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Code: recorddeal on all HHV Records sale items. Code: recorddeal
Valid only until June 30th, 23:59 p.m.

All Vinyl, CD & Tape Used Vinyl Merchandise Equipment

Analogue Productions Vinyl, CD & Tape 107 Items

Name: John Coltrane - Lush Life 200g Vinyl Edition
Brand: Analogue Productions
SKU: 376667
Price: 55.99 EUR
Availability: InStock

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Analogue Productions

John Coltrane

Lush Life 200g Vinyl Edition

LP | 1961 | US | Reissue (Analogue Productions)

55,99 €*

Incl. VAT plus Shipping Costs

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Here is one of the musical giants of the 20th century, poised on the precipice of greatness. Between the spring of 1957 and the winter of 1958, during which time "Lush Life" was recorded, the music of tenor saxophonist John Coltrane (1926-1967) was developing in giant steps, thanks in great part to a six-month 1957 stint with Thelonious Monk that had much to do with sharpening Coltrane’s harmonic conception and torrential attack.
"Lush Life" contains Coltrane’s first recordings as sole leader, his initial date fronting a pianoless trio, and one of his first extended readings of a ballad, Billy Strayhorn’s resplendent title track. We also hear him at the helm of a quartet and quintet, featuring pianist Red Garland, with trumpeter Donald Byrd, bassist Paul Chambers and drummer Louis Hayes added to “Lush Life”. Coltrane handles the tune’s delicate complexities with infinite style and finesse.
Coltrane and jazz would never be the same.

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John Coltrane

Soultrane 200g Vinyl Edition

LP | 1958 | US | Reissue (Analogue Productions)

55,99 €*

Incl. VAT plus Shipping Costs

Release: 1958 / US – Reissue

Genre: Organic Grooves

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This album continued the reinforcement of Coltrane’s importance as a stylist. As in "Coltrane" and "John Coltrane And The Red Garland Trio", his first two albums as a leader for Prestige, the material in "Soultrane" is away from the ordinary. The Red Garland–Paul Chambers–Arthur Taylor rhythm section is a perfect accompanying unit for 'Trane' who, by this time, was acknowledged to be — along with Sonny Rollins — one of the two most influential tenor saxophonists in jazz.
"Soultrane" opens with an exploration at length of "Good Bait", a Tadd Dameron-Count Basie collaboration, first recorded by Dizzy Gillespie in the 1940s. The way Coltrane plays the turns in the melody gives it a slight minuet flavor, complimented by solos by Garland and Chambers in the same, solid groove. "I Want To Talk About You" is a ballad written and originally recorded by Billy Eckstine in the mid-1940s. It’s entirely new to jazz interpretation.
Side Two opens with a Joe Stein-Leo Robin tune, "You Say You Care", never heard before this in a jazz context. Trane makes the most of chord changes in a swinging, medium-up setting. "Theme For Ernie" is a smoldering ballad dedicated by Philadelphian Freddie Lacey to Ernie Henry, the ex-Gillespie alto saxophonist who died suddenly in December 1957. Red begins the final track "Russian Lullaby" with an out-of-tempo introduction before Coltrane comes ripping in. Taking this and Coltrane’s prior interpretation of "Soft Lights And Sweet Music", it seems as though the boys like to play their Irving Berlin at high velocity.
Because of the astounding Coltrane solo works that both precede and follow Soultrane — most notably "Lush Life" and "Blue Train" — All Music Guide says this album has »perhaps not been given the exclusive attention it so deserves«.

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Sonny Rollins

Rollins Plays For Bird 200g Vinyl Edition

LP | 1956 | US | Reissue (Analogue Productions)

55,99 €*

Incl. VAT plus Shipping Costs

Release: 1956 / US – Reissue

Genre: Organic Grooves

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As the tenor sax is not in the same key as an alto, Sonny Rollins would have to transpose a lot of music to take a tribute to Charlie Parker to a high level. Instead Rollins has chosen standards associated with Parker, and recorded them within a year after Bird’s passing.
The music certainly has its moments, as on the inexhaustible 27-minute medley of seven tunes seamlessly stitched together. Rollins plays the melody on alternating songs "I Remember You" and "They Can’t Take That Away from Me", Kenny Dorham has at it for "My Melancholy Baby" and "Just Friends", with Wade Legge getting his two cents in on trio only versions of "Old Folks" and "My Little Suede Shoes". Finally the whole band joins in on the ten-minute medley finale "Star Eyes". Two independent selections accompany the medley: Rollins does the ballad "I’ve Grown Accustomed to Your (Her) Face", from the musical "My Fair Lady" and the horns finally play together for the nearly 12-minute cool waltz "Kids Know".

