Breaks | Breakbeat Vinyl 271 Items

Orlando Voorn takes you on a journey with this very deep 3-track ep on the Partout label.

10 year anniversary release from the 2010 released CD by Classless Kulla & Istari Lasterfahrer. Comes in fold out sleeve with lyrics and picture and a download code for the whole album.

Next in line in the Snaretrade series is an EP by one of our favourite people: Gols.

He operates the Hoot label, has released with Ghent label/party Ojoo and has been crafting tracks low key for a long time.

We start out with dessert: In Au bain marie we’re given some elegant yet hard to follow instructions on how to make the perfect chocolate mousse. DJ and Knetterbar operator Yentl kindly lent her voice, not knowing the recording would be used as a final take. In Hundreds and Thousands, Gols weaves thick layers of percussion and synths, forming a dense and deep structure that pulls us in. In the midst of moving his music studio, this track was the last one to be recorded before pulling the plugs and boxing the gear up. On the flipside, Regrooved is a shuffling, sneaky and amusing bit of house that never really admits if it’s just arriving at the party, or just about to leave. After-hour fare for those who like something sweet after dinner.

Hear the sound of my feet - title says it all, but it would be too easy to bring it back to his african roots only. Zulu explores his double identity, both ways, extrovert as well as introspective, and draw a go-between, from club hit Hooligan Break to the feverish eponymous title Hear The Sound Of My feet. Trance synth stabs, sharp percussions as well as ambient (!) reminisce of his DJ record (alongside Bruits de la Passion collective and on Lyl radio) and lead the narrative - back to the roots he wants to introduce you to.

Questions will inevitably have to be asked here as to how / why Hooj have shamelessly broken the informal UN backed agreement to NOT Remix / RE Release C*f* D*L M*R, Ever Again. But after the Hooj Catalogue owners cajoled the old A +R team into a Hooj Electronic Orchestra album in 2021, the then up and coming Borai + Denham Audio were enlisted for remixes, and fast forward a couple of years, the Bristol duo are smashing it in 2023, and vinyl does indeed beckon. And with some justification it has to be said, as the Bristol duo took chunks of the original Wim Mertens melody and somehow still managed to drag it into new terrain, introducing rough breaks and hardcore sensibilities into proceedings, for the first time in the track's 30 + years journey. On the B - side, another star turn from the early 90's get's the BDA treatment, as Transformer 2's Fruit of Love get's a more polished/ musical approach on the Audio Redux mix ( though with no compromise on bottom end / beats dynamics) , and Borai contributes a rolling, percussive 4/4 dub.

More bad ass booty shakin' breaks from the Baffin Island Beat Brigade.

South Korea various artists remix/edit from some korean stuff…

REZ18eighteen coming up soon on our home label Rezpektiva, with a release from Quaid (Ben Naylor) with his Cascade/Fusbares EP. Originally recorded for UK label Seraphim Records back in '98 but made available as 'promo only' so never fully released, it's two tracks of top level work. This release comes as a prelude to two albums from Quaid that will also appear on Rezpektiva in the near future.

Arpanet needs no introduction for those who know. Hydrostatic Equilibrium EP is a reissue of the 2 tracks released by 30D Records from the Detroit artist back in 2018 (cat# 30d-006), now presented together in a special limited edition single sided 12" vinyl. The EP includes the original tracks Supernova Remnant and Main Sequence Star, being the only two tracks produced by Arpanet since 2006. Presented with a new artwork, designed by Arpanet himself, and this time on 30D Records sub label ExoPlanets, Hydrostatic Equilibrium EP becomes an instant collectors must have, especially after the quick sell out that followed the 2018 release and the numerous reissue requests received since then.

Since breaking through with the colossal 'Anybody From London' on Hotline Recordings five years ago, Boris English AKA Borai has proved to be one of British dance music's more cultured hardcore and jungle revivalists. He's at it again here, too, filling his Vivid label debut with a quartet of sub-heavy, breakbeat-driven bangers dripping in saucer-eyed, rave-style samples. He begins with the sharp riffs, pitched down Amen breaks and booming bass of 'In My Life', before upping the tempo on bustling breaks roller 'Dead Drop'. English doffs his cap to spacey early drum & bass on loose-limbed flipside opener 'Keep Steppin', while closing cut 'C'Mon' is an insanely weighty, pitched-down hardcore bomb.

