Blues Vinyl 330 Items

By incorporating all manner of homemade instruments, jug bands were hugely popular in America during the 1920s and early 1930s. With an unparalleled vibrancy this do it yourself and often overlooked approach to music was highly influential in the history of the blues.

Once again, following the first 3 volume in the "Blues With A Rhythm" serie, we are giving the incredible voices of Rhythm N"Blues, the ability to shout! these recordings are carefully compiled in their rare original 45 rpm glory mastered to Lp format. Hey! Hey! The blues are Alright!

Once again, following the first 3 volume in the "Blues With A Rhythm" serie, we are giving the incredible voices of Rhythm N"Blues, the ability to shout! these recordings are carefully compiled in their rare original 45 rpm glory mastered to Lp format. Hey! Hey! The blues are Alright!

Our new record is called Blues Pyromaniacs. It was recorded in New Orleans in January 2020 and produced by Anders Osborne. Then the virus stroke and we, consequently, had too much spare time... and idle hands are the devil"s tools... so we"ve constantly been working on the tracks for almost two years. That"s the reason why the record is to be released in two very different versions: the vinyl edition contains the original US recordings, the cd/digital version contains four extra tracks. It has been mixed in Italy in a very different way, the mastering has been made by Brian Lucey (The Black Keys/Arctic Monkeys/ Royal Blood) and, last but not least, there are two very special guests: Mike Zito on two of the tracks and Bombino on another.

As the momentum continues to build for old-school blues rock trio Ga-20, the band takes their expanding fanbase by storm with the release its first full-length live LP, Live In Loveland!. Featuring 11 rowdy, blistering performances (including five songs from 2022's Crackdown, three from their 2019 debut Lonely Soul and three previously unrecorded tracks), Live In Loveland! captures Ga-20 feeding off the energy of the wall-to-wall crowd and delivering each song with raw emotion and body-shaking force. Live In Loveland! mixes band originals and vintage covers, from early electric blues and honky-tonk country to proto rock 'n' roll, all performed live with deep feeling and punk energy. The album was recorded direct-to-tape on a vintage Tascam 388 at Plaid Room Records in Loveland, Ohio, home of the famous Colemine record label. Produced by Stubbs and engineered by Colemine owner Terry Cole, the band blasts out of the gate playing Harold Burrages' I Cry For You, before tearing into Little Walter's obscure gem My Baby's Sweeter. The previously unrecorded original Hold It One More Time proves to be an instant classic, sitting seamlessly next to the vintage covers on the album. According to guitarist Matthew Stubbs (whose resume includes playing with blues legends Charlie Musselwhite and James Cotton, among others), "There is a special type of energy that is exchanged when we play in front of a live audience, and we definitely feed off of that and wanted to capture that. I love the power and energy of the best live blues albums. Historically, some of the most iconic blues and jazz records have been live ones. B.B. King's Live At The Regal changed my life. So did Hound Dog Taylor's Beware Of The Dog!, and Albert King's Live Wire/Blues Power. We really wanted to continue that tradition and do one of our own."

As the momentum continues to build for old-school blues rock trio Ga-20, the band takes their expanding fanbase by storm with the release its first full-length live LP, Live In Loveland!. Featuring 11 rowdy, blistering performances (including five songs from 2022's Crackdown, three from their 2019 debut Lonely Soul and three previously unrecorded tracks), Live In Loveland! captures Ga-20 feeding off the energy of the wall-to-wall crowd and delivering each song with raw emotion and body-shaking force. Live In Loveland! mixes band originals and vintage covers, from early electric blues and honky-tonk country to proto rock 'n' roll, all performed live with deep feeling and punk energy. The album was recorded direct-to-tape on a vintage Tascam 388 at Plaid Room Records in Loveland, Ohio, home of the famous Colemine record label. Produced by Stubbs and engineered by Colemine owner Terry Cole, the band blasts out of the gate playing Harold Burrages' I Cry For You, before tearing into Little Walter's obscure gem My Baby's Sweeter. The previously unrecorded original Hold It One More Time proves to be an instant classic, sitting seamlessly next to the vintage covers on the album. According to guitarist Matthew Stubbs (whose resume includes playing with blues legends Charlie Musselwhite and James Cotton, among others), "There is a special type of energy that is exchanged when we play in front of a live audience, and we definitely feed off of that and wanted to capture that. I love the power and energy of the best live blues albums. Historically, some of the most iconic blues and jazz records have been live ones. B.B. King's Live At The Regal changed my life. So did Hound Dog Taylor's Beware Of The Dog!, and Albert King's Live Wire/Blues Power. We really wanted to continue that tradition and do one of our own."

