Breaks | Breakbeat Vinyl 184 Items

Orlando Voorn takes you on a journey with this very deep 3-track ep on the Partout label.

10 year anniversary release from the 2010 released CD by Classless Kulla & Istari Lasterfahrer. Comes in fold out sleeve with lyrics and picture and a download code for the whole album.

Next in line in the Snaretrade series is an EP by one of our favourite people: Gols.

He operates the Hoot label, has released with Ghent label/party Ojoo and has been crafting tracks low key for a long time.

We start out with dessert: In Au bain marie we’re given some elegant yet hard to follow instructions on how to make the perfect chocolate mousse. DJ and Knetterbar operator Yentl kindly lent her voice, not knowing the recording would be used as a final take. In Hundreds and Thousands, Gols weaves thick layers of percussion and synths, forming a dense and deep structure that pulls us in. In the midst of moving his music studio, this track was the last one to be recorded before pulling the plugs and boxing the gear up. On the flipside, Regrooved is a shuffling, sneaky and amusing bit of house that never really admits if it’s just arriving at the party, or just about to leave. After-hour fare for those who like something sweet after dinner.

Hear the sound of my feet - title says it all, but it would be too easy to bring it back to his african roots only. Zulu explores his double identity, both ways, extrovert as well as introspective, and draw a go-between, from club hit Hooligan Break to the feverish eponymous title Hear The Sound Of My feet. Trance synth stabs, sharp percussions as well as ambient (!) reminisce of his DJ record (alongside Bruits de la Passion collective and on Lyl radio) and lead the narrative - back to the roots he wants to introduce you to.

Questions will inevitably have to be asked here as to how / why Hooj have shamelessly broken the informal UN backed agreement to NOT Remix / RE Release C*f* D*L M*R, Ever Again. But after the Hooj Catalogue owners cajoled the old A +R team into a Hooj Electronic Orchestra album in 2021, the then up and coming Borai + Denham Audio were enlisted for remixes, and fast forward a couple of years, the Bristol duo are smashing it in 2023, and vinyl does indeed beckon. And with some justification it has to be said, as the Bristol duo took chunks of the original Wim Mertens melody and somehow still managed to drag it into new terrain, introducing rough breaks and hardcore sensibilities into proceedings, for the first time in the track's 30 + years journey. On the B - side, another star turn from the early 90's get's the BDA treatment, as Transformer 2's Fruit of Love get's a more polished/ musical approach on the Audio Redux mix ( though with no compromise on bottom end / beats dynamics) , and Borai contributes a rolling, percussive 4/4 dub.

Coming from the end of time and moving towards the future. A '93 original gets dusted down from the Cassette Library shelves, backed with remixes from the leading lights of the UK underground - Skin Teeth, Mani Festo and Denham Audio

More bad ass booty shakin' breaks from the Baffin Island Beat Brigade.

REZ18eighteen coming up soon on our home label Rezpektiva, with a release from Quaid (Ben Naylor) with his Cascade/Fusbares EP. Originally recorded for UK label Seraphim Records back in '98 but made available as 'promo only' so never fully released, it's two tracks of top level work. This release comes as a prelude to two albums from Quaid that will also appear on Rezpektiva in the near future.

Arpanet needs no introduction for those who know. Hydrostatic Equilibrium EP is a reissue of the 2 tracks released by 30D Records from the Detroit artist back in 2018 (cat# 30d-006), now presented together in a special limited edition single sided 12" vinyl. The EP includes the original tracks Supernova Remnant and Main Sequence Star, being the only two tracks produced by Arpanet since 2006. Presented with a new artwork, designed by Arpanet himself, and this time on 30D Records sub label ExoPlanets, Hydrostatic Equilibrium EP becomes an instant collectors must have, especially after the quick sell out that followed the 2018 release and the numerous reissue requests received since then.

Back in the dayz, for the first EP of the Dutch series, Orlando Voorn delivers a tripping 3-tracker.

A mainstay on the label, Dresden-born / Berlin-based B-boy Worf is up there with Kiat as the most consistent and prolific artist in the collective since his ‘City Of Meth’ EPs in back in 2018. Following various appearances and cameos on the imprint since, his emotional, hip-hop influenced designs are back in the form of his most accomplished release so far.

