the underground with his ep titled ‘The Journey’. The Italian producer’s debut output delivers a post-genre ep, ranging from introspective mid-tempo landscapes to epic dub-tech drum’n’reese and post dubstep club oriented hypnotic grooves. He’s combining dubby digital synths and accurate sound design with solid uk scenario beats, time-stretched whatever, wobbling squelchy bass and much much more, all wrapped in an absolutely mind-blowing sleeve design from Geso. 300 limited copies mastered by Daniele Antezza at Dadub Mastering Studio, Berlin Lab music 2019 all rights reserved

Digitally remastered tracks from 1993 by TCM. 'The Gospel According to a Soundbwoy' was only released on a Llabello record compilation. Proper 1993 hardcore breakbeat classics essential to your collection.

Sweden’s Anna Kohlin and Basement Space deliver a split EP to kick off the new Inside Out imprint.

The first release of the label sees the two artists blend their visions and different influences into a cosmic, breaks laden house 12’’, set to elevate your dance floor experience.

Hot on the heels of his LOW Battery debut and the announcement of his next EP on Shall Not Fade, Club Glow cofounder Mani Festo readies his latest arsenal of breaks-fuelled dubs for the Lobster White Label series. Having become one of the go-to names for high quality electro, breakbeat and jungle over the last few years - thanks to releases on Sherelle and NAINA's Hooversound Recordings, EBeamz and Wncl Recordings - the UK producer picks up where he left off, re-imagining rave futurism and hardcore sounds through his own distinctive lens. 'Digital Projection' is a terrifying cut of grime-laced jungle. Stripped-back, but packing a punch, its large, alien-like wubs will make even the cleanest of ravers need a shower afterwards. 'Jungle Poison' reconsiders the typical junglist template with a dose of 2-step influence that makes for a high-energy cut of bouncy UK fusion. The tempo drops as we venture into 130bpm breaks territory on 'Roam' - it's introspective and melodic aesthetics providing a moment of calm from within the eye of the storm - before 'Sleepless in West Norwood' captures that distinctive warehouse rave energy with a sequence of breaks-scattered techno.

After huge demand, the instrumental mixes of NJOI’s unreleased tracks are now here in the shape of 'The Dubs', complimenting the duos recently unveiled 'Hidden Gems' vol 1 & 2 and their 'Collected' album. These iconic tracks became a huge part of NJOI’s original live set and the iconic mixed 'Live In Manchester' album over 30 years ago. After huge demand since their televised 1990 Brixton performance, they're finally available as fully extended individual recordings.

Barcelona based dj and producer is the man behind the third release on Abstract Rhythm. With his Rise & Fall EP he delivers four solid tracks in his own signature sound between electro and breakbeat. Flavio knows exactly how to program the machines and tweak the knobs the right way to create those deep grooves and atmospheres that take you on a journey.

For the 5th release, Mung Records presents a 12" vinyl Back EP by Denis Kostitsyn with a remix by Marco Pellegrino aka Ancut.

Denis Kostitsyn is a talented musician with an academic conservatory education behind him. In recent years, Denis maintained an active role in the thriving local music scene. His genuine innate feeling of sound contributes to his expeditious advance in electronic music production.

This summer is all about the Toxic Funk jams over at Breaknbeat Paradise Recordings and for the 15th installment of the Toxic Funk series we have welcomed back the Suckaside team to produce 2 timeless funky joints.
Suckaside aka DJ B-Side and Sucka Timmy is always on point when putting their tasty funky mashups together and this time around they're keeping it fresh with some soulful funky twists on some catchy RnB jams.
This is the second time Suckaside is dropping a toxic funk 7"inch after their highly successful Vol. 7 from 2021.
Starting things off with the catchy Sometimes Bootyful that featuring some smooth RnB vocals on a funky organ riff with a steady rocking breakbeat.
On the b-side the smoothness continues on the highly addictive Sugar Face, that's take a big slow-rockin' groove and mashes it with some catchy RnB vocals that will leave you asking for more every time it's played.
Another timeless 45 that will be going quick so get it while you can and look out for more Toxic Funk coming very soon…

