Breaks | Breakbeat Vinyl 155 Items

180g 2LP 45rpm

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An album had been finished by the spring of ’95 and all recorded onto DAT and placed in a box. K&D pressed up 10 copies and gave 4 away to some suitably eccentric individuals.
Then the room’s doors opened and in a tremendously big cloud of smoke time rushed in, K&D rushed out, and the years went rolling by. The days got filled with remixes, touring and life.

Then in early 2020 that chance moving of a box at the back of a room exposed the DATs and their time transporting properties. As K&D went through them they ended up comfortable and back in the room and that wonderful haze of 1995.

180g 2LP 45rpm

180g 2LP 45rpm

180g 2LP 45rpm

Southampton's DJ Nightmare fresh from a run of releases onCantina Cuts teams up with Bournemouth's DJ X-cess for aslice of UK South Coast hardcore very much in the '92 style. Bigitallo style pianos, rave stabs, heavy basslines & breakbeats allfeature - Its the New Stuff made in The Old Skool Style!

Chapelle XIV Music releases "The First Android Church Of Claude Shannon," an innovative LP by Roger Gerressen. This immersive album blends retro-futurism with classic sci-fi influences, offering a boundary-pushing electronic experience.

Following 2 heavy reissues of “Silver Mirror Of Her Eyes” and “Heavy Water” from original works on D*Fusion Records in 1994-1997, Howard Dodd aka Anoesis returns to physical in 2023 for a new full feature-length album via Australian based imprint Paper-Cuts. Selected works between 2010-2022 “Memory On Memory” offers a modern take from the underground UK artist, spanning refined breaks, playful tech-house and modular experiments stretched across this 9-track LP.

At the turn of the ‘90s, British dance music gave birth to two interconnected styles that put heavy sub-bass front and centre: bleep techno and breakbeat hardcore. Such was their popularity that the styles inspired countless imitations and mutations, both within the UK and far beyond.

This is the story told in a major new retrospective from Musique Pour La Danse, Bleeps, Breaks + Bass, a carefully curated and well-informed collection of rare and sought-after tracks from the early ‘90s selected by label founders Olivier Ducret and Bunkerheadz. Available on two limited-edition double LPs (each presented in heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl), compact disc and digital download, Bleeps, Breaks + Bass features artwork by legendary graphic designer Trevor Jackson and extensive liner notes from dance music historian Matt Anniss, author of the acclaimed book Join The Future: Bleep Techno and the Birth of British Bass Music.

A quick glance at the track listing will confirm the depth and variety of Bunkerheadz and Ducret’s selections, which largely sidestep celebrated anthems in favour of overlooked gems, deeper cuts and genuine rarities – all of which have been re-mastered by legendary bleep producer and engineer Rob Gordon (Forgemasters, Xon, co-founder of Warp Records) and half-speed mastered/cut by Sidney Meier at Emil Berliner.

Across the collection you’ll find lesser-celebrated gems from significant figures in the scene (Unique 3’s long-overlooked ‘Digicality’, rare tracks from 4 Hero side projects R-Solution and Tek9); surprise bass-heavy excursions from popular outfits of the period (A Man Called Adam, A Certain Ratio and The KLF’s ‘What Time Is Love’ as remixed by The Moody Boys); significant but frequently forgotten underground anthems (outings from Boneshakerz, Hypersonic, Ubik and Kcc); secret weapons (Three Sons, Heychild, Techno Excursion); and even a sub-heavy classic from Norwegian ambient legend Biosphere. It all adds up to a significant celebration of one of the most fertile periods in the development of dance music with bleeps, breaks and bass.

At the turn of the ‘90s, British dance music gave birth to two interconnected styles that put heavy sub-bass front and centre: bleep techno and breakbeat hardcore. Such was their popularity that the styles inspired countless imitations and mutations, both within the UK and far beyond.

This is the story told in a major new retrospective from Musique Pour La Danse, Bleeps, Breaks + Bass, a carefully curated and well-informed collection of rare and sought-after tracks from the early ‘90s selected by label founders Olivier Ducret and Bunkerheadz. Available on two limited-edition double LPs (each presented in heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl), compact disc and digital download, Bleeps, Breaks + Bass features artwork by legendary graphic designer Trevor Jackson and extensive liner notes from dance music historian Matt Anniss, author of the acclaimed book Join The Future: Bleep Techno and the Birth of British Bass Music.

A quick glance at the track listing will confirm the depth and variety of Bunkerheadz and Ducret’s selections, which largely sidestep celebrated anthems in favour of overlooked gems, deeper cuts and genuine rarities – all of which have been re-mastered by legendary bleep producer and engineer Rob Gordon (Forgemasters, Xon, co-founder of Warp Records) and half-speed mastered/cut by Sidney Meier at Emil Berliner.