Since breaking through with the colossal 'Anybody From London' on Hotline Recordings five years ago, Boris English AKA Borai has proved to be one of British dance music's more cultured hardcore and jungle revivalists. He's at it again here, too, filling his Vivid label debut with a quartet of sub-heavy, breakbeat-driven bangers dripping in saucer-eyed, rave-style samples. He begins with the sharp riffs, pitched down Amen breaks and booming bass of 'In My Life', before upping the tempo on bustling breaks roller 'Dead Drop'. English doffs his cap to spacey early drum & bass on loose-limbed flipside opener 'Keep Steppin', while closing cut 'C'Mon' is an insanely weighty, pitched-down hardcore bomb.

Nick Beringer & Sota on the case for the next Ncss record, the sub-label of Sukhumvit in collaboration with the boys. They are delivering a true dancefloor beast with Deikh, this is going to stuck in your ears forever! Aerosol, for the heart, for the mind - on the B side. This is a limited release. Happy to have you onboard brothers!

44 Tours unites it's local artists to fulfill the prophecy a drunk shaolin-cyborg once told them. The four robotic monks stepping up for this EP (Alder, Same O, Marino & Berg Jaär) have each developed their own secret breaksy adventure tactics to combat a future led by brotherhoods of wealthy capitalistic humanoids. Alder opens up the fight in pure detroit-electro style. Nested pads nestled in a huge palette of colors and tones which takes us to a galaxy far, far away. Next is Same O, despite being the youngest padawan is still showing some ghetto and ballsy moves. Wavy and snaky synthwork over a fast think-break pattern and a ravy bassline, no less of a banger here. Breaking through to the other side: the most loyal soldier on the team, Marino aka the cat yelling at man. He delivers a 303-driven weapon that will break any cyborg neck for sure. The end is surely near, to finish up Berg-jaär drops a bassy polyrhythmic manoeuvre, the attention is focused on the complexity of drums and a minimalistic and grooving approach throughout the track. Fight is over, humanoids. The future is saved from the capitalist robots, their world of Confrérie, Pactole & Dividendes is over. Or is it?

Naissance Musik returns with their fourth release Nm-04, a remix package of the released Hear & San Proper ´- Elephantoms EP . The label welcomes an array of talented producers who are acclaimed DJ's featuring interpretations from Andrea Ferlin, Julie Marghilano, Ohm Hourani & Hear, 3lias & Raphael Merheb. We aim to bring a more dancefloor oriented feel to the package in contrast to the more abstract, ethereal feel of the original release.

Meda Fury are buzzing to welcome Silvestre to the fold for a 6 track EP of low-slung party starters. This Lisbon native and London resident has been on several tastemakers lips for the last year now, serving up no-nonsense but seriously fun dance music, comparable to the spirit of mighty Portuguese scene labels Principe and Naive. Joao’s tracks are mind bending hybrids of breakbeat, reggaeton, R&B, rave and house. His recent artilary coming via Seceretsundaze, Diskotopia and his own Padre Himalaya, he now adds the Yeah EP to his weaponry.

Hamburg’s long time standing Goth (Not Goth) / Rock (Not Rock) band outfit The Crystal Apes get a full on electronic remix treatment which has been dubplate tested and dancefloor proved by Intrauterin Recordings mastermind baze.djunkiii as a secret weapon on countless occasions over the past years, slowly and carefully building up towards a full vinyl release.

Pleased to announce that Nicola Kazimir will complete the second opus of the series. The Swiss signs with Sabateans an Ep of four tracks from Techno to EBM and Industrial. And as a bonus, a collaboration with Walid el Barbir.

Hellfish and Bryan Fury, the Axe Gabba Murda Mob, are two of the biggest innovators in hardcore techno. Both have been pushing the genre in all kinds of directions for over two decades providing the pulse for thousands of parties around the globe. So with this in mind, we are honoured to present ‘Baby Eaters’, an earth shaking joyride to the very edge of the human psyche and beyond.