You know it's a guarantee when we welcome back the legendary Breakbeat Junkie to represent the 14th installment of the Toxic Funk series that things will be all about the Party rocking Breaks!
The Breakbeat Junkie has been around since the early nu funk days as a solo producer and as part of the dynamic duo Second Hand Audio, who has dropped various classic releases on both BBP and the Ghetto Funk label.
Toxic Funk Vol. 14 features 2 golden funky cuts from the beat master, which will be sure to get the party rocking anywhere its dropped.
Lately The Breakbeat Junkie has been stable with his bootleg jams on Craig Charles Funk and Soul show on BBCand we know these cuts will go down perfect with the big jams played on this show.
Another timeless 7- inch donut that will be going quick so get it while you can and look out for more Toxic Funk coming very soon…

Spectral Bounce returns with a groovy and moody set of tracks by Uruguayan tastemaker Molen. 'Future is Gone' explores dark yet glistening corners of minimal tech house, blending distorted basslines, resonant synth leads, and muffled vocals to create a cinematic aesthetic.

Spectral Bounce’s third release continues to solidify the label’s sonic identity while opening avenues for artists to present their unique interpretations and perspectives, and Molen delivers on that promise.

Mariachiara Troianiello, the force behind Katatonic Silentio, continues her exploration of spatial and sound design, slicing various forms of dub while following her instincts and storytelling through each work.

Troianiello's music and live sets are known to be meditative, with each transition subliminally serving a purpose. As 'Axis Of Light' delves into five pieces for this EP, one can experience the drops and transitions connecting, gradually uncovering hidden meanings.

The mastermind behind long-running Inner Sunset Recordings out of San Francisco and the elusive Imperial Pressings has once again resurfaced, and resurfaced with ferocity! Inaugurating the all-new imprint PDG Discs, Homero G.’s “March of the Mighty Club Heroes” is a superbly crafted 4-track E.P. that hearkens back to the days of old, when music had unforgettable stories to tell and partying went hand in hand with making memories that lasted a lifetime.

Blast off into outer space with A1, “Red Planet”. The bassline rumbles and the breaks roll with an intensity that propels you forward in a swirl of intergalactic pads. Track A2, “Rusty Robofriend”, is awesomely twinkly, grindy, happy-go-lucky breakbeat jam that your grandfather’s childhood toy robots secretly dance to when nobody is looking. B1’s “Triple Tab Fantasy” is a perky, skippy, stabby, organ-filled breakbeat delight that joyfully progresses with bursts of refreshing positivity around each and every corner. And B2, “March of the Mighty Club Heroes”, is a deep and rainy piano-adorned, break-laced anthem that gives a beautifully sentimental and heartfelt nod to all the true heads out there who will let absolutely nothing stand in their way of going to the club. Not even bad weather.

A fantastic record that’s 100% built for true connoisseurs of dance music, old-schoolers and all-around music lovers alike, “March of the Mighty Club Heroes” possesses a level of detail and emotion-filled storytelling that is rarely witnessed in electronic music these days. Once again Homero G. delivers, and delivery massively. He’s notorious for not repressing prior releases, regardless of how sought after they may be later on, so grab your copy now. Because when it’s gone, it’s very likely gone for good.

Another successful hold up by Brako. He is enjoying his loot incognito with some classy breaks, house music and voice cuts.

Four more slices of UKG from one of the most exciting producers around.

R.A.N.D. Muzik Recordings welcomes Berlin based, Asphalt DJ to the label for a four tracker of progressive house and breaks.

‘We Should Shout’ features Nicola Duncan over a classic House vibe with a beautiful moody organ rolling over a hard house bass line

‘Babylon Fall’ classic – beautiful – sweet stuff from the Persian featuring vocal snippets from the talented Sevi G

The name of the next track is the same as the label: ‘Existence Is Resistance’ this has electronic tinged synths with a hard electronic bass riff, it has glimpses of the Authentic early Electro sound of 83-84 complete with vocoder

‘Pot Of Gold’ : Disco sounds of the roller skating era.

We will let the music do the talking.

Benoit B aka Terra Utopia breaks out into another auspicious alias for Step Ball Chain, Blu:sh - metamorphosed; coming in hot and heavy, sexy and sophisticated. Bass down, *ss up! The ambitious 6 tracker “Lovebite” fuses forms of dance; reworking elements from niche corners of the Step stratosphere that can result in freaky combustion. Breathing life and lust into every phrase, we are fortunate to be offered an intimate glimpse into a complex world of sound, filled with bold and brash inspired statements, rhythmically rolling the dice with snap lock precision. The cherry on top is served via a vocal collusion from fellow associate noff, the web expanding as the label delves deeper into futuristic tech territory, the prolific producer pushing their own boundaries and desires for new meticulous audio spectrum and ethereal realms.

