Books 193 Items

Brand NEW & Expanded Edition! Packed with dozens of additional horror titles and containing limited edition enhanced packaging (foil cover elements + guilded foil page edges).

The expanded second printing of Blood on Black Wax: Horror Soundtracks on Vinyl profiles several additional soundtrack titles, reflecting the consistently strong trend of horror soundtracks being committed to vinyl. The full-color, 272-page book spotlights the intricate (and often rare) artwork on the LP sleeves, as well as album reviews, release details, and backstories. New titles include mainstream entries such as Child's Play, The Silence of the Lambs, Children of the Corn, Silver Bullet, and Cujo, alongside cult hits such as Troll / Troll 2, Bad Taste, Spookies, Ghoulies, and Children Shouldn't Play with Dead Things.

Co-author Aaron Lupton: ''I'll never stop being proud of Blood on Black Wax, a passion project conceived by Jeff and I and brought to life by 1984 Publishing about my life's obsession: horror soundtracks on vinyl. I'm so proud to see the book get this deluxe second printing with even more cool records to add to your shelf.''

Co-author Jeff Szpirglas: ''It was a thrill to go back and revisit Blood on Black Wax with Aaron, and not just as an excuse to re-listen to the Maniac Cop soundtrack. With the new edition, we redoubled our efforts to speak directly to a bunch of composers such as Jay Chattaway, Joe Renzetti, and Jonathan Elias about their work on classic horror film scores. Plus, I love it when I have to watch films like The Kindred for 'work-related purposes.'''

Are you obsessed with John Carpenter's iconic music for the Halloween series? Do you thrill to the unforgettable stabs of the Psycho score, or the pounding synth of Goblin's soundtrack to Suspiria? Do you find yourself being pulled into the hair-raising modern scores for the likes of Get Out, Hereditary, and The Witch?

You're not alone.

Blood on Black Wax is a defining horror soundtrack volume that spotlights iconic franchises such as A Nightmare on Elm Street, Friday the 13th, Jaws, The Exorcist , and George A. Romero's Dead films, highlighting both the music and the amazing - often rare - artwork that graces the record sleeves. It also tells the stories behind the soundtrack, from the mouths of the musicians who made them, including John Carpenter, Fabio Frizzi, Christopher Young, Harry Manfredini, Charles Bernstein, Pino Donaggio, John Harrison, and more.

Aaron Lupton and Jeff Szpirglas, both of Rue Morgue magazine, have curated Blood on Black Wax to reflect their own passion for the darkest slabs of soundtrack music. Their journey into the fascinating history of horror movie scores contains reviews, release details, and wild stories about both renown and unusual releases - everything from the orchestral sounds of Hammer and Universal horror, to the truly experimental albums for The Texas Chainsaw Massacre and Eraserhead, to the outlandish punk and metal songs of '80s soundtrack albums like The Return of the Living Dead and Shocker.

Go back to your favorite horror films one more time, through the jaw-dropping, spine-tingling music that helped solidify their place in cinematic history!

''Blood On Black Wax takes a deep dive into the history of horror movie soundtracks and the cool AF artwork that cloaks them.'' - Alternative Press

Mick Garris (director / The Stand, Sleepwalkers; writer / Hocus Pocus) wrote a foreword for Blood on Black Wax, while composer Christopher Young (Hellraiser, Pet Sematary) penned the afterword.

Blood on Black Wax will contain limited edition enhanced packaging (foil cover elements + guilded foil page edges).

Dimensions : 8.5 x 1.5 x 11 inches

The fun moves on … now put your boots on and jump into 56 Basketball-Alphabet-Cardboard-Pages. Enjoy and don't foget to bring your toddlers!

The next fooball season starts with this funny 56-page-letter-visualisation for old and young!

From Alice Cooper to ZZ Top, the Rock ABC is a fun way to teach the next generation of rockers about the legends that paved the way.

The Rock ABC is dedicated to the future of rock, that is why a portion of each sale will be donated to youth music programs.

Made in Europe with 100% non-toxic inks, 158 mm x 158 mm x 26 mm, 56 pages of premium glossy card stock.

Als Punk etwa im Jahr 1980 in der DDR ankam, verunsicherte er nicht nur die sogenannten Staatsorgane, auch die Spießer und Biedermänner, die bekanntlich im Osten die Mehrheit stellten, liefen Amok. Bereits optisch als Provokation gewollt und verstanden, bildete sich in einigen Zentren eine ganze Gegenkultur samt Lifestyle und Musik heraus, der es um Freiräume und Freiheit ging. Und genau wie Punk in der DDR eine von Stadt zu Stadt, von Kaff zu Kaff ganz unterschiedliche Szene jeweils mit ganz eigenen Protagonist:innen und Eigenheiten war, zeichnet sich dieser Sammelband durch Vielstimmigkeit aus, Stories stehen neben Anekdoten, sachliche Analysen neben ganz persönlichen Reflektionen. "Punk in der Ddr" versteht sich als eine Zeitklammer, die möglichst viel von dem wiedergeben will, was für zehn Jahre in diesem anderen deutschen Staat für zumindest etwas Farbe und Esprit sorgte. Mit Texten von Cornelia Schleime, Franziska Hause, Jan Müller, Anne Hahn, Tim Mohr, Alexander Pehlemann, Jan Off, Roland Galenza, Jochen Schmidt, Peter Wawerzinek, Heinz Havemeister, Iron Hennig und vielen anderen mehr. Einige der hier versammelten Texte sind bereits in vergriffenen Publikationen erschienen, einige wurden extra für dieses Buch verfasst. Gemeinsam ist ihnen allen, dass sie möglichst viel von der Lebenswirklichkeit made in GDR abbilden, die in die Geschichte einging. Broschur, mit Abbildungen ca. 264 Seiten

Featuring fresh insights from Mick, Keith, Charlie and Ronnie, Unzipped digs deeper than ever before into the Stones’ archives to present a comprehensive collection of Stones artworks, instruments, stage outfits and notebooks alongside key work by some of the legends of rock photography.

For almost 60 years the Rolling Stones have helped shape popular culture around the globe. Unzipped captures the compelling character and dynamic spectacle of the band through distinctive photography and interviews with the Stones themselves, tracing their impact and influence on rock music, art, design, fashion, photography and filmmaking.

Evocative archive photos, artworks, outtakes and memorabilia, together with dazzling images of the band’s instruments and outfits, plunge you into the ever-changing world of the Stones. Many of the instruments and outfits are paired with pertinent archive photos, so you can examine the detail and see the objects in use. Peppered throughout with engrossing and insightful new commentary by Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood, the book also features a compelling introduction by Anthony DeCurtis, which chronicles their career, and perceptive articles by some of their most important creative collaborators, including Buddy Guy, Don Was, Anna Sui, John Varvatos, Martin Scorsese, Shepherd Fairey, Patrick Woodroffe and Willie Williams.

Bold, glamorous and captivating – and beautifully bound and finished – Unzipped is the perfect showcase for ‘the greatest rock ’n’ roll band in the world’.

'An evocative photo-led exploration of the band’s close-on 60-year career' Choice

'This handsome tome has much to offer the Stones fan who thought they knew everything' Record Collector

About the Author: The Rolling Stones - Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood - have all been interviewed specially for the exhibition and accompanying book. Anthony DeCurtis is an author and music critic. He has written for the New York Times, Relix and Rolling Stone, for which he is a contributing editor.

Format:Hardback Size:31.7 x 24.1 cm Extent:288 pp Illustrations:400 Publication date:7 October 2021 ISBN:9780500023853

Extravagantly opaque, willfully vaporous — Aphex Twin’s Selected Ambient Works Volume II, released by the estimable British label Warp Records in 1994, rejuvenated ambient music for the Internet Age that was just dawning. In the United States, it was Richard D. James's first full length on Sire Records (home to Madonna and Depeche Mode) under the moniker Aphex Twin; Sire helped usher him in as a major force in music, electronic or otherwise.

Faithful to Brian Eno’s definition of ambient music, Selected Ambient Works Volume II was intentionally functional: it furnished chill out rooms, the sanctuaries amid intense raves. Choreographers and film directors began to employ it to their own ends, and in the intervening decades this background music came to the fore, adapted by classical composers who reverse-engineered its fragile textures for performance on acoustic instruments. Simultaneously, “ambient” has moved from esoteric sound art to central tenet of online culture. This book contends that despite a reputation for being beatless, the album exudes percussive curiosity, providing a sonic metaphor for our technologically mediated era of countless synchronized nanosecond metronomes.

144 pages.

