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"In Vivo" is the result of the photographic work of Klavdij Sluban at the Fleury-Mérogis Young Offender Institution (France) from 1995 to 2016 [Beds] in addition to his work from Izalco prison, located in El Salvador, from 2008 [visiting rooms] connected to the music of Gareth Davis.

Gareth Davis is an artist, composer and musician living in Amsterdam. He plays clarinet(s), the result of a somewhat impulsive purchase whilst window shopping in Covent Garden, London, around ten years before the turn of the century. The serendipitous location of a rather wonderful (and equally important, rather cheap) second hand record shop less than 10m from the bus stop required for seven years of schooling, combined with delivering newspapers on a daily basis, lead to a somewhat eclectic, dusty and generally unclassified taste in music.

The result. Activity covering sonic art and contemporary classical music through rock, improvisation and noise with collaborations that have included the premiering of new written pieces by composers such as Bernhard Lang, Peter Ablinger, Toshio Hosokawa and Jonathan Harvey, soloist with orchestras including the SWR Symphonieorchester, Warsaw Philharmonic and Orquesta de la Comunidad de Madrid, performances with groups and performers ranging from the Neue Vocalsolisten and Arditti Quartet through to improvisers Elliott Sharp and Frances Marie Uitti, electronic artists Robin Rimbaud and Merzbow and multimedia work with artists including Christian Marclay and Peter Greenaway.

"In Vivo" is his second solo release after to have recorded a bunch of collaborative albums with artists such as Scanner, Machinefabriek, Steven R. Smith, Kleefstra Brothers, Frances-Marie Uitti, Merzbow, Adain Baker, Duane Pitre and more...

Klavdij Sluban, winner of the European Publishers Award for Photography 2009, of the Leica Prize (2004) and of the Niépce Prize (2000), main French prize in photography, is a French photographer of Slovenian origin born in Paris in 1963.

He develops a rigorous and coherent body of work, nourished by literature, never inspired by immediate and sensational current affairs, making him one of the most interesting photographers of his generation. The Balkans, the Black Sea, the Baltic Sea, the Caribbean, Central America, Russia, China and the Antarctic (first artistic mission in the Kerguelen islands) can be read as many successive steps of an in-depth study of a patient proximity to the encountered real.

His images have been shown in such leading institutions as the Metropolitan Museum of Photography of Tokyo, the Maison Européenne de la Photographie in Paris, the Rencontres d’Arles, the Museum of Photography in Helsinki, the Fine Arts Museum in Canton, the Musée Beaubourg, the Museum of Texas Tech University. His many books include East to East (published simultaneously by Actes Sud, Dewi Lewis, Petliti, Braus, Apeiron & Lunwerg with a text by Erri de Luca), Entre Parenthèses, (Photo Poche, Actes Sud), Transverses, (Maison Européenne de la Photographie) and Balkans -Transit, with a text by François Maspero (Seuil). Since 1995, Sluban has been photographing teenagers in jails. In each prison he organizes workshops with the young offenders to share his passion. First originated in France, in the prison of Fleury-Mérogis with support of Henri Cartier-Bresson during 7 years, as well as Marc Riboud and William Klein punctually. This commitment was pursued in the disciplinary camps of Eastern Europe –Serbia, Slovenia, Ukraine, Georgia, Moldavia, Latvia – and in the disciplinary centres of Moscow and St Petersburg as well as in Ireland. From 2007 to 2012, Sluban has been working in Central America with imprisoned youngsters belonging to maras (gangs) in Guatemala and Salvador. In 2015, he started photographing imprisoned teenagers in Brazil. In 2013, the musée Niépce showed a retrospective of K.Sluban’s work, After Darkness, 1995-2012. In 2015/16, he was awarded the Villa Kujoyama Residence in Kyoto, Japan. K.Sluban is member of national and international jurys, such as prix Niépce, prix de la Jeune Photographie de Niort, prix Leica, All About Photo…

The definitive study of the work of Kaws, one of the most influential and much-loved forces in contemporary art and culture

Kaws is one of the most popular and recognizable contemporary artists, whose reach extends far beyond the art world into the realms of fashion, music, and popular culture at large. Beginning his career as a graffiti artist in the 1990s, Kaws has expanded his repertoire into painting, sculpture, drawing, product design, and augmented reality, together forming an artistic vision that unites all of these practices. Kaws has collaborated with some of the most prominent international brands, including Uniqlo, Comme des Garçons, Supreme, Nike, Dior, sacai, General Mills, and many more, and the book includes images of the artist’s studio by Jason Schmidt and a selection of Kaws’s previously unpublished preparatory drawings as well as work spanning his entire career, from his early graffiti days to his highly collectible vinyl toys, complex abstract paintings, and monumental public sculptures. Richly illustrated and featuring the most significant scholarship on his work to date, this book is a definitive study on the life and career of this extraordinary artist.