Across the collection you’ll find lesser-celebrated gems from significant figures in the scene (Unique 3’s long-overlooked ‘Digicality’, rare tracks from 4 Hero side projects R-Solution and Tek9); surprise bass-heavy excursions from popular outfits of the period (A Man Called Adam, A Certain Ratio and The KLF’s ‘What Time Is Love’ as remixed by The Moody Boys); significant but frequently forgotten underground anthems (outings from Boneshakerz, Hypersonic, Ubik and Kcc); secret weapons (Three Sons, Heychild, Techno Excursion); and even a sub-heavy classic from Norwegian ambient legend Biosphere. It all adds up to a significant celebration of one of the most fertile periods in the development of dance music with bleeps, breaks and bass.

Hybrid are cemented in dance music history.
An act that with 5 artist albums under their belt, and its feet pressed firmly in the electronic music scene, Hybrid's music has also moved seamlessly into film and game scores. This is perhaps of little surprise given their unique fusion of epic orchestral sounds, ambient styles, and breaks.
It is with great pride, as both fans of vinyl and of Hybrid, that we exclusively bring you the only album that has not been released previously on vinyl, their masterpiece, I Choose Noise.
The full-length versions on this limited, deluxe 2-disc, heavyweight vinyl edition, has been masterfully cut by Pete Norman, who we consider one of the best (if not the best) cutting engineers in the UK.
A high quality 5mm printed outer sleeve, spineless printed inners, and the inclusion of their originally hidden, bonus track 'Everything Is Brand New' make this a release not to miss!

Arpanet needs no introduction for those who know. Hydrostatic Equilibrium EP is a reissue of the 2 tracks released by 30D Records from the Detroit artist back in 2018 (cat# 30d-006), now presented together in a special limited edition single sided 12" vinyl. The EP includes the original tracks Supernova Remnant and Main Sequence Star, being the only two tracks produced by Arpanet since 2006. Presented with a new artwork, designed by Arpanet himself, and this time on 30D Records sub label ExoPlanets, Hydrostatic Equilibrium EP becomes an instant collectors must have, especially after the quick sell out that followed the 2018 release and the numerous reissue requests received since then.

Partout returns to its UK series with « Two Minutes To Midnight », a strong ravey house / breaks EP by Bufobufo.

Fabio & Grooverider have been at the forefront of UK dance music for over 3 decades. This is the roots of their story told through music. The 2 London DJ's are part of the DNA of the global Jungle / D&B movement and they have remained relevant, cutting edge, authoritative and essential to this truly underground art-form since it's inception. RAGE could arguably be the ground zero of Jungle. The party was started at London's cavernous Heaven club by Fabio & Grooverider in 1988, at the height of Acid House fever that was making it's way up and down the motorways, slip-roads, fields and warehouses of the M25 and further beyond every weekend, troubling the nation, the police, your parents and the press as it went. RAGE was a different beast, it certainly channelled some of that Acid energy but pitted it against the new and exciting sounds emanating from Belgium, Amsterdam, Detroit, Sheffield, Essex and Hackney and in turn created a new style, a new sonic attitude and energy in the process. Rumbling bass-lines, narcotic synth rushes and roughly chopped and sped-up breakbeats all merged into a style that we now know as Jungle. Nothing like this had been heard before, this was a brand new style and it was coming out of London's West End and Fabio & Grooverider were the people firmly behind it.

Istanbul-born, Berlin-based duo Bärtaub is queueing up next on the prestigious Paris imprint of Yoyaku.

Following successful releases on Butch's Otherside label and legendary R&S records, Bärtaub brings a fresh sonic exploration to the Yoyaku imprint.

"Nominal Attraction" delves into the magnetic forces of music, where objects are drawn to each other within the same genre nominally, skilfully ensuring that each piece maintains a distinct identity, providing a set of unique spaces for each track.

The release presents a seamless blend of breaks and house music, united under the flag of Minimal Techno, evolving within a sharp sound organically to create an immersive and dangerously danceable experience that transcends traditional boundaries of the genres.

The A side showcases a powerful introduction as well as a deeper, breaded cut as the duo is joined by Brick. The B side opens up on a more incisive interpretation of Deep Breaks with the title track of the EP, to finish off on an inevitable piece designed to warm even the coldest floors of the planet, under the name of Chord Shift Space.

Monika Ross's upcoming EP, Koochy Koo, merges UK Garage, Minimal House, and Breaks in four sophisticated tracks.

Guachinche Records is a label that has taken on board the best of the Andalusia and Tenerife breakbeat scenes. Led by the experienced groups Mutantbreakz and Bubble Couple, the label is known for its good taste, variety and good judgement when it comes to selecting the music that makes up its catalogue. All those years experience of broken beats have inevitably led to the release of this brilliant Guach001 The label first vinyl offering is a compilation album that offers a perfect summation of its essence and quality.