The eponymous A-side strikes terror into the hearts of men, splitting brain cells like atoms with destructive chain reactions of radical distortion and soul-stripping screams. Pure demonic catharsis, sound frequencies don’t get more violent than this. The B side ‘Acid Abyss’ is an LSD stained hardcore techno anthem where eerily cold voices are strangled by crunchy bellowing kick drums and bleeding 303s. Despite still being cranked up, the precision of the fills in this track offsets the chaotic kicks of the A-side, coming off almost subtle in comparison.

This single is for connoisseurs coming lovingly housed with artwork by the wonderful Jim’ll’Paint it, depicting the deadly duo conducting some rather grizzly research in their underworld studio.

Reach for the geiger counter - Park End comes shelling in the direction of Sneaker Social Club with some plutonium-plated, 2-stepping swelterweight gear for the grubbiest of dancehalls. All we can ascertain about the shadowy figure on the buttons for this latest release is that they’re clearly schooled in the lineage of UK hardcore, pirate radio culture and the sympathetic tenets of UKG, jungle and dubstep.

Opening up the A side, ’Same Dream’ is a claustrophobic, gnarly creeper with razor-sharp snares, growling low end and enough heads-down malaise to turn the most blissful sunrise set ice-cold. ‘The Immortality Of The Crab’ pays tribute to the fine tradition of illegal radio broadcasting and its importance for the development of rave, leaning on a staggered, mucky garage beat that smacks hard just how we like it.

On the flip, Park End turns attention to the synergy between RnB and garage with a refix of BBL Sound’s ‘bbs’, pairing the sweetest vocal chops with plenty of bitter b-line pressure, while ‘Rekt’ draws on an unnamed voice for another fission between human sensitivity and mechanised intensity. This parting shot borders on anti-anthemic by the time it reaches its peak while holding true to the pitch-black vibe creeping out around the edges of this rough diamond of an EP.

‘We Should Shout’ features Nicola Duncan over a classic House vibe with a beautiful moody organ rolling over a hard house bass line

‘Babylon Fall’ classic – beautiful – sweet stuff from the Persian featuring vocal snippets from the talented Sevi G

The name of the next track is the same as the label: ‘Existence Is Resistance’ this has electronic tinged synths with a hard electronic bass riff, it has glimpses of the Authentic early Electro sound of 83-84 complete with vocoder

‘Pot Of Gold’ : Disco sounds of the roller skating era.

In this new chapter of Lab, the two minds behind the label collaborate on a record that represents the two souls of the label. The break-techno-ish dance-oriented Slak vision, and Datafive introspective sonic adventures. The ep has two tracks from each producer and one collaboration by them. On one side, we can see the evolution of the Slak sound where he evolves from a dubby and lightful identity from the first ep to a new darker and solid sound. Pressure and Under Control, two dark and groovy UK break-techno missiles. Dark atmosphere and powerful drums ready for the dancefloor. Flipping the record, we find two eclectic tracks by Datafive. Plenty of influences here: electronic, glitch, IDM, hip-hop, dubstep, to name a few. The first track of the side is Outsiders, a journey into the artist’s feelings. Mysterious pads, mid-tempo syncopated drums, warm basses, dreamy chopped vocals, and more. The Hive instead explores the territories of the classic UK-step heritage. Vibrant sub-bass, ethereal textures, and solid stepper beats. The last track is Patience, a collaboration between Datafive and Slak. Meditative, yet powerful cyber trip-hop. We have dark-dub pads and stabs with sharp broken beats which portray a desolating landscape of a lost future.

"Papa Nugs joins the Space Dust cohort with the 5 tracker “ It Came From The West” transcending various styles and shades of sound. With a more tripped out take on a traditional jacking pallette, the title track kicks off proceedings with a propulsive drumbeat and rumbling bassline providing the perfect bedrock for the acidic squelches above. “Brooklyn Duck” continues the US-indebted styles adding an earworm vocal to the mix.

On the flip a barrage of drums and glassy oscillations form “Be Anew” with the relentless programming carrying through “Knobbly Knees” taking us firmly into electro territory with robotic vocals and a mechanic drum pattern that shows no sign of waning . Closer “Groove Nxt” sees out the EP in energetic fashion with well tuned snares trading blows with crystalline synth work."