Graffiti Characters for Beginners presents you with a simple and straightforward introduction to the basics behind graffiti characters. Easy-to-follow instructions of how to draw a classic b-boy or a fly girl, flying eyeballs, angry spray cans, happy Uni-markers and much more. Learn the the basic composition of the characters, and give them emotions, attitude and purpose. Graffiti Characters for Beginners is the fundamental guide for you to learn how to master drawing funky cartoonish figures with style and finesse. Step by step, until you are able to put together complicated sceneries with interacting characters of your own choice. Graffiti Characters for Beginners suits all ages and is as great for kids and creative adults as it is for advertisers, home stylers and school teachers. Learning graffiti has never been easier or more fun! Also available in Dokument Press’ ”beginners” series is the popular Graffiti for Beginners: An

Catalog for Arunski's exhibition Clash Of The Machines.

Intriguing stories of creative endeavour, volatile relationships, excessive lifestyles and bizarre events from the world of rock, as told by Hipgnosis co-founder, creative designer, photographer and filmmaker Aubrey Powell.

Founded in 1968 by Aubrey ‘Po’ Powell and Storm Thorgerson, Hipgnosis transformed album art with their designs for Pink Floyd, Led Zeppelin, Genesis, Paul McCartney and Wings and so many more. Brutally honest, entertaining and insightful, Po tells the incredible stories of creative endeavour, volatile alliances, high-risk/high-altitude photoshoots and downright bizarre events from the halcyon days of rock’n’roll. From his unique insider perspective, Po sets many records straight, bringing revelatory new details to legendary tales, including the genesis of The Dark Side Of The Moon, Houses Of The Holy, The Lamb Lies Down On Broadway, and Peter Gabriel’s trio ‘Car’ / ‘Scratch’ / ‘Melt’, each evidenced with photographs, documents, artefacts and artworks from Po’s own archive.

'Powell is an engaging raconteur' Literary Review

'Brutally honest, entertaining and revealing insider stories' Creative Review

'Gorgeously designed... Excess runs through most of these stories the way drugs flowed through the veins and lungs of the musicians back then' New York Journal of Books

'Adventures in the golden age of the gatefold' Uncut

About the Author: Aubrey Powell co-founded the album cover design agency Hipgnosis with Storm Thorgerson in 1968. The company was at the vanguard of rock iconography, creating some of the most innovative and surreal record cover art of the 1960s, 70s and 80s. Nominated five times for a Grammy Award, Hipgnosis created more than 400 album covers for many of the biggest rock bands of the era, including Pink Floyd, Led Zeppelin and Paul McCartney. Powell is currently the Creative Director for Pink Floyd. He is the author of Hipgnosis Portraits and Vinyl • Album • Cover • Art, also published by Thames & Hudson.

Format:Hardback Size:23.4 x 15.3 cm Extent:320 pp Publication date:10 February 2022 ISBN:9780500252376

hardback cloth-bound book of lyrics, poems and photographs, designed in collaboration with Oliver Van Der Lugt, with single-use download code included. For those only familiar with her previous releases, aya sinclair's `im hole' will be a dramatic revelation. Under the Loft pseudonym, she attracted global acclaim for her fwd-thinking club inversions that juxtaposed the British addiction to breaks 'n bass with critical, self-sluicing logic and untethered abstraction, tearing down dance music's hallowed pillars of respectability while winking knowingly to voyeuristic onlookers. On `im hole' this routine has evolved; aya has distilled the incisive sonic experimentation of her earlier releases, the tongue-in-cheek giggles of her DJ sets and edits, and the identity-fluxing lyricism of her live shows. Contorting language, dialect, gender and sexuality between intermittently controlled bursts of rhythm, noise and aural goop, she has sculpted a set of autobiographical vignettes that challenge established norms, question supposed truths and affirm a spectrum of interlocking experiences. But while it's wide open and personal, `im hole' also challenges queer art's tendency to veer towards repetitive solipsism, the music fragmenting familiar sounds and twinning them with familiar words, assembled in unfamiliar ways. Stories are muddled with phonetics just as dubstep is macrodosed with microtonal drone. The anxious, explorative personality that made aya's past releases so magnetic is magnified here, and her sense of humour is completely naked. It's a Gregg Araki animated biopic of Burial. It's Shakespeare with hoop earrings and a busted skateboard.

Daft Punk’s Discovery is a record that looked into the future and liked what it saw; an album that predicted the electronic music explosion, YouTube and the end of privacy, while dragging soft rock back into vogue. Discovery was not only one of the best albums of the 2000s, it was one of the most prophetic, the kind of record that makes you wonder: how did they know?

You can draw lines from Discovery to Glass Swords, Kanye West, EDM, Autotune, iTunes, Beyoncé, Guilty Pleasures, social media and more. Discovery's footprints can be found all over the modern world but it also looked back to Daft Punk’s childhood, to Van Halen records, Japanese cartoons and even Johann Sebas-tian Bach.

Discovery was a record that confounded many fans when it was released in 2001, thanks to its blatant pop hooks and unlikely sonic bricolage. It was a record that was - and still is - widely misunderstood; Discov-ery’s impact has only become clear with the passing of time, as Daft Punk have been proved right time and time again.

This book is a homage to a fascinating, troubled beast of an album that casts a huge shadow over the 21st Century, as Discovery reaches its 20th anniversary.

A vibrant, unconventional, highly opinionated guide to the triumphs, joys, struggles, and heartbreaks of the modern era of the game, for every obsessive basketball fan who loves to hate hot takesThe Joy of Basketball celebrates the meteoric rise of basketball over the last quarter century by ignoring the bland, traditionalist binary of wins or losses. Instead, the book's focus is on everything else. Using text, charts, and illustrations that upend conventional jock wisdom, the book details the most incredible players in history, draft flops, long-limbed oddballs, superteams, the international talent wave, brawls, scandals, the rapid evolution of contemporary gameplay, coaching, fashion, crime, positional erosion, tragic tales, memes, and the sacred Kardashian Blessing. Bouncing between witty graphics and keen sociopolitical observations, The Joy of Basketball is a subversive sports manifesto camouflaged as a colorful reference book for your coffee table.

Pünktlich zu seinem 60. Geburtstag erscheint in der Ventil-Verlag-Reihe "Ausgewählte Songtexte" eine Ausgabe mit 100 Songtexten von Bernd Begemann: "Gib mir eine zwölfte Chance". "Ich bin besessen davon, ein Beobachter zu sein" sagte er einmal über sich selbst und so sind seine Texte präzise Beobachtungen des bundesdeutschen Alltags. Begemann schafft es in den wenigen für einen Liedtext zur Verfügung stehenden Zeilen ein ebenso präzises wie mitfühlendes, erklärendes und vor allem unterhaltsames Bild der Gesellschaft zu erschaffen. Seine Songs könnten und sollten Hits und/oder Volkslieder sein, sie sind es aber nicht. "Meine Aufgabe ist es Literatur zu schaffen, nicht meine Kundschaft zu maximieren" so Begemann einmal gegenüber dem Spiegel. Höchste Zeit also für vorliegende Textsammlung und eine eventuelle Maximierung der Kundschaft. Zusätzlich zu den Songtexten enthält das Buch Anmerkungen und Erläuterungen des Autors zu jedem Liedtext und eine Einführung. Bernd Begemann, geboren am 1.11.1962, war der erste Punk in Bad Salzuflen. Er gilt vielen als Erfinder der Hamburger Schule und schrieb deutschsprachige Lieder, als es noch beziehungsweise schon wieder uncool war. Mitte der 80er zog er nach Hamburg und veröffentlichte mit Die Antwort sein erstes Album. Sein späteres Solodebüt nahm er in der Küche seiner Wohnung im Hamburger Arbeiterstadtteil Rothenburgsort auf. Ein urbanes Folk-Album mit Elektronik namens "Rezession, Baby!". Also das, was alle machen, bevor man das machte. Er war nämlich oft als Erster auf dem Minenfeld. Er inspirierte eine Menge Leute, von Tocotronic bis Olli Schulz. Begemann hat über 20 Alben und über 400 Songs veröffentlicht. Er trägt gern smarte Anzüge und spielt, wenn es die Umstände zulassen, Hunderte Konzerte im Jahr.

Finally, a brilliant exploration of the German rock band Can's monumental 1971 album Tago Mago.
Tago Mago is a hugely unique and influential album that deserves close analysis from a fan, rather than a
musicologist. In this officially approved account of one of the most influential and powerful albums of the 1970s, Scottish novelist Alan Warner details the
concrete music we hear on the album as well as how it was composed,
executed and recorded—including the history of the album in terms of
its release, promotion and art work. Warner includes a backtracking of
the history of the band up to that point and also some description of Can's unique recording approach taking into account their home studio set up. Yet this tale of Tago Mago is more than just a history of the band; it is also the tale of a young man obsessed with record collecting
in the dark and mysterious period of pop music before Google.
Through a combination of Warner’s own experiences and interviews with the two surviving members of the band (drummer Jaki Liebezeit, keyboardist Irmin Schmidt and bassist Holger Czukay) Can’s Tago Mago
is a hilariously personal and illuminating picture of one of the biggest names in experimental rock.

160 pages, paperback.

