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Bonfire

Bonfire Folk 12 Items

Name: The Free Design - Kites Are Fun Red Vinyl Edition
Brand: Bonfire
SKU: 942395v1
Price: 23.99 EUR
Availability: InStock

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[PIAS]

Bonfire

The Free Design

Kites Are Fun Red Vinyl Edition

LP | 1967 | EU | Reissue (Bonfire)

23,99 €* 29,99 € -20%

Incl. VAT plus Shipping Costs

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Limited edition of 100 copies!

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Siren

LP | 1968 | EU | Reissue (Bonfire)

21,99 €*

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Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Siren was the debut album by Kevin Coyne with Siren, the band he founded with former Bonzo Dog Band bassist Dave Clague and pianist/guitarist Nick Cudworth. The album was originally issued on John Peel’s Dandelion label in 1969. An artist who would later inspire John Lydon, Sting, Ben Watt and Will Oldham and would collaborate with Robert Wyatt, Andy Summers, Dagmar Krause, Brendan Croker, Gary Lucas and The Mekons’ Jon Langford, Kevin Coyne deserves a royal place between the likes of Syd Barrett, Peter Hammill and Daevid Allen. Standing on the verge of british blues, folk and rawk’n’roll Siren could have been easily labeled as the british answer to Canned Heat, but there’s even more. ‘And I Wonder’ is clearly an anticipation of what would happen next, with the solo career of Coyne, more focused on acid folk songwriting. “Most of the album is good time rock-on-out-music a la the Flamin’ Groovies… one of those (albums) you keep coming back to when the night gets cold and the wine is almost out. I play it a lot, and that’s the nicest thing I can say about an album.” Ed Ward – Rolling Stone “Siren just came as a breath of fresh air really, in the same way that like a generation later The Ramones did. When you just thought ‘Thank God for that!’ You hadn’t realised how bored you’d become…” John Peel.

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The Free Design

Heaven / Earth HHV Exclusive Green Vinyl Edition

LP | 1969 | EU | Reissue (Bonfire)

26,99 €*

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Release: 1969 / EU – Reissue

Genre: Rock & Indie

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A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the 4-piece had an enormous impact on the younger generation. Released in 1969 “Heaven/earth” is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cornelius, Beck, Stereolab and crate digger master Madlib. By now the Free Design are considered in the same league of The Beach Boys and The Carpenters. Under the influence of the Hi-Lo’s and Peter, Paul and Mary, The Free Design rose through the folk scene of the Greenwich Village coffee houses, achieving national prominence with the enchanting ‘Kites Are Fun’. They would prove to be at least the artistic equals of such popular contemporaries as The Association, The Mamas and the Papas, The Fifth Dimension and Harper’s Bizarre, but without quite matching their commercial success. Rather than be dictated to and diluted by the majors, they chose to commit to the artistic freedom and potential to develop offered them by the producer Enoch Light through his independent set up Project 3 Total Sound.

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The Free Design

Heaven / Earth Black Vinyl Edition

LP | 1969 | EU | Reissue (Bonfire)

22,99 €*

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Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Ian A. Anderson

Royal York Crescent Record Store Day 2022 Vinyl Edition

LP | 1970 | EU | Reissue (Bonfire)

29,99 €*

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Release: 1970 / EU – Reissue

Genre: Rock & Indie

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When we talk about british folk revival we should not forget a key figure as Ian A. Anderson, a songwriter on its own and a truly prime mover in the local scene. Currently editor of the ‘world music magazine’ fRoots, Ian A. Anderson first performed in his home town of Weston-super-Mare as a member of the Backwater Jook Band and came to prominence as a member of the Bristol based country blues scene of the mid to late 1960s, performing live and on record, both solo, with Al Jones and Elliott Jackson as the trio Anderson Jones Jackson, and as a duo with ‘globetrotter’ and long time friend Mike Cooper. After two EPs, he recorded his first album, Stereo Death Breakdown, as Ian Anderson’s Country Blues Band, which was released by Liberty/United Artists in 1969. In December 1969, with John Turner, he conceived the record label The Village Thing, for which he was also a producer. The label released two dozen albums by mostly between 1970 and 1974 including influential albums by Wizz Jones, Sun Also Rises, Pigsty Hill Light Orchestra, Steve Tilston, Dave Evans, Lackey & Sweeney, Chris Thompson, Dave Peabody and more, as well as three by Anderson himself. ‘Royal York Crescent’ is proper solo debut was licensed the 13th of Novemebr 1970 and is still considered as a forerunner of the acid folk movement . His lightly fingerpicking was backed by bongos – Ian Turner – and bass/piano – John Turner – providing a dynamic effort for his spectacular lyricism. This long lost classic is finally backing in print for your necessary uplifting entertainment.

