Books 203 Items

Swiss Hardcover, cloth binding
240 pages
17 x 24 cm
ISBN 978-3-00-079721-7
Edition of 600
Published by JB. Institute, 2024

Contributions by
Dinho Araujo, Jan Brokof, Britta Brüning, Jana Duda, Lukas Feireiss, Elke Giffeler, Lenia Hauser, Łukasz Polowczyk, Dr. Sebastian Möllers, and Andrea Sunder-Plassmann

“ENSEMBLE” is the first book by 44flavours and showcases a 20-year creative journey.

Sebastian Bagge and Julio Rölle have been working together as the artist duo 44flavours for over 20 years. The book contains a careful selection of their projects and works from the last two decades, documenting the development and dynamics of their artistic collaboration.

“In the book, we look at our backgrounds and the dynamics of our collaboration: What context do we come from? How did we develop together? Another focus is on our installation work and our experimentation with different materials, with bricolage playing a major role. Overall, our research into painting and the exploration of physical and imaginary spaces is covered.

The main influences on our work can be filtered out as follows: encounters with other positions, investigating certain materials and learning techniques, discovering new places and ways of thinking, social exchange, and the activation and exploration of work processes in exchange with others, the development of a dynamic that leads to new ways of working and results, playful exploration, discovery, trial and error.”

Julio Rölle & Sebastian Bagge

Especially For Record Store Day 2013: A limited edition of 500 books, signed by the author, hand-numbered, stickered with RSD logo, and with a free gift in the form of a sheet of errata including a long-lost letter from Thurston Moore (providing the concluding piece of the SY controversy!)What they said about Ablaze!: "There are other people to condemn, Karren - aren't there?" - Morrissey. "I forgive and hope for Karren A" - Thurston Moore. "Fuck off!" - Ian Brown.And when you read the section of the book entitled Record Shop Skulkers, you'll know why The City Is Ablaze! And Record Store Day are a perfect match.Ablaze! fanzine was published in Manchester and Leeds in the late eighties and early nineties by Karren Ablaze! The best bits of this notorious and outspokenly passionately zine are now available in book format, to be published on 5th November 2012. Alongside hundreds of zine pages, The City Is Ablaze! features new writings by Karren and other members of the Ablaze! team, as well as interviews with fanzine writers John Robb (Rox), Dave Haslam (Debris) and Richard Johnson (Grim Humour), essays by DIY cultural commentators Lucy Cage and Deborah Withers, a re-examination of the Riot Grrrl movement, and an epilogue by Gary Jarman. This 320-page A4 book also covers other zines that Karren produced in Manchester and Leeds between 1984 and 1994, capturing an era where DIY was de rigueur and indie actually meant something. You'll be able to read original interviews with the following bands (in chronological order). Eyeless In Gaza The Membranes The Stone Roses The Inca Babies Tools You Can Trust The Bodines Inspiral Carpets The Pastels The Janitors Happy Mondays King of the Slums The Dust Devils The Shamen Cud Sonic Youth Dinosaur Jr The Pixies Throwing Muses The Sundays Thrilled Skinny Rapeman UT Dog Faced Hermans Edsel Auctioneer Mudhoney AC Temple fIREHOSE Band of Susans Henry Rollins Live Skull Kilgore Trout The Sun and The Moon The Breeder...

A retrospective of Third Earth Visual Arts and the career of AbuQadim Haqq who as many of you know created art for Transmat, Drexciya and Underground Resistance.
The book covers his early life in Detroit to his last project for Third Earth Visual Arts in 2023.

Over 100 pages of art.
Over 100 pages of photos.
258 pages

Motown: The Sound of Young America is the definitive, beautifully produced visual history of Motown, the most successful independent record company in the world.

Motown became a prolific and hugely successful production line of suave, sassy and sophisticated music through the 60s, 70s and 80s. This exceptional book features extensive specially commissioned photography of treasures gathered from the archives. It also captures the graphic and design iconography that underpinned Motown’s extraordinary creativity.

Packed with fresh insights gleaned from scores of interviews with key players, this revealing book delves into the workings of the Motown machine and details how a dedicated team of backroom believers, white and black, turned a small family business into a popular music powerhouse. This was the home of Stevie Wonder, Smokey Robinson & The Miracles, Diana Ross & the Supremes, Marvin Gaye, The Jackson 5, The Temptations and many more.

Motown: The Sound of Young America is a spectacular labour of love befitting an incredible story.

Awarded a Certificate of Merit in the category of Best Historical Research in Record Labels, from the Association for Recorded Sound Collections Awards for Excellence 2017

The King Of Covers' is the concluding part of the month long Lemi Ghariokwu exhibition that ran at the Rush Hour store 1-28 november 2023. The thirty sleeves that were at display are now nicely bundled into this full colour 70 page booklet. Each sleeve comes with a story by Saffa Khalil, who analysed the covers, listened to the music and talked to Lemi. Saffa mentions: "As you flip through each page, listen to the album(s) and fully immerse yourselves in the history(ies) and stories narrated visually and sonically. I hope you uncover more about Afrobeat's influence and the richness that African musical history offers us. "

The booklet is preceded by an essay from 2013, first published in Granta entitled 'A Dynasty Of Album Cover Art' which talks about Lemi's friendship with Fela Kuti, the social and political situation of Nigeria at the time the cover art was created and off course.. giving a closer look to some of the landmark covers from the Fela catalogue that come from Lemi's hand.

Book design is by Atelier Estiva. Graphic design by Mauricio Kuhlmann.

70 pages, 20x20 CM - edition of 250

Isbn: 9789090380254

Having failed at rapping, what’s next for an endlessly passionate rap nerd? In this sequel to the acclaimed memoir Wiggaz With Attitude, it turns out what’s next is a sometimes controversial career in rap journalism. Write Lines: Adventures in Rap Journalism tells the tale of hip-hop writing from the inside.

From death threats to interviewing Lauryn Hill while she’s in the shower. From calling Jay-Z a c*** to his face, to letting a notorious rapper sleep in his bath, it’s a hilarious, anecdote-studded tale that takes in hip-hop’s first ever magazine and lifts the lid on rivalries, squabbles and how music journalism really works.

Brutally honest, and endlessly opinionated, this story is also a love letter to hip-hop as it changed seismically through the decades. Write Lines charts those changes from the front line through encounters with many of the greats of rap: Chuck D, Missy Elliott, RZA, Eminem, Jazzy Jeff and Gang Starr among them. This is an unfiltered tale of hip-hop that is both heartfelt and scabrously funny.

“With its relatable take on growing up in the 80s, Andrew Emery’s Wiggaz With Attitude marked his card as a vivid memoirist. He might have failed as a wannabe rapper, but the music he loved gained multitudes from his work for Hip-Hop Connection. A pivotal force in the magazine’s 90s/00s heyday, never short of a telling opinion or four, Andrew set a high bar for its other writers to reach. Write Lines is a transportive account of his many travails in that murky world. Packed with eye-watering encounters and witty asides, his compulsive, self-deprecating and brutally honest reflections will resonate widely and change perspectives on rap journalism forever.” - Andy Cowan, HHC Editor & Publisher, author of B-Side: A Flipsided History of Pop.

The fun moves on … now put your boots on and jump into 56 Basketball-Alphabet-Cardboard-Pages. Enjoy and don't foget to bring your toddlers!

The next fooball season starts with this funny 56-page-letter-visualisation for old and young!

Als Punk etwa im Jahr 1980 in der DDR ankam, verunsicherte er nicht nur die sogenannten Staatsorgane, auch die Spießer und Biedermänner, die bekanntlich im Osten die Mehrheit stellten, liefen Amok. Bereits optisch als Provokation gewollt und verstanden, bildete sich in einigen Zentren eine ganze Gegenkultur samt Lifestyle und Musik heraus, der es um Freiräume und Freiheit ging. Und genau wie Punk in der DDR eine von Stadt zu Stadt, von Kaff zu Kaff ganz unterschiedliche Szene jeweils mit ganz eigenen Protagonist:innen und Eigenheiten war, zeichnet sich dieser Sammelband durch Vielstimmigkeit aus, Stories stehen neben Anekdoten, sachliche Analysen neben ganz persönlichen Reflektionen. "Punk in der Ddr" versteht sich als eine Zeitklammer, die möglichst viel von dem wiedergeben will, was für zehn Jahre in diesem anderen deutschen Staat für zumindest etwas Farbe und Esprit sorgte. Mit Texten von Cornelia Schleime, Franziska Hause, Jan Müller, Anne Hahn, Tim Mohr, Alexander Pehlemann, Jan Off, Roland Galenza, Jochen Schmidt, Peter Wawerzinek, Heinz Havemeister, Iron Hennig und vielen anderen mehr. Einige der hier versammelten Texte sind bereits in vergriffenen Publikationen erschienen, einige wurden extra für dieses Buch verfasst. Gemeinsam ist ihnen allen, dass sie möglichst viel von der Lebenswirklichkeit made in GDR abbilden, die in die Geschichte einging. Broschur, mit Abbildungen ca. 264 Seiten

The next instalment in the Disco Pogo Tribute series is the legendary electronic artist Aphex Twin.

This follows the hugely successful Disco Pogo Tribute to Daft Punk. Like Daft Punk, the people behind Disco Pogo have had a long-standing relationship with Richard D. James for over 30 years via their 90s magazine Jockey Slut.

The book is edited by Disco Pogo editor Jim Butler and features interviews, essays and features from the best music journalists working today.

The book features an iconic cover portrait of Aphex by seminal photographer Wolfgang Tillmans, plus a huge amount of great photography of Richard since the very beginning from some of the best music photographers in the world.

Thanks also to the designer of Aphex's logo Paul Nicholson who has opened up his archives to us and also the assistance and support from the label homes of Aphex - Warp, R&S and Rephlex. Thanks also to the people behind Aphex fan website Lanner Chronicle.