The trio of flirtatious tracks laid bare on the A side read as a love letter to 4/4 naughty nocturnal testimonies. Opening auspiciously; Tighten Up dips into nasty grit, a sub centered excursion into the technological domain, sleazy and stripped back with modest tenacity. Candy Land sugarcoats the status quo of pumped up prog, playfully in the driver's seat and revving 100 miles per hour toward Hush highway; narrated by Greek cyber enigma noff.. An atmospheric deep trance kissed club chant. Opposites attract and find points of connection on the flip of Lovebite, the B side boasting a mutually slick sharpness permeating the record; blending sparse bass focused broken beat expeditions with liquid dnb; genially abstract mood boards of sampling mayhem; cut and spliced in addictive fashion. Flushes of gorgeous esoteric harmonic soundscapes fill out the rhythmical chaos, grounding and expanding the mind through a lush & plush tint woven in Recess and Heaven Spot alike.

A perfect prophecy destined for Step Ball Chain, Blu:sh’s first, yet expertly curated EP sets the bar high as hell. Divine dance music that can’t help but push boundaries; confronting and challenging our archival references and perceptions of genres and classifications, arguably the best kind of auditory statement.

Seoul native DJ debuts with “Digital Soul” EP full of drum breaks and dusty beats. The record is made with the spirit of D.I.Y. from the record’s design and its production. The record takes you on a journey through a variety of styles such as Detroit house, Trip-hop and Breakdancing vibes. The beats on “Digital Soul” are straight from analogue hardware such as the MPC. “Digital Soul” is’s debut EP on the Korean Independent label Sambo Records..

D.KO Records provides a fresh new Various 4 tracker.
Back to the roots with hand stamped records, this one introduce two new comers in D.KO : Binary Digit & Fasme.
GGGG, Mud Deep & Sans-Qui are keeping control of the house in this one.

For the latest edition on Humanoid Recordings, co-founder 4D hits with a 4-tracker made for the dancefloor.

Elusive label ocp resurfaces for a new EP by Milz & Hitek!

Ali Berger has been churning out top-tier, thoughtful house music with plenty of soul and bounce for some time now. Whether he’s releasing via his own label Trackland, or dropping 12”s on labels like Spectral Sound, Clave House, Firm Tracks, and FCR, or DJing either solo or collaboratively with Davis Galvin as Hits Only, Ali’s signature feel is always palpable…there’s a genuine spirit to it all.

This 12” is four bumpers that balance sunshine and introspective, heady, thumpin’ house. A1 “Sun Rising On Harmony” has an ear-worm bass line hook driving the tune with an infectious melody on top riding shotgun. A2 “Inside” brings some acidic tendencies to a back-to-basics house sound we’re always in the mood for. Flip to the B-side and “Thoughts Like Light Snow” give us an electro reprise. B2 “Mint Leaf” brings us home with a swelling bass line and snares that dew-drop over the 4/4 with luscious pads and brain-itch scratching zoinks playing at your ear in the background. House music that’s like fine chocolate. Unpack and indulge!

Dance culture has always gone side by side with hip-hop. Another proof of this is the new solo project YATUT (translated as «I’m here») by the legendary beatmaker Boora, originally from Kaliningrad, and now based in Los Angeles. His Debut EP called Vahue (translated as «I’m shocked») on Minor Notes is a collection of reflections on life changes, moving to another country, and the difficulties that accompany migration at all. Musically, this release is woven from a variety of samples and breaks combined with the analog sound of the Roland JV-1080 synthesizer and MPC One. This music is at the junction of house, electro and breakbeat. And we «Vahue» how cool it turned out.

Ach, komm, ein Mensch kann nicht immer gut sein... This sentiment rings amusingly true for us. How did we find ourselves in this post-truth era, and why does such a term actually exist? In a world where distinctions between right and wrong blur, does the clarity of a black-and-white delineation persist? Are we progressing, or are we regressing to a state reminiscent of the past?

Weaving together the complex tapestry of gore, politics, emotions, and, of course, the human experience in this work is done intricately and reflectively by the hands of Christoph de Babalon.