WITH THE MEN & WOMEN COLLECTION,FIND THE GREATEST FEMALE AND MALE ARTISTS OF FUNK, SOUL, JAZZ AND BLUES IN A DOUBLE VINYL AND BLUES IN A COLLECTION OF DOUBLE VINYLS

The Music Maker Relief Foundation, is non-governmental organization. It was founded to preserve the musical traditions of the South by directly supporting the musicians who make it, ensuring their voices will not be silenced by poverty and time. Music Maker will give future generations access to their heritage through documentation and performance programs that build knowledge and appreciation of America’s musical traditions.
Original blues & gospel from Music Maker 's archives, Grotto Session illustrates the true sound of the deep south re-imaginated by three young musicians to celebrate the 25th birthday's foundation. Only released as digital files til now, EALZ! Records have been chosen by MMRF to produce an exclusive physical album.
An inspired, electric & groovy transgenerational project featuring: Captain 'Luke, Cora Fluker, John Dee Holman, Essie Mae Brooks, Rufus McKenzie and more...
Gatefold cover, 12inch vinyl, including a 16-pages booklet with complete liner notes, rare & exclusive Tim Duffy's photographs (Recorded in North Carolina, crafted in Paris, pressed in Normandy, limited edition)

Cornell Dupree was an American jazz and R&B guitarist. He iswell known as a founding member of the band Stuff, and worked at various times with Aretha Franklin, Bill Withers, Donny Hathaway, King Curtis and Steve Gadd, appeared on David Letterman. The album called "Doin' Alright" was originally released in 2011. Although it was the first album as leader since 1998, Dupree's groovy guitar play was more polished and it could have been another milestoneof his outstanding career. But unfortunately, Dupree had passed away in May 2011without seeing the album placed on the shelfof record shops.This analog reissue is newly rearrangedwith tough and fatty horn sections played by The Texas Horns including tenor saxophone player Kaz Kazanoff who participated in original recording sessions. 180g heavyweight vinyl with a Japanese OBI strip!

"This release is my way of celebrating the memory of one of the most important figures in early blues and gospel - the great Blind Willie Johnson - who would have turned 125 this year. The recording of his masterpiece "Dark was the night, cold was the ground" (recorded in my favorite recording year, 1927) can be found on the golden records onboard Voyager I and II and was added to the National Recording Registry in 2010, which selects recordings annually that are deemed "culturally, historically, or aesthetically significant". Although his music is often very hopeful, when you look back at his life, hope is not the first word that comes to mind. Willie wasn't blind at birth but became blind at seven years old. Exactly how it happened is uncertain, but one statement is that his aunt accidentally threw lye in his eyes. In his older years a fire took his house, but him being poor and blind and black he wasn't left with much else of a choice than to stay and live in the ruins of his old home. Living in this environment gave him pneumonia which subsequently led to his death. But his beautiful music just might live forever - forever floating in space."

GA-20 was formed by friends Pat Faherty and Matthew Stubbs in Boston, MA in 2018. The project was born out of their mutual love of heavy traditional Blues, R&B, and Rock & Roll of the late 50s and early 60s. Faherty and Stubbs bonded over legendary artists like Lazy Lester, J.B. Lenoir, Earl Hooker, Buddy Guy, Otis Rush and Junior Wells. Feeling a void in current music, the duo have set out to write, record and perform a modern version of this beloved art form. Live, GA-20 is a trio of 2 guitars, vocals and drums. Raw, passionate and honest performance, both on stage and in the studio, is the only goal. "Lonely Soul", the title track to their debut album embodies their sound: raw, cutting, and authentic.

The music of instrumental-folk quartet NRQ seems to defy categorization. Drawing their influences from styles as disparate as free jazz, Chinese folk songs, Calypso music, and the music of the Appalachians, every song presents a new twist or turn, and every album succeeds in defying expectations. Their third album, ‘was here’ saw the band welcome trumpeter and steel pan player MC. sirafu (The Natsuyasumi Band, Kataomoi, etc.), keyboard player Emerson Murakami (mmm, Kisel, etc.), and percussionist Okyon to create a sound quite unlike anything else they’ve ever done. The album was recorded exclusively with vintage tape machines, and the result is a warm, analog sound, with just the barest amount of hiss gently enveloping each track. Combined with the oddly mesmerizing artwork, this album has been practically begging for an analog release. P-vine is proud to be giving ‘was here’ the analog treatment it has long deserved!

The best of the Alive sessions. Featuring members of GravelRoad, Moreland & Arbuckle, Soledad Brothers and Outrageous Cherry.