Hardcover edition, 250 plus pages and is beautifully designed and printed of course.

Graffiti Characters for Beginners presents you with a simple and straightforward introduction to the basics behind graffiti characters. Easy-to-follow instructions of how to draw a classic b-boy or a fly girl, flying eyeballs, angry spray cans, happy Uni-markers and much more. Learn the the basic composition of the characters, and give them emotions, attitude and purpose. Graffiti Characters for Beginners is the fundamental guide for you to learn how to master drawing funky cartoonish figures with style and finesse. Step by step, until you are able to put together complicated sceneries with interacting characters of your own choice. Graffiti Characters for Beginners suits all ages and is as great for kids and creative adults as it is for advertisers, home stylers and school teachers. Learning graffiti has never been easier or more fun! Also available in Dokument Press’ ”beginners” series is the popular Graffiti for Beginners: An

Intriguing stories of creative endeavour, volatile relationships, excessive lifestyles and bizarre events from the world of rock, as told by Hipgnosis co-founder, creative designer, photographer and filmmaker Aubrey Powell.

Founded in 1968 by Aubrey ‘Po’ Powell and Storm Thorgerson, Hipgnosis transformed album art with their designs for Pink Floyd, Led Zeppelin, Genesis, Paul McCartney and Wings and so many more. Brutally honest, entertaining and insightful, Po tells the incredible stories of creative endeavour, volatile alliances, high-risk/high-altitude photoshoots and downright bizarre events from the halcyon days of rock’n’roll. From his unique insider perspective, Po sets many records straight, bringing revelatory new details to legendary tales, including the genesis of The Dark Side Of The Moon, Houses Of The Holy, The Lamb Lies Down On Broadway, and Peter Gabriel’s trio ‘Car’ / ‘Scratch’ / ‘Melt’, each evidenced with photographs, documents, artefacts and artworks from Po’s own archive.

'Powell is an engaging raconteur' Literary Review

'Brutally honest, entertaining and revealing insider stories' Creative Review

'Gorgeously designed... Excess runs through most of these stories the way drugs flowed through the veins and lungs of the musicians back then' New York Journal of Books

'Adventures in the golden age of the gatefold' Uncut

About the Author: Aubrey Powell co-founded the album cover design agency Hipgnosis with Storm Thorgerson in 1968. The company was at the vanguard of rock iconography, creating some of the most innovative and surreal record cover art of the 1960s, 70s and 80s. Nominated five times for a Grammy Award, Hipgnosis created more than 400 album covers for many of the biggest rock bands of the era, including Pink Floyd, Led Zeppelin and Paul McCartney. Powell is currently the Creative Director for Pink Floyd. He is the author of Hipgnosis Portraits and Vinyl • Album • Cover • Art, also published by Thames & Hudson.

Format:Hardback Size:23.4 x 15.3 cm Extent:320 pp Publication date:10 February 2022 ISBN:9780500252376

For the biggest artists to the most underground, field recordings have become the vital spark of electronic music. Whether documenting nature, sampling the city or capturing the atmosphere of archaeological sites, musicians are using found sounds to make sense of our world. Ears To The Ground explores the relationship between electronics, landscape and field recordings in the UK, Ireland and around the globe, discovering how producers and artists evoke the natural world, history and folklore through sampled sounds.

From the cacophonous surrounds of London to the sea stacks of Orkney, via the abandoned military facilities of the Suffolk coast and the watery expanses of the Blackwater Estuary in Essex, from the quarries and neolithic sites of Snowdonia and the wide open skies of Norfolk to the hubbub of Nairobi and Berlin, the streets of Kyiv and the windblown wilds of Antarctica – music is everywhere. You just need to know or learn how to listen.

Ears To The Ground: Adventures in Field Recording and Electronic Music explores how electronic music producers and sound artists use field recordings and samples to document their environments. Author Ben Murphy takes you on a journey to discover how field recordings can create context, emotion, atmosphere, humour and meaning – and examine the most pressing topics of our times.

Composed of extensive interviews with music producers, the book will show how field recordings have become a vital way of understanding, celebrating and interrogating the landscape and the places we live. The book features interviews with Leafcutter John, KMRU, Ultramarine, Kate Carr, Erland Cooper, Proc Fiskal, Flora Yin-Wong, Langham Research Centre, Claire Guerin, Toshiya Tsunoda, Lawrence English, Heinali, Oliver Ho, Matthew Herbert, Matmos, Scanner, Felicia Atkinson and many more.

On its journey, the book takes in abandoned military test sites, remote bird colonies, estuaries, cities, coastlines, old quarries, neolithic burial grounds, scientific research centres and docklands, and ventures between Orkney, Edinburgh and Cork to Norfolk, Kent and Snowdonia, before heading to Kenya, Ukraine, Japan and Antarctica

Quotes:
“Recording or celebrating ‘place’ in art and music feels increasingly relevant, as our environment faces more serious threats than ever before, and Ears To The Ground is a timely examination of this development.” Ultramarine

Pünktlich zu seinem 60. Geburtstag erscheint in der Ventil-Verlag-Reihe "Ausgewählte Songtexte" eine Ausgabe mit 100 Songtexten von Bernd Begemann: "Gib mir eine zwölfte Chance". "Ich bin besessen davon, ein Beobachter zu sein" sagte er einmal über sich selbst und so sind seine Texte präzise Beobachtungen des bundesdeutschen Alltags. Begemann schafft es in den wenigen für einen Liedtext zur Verfügung stehenden Zeilen ein ebenso präzises wie mitfühlendes, erklärendes und vor allem unterhaltsames Bild der Gesellschaft zu erschaffen. Seine Songs könnten und sollten Hits und/oder Volkslieder sein, sie sind es aber nicht. "Meine Aufgabe ist es Literatur zu schaffen, nicht meine Kundschaft zu maximieren" so Begemann einmal gegenüber dem Spiegel. Höchste Zeit also für vorliegende Textsammlung und eine eventuelle Maximierung der Kundschaft. Zusätzlich zu den Songtexten enthält das Buch Anmerkungen und Erläuterungen des Autors zu jedem Liedtext und eine Einführung. Bernd Begemann, geboren am 1.11.1962, war der erste Punk in Bad Salzuflen. Er gilt vielen als Erfinder der Hamburger Schule und schrieb deutschsprachige Lieder, als es noch beziehungsweise schon wieder uncool war. Mitte der 80er zog er nach Hamburg und veröffentlichte mit Die Antwort sein erstes Album. Sein späteres Solodebüt nahm er in der Küche seiner Wohnung im Hamburger Arbeiterstadtteil Rothenburgsort auf. Ein urbanes Folk-Album mit Elektronik namens "Rezession, Baby!". Also das, was alle machen, bevor man das machte. Er war nämlich oft als Erster auf dem Minenfeld. Er inspirierte eine Menge Leute, von Tocotronic bis Olli Schulz. Begemann hat über 20 Alben und über 400 Songs veröffentlicht. Er trägt gern smarte Anzüge und spielt, wenn es die Umstände zulassen, Hunderte Konzerte im Jahr.

Bill Direen is a legend of the New Zealand underground. He has given us poetry, novels and a catalog of important and challenging underground music. Weaned on a garage band youth in the late '60s, Direen started producing 7" records in the early '80s, all of them total stunners. These releases—Six Impossible Things, Die Bilder, Soloman's Ball and High Thirties Piano—were self-financed and distributed through Flying Nun. 100 Years Of Darkness, his latest book, is a homage to a century of films and film music. The front cover boxes represent film aspect ratios (1.17:1 up to 2.35:1) as used worldwide between 1888 and the present. The films are drawn from many countries, such as Japan, U.S.A., France, Germany, Russia/Ukraine, Vietnam, Sweden, Italy, Spain, New Zealand, Lebanon. Since some of the films may not have been commercially distributed in all countries, the chosen films are carefully listed in a detailed index of sources at the close, which corresponds to the order of the poems as listed in the contents. This makes it easy for film and music lovers to find the films' directors and years of first appearance, and eventually see them for themselves. It is very limited in an edition of 200 and beautifully printed with textured jackets in the spirit of vintage Black Sparrow Press books.

The OSTKREUZ agency was founded in the midst of the upheavals that took place in East Berlin in 1990. For Dream on - Berlin, the 90s, nine OSTKREUZ photographers worked together with curators Annette Hauschild (OSTKREUZ) and Boaz Levin (C/O Berlin Foundation) to cast a modern-day eye over their extensive archives as seen from today’s perspective. As documentarists operating at the apogee of photojournalism, they tracked the changes that the city underwent. They observed the shifts in society and the challenges facing a city that had previously been divided by a wall as it grew together, capturing all this in powerful, personal images. The essays reflect this on a variety of levels: Janos Frecot’s examination of the changes in the urban space; Jens Balzer’s description of Berlin’s potential as a centre of creativity and culture; and Anne Rabe’s very personal view, as a young East German writer, of today’s Berlin.

OSTKREUZ is an independent, Berlin-based agency that is run by twenty-four photographers.

348 pp.
250 b/w and color illustrations
thread-sewn hardcover

Leipzig September, 2024
ISBN: 9783959058520

Width: 20 cm
Length: 24 cm

Language(s): English

Editor
Boaz Levin, C/O Berlin Foundation, Annette Hauschild, Kathrin Kohle, OSTKREUZ

Designer
Marc Naroska

Text
Jens Balzer, Janos Frecot, Boaz Levin, Veronika Epple

Photographer
Sibylle Bergemann, Annette Hauschild, Harald Hauswald, Ute Mahler, Werner Mahler, Jordis Antonia Schlösser, Anne Schönharting, Maurice Weiss

In Border/Between: A Symphony in Essays, Carol D. Marsh writes about death, addictions, and war while also exploring how written form and expression have a counterpart in music. Structured upon the 4-movement symphony and incorporating other forms such as the rock song and the Requiem, Border/Between seeks and finds its place in what lies between the sharp and unforgiving edges of ideology and judgment. In refusing to allow borders to govern her, Marsh is able to bring compassion and hope to what seems irredeemable.