In Border/Between: A Symphony in Essays, Carol D. Marsh writes about death, addictions, and war while also exploring how written form and expression have a counterpart in music. Structured upon the 4-movement symphony and incorporating other forms such as the rock song and the Requiem, Border/Between seeks and finds its place in what lies between the sharp and unforgiving edges of ideology and judgment. In refusing to allow borders to govern her, Marsh is able to bring compassion and hope to what seems irredeemable.

For seven years, photographer and psychotherapist Caroline Jensen has traveled back and forth between Stockholm and New York to photograph graffiti writers.

Faces of Graffiti shows intimate portraits of writers that Caroline Jensen has established a deep and personal connection with.

The book portrays New York graffiti pioneers who began writing in the late 1960s, writers who grabbed the baton and established graffiti in Stockholm in the 1980s, and younger writers who have further developed the graphic design of graffiti.

To understand how graffiti affects writers’ lives, Caroline Jensen asked them about their driving forces. Rooted in her work as a psychotherapist, she reflects on self-development and the role graffiti plays in the lives of the writers.

Charmin 65, Nic 707, Riff 170, Rubin, Snake 1, Kaos, Shiro and Taki 183 are some of the artists portrayed in the book, accompanied by images of their graffiti art.

Caroline Jensen is a photographer based in Sweden with the world as her field. She is also a licensed psychotherapist with her own practice for twenty-two years. She combines her two professions with a deep interest in the process of change. Dokument Press has previously published her book Room for Therapy.

“Page after page after page, this book is the photographic art book of the year. If you have little knowledge about this art form this is the ultimate platform to see its beauty and energy. This book shows the passion, unique style, creativity and expression of some of today’s most talented aerosol artists.”

James TOP

Explore the geography of genius in Desperately Seeking B**ksy, a pocket-sized, smaller sibling of Wheres B**ksy that illuminates the interaction between artist and space. Where its predecessor featured in-depth analysis of each piece displayed, Desperately Seeking B**ksy offers accessibility and brevity for the more casual fan. The maps are streamlined, and analysis has been replaced by individual quotes that offer insight into the inspiration behind each piece. The artwork selection is up-to-the-minute, featuring 2017s Bridge Farm Primary School and The Walled Off Hotel.With a size and price point perfect for gifting or impulse buying, it makes Banksys work available to a wider audience than ever before.Like the other titles in the Desperately Seeking series, Desperately Seeking B**ksy looks at a major cultural icon from a brand-new perspective, providing context for his work and legacy.

Moon Pix was conceived during a hallucinatory waking nightmare in the South Carolina home of Chan Marshall one fateful day in 1997. Spirits violently swam up around her house, looming at the windows, beckoning her to join them. Her and her acoustic guitar warded them off song after song, nearly the entire album rushed forth onto a tape recorder that night. Facts, fictions and visions ripple throughout the accounts of Moon Pix from every angle- memories of screaming at an audience, spirals of drunkenness, swimming with sharks in Australia, intense, resonant lyrics and thunderstorms ringing through speakers. Like all legends, the aura surrounding them is an impression, a sensory feeling of unreliable memories: layers of stories become histories.

Through interviews with key players, audience member accounts, fictional narrative imaginings, a collection of record reviews and other explorations of truth, this book, like Moon Pix itself, is an ode to the myth within the music and the music within the myth.

The poems in Novel are what happen when you teach a cat to type. They will lead you across a bridge made of bread, through a door in the forest, to a paddock containing stories. They will tell you that it’s not that the dead cannot tie their shoes, they just refuse to. That architects design the elements to withstand the structure. That loose ends are beautiful if not useless. If you’ve picked up this book because you like poems that know where they are going, hurry. Put the book down. You will need to run after them. "Please give Cati Porter’s new book Novel to people who say they don’t like poetry. Not because these poems are simple or straightforward, rather because they are deeply charming. They cast spells: each poem carries the reader on a carpet of words to a world furnished by Porter’s irresistible imagination."—Natasha Sajé, author of Windows and Doors: A Poet Reads Literary Theory

Charbel Haber is Lebanese musician, performer, visual artist and composer from Beirut. His work has seen him collaborate with artists from a wide range of disciplines - film, video art, visual art, theatre, dance - both in Lebanon and abroad.

As a solo artist and as a member of post-punk band Scrambled Eggs, he has composed music for directors Khalil Joreige and Joana Hadjithomas, Ghassan Salhab, Mohamad Malas, video artists Lamia Joreige and Akram Zaatari, Maqamat dance company and playwrights Rabih Mroueh and Lina Saneh, to name but a few. His prolific and collaborative career includes free improv group Johnny Kafta Anti-Vegetarian Orchestra, psychedelic Arabic music ensembles Malayeen and Orchestra Omar, cold wave band The Bunny Tylers and minimal ambient duo Good Luck In Death. He is the founder of Those Kids Must Choke and co-founder of Johnny Kafta's Kids Menu - two experimental record labels - and he has recorded and collaborated with notable artists from the fields of free rock and improv such as Oiseaux-Tempête, Radwan Moumneh, Tarek Atoui, Jean Francois Pauvros, The Ex, Michael Zerang, Mats Gustafson, Eddie Prevost, Xavier Charles and Tony Buck.

Happy, beautiful and full of fun - this book is an intimate portrait of the real Amy Winehouse. With over 50 photographs, many seen here for the first time, this is a celebration of a young artist on the cusp of fame. The photos were taken by Charles Moriarty just before Amy released her debut album. These beautiful images give an early glimpse of the girl who would captivate the world. With a foreword by Asif Kapadia, director of Academy Award-winning documentary Amy, and an introduction by Ashleigh Kane from Dazed, Before Frank is a tribute to the enduring spirit of a truly special artist.

Published by Moriarty Publishing

Mit den Büchern von Christiane Rösinger, Bernd íBegemann und Carsten Friedrichs starten wir eine Reihe, in der die Texte deutscher Musiker:innen erstmals in Buchform zugänglich gemacht werden. Texte von Musiker:innen, die die hiesige (Sub-)Kultur mit ihren íSongtexten in der Retrospektive ebenso geprägt haben wie die ausschließlich schreibende Zunft. Eine längst íüberfällige Würdigung außergewöhnlicher Songwriter:innen, deren Texte nicht bloße Anhängsel ígroßartiger Musik sind, sondern ebenso auch für sich stehen. Christiane Rösinger, geboren 1961, zog 1985 aus dem íBadischen nach West-Berlin, wo sie mit Almut Klotz und Funny van Dannen die Lassie Singers gründete. Nach deren Auflösung war sie Kopf der Band Britta. Rösinger war zudem eine der Betreiberinnen der legendären Flittchen Bar und betrieb das Label Flittchen Records. Sie veröffentlichte zwei Soloalben, mehrere Bücher und schrieb zahlreiche Theatermusiken. 2019 hatte ihr erstes Musical "Stadt unter Einfluss" Premiere im Hebbel am Ufer. "Was jetzt kommt" ist die Würdigung einer außergewöhnlichen Songwriterin. Ob Lassie Singers, Britta, Solo: das Buch enthält Lyrics aus allen Schaffensphasen, Geschichten und ein exklusives Christiane-Rösinger-Glossar.

“A Life In Letters” is an analytical monography of the graffiti artist SERVAL’s work. 300 pages to address two major questions :
The first is to decipher what makes the work of Serval - an emblematic artist of the Geneva art scene - so powerful and singular that it has earned him worldwide fame.
The second sketches, through the filter of the analysis of his work, the contours of what graffiti is: a pictorial discipline in its own right, with its history, its currents and its rules. An art form whose reality is often very far from its public image.
It is not a question here of just showing, it is a question of explaining, of bringing to light a know-how, an artistic evolution.

• 10 guest writers : CMP, Dash, Duel, East, Gaël Vulliens, JayOne, Jazi, Rey One, Slick, Swet
• Bilingual texts (french and english)
• Front cutout, embossed spine cover
• Hardcover, 309 pages, 14 chapters, 95 photos including 6 triptych of 88.5 cm length
• Front cutout, embossed spine cover
• UV print on Heaven42 (170g)
• Size : 263x306 mm

About: ‘where i am allowed to sit for one more day, and this is an endless wonder’... is something more logical in its unfurling of desire (if the weight of words hold more ‘meaning’), a transversal thing from object to image. The book inlcudes poetry, prose, drawings and contributions from Angelina Nonaj, Hanne Boulanger, Emily Yuting Chen, Sam Horman, Harriet Jones, Sami Domenico, Laila Sakini, & Sam M plus an interview with ‘J’ by Lauryn Groševs on the topics of “my seat and weep”, the book, care, desire and interpreting connection.

Excerpt: I can find it difficult to articulate things into words, it's as if I can't find the (right) words. Sometimes it's a gesture, a look or a glance, or a simple movement that seems to communicate, or embody, what I want to say or what I "mean". The next question, for me, is what changes, or rather who. The absurdity of closeness, of putting things together, building meaning.