Deep within the freeway buzz of dystopian Los Angeles, there exists an unstoppable sonic gathering of minds, who call themselves “Fast At Work” and abide by a belief in the deeper potential of higher tempos. However, lately, there has been some debate about the true existence of the Fast At Work mantra. Just as the debate was reaching its climax, seemingly out of nowhere, a helicopter emerged containing a musical capsule from the future (or possibly aliens). The group accepted this music as scripture, and coined it “Soft Fascination,” – naming group member Carré as their chosen matriarch. Through the title hymn “Soft Fascination,” Carré preached a proto vision of a classic dubstep bassline and tender pads. With “Cute Mad,” Carré magically induced a sense of positivity and bubbly bass. And with the third offering, “Glowing,” she pushed her audience closer to understanding simplicity and space. Finally, in an effort to expand their gospel to the furthest realms of their musical world, she recruited Priori and James Bangura to create their own missions, rooted in the original offerings of the alien helicopter’s capsule disc. While Priori expertly rearranged “Soft Fascination” into a shiny mind-melter, James Bangura expanded on the lightness of “Glowing,” creating his own lucid dreamscape of deep melancholia.

Welcoming Matty B who has previously released on Hardcore Vinylists & Cantina Cuts -to the Return of The Vibe Label for the Sounds Of '92 EP - Available on Flame yellow or Standard Black vinyl - This EP is 4 original tracks using well known samples encapsulating the sound and vibes of the best year of rave music - 1992 - New stuff made in the Old Skool Style

WWM012 is Brenko's long-awaited release, a mini album that takes you on a musical journey through various emotions and soundscapes.
The project maintains a consistent feel, making it a cohesive work of art.
Brenko showcases a great talent for blending electronic and ambient elements, creating an album that’s both innovative and deeply engaging.

All tracks written & produced by Michael Melchner. Mastered by Tangible Air. Designed by Gerardo Corizzo. Stickered cover.

San Francisco based DJ and bass extraordinaire Farsight knows how to make an entrance, first bursting onto the scene with his adventurous and daring EP 'Wisdom' back in 2016. At the time Farsight's music sounded like it had been beamed from another planet and has played an important role in the crosspollination of genres we've seen in recent years. Farsight has gone on to release on Scuffed Recordings, Maloca and Noire State, remaining firmly fixed on the future of club music. Now his blend of trap, jersey club, reggaeton and dancehall makes its way across the Atlantic with six mind-sizzling cuts for Brakes 'N' Pieces vol. 23.

Opening track 'Triangulation' combines rolling drums with party-starting vocal samples and steady whistles, letting listeners know we're really off! 'Mr Right' then enters the fray with throbbing subs, ravey stabs and a vocal that sits halfway between fun and outright menacing. The A side comes to a close with 'Leaving Las Vegas' a dubstep infused cut of choppy breaks and wide-eyed melodies. A masterclass in raising tension, this track will shut down any club, please use wisely.

'Lesser Light' shows Farsight's love for bass exploration; it's looming shadow pressing amongst some of the darkest corners of electronic. A unique brand of grime infused techno. 'Water Margin' delves even further, adopting a more measured pace for those heads down moments. The record comes to a close with 'Fulminous Edge' and is a reflection of the artist's darkest material. The drums still have a familiar spring in their step but the track's melodic bassline is mesmerizing; resulting in a melancholy trance that deserves a second play.

Belfast-born, Rotterdam-based producer Kessler is back by popular demand. Endless EP - his second SNF release - sees him continue in the spirit of the previous one, deftly capturing moods and building worlds through breaks.

Some of these enchanting worlds are cushioned by warm tonal melodies and an instrumental quality ("Endless"). Others are harder to navigate, with skittish drum workouts which clatter around an already-complex soundscape ("Mare's Nest").

On "Aspect", things get emotional, not a far cry from the provocative nature of Overmono's music. Speaking of which, Belfast producer Optmst is drafted in to close proceedings, reimagining the title track and continuing in the same vein with emotive pads and pitched-up vocal licks.

Taiwanese label JIN records enters autumn 2022, with a new promising release by South Korea’s Yetsuby. As always searching for gems in the pan-Asian domain, JIN is delighted to have Yetsuby for its latest/6th release. On this EP, one-half of the ambient duo Salamanda, Yetsuby showcases her expertise in mood setting soundscapes, taking listeners on a sound journey across a wide array of musical spectra. Opening on A1, Yetsuby reinterprets a traditional Korean folk story of a bear devouring garlic and green onions, transforming the animal into a human being. Aptly named ” Bear Becomes The Human,” she transforms the transformed, turning the bear into a buzzing modern drum & bass-fused energetic tune. It turns out garlic is a powerful source after all. B1’s “Jelly” showcases Yetsuby’s talent for stripped-back glitch music: With a minimal bass and drum pattern, the track gently muddles along and presents itself as well suited warm-up track for the earlier hours of any party. For the remix sides, Cleveland delivers a vinyl only remix of “Bear Becomes The Human” with a futuristic house tune filled with jungle like drum pattern and techy yet smooth atmosphere on A2. On B2, New Zealand’s Eden Burns takes an entirely different path on his reinterpretation of Jelly. Embarking from the original pattern, he turns the original into a slow brewing psychedelic trance cracker that seems most suited for the early morning after hours that need an energy boost.