Moon Pix was conceived during a hallucinatory waking nightmare in the South Carolina home of Chan Marshall one fateful day in 1997. Spirits violently swam up around her house, looming at the windows, beckoning her to join them. Her and her acoustic guitar warded them off song after song, nearly the entire album rushed forth onto a tape recorder that night. Facts, fictions and visions ripple throughout the accounts of Moon Pix from every angle- memories of screaming at an audience, spirals of drunkenness, swimming with sharks in Australia, intense, resonant lyrics and thunderstorms ringing through speakers. Like all legends, the aura surrounding them is an impression, a sensory feeling of unreliable memories: layers of stories become histories.

Through interviews with key players, audience member accounts, fictional narrative imaginings, a collection of record reviews and other explorations of truth, this book, like Moon Pix itself, is an ode to the myth within the music and the music within the myth.

The poems in Novel are what happen when you teach a cat to type. They will lead you across a bridge made of bread, through a door in the forest, to a paddock containing stories. They will tell you that it’s not that the dead cannot tie their shoes, they just refuse to. That architects design the elements to withstand the structure. That loose ends are beautiful if not useless. If you’ve picked up this book because you like poems that know where they are going, hurry. Put the book down. You will need to run after them. "Please give Cati Porter’s new book Novel to people who say they don’t like poetry. Not because these poems are simple or straightforward, rather because they are deeply charming. They cast spells: each poem carries the reader on a carpet of words to a world furnished by Porter’s irresistible imagination."—Natasha Sajé, author of Windows and Doors: A Poet Reads Literary Theory

Charbel Haber is Lebanese musician, performer, visual artist and composer from Beirut. His work has seen him collaborate with artists from a wide range of disciplines - film, video art, visual art, theatre, dance - both in Lebanon and abroad.

As a solo artist and as a member of post-punk band Scrambled Eggs, he has composed music for directors Khalil Joreige and Joana Hadjithomas, Ghassan Salhab, Mohamad Malas, video artists Lamia Joreige and Akram Zaatari, Maqamat dance company and playwrights Rabih Mroueh and Lina Saneh, to name but a few. His prolific and collaborative career includes free improv group Johnny Kafta Anti-Vegetarian Orchestra, psychedelic Arabic music ensembles Malayeen and Orchestra Omar, cold wave band The Bunny Tylers and minimal ambient duo Good Luck In Death. He is the founder of Those Kids Must Choke and co-founder of Johnny Kafta's Kids Menu - two experimental record labels - and he has recorded and collaborated with notable artists from the fields of free rock and improv such as Oiseaux-Tempête, Radwan Moumneh, Tarek Atoui, Jean Francois Pauvros, The Ex, Michael Zerang, Mats Gustafson, Eddie Prevost, Xavier Charles and Tony Buck.

Happy, beautiful and full of fun - this book is an intimate portrait of the real Amy Winehouse. With over 50 photographs, many seen here for the first time, this is a celebration of a young artist on the cusp of fame. The photos were taken by Charles Moriarty just before Amy released her debut album. These beautiful images give an early glimpse of the girl who would captivate the world. With a foreword by Asif Kapadia, director of Academy Award-winning documentary Amy, and an introduction by Ashleigh Kane from Dazed, Before Frank is a tribute to the enduring spirit of a truly special artist.

Published by Moriarty Publishing

For millennia, “nirvana” has been a term associated with belief systems of the Indian subcontinent. But in 1988, a band from a small coastal town in Washington state decided to create some new associations with this word . . . through their music.

Active for just six years, Nirvana left an indelible mark on the late twentieth century that remains visible today. Photographer and self-described “music fanatic” Charles Peterson, a fellow twenty-something from the suburbs of Seattle, was present with his camera as a genre took form, and his images have become synonymous with the sounds, styles, movement and attitude known as grunge.

Charles Peterson’s Nirvana, in the tradition of many great documentary photobooks, expands beyond Peterson’s iconic images of the band seen repeatedly over the last thirty years (on album covers, in magazines, and in dozens of compilation books and exhibitions focused on this music and its birth era) to highlight gems never before published. Over a five-year photo edit, Peterson looked at each one of thousands of frames, considering what drew him to Nirvana in the first place—their songs. He honed in on the compositions that stimulated visceral memories of their live performances.

The resulting selection of photographs and their carefully constructed sequence mash up venues and years, suffering and the sublime, to arrive at a visual experience that one cannot help but also feel, and hear.

Book design by Jeff Kleinsmith.

9 x 12.25 inches vertical; ~90 black and white photographs; 168 pages;. Hardcover. Foreword by Krist Novoselic.

Charles Peterson (b.1964, Longview, Washington) is internationally known for his photographs of the Seattle music scene of the late eighties and nineties. He began making photographs while a student at Bothell High School, and then went on to study photography at the University Washington, where he first met as friends many of his future subjects.

Peterson’s distinct visual style and early work for Sub Pop Records became an important signifier of the phenomenon known as grunge.

His photographs have been featured in numerous publications, as well exhibited in group and solo exhibitions around the world. They are included in many private collections, and the permanent collections of the Seattle Art Museum and MoPOP.

Krist Novoselic (b. 1965, Compton, California) is co-founder of Nirvana.

Nirvana originated in Aberdeen, Washington in the late 1980s through the energies of Novoselic and Kurt Cobain. They were joined by drummers including Chad Channing (1988–1990) and David Grohl (1990–1994). Nirvana’s live performances, music videos, and albums Bleach (1989), Nevermind (1991), Incesticide (1992), In Utero (1993) and MTV Unplugged in New York (1994) made their music a defining component of the late twentieth century internationally.

Unfortunately we have to sell a few slightly damaged copies.

For millennia, “nirvana” has been a term associated with belief systems of the Indian subcontinent. But in 1988, a band from a small coastal town in Washington state decided to create some new associations with this word . . . through their music.

Active for just six years, Nirvana left an indelible mark on the late twentieth century that remains visible today. Photographer and self-described “music fanatic” Charles Peterson, a fellow twenty-something from the suburbs of Seattle, was present with his camera as a genre took form, and his images have become synonymous with the sounds, styles, movement and attitude known as grunge.

Charles Peterson’s Nirvana, in the tradition of many great documentary photobooks, expands beyond Peterson’s iconic images of the band seen repeatedly over the last thirty years (on album covers, in magazines, and in dozens of compilation books and exhibitions focused on this music and its birth era) to highlight gems never before published. Over a five-year photo edit, Peterson looked at each one of thousands of frames, considering what drew him to Nirvana in the first place—their songs. He honed in on the compositions that stimulated visceral memories of their live performances.

The resulting selection of photographs and their carefully constructed sequence mash up venues and years, suffering and the sublime, to arrive at a visual experience that one cannot help but also feel, and hear.

Book design by Jeff Kleinsmith.

9 x 12.25 inches vertical; ~90 black and white photographs; 168 pages;. Hardcover. Foreword by Krist Novoselic.

Charles Peterson (b.1964, Longview, Washington) is internationally known for his photographs of the Seattle music scene of the late eighties and nineties. He began making photographs while a student at Bothell High School, and then went on to study photography at the University Washington, where he first met as friends many of his future subjects.

Peterson’s distinct visual style and early work for Sub Pop Records became an important signifier of the phenomenon known as grunge.

His photographs have been featured in numerous publications, as well exhibited in group and solo exhibitions around the world. They are included in many private collections, and the permanent collections of the Seattle Art Museum and MoPOP.

Krist Novoselic (b. 1965, Compton, California) is co-founder of Nirvana.

Nirvana originated in Aberdeen, Washington in the late 1980s through the energies of Novoselic and Kurt Cobain. They were joined by drummers including Chad Channing (1988–1990) and David Grohl (1990–1994). Nirvana’s live performances, music videos, and albums Bleach (1989), Nevermind (1991), Incesticide (1992), In Utero (1993) and MTV Unplugged in New York (1994) made their music a defining component of the late twentieth century internationally.

Limited edition signed by the author.

For millennia, “nirvana” has been a term associated with belief systems of the Indian subcontinent. But in 1988, a band from a small coastal town in Washington state decided to create some new associations with this word . . . through their music.

Active for just six years, Nirvana left an indelible mark on the late twentieth century that remains visible today. Photographer and self-described “music fanatic” Charles Peterson, a fellow twenty-something from the suburbs of Seattle, was present with his camera as a genre took form, and his images have become synonymous with the sounds, styles, movement and attitude known as grunge.

Charles Peterson’s Nirvana, in the tradition of many great documentary photobooks, expands beyond Peterson’s iconic images of the band seen repeatedly over the last thirty years (on album covers, in magazines, and in dozens of compilation books and exhibitions focused on this music and its birth era) to highlight gems never before published. Over a five-year photo edit, Peterson looked at each one of thousands of frames, considering what drew him to Nirvana in the first place—their songs. He honed in on the compositions that stimulated visceral memories of their live performances.

The resulting selection of photographs and their carefully constructed sequence mash up venues and years, suffering and the sublime, to arrive at a visual experience that one cannot help but also feel, and hear.

Book design by Jeff Kleinsmith.

9 x 12.25 inches vertical; ~90 black and white photographs; 168 pages;. Hardcover. Foreword by Krist Novoselic.

Charles Peterson (b.1964, Longview, Washington) is internationally known for his photographs of the Seattle music scene of the late eighties and nineties. He began making photographs while a student at Bothell High School, and then went on to study photography at the University Washington, where he first met as friends many of his future subjects.

Peterson’s distinct visual style and early work for Sub Pop Records became an important signifier of the phenomenon known as grunge.