The record opens with a sure-fire hit by the legendary Rasco, who, together with Bubble Couple, has created Old Groove. Featuring piano and the kind of baselines to stick in the memory and make your hair stand on end, it's a track that many of you have been waiting to get hold of in vinyl format. The trip continues in the hands of Suga 7, who offers a true taste of the Canary Islands on his classy track Hideaway, a sheer delight with the high tempos and playful basses so beloved of the Islanders.

We then move on to the B-side, which features an absolute gem of a sound by the duo Mutantbreakz. A musically elaborate track with quality touches and passages of guitar, piano and vocals, it grabs you right from the start of a sonic trip that will prepare you for the final denouement Raverman brings things to a close with the epic Sayonora and a slice of acid electro-trance. This striking ending rounds off the kind of record that doesn't come along every day.

As the warehouse-rave season approaches, it’s perfect timing for Shadow Child & Mark Archer to make their collaborative debut on Food Music with a special release that includes 2 vinyl only exclusives that saw a digital release on DJ Haus’ Dance Trax label earlier in 2023. Adding to these is a brand new slice of big-room Techno in the form of ‘Chinwah (Big DJs)’, which will no doubt be pounding its way out of the worlds cooler parties in the coming months with a controversial spoken-word message to boot.

For REZ24twentyfour we enlist an enigmatic producer from Berlin in Mario Panagiotis. Compiling four tracks from his two EP's that were previously released on independent label ISM Productions during the mid 90's. From the Housey French vibes of 'Step 2' and 'Do It Again' to the hypnotic breakbeat sounds of 'Autumn' and nicely rounded off with the epic Soundtrack-esque end-of-nighter 'Lost' it's a complete compilation to the sound of Mario in his heyday.

Banana Club is without doubt one of the top new labels on the Breakbeat scene today. Led by the young and highly prolific Cadiz artist, Fm-3, it was set up in 2020 with a strong identity and powerful, effective dancefloor grooves inspired by English bassline and 2step/garage and a touch of funk.

On this first vinyl release by the label, entitled Funky Beats, Fm-3 kicks off his musical discourse with One for Me, a track which showcases the characteristic quality and forcefulness of his groove. This is followed by the album eponymous track Funky Beats, a collaboration with the multiple Spanish and World Scratching Champion, Jose Rodriguez, who dazzles with a number of superb passages in which improvisation and funk come to the fore.

The B-side opens with Panorama, featuring Orak. This fascinating, highly-experimental track offers a fusion of breaks and tech house and an elegant acid line which acts as a common thread and brings cohesion to the whole idea. The record closes, as you would expect, with a collaboration with Bowser, another of the label regular artists, entitled Bubbling.

A classic bassline dancefloor filler, it will take you back to the best tracks of the late nineties and early noughties. The classic black 12", mastered and cut by Simon, a veteran sound engineer at the Exchange Vinyl in London, has achieved a sound which is quite simply brutal.

It’s a kick! It’s a groove! No, it’s Superbanger!

4 super bangers, no fillers

There sure is an appropriate sense of futurism in these new breakbeats from Ahu. Opener 'Jina' is run through with far-sighted chords that bring to mind the glowing metropolis of Ridley Scott's 'Bladerunner' - it even feels like there's rain falling in the tune as well as subtle celestial vocals and deep, driving bass. and spoken word samples to add that cinematic ambiance. 'Jina (Mahsa)' is soulful machine music - fans of the glorious 69 project of Carl Craig will doubtless dig it - and then 'Nika' rides on a much more rubbery and lovely, lumpy Herbert-esque beat with molten synth melodies and a darker energy. A stylish EP, no doubt.

Orlando Voorn takes you on a journey with this very deep 3-track ep on the Partout label.

Questions will inevitably have to be asked here as to how / why Hooj have shamelessly broken the informal UN backed agreement to NOT Remix / RE Release C*f* D*L M*R, Ever Again. But after the Hooj Catalogue owners cajoled the old A +R team into a Hooj Electronic Orchestra album in 2021, the then up and coming Borai + Denham Audio were enlisted for remixes, and fast forward a couple of years, the Bristol duo are smashing it in 2023, and vinyl does indeed beckon. And with some justification it has to be said, as the Bristol duo took chunks of the original Wim Mertens melody and somehow still managed to drag it into new terrain, introducing rough breaks and hardcore sensibilities into proceedings, for the first time in the track's 30 + years journey. On the B - side, another star turn from the early 90's get's the BDA treatment, as Transformer 2's Fruit of Love get's a more polished/ musical approach on the Audio Redux mix ( though with no compromise on bottom end / beats dynamics) , and Borai contributes a rolling, percussive 4/4 dub.