Everything is mysterious! This is the second full-length from Japanese talented artist "Kensuke Ide and his mother ship" which was acclaimed by listeners as the one of the best albums in 2020. P-vine is presenting it as the long-awaited LP version! Is the innovative sound that will surprise all listeners the madness of Devil or Taoyuan Township? No, that's exactly the "mystery of 2020" !

Iconic singer Mavis Staples is an alchemist of American music, and during her 70+ year career one of her most beloved musical mo?ments was her riveting performance in Martin Scorsese's film' The Last Waltz,' performing "The Weight" with The Band, a moment that forged a life-long friendship between her and Levon Helm. Staples came to Woodstock, NY to perform as part of Helm's re?nowned Midnight Ramble series, and the ensuing concert-available now for the first time on the rousing new Anti- Records release Carry Me Home-would mark a personal high watermark for both artists. Captured live in the summer of 2011, Carry Me Home showcases two of the past century's most iconic voices coming together in love and joy, tracing their shared roots and celebrating the enduring power of faith and music. The setlist was righteous that night, mixing vintage gospel and soul with timeless folk and blues, and the performances were loose and playful, fueled by an ecstatic atmosphere that was equal parts family reunion and tent revival. Read between the lines, though, and there's an even more poignant story at play here. Nei?ther Staples nor Helm knew that this would be their last performance together-the collection marks one of Helm's final recordings before his death-and listening back now, a little more than a decade later, tunes like "This May Be The Last Time" and "Farther Along" take on new, bittersweet meaning. The result is an album that's at once a time capsule and a memorial, a blissful homecoming and a fond farewell, a once-in-a-lifetime concert-and friendship-preserved for the ages. Staples and the night's soulful crew of backup singers handle the vast majority of the vocal work here, but it's perhaps album closer "The Weight," which features Helm chiming in with lead vocals for the first time, that stands as the concert's most emotional moment. "It never crossed my mind that it might be the last time we'd see each other," says Staples. "He was so full of life and so happy that week. He was the same old Levon I'd always known, just a beautiful spirit inside and out." "My dad built The Midnight Rambles to restore his spirit, his voice, and his livelihood," says Helm's daughter, Amy, who sang backup vocals with her father and Staples at their performance. "He'd risen back up from all that had laid him down, and to have Mavis come sing and sanctify that stage was the ultimate triumph for him."

Daptone Records is honored to announce the release of Innov Gnawa's forthcoming full length, Lila. Hailing from Morocco, but based in NYC, Innov Gnawa have been making waves locally and abroad with their hypnotic live shows - which is why producer, Bosco Mann invited the group to come record at the Legendary Daptone House of Soul. Gnawa is a music and spiritual tradition rooted in Morocco and dates back many centuries. Over the years, the liberated slaves of Northern and Western Africa integrated their musical rhythms and religious beliefs into the culture of Morocco creating a unique style of music and dance called Gnawa. It's not religious music, but rather music and rhythms that promote healing through trance and spirituality. The infectious rhythms of Gnawa songs are invocations for saints and spirits of freedom and liberation.

Gnawa groups consist of a Ma'Alem, or master, who plays the Guembri(or Sintir) - an ancient three stringed bass that later evolved into the modern day banjo, accompanied by a brotherhood of musicians playing the karkabas, which are metal castanets, representing the shackles and chains of slaves. The title of this album, Lila, literally means Night, and is a traditional Gnawa ceremony in which the Ma'Alem and his karkaba ensemble dedicate an evening of healing through music. A traditional Lila has many parts with a very extensive repertoire, and can last anywhere from a few hours to few days, and even weeks in some cases. The hypnotic poly-rhythms, along with incense and ceremonial ambiance induces states of trance in the musicians and guests. This all night rhythm fest is a spiritual ritual that cleanses the body, mind and spirit. It would be impossible to capture an entire Lila on on LP, but what Innov Gnawa delivers is a concise glimpse into this ancient Moroccan tradition. We invite you to immerse yourself into Lila. Experience freedom, liberation and the power of healing through music. You are not alive if this music doesn't move you.

Ga-20 is back with a new 45 featuring an eclectic mix of covers. "As much as we love traditional blues music, we also have a soft spot for traditional country and songs that tell a story. These are 2 great storytelling songs," says Matt Stubbs, guitarist in the band. With the ambition to bridge the gap between blues and country in their own, distinctive way, Ga-20 is proud to present their swampy and bluesy take on Dolly Parton's 'Jolene', as well as a western-inspired and mysterious cover of 'Still as The Night'.