His photographs have been featured in numerous publications, as well exhibited in group and solo exhibitions around the world. They are included in many private collections, and the permanent collections of the Seattle Art Museum and MoPOP.

Krist Novoselic (b. 1965, Compton, California) is co-founder of Nirvana.

Nirvana originated in Aberdeen, Washington in the late 1980s through the energies of Novoselic and Kurt Cobain. They were joined by drummers including Chad Channing (1988–1990) and David Grohl (1990–1994). Nirvana’s live performances, music videos, and albums Bleach (1989), Nevermind (1991), Incesticide (1992), In Utero (1993) and MTV Unplugged in New York (1994) made their music a defining component of the late twentieth century internationally.

The world’s first practical coursebook on the art of graffiti.

If you want to learn how to write graffiti this is the book you need.

Find out how to: - design your own letter style - use effects to create a unique tag - create throw-ups - include fills and motifs - paint wildstyle, bubblestyle and blockbusters - build up large burners - handle a spray can - get your work up safely and legally

Teachers, this is the book you need if you want to teach graffiti.

It contains: - plans for lessons on graffiti - theory and practice - practical advice for staging safe, hands-on graffiti lessons - guidance on marking students' work - resources covering the origins and cultural history of graffiti - clear step-by-step explanations to suit students of all abilities - exercises and solutions

'The step-by-step demonstrations of techniques are surprisingly comprehensive, making this a perfect birthday or Christmas present for a teenage relative with a creative streak' Artists & Illustrators

About the Author: Chris Ganter is a former winner and judge of the Montana Style Combat competitions (Stuttgart and Munich). He also won the Stuttgart graffiti contest for public walls and Write4Gold (south Germany). His work has been exhibited in Germany and Australia, and he has contributed to many publications, including Street Fonts and Graffiti School.

Format:Paperback with flaps Size:29.7 x 21.0 cm Extent:176 pp Publication date:2 September 2013 ISBN:9780500290972

Five young men in their early twenties, carrying backpacks and guitars, climbed onto the bus in Mendoza, Argentina, that was to take them over the Andes to Santiago de Chile, where they would play the last show of their South American tour, and then board a plane the day after back to their home country of Germany. In spite of the South American winter, the weather in Mendoza was bright and sunny. The ride was supposed to take six hours, after three of which they would cross the border to Chile at a post called Cristo Redentor, at more than 3000 meters above sea level. Not long after the bus had left the station, the weather started to change for the worse. It started raining, and as the road wound itself higher up the Andes, rain soon turned to snow, and before long, white drifts were growing larger on either side of the road. When they finally reached the border crossing, a long line of trucks and cars was standing ahead of them, not moving an inch... Starting a band is a lot like a romantic relationship. You spend time together, find that common spark, and live through emotions and experiences. You create music together. Songs, lyrics, entire records. You find a name for your band. Each member contributes to creating something uniquely your own. Then there's also the other side of the medal: fights, breakups, broken hearts. The entire emotional bandwidth of a relationship is contained within the complicated inner workings of a band. ‘This Is My Everything’ is about one forgotten screamo band's travels into and out of the worldwide DIY hardcore scene in the late nineties and early noughties, with guest appearances by Against Me!, Shelter, Refused, Ink&Dagger, Yaphet Kotto, Snapcase and many more.

Mit den Büchern von Christiane Rösinger, Bernd íBegemann und Carsten Friedrichs starten wir eine Reihe, in der die Texte deutscher Musiker:innen erstmals in Buchform zugänglich gemacht werden. Texte von Musiker:innen, die die hiesige (Sub-)Kultur mit ihren íSongtexten in der Retrospektive ebenso geprägt haben wie die ausschließlich schreibende Zunft. Eine längst íüberfällige Würdigung außergewöhnlicher Songwriter:innen, deren Texte nicht bloße Anhängsel ígroßartiger Musik sind, sondern ebenso auch für sich stehen. Christiane Rösinger, geboren 1961, zog 1985 aus dem íBadischen nach West-Berlin, wo sie mit Almut Klotz und Funny van Dannen die Lassie Singers gründete. Nach deren Auflösung war sie Kopf der Band Britta. Rösinger war zudem eine der Betreiberinnen der legendären Flittchen Bar und betrieb das Label Flittchen Records. Sie veröffentlichte zwei Soloalben, mehrere Bücher und schrieb zahlreiche Theatermusiken. 2019 hatte ihr erstes Musical "Stadt unter Einfluss" Premiere im Hebbel am Ufer. "Was jetzt kommt" ist die Würdigung einer außergewöhnlichen Songwriterin. Ob Lassie Singers, Britta, Solo: das Buch enthält Lyrics aus allen Schaffensphasen, Geschichten und ein exklusives Christiane-Rösinger-Glossar.

Neue Deutsche Welle (NDW), or “German New Wave,” was made extraordinarily popular in the 1970s and 1980s by the likes of Nena's "99 Luftballons" and Trio's "Da Da Da"-and then left as quickly as it came. Conventional wisdom among artists dictates that it's better to burn out than fade away, but this doesn't tell the full story of NDW-the reason for its rapid rise and fall, the historical context that necessitated the genre, and where the energy of the NDW movement went after its end.

The genre has international influences but still demonstrates a uniquely German desire to build a new, sanitized identity in the aftermath of World War II. Originally quite subversive and underground, NDW became exponentially more mainstream until it could no longer sustain itself creatively. And rather than disappearing, it helped give rise to the post-Cold War rave craze and is still an important touchstone in music history.

Claudia Lonkin is a historian of popular music and culture based in the United States.
Her research focuses on global music trends in the 1970s and 1980s, examining congruences and points of contrast between scenes in Europe and the Americas. She has been published in the Journal of Popular Music Studies and Punk & Post-Punk.

168 pages
197 x 127 mm

The extended play recording. Not quite an album. More than a single. And not only an artifact of the vinyl era—the EP has survived and even thrived at every turn of the music industry’s evolution, from vinyl to tape to CD to stream. This definitive book unearths the EP’s origins, history and cultural impact and enlists nearly 50 music-industry veterans (musicians, scribes, producers, executives, superfans) to create a list of the 200 Best EPs ever recorded and shapes these opinions into a book that seeks to trace the arc of the EP’s development and, in so doing, chart the history of the music industry writ large. From Dangerhouse to Touch & Go to Sub Pop to Flying Nun, and all roads in between, savvy labels have used the EP to great effect and its been the way to introduce bands in a less risky mid-sized format for decades. This super-interesting guide shows how the format developed and how it took on a life of its own, from early jazz & rock’n roll through the beat & psychedelic rock era, right on through punk, new wave, and post-punk, and into the alternative/indie rock era, right up to the modern age. This rousing guide through the mid-sized mindset features a huge swath of guest writers galore, each offering up their enthusiastic opinions on which EPs deserve your attention, divided by decade, along with all of their details on long-forgotten B-sides and extras that couldn’t fit on the 7” version, yet easily pad out a 12”. 202 pages, softcover. First edition of 600 copies.

About: ‘where i am allowed to sit for one more day, and this is an endless wonder’... is something more logical in its unfurling of desire (if the weight of words hold more ‘meaning’), a transversal thing from object to image. The book inlcudes poetry, prose, drawings and contributions from Angelina Nonaj, Hanne Boulanger, Emily Yuting Chen, Sam Horman, Harriet Jones, Sami Domenico, Laila Sakini, & Sam M plus an interview with ‘J’ by Lauryn Groševs on the topics of “my seat and weep”, the book, care, desire and interpreting connection.

Excerpt: I can find it difficult to articulate things into words, it's as if I can't find the (right) words. Sometimes it's a gesture, a look or a glance, or a simple movement that seems to communicate, or embody, what I want to say or what I "mean". The next question, for me, is what changes, or rather who. The absurdity of closeness, of putting things together, building meaning.

A companion book to Damon & NAOMI’s new A Sky Record LP. “Every audio format has its strengths and weaknesses… but those without liner notes are really missing out. “We thought we’d take advantage of the persistence of physical media for words and images and print a booklet to accompany what will be, inevitably, a digital album for many. Richard Youngs was with us when this project began, like a screwball comedy, with a (largely harmless) fall down stairs. Michio Kurihara lent his wonderful electric guitar to all its tracks, and Soichiro Nakamura skillfully recorded those parts at his Peace Music studio in Tokyo. Susanne Sasic joined us on the trip to Japan that made those recordings possible, a tour sparked by an unusual invitation in 2019 to play a cultural festival in the small port town of Tsuruga, on the Sea of Japan. We asked the music writer Lindsay Zoladz to tell the story of what happened next, to this project and to all of us, in the unexpected events of 2020. And Jarvis Cocker explains an audio ritual that helped us through that year. We’ve added some short notes of our own, on the genesis of the music and words for these songs; and their lyrics. Thank you for listening, however you choose to do so. And welcome to our Sky Record.”—Damon & Naomi.

Prince of Grass is the debut poetry collection from Dan Wriggins, songwriter and frontman of the band Friendship. Loving and absurd, Wriggins' poems are overflowing cauldrons of metaphor, always inviting, always in motion. For fans of James Tate, C.D. Wright, David Berman, and pie for breakfast. Dan Wriggins is a writer and musician from Maine. He records and tours solo and with the band Friendship. His debut poetry collection, Prince of Grass, is coming in July of 2024 from Dear Life Records. He lives in Philadelphia with his dog, Roy.

Long-time friends and collaborators, musician Daniel Avery, alongside photographer Keffer are proud to present Techno is Boring, a new book that collects a decade of work chronicling club culture in visceral form.

Techno is Boring also includes short written essays and notes from Avery and fellow DJ, writer and collaborator John Loveless, who also provides an introduction, appearing alongside guest contributions from friends and allies.

The book is 24.5cm x 17cm, and the 148 pages are printed on premium heavyweight paper with Swiss binding.