The A1 track means a lot to me because two years ago my parents passed away within two weeks of each other due to cancer. It happened quickly between mid-August and the end of August. This was the saddest time in my life. I was struggling with myself, with the world, with everything. After a few months, I decided to translate my emotions into a song. I wrote this song for them but I was never able to finish it. It felt like I had overproduced it and was missing that special something. My good friend told me, Michael, dont think about the project for a period of time. Sometimes, something will happen when you dont expect it to. After nine months it was Christmas and we did a lets say a corona confirm dinner party. My good friend Basch invited Robert (Owens). Since Basch s mother and Robert are from the same town and maybe the same street in Detroit, they ve been connected to each other for the past 30 years! Robert came to the dinner party and it was synergy. I told him the story and about the missing elements for the song. He listened to it after dinner and said, okay where is your studio? After the Xmas dinner party, we went to my studio where we recorded the vocals. Robert did it on the fly and all friends in the studio cried tears as if there was some kind of magic in the air. Since then, we are working together on something special. It s blossomed into a friendship we both enjoy. The journey ends in London with my all-time favorite Label Fingerlickin Records. I requested a Remix from the Plump DJs and Jem Stone. Both agreed and the results are making this record unique. The Plump DJs Remix is a Uk Breakbeat-Chord-Style groove monster. Jem Stones version is an emotional journey that cannot be explained in words? Blackbox is a project from Tmplt, Robert Owens and Sebastian Sauve. What is in the Blackbox? There is no answer yet, but stay tuned. Sometimes you will find it out.

Melbourne’s finest Katie Drover and Just Jack join forces for a split ep on We R The Aliens 003. The newest aliens deliver 6 sweltering cuts ranging from delicate minimal tapestries to wonky breakbeat floor fillers and even a dnb jammer for good measure. Lock in and stay hip to the sweeping terrestrial frequencies of the underground from down under.

Back on Lüüd Discs for his first EP, Bwi-Bwi signs four tracks with rich and varied influences that plunge us into the atmosphere of his universe. Canto Soulèu.

Further on the trail of 90s sonic specters, Die Orakel releases Ike‘s Stone Diviner EP, an affiliate with Index Records. The titular track amalgamates the momentum of sparse yet heavy weight breakbeats with the warmth of lush pads, and literally reverberating 90s trance or IDM elements along granular rave signals. The beauty of its subsequent tracks lies in their well-tempered, fresh exploration of past sonic phenomenons, devoid of today’s retromania.

The first single from the Mathlovsky album Yassssin, “​ The Heat”​ i​ s Exactly what is said on the label: Pure Fire! Featuring the talents of album collaborator and live drummer Gregory Simons, and vocalist duo Jason and Rhonda, this single is the maximum hype pressure coming off the LP. Label boss and global octopus extraordinaire Submerged does the B Side honors with a tasty drum n bass tempo acceleration version. It’s important to rewind and understand how we got here in the first place… Belgian electronic music giant Mathlovsky has continued his constant evolution, with new live performance with a live drummer. Celebrating and promoting this new partnership, the album Yassssin​ (​4 S’s if you want to make it easy on yourself)​ ​is being released on double vinyl by Ohm Resistance this Spring. With 3 video singles, we decided to make a special one-off, limited Fire Red 7” to go along with the first single. Since 2019, Mathlovsky has invited drummer Gregory Simons to perform at his live shows, to add another layer of punk & funk fueled acoustic drums. Not replacing the electronic heavy hitting beats but by looking at his drumset as another instrument, Mathlovsky’s music has entered another realm. As such, a new era has begun. Yassssin, the first album with Simons’ acoustic drums as an added weapon of dancefloor destruction, is the perfect representation of what Mathlovsky live is all about. After ten years of dwelling in the rave scene and band scene alike, Mathlovsky has fused all his influences and tastes into one cohesive album. Inviting his talented Belgian music friends to contribute a voice, an instrument and overall energy, this album is a ride to never forget. For both ravers and moshers, Mathlovsky has crossed boundaries between worlds and begins this decade with a massive bang.

Producer Ma.to signs the 12th release of YoY. Two burning tracks to make you dance. Illustration by Francis & Marcel. The upcoming releases on Yoyaku’s main sub-labels start a dialogue between its own label and the gallery Chapelle XIV for limited editions. They are based on collaborations between French producers and illustrators. This Yoy release is part of the serie.