A companion book to Damon & NAOMI’s new A Sky Record LP. “Every audio format has its strengths and weaknesses… but those without liner notes are really missing out. “We thought we’d take advantage of the persistence of physical media for words and images and print a booklet to accompany what will be, inevitably, a digital album for many. Richard Youngs was with us when this project began, like a screwball comedy, with a (largely harmless) fall down stairs. Michio Kurihara lent his wonderful electric guitar to all its tracks, and Soichiro Nakamura skillfully recorded those parts at his Peace Music studio in Tokyo. Susanne Sasic joined us on the trip to Japan that made those recordings possible, a tour sparked by an unusual invitation in 2019 to play a cultural festival in the small port town of Tsuruga, on the Sea of Japan. We asked the music writer Lindsay Zoladz to tell the story of what happened next, to this project and to all of us, in the unexpected events of 2020. And Jarvis Cocker explains an audio ritual that helped us through that year. We’ve added some short notes of our own, on the genesis of the music and words for these songs; and their lyrics. Thank you for listening, however you choose to do so. And welcome to our Sky Record.”—Damon & Naomi.

In 2008, with help from Jay-Z and Puff, Barack Obama got the hip hop vote, and became the first African American to be elected president. For a brief moment, the “Audacity of Hope” seemed attainable. The 2014 Ferguson riots signaled the end of that hope, and in 2016 the hip hop community had to grapple with the election of Donald J. Trump as Obama’s successor. Now more than ever, hip hop artists such as J. Cole and Kendrick Lamar are the voice of the voiceless.In the new, updated compact edition of Hip Hop Raised Me., DJ Semtex examines the crucial role of hip hop in society and reflects on the positive influence it has had on his own life, and the lives of disaffected youths from generation after generation. Featuring specially commissioned photography and seminal interviews he conducted with key artists such as Jay-Z, Kanye West, Eminem, Drake, Nicki Minaj, and Nas, Semtex traces the course of hip hop from its origins in the early 1970s through its breakthrough to the mainstream and the advent of gangsta rap in the late 1980s to the global industry that it has become today.

Dolly Parton, Songteller - My Life In Lyrics is a landmark celebration of the remarkable life and career of a country music and pop culture legend. As told by Dolly Parton in her own inimitable words, explore the songs that have defined her journey. Illustrated throughout with rare photos and memorabilia from Dolly Parton's personal and business archives. Mining over 60 years of songwriting, Dolly Parton highlights 175 of her songs and brings readers behind the lyrics. This special edition includes: -A denim-wrapped foil-stamped clamshell box with Songteller inside -A 45 record on pink vinyl featuring two neverbefore-released demo songs, "I Don't Care" and "The Fall," encased in a printed sleeve and inserted into a folder. Folder contains lyrics to the two songs printed on the back. -Lifting ribbon -Individually shrink-wrapped

The definitive history of the iconic ‘90s videogame TV show, written by host Dominik Diamond.

GamesMaster: The Oral History charts the highs and lows of Channel 4’s iconic and anarchic UK videogames entertainment show. First broadcast in 1992 amid a brash youth television takeover, the ambitious and sometimes chaotic production of GamesMaster is as much a story of the 1990s, set against a backdrop of videogame console wars, Britpop and a curious new thing called the World Wide Web. This definitive retrospective is guided by show host Dominik Diamond and features over 40 contributors, including production crew, celebrity guests and the games-playing members of the public who became either playground heroes or defeated outcasts vying for the iconic Golden Joystick prize.

'Any fan of GamesMaster should come away from this book having learned something new, but it would be an interesting read even for those who never saw the show. In any case, we can’t imagine any way to have done it better' Retro Gamer

'Superb' Time Extension

About the Author: Dominik Diamond is a Scottish television and radio presenter and newspaper columnist. He is best known as the original presenter of Channel 4’s video gaming programme GamesMaster, as host of The Dominik Diamond Breakfast Show on XFM Scotland and as a columnist for the Daily Star.

Format:PLC Size:23.0 x 16.0 cm Extent:320 pp Illustrations:100 Publication date:6 October 2022 ISBN:9780500025918

In the '80s, the Birmingham, England, band Duran Duran became closely associated with new wave, an idiosyncratic genre that dominated the decade's music and culture. No album represented this rip-it-up-and-start-again movement better than the act's breakthrough 1982 LP, Rio. A cohesive album with a retro-futuristic sound-influences include danceable disco, tangy funk, swaggering glam, and Roxy Music's art-rock-the full-length sold millions and spawned smashes such as "Hungry Like the Wolf" and the title track.

However, Rio wasn't a success everywhere at first; in fact, the LP had to be buffed-up with remixes and reissued before it found an audience in America. The album was further buoyed by colorful music videos, which established Duran Duran as leaders of an MTV-driven second British Invasion, and the group's cutting-edge visual aesthetic. Via extensive new interviews with band members and other figures who helped Rio succeed, this book explores how and why Rio became a landmark pop-rock album, and examines how the LP was both a musical inspiration-and a reflection of a musical, cultural, and technology zeitgeist.

Shoe design is pushing the boundaries of what is possible in both the real and virtual worlds through state-of-the-art technologies, ground-breaking materials, and new and innovative ways of thinking about what a shoe can be.

New modes of making and innovations in materials are inspiring shoe designers to challenge what shoes can look and feel like. This book explores today’s most futuristic footwear designs, from the use of new technologies such as 3-D printing and smart technology to the invention of sustainable materials, including “leather” made from mushrooms and soles made from reclaimed ocean plastics. It also examines footwear design in the virtual world where adherence to things like comfort and gravity are no longer part of the equation. The importance of sneakers in games such as Grand Theft Auto and Fortnite are explored as is the new enthusiasm for collectable non-fungible token (nft) sneakers that are being acquired for tens of thousands of dollars for a single pair. In-depth interviews with of-the-moment designers, including Iris van Herpen, the team at Rtfkt, Steven Smith, Eric Avar, Alexander Taylor, and more, all conducted by the author, dive deep into the creative process, influences, and the future of shoe design. The introduction offers an overview of great footwear innovations from the past that have kept us a step ahead.

A bold, stylish look at the global rise of Korean culture and style in the words and images of those shaping and living it.

K-pop, K-fashion, K-drama, K-beauty: over the last decade, K-style has exploded onto the global scene. What is behind this phenomenon? Where does K-Style go from here? Make, Break, Remix: The Rise of K-Style makes no attempt to define or categorize, instead celebrating the eclectic, multi-faceted nature of K-Style and its home city of Seoul.

Through interviews with eighteen tastemakers who are shaping K-style across creative sectors, from 1Million Studio's Lia Kim to rock band leader Hwang Soyoon, world famous tattooist Doy to Asia’s leading designer Teo Yang, Fiona Bae tells untold stories from true insiders, exploring a sense of identity in their work, how living in Seoul affects them and their creative output, and the decade of changes that has brought about the current K-style. Interwoven with these texts, five distinct photo-essays from celebrated photographer less_TAEKYUN KIM (recent credits including Vogue Korea, GQ Korea, i-D Korea) capture the vibrant energy of Seoul's streets and the incredible style of its youth.

Contributors such as Blackpink songwriter and A&R Danny Chung, add their own vital perspectives on the scene, while fashion journalist Sukwoo Hong sits down with brands to watch for his K-fashion directory such as PAF(Post Archive Faction). Designed by Hezin O, with a distinct typography that blends Hangul and Roman writing systems, this is an inventive, genre-breaking look at K-style in the words of those shaping it.

'For me, constantly thinking about Korean-style storytelling, Make Break Remix is an amazing inspiration. Storytelling consolidates all cultural phenomena from design, fashion and music, and this rare and enchanting book, filled with intimate interviews with trailblazers and images of the daring youth in Seoul, will open your eyes to how creativity across fashion, music, and lifestyle in Korea is collectively generating explosive energy' Kim Ji-yeon, producer of Netflix series Squid Game

'None of the musicians, fashion designers and other young artists in this book are K-pop superstars. They are rather pioneers in subcultures, where K-pop mass trends have often germinated. Through interviews and a rich photographic illustration of the artists’ work and attitudes, this unusual but essential book helps explain what drives K-style today' Choe Sang-hun, Seoul bureau chief, The New York Times

'Make Break Remix takes a deep dive into the cultural juggernaut’s impact on fashion and beyond … this unique ability to “make, break, and remix” has birthed incredible talent via South Korea’s underground' Dazed

'There seems to be a shortage of publications with a credible explanation for the peak popularity of Korean culture. Make Break Remix: The Rise of K-Style takes on two major questions: Why has K-style garnered so much attention and popularity globally? And what lies ahead for the Korean cultural trend? Deep-diving into 16 Korean creators’ creative processes, the book extracts the essence of each creator’s distinct identity and their perspective on the rise of K-style' Wallpaper*

'Introduces readers to some of the Korean stars behind the scenes, the style makers whose creativity and daring make k-style so vibrant' Forbes

About the Author: Seoul-raised and London-based, Fiona Bae consults with artists, designers, architects, and cultural institutions through her communications consultancy.