Embarking on a thrilling sonic departure, Michael Claus resurfaces with “Dark Forest,” a 12″ EP that’s sure to incite movement on dance floors everywhere. Shifting away from the chill, down-tempo vibe of his previous release “Lavender Palace,” Claus dives headfirst into the realm of breakbeats, heavy synth lines, and distortion. The two original tracks, “Dark Forest” and “Paranoia,” bear witness to the innovative producer’s penchant for exploration, as he navigates the new BPM range and sound palette with fearless curiosity. Designed for the sub-heavy club sound systems, this EP is destined to reverberate with unbridled energy and intensity. As if the original tracks weren’t enough, the EP also boasts two outstanding remixes that add their own distinct flavor to the mix. Force Placement takes the reins with a jungle-inspired rework, infusing a groovy bass line that rolls beneath a vortex of mind-bending sound effects. This percussive adventure will undoubtedly captivate the senses, transporting dancers to an immersive world of rhythm and intrigue. Further enhancing the EP’s allure, Lara Sarkissian delivers a hazy and psychedelic remix, blending sub-heavy rhythms with mesmerizing sound design. This ethereal concoction showcases Sarkissian’s deft touch and mastery of her craft, as she seamlessly weaves together entrancing elements that complement Claus’ original vision. “Dark Forest” is a testament to Michael Claus’ ever-evolving artistry, and with these remixes, the EP promises to leave a lasting impression on all who dare to enter its enigmatic domain.

The 31st installment on Gestalt Records comes from enterprising UK producer Utopian Streams who debuts with an ethereal 4-track EP, phasing through house, techno, breakbeat and electro.

Since the early days of electronic music, white label records have been inextricably linked to DJ culture and the ways in which underground music has been disseminated. unknown - untitled draws on the white label concept withholding details about the producers behind the tracks and leaving listeners to draw their own conclusions about what they’re hearing. The concept label focuses primarily on vinyl releases, with previews of the tracks available online, but information about the artists only to be found within the record sleeve itself. The roster ranges from new and emerging producers to more established artists looking to explore new sounds. Picking up where they left off 9 months ago, the sixth release ventures into uncharted territories with a brand-new format that will keep you guessing, spanning a multitude of genres within the expansive realm of electronic music. With online personas often eclipsing the focus on music itself, here lies a return to form.

The first release on deadbeat Records comes in the shape of an EP by Rnbws. Pressed on ltd edition 140g vinyl. Only 300 records pressed. All profits will go directly to the artist for this release.

An absolute timeless classic from a golden era of greatness, Lazer Worshippers - Lazer Worshippers Theme is one of those gems that has transcended generations, with a demand and price tag for the original that sees it trade hands for £100+. Produced in 1993 by Damon Wild and Tim Taylor it was first released on NY’s pioneering EX or Experimental Records, yet this is the first vinyl reissue since its original release. This unique 12 Inch contains all three versions of the title track compiled from 2 separate EX releases - Ex-03 and Ex-19.

Core Dimension team up with legendary vocalist Angie Brown to deliver a 1992 style Piano Breakbeat Hardcore Rave double Aside release.

Vinyltrixta (who along with Jimmy J co-founded the Remix Records in Camden, London shop back in the mid 90s) - delivers a stomping 4 track EP in the 1992 breakbeat hardcore style on Return of The Vibe.

As the siren’s song echoes out of systems worldwide, perhaps we are (re)turning to the liquid age of dance; with natural ephemera such as moss, sentiments for ecology such as swamps, and mercurial aspects of water all absorbing the aesthetic forefront. A return to nature, a deep dive under the lily pads. Here Marijn with her debut EP guides our plunge, a trip previously taken via her podcasts on Kulture Lab, where you can also find her previously released music.

Whispers from the ethereal plane drift around the headspace, a rumble in the distance of sound traversing the water, voices to guide and to keep you from floating too far from the line. Audio hallucinations are aplenty when submerged, a serenity of space, yet distant growls assure that peace is not always 2 be found. The melancholia within the daydream, the pang of loss caught in reflections, internal and from the water, with the lily pads floating above as a guiding entity, an anchor, something to hold. Under the lily pads we rumble.

On the flip everyone’s fav casual breaks n rave hooligan Luca Lozano asks the recurring thought within dance music, a question we quest, yet rarely want the answer. Abstraction via squeaks and tweaks, you better bop your bleepin’ head to this 1.

‘Leave A Message’ leaves the tranquil waters disturbed and rippling to the outer edges, providing jumps for the lily pads to ride on the incoming tide, with the ebb and flow making way for a storm surge. Aka big beats are the best, a notion the directly honest final track ‘Made (Drums)’ follows, bringing a twisted jack attack logic to a deranged assembly of samples, a manic orchestra of tumbling drums who have conspired to freak out, albeit with cute bubbles underneath to revel in the allure of sonic mania.