SNC Recs are no strangers to suprises. With the label's fourth release Chronic Durations EP you’ll want to fasten your seatbelts. Nicolas Epe aka The Duty freedom, a Cologne based musician and artist, is ready to step into the spotlight, with the debut of his latest Alter Ego.

On Chronic Durations he takes the audience on a dramatic, emotional journey into the world of Intelligent Drum and Bass music. The sound is familiar, yet new and timeless, it’s stuck in the 90s while showcasing the future. Slow melodies carry you through the tracks and are broken by fast kicks and glitchy sounds. The EP can be understood as a hybrid of sound and video art. To further lose yourself in the work, The Duty Freedom has created a series of dreamlike glitch video pieces that can be enjoyed alongside the sounds and help to unterstand the artist's full intentions. Chronic Durations works both as a first-class listening record and in a (hopefully soon to be available) club context at emotional and well-chosen moments. (Words: Saskia Braun)

JIN’s 2nd EP storms out the gate with Hong Kong’s finest Mr. Ho. The Klasse Wreck’s head honcho boss drops three originals. A1 “Holy Smokes” is a slow-motion, acid-flavored chugger, making one feel like snake-rolling through Hong Kong’s urban jungle. B1 “Not Good with Others,” a no BS bassy and bossy track, swings with a filthy kick from the get-go. The EP finishes with B3 “Emo Springs”, which blends futuristic jungle, tribal, house, and juicy basslines into a must-get dance floor heater. Added are two sonic-weapon-remixes: On A2 UK OG duo Dawl & Sween hits all the cylinders with mean breakbeat banger remix of “Holy Smokes.” On B2 Hong Kong’s 宀 Club’s music curator Sunsiaré runs “Emo Spring” through an electrifying old school jungle reshape, leaving all buzzed by his sonic assault.

Datafive is hailing from the underground with his ep titled ‘The Journey’. The Italian producer’s debut output delivers a post-genre ep, ranging from introspective mid-tempo landscapes to epic dub-tech drum’n’reese and post dubstep club oriented hypnotic grooves. He’s combining dubby digital synths and accurate sound design with solid uk scenario beats, time-stretched whatever, wobbling squelchy bass and much much more, all wrapped in an absolutely mind-blowing sleeve design from Geso. 300 limited copies mastered by Daniele Antezza at Dadub Mastering Studio, Berlin Lab music 2019 all rights reserved

Digitally remastered tracks from 1993 by TCM. 'The Gospel According to a Soundbwoy' was only released on a Llabello record compilation. Proper 1993 hardcore breakbeat classics essential to your collection.

Dubble Dunk vol 1 - Strawberry Sundae Records

Both tracks are packed with classic 90's breakbeats, stabs,pianos and bone-shaking basslines and mix beautifully between genres; old skool, nu breaks, house and hardcore.

You may have heard both 'Music Is My Life' and 'Rhythm Is Hot' played extensively by Ratpack and Rooney on Centreforce 88.3FM to great reception from DJ's and listeners alike.

The legendary London night club, Strawberry Sundae (est.1994) and now very much back in full effect now branches out into vinyl releases - the first press of this huge release sold outin less than 10 days - don't miss out on this classic in the making first release from the club's very own Duncan Disorderly aka Dubble Dunk

Wncl Recordings is back with a series of 2-track 10” vinyl battle weapons for your record box.

South London badman Pepsi Slammer rounds off a bumper year for Wncl with this previously dubplate only affair, backed with a killer remix from Planet Wax cohort, Dexta

Press Release

Wncl Recordings is back with a series of 2-track 10” vinyl battle weapons for your record box.

Head honcho of Birmingham based Futurepastzine, Rawtrachs comes through with the tough, rolling beats of “The Hiss” and a twisted take on CEO’s “Microfiche Edits” for his Wncl debut

Wncl Recordings is back with a series of 2-track 10” vinyl battle weapons for your record box.

Jane in Palma returns to the Cassette Library with enough bass weight to sink a ship. You know the drill by now - heavy duty cuts, not for the faint hearted.