In July 2019, eleven years after Jay-Z became the first hip-hop artist to headline Glastonbury, Stormzy became the first English rapper to follow suit. Wearing a customised stab-proof vest designed by Banksy, the South London rapper delivered an explosive performance and finished by thanking the “legends for paving the way,” name-checking Wiley, Dizzee Rascal, and Giggs. Despite how unlikely it seemed for decades, UK rap was now firmly a part of pop music and the greater hip-hop canon.

Rich, nuanced, and often misunderstood, the history of UK rap is a story of music that refused to stand still. Factoring in socioeconomics, gender, identity, music industry disruption, and innovation, What Do You Call It? charts the artform’s first four decades, beginning when rap landed on our island in the early 1980s. Shaped by sound system culture, inspired by punk, and accelerated by rave, it has evolved from Britcore, UK hip-hop, and trip-hop of the late twentieth century to garage, grime, and drill.

Through cultural theory, historical research, and original interviews with key figures and collaborators in the UK rap scene, from pioneers like Malcolm McLaren, Soul II Soul, Tricky, Roots Manuva, and Roll Deep to modern artists like Dave, CASISDEAD, Little Simz, Loyle Carner, and Skengdo x AM, adds a rich human dimension to the UK rap story — one that helped change British music and culture forever.

Cover design by Trevor Jackson.

“A long overdue exploration of rap music in the UK and its longstanding – albeit overlooked – legacy and influence. In an era when UK rappers dominate the charts, star in major movies and TV shows and front huge advertising campaigns for multi-national corporations, Kane traces back the arduous journey from maligned sub-culture to celebrated mascot of neoliberal capitalism.” Jehst

“David Kane writes with a deft touch and possesses a disarming and deeply insightful interview style. Sparking life, humour, and sorrow across every page of more than three decades of UK rap history.” Charlie Dark MBE

“Kane builds bridges in a rich musical universe full of heroes and villains—and plot twists. With an inimitable style, he merges culture high and low to bring new meaning to the music. What Do You Call It? is a landmark tome for UK rap music.” Brian DiGenti, Wax Poetics

“A mind rich in ideas” Stanley Ledbetter, The New Yorker

Weight: 0.4 kg
Dimensions: 23 × 3 × 17 cm

deadHYPE is back with the 3rd issue of their magazine deadHYPE CLTV. As always you can look forward to various interviews, articles and photo series from and about the community of the Berlin based creative collective.

Out of print since its initial 2012 very limited first edition run. Contains exclusive 7" featuring previously unreleased 1983 interview with Barney Sumner conducted by the author. Over 400 unique-to-this-publication photos of the band and 200 plus images of rare memorabilia.Forewords by Peter Hook and Stephen Morris. Introductions by Moby and Paul Morley.Hardback: 198 full colour pages - 252mm(H) x 305mm(w), landscape, art book-style format in slipcase. No one has ever documented the early live career of a truly iconic band in such detail. Dec Hickey saw every New Order UK gig between Feb '81 and June '84 - some fifty plus nights!"Up until about 10 minutes ago I thought that the depths of my Joy Division/New Order obsession were untouched/unmatched. Then I looked through this book. Ah boy, I'm beaten. And in awe_ " - Moby"I can very much understand someone having an obsession with New Order... It was inevitable that a fan, a loyal, attentive follower, of such a group on such a meticulous label releasing records packaged with such scrupulous suggestive care would themselves be particularly obsessive... The fan(atic) symbolises the idea that without obsession, life is nothing... For the fan, New Order are an ideal object of desire, the perfect pop group - in the form of a perfect puzzle, an actual sign of fluid intelligence - to obsess over, to collect, analyse, interpret, treasure and ultimately possess." - Paul Morley (Tiny extract from his Introduction to the book)"The epic book... one amazing tome... a cultural history and an essential addition to any New Order fan's life... a much-treasured item..." - John Kennedy (X-posure/Radio x) Rough Trade, London - "Lavish and stunning book" Damaged Goods Books, DAMBOOK5. ISBN: 9781916232730

Entropy is Tuft's fourth monograph capturing the sublime and awe-inspiring beauty of nature as it is radically transformed under the unrelenting pressures of climate change.

A photographic exploration detailing the poetry and fragility of nature amidst the tragedy of climate change

Since 1998, mixed-media artist Diane Tuft has traveled the world recording the environmental factors shaping Earth’s landscape. Entropy is Tuft’s fourth monograph capturing the sublime and awe-inspiring beauty of nature as it is radically transformed under the unrelenting pressures of climate change.

The exquisite collection of photographs provide a captivating glimpse into the rapidly changing landscapes of our world. Tuft focuses specifically on water as its subject, contrasting global sea-level rise with water depletion in Utah’s Great Salt Lake. Compelling essays by prominent figures in art and science contributed by Bonnie K. Baxter, Ph.D., Professor of Biology and Director of Great Salt Lake Institute at Westminster University and twentieth-century art historian Stacey Epstein, Ph.D. add depth and insight to Tuft’s work and its significance in the context of climate change.

Weaving passages of haiku with her beguiling photographs, Tuft's newest monograph is packaged in a luxe-cloth-wrapped case screenprinted with her artwork Journey’s End featuring the Great Salt Lake. An extraordinary book, Entropy is a dramatic call to arms inspiring collective action for the critical preservation of nature.

About the author

Diane Tuft exhibits and lectures at institutions across the globe. Her work is included in such esteemed collections as the Whitney Museum of American Art; Nevada Museum of Art; International Center of Photography; and Parrish Art Museum, as well as many private collections. Tuft’s previous publications include UNSEEN: Beyond the Visible Spectrum (2009); Gondwana: Images of an Ancient Land (2014) and The Arctic Melt: Images of a Disappearing Landscape (2017). Tuft is also an award-winning producer of multiple short films, including Coastal Requiem (2019). She lives and works in New York City.

Bonnie K. Baxter, Ph.D. is Professor of Biology at Westminster College, and is founder and director of Great Salt Lake Institute, which serves to connect people to Great Salt Lake through research and education.

Stacey Epstein, Ph.D. is a specialist in twentieth-century American art and founder of Stacey Epstein Fine Art, where she advises auction houses, museums, corporate collections, artist foundations, and estates.

Reviews

‘A fascinating book.’ – Frames

‘This book offers a glimpse of the beauty we may be losing.’ – Blind Magazine

‘One of the most captivating books on the market linking fine art with climate change. The viewer can easily just enjoy it for its fantastic photography; it is literally one of the few books in the category where every image is a ten out of ten. For those interested in a more nuanced understanding of the work, the accompanying text manages to provide actual scientific analysis in an enjoyable, accessible format.’ – New York Journal of Books

Specifications:
Format: Hardback
Size: 350 × 260 mm (13 3/4 × 10 1/4 in)
Pages: 136 pp
Illustrations: 70 illustrations
ISBN: 9781580936705

The definitive history of the iconic ‘90s videogame TV show, written by host Dominik Diamond.

GamesMaster: The Oral History charts the highs and lows of Channel 4’s iconic and anarchic UK videogames entertainment show. First broadcast in 1992 amid a brash youth television takeover, the ambitious and sometimes chaotic production of GamesMaster is as much a story of the 1990s, set against a backdrop of videogame console wars, Britpop and a curious new thing called the World Wide Web. This definitive retrospective is guided by show host Dominik Diamond and features over 40 contributors, including production crew, celebrity guests and the games-playing members of the public who became either playground heroes or defeated outcasts vying for the iconic Golden Joystick prize.

'Any fan of GamesMaster should come away from this book having learned something new, but it would be an interesting read even for those who never saw the show. In any case, we can’t imagine any way to have done it better' Retro Gamer

'Superb' Time Extension

About the Author: Dominik Diamond is a Scottish television and radio presenter and newspaper columnist. He is best known as the original presenter of Channel 4’s video gaming programme GamesMaster, as host of The Dominik Diamond Breakfast Show on XFM Scotland and as a columnist for the Daily Star.

Format:PLC Size:23.0 x 16.0 cm Extent:320 pp Illustrations:100 Publication date:6 October 2022 ISBN:9780500025918

In the tradition of Douglas Chadwick's best-selling adventure memoir, The Wolverine Way, Tracking Gobi Grizzlies creates a portrait of these rarest of bears' fight for survival in one of the toughest, most remote settings on Earth. He demonstrates why saving this endangered animal supports an entire ecosystem made up of hundreds of interconnected plants and animals, from desert roses to Asiatic lynx and wild double-humped camels, all adapting as best they can to the effects of climate change. A parable of environmental stewardship in a legendary realm.

A cacophonous cabinet of curiosities, gathering other musics channeled from the spirit world, the fairy kingdom, outer space, secret societies and occult lodges. Compiled by musician, historian and archivist Doug Skinner, this unique collection of esoteric earworms gathers, and examines, music from other worlds. Notation is also included for several tunes so that you can play along at home. Over eight themed essays you’ll find tunes hummed, strummed, and sung by spirits, sprites and fairies, extraterrestrial elevator music, dreamed ditties, marches for occult ceremonies, secret musical codes and languages, music made by animals, and more.

About the Author Doug Skinner has contributed to The Fortean Times, Cabinet, Fate, Weirdo, Nickelodeon, and other periodicals. In addition to his books of stories, comics, music, and translations of Alphonse Allais, Charles Cros, and Alfred Jarry, he has written many scores for dance and theater, most conspicuously for Bill Irwin’s The Regard of Flight, which toured for decades. TV and movie appearances include Ed, Crocodile Dundee II, several of George Kuchar’s videos, and a smattering of commercials.

‘50 years later, hip hop’s influence has never been stronger. This book is proof of that – a must have for collectors, artists, dreamers, and hip hop heads everywhere.’ – Swizz Beatz (Kasseem Dean), record producer and rapper

A visual and cultural history of hip hop, charting its meteoric rise from underground trailblazer to global tastemaker

To tell the story of contemporary American culture is to tell the story of hip hop. From its humble, underground origins, hip hop transcended the confines of rap music and spread its influence across a broad spectrum of American life – fashion, film, art, sports, politics, language – to become a cultural movement of profound influence.