Format:Paperback with Jacket Size:22.0 x 15.0 cm Extent:304 pp Illustrations:303 Publication date:22 September 2022 ISBN:9780500024546

By June 1993, when Washington, D.C.'s Fugazi released their third full-length album In on the Kill Taker, the quartet was reaching a thunderous peak in popularity and influence. With two EPs (combined into the classic CD 13 songs) and two albums (1990's genre-defining Repeater and 1991's impressionistic follow-up Steady Diet of Nothing) inside of five years, Fugazi was on creative roll, astounding increasingly large audiences as they toured, blasting fist-pumping anthems and jammy noise-workouts that roared into every open underground heart. When the album debuted on the now-SoundScan-driven charts, Fugazi had never been more in the public eye.

Few knew how difficult it had been to make this popular breakthrough. Disappointed with the sound of the self-produced Steady Diet, the band recorded with legendary engineer Steve Albini, only to scrap the sessions and record at home in D.C. with Ted Niceley, their brilliant, under-known producer. Inadvertently, Fugazi chose an unsure moment to make In on the Kill Taker: as Nirvana and Sonic Youth were yanking the American rock underground into the media glare, and “breaking” punk in every possible meaning of the word. Despite all of this, Kill Taker became an alt-rock classic in spite of itself, even as its defiant, muscular sound stood in stark contrast to everything represented by the mainstreaming of a culture and worldview they held dear.

This book features new interviews with all four members of Fugazi and members of their creative community.

On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn’t We Almost Have It All is author Gerrick Kennedy’s exploration of the duality of Whitney’s life.

Stretching from France all the way down to Slovenia, Europe’s most majestic mountain range encompasses eight countries. Wanderlust Alps charts the region’s most treasured routes and guides the reader every step of the way. Aimed at those with an appetite for adventure, this book offers a rich mix of treks for hikers who wish to brave the elements. Through enlightening maps, first-hand tips, and breathtaking photography, Wanderlust Alps illustrates why the range’s craggy peaks and verdant plains make it an outdoor playground in any season. Expect dazzling content to inspire hikers of any experience and skill level, stunning landscape photography, and helpful hints and information on how best to enjoy more than 50 epic trails.

Envision the city as an infinite playground. Created in collaboration with Red Bull, Urban Playgrounds explores some of the world’s most thrilling places for urban sports. From Venice, Barcelona, and Los Angeles, to Brasilia, Istanbul, Cairo, Lagos, or Jarkarta, this book reveals an exhilarating marriage between space and sports in global cities. Born from a need to challenge boundaries and reclaim the right to the city, from a desire for self-expression and entertainment, urban sports reimagine the city as a playground. Be it freestyling on a skateboard, riding a BMX, or stretching the human body in parkour, urban athletes demonstrate the possibilities.

Buildings placing nature at their core.

As more of the earth’s surface is swallowed up by the built environment, architects are increasingly advised to integrate urban flora and fauna into their designs. Whether developing green roofs, living walls, abundant indoor courtyards, or balconies that connect interior and exterior spaces, the urge to intertwine nature and architecture has never been more apparent. Embracing this ubiquitous trend, Evergreen Architecture surveys a broad spectrum of residential, institutional, urban, and rural spaces. But as change occurs and solutions to the climate crisis are being integrated on the ground, many new questions are posed. How do residents keep moss-covered walls alive? How can a skyscraper uphold the weight of hundreds of trees?

Evergreen Architecture investigates this movement from the perspective of the architects leading the charge whilst offering diagrams and plans to help the reader understand how each building came together and how it intends to survive.

Format: 24 × 30 cm Features: Full color, hardcover, stitch bound, 288 pages Isbn: 978-3-96704-010-4

In an era of sensationalized news, artists around the world are observing politics and raising awareness on issues like authoritarian regimes, sustainability, climate change, diversity, and immigration.

Art’s ability to communicate, question, and influence opinions have made it a vital tool in activism. We are living in tumultuous times where democracies are challenged from all sides and there is a growing divide between left and right. Diverse topics are subjects that contemporary artists are covering to generate controversy, shine a light on government issues, and create empathy.

The Art of Protest explores the connection between art, politics, and activism today. Understand how over the past decade, artists have been engaging with political and social issues of all kinds and often raising alarms that are missed by politicians.

Art exists all around us: one just needs to know where to look. Escaping the conventional settings of the museum or gallery, a fascinating variety of art pieces exist everywhere from Ghanaian patios to the Las Vegas desert, from the forest in Scandinavia to the buzzing streets of Mexico City. Unconventional Art Places is a thoughtful journey through these little-known gems that become a destination in themselves, and should be part of every art-lover bucket list. Away from the queues, the crowds, and the constraints of the classic art spaces, these places invite you to discover creativity in a new light.

Whether it be Cosplay, Rockabilly, HipHop or Gothic: when the Japanese immerse a subculture, they do it like no other.

The otaku’s passion is all-consuming. Whether it be cosplay, gothic, or rockabilly, when the Japanese embrace a subculture, they do it like no other. From Lolita fashion and latex couture to neon-drenched big-rigs, anime-plastered vans, and chrome-heavy hot rods, subcultures in Japan are as varied as they are fascinating. Delving into these worlds, The Obsessed reveals the extraordinary passion devotees have for their hobbies and lifestyles. With dazzling photography, on-the-ground interviews, and cultural essays, this book showcases a kaleidoscope of scenes and individuals drawn from Japan’s many countercultural groups.

Format: 21 x 26 cm Features: Full color, hardcover, stitch bound, 240 pages Isbn: 978-3-96704-008-1

Irwin Wong is an editorial and commercial photographer based in Tokyo. Originally from Melbourne, Australia, he moved to Japan in 2005. He was Co-editor of gestalten’s Handmade in Japan, published in 2020.

A visual journey into the past, present, and future of human beautification in a globalized world.

In recent years, the beauty industry has shifted the conversation towards individual expression like never before. While people, and women in particular, have historically faced pressure to conform to rigid ideals set by society, nowadays brands and consumers are embracing uniqueness and celebrating identity. Creating a platform for conversation and deconstructing taboos in the process, The New Beauty captures an essential moment of transformation in the business of beauty by exploring the industry from historical, scientific, and journalistic perspectives. From using makeup as a means to challenge gender, to the link between hairstyling and community-building, or rituals as a form of self-care, The New Beauty is positioned to appeal to anyone with an interest in feeling well in their own skin.

Format: 21 x 26 cm Features: Full color, hardcover, stitch bound, 256 pages Isbn: 978-3-89955-860-9

American lifestyle journalist and writer of Be Well, Kari Molvar offers a contemporary look at the universe of beauty. Regularly contributing to The New York Times, Vogue and The Wall Street Journal, her second book with gestalten goes beyond the superficial to investigate the historical, scientific, and political motifs in what is a booming global industry. Fsc™️ (Forest Stewardship Council™️) Certified.

Discover the devotional practice of wave riding through an atlas of iconic surf locations from around the world.

The Surf Atlas is a collection of the world’s most unique, unusual, and iconic surf destinations. Surf beneath the northern lights in Norway, warm yourself up on Ghana’s equatorial waves, or dance down your longboard in Waikiki. This book has it all. Extended across six regions—Africa, Asia, Europe, Central and South America, North America, Oceania and the Pacific—The Surf Atlas celebrates exploration, adventure, and the dizzying diversity of our surfing world. It’s time to move with the tides, so grab your board—surf’s up!

Format: 24 x 30 cm Features: Full color, hardcover, stitch bound, 320 pages Isbn: 978-3-96704-058-6

Photographer and writer, Luke Gartside, is the former editor of Wavelength Magazine, Europe’s longest running surf title. For more than ten years, he has been chronicling surf culture around the world, meeting intriguing characters along the way.

As one of the most recognizable brands in the world, Marvel has spent the last 80-plus years inspiring generations of creatives through its approach to visual storytelling. Marvel’s comic books, in particular, established a distinct graphic language that has found its way into mainstream culture, including 1960s Pop Art, and present-day digital culture, gaming, advertising, and more. Marvel By Design will celebrate the company’s visual language with an in-depth exploration of the design process behind the brand’s most recognizable graphical elements including logos, covers, lettering, layout, and color palettes. Readers will learn how the renowned Marvel Method established a unique approach to the creative process and how that process can serve as a template for creatives working beyond comics.

Throughout the book, Marvel By Design will connect the dots between comic book culture and its undeniable influence in every creative field including the evolution of graphic design, editorial design, movies, and visual culture at large.