The 31st installment on Gestalt Records comes from enterprising UK producer Utopian Streams who debuts with an ethereal 4-track EP, phasing through house, techno, breakbeat and electro.

DJ X-cess & Ghost Unit fire up their samplers again with another new 4 track Ep covering Old Skool Hardcore Rave to Jungle.

Partout returns to its UK series with « Two Minutes To Midnight », a strong ravey house / breaks EP by Bufobufo.

Day by day is back with a massive four tracker from South Korean producer & DJ, Six Dreams!

These tracks blend trance, techno and progressive beats that will blow the roof off your dance floors! Strap yourselves in for this extra bumpaty bumpin’ ride!

We hope you enjoy these as much as we do!

The sixth UFOs outing is another intergalactic adventure in sonic form and this time at the buttons it's New Balaance, a Mexican artist at the heart of a new wave. Space Jungle though is an apt title for this EP, which kicks off with some stylish breaks and nimble basslines overlaid with lush cosmic arps. 'Space Jungle' (feat Parallax Modulators brings a more pensive mood thanks to the sustained chords and deeper grooves, but subtle acid and chattery perc bring it to life. 'Grantourismo' is a lively and dynamic cut with more swirling synth work while 'Redemption' closes down this quartet of excellent explorations with a mix of 90s prog, techno and breakbeats all imbued with plenty of colour.

Tongue-in-cheek as usual, belleter Niklas Wandt melts up pianos, acid lines and bass heavy breaks as raw material for Die Glocke (The Bell). When the hunchback pours the lead of three decades of rave culture onto your lost souls, it’s too late for shelter. Fantastic Twins evaporates not just the bell but the whole bell tower into particles of peak time madness for the mental cases.

On the flip Bodyzeit heats up on an even more old schoolish tip with breaks that definitely win the bumper car dancefloor. Very sorry for the spilt drinks, thrown fags, popped pills, ripped shirts and funny faces trying to sing along these german vocoder phrases. Borusiade doing some serious bodywork, shifting gears down in her lowrider manner, modding this burner into a dreamish but deep wee-hour masterride.

A message from the unknown.

Take off your shirt and put in your gumshield. Debuts, aliases and unreleased magic sit side-by-side on Punchline06.

Fresh001 kicks off the new parallel running series of Fresh Tunez focusing on new and upcoming talented producers from all around the globe.

Paul Tellimerg is a french Producer, Live-Artist, Synthesizer and Soundsystem Enthusiast based in Paris. We first came across Paul through an internship for one of our labels and he has since been blowing our minds with his very own take on microhouse driven my intricately woven grooves and arrangements Paul invites you to close your eyes and fully immerse yourself in his playful but masterful productions.

With the Alpha Synthesis EP Paul debuts with his first release on Vinyl, featuring 4 distinctive tracks showcasing the broad approach he takes covering all hours of the night & day with the right track ready for it.

Raito, known for his work in the tech house genre and recordings on Deadmau5' Mau5trap, showcases his love for the UK bass scene with his latest EP, "Black Tracksuit." This collection of tracks draws on influences across the hardcore continuum, delivering a unique and genre-defying sound.

"Black Tracksuit" is a hard-edged mix of grime, jungle and UK garage with a UK influence that sets the tone for the EP. The A-side also features "Foresight," a psychedelic jungle track that constantly evolves, keeping listeners on their toes.

The B-side opens with "Junk Dog," a roughneck hardcore tune that harkens back to the sound of 1992. Rounding out the EP is a remix of "Junk Dog" by London-based producer Basic Rhythm. This straight up drum and bass track strips down the original and transforms it into a bass-heavy drum and bass stepper straight out of 1999.

After two remixes and a contribution to MT’s Sheva compilation, Malka Tuti is glad to welcome monsieur Benedikt Frey to the family
with his first solo EP on the label.

Recall is a 4-track dance ep, with 4 cuts of different flavour and sound.

From deep wavey dub to playful peaktime ravey sounds, Bene is taking the listener on a real journey, providing djs with an eclectic variety of tracks to pump up the dancefloor on different parts of the night....

His unique quirky and trippy sonic signature and production approach (reminiscing the sweet taste of ganja), stands out throughout the ep and it adds a fresh new direction for MT’s ever growing catalogue.