Specifications:
Format: Paperback Size: 290 × 250 mm (11 3/8 × 9 7/8 in)
Pages: 160 pp
Illustrations: 200 illustrations

hardback cloth-bound book of lyrics, poems and photographs, designed in collaboration with Oliver Van Der Lugt, with single-use download code included. For those only familiar with her previous releases, aya sinclair's `im hole' will be a dramatic revelation. Under the Loft pseudonym, she attracted global acclaim for her fwd-thinking club inversions that juxtaposed the British addiction to breaks 'n bass with critical, self-sluicing logic and untethered abstraction, tearing down dance music's hallowed pillars of respectability while winking knowingly to voyeuristic onlookers. On `im hole' this routine has evolved; aya has distilled the incisive sonic experimentation of her earlier releases, the tongue-in-cheek giggles of her DJ sets and edits, and the identity-fluxing lyricism of her live shows. Contorting language, dialect, gender and sexuality between intermittently controlled bursts of rhythm, noise and aural goop, she has sculpted a set of autobiographical vignettes that challenge established norms, question supposed truths and affirm a spectrum of interlocking experiences. But while it's wide open and personal, `im hole' also challenges queer art's tendency to veer towards repetitive solipsism, the music fragmenting familiar sounds and twinning them with familiar words, assembled in unfamiliar ways. Stories are muddled with phonetics just as dubstep is macrodosed with microtonal drone. The anxious, explorative personality that made aya's past releases so magnetic is magnified here, and her sense of humour is completely naked. It's a Gregg Araki animated biopic of Burial. It's Shakespeare with hoop earrings and a busted skateboard.

Cover with one stuffed corner

Die Landschaften der USA sind einzigartig und weltberühmt für ihre Schönheit und Vielfalt. In Wanderlust USA stellt der Wanderexperte Cam Honan 30 der schönsten Routen und Nationalparks der Vereinigten Staaten vor. Honan führt seine Leser von den dichten Wäldern der Ostküste über die malerischen Höhenzüge der Rocky Mountains zu den schroffen Schluchten des Grand Canyon und den majestätischen Gletschern Alaskas. Neben beeindruckendem Bildmaterial und Landkarten vermittelt das Buch allerhand Wissenswertes zu Geografie, Geschichte, Tier- und Pflanzenwelt. Darüber hinaus gibt Cam Honan praktische Tipps zu Ausrüstung, Schwierigkeitsgrad und der idealen Reisezeit und macht mit Lagerfeuergeschichten und 20 weiteren Routenbeschreibungen in Kurzform Lust auf unvergessliche Wanderungen.

I've encountered a lot of people who assume touring is chaotic, or worse, glamorous. Most of the time it's neither. Being on tour means being suspended between two worlds, between different versions of home. Like color, people can see the same tour differently.

—Rachel Demy, from Between, Everywhere



Photographer Rachel Demy knows every detail of what it takes to move instruments, cases and crews across the country and around the world to bring musicians and audiences together for a few precious hours. After a decade on the logistics side of managing tours, she laid down her spreadsheets and 16-channel Motorola radio to spend more time with her camera, capturing the liminal moments she had long been observing.

The photographs comprising Between, Everywhere were made over a five-year period touring with Death Cab for Cutie, a band she met first as a fan, and eventually joined as family. Demy’s wry and poignant photographs take viewers behind the scenes and on a journey full of the quiet, the beauty, the monotony and the exhilaration of a veteran band on tour.

Soled Out is an epic compilation of nearly 900 vintage print advertisements sourced from the golden age of sneakers. Featuring sporting and cultural icons such as Andre Agassi, Paula Abdul, Bo Jackson, Michael Jordan, MC Hammer, and Shaquille O’Neal, every page is packed with unforgettable imagery, bold graphics, and outrageous trash talk devised by the footwear industry’s biggest players. Sit back and enjoy the spectacular scenery ahead as Soled Out powers through a 720-page marathon celebration of the rubber, leather, and mesh we wear on our feet! - Sneaker Freaker was established in 2002 by Simon ‘Woody’ Wood as the first and only international footwear magazine. With a monthly audience reach of 10 million, it documents every collab, custom design, limited edition, and retro reissue in exacting detail. Based in Melbourne, Woody is recognized worldwide for his encyclopedic knowledge, inimitable writing style, and steadfast role as an authentic ambassador for all things sneakers.

With a foreword by Osgemeos.

A guide to the art, artists, and culture of graffiti from the 1970s to today, as told by the taggers themselves

This major co-publication with the Museum of Graffiti chronicles the worldwide graffiti movement from its birth in the 1970s, through the street and train painting of the 1980s, to its emergence as an artistic genre admired in museums and sold at auction. With hundreds of never-before-seen photographs of graffiti art from the 1970s to today, many of which have been provided exclusively for this volume by the artists themselves, the book gives an insider’s view through multiple interviews with celebrated graffiti artists, including Roger Smith of Sane Smith, Hotboy Hert, Desa, Shirt King Phade, Rime, MadC, Saber, Aura, and others.