Nick Beringer & Sota on the case for the next Ncss record, the sub-label of Sukhumvit in collaboration with the boys. They are delivering a true dancefloor beast with Deikh, this is going to stuck in your ears forever! Aerosol, for the heart, for the mind - on the B side. This is a limited release. Happy to have you onboard brothers!

44 Tours unites it's local artists to fulfill the prophecy a drunk shaolin-cyborg once told them. The four robotic monks stepping up for this EP (Alder, Same O, Marino & Berg Jaär) have each developed their own secret breaksy adventure tactics to combat a future led by brotherhoods of wealthy capitalistic humanoids. Alder opens up the fight in pure detroit-electro style. Nested pads nestled in a huge palette of colors and tones which takes us to a galaxy far, far away. Next is Same O, despite being the youngest padawan is still showing some ghetto and ballsy moves. Wavy and snaky synthwork over a fast think-break pattern and a ravy bassline, no less of a banger here. Breaking through to the other side: the most loyal soldier on the team, Marino aka the cat yelling at man. He delivers a 303-driven weapon that will break any cyborg neck for sure. The end is surely near, to finish up Berg-jaär drops a bassy polyrhythmic manoeuvre, the attention is focused on the complexity of drums and a minimalistic and grooving approach throughout the track. Fight is over, humanoids. The future is saved from the capitalist robots, their world of Confrérie, Pactole & Dividendes is over. Or is it?

Naissance Musik returns with their fourth release Nm-04, a remix package of the released Hear & San Proper ´- Elephantoms EP . The label welcomes an array of talented producers who are acclaimed DJ's featuring interpretations from Andrea Ferlin, Julie Marghilano, Ohm Hourani & Hear, 3lias & Raphael Merheb. We aim to bring a more dancefloor oriented feel to the package in contrast to the more abstract, ethereal feel of the original release.

Meda Fury are buzzing to welcome Silvestre to the fold for a 6 track EP of low-slung party starters. This Lisbon native and London resident has been on several tastemakers lips for the last year now, serving up no-nonsense but seriously fun dance music, comparable to the spirit of mighty Portuguese scene labels Principe and Naive. Joao’s tracks are mind bending hybrids of breakbeat, reggaeton, R&B, rave and house. His recent artilary coming via Seceretsundaze, Diskotopia and his own Padre Himalaya, he now adds the Yeah EP to his weaponry.

Hamburg’s long time standing Goth (Not Goth) / Rock (Not Rock) band outfit The Crystal Apes get a full on electronic remix treatment which has been dubplate tested and dancefloor proved by Intrauterin Recordings mastermind baze.djunkiii as a secret weapon on countless occasions over the past years, slowly and carefully building up towards a full vinyl release.

Pleased to announce that Nicola Kazimir will complete the second opus of the series. The Swiss signs with Sabateans an Ep of four tracks from Techno to EBM and Industrial. And as a bonus, a collaboration with Walid el Barbir.

Hellfish and Bryan Fury, the Axe Gabba Murda Mob, are two of the biggest innovators in hardcore techno. Both have been pushing the genre in all kinds of directions for over two decades providing the pulse for thousands of parties around the globe. So with this in mind, we are honoured to present ‘Baby Eaters’, an earth shaking joyride to the very edge of the human psyche and beyond.

The eponymous A-side strikes terror into the hearts of men, splitting brain cells like atoms with destructive chain reactions of radical distortion and soul-stripping screams. Pure demonic catharsis, sound frequencies don’t get more violent than this. The B side ‘Acid Abyss’ is an LSD stained hardcore techno anthem where eerily cold voices are strangled by crunchy bellowing kick drums and bleeding 303s. Despite still being cranked up, the precision of the fills in this track offsets the chaotic kicks of the A-side, coming off almost subtle in comparison.

This single is for connoisseurs coming lovingly housed with artwork by the wonderful Jim’ll’Paint it, depicting the deadly duo conducting some rather grizzly research in their underworld studio.

Elusive label ocp resurfaces for a new EP by Milz & Hitek!