Four weighty trax from the big & bad SE London based producer, Holloway.

Brazilian-born, USA-based record label Concreta Sala arrives to the scene in 2021 with a celebration of Brazilian Bass and the culmination of 25 years of research and digging through their EP compilation series Proibidœ. This inaugural volume showcases an original and remastered 20-year-old techno track by the intentionally elusive multi-instrumentalist El Presidente Hi-Fi. Initially released in the year 2000, the aggressive but precise rhythms of “Drop Your Guns” are reworked by three emerging Brazilian artists: Sisto, Mau Maioli, and Hugo Frasa. With the original press limited to 150 copies and instrumental stems lost to the wind back in 2002, Concreta Sala is incredibly proud to bring this release to a new generation of dance floors and headphones via three unique remixes. The original track is transformed into a certified weapon, remastered and repressed in a limited run of only 300 vinyl copies with the highest audio quality. From a listener’s perspective, both sides of Proibidœ VOL. I are loaded with ammunition for any given moment.

MoreNight serves up five playful UKG cuts on his first full vinyl release via rising label Time Is Now. UK based producer MoreNight has been making waves over the past 12 months with killer collaborations with legendary grime vocalists Footsie & Manga, as well featuring on a weighty compilation for Conducta’s imprint Kiwi Records. His debut full length vinyl EP ‘Silvia’ is the exciting young producers finest work to date & paves the way for what is set to be a big future for this talented artist.

Lab Music 4th is a solo Ep by Slak with a massive Answer Code Request remix, exploring the world of ambient rooted break-techno with a drum and bass excursion in the remix.

On the A side we find the first two tracks, Reflexion a club oriented break-techno track, combining dark ethereal textures with driving beats and sharp synths. Before Midnight, an elegant yet powerful gem with tribal reminiscences, Roland drums and light pads.

On the B side we have New Horizon, delivering melodic ambient rooted pads and the usual 909 broken beats. Furthermore we have a special drum and bass rooted remix of the same track from Answer Code Request, exploring Idm and d’n’b, combing dreamy moments with strong breakdowns.

Embarking on a thrilling sonic departure, Michael Claus resurfaces with “Dark Forest,” a 12″ EP that’s sure to incite movement on dance floors everywhere. Shifting away from the chill, down-tempo vibe of his previous release “Lavender Palace,” Claus dives headfirst into the realm of breakbeats, heavy synth lines, and distortion. The two original tracks, “Dark Forest” and “Paranoia,” bear witness to the innovative producer’s penchant for exploration, as he navigates the new BPM range and sound palette with fearless curiosity. Designed for the sub-heavy club sound systems, this EP is destined to reverberate with unbridled energy and intensity. As if the original tracks weren’t enough, the EP also boasts two outstanding remixes that add their own distinct flavor to the mix. Force Placement takes the reins with a jungle-inspired rework, infusing a groovy bass line that rolls beneath a vortex of mind-bending sound effects. This percussive adventure will undoubtedly captivate the senses, transporting dancers to an immersive world of rhythm and intrigue. Further enhancing the EP’s allure, Lara Sarkissian delivers a hazy and psychedelic remix, blending sub-heavy rhythms with mesmerizing sound design. This ethereal concoction showcases Sarkissian’s deft touch and mastery of her craft, as she seamlessly weaves together entrancing elements that complement Claus’ original vision. “Dark Forest” is a testament to Michael Claus’ ever-evolving artistry, and with these remixes, the EP promises to leave a lasting impression on all who dare to enter its enigmatic domain.

Our third release of the year is coming from Nantes based & Distant Waters co-founder Sans Sucre! The Coral Break is a four tracker blending electro, breaks & house with a nice funky breeze. This one is perfectly crafted for your warm summer nights!

Sanandreas' debut release on System Error's Error300 Series is an emotive 4 tracker that will touch your soul. From the subtle but driving title track 'Lun', to the emotional jungle track 'The Core' on the A-Side further through to both equally touching versions of Reminiscence - the 'Blunt Mix' could also fit in any club set and the even more gentle 'Sunrise Mix' for the journey home after. All 4 tracks on this EP confront the listener with deep emotions from sadness to happiness in a beautiful work of art.