Rapper’s Deluxe is a critical contribution to America’s cultural canon, shining a light on hip hop’s ability to redefine and influence culture, through: photographs; fine art; advertisements; book, magazine, and album covers; film stills; and more. Organized chronologically from the 1970s to the present, image-rich and dynamic layouts show the people, places, events, objects, outfits, and inspirations that redefined the world as we know it – from fur-coated fans lining up for a Muhammad Ali fight at Madison Square Garden to a legendary party in the “Boogie Down” Bronx, through the hoods of South Los Angeles and the trap houses of Atlanta to the extravagant red carpet looks of the Met Gala.

Drawing on a broad range of curated examples, Dr. Todd Boyd re-examines hip hop’s legacy and how the genre remixes ‘high’ and ‘low’ culture, past and present, to come up with a style that is uniquely its own. Filled with original insights and clever wordplay, Rapper’s Deluxe is a tale of transformation, following hip hop’s arduous, but always triumphant, journey as it rose up to dominate the game.

‘A sumptuous object and a museum of a book. It’s probably everything you think it is, and it’s definitely then some.’ – Art Spiel

‘A visual and cultural history of hip hop, charting its meteoric rise from underground trailblazer to global tastemaker.’ – Aspire Design and Home

About the author
Dr. Todd Boyd is Price Chair for the Study of Race and Popular Culture and Professor of Cinema and Media Studies at USC. A media commentator, author, producer, and consultant, Dr. Boyd has appeared in documentaries such as The Last Dance (ESPN, 2020) and the Ken Burns-directed Muhammed Ali (PBS, 2021). His body of work includes seven books and his essays have appeared in the New York Times, Los Angeles Times, and the Guardian.

Specifications:
Format: Hardback
Size: 270 × 205 mm (10 5/8 × 8 1/8 in)
Pages: 298 pp
Illustrations: 430 illustrations
ISBN: 9781838666224

he exiting story about how the street wear pioneers Shirt Kings created a style that would define hip hop culture in the 1980s and beyond. Jamaica, Queens, New York in the mid 1980s. Rappers, celebrities and hip hop fans came from all over the city to get their own customized T-shirt by the Shirt Kings. The style traveled all over the world through record covers and music videos, and the Shirt Kings designs soon became synonymous with hip hop and the culture of making something out of nothing. Shirt Kings: Pioneers of Hip Hop Fashion looks at the early days of street wear through the lens of the pioneering group of artistic entrepreneurs known as the Shirt Kings. By adapting the graffiti skills from the trains and spray cans to shirts and airbrush they created a new look for a new generation. Edwin Phade Sacasa is a founding artist of the group and it is through his archives that we are transported to the 1980s in New York City where the fashion was loud, colorful, and filled with cartoon imagery. But not just any cartoon imagery for the cartoons where urbanized. Mickey Mouse with a Fila suit, Casper the Friendly Ghost with gold teeth and Pink Panther with gold chains. People from across the city made their way to Jamaica, Queens to a small shopping mall known as the Coliseum where you could easily bump into the biggest names in hip hop of the day. From DJ Red Alert to LL Cool J to Big Daddy Kane to Mike Tyson – they all had to have their Shirt Kings designs. Shirt Kings: Pioneers of Hip Hop Fashion chronicles the art, the styles, and the people who where loyal supporters of the Shirt Kings, and takes us on a trip down memory lane to when customization and art reigned supreme in New York City. After the hardcover has been sold out for years, just in time for Hip Hop’s 50th anniversary comes another chance to take part of the Shirt Kings’ inspiring history as pioneers of hip hop and street wear in this beautiful soft cover edition. “Shirt Kings brought the hip hop element into the clothes for real and integrated it, and it was the first time I saw hip hop culture completely merged with clothing.” — LL Cool J “The Shirt Kings network was fashion TV of the times, and advertising and promotion way before it became trendy.” — Chuck D, Public Enemy ”Phade and the Shirt Kings are pioneers of hip hop fashion, also it is duly noted that the graffiti element has been elevated and made fashionable thru their airbrushing work.” – RZA ”Phade has been my go to guy since the eighties for all airbrush collabos!” – Dapper Dan Born in East New York, Brooklyn, Edwin Phade Sacasa founded the Shirt Kings in the mid 1980s, where he serviced many of todays Hip Hop stars and pioneers, such as Jay Z and Run DMC. Phade is working with youth in the inner city and have developed a program that teaches urban fashion through art therapy and entrepreneur skills. Alain KET is an artist, photographer, author, artistic consultant, marketing professional and frequent lecturer on the topic of graffiti.

A limited deluxe box set of Dust & Grooves Volume 1 (10th Anniversary Edition) and Dust & Grooves Volume 2. Over 1000 full color pages, featuring over 270 of the world’s greatest vinyl collectors, including: Questlove, A-Trak, Gilles Peterson, DāM FunK, Floating Points, Four Tet, Peanut Butter Wolf, Quantic, DJ Spinna, Kid Koala, Don Letts, Rich Medina, King Britt, Andy Votel, Colleen Murphy, Shawn Lee, Mayer Hawthorne, The Gaslamp Killer and bass maestro Ron Carter. Included in the box set: 1. Hardcover 4 mm thick slipcase with foil stamping. 2. 18x24 inch “Sleeve Face” Poster by Dust & Grooves. 3. Dust & Grooves Volume 1 (10th Anniversary Edition). Isbn: 979-8-9907265-2-9 4. Dust & Grooves Volume 2. Isbn: 979-8-9907265-0-5 5. Custom made shipping box to ensure safe shipping.

Created BY Eilon PAZ Edited BY David MA | Foreword BY Prince Paul

A stunning 650-page hardcover illustrated book, featuring over 150 record collectors including A-Trak, Colleen Murphy, DāM FunK, Peanut Butter Wolf, Quantic, DJ Spinna, Kid Koala, Don Letts, Andy Votel, Shawn Lee, Mayer Hawthorne, and bass maestro Ron Carter.

Renowned photographer and publisher Eilon Paz returns with Dust & Grooves: Further Adventures In Record Collecting, a sequel to his 2014 best-selling Dust & Grooves, highlighting over one hundred fifty of the world’s most fascinating and accomplished vinyl collectors, bridging stunning images with extensive interviews, and revealing the motives and backstories behind the global record-collecting community. Ten years after the first book release, with vinyl’s consistent surge in popularity, Further Adventures, spanning over 650 pages, digs deeper than its predecessor, underscoring gorgeous collections from astute, everyday enthusiasts to venerated DJs, musicians and producers. Veteran journalist and editor David Ma (Wax Poetics, NPR, Rolling Stone) handles the editorial end of this sequel, making Further Adventures a cultural leader in the field, expertly accentuating the world’s unifying devotion to vinyl. Tailor-made for lovers of world-class photography, novice to expert collectors, and music obsessives alike.

Created BY Eilon PAZ Text AND Research BY DAN Epstein

A 470-page hardcover book featuring highly detailed photos and comprehensive research on 222 portable vinyl record players.

Once considered little more than a children’s plaything or a grade school accessory, the portable record player has gained newfound respect in recent years. Whatever they may lack in high-end audio fidelity, battery-powered turntables more than make up for it with their convenience and ease of use. Just ask any crate digger: a cult favorite portable like the Columbia Gp-3 or the Audio-Technica Sound Burger (or even the Fisher-Price Big Bird model) can be an absolutely essential companion on an all-day vinyl hunt. Portables features lavish, detailed photos of 222 portable turntables from around the world, including rare record players from Japan, the UK, Germany and the Soviet Union as well as the USA, and ranging in vintage from the 1920s to the early twenty-first century. They’re all gorgeously captured here by photographer Eilon Paz, with accompanying commentary from music historian Dan Epstein. Whether you’re a hardcore turntable collector, an aficionado of cool vintage audio gear, a student of industrial design, or a vinyl lover curious about the wild world of portable record players, Portables will make your head spin—and will soon have you scouring thrift stores, antique malls, and even your grandma’s attic for the portable record player of your dreams.

Close The App, Make The Ting is a collection of ideas shared by Elijah that began in July 2021, as the Covid 19 lockdowns were ending in the UK. They started as simple notes questioning what the music and creative scenes would look like after being shut down for 18 months shared regularly on Instagram, then developed into a multimedia project that spanned visual installations, an album with grime MC Jammz, a club night and a lecture series that toured the world.

Close The App, Make The Ting: Transformative Prompts for the Modern Artist brings together the best of the ideas and the projects they inspired. This book is for anyone producing or thinking of producing creative work, that needs something outside of ‘advice’, these are evergreen artistic prompts that will inspire new ways of approaching being an artist in the 2020s.

The book is 25cm x 25 cm, and the 160 pages are printed on premium heavyweight paper.

“Elijah’s work and writing is stimulating and insightful. He captures the shifting tides of music and creativity with a canny sense of precision and clarity. The ability to connect the dots across music, culture, history, politics, the evolving creative landscape and more is a rare quality, and yet, he thrives at it.” – Anifieok Ekpoudom (author of Where We Come From: Rap, Home & Hope in Modern Britain)

Shoe design is pushing the boundaries of what is possible in both the real and virtual worlds through state-of-the-art technologies, ground-breaking materials, and new and innovative ways of thinking about what a shoe can be.