Bringing together the opinions, attitudes, and achievements of contemporary culture’s most influential icons, How to Be a Tastemaker offers a glance into not only the work, but also the inner lives of individuals paving the way in their fields. Our hyper-connected society mocks conventional notions of taste, which is why Claudia Schiffer’s modelling advice or discovering Laila Gohar’s life-defining motto can have sizable cultural impacts. What is good taste, after all, but having the honesty to announce your ways of thinking and feeling? Through in-depth profiles, How to Be a Tastemaker opens up the world of industry-leaders to learn how they’ve made it to where they are—from major life-changing moments and big ideas, down to the books, playlists, and holiday destinations that have enriched their lives.

In this joyful new book Monocle unpacks what makes a great city, whether you’re looking for a new place to call home or need help fixing your own.

How do we make better cities – places that work for people of all ages and backgrounds? How do we make cities that provide the obvious essentials – great transport, good places to work – as well as the softer elements that truly deliver quality of life, from urban swimming pools to rooftop clubs? Since its launch in 2007, Monocle has been passionate about making better places to live. Every year it publishes a Quality of Life Survey, which names the top 25 cities to call home. In addition, across the issues, it has interviewed the best mayors, looked at the metropolises putting pedestrians first and met the people creating the best parks, both pocket and grand.

Discover how you too can have a High Line, create the most covetable housing or turn a dirty river into a summer asset.

Packed with great images and intriguing reports, this is a book that takes the urbanism debate away from city hall and explains what’s needed in ways that will inspire us all.

Format: 20 × 26.5 cm Features: Full color, linen hardcover, stitch bound, 322 pages Isbn: 978-3-89955-503-5

Monocle was launched by Tyler Brûlé in 2007 as a monthly magazine briefing on global affairs, business, culture, design, and much more. Today, Monocle is a complete, media brand with a suite of travel guides under its belt, a 24-hour radio station, a film-rich website, retail ventures around the globe, and cafés in Tokyo and London. Besides their London HQ they have seven international bureaux in New York, Toronto, Istanbul, Singapore, Tokyo, Zurich, and Hong Kong. At their core is the simple belief that there will always be a place for a print brand that is committed to telling fresh stories and sending photographers on assignments.

Instant acceleration, no noise, no grease and no pollution. The Current features the most radical vehicles and pioneers of the electric revolution.

Fast. Silent. Radical. And wildly fun. The future of vehicles is looking bright. Cutting edge design, vigorous acceleration and post fossil energy are a green utopia within reach. The new wave of electric motorcycles, bicycles, and hybrids drives our way into sustainability while enhancing all the fun. The Current: New Wheels for the Post-Petrol Age explores this shift towards eco-friendly riding by profiling the pioneers in the field. Engineering and custom design, classic brands, and new projects, two or three wheelers but also cars: this book is the roadmap to driving now and driving differently. The future of mobility is electric – it could be our most thrilling ride yet!

Format: 21 × 26 cm Features: Full color, hardcover, stitch bound, 208 pages Isbn: 978-3-89955-956-9

These 450+ questions will test even the biggest Bowie fanatics’ knowledge of Aladdin Sane, Ziggy Stardust and the Thin White Duke. In what film did he play Andy Warhol? How did he meet Iman? Which of Iggy Pop’s albums did he help write while they lived in Berlin? This interactive trivia book is the ultimate chance to flex your knowledge of our Starman, David Bowie, covering his music, his movies, his personas, family and friends. This book will separate the Heroes from the Super Creeps.

Written by former DJ/producer Harold Heath, Long Relationships: My Incredible Journey From Unknown DJ to Small-time DJ is a biographical account of a DJ career defined by a deep love of music and a shallow amount of success. It’s the first book to detail exactly what DJing is like for the 99% of DJs who never make it big. Covering electro, hip hop, rare groove, acid house, rave and the UK underground club scene, it’s a 30-odd year tale of a life lived in dance music. Long Relationships is full of tales of clubs, raves, warehouses, DJing, music, record production, record deals, low-level international travel, shady promoters, dodgy club security, magical dance floor moments and much more.

Family: THE Source Family Scrapbook provides an immersive view into the public and private world of the Southern California occult commune The Brotherhood of the Source. Edited by Isis Aquarian, Charlie Kitchings, and Jodi Wille, this lavishly illustrated book reproduces 200 original scrapbook pages assembled by family historian Isis Aquarian from 1972-1977, documenting the group's dramatic rise and fall, from their time living together in the Hollywood Hills operating their wildly popular Source vegetarian restaurant on the Sunset Strip to their exodus to Hawaii and San Francisco as the group began to unravel. Copious unpublished photographs, newspaper clippings, letters, manifestos, album art and flyers, augmented by descriptive captions, reveal the Source Family's astonishing trajectory, from controversial leader Father Yod's spiritual awakening to the group's wild musical and social experimentations, to the provocations that led to the group's paradise lost. These pages provide a revelatory, firsthand view into the widely misunderstood phenomenon of new religious movements and cults of the 1960s and 70s. This book is a beautiful 200pg full color, cloth bound, and embossed 11"x12" hardcover coffee table book.

From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James “J Dilla” Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as “hip hop music” is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying?

Drawing from philosophy, critical theory and musicology, as well as Dilla’s own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist’s declining health as it is an example of what scholars call “late style,” placing the album in a musical tradition that stretches back centuries.

152 pages.

The definitive book on the creations, career, and legacy of one of the world’s greatest sneaker designers.

Often called the father of modern running and basketball sneakers, Jacques Chassaing has shaped and influenced sports and street fashion like few designers ever will. For the first time, Chassaing reveals the story behind the forty-year career of a pioneering designer who has continually pushed boundaries and led the creation of many of the world’s most beloved sneakers. Chassaing thrills and provokes readers with his life experiences, taking them on a journey of continual evolution and revolution. We learn about those who have inspired him and meet those he has inspired. We discover what drove his design philosophy and the process behind some of the greatest sneakers and sports technology ever created: the Forum, Rivalry, Lendl, Edberg, ZX series, Predator, EQT line, Torsion, and his Porsche Design collabs, to name but a few. And we see how Chassaing’s designs have impacted modern culture and won a place on the feet and in the hearts of millions of people. This book features stories about and contributions from athletes, celebrities, and designers who have worked with and been influenced by Chassaing and his work, including Michael Jordan, Stefan Edberg, Patrick Ewing, Run DMC, Gary Aspden, Paul Gaudio, and many more. Art directed by Peter Moore, designer of the Nike Air Jordan 1 and creator of the adidas Originals line, From Soul to Sole is a story, a statement, an experience, and a celebration of a life and career that is still impacting how we think about sneakers and street fashion design today.

George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image—that of a hypermacho sex god—loomed large in the pop culture of his day. It also hid—for a time—the secret he fought against revealing: Michael was gay. Soon his obsession with fame would start to backfire. As one of the industry’s most privileged yet tortured men began.

In 2021, the „Week-End Fest“ looked back on 10 years of encounters between over 100 international musicians. Since its beginning in 2011, the curators‘ own fanhood has been a central element – thus the idea arose to have the artists tell stories about musicians, places or encounters that have shaped them. In ‚I feel everything you say, I feel everything you hear.‘ (the title is borrowed from the song „I’m so Green“ by Can) they tell of decisive moments and memories that still resonate today and have shaped their own artistic identity. As with the festival program, the book succeeds in highlighting diverse lines and connections among them. Dub producers Adrian Sherwood and Scientist talk about their deep admiration for the two inventors of dub Lee „Scratch“ Perry and King Tubby. Electronic pioneer Suzanne Ciani talks about her first steps as a musician and her encounter with Don Buchla, to whom she owes her first job and her first synthesizer. The British avant-garde guitarist Fred Frith describes his first bizarre encounter with the Sun Ra Arkestra in New York in 1979, of which Marshall Allen is a member. The latter tells how today, at the age of 97, he creatively carries on the musical legacy of his master Sun Ra with pride and reverence. By focusing on the fan perspective of the participating artists, the book connects to the curatorial concept of the festival itself. And through their stories and anecdotes, building blocks of a new or different oral history of recent music history emerge at the best moments.

In Janelle Monáe's full-length debut, the science fiction concept album The ArchAndroid, the android Cindi Mayweather is on the run from the authorities for the crime of loving a human. Living in 28th century Metropolis, Cindi fights for survival, soon realizing that she is in fact the prophesied ArchAndroid, a robot messiah meant to liberate the masses and lead them toward a wonderland where all can be free. Taking into account the literary merit of Monáe's astounding multimedia body of work, the political relevance of the science fictional themes and aesthetics she explores, and her role as an Atlanta-based pop cultural juggernaut, this book explores the lavish world building of Cindi's story, and the many literary, cinematic, and musical influences brought together to create it. Throughout, a history of Monáe's move to Atlanta, her signing with Bad Boy Records, and the trials of developing a full-length concept album in an industry devoted to the production of marketable singles can be found, charting the artist's own rise to power. The stories of Monáe and of Cindi are inextricably entwined, each making the other more compelling, fantastical, and deeply felt.