Reach for the geiger counter - Park End comes shelling in the direction of Sneaker Social Club with some plutonium-plated, 2-stepping swelterweight gear for the grubbiest of dancehalls. All we can ascertain about the shadowy figure on the buttons for this latest release is that they’re clearly schooled in the lineage of UK hardcore, pirate radio culture and the sympathetic tenets of UKG, jungle and dubstep.

Opening up the A side, ’Same Dream’ is a claustrophobic, gnarly creeper with razor-sharp snares, growling low end and enough heads-down malaise to turn the most blissful sunrise set ice-cold. ‘The Immortality Of The Crab’ pays tribute to the fine tradition of illegal radio broadcasting and its importance for the development of rave, leaning on a staggered, mucky garage beat that smacks hard just how we like it.

On the flip, Park End turns attention to the synergy between RnB and garage with a refix of BBL Sound’s ‘bbs’, pairing the sweetest vocal chops with plenty of bitter b-line pressure, while ‘Rekt’ draws on an unnamed voice for another fission between human sensitivity and mechanised intensity. This parting shot borders on anti-anthemic by the time it reaches its peak while holding true to the pitch-black vibe creeping out around the edges of this rough diamond of an EP.

Born October 1966. Break Dancer in 1984, under the moniker Mad Max, started a crew named the Back Street Warriors, Busking all over the UK at places such as Covent Garden/Leicester Square Performing on stage & in clubs. They once jammed with the Rock Steady Crew in Camden Palace in front of an audience.

Then in 1987 he became a DJ, playing all genres of music, he first played on RJR Radio, playing Electro, Hip Hop, Soul, R&B & Reggae. Moving forward he started playing Acid House & Four to the Floor Music styles, by the early 90s he played on Weekend Rush and then went onto Defection, Touchdown, Don & Passion FM, playing Acid & Hardcore Jungle.

In the early days MixMaster Max was one of the Innovators of Jungle music by mixing Hardcore, Reggae & Hip Hop together, helping others to produce, fuse & gain ideas in the music industry. He was by Far the most Original, Innovative, DJ anybody had ever heard.

In 1991 he played alongside John Saunderson at the Camden Palace on a Friday night, he also played at the famous Hacienda club in Manchester. He was the First DJ to create the Topsy Turvey, which is one turntable on top of the other, he came runner up in the DMC world championships in the early 90s.

He played at some of the Biggest Raves back in the day, Pirate club 93, Fantazia 92, Dungeons 91/92, Turnmills 92, to mention a few. He also played on Avenues FM & People's Choice, which were legal Radio Stations, not forgetting Kool fm & Centreforce.

He performed on stage with the We Papa Girl Rappers in 1990 at the Notting Hill Carnival. This Legendary Cult figure is a Master of the Nunchuckers & TurnTables! His innovative Mixes were ‘legendary’ he was a pioneer precursor to the Art form known as Jungle Music, not to mention his Scratching abilities, which was ‘extraordinary’!

For those that listened to pirate radio back in the day, he was the legendary cult figure that inspired us all, giving us the freshest musical styles that had never been heard before!

He can still be heard on OriginUK.Net Radio today... What an inspiration this unsung hero has been to us All!

‘We Should Shout’ features Nicola Duncan over a classic House vibe with a beautiful moody organ rolling over a hard house bass line

‘Babylon Fall’ classic – beautiful – sweet stuff from the Persian featuring vocal snippets from the talented Sevi G

The name of the next track is the same as the label: ‘Existence Is Resistance’ this has electronic tinged synths with a hard electronic bass riff, it has glimpses of the Authentic early Electro sound of 83-84 complete with vocoder

‘Pot Of Gold’ : Disco sounds of the roller skating era.