Brighton-based Harry Smith's debut release as Thought Trails sees him capture breaks and garage at its most contemplative potential. Whether it's through broken drum phrases, acid melodies, dark garage atmospherics or ice clips borrowed from grime, 4AM EP skillfully builds moods without sacrificing an inch of danceability.

4AM EP drops 30th September via Time Is Now

The Jaffa Kid's prolific music-making is well known at this point, with a wide-ranging palette that takes in the full range of electronic genres, from jungle to techno to ambient.

But here on his second EP for Gated - appropriately titled Second Frequencies - the boy named after a biscuit (or is it a cake?) goes deep. Really deep. Kicking off with the beatless but driving Phased For Days, the EP has a kind of relentless hypnotism to it, with Trinian's almost 7 minutes of spaced out electro.

Flip to the B and the acid comes to the fore, with War On Words and its addictive 303 line pulsing over the Kid's signature pads.
Tangential throws in some breaks under gritty acid, and Not The Way rounds out the EP with a truly poignant melodic beatdown.

Arriving on Lobster Theremin's White Label on comes a fresh-sounding and typically loud release from Leeds vinyl enthusiast Peaky Beats. Never one to be pigeon-holed into a specific style of music, his recent releases have explored 2-step, speed garage and dub - bringing his wicked ear for big UK blends into the spotlight - and earmarking him as one of the UK's most exciting emerging producers.

On Paradise Falls EP, Peaky Beats unites the worlds of jungle, drum & bass and 2-step on a high velocity, future-facing project, with a little help from contemporary jungle legend Tim Reaper. 'Paradise Falls' is a melodic stepper that ventures close to 150bpm territory. Those skippy UKG elements are all there, but this time with a hefty dose of jungle influence which brings a certain weightlessness to the track. 'Soul Diesel' ventures further into the garage sphere; the velocity diminishing slightly as the vitality continues to soar. Introspective breaks for sunny days.

'Tangerine Dream' is a prime old school cut of dubbed-out nostalgia. Sitting somewhere between The Streets, El-B and Coco Bryce, its deep bass-weight inspires big 'Any Jungle In, Guy?' energy, before Tim Reaper's remix of 'Paradise Falls' blows the bloody doors off with a typically emotive and atmospheric cut of jungle fantasia.

Club Glow co-founder Denham Audio is no stranger to linking up with friends. Running the label alongside fellow breaksmiths Mani Festo, LMajor and Borai, the rave-focused producer has established the imprint as one of a leading name in acid hooks, lairy basslines and whiplash-inducing breakbeats, and here - on Cheeky Sneakers - he readies the release of five varied cuts of lowend pressure and sky-high euphoria alongside Swankout, Thugwidow and Coco Bryce. 'Good Time' does what it says. A cut of happy-hardcore inspired breaks beamed straight from the Midlands; there is just enough headsy energy to keep the chin-stokers entertained, whilst inspiring an emotional, smiling release for those whose infatuations lie closer to ravey keys and Bangface Weekenders. Swankouts second collaboration - 'Keep On' - is a growling slab of screw-face electro and breaks, highlighting both producers' knack for finding the sweet spot between varying forms of UK music - fast, hardcore and dutty, it's a surefire party starter. Thugwidow is introduced on 'Testing My Patience'; the producer has been making a name for himself with some excellent releases on Sneaker Social Club and Circadian Rhythms, and here he and Denham Audio combine on a chugging steamroller of malfunctioning, soulful riddims. It's a dreamy meet on 'Close 2 Me' - Coco Bryce recently collaborated with Amy Dabbs on an excellent jungle EP which received support from BBC Radio 1 and more, and here the Netherlands produce brings his native hardcore spirit to the surface on a pitched-vocal cut of jungle-techno. Seeing out the release is a remix from emerging producer Ravetrx, who has recently enjoyed sessions on Rinse FM and NTS alongside Roni and Hooversound Recordings co-label head Sherelle.