Told through essays, hundreds of images, and interviews with the artists – both the underground outlaws and the writers who went mainstream – The Wide World of Graffiti will become the standard-bearer of the art form’s history and life today, a unique contribution from the first and only museum dedicated to graffiti as an art form.

About the author:
Alan Ket is an artist, graffiti historian, and cofounder of the Museum of Graffiti. Ket has contributed to such publications as the 1990s cult zine Stress, and graffiti, music, and culture magazines Complex and Vibe. He has consulted on product launches embodying street culture and has worked with art institutions to develop programming. Ket has documented street art throughout the world while painting with many of the top graffiti artists.

Specifications:
Format: Hardback Size: 254 × 203 mm (10 × 8 in)
Pages: 360 pp
Illustrations: 350 illustrations

Never-before-seen candids and ephemera of "the quiet Beatle" during his meteoric solo career, as captured by his friend and famed photographer Barry Feinstein.

On hand from 1970 to 1972 for Harrison's blockbuster "Triple Crown"--the release of All Things Must Pass; The Concert for Bangladesh; and Living in the Material World, which helped make Harrison the best-selling post-breakup Beatle, Barry became good friends with George during the three-plus years they worked together. Feinstein captured George Harrison at home, in his garden, onstage, and in the studio. Nearly all the images are previously unpublished.

The book contains never-before-seen ephemera related to these seminal releases during George's most richly creative time post-Beatles, including handwritten letters talking about album ideas, album-cover thoughts, and putting together the Concert for Bangladesh. This collection also features beloved performers that George convened for that Concert for Bangladesh--where Barry was the only sanctioned photographer onstage--including George's friends Bob Dylan, Ravi Shankar, Eric Clapton, Ringo Starr, Leon Russell, and Billy Preston.

The book coincides with the fiftieth anniversary of All Things Must Pass. George Harrison: Be Here Now is a deeper visual dive that the significantly large and passionate Beatles/George Harrison fandom will want to add to their collection.

Monocle is one of the most successful magazines to be developed in the past decade. Armed with an unmistakable sense of aesthetics and journalistic tenacity, its team—led by editor in chief Tyler Brûlé—has created an intelligent publication that continually inspires a global readership who are interested in everything from diplomacy to design. For its first-ever book, the editorial team looks at one of their core themes: how to live well.

The result is The Monocle Guide to Better Living, an original, informative, and entertaining collection of writing, reports, and recommendations. This is not a book about glitz but rather an upbeat survey of products and ideas meant to be treasured and last.

“A Life In Letters” is an analytical monography of the graffiti artist SERVAL’s work. 300 pages to address two major questions :
The first is to decipher what makes the work of Serval - an emblematic artist of the Geneva art scene - so powerful and singular that it has earned him worldwide fame.
The second sketches, through the filter of the analysis of his work, the contours of what graffiti is: a pictorial discipline in its own right, with its history, its currents and its rules. An art form whose reality is often very far from its public image.
It is not a question here of just showing, it is a question of explaining, of bringing to light a know-how, an artistic evolution.

• 10 guest writers : CMP, Dash, Duel, East, Gaël Vulliens, JayOne, Jazi, Rey One, Slick, Swet
• Bilingual texts (french and english)
• Front cutout, embossed spine cover
• Hardcover, 309 pages, 14 chapters, 95 photos including 6 triptych of 88.5 cm length
• Front cutout, embossed spine cover
• UV print on Heaven42 (170g)
• Size : 263x306 mm

At Nike, the desire to be the best is a journey, not a destination—better is always temporary.

Nike: Better is Temporary is a landmark publication that charts Nike's transformation from rebellious upstart to global phenomenon.

This immersive visual survey offers an unprecedented, behind-the-scenes exploration into Nike's ethos-driven design formula, placing industry-defining innovations and globally recognized products alongside previously unpublished designs, prototypes, insider stories, and more.

Beginning with Breaking2, an introduction detailing Nike's 2017 attempt to facilitate a sub-two-hour marathon, the book lays out in five thematic chapters Nike's focus on performance, brand expression, collaboration, inclusive design, and sustainability.

The book's extraordinary design also nods to its contents. The striking cover features overlapping silkscreened layers of Nike's proprietary Volt yellow and Hyperpunch pink colors overlaying an image of world-champion marathoner Eliud Kipchoge printed in a half-tone dot pattern. The book's spine, visible through the clear jacket, showcases a series of colored tabs that extend from its interior pages.

Combining 500 color illustrations with stories, insights, knowledge, passion, and history shared by Nike's remarkable team, Nike: Better is Temporary will serve as a manual of innovation and inspiration for generations to come.