In this new chapter of Lab, the two minds behind the label collaborate on a record that represents the two souls of the label. The break-techno-ish dance-oriented Slak vision, and Datafive introspective sonic adventures. The ep has two tracks from each producer and one collaboration by them. On one side, we can see the evolution of the Slak sound where he evolves from a dubby and lightful identity from the first ep to a new darker and solid sound. Pressure and Under Control, two dark and groovy UK break-techno missiles. Dark atmosphere and powerful drums ready for the dancefloor. Flipping the record, we find two eclectic tracks by Datafive. Plenty of influences here: electronic, glitch, IDM, hip-hop, dubstep, to name a few. The first track of the side is Outsiders, a journey into the artist’s feelings. Mysterious pads, mid-tempo syncopated drums, warm basses, dreamy chopped vocals, and more. The Hive instead explores the territories of the classic UK-step heritage. Vibrant sub-bass, ethereal textures, and solid stepper beats. The last track is Patience, a collaboration between Datafive and Slak. Meditative, yet powerful cyber trip-hop. We have dark-dub pads and stabs with sharp broken beats which portray a desolating landscape of a lost future.

"Papa Nugs joins the Space Dust cohort with the 5 tracker “ It Came From The West” transcending various styles and shades of sound. With a more tripped out take on a traditional jacking pallette, the title track kicks off proceedings with a propulsive drumbeat and rumbling bassline providing the perfect bedrock for the acidic squelches above. “Brooklyn Duck” continues the US-indebted styles adding an earworm vocal to the mix.

On the flip a barrage of drums and glassy oscillations form “Be Anew” with the relentless programming carrying through “Knobbly Knees” taking us firmly into electro territory with robotic vocals and a mechanic drum pattern that shows no sign of waning . Closer “Groove Nxt” sees out the EP in energetic fashion with well tuned snares trading blows with crystalline synth work."

Breakbeat Paradise Recording kicks off the new year with another big 7 inch drop in the epic Toxic Funk series. This time featuring to of the abololute heavyhitters in the funky breaks scene Paul Sitter & Crash Party.
The duo has put together 2 extreamly toxic party bangers that are sure to put any funky dancefloor on fire. Paul Sitter is a favorite in the funky 45 community with lot of 7 inch releases under his belt so we are pleased to finally get him on a BBP release. Who better to team up with than our very own Crash Party who did the Toxic Funk Vol. 5 and obvious wasn't done shaking off the funky tunes.
Look out for more epic drops from Paul Sitter later in the year, when he is dropping is Hip Hop Delilvery LP - right here on BBP.
Each volume in this series has sold out so you better be quick before Toxic Funk Vol. 9 will do the same thing...
Once again Breakbeat Paradise Recordings is on point to deliver you the funkiest soul and breaks available anywhere out there…

Brighton-based Harry Smith's debut release as Thought Trails sees him capture breaks and garage at its most contemplative potential. Whether it's through broken drum phrases, acid melodies, dark garage atmospherics or ice clips borrowed from grime, 4AM EP skillfully builds moods without sacrificing an inch of danceability.

4AM EP drops 30th September via Time Is Now

Lindenberg Support is the man behind 'Ode To Gallantry', a complex and emotional tale of mistaken identity, trust and honor. The story begins with the beggar Shi Po Tian, aka the Bastard, stealing a bun which contains the Black Iron Token, created by skilled pugilist Xie Yanke, which grants the holder one wish. 'c20/25' and its pounding and pacy rhythmics, carrying pads and heavy hitting vibe, perfectly set the journey's energetic and warm tone. Xie appears yearly, demanding that the clans repay in blood for any heinous act they committed throughout the year. The only way that a rude clan can avoid the cull is for the clan's leader to sacrifice himself for them. With 'sks (101)' and its soothing and floating pads carrying the gentle lo-fi drums, the story heats up and evolves to a deeper intricacy. Fearing that Bastard might make him promise to stop his annual harvest of death, Xie spirits him away and trains him in martial arts so powerful that he is certain it will kill him, but instead, it makes him strong and resilient. The uplifting pads in 'Gate', supported by a reckless broken beat and pinging vocals, create a celestial vibe that pushes Bastard to his limits. He is rescued by the Chang Lo Clan that mistakes him for their villainous leader Shi Zhongyu and then treats him as their boss. With each case of mistaken identity, he becomes drawn into a number of heated conflicts between several rival schools and gangs - a dilemma that he just isn't prepared to deal with. The dreamy ambiance of 'Kinda Weak' and its well-wrought drum pattern slowly shroud the memories of his old life. The final point is set with 'Pol-1 (For Stefan)' - an emotive and profound ambient piece to close the story. He's sure to learn some valuable lessons about brotherhood and honor, but at what price?