After a 7 year hiatus Myor are finally back with the fourth instalment of their Tropical Heat series. The formula: 6 tracks by 6 different producers, spanning a wide array of styles and genres. Motëm and Light Club both provide the half tempo vibes, harking back to the label's skweee and hip hop roots. Breda native Muxi gets dusty and wobbly on a Po-33 tip with his off-kilter shuffler Strung, whereas Alex Lay-Far lays down some serious mid tempo breakbeat heat, giving praise to early 90s hardcore and golden era trip hop alike. Finally, new school jungle wizard Sempra and label head honcho Coco Bryce come correct with some 160 cuteness on Touch and Closer respectively.

Straight out of Tokyo, the illusive Guchon steps up for the next release on Feelings Worldwide.

One for the heads who like to stay up late and get down with their games consoles, the EP is packed with dance floor curveball material.

Super fun vibes throughout, a slab of Japanese bubblegum pop-house with some bonus breaks and a remix from cult hero Chrissy of Chicago Smartbar fame.

First aired by Ratpack on Centreforce , this first collaboration by Col Trixta &Dubble Dunk has already become a classic in-the-making Much like the hugely popular 'Dubble Dunk Vol 1', both tracks bridge genreshouse, breaks and old skool - with slammin' old skool pianos, stabs and familiarvocals. Colin and Duncan have been plying their trade on the UK rave DJ circuit since theearly 90's and both held residencies at Slammin' Vinyl, United Dance, Freedom@Bagley's and now Strawberry Sundae together.

For the 20th Pleasure Club release we are very happy to present an EP from two core members of the Pleasure Club family - Johnny Hunter & Remi Mazet.

The "Passing Through Fyah EP" comes via the connected mind of both artists, with a record which spans and blurs the realms of house, techno and electro. Characterised by dubwise basslines, cosmic synth work and expert drum programming, this one feels like the perfect way for us to celebrate the two zero milestone.

A big shout out to everyone who has supported the label until now. We really appreciate it <3

A Powerful Dancefloor Anthem Unleashed. For Promotion Lemon Use Only. Only Vinyl.

From Marseille to Toulon, the Mediterranean label Sarturan Records arrives with its first vinyl ! For this inaugural release, they invite us to dive headlong into electronic music with 2 powerful epic tracks from Alyhas & Cogan and Tim B, through pop and electrofunk sounds served by 2 artists from the label, RVR and Immersif.

The Hardcore Vinylists are one of, if not the the biggest groups on facebook catering to Vinyl Djs spinning the classic sounds of early 90s Uk rave and new material made in the old skool style.The Hardcore Vinylists record label showcases new and emerging talent from producers connected to the group and here Zhute fresh from a previous vs Ep with Bino is back with 3breakbeat retro rave tracks with big pianos, big vocals and breakbeats firing off.

MME Recordings lands on planet earth with their first release from Berlin based Italian producer Cesare Muraca. The spacey four tracker opens with an immediate dancefloor smasher in the form of Space Message. The trippy yet melodic synths balance out the killer drums and addictive bassline to hypnotize dancers in the groove. The rest of the EP comprises of euphoric synth structures and chunky bass, offering a solid allrounder that simultaneously works for any moment in the night.

Mella Dee for Private Parts' third outing.

Dufi introduces Nurture; a mischievous canvas for the heady sounds of its founder and beyond. Natural Selection is the label’s inaugural release, as the Galway born label head weaves together a potent mix of exploratory danceatronics.

The night stretches through the forest of existence Not a drop of light Can slip through the leaves Lost in this columned maze Two trees are enough to form a door

Virtual Forest Records are delighted to present their first vinyl release, a 5-track journey by Brainbeats, Mohammed Vicente's alter ego.

Old-school trance nostalgia, dreamy breakbeats & hard-hitting serenades: this release merges all genres into a timeless synthetic voyage. Who knows where it leads?The night stretches through the forest of existence Not a drop of light Can slip through the leaves Lost in this columned maze Two trees are enough to form a door

Virtual Forest Records are delighted to present their first vinyl release, a 5-track journey by Brainbeats, Mohammed Vicente's alter ego.

Old-school trance nostalgia, dreamy breakbeats & hard-hitting serenades: this release merges all genres into a timeless synthetic voyage. Who knows where it leads?