Two and a half decades on, Jawbreaker's 24 Hour Revenge Therapy (1993-94) is the rare album to have lost none of its original loyalty, affection, and reverence. If anything, today, the cult of Jawbreaker-in their own words, "the little band that could but would probably rather not"-is now many times greater than it was when they broke up in 1996. Like the best work of Fugazi, The Clash, and Operation Ivy, the album is now is a rite of passage and a beloved classic among partisans of intelligent, committed, literary punk music and poetry.

Why, when a thousand other artists came and went in that confounding decade of the 90s, did Jawbreaker somehow come to seem like more than just another band? Why do they persist, today, in meaning so much to so many people? And how did it happen that, two years after releasing their masterpiece, the band that was somehow more than just a band to its fans-closer to equipment for living-was no longer?

Ronen Givony's 24 Hour Revenge Therapy is an extended tribute in the spirit of Nicholson Baker's U & I: a passionate, highly personal, and occasionally obsessive study of one of the great confessional rock albums of the 90s. At the same time, it offers a quizzical look back to the toxic authenticity battles of the decade, ponders what happened to the question of "selling out," and asks whether we today are enriched or impoverished by that debate becoming obsolete.

Jeff Drake has led an extraordinary life... and believe me, that’s a vast understatement. I say this with confidence, because we’ve known each other for four decades. His band the Joneses, co-founded with skateboard champion Steve Olson, was the shining light of the 1980’s Southern California underground rock scene, ages before the term ‘alternative music’ was bandied about by MTV and rock critics. The Joneses were the damn bomb. A louche, sloppy, outlaw amalgam of punk, pop and Don’t Give A Fuck attitude, they played thrashy, trashy rock’n roll that owed as much to The New York Dolls as it did to the Rolling Stones. Jeff’s songwriting was pure, catchy pop, even though the lyrics were riddled with sex and drug references. It was as though he mixed up a potion from the blood and brain cells of Little Richard and The Ramones, came up with a perfect formula, ingested it, and made his own unique creation. The Joneses’ live shows were off the hook, as were their off-stage antics. Though neither of us can remember the exact moment we met, we became fast friends in 1983. We hung out constantly back then and he was a regular at my infamous punk rock crash pad, Disgraceland. Hollywood in the 1980’s was an ungentrified wasteland; the streets were ruled by delinquent twenty-somethings, most of whom were in bands. My own band The Screaming Sirens played numerous times with the Joneses. During the time, the Joneses were being courted by a number of major labels, though the record execs were absolutely clueless and cautious back then. If one of them would’ve taken a gamble, Jeff would’ve become a huge star. Instead, living out his own song ‘Criminals,’ he robbed a bank to feed his heroin habit. On a personal note: in the course of my life I’ve somehow known seven bank robbers, but hands down, Jeff is my favorite.There’s so much more to his story though, as you’ll see in the following pages. It’s a confessional told in a direct, honest, engaging way, in his own words with a touch of dark humor; it’s exactly the way he speaks in real life. You, dear reader, will be extremely happy that Jeff didn’t join the 27 Club, the coterie of rock stars who passed away at that young age. Luckily, he’s still with us to tell his own personal story of sin and redemption. After all, what could possibly be more subversively rock’n roll than living to tell all the salacious details?”—Pleasant Gehman, March, 2022.

A streetwear collab and sneaker legend, Jeff Staple is known the world over for his work with brands, including Nike, The Fader, and Hypebeast. This monograph documents the past twenty-five years of Staple’s most iconic work.

In 1997, Jeff Staple walked into a boutique in New York City wearing a shirt he printed in his silk-screen class at Parsons School of Design. What started as a small, handmade T-shirt line grew organically and began to garner a serious following in New York. In the process of building this burgeoning brand, Staple was asked by Nike in 2005 to create a special commemorative sneaker that would represent New York. The Staple Pigeon Dunk SB was conceived and led to much fanfare upon its release. It exposed Staple—as well as sneaker culture—to a mass audience. In Staple’s words, to understand is to see and to see is to have clarity of mind. That clarity has helped develop his iconic Pigeon logo (and brand) into a global force that has graced the heels of almost every major footwear brand imaginable.

This book offers readers a history lesson in his enormous contributions to streetwear and the sneaker industry while also uncovering design context to a series of Staple’s most crucial projects. A beautiful visual reference, this book invites the reader to travel down an intricate maze of streetwear history told through an insider’s point of view. Archival sketches, drawings, magazine covers, and contributions by Hiroshi Fujiwara and Futura make this an indispensable volume for lovers of streetwear and design.

A streetwear collab and sneaker legend, Jeff Staple is known the world over for his work with brands, including Nike, The Fader, and Hypebeast. This monograph documents the past twenty-five years of Staple’s most iconic work.

In 1997, Jeff Staple walked into a boutique in New York City wearing a shirt he printed in his silk-screen class at Parsons School of Design. What started as a small, handmade T-shirt line grew organically and began to garner a serious following in New York. In the process of building this burgeoning brand, Staple was asked by Nike in 2005 to create a special commemorative sneaker that would represent New York. The Staple Pigeon Dunk SB was conceived and led to much fanfare upon its release. It exposed Staple—as well as sneaker culture—to a mass audience. In Staple’s words, to understand is to see and to see is to have clarity of mind. That clarity has helped develop his iconic Pigeon logo (and brand) into a global force that has graced the heels of almost every major footwear brand imaginable.

This book offers readers a history lesson in his enormous contributions to streetwear and the sneaker industry while also uncovering design context to a series of Staple’s most crucial projects. A beautiful visual reference, this book invites the reader to travel down an intricate maze of streetwear history told through an insider’s point of view. Archival sketches, drawings, magazine covers, and contributions by Hiroshi Fujiwara and Futura make this an indispensable volume for lovers of streetwear and design.

The year 1972 brought together two legends of rock 'n' roll at the peaks of their careers: Jim Marshall and the Rolling Stones. Selected by Life magazine to photograph the Stones' Exile ON Main ST. tour, Marshall had a week of unlimited access. The results are his now-iconic images of the band, onstage in their full glory and backstage in moments of unguarded camaraderie. Marshall's ability to capture the essential spirit of an artist and the transformative power of music is matched only by the Stones' largerthan- life.

Out of Space plots a course through the different UK towns and cities club culture has found a home. From Glasgow to Margate via Manchester, Sheffield and unlikely dance music meccas such as Coalville and Todmorden, this book maps where electronic music has thrived, and where it might be headed next…

Please note that Out Of Space is available as a paperback and postage is charged separately. There’s no postage charge for the ebook option which will be delivered as an epub file.

The book comes with inlaycard signed by Jimi Tenor.

We are in the middle of one of the greatest periods in music packaging. Collectible packaging is back at the cultural vanguard: physical records are coveted by millennials, and hip clothing outlets devote massive amounts of space to record players and racks of LPs.

Album Art profiles thirty-three designers at the forefront of this movement, among them Braulio Amado, Chris Bigg, Brian Roettinger and Jonathan Barnbrook. They reveal and analyse the creative process behind each design, offering exclusive insights into how they are able to elevate the simple record cover into something more, something special, something unique, something memorable. Exclusive interviews with some of the biggest names in the field, including Stefan Sagmeister and Paula Scher, accompany the profiles. The designers aren’t the only stars of the show – the book reproduces and discusses sleeve designs for such artists as David Bowie, Tame Impala, Kesha, Kim Deal, David Sylvian, The Flaming Lips, Queens of the Stone Age, and more.

Packed with innovative artworks by one-of-a-kind designers, this is the definitive guide to album cover design in the 21st century.

The definitive inside story – told in revelatory detail – of the making of the legendary album and all that surrounded it: the locations, the artworks, the film, the documentary and the people who were there.

In 1971, John Lennon & Yoko Ono conceived and recorded the critically acclaimed album Imagine at their Georgian country home, Tittenhurst Park, in Berkshire, England, in the state-of-the-art studio they built in the grounds, and at the Record Plant in New York. The lyrics of the title track were inspired by Yoko Ono’s ‘event scores’ in her 1964 book Grapefruit, and she was officially co-credited as writer in June 2017.

Imagine John Yoko tells the story of John & Yoko’s life, work and relationship during this intensely creative period, featuring 80% exclusive, hitherto-unpublished archive photos and footage sequences of all the key players in situ, together with lyric sheets, Yoko’s art installations, and exclusive new insights and personal testimonies from Yoko and over 40 of the musicians, engineers, staff, celebrities, artists and photographers who were there – including Julian Lennon, Klaus Voormann, Alan White, Jim Keltner, David Bailey, Dick Cavett and Sir Michael Parkinson. It transports readers to home and working environments showcasing Yoko’s closely guarded archive of photos and artefacts, using artfully compiled narrative film stills, and featuring digitally rendered maps, floorplans and panoramas that recreate the interiors in evocative detail. John & Yoko introduce each chapter and song; Yoko also provides invaluable additional commentary and a preface.