Ecstatic Editions is the new label by Eris Drew. Due to changes in the industry, the cost of production, and the wait times for manufacturing, the renowned vinyl-only deejay laments not having more of her favorite producers’ music on vinyl, so she decided to start a label for special vinyl editions, as well as archival releases. The first volume of Ecstatic Editions is an anthology of work previously unavailable on vinyl by the Xi’an-born and Toronto-based musician, Ciel. Her work was the impetus of the label because many of her amazing productions, collaborations and remixes have never been pressed to vinyl. As a producer, DJ, pianist and radio presenter, Ciel’s work is not only prolific and compelling, it involves an international network of individuals, labels, projects and artists; a musical meeting-place of positive intentions and creative interactions. This volume is needed not only because it makes these incredible original productions and remixes available to vinyl DJs, enthusiasts and collectors for the first time, but also because it tells a cohesive story, in a physical object, of an artist with a truly unique rhythmic, melodic and psychedelic style.

Included here are three tracks from The Trojan Horse EP, a track from Naive’s “No Justice No Peace” compilation and fund-raising effort, Ciel’s remix for the Stockholm-based band Off the Meds, a track by Psychedelic Budz (a collaboration between Ciel and fellow Canadian D. Tiffany), a track from the Montreal Bass Coast Music festival’s annual digital-only compilation titled 12 Days, a remix of Toronto's downtempo soul saviors, the electronic duo LAL, and Ciel’s remix for Japanese artist Cuushe, which originally came out digitally on Tokyo’s Flau.

Fresh001 kicks off the new parallel running series of Fresh Tunez focusing on new and upcoming talented producers from all around the globe.

Paul Tellimerg is a french Producer, Live-Artist, Synthesizer and Soundsystem Enthusiast based in Paris. We first came across Paul through an internship for one of our labels and he has since been blowing our minds with his very own take on microhouse driven my intricately woven grooves and arrangements Paul invites you to close your eyes and fully immerse yourself in his playful but masterful productions.

With the Alpha Synthesis EP Paul debuts with his first release on Vinyl, featuring 4 distinctive tracks showcasing the broad approach he takes covering all hours of the night & day with the right track ready for it.

Artesian Sounds welcomes Cicada Ensemble to the label with his debut EP 'Murmuration Clip', featuring a remix from London-based producer Otik.
The title track is light and nimble, swelling with shimmering arps, weighty subs and no kick drum in sight. 'Kepler' layers intricate sound design with head-spinning breaks and an aggressive bassline. 'Buchla & C7' is a five minute epic, patiently building to its climax for almost half of the runtime - a true exercise in tension and restraint. Last but not least, Otik's remix of Kepler slows the original, combining dub infused atmosphere with driving percussion.

Dedicated 21st Century polymath Kay Logan continues to expand her soundworld in every direction at once with her Helena Celle alias. A maximalist internal landscape of broken Jungle patterns, distorted synths and heavily warped instrumentation bent out of cognisance, »If You Can’t Handle You At Your Worst, Then I Don’t Deserve Me At My Best« is Logan’s most danceable, most fun and most gloriously congealed record to date.

Conceived in part as a response to her 2016 debut release »If I Can’t Handle Me At My Best, You Don’t Deserve You At Your Worst,« 2023’s update employs similar principles (degrading technology, the joy of chance, an outsider’s gaze onto the dance floor, an embracing of the occult) to delirious effect. If »I Can’t Handle« was lo fi and fragile in its technoid recasting of dance music, here Logan’s confidence allows a frantic playfulness that retains the spontaneity of all her output. It’s the work of a creative spirit revelling in the possibilities of sound, rhythm, texture and pattern.

Helena Celle’s music opens up psychic space in front of the listener and invites them in. In this world, sounds and tropes once recognisable are rendered fractal, spectral and continually melting in and out of recognition. Simply put, Helena Celle might be detouring Drum & Bass, Techno and Breakbeat with a prankster’s grin but the result is pure ecstasy crushed into a part of the listener’s consciousness hitherto untroubled.

Since her 2016 debut, Logan has released music as Time Binding Ensemble, Otherworld, in groups Anxiety and Herbert Powell and myriad variations on the Helena Celle moniker. This album is a riposte to her debut and updates its principles. Joyful, degraded Jungle breaks, Cyberpunk synth meltdown, noise solos, true head music, like the furthest Aphex Twin being deep friend in a Glasgow backwater.