New modes of making and innovations in materials are inspiring shoe designers to challenge what shoes can look and feel like. This book explores today’s most futuristic footwear designs, from the use of new technologies such as 3-D printing and smart technology to the invention of sustainable materials, including “leather” made from mushrooms and soles made from reclaimed ocean plastics. It also examines footwear design in the virtual world where adherence to things like comfort and gravity are no longer part of the equation. The importance of sneakers in games such as Grand Theft Auto and Fortnite are explored as is the new enthusiasm for collectable non-fungible token (nft) sneakers that are being acquired for tens of thousands of dollars for a single pair. In-depth interviews with of-the-moment designers, including Iris van Herpen, the team at Rtfkt, Steven Smith, Eric Avar, Alexander Taylor, and more, all conducted by the author, dive deep into the creative process, influences, and the future of shoe design. The introduction offers an overview of great footwear innovations from the past that have kept us a step ahead.

At long last, we’re got the massive biography on THE Bangles and it is nothing short of a whopper. This monumental project, started by author and unofficial band historian Eric Shade back in the 1990s has had quite a journey from start to finish. This insane overview of the early days of the members’ obscure early groups, as well as an amazing snapshot of the sorely-undocumented Paisley Underground scene of early 80s LA, all the way up through the core band members’ current projects, is a feat we never though we’d see fulfilled. For a band as huge and omnipresent as The Bangles still in are 2023, the revelation of their earlier efforts, such as the mind-blowing story of Micki Steele in the first lineup of the fledgling Runaways, while the Peterson sisters were rocking out in bands such as THE Muze, Hollywood Girls, and THE Fans right around the same period is the legendary stuff mostly outside of public knowledge. The intertwining stories of Susanna Hoffs meeting David Roback (later of The Rain Parade) and getting inspired by The Last, with Vicki & DEBBI’s growing interest in garage bands like The Unclaimed around town, All Over The Place shows how many moving parts were swirling around, generating a indescribable electricity around Los Angeles as the hardcore scene raged on the other side of the coin. As the Paisley Underground scene evolved during its short window, bands such as Salvation Army/the Three O’clock, Long Ryders, and Dream Syndicate are given their long-overdue historical appreciation here. 438 page softcover book. First edition of 600 copies.

A bold, stylish look at the global rise of Korean culture and style in the words and images of those shaping and living it.

K-pop, K-fashion, K-drama, K-beauty: over the last decade, K-style has exploded onto the global scene. What is behind this phenomenon? Where does K-Style go from here? Make, Break, Remix: The Rise of K-Style makes no attempt to define or categorize, instead celebrating the eclectic, multi-faceted nature of K-Style and its home city of Seoul.

Through interviews with eighteen tastemakers who are shaping K-style across creative sectors, from 1Million Studio's Lia Kim to rock band leader Hwang Soyoon, world famous tattooist Doy to Asia’s leading designer Teo Yang, Fiona Bae tells untold stories from true insiders, exploring a sense of identity in their work, how living in Seoul affects them and their creative output, and the decade of changes that has brought about the current K-style. Interwoven with these texts, five distinct photo-essays from celebrated photographer less_TAEKYUN KIM (recent credits including Vogue Korea, GQ Korea, i-D Korea) capture the vibrant energy of Seoul's streets and the incredible style of its youth.

Contributors such as Blackpink songwriter and A&R Danny Chung, add their own vital perspectives on the scene, while fashion journalist Sukwoo Hong sits down with brands to watch for his K-fashion directory such as PAF(Post Archive Faction). Designed by Hezin O, with a distinct typography that blends Hangul and Roman writing systems, this is an inventive, genre-breaking look at K-style in the words of those shaping it.

'For me, constantly thinking about Korean-style storytelling, Make Break Remix is an amazing inspiration. Storytelling consolidates all cultural phenomena from design, fashion and music, and this rare and enchanting book, filled with intimate interviews with trailblazers and images of the daring youth in Seoul, will open your eyes to how creativity across fashion, music, and lifestyle in Korea is collectively generating explosive energy' Kim Ji-yeon, producer of Netflix series Squid Game

'None of the musicians, fashion designers and other young artists in this book are K-pop superstars. They are rather pioneers in subcultures, where K-pop mass trends have often germinated. Through interviews and a rich photographic illustration of the artists’ work and attitudes, this unusual but essential book helps explain what drives K-style today' Choe Sang-hun, Seoul bureau chief, The New York Times

'Make Break Remix takes a deep dive into the cultural juggernaut’s impact on fashion and beyond … this unique ability to “make, break, and remix” has birthed incredible talent via South Korea’s underground' Dazed

'There seems to be a shortage of publications with a credible explanation for the peak popularity of Korean culture. Make Break Remix: The Rise of K-Style takes on two major questions: Why has K-style garnered so much attention and popularity globally? And what lies ahead for the Korean cultural trend? Deep-diving into 16 Korean creators’ creative processes, the book extracts the essence of each creator’s distinct identity and their perspective on the rise of K-style' Wallpaper*

'Introduces readers to some of the Korean stars behind the scenes, the style makers whose creativity and daring make k-style so vibrant' Forbes

About the Author: Seoul-raised and London-based, Fiona Bae consults with artists, designers, architects, and cultural institutions through her communications consultancy.

Format:Paperback with Jacket Size:22.0 x 15.0 cm Extent:304 pp Illustrations:303 Publication date:22 September 2022 ISBN:9780500024546

A documentation and reinterpretation of the liturgical incredible heritage of the mysterious Mount Athos.

After being out of print and in high demand for years, Cholo Writing is finally available in a beautiful hardcover edition. Cholo Writing is the 20th century’s oldest form of graffiti, a Mexican-American phenomenon evident in Los Angeles long before the appearance of tags and pieces in the late 1960s New York. It has had a major influence on the visual expressions of Californian popular culture, including the lowrider, surf, skate and hip-hop movements. «Placas» are territorial inscriptions created to define a gang’s turf, a genuine, constantly evolving urban calligraphy with strict codes used by Latino gangs for street writing since the late 1930s. Here, the aesthetic evolution of Cholo Writing is documented and the influence of blackletter typefaces and calligraphic models such as Old English is traced through two collections of photographs. One by Californian Howard Gribble, who photographed Chicano gang graffiti over a wide geographic area in the early 1970s, and one by French graphic designer and writer François Chastanet, who traveled to the same Los Angeles neighborhoods in 2008 to document early 21st century inscriptions. The main essay of this second edition has been updated according to the latest historical research on lettering sources. With foreword by Dr. Chaz Bojórquez, East Los Angeles graffiti pioneer and Godfather of West Coast Cholo Writing for over 50 years.

Drumz Of The South: The Dubstep Years (2004-2007) is the first photography book to present the early days of dubstep in detail. It features over 200 photographs by Georgina Cook from events and radio stations such as FWD>> at Plastic People, DMZ and Rinse FM, plus pioneering producers, DJs and MCs like Burial, Skream and Benga, Mala & Coki, Loefah and Sgt Pokes, Plastician, Kode9, Hatcha & Crazy D, Skepta and Wiley.

Originally published in 2021 as a Kickstarter campaign, this second edition features a complete redesign, hardback cover and essays from Blackdown, Charlie Dark MBE, Emma Warren and others. The book is 24cm x 17cm, and the 224 pages are printed on heavyweight paper with a hardback cover.

“The first time I heard dubstep was in 2004, in my friend Mala’s car outside my favourite local bar, The Black Sheep, in Croydon. He played me his track B, and it sounded like nothing else I’d heard before. As a photographer of underground music, I knew I had to get involved. Twenty years, one Drumz Of The South blog and a whole load of photos later, and I’m making a photo-book of what ended up being a life-changing journey with the early dubstep scene.” Georgina Cook

Featuring over 200 photos taken in and around South London, posts from the original blog, hand-drawn notes and more, Drumz Of The South: The Dubstep Years (2004-2007) is both a record of an extraordinary moment in contemporary music history, and a personal story of community and creativity.

2004-2007 was the peak of Georgina’s involvement in the scene, at a time when it was still largely made in suburban bedroom studios and played in dark rooms and on pirate radio stations like Rinse FM. Alongside photos of the dancefloors of seminal nights like DMZ and FWD>> at Plastic People, are candid photos and portraits of artists like Mala, Loefah, Sgt.Pokes, Hatcha, Kode9, Vex’d, Skream and Burial. Nestled among these images are scenes from South London, which root the sound to the place.

REVIEWS

“When dubstep was beginning in tiny London basements armed only with rib-crushing sound systems and an abundance of creativity, Georgina Cook was there – camera in hand. She is the photographer-of-record for the scene’s key inflection points. Her work is an unrivalled snapshot in time, documenting in light a community dedicated to getting lost in dark sounds.” Blackdown

“Much needed light shining on the early dubstep scene.” Gilles Peterson

“An important historical document of a DIY sound and community. You can almost smell Croydon.” Sports Banger

“What Drumz of the South offers is a demonstration of the vitality of people to create and move culture, to form communities across distances both close and far.” Alex Brent (Radical Art Review)

“As a physical document of a nascent sound, Drumz Of The South shows the importance of archiving the beginnings of a small subculture which went on to alter the course of electronic music history.” Charlie Bird (DJ Mag)

On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn’t We Almost Have It All is author Gerrick Kennedy’s exploration of the duality of Whitney’s life.

Envision the city as an infinite playground. Created in collaboration with Red Bull, Urban Playgrounds explores some of the world’s most thrilling places for urban sports. From Venice, Barcelona, and Los Angeles, to Brasilia, Istanbul, Cairo, Lagos, or Jarkarta, this book reveals an exhilarating marriage between space and sports in global cities. Born from a need to challenge boundaries and reclaim the right to the city, from a desire for self-expression and entertainment, urban sports reimagine the city as a playground. Be it freestyling on a skateboard, riding a BMX, or stretching the human body in parkour, urban athletes demonstrate the possibilities.

Art exists all around us: one just needs to know where to look. Escaping the conventional settings of the museum or gallery, a fascinating variety of art pieces exist everywhere from Ghanaian patios to the Las Vegas desert, from the forest in Scandinavia to the buzzing streets of Mexico City. Unconventional Art Places is a thoughtful journey through these little-known gems that become a destination in themselves, and should be part of every art-lover bucket list. Away from the queues, the crowds, and the constraints of the classic art spaces, these places invite you to discover creativity in a new light.

