Black Lips HHV Records 11 Items

Let It Bloom Blue Vinyl Edition

LP | 2005 | UK | Reissue (Fire)

Release: 2005 / UK – Reissue

Genre: Rock & Indie

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Blue vinyl is exclusive to Indie stores The classic third album from the Black Lips, originally released in 2005 and now back on vinyl and part of a series of Fire re-issues celebrating 20 years of the legendary garage rock gurus from Atlanta, Georgia. 16 tracks of grimy and chaotic punk, scuzzy and raw, and catchy as hell. “Their strongest effort to date.” All Music // The band at their trashy best; more melodic but every bit as psychotic. If The Royal Trux had listened to the Troggs instead of the Rolling Stones, they might have recorded this album. This baby is a masterpiece. Unapologetic southern-fried twang, crunching through the gears in a blitz of grimy bravado. Their music twitches with an engaging, wired vigour." ★★★★ Uncut.

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Satan's Graffiti Or God's Art

2LP | 2017 | UK | Reissue (Fire)

26,99 €*

Release: 2017 / UK – Reissue

Genre: Rock & Indie

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Double Classic Black Vinyl, DL card. Part of a series of Fire re-issues celebrating 20 years of the legendary garage rock gurus from Atlanta, Georgia. This 2017 record features a musically evolved Black Lips, who still stay true to their original blistering take on fuzzy, dirty rock n' roll. “Satan's Graffiti or God's Art” features guest contrbutions from Yoko Ono was produced by Sean Lennon throughout 2016. During the recording, the band isolated themselves from the outside world, infusing the album with a focused liveliness similar to the spirit that brought them together in the first place. On Satan's graffiti or God's art? founding members Cole Alexander and Jared Swilley teamed with former guitarist Jack Hines (who played in the group from 2002-2004) and additions Oakley Munson on drums and Zumi Rosow on saxophone. A sonically captivating document that is as creatively unhinged as it is precisely executed, one of the rawest and most expansive albums in the band's storied history. “An injection of psychedelic texture to their naturally occuring punk rock cacophony... the Black Lips are still going from strength to strength.” ★★★★ The Line Of Best Fit // “Black Lips at their most daring, exploratory and downright vital.” The Quietus. //

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Underneath The Rainbow Red Vinyl Edition

LP | 2014 | UK | Reissue (Fire)

Release: 2014 / UK – Reissue

Genre: Rock & Indie

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Red Vinyl LP, DL card. The seventh studio album from the mighty Black Lips is finally back on vinyl, part of a series of Fire re-issues celebrating 20 years of the legendary garage rock gurus from Atlanta, Georgia. Featuring fan favourites such as ‘Boys in the Wood’ and ‘Funny’, this is an essential slice of Black Lips history. The band convened at Dunham Studios in New York to record initial tracks with Dap Kings music director Tommy Brenneck (Cee Lo, Charles Bradley), then decamped to Nashville to record several songs with Patrick Carney of The Black Keys producing, finally rounding out the album with a couple of songs co-produced with lifetime Lips recording collaborator, Ed Rawls. “Immensely listenable and accessible, while just left enough of center to keep things interesting.” Under The Radar // “Righteously ragged.” Rolling Stone //

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200 Million Thousand White Vinyl Edition

LP | 2009 | UK | Reissue (Fire)

Release: 2009 / UK – Reissue

Genre: Rock & Indie

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White Vinyl, DL card. The follow up to the widely successful ‘Good Bad Not Evil’, the 2009 album is a perfect amalgam of their high-end live shows and subculture songwriting, meshed tightly to the Lips’ distinctive howl. Finally back on vinyl and part of a series of Fire re-issues celebrating 20 years of the legendary garage rock gurus from Atlanta, Georgia. Rolling Stone, Spin, Filter, Magnet, Stop Smiling, The Fader, Anthem, Paste, and The NY Times-approved garage rock veterans’ trashy psyche pop gem. Unapologetic southern-fried twang, crunching through the gears in a haze of psychedelia.

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Arabia Mountain Yellow Vinyl Edition

LP | 2011 | UK | Reissue (Fire)

Release: 2011 / UK – Reissue

Genre: Rock & Indie

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Sixth full-length album from the guru’s of Atlanta’s “flower punk” movement, from the heady daze of 2011 – finally back on vinyl and part of a series of Fire re-issues celebrating 20 years of the legendary garage rock gurus from Atlanta, Georgia. Arabia Mountain was recorded between Brooklyn and Atlanta in 2010, and with the collaborative assistance of celebrated producer Mark Ronson, Lockett Pundt of Deerhunter, and a human skull with a microphone jammed into it. “I was already a fan of the Black Lips coming into it and I definitely didn’t want to f**k up anything,” Ronson told Rolling Stone…and f**k up he did not. The production tests the limits of modern amplification, harkening to the full, meaty sound of The Stooges’ Fun House or Lola Versus Powerman by the Kinks. Unapologetic southern-fried twang, crunching through the gears with flowers blossoming everywhere. “Black Lips have crafted a very solid album.” ★★★★ Pitchfork // “Hook after hook of infectious punk rock… a fantastic rock record.” Paste //

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Arabia Mountain Black Vinyl Edition

LP | 2011 | UK | Reissue (Fire)

22,99 €*

Release: 2011 / UK – Reissue

Genre: Rock & Indie

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Let It Bloom Black Vinyl Edition

LP | 2005 | UK | Reissue (Fire)

22,99 €*

Release: 2005 / UK – Reissue

Genre: Rock & Indie

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Good Bad Not Evil (Deluxe Edition) Black Vinyl Edition

2LP | 2022 | UK | Original (Fire)

27,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Classic Double Black vinyl, Gatefold sleeve w/ spot gloss, liner notes + DL card. Bending scuzzy boundaries, ‘Good Bad Not Evil’ is a coming-of-age garage rock classic record. Full of hedonistic delinquent anthems, the fourth studio album from Atlanta punks Black Lips reaches it’s 15 year anniversary. This deluxe edition includes unearthed photos and new liner notes from Jared Swilley and King Khan. The second disc features B-sides and rarities including ‘Cruising’, ‘I Wanna Dance With You’ and ‘Leroy Faster’. ‘Good Bad Not Evil’ perfectly encapsulates the disillusionment of the mid-00s America, slammed between warehouse parties, DIY generator shows and scattered party pics, which was recorded in a little house in Atlanta that had been converted into a studio called the Living Room. Referencing Shangri-Las in the title, this is where their knack for garage gems met Motown; with bass heavy grooves (later remixed by Diplo), a certified country twang and unabashed 2 bravado. Instant hits like ‘Veni Vidi Vici’, ‘Cold Hands’, ‘Bad Kids’ and ‘O Katrina!’ immediately became Black Lips staples. This was a band caught in the eye of the storm, the touring continued, the parties didn’t stop, this was a band bending the scuzzy boundaries of their chosen genre. The record was hailed by the likes of Pitchfork, who proclaimed, “Black Lips are a go-to band for vintage lo-fi freaks, and their raucous live shows have helped them cross over outside of crusty dive bars. ‘Good Bad Not Evil’, however, is the record where naysayers, disinterested friends and acquaintances, people on the street, and anyone else within earshot has to sit up, shut up, and listen.” …and, shut up and listen they did. “A perfect tapestry of sordid pleasure.” NME // “The same rapturous energy as the Sonics and the 13th Floor Elevators.” The Guardian

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Good Bad Not Evil (Deluxe Edition) Sky Blue Vinyl Edition

2LP | 2007 | UK | Reissue (Fire)

29,99 €*