In this new chapter of Lab, the two minds behind the label collaborate on a record that represents the two souls of the label. The break-techno-ish dance-oriented Slak vision, and Datafive introspective sonic adventures. The ep has two tracks from each producer and one collaboration by them. On one side, we can see the evolution of the Slak sound where he evolves from a dubby and lightful identity from the first ep to a new darker and solid sound. Pressure and Under Control, two dark and groovy UK break-techno missiles. Dark atmosphere and powerful drums ready for the dancefloor. Flipping the record, we find two eclectic tracks by Datafive. Plenty of influences here: electronic, glitch, IDM, hip-hop, dubstep, to name a few. The first track of the side is Outsiders, a journey into the artist’s feelings. Mysterious pads, mid-tempo syncopated drums, warm basses, dreamy chopped vocals, and more. The Hive instead explores the territories of the classic UK-step heritage. Vibrant sub-bass, ethereal textures, and solid stepper beats. The last track is Patience, a collaboration between Datafive and Slak. Meditative, yet powerful cyber trip-hop. We have dark-dub pads and stabs with sharp broken beats which portray a desolating landscape of a lost future.

REZ18eighteen coming up soon on our home label Rezpektiva, with a release from Quaid (Ben Naylor) with his Cascade/Fusbares EP. Originally recorded for UK label Seraphim Records back in '98 but made available as 'promo only' so never fully released, it's two tracks of top level work. This release comes as a prelude to two albums from Quaid that will also appear on Rezpektiva in the near future.

"Papa Nugs joins the Space Dust cohort with the 5 tracker “ It Came From The West” transcending various styles and shades of sound. With a more tripped out take on a traditional jacking pallette, the title track kicks off proceedings with a propulsive drumbeat and rumbling bassline providing the perfect bedrock for the acidic squelches above. “Brooklyn Duck” continues the US-indebted styles adding an earworm vocal to the mix.

On the flip a barrage of drums and glassy oscillations form “Be Anew” with the relentless programming carrying through “Knobbly Knees” taking us firmly into electro territory with robotic vocals and a mechanic drum pattern that shows no sign of waning . Closer “Groove Nxt” sees out the EP in energetic fashion with well tuned snares trading blows with crystalline synth work."

Raito, known for his work in the tech house genre and recordings on Deadmau5' Mau5trap, showcases his love for the UK bass scene with his latest EP, "Black Tracksuit." This collection of tracks draws on influences across the hardcore continuum, delivering a unique and genre-defying sound.

"Black Tracksuit" is a hard-edged mix of grime, jungle and UK garage with a UK influence that sets the tone for the EP. The A-side also features "Foresight," a psychedelic jungle track that constantly evolves, keeping listeners on their toes.

The B-side opens with "Junk Dog," a roughneck hardcore tune that harkens back to the sound of 1992. Rounding out the EP is a remix of "Junk Dog" by London-based producer Basic Rhythm. This straight up drum and bass track strips down the original and transforms it into a bass-heavy drum and bass stepper straight out of 1999.

Fresh from DOTT’s “Puppy Luv EP” and Rudoh’s “Vinland In Space EP”, Jugaar Records is back and this time with a full-length, double-pack vinyl, and digital compilation bringing together friends from Asia and Europe. The record is testament to the healthy place the Asian electronic music landscape finds itself in and those intrepid producers who are willing to explore new scenes and sounds. It's energy-crew from the off - with UK beatmaker Joe Koshin’s “Astro Wax”, a techy electro work-out that conjures images of futuristic cityscapes and dense urban mazes. Up next, Pakistan-born and label co-boss Rudoh maintains the electro vibe with cut-up hip-hop vocals sprinkled on top of a pulsating bassline in his “kof”. His records are being picked up by global tastemakers from Emerald to Roza Terenzi to DJ Masda. Don’t sleep!

Moving to the B-side, German-born, London mainstay Voigtmann shuffles and deals a steppy drum pattern and intricate synth-work, with a bassline drenched in that particular brand of funk to get the party going even at the most ungodly hour. Observatory resident Nic Ford closes this disk with an ambient excursion that summons spiritual rave voices from the deep laid atop a lilting synth loop. It’s typical of his ambient performances which have gained much notoriety in Vietnam of late.

Opening the second record is Egyptian gem Hassan Abou Alam whose recent outings on Naïve and Banoffee Pies have gained him much and well-deserved attention. Here, his “Gloom” combines twinkling IDM modes with heavy sub bass experiments primed to stop the most idiosyncratic dancefloors in their tracks. Up on C2, the Version, 3024 and Phonica Records graduate Yak adds breaks to the equation. His “Disk Full” brings together a haunting gated synth and razor-sharp beat programming to devastating effect. Melbourne based, Salt Mines Records honcho Shedbug concludes this side with his hopeful “A Lil Piece” whose soaring synth line will hit all the right emotional chords at all the right times.