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Hank Mobley

Mobley's 2nd Message 200g Vinyl Edition

LP | 1956 | US | Reissue (Analogue Productions)

55,99 €*

Incl. VAT plus Shipping Costs

Release: 1956 / US – Reissue

Genre: Organic Grooves

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The session for "Mobley’s 2nd Message" was recorded in July 1956, just one week after "Mobley’s Message" was recorded. The album features performances by Mobley, Kenny Dorham, Walter Bishop, Doug Watkins, and Art Taylo

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Tony Bennett

At Carnegie Hall

2LP | 1962 | US | Reissue (Analogue Productions)

80,99 €*

Incl. VAT plus Shipping Costs

Release: 1962 / US – Reissue

Genre: Organic Grooves

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This is it, the live, double LP where the magical Tony Bennett created indelible memories! "Tony Bennett At Carnegie Hall" is the Tony Bennett album to buy for any Bennett fan or those just introduced to his music. And you'll never hear or experience it presented in finer fashion than from this outstanding reissue by Analogue Productions and Quality Record Pressings!
We've given "Tony Bennett At Carnegie Hall" the deluxe reissue treatment. Starting with premier mastering by Ryan Smith at Sterling Sound from the original analog tapes. Then plating and presssing by Gary Salstrom and the crew at Quality Record Pressings, where the finest quality LPs in the world are pressed. But it doesn't stop there: We've expanded and enhanced the original studio photography, which was supplied by Sony to our graphic designers. And we've wrapped up the whole package in a deluxe 'old-school' tip-on gatefold jacket from Stoughton Printing!
Originally recorded in 1962, "Tony Bennett At Carnegie Hall" is a testament to Bennett's live vocal ability, writes allmusic.com. Backed by the Ralph Sharon Orchestra, Bennett moves far beyond his standard musical catalogue.
Along with standards like "I Left My Heart In San Francisco" and "Just in Time", Bennett reached out to create great medleys such as "(I Like New York in June) How About You/April in Paris", that automatically become his as soon as they are performed. Altogether there are 30 tracks on the album. Most remarkable is the clarity of the recording of the concert. If not for the tremendous applause of the audience, you could swear that Bennett had recorded each track in the studio. A masterpiece!

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Miles Davis

Bags Groove 200g Vinyl Edition

LP | 1954 | US | Reissue (Analogue Productions)

55,99 €*

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Release: 1954 / US – Reissue

Genre: Organic Grooves

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There are a multitude of reasons why "Bags’ Groove" remains a cornerstone of the post-bop genre. Of course, says All Music Guide, there will always be the lure of the urban myth surrounding the Christmas Eve 1954 session — featuring Thelonious Monk — which is documented on the two takes of the title track. There are obviously more tangible elements, such as Davis’ practically telepathic runs with Sonny Rollins (tenor sax). Or Horace Silver’s (piano) uncanny ability to provide a stream of chord progressions that supply a second inconspicuous lead without ever overpowering.
Indeed, Davis’ choice of former Dizzy Gillespie Orchestra and concurrent Modern Jazz Quartet members Milt Jackson (vibes), Kenny Clarke (drums), and Percy Heath (bass) is obviously well-informed. This combo became synonymous with the ability to tastefully improvise and provide bluesy bop lines in varied settings. The up-tempo and Latin-infused syncopation featured during the opening of "Airegin" flows into lines and minor-chord phrasings that would reappear several years later throughout Davis’ "Sketches of Spain" epic. The fun and slightly maniacally toned "Oleo" features one of Heath’s most impressive displays on "Bags’ Groove". His staccato accompaniment exhibits the effortless nature with which these jazz giants are able to incorporate round after round of solos onto the larger unit. "Bags’ Groove" belongs as a cornerstone of all jazz collections.

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