Blues Vinyl 109 Items

Original US stereo pressing.
Record has some hairlines and a few superficial scratches.
Label side 1 is missing.

Vinyl with many scuffs and hairlines

Cover has slight ring wear.

Japanese pressing with OBI!

Label sleeve is VG.

Cover lamination is slightly peeling.

Seam split.

Promo copy with stamp. tear in spine

US original.
Sleeve has heavy wear.

Still sealed. Price tag. Cover has waterdamage stains.

Cover close to VG+

US mono pressing. Vinyl with many scuffs and hairlines

Cover has two seam splits.

label variation

Vinyl with scuffs and hairlines. Cover with shelf wear

Close to VG+. Seam split.

Close to VG+

1962 US mono repress.

Cover with shelf and ring wear.

Santa Maria Pressing.
Ships in a brand new plain sleeve.

Vinyl with a couple of light scuffs and hairlines. Cover with seam damage on the bottom spine.

Cover close to VG+

tear in top spine. Mono Research Craft Press.

An exact repro vinyl reissue of this magnificent 1962 vintage blues delivery.

1970 reissue. Terre Haute pessing.

Pop up cover. Terre Haute pressing. torn spines

EU reissue.

Writing on back cover.

US reissue from 1980. Still in shrink but opened. Cover variation with pink typography.

Copy closer to VG+

Vinyl with many scuffs and hairlines. Cover with completely open spines and shelf wear.

180 gram vinyl!

180 gram vinyl!

Yellowed cover with seam split, small writing on back cover and tiny tear at the opening side. Record has hairlines.

Vinyl with scuffs and hairlines

Splits in seams.

Fully licensed ! Ltd to 500 copies. Singer and guitarist Ram John Holder was born in. 1939 in Georgetown, British Guiana, then moved to Cincinnati in 1954, and to the East Coast to work as folk blues singer in the early 1960s. In 1963, he took residency in England where he recorded several albums. Released in 1969 Black London Blues is surely is masterpiece. A socio-political manifesto the album chronicles the trials and tribulations that were the result of being a black-immigrant in London, and it contains all the pathos and pain one can imagine. Self-conscious, as concept albums often are, the record is almost like an audio A-Z or pub guide. It’s funky and represents his own black experience. It is a must have for all the blues revivalist out there, a record to rank along the lines of early Mike Cooper and american stalwarts like Eugene McDaniels or Sixto Rodriguez !

There is little doubt that John Lee Hooker was one of the most commercially successful blues artists that ever lived. He rose above his contemporaries with worldwide hit records and a particularly long series of albums, and a career that lasted for over sixty years. He was always prolific and attracted other artists to collaborate with him without ever losing his own highly distinctive style. One of the real and lasting strengths of "That's My Story" as an album is in its immediacy. Orrin Keepnews knew just how to use studio microphone placement to make the listener feel right in the middle of the session. Nothing extraneous is used to move John Lee away from you, making it evident that the producer's original intention with the album has certainly been fulfilled. No wonder that this laid-back work, so quickly recorded, has stood the test of time as one of John Lee Hooker's most revered records.

180 gram pressing!

Terre Haute pressing. US repress.

Aaron Thebeaux "T-Bone" Walker was all but destined for performance from the start. After all both of his parents were musicians, who taught him how to play guitar, ukulele, banjo, violin, mandolin, and piano. He was even an early protege of Blind Lemon Jefferson, who was a friend of the family, and often came over to dinner. Walker began performing blues music during the late 1920s and early 1930s, cutting his first singles, while performing as a sideman across the country, often performing alongside Blind Lemon Jefferson himself, as well as contemporaries like Douglas Fernell, Big Jim Wynn, and Charlie Christian. By the 1940s, Walker had begun to perform more frequently as a solo act, recruiting his own backing band, and being among the first to adapt a guitar technique that would change the course of music history: electric amplification.Were it not for Walker leading the charge and pioneering the electric blues sound, contemporary music might have been very different. His sound help set the stage for essential Chicago Blues artists like Muddy Waters, Howlin' Wolf, and Willie Dixon, while providing key influence to the likes of B.B. King, Jimi Hendrix, Chuck Berry, and innumerable others.

Howlin' Wolf is the third studio album from Chicago blues singer/guitarist/harmonica player Howlin' Wolf. It is a collection of six singles previously released by the Chess label from 1960 through 1962. Because of the illustration on its sleeve, the album is often called The Rockin' Chair Album, which was eventually adopted on subsequent pressings.

180g vinyl.

US original.
Record has some hairlines and a few superficial scratches.

Copy close to VG+

Alexis Korner's third album, originally released on the Transatlantic Label in 1964, after two live albums recorded at the Cavern at the Marquee, featuring his all-time hits 'Stormy Monday ' and Chicken Shack'. A true masterpiece from one of the godfathers of the white blues movement from the 60's.

Record is close to VG+.

The classic debut album, originally released in 1968. Features Rod Stewart on vocals and Ronnie Wood on guitar.

Track Listing:

Side A: 1. Shapes Of Things 2. Let Me Love You 3. Morning Dew 4. You Shook Me 5. Ol' Man River Side B: 6. Greensleeves 7. Rock My Plimsoul 8. Beck's Bolero 9. Blues De Luxe 10. I Ain't Superstitious

Jeff Beck's second album, originally released in 1969 and featuring Rod Stewart on vocals and Ronnie Wood on guitar.

Track Listing:

Side A: 1. All Shook Up 2. Spanish Boots 3. Girl From Mill Valley 4. Jailhouse Rock Side B: 5. Plynth (Water Down The Drain) 6. The Hangman's Knee 7. Rice Pudding