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Chris Harwood

Nice To Meet Miss Christine Record Store Day 2022 Edition

12" | 1970 | EU | Reissue (Bonfire)

32,99 €*

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Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Such an elusive British artist, Christine Harwood was sailing the sea of lone folk singers with a sole album of rare beauty. Released in 1970 on small british label Birth, Nice To Meet Miss Christine is still an exercise in pure beauty, a dramatic/magic affair that materialized into thin air and suddenly was gone. Featuring a who’s who of the british prog and psych-folk scene – the late King Crimson alumni Ian McDonald on sax and flute, drummer extraordinaire Pete York, Nucleus and Jody Grind bass player Roger Sutton, Strawbs guitar player Dave Lambert – the album is more than a miraculous rendition of the (acid) folk revival venturing on more audacious territories, as shown in the rare groove of standout track Wooden Ships. Blue eyed soul and yacht rock fanatics take note !

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Extradition

Hush

LP | 1971 | EU | Reissue (Bonfire)

28,99 €*

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Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Little we know about this long lost gem coming from the outskirts of the Commonwealth. But as far as we know, beautiness lies inside. That is the case of the sole album of mysterious australian band Extradition. Released in a small run on local independent label Sweet Peach in 1971, the self titled album stands as one of the most accurate acid folk rendition outside the UK realm. Formerly a three piece Extradition struggle on their personal behavior forging a rural set up that pursue the ‘think green’ revolution. It could be the English folk revival or the West Coast flower power, but the album introduce a different state of mind, far away from the chaotic suburbs of the counter culture. Lost on the isle, the acoustic set up of the band brings joy and happiness, a new age that reflects the multiple essence of the four elements. While the opener ‘ A Water Song’ brings to mind the course of a small river ‘A Love Song’ sets the mood for a long lost medieval folk tale. Acoustic guitar, small percussion, natural found sound and the celestial voice of Shayna Carlin (also member of cult band Tully, a weirdo surf-psychedelic affair) all of the elements above literally conjure for an ambient album before the definition was fully embraced by a massive audience.

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Ian A. Anderson

A Vulture Is Not A Bird You Can Trust

LP | 1971 | EU | Reissue (Bonfire)

20,99 €*

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Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Another underground folk masterpiece back on the map. Forerunner of the british revival Ian A. Anderson licensed the album on his own The Village Thing on December 1971. Besides a couple of excellent cover- Black Uncle Remus penned by Loudon Wainwright III and a minor Bob Dylan classic as One Too Many Mornings – the album shows a more forward thinking production, with several bucolic progressive arrangements.

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The Woods Band

LP | 1971 | EU | Reissue (Bonfire)

28,99 €*

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Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Remastered and fully licensed. An underrated acid folk masterpiece brought to you by the classic couple Terry (guitar, mandolin, banjo) and Gay Woods (vocals), who formed the band after departing from the very influential british combo Steeleye Span. They recorded their debut album in 1971 on the small indie label Greenwich Gramophone Company. Think about the holy magic of the irish folk scene alongside some essential progressive rock scores.

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Veronique Chalot

J'ai Vu Le Loup

LP | 1979 | EU | Reissue (Bonfire)

22,99 €*

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Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. Comprised of a precious inlay card featuring an exclusive essai by Emma Tricca. “This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners”.

Veronique Chalot was born in Normandy in the north of France, but it was in Paris that she first became interested in traditional French folk music. In 1974 she landed in Rome where she soon earned a small, but dedicated following. In 1979 she recorded her first studio effort, J'ai vu le loup, for the Italian Materiali Sonori label. Over the past 30+ years she has given hundreds of concerts, presenting her repertoire of traditional French/Italian folk songs and building awareness of that fascinating patrimony of antique melodies and dance rhythms. She passed away unfortunately on the 3rd of July 2021

“First glance into Veronique's voice and you're under a spell she's unaware of casting. Like hearing the magical sound of Ulysses' sirens, you want to throw yourself into the deep blue waters of this record, its saucerful of secrets. Like finding the hidden doors into an ancient world of court jesters, magic flutes, troubadours, and love potions, her delivery, both on the instrument and the singing, is of a beauty impossible to comprehend. Pointless for me to dissect every song or try to draw the history of each and every poem or musical piece. This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners. All of this and more was how I felt back in the mid-90s, as a kid, when I first saw Veronique playing in a small club in Rome called Folkstudio. This record captures all the wondrous sensations I had seeing her perform; a life-changing experience. Bon voyage; she'll take you places. (Emma Tricca)”

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