Makesense Records is very excited to presents Sou Akeyama ’s first 12’’ release. Machinedrum and Monomachine skilled composer, Sou explores romanticism within hard-break-core and glitchy music. In the manner of a Japanese countryside landscape merging modernism into nature, Sou is giving birth to a Four-Tracker exploring tonality and speeds, organic and electric. Substractive Percussion Synthesis at it’s finest fighting for existence with FM pads thru a genuine compressor chain. From the center of earth to the very edge of it’s canopy highest leaves, Seed grows under your feet: break beats patterns progressivly transforming Chaos into Life. You’ll feel the rhythm running into your veins. Blood Pressure Monitor drops as n14 big basses and laidback and impulsive broken beats will drive you into the fog. Frenetic yet so warm, scattered rhythms stabbed by aerial pads: a colored thunder from inside the cloud. Contrasted fog dissipates and i2 lands you back safely, ending the journey with a downtempo yet futuristic and excited trip-hop narrative.

Datafive is hailing from the underground with his ep titled ‘The Journey’. The Italian producer’s debut output delivers a post-genre ep, ranging from introspective mid-tempo landscapes to epic dub-tech drum’n’reese and post dubstep club oriented hypnotic grooves. He’s combining dubby digital synths and accurate sound design with solid uk scenario beats, time-stretched whatever, wobbling squelchy bass and much much more, all wrapped in an absolutely mind-blowing sleeve design from Geso. 300 limited copies mastered by Daniele Antezza at Dadub Mastering Studio, Berlin Lab music 2019 all rights reserved

Digitally remastered tracks from 1993 by TCM. 'The Gospel According to a Soundbwoy' was only released on a Llabello record compilation. Proper 1993 hardcore breakbeat classics essential to your collection.

Welcoming Matty B who has previously released on Hardcore Vinylists & Cantina Cuts -to the Return of The Vibe Label for the Sounds Of '92 EP - Available on Flame yellow or Standard Black vinyl - This EP is 4 original tracks using well known samples encapsulating the sound and vibes of the best year of rave music - 1992 - New stuff made in the Old Skool Style

First aired by Ratpack on Centreforce , this first collaboration by Col Trixta &Dubble Dunk has already become a classic in-the-making Much like the hugely popular 'Dubble Dunk Vol 1', both tracks bridge genreshouse, breaks and old skool - with slammin' old skool pianos, stabs and familiarvocals. Colin and Duncan have been plying their trade on the UK rave DJ circuit since theearly 90's and both held residencies at Slammin' Vinyl, United Dance, Freedom@Bagley's and now Strawberry Sundae together.

Compassionate Vulnerable Tripping Terminators

The Hardcore Vinylists are one of, if not the the biggest groups on facebook catering to Vinyl Djs spinning the classic sounds of early 90s Uk rave and new material made in the old skool style.The Hardcore Vinylists record label showcases new and emerging talent from producers connected to the group and here Zhute fresh from a previous vs Ep with Bino is back with 3breakbeat retro rave tracks with big pianos, big vocals and breakbeats firing off.

Dubble Dunk vol 1 - Strawberry Sundae Records

Both tracks are packed with classic 90's breakbeats, stabs,pianos and bone-shaking basslines and mix beautifully between genres; old skool, nu breaks, house and hardcore.

You may have heard both 'Music Is My Life' and 'Rhythm Is Hot' played extensively by Ratpack and Rooney on Centreforce 88.3FM to great reception from DJ's and listeners alike.

The legendary London night club, Strawberry Sundae (est.1994) and now very much back in full effect now branches out into vinyl releases - the first press of this huge release sold outin less than 10 days - don't miss out on this classic in the making first release from the club's very own Duncan Disorderly aka Dubble Dunk

Southampton's DJ Nightmare fresh from a run of releases onCantina Cuts teams up with Bournemouth's DJ X-cess for aslice of UK South Coast hardcore very much in the '92 style. Bigitallo style pianos, rave stabs, heavy basslines & breakbeats allfeature - Its the New Stuff made in The Old Skool Style!