All the minutiae is examined: the locations, the key players, the music and lyrics, the production techniques and the artworks – including the creative process behind the double exposure polaroids used on the album cover.

With a message as universal and pertinent today as it was when the album was created, this landmark publication is a fitting tribute to John & Yoko and their place in cultural history.

'Tells their love story like never before' Rolling Stone

'A luxurious scrapbook … Beatles geeks will salivate over it' Observer

'Deeply desirable … especially for [those] who covet the rare and beautiful … to see how this avant-garde duo lived and created art is powerfully inspiring' Harper's Bazaar Australia

'A Lennon fan could hardly ask for more' Washington Post

'Fans will be particularly enchanted' USA Today

'This book is near perfect' Spill

'Here, in a new book of interviews past and present, we see how their love affair, the making of the album and their pacifism intertwined' Financial Times

About the Author: John Lennon (1940–1980) was an English singer, songwriter and peace activist who co-founded the Beatles, the most commercially successful band in the history of popular music.

Yoko Ono is a globally renowned multimedia artist, singer, songwriter and activist. She married John Lennon in 1969 and became his creative partner and muse. She continues to work to preserve his legacy, funding, among other projects, Strawberry Fields in Manhattan’s Central Park, the Imagine Peace Tower in Iceland and the ‘Imagine There’s No Hunger’ campaign.

Format:PLC (no jacket) Size:30.8 x 24.0 cm Extent:320 pp Illustrations:1362 Publication date:9 October 2018 ISBN:9780500021842

Longtime music icon John Mellencamp’s artistic expression has never been limited to song.

The acclaimed singer-songwriter John Mellencamp has been an accomplished painter for more than four decades. This definitive survey—curated by Mellencamp himself—of his large-scale oil portraits and mixed-media assemblages documents America’s heart and soul, revealing unsettling but beautiful truths with an antiestablishment frown and a rich sense of narrative. “Although we may primarily know Mellencamp as a rock star, one of the highest-selling of all time and a Hall of Famer, he is also a great painter, as this book shows. Not a musician who also paints... No, John legitimately belongs in the modern art pantheon,” says Bob Guccione Jr. in his essay that delineates the connection of Mellencamp’s music and art, both imbued with the earnest voice of America’s heartland.

He is known as the Mark Twain of American songwriting, a man who transformed the everyday happenings of regular people into plainly profound statements on war, industrialization, religion, and the human condition. Marking the 50th anniversary of the album's release, John Prine chronicles the legendary singer-songwriter's Middle American provenance, and his remarkable ascent from singing mailman to celebrated son of Chicago.“Illegal Smile,” “Hello in There,” “Sam Stone,” “Paradise,” “Your Flag Decal Won't Get You Into Heaven Anymore,” “Far from Me,” “Donald and Lydia,” and “Angel from Montgomery” are considered standards in the American Songbook, covered by legions of Prine's peers and admirers. Through original interviews, exhaustive research, and incisive commentary, author Erin Osmon paints an in-depth portrait of the people, places, and experiences that inspired Prine's landmark debut.

After exploring his roots in rural Western Kentucky and suburban Maywood, Illinois, the book takes readers on an evocative journey through John Prine's Chicago. Its neighborhoods, characters, and clubs of the 1960s and 70s proved a formative and magical period in Prine's life, before he was a figurehead of the new Nashville scene. It's both a journalistic inquiry and a love letter: to Prine's self-titled debut and the Midwestern city that made him.

Rapper’s Delight: The Hip Hop Cookbook features thirty recipes inspired by your favourite hip hop artists of today and yesteryear. Split into three categories of Starters, Mains and Desserts, the book includes a wide range of delights such as Wu-Tang Clam Chowder, Public Enemi-so Soup, Run DM Sea Bass and Busta Key Lime Pie.

Each of the recipes is accompanied by a bespoke piece of artwork, created by one of thirty of the best upcoming illustrators. Rapper’s Delight celebrates the many humorous parallels between food and hip hop, making it a must-have for anyone with a love for cooking, music or illustration, or indeed all three.

A practical and inspirational guide to planning every kind of off-road cycling experience, based on the author’s first-hand experience of cycling from the UK to Hong Kong.

Joshua Cunningham spent eleven months cycling from the UK to Hong Kong, a journey that took him through twenty-six countries and across 21,000 kilometres of the Eurasian landmass. He captured thousands of breathtaking photographs and acquired the wealth of invaluable experience he shares here, from how to arrange travel and select the best bike to what to pack for each climate and terrain, and how to choose and navigate the route. Equal parts travelogue and practical guide, this exhilarating account divides the stages of his tour into five chapters, each focusing on a specific geographical environment: forest, desert, mountain, tropical and urban.

Packaged in a travel-friendly format, Escape by Bike will be an essential source of inspiration to cyclists, outdoor enthusiasts and anyone who is interested in planning their own cycling adventure, large or small.

'You’ll struggle not to be captivated by Joshua’s recollection of his eleven months on the road … his down-to-earth style is refreshing and easy to read … you’ll return to look over the photos again and again' Advntr

About the Author: Joshua Cunningham is a writer, photographer and consultant who specializes in cycling, fitness, travel and adventure. He has worked in the editorial teams for Cyclist magazine and Bikes Etc, and his photography appears online and in print for both sport and travel magazines.

Format:Flexibound PLC (no jacket) Size:24.0 x 18.0 cm Extent:264 pp Publication date:22 March 2018 ISBN:9780500293508

From a talented young journalist on the rise, a deeply reported, timely new biography of the Notorious B.I.G., publishing for what would have been his 50th birthdayThe Notorious B.I.G. was one of the most charismatic and talented artists of the 1990s. Born Christopher Wallace and raised in Clinton Hill/Bed Stuy, Brooklyn, Biggie lived an almost archetypal rap life: young trouble, drug dealing, guns, prison, a giant hit record, the wealth and international superstardom that came with it, then an early violent death.

In After Us the Deluge, photographer Kadir van Lohuizen shows the impact on communities of rising sea levels. He travelled to Greenland, USA, Bangladesh, Indonesia, the Netherlands, Panama and the Pacific. There, he captured the havoc caused by global warming. The result is both a period piece and photo book, as disturbing as it is aesthetically impressive. The book is richly illustrated with maps and graphs. With journalistic and scientific contributions from: Henk Ovink, Dorthe Dahl-Jensen, Jeff Goodell, Elliot Brown, Amalinda Savirani, Anote Tong, Sharif Jamil, Marjan Minnesma.

Drawing from Pop art traditions, Kaws’s work straddles the line between fi ne art and popular culture, crossing the mediums of painting and sculpture, along with fashion, merchandise, vinyl toys, and, most recently, augmented reality. This book, made in close collaboration with the artist, features his most well-known works alongside sketches, preparatory drawings, and neverbefore- seen images of Kaws at work, revealing the meticulous process behind his iconic artworks. Accompanying a major retrospective exhibition at the Brooklyn Museum, it captures the artist’s unique ability to reshape the ways we think about contemporary art and culture today. - Daniel Birnbaum is a contributing editor to Artforum, art critic, curator, and director of Acute Art, an art and technology laboratory in London. Eugenie Tsai is John and Barbara Vogelstein Senior Curator, Contemporary Art at the Brooklyn Museum.

‘His work is universal, and it transcends the traditional market. It bridges fi ne art and commercial art, and that taps into a global, deep audience.’ – David Galperin, Sotheby’s New York ‘Kaws has gotten approval from an artworld establishment that he felt would never take his guerrilla act as its own.’ – Interview ‘Neither a fi ne artist who does commercial work, nor a commercial artist who does fi ne art, Kaws is decidedly both at once and emphatically neither as he refuses to parse those distinctions of high versus low.’ – Paper ‘There hasn’t been an artist over the last 25 years who exists in his own stratosphere, his own singular universe, quite like the artist we know as simply, Kaws. ... From toys to graffi ti, fi ne art to fashion, art collecting and public art that bridges American pop culture to an international audience, Kaws has defi ned an era where the artist can be whatever he or she wants to be without compromise.’ – Juxtapoz

From his own adolescence, when his allegiance was to punk rock, to his work as one of the essential voices of our time on music and culture at the New York Times and the New Yorker, Kelefa Sanneh has made a deep study of how our popular music unites and divides us. Distilling a career’s worth of knowledge, Sanneh explores the tribes music forms, and how its genres, shape-shifting across the years, give us a way to track larger forces and concerns. He debunks cherished myths, reappraises beloved heroes and upends familiar ideas of musical greatness, arguing that sometimes the best popular music isn’t transcendent: it expresses our grudges as well as our hopes, and is motivated by greed as well as inspiration. Throughout, race is a powerful touchstone: just as there’s always been a ‘Black’ audience and a ‘white’ audience (with some overlap) there is Black music and white music and a whole lot of expropriation. This is a book to shock and awe the deepest music nerd, and at the same time to work as a heady gateway drug for the uninitiated.