On the final side Bangkokian Chalo reminds us why he is one of the masters of this increasingly fully formed scene. His Depth Charge is a muggy dub-laden, electro jam capable of rattling the weightiest sound systems in some of the most twisted raves at the end of some of the darkest Sois. The record is completed by New Delhi linchpin and Boxout.fm resident Monophonik, whose techno/electro “Tumbi” journeys out of the night into a euphoric sunrise moment that will be setting the dancefloors alight come festival season.

After two remixes and a contribution to MT’s Sheva compilation, Malka Tuti is glad to welcome monsieur Benedikt Frey to the family
with his first solo EP on the label.

Recall is a 4-track dance ep, with 4 cuts of different flavour and sound.

From deep wavey dub to playful peaktime ravey sounds, Bene is taking the listener on a real journey, providing djs with an eclectic variety of tracks to pump up the dancefloor on different parts of the night....

His unique quirky and trippy sonic signature and production approach (reminiscing the sweet taste of ganja), stands out throughout the ep and it adds a fresh new direction for MT’s ever growing catalogue.

10 year anniversary release from the 2010 released CD by Classless Kulla & Istari Lasterfahrer. Comes in fold out sleeve with lyrics and picture and a download code for the whole album.

DJ Crisps serves up four killer UKG cuts for Bristol label Time Is Now’s tenth vinyl outing. Rotterdam based producer DJ Crisps has been bubbling over the past 12 months with a string of killer twelves, including a massive record for Riz La Teef’s label South London Pressing. His latest outing ‘Diamonds’ EP is some of the rising artists strongest work to date, weighty basslines meet 2-step laden grooves on this killer cut.

MoreNight serves up five playful UKG cuts on his first full vinyl release via rising label Time Is Now. UK based producer MoreNight has been making waves over the past 12 months with killer collaborations with legendary grime vocalists Footsie & Manga, as well featuring on a weighty compilation for Conducta’s imprint Kiwi Records. His debut full length vinyl EP ‘Silvia’ is the exciting young producers finest work to date & paves the way for what is set to be a big future for this talented artist.

Killer debut LP by Lol K starring vocals by Coby Sey and LA Timpa, following the Londoners’ EP for Mica Levi and co’s Curl Recordings with a crafty set of queer, sensuous pop, configured in brilliant, surprising ways for Rabit’s Halcyon Veil. The six songs and corresponding instrumentals of ‘The Breeze’ explore ideas of escapism, belonging and inner city isolation in an up-to-date vernacular firmly blunted by sparing, crisply defined but shapeshifting production. The album clearly marks a concerted development of Lol K’s sound - especially compared to their oblique appearances on the ‘Born Under a Bad One’ (Curl, 2018) EP - with the duo’s CJ Calderwood and Junior XL more confidently venturing their vocals into the mix this time, switching between melodic hooks and blunted hush, to a rave-punkish prang out and puckered chamber composition with lowkey rude and innovative production to match.

Aver created the first draft of the album between finding out about Joey's passing and attending his funeral. He arranged musical collages out of voice messages and breaks he and Joey had sent one another alongside previously unreleased material he made during lockdown with Doron Segal. The process initially served as a form of musical therapy, but after completing it and sharing it with a few friends, Aver realised that it might also bring joy to other people that knew Joey, as well as introducing those that didn't to the lovely ginger fellow behind Village Live.

The finished album features cuts by Jazz T, Evil Ed and Omas, as well as additional voice messages donated by Kuartz and Matt Smith. Mr. Krum has done all the design work for the the booklet and the gatefold cover, which features a photo-collage by Aver of the Aroe piece outside Rarekind Records, as well as the huge blockbuster at Black Rock, Brighton.

RIP Joey Deez

Since breaking through with the colossal 'Anybody From London' on Hotline Recordings five years ago, Boris English AKA Borai has proved to be one of British dance music's more cultured hardcore and jungle revivalists. He's at it again here, too, filling his Vivid label debut with a quartet of sub-heavy, breakbeat-driven bangers dripping in saucer-eyed, rave-style samples. He begins with the sharp riffs, pitched down Amen breaks and booming bass of 'In My Life', before upping the tempo on bustling breaks roller 'Dead Drop'. English doffs his cap to spacey early drum & bass on loose-limbed flipside opener 'Keep Steppin', while closing cut 'C'Mon' is an insanely weighty, pitched-down hardcore bomb.

Nick Beringer & Sota on the case for the next Ncss record, the sub-label of Sukhumvit in collaboration with the boys. They are delivering a true dancefloor beast with Deikh, this is going to stuck in your ears forever! Aerosol, for the heart, for the mind - on the B side. This is a limited release. Happy to have you onboard brothers!