Whether it be Cosplay, Rockabilly, HipHop or Gothic: when the Japanese immerse a subculture, they do it like no other.

The otaku’s passion is all-consuming. Whether it be cosplay, gothic, or rockabilly, when the Japanese embrace a subculture, they do it like no other. From Lolita fashion and latex couture to neon-drenched big-rigs, anime-plastered vans, and chrome-heavy hot rods, subcultures in Japan are as varied as they are fascinating. Delving into these worlds, The Obsessed reveals the extraordinary passion devotees have for their hobbies and lifestyles. With dazzling photography, on-the-ground interviews, and cultural essays, this book showcases a kaleidoscope of scenes and individuals drawn from Japan’s many countercultural groups.

Format: 21 x 26 cm Features: Full color, hardcover, stitch bound, 240 pages Isbn: 978-3-96704-008-1

Irwin Wong is an editorial and commercial photographer based in Tokyo. Originally from Melbourne, Australia, he moved to Japan in 2005. He was Co-editor of gestalten’s Handmade in Japan, published in 2020.

Discover the devotional practice of wave riding through an atlas of iconic surf locations from around the world.

The Surf Atlas is a collection of the world’s most unique, unusual, and iconic surf destinations. Surf beneath the northern lights in Norway, warm yourself up on Ghana’s equatorial waves, or dance down your longboard in Waikiki. This book has it all. Extended across six regions—Africa, Asia, Europe, Central and South America, North America, Oceania and the Pacific—The Surf Atlas celebrates exploration, adventure, and the dizzying diversity of our surfing world. It’s time to move with the tides, so grab your board—surf’s up!

Format: 24 x 30 cm Features: Full color, hardcover, stitch bound, 320 pages Isbn: 978-3-96704-058-6

Photographer and writer, Luke Gartside, is the former editor of Wavelength Magazine, Europe’s longest running surf title. For more than ten years, he has been chronicling surf culture around the world, meeting intriguing characters along the way.

Monocle is one of the most successful magazines to be developed in the past decade. Armed with an unmistakable sense of aesthetics and journalistic tenacity, its team—led by editor in chief Tyler Brûlé—has created an intelligent publication that continually inspires a global readership who are interested in everything from diplomacy to design. For its first-ever book, the editorial team looks at one of their core themes: how to live well.

The result is The Monocle Guide to Better Living, an original, informative, and entertaining collection of writing, reports, and recommendations. This is not a book about glitz but rather an upbeat survey of products and ideas meant to be treasured and last.

At the outset of summer in 1990, a Houston gangsta rap group called the Geto Boys was poised to debut its self-titled third album under the guidance of hip-hop guru Rick Rubin. What might have been a low-profile remix release from a little-known corner of the rap universe began to make headlines when the album's distributor refused to work with the group, citing its violent and depraved lyrics. When The Geto Boys was finally released, chain stores refused to stock it, concert promoters canceled the group's performances, and veteran rock critic Robert Christgau declared the group "sick motherfuckers."
One quarter of a century later the album is considered a hardcore classic, having left an immutable influence on gangsta rap, horrorcore, and the rise of Southern hip-hop.
Charting the rise of the Geto Boys from the earliest days of Houston's rap scene, Rolf Potts documents a moment in music history when hip-hop was beginning to replace rock as the transgressive sound of American youth. In creating an album that was both sonically innovative and unprecedentedly vulgar, the Geto Boys were accomplishing something that went beyond music. To paraphrase a sentiment from Don DeLillo, this group of young men from Houston's Fifth Ward ghetto had figured out the "language of being noticed" - which is, in the end, the only language America understands.

Written by Harry Harrison, one of DiY’s founding members, Dreaming in Yellow traces their origins back to early formative experiences, describing in detail the seminal clubs, parties, festivals and records that forged the collective. Dreaming in Yellow is an attempt to distil the story of DiY’s tumultuous existence and the remarkably eclectic, outrageous and occasionally deranged story of them doing it themselves.

High Energy / Disco Mexican Flyer 1980 – 2000 is a collection of sonidos music event flyers collected in Mexico City by Hector Mosko.

It gathers more than 120 artworks in the fantastic art style. Originally hand printed on different sort of papers, sizes and colors to promote Sonideros or club parties.

Second edition 100ex Format : 17×17,5cm 92 pages

DUB, The Sound of Surprise is a detailed chronicle and fascinating guide to the captivating history of Jamaican dub music, the first of its kind. This archetype of the remix style grew out of reggae in the late 1960s and early 1970s. The book presents over 200 illustrations and some rare album covers, and describes the origins and development of a unique technique created in Jamaican recording studios which would change the world of music production forever. Author Helmut Philipps has visited the places dub happened, and met its pioneers, inventors, and key figures.

In addition to analysis, Philipps includes essays and conversations with and about King Jammy, Scientist, Style Scott, David Rodigan, Bunny Lee, King Tubby, Lee Perry, Dennis Bovell, Ernest Hoo Kim, Errol Brown, Linval Thompson, Tippy I-Grade, Victor Rice, Mad Professor and many others. The gripping narrative also takes a look at the development of dub in Europe, the UK, and the United States.

Helmut Philipps is a journalist and passionate collector of dub, who has mixed dub music himself. He has written two award-winning books about reggae that have been published in Germany.

Translator Ursula “Munchy” Münch is an internationally active reggae author who has lived in Jamaica. Reporting for Reggaeville, the online magazine, she regularly visits the scene there, and has conducted more than 500 interviews.

Helmut Philipps and Ursula “Munchy” Münch share a life-long love of Jamaica, its people, its music, and its culture. Both write for Riddim, the internationally renowned reggae magazine, and are trained sound engineers.

History – Interviews – Sound Systems – Engineers & Studios – Discography Original English Edition translated by Ursula Münch. 256 pp. with over 300 pictures in color and b/w. Hardcover with extra strong boards 25 x 25 cm.

Family: THE Source Family Scrapbook provides an immersive view into the public and private world of the Southern California occult commune The Brotherhood of the Source. Edited by Isis Aquarian, Charlie Kitchings, and Jodi Wille, this lavishly illustrated book reproduces 200 original scrapbook pages assembled by family historian Isis Aquarian from 1972-1977, documenting the group's dramatic rise and fall, from their time living together in the Hollywood Hills operating their wildly popular Source vegetarian restaurant on the Sunset Strip to their exodus to Hawaii and San Francisco as the group began to unravel. Copious unpublished photographs, newspaper clippings, letters, manifestos, album art and flyers, augmented by descriptive captions, reveal the Source Family's astonishing trajectory, from controversial leader Father Yod's spiritual awakening to the group's wild musical and social experimentations, to the provocations that led to the group's paradise lost. These pages provide a revelatory, firsthand view into the widely misunderstood phenomenon of new religious movements and cults of the 1960s and 70s. This book is a beautiful 200pg full color, cloth bound, and embossed 11"x12" hardcover coffee table book.

The definitive book on the creations, career, and legacy of one of the world’s greatest sneaker designers.

Often called the father of modern running and basketball sneakers, Jacques Chassaing has shaped and influenced sports and street fashion like few designers ever will. For the first time, Chassaing reveals the story behind the forty-year career of a pioneering designer who has continually pushed boundaries and led the creation of many of the world’s most beloved sneakers. Chassaing thrills and provokes readers with his life experiences, taking them on a journey of continual evolution and revolution. We learn about those who have inspired him and meet those he has inspired. We discover what drove his design philosophy and the process behind some of the greatest sneakers and sports technology ever created: the Forum, Rivalry, Lendl, Edberg, ZX series, Predator, EQT line, Torsion, and his Porsche Design collabs, to name but a few. And we see how Chassaing’s designs have impacted modern culture and won a place on the feet and in the hearts of millions of people. This book features stories about and contributions from athletes, celebrities, and designers who have worked with and been influenced by Chassaing and his work, including Michael Jordan, Stefan Edberg, Patrick Ewing, Run DMC, Gary Aspden, Paul Gaudio, and many more. Art directed by Peter Moore, designer of the Nike Air Jordan 1 and creator of the adidas Originals line, From Soul to Sole is a story, a statement, an experience, and a celebration of a life and career that is still impacting how we think about sneakers and street fashion design today.

George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image—that of a hypermacho sex god—loomed large in the pop culture of his day. It also hid—for a time—the secret he fought against revealing: Michael was gay. Soon his obsession with fame would start to backfire. As one of the industry’s most privileged yet tortured men began.

In 2021, the „Week-End Fest“ looked back on 10 years of encounters between over 100 international musicians. Since its beginning in 2011, the curators‘ own fanhood has been a central element – thus the idea arose to have the artists tell stories about musicians, places or encounters that have shaped them. In ‚I feel everything you say, I feel everything you hear.‘ (the title is borrowed from the song „I’m so Green“ by Can) they tell of decisive moments and memories that still resonate today and have shaped their own artistic identity. As with the festival program, the book succeeds in highlighting diverse lines and connections among them. Dub producers Adrian Sherwood and Scientist talk about their deep admiration for the two inventors of dub Lee „Scratch“ Perry and King Tubby. Electronic pioneer Suzanne Ciani talks about her first steps as a musician and her encounter with Don Buchla, to whom she owes her first job and her first synthesizer. The British avant-garde guitarist Fred Frith describes his first bizarre encounter with the Sun Ra Arkestra in New York in 1979, of which Marshall Allen is a member. The latter tells how today, at the age of 97, he creatively carries on the musical legacy of his master Sun Ra with pride and reverence. By focusing on the fan perspective of the participating artists, the book connects to the curatorial concept of the festival itself. And through their stories and anecdotes, building blocks of a new or different oral history of recent music history emerge at the best moments.