44 Tours unites it's local artists to fulfill the prophecy a drunk shaolin-cyborg once told them. The four robotic monks stepping up for this EP (Alder, Same O, Marino & Berg Jaär) have each developed their own secret breaksy adventure tactics to combat a future led by brotherhoods of wealthy capitalistic humanoids. Alder opens up the fight in pure detroit-electro style. Nested pads nestled in a huge palette of colors and tones which takes us to a galaxy far, far away. Next is Same O, despite being the youngest padawan is still showing some ghetto and ballsy moves. Wavy and snaky synthwork over a fast think-break pattern and a ravy bassline, no less of a banger here. Breaking through to the other side: the most loyal soldier on the team, Marino aka the cat yelling at man. He delivers a 303-driven weapon that will break any cyborg neck for sure. The end is surely near, to finish up Berg-jaär drops a bassy polyrhythmic manoeuvre, the attention is focused on the complexity of drums and a minimalistic and grooving approach throughout the track. Fight is over, humanoids. The future is saved from the capitalist robots, their world of Confrérie, Pactole & Dividendes is over. Or is it?

Naissance Musik returns with their fourth release Nm-04, a remix package of the released Hear & San Proper ´- Elephantoms EP . The label welcomes an array of talented producers who are acclaimed DJ's featuring interpretations from Andrea Ferlin, Julie Marghilano, Ohm Hourani & Hear, 3lias & Raphael Merheb. We aim to bring a more dancefloor oriented feel to the package in contrast to the more abstract, ethereal feel of the original release.

Datafive is hailing from the underground with his ep titled ‘The Journey’. The Italian producer’s debut output delivers a post-genre ep, ranging from introspective mid-tempo landscapes to epic dub-tech drum’n’reese and post dubstep club oriented hypnotic grooves. He’s combining dubby digital synths and accurate sound design with solid uk scenario beats, time-stretched whatever, wobbling squelchy bass and much much more, all wrapped in an absolutely mind-blowing sleeve design from Geso. 300 limited copies mastered by Daniele Antezza at Dadub Mastering Studio, Berlin Lab music 2019 all rights reserved

Meda Fury are buzzing to welcome Silvestre to the fold for a 6 track EP of low-slung party starters. This Lisbon native and London resident has been on several tastemakers lips for the last year now, serving up no-nonsense but seriously fun dance music, comparable to the spirit of mighty Portuguese scene labels Principe and Naive. Joao’s tracks are mind bending hybrids of breakbeat, reggaeton, R&B, rave and house. His recent artilary coming via Seceretsundaze, Diskotopia and his own Padre Himalaya, he now adds the Yeah EP to his weaponry.

Hamburg’s long time standing Goth (Not Goth) / Rock (Not Rock) band outfit The Crystal Apes get a full on electronic remix treatment which has been dubplate tested and dancefloor proved by Intrauterin Recordings mastermind baze.djunkiii as a secret weapon on countless occasions over the past years, slowly and carefully building up towards a full vinyl release.

Upsurge is the 5th LP on Ilian Tape and the musical journey of a sensitive soul. Over the last 8 years Stenny has become one of the core artists on the label, continuously evolving his own style and exploring new territories. His debut album flows through ups and downs and reflects the highs and lows we all go through.

Digitally remastered tracks from 1993 by TCM. 'The Gospel According to a Soundbwoy' was only released on a Llabello record compilation. Proper 1993 hardcore breakbeat classics essential to your collection.

Pleased to announce that Nicola Kazimir will complete the second opus of the series. The Swiss signs with Sabateans an Ep of four tracks from Techno to EBM and Industrial. And as a bonus, a collaboration with Walid el Barbir.

Hellfish and Bryan Fury, the Axe Gabba Murda Mob, are two of the biggest innovators in hardcore techno. Both have been pushing the genre in all kinds of directions for over two decades providing the pulse for thousands of parties around the globe. So with this in mind, we are honoured to present ‘Baby Eaters’, an earth shaking joyride to the very edge of the human psyche and beyond.

The eponymous A-side strikes terror into the hearts of men, splitting brain cells like atoms with destructive chain reactions of radical distortion and soul-stripping screams. Pure demonic catharsis, sound frequencies don’t get more violent than this. The B side ‘Acid Abyss’ is an LSD stained hardcore techno anthem where eerily cold voices are strangled by crunchy bellowing kick drums and bleeding 303s. Despite still being cranked up, the precision of the fills in this track offsets the chaotic kicks of the A-side, coming off almost subtle in comparison.

This single is for connoisseurs coming lovingly housed with artwork by the wonderful Jim’ll’Paint it, depicting the deadly duo conducting some rather grizzly research in their underworld studio.

Babu the Turntablist is back, known for The classic DJ Tool Records “Super Duck Breaks” and “Super Duper Duck Breaks”, Babu continues to make timeless music for DJ’s. These “Flips” are sure to keep dancefloors and beat heads moving.