All Items 1788 Items

LP | 1967 | EU | Reissue (Merlins Nose)

Release: 1968 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

1972 reissue. Gatefold cover.

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Jacqueline Taieb

244,99 €*

A Little Togetherness / Beginning Of The End

Release: 1967 / EU – Reissue

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Record with some scuffs and slight scratches! Cover has a minimal stuffed corner!

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The Younghearts

7" | 1967 | US | Original (Canterbury)

219,99 €*

2LP | 1964 | US | Reissue (Analogue Productions)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with light scuffs and hairlines

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Bill Evans

Waltz For Debby

210,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Sunday At The Village Vanguard

Bill Evans

2LP | 1967 | US | Reissue (Analogue Productions)

210,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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A Love Supreme Uhqr Limited Edition Box Set

LP Box | 1964 | US | Reissue (Analogue Productions)

201,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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John Coltrane Quartet — A Love Supreme Analogue Productions' Uhqr, the pinnacle of high-quality vinyl! 45 RPM Ultra High Quality Record release. Limited to 10,000 copies. Mastered from the original tape by Ryan K. Smith at Sterling Sound Pressed at Quality Record Pressings using Clarity Vinyl® Includes a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home

Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). In fact, jazz critics have lauded A Love Supreme as Coltrane's most important recording. The rave reviews which appeared in the magazines Downbeat, Jazz Hot, Jazz Podium and Swing-journal reflected this: critics all over the world, in America, Europe and Japan recognized that Coltrane's deep religious belief had influenced both his approach to life and his music-making.

You're about to experience A Love Supreme at its peak of vinyl perfection — in Uhqr format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each Uhqr will be packaged in a deluxe box and will include a booklet detailing the entire process of making a Uhqr along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.

For this 45 RPM 2LP edition you'll also receive a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home.

The original master tape is available but it's not in the best shape. This LP was cut from a flat tape copy made by Rudy Van Gelder and used for cutting in the UK in April of 1965. Of course, the original recording was in December '64, so only a handful of months later. This tape was discovered at Abbey Road and had been untouched between 1965 and 2002. So while the original tape is available and while we would always opt for the original whenever we can, in this case this copy was the better choice as the tape has incurred less overall wear and sounds much better than the original.

A Love Supreme was Coltrane's pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped in and created one of the most thought-provoking albums of their relationship.

The album not only enabled Coltrane to express himself with great intensity but also lent him the necessary inner peace to conceive a work of almost 40 minutes in length and to lead his quartet along the same path as himself.

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Ballads UHQR (Ultra High Quality Record) 2LP 200g 45rpm Vinyl Deluxe Limited Edition Box Set

2LP | 1963 | US | Reissue (Analogue Productions)

201,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

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John Coltrane Quartet — Ballads
Analogue Productions' UHQR, the pinnacle of high-quality vinyl!
45 RPM Ultra High Quality Record release limited to 5,000 copies
Mastered from the original tape by Ryan K. Smith at Sterling Sound
Pressed at Quality Record Pressings using Clarity Vinyl®
Includes a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall

Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). Ballads is an album that will never go out of style and never be unwelcome on any jazz lover's turntable.

You're about to experience Ballads at its peak of vinyl perfection — in UHQR format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.

For this 45 RPM 2LP edition you'll also receive a !2" x 12" 12-page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall.

The intense passionate Coltrane interpretation of standards such as "All Or Nothing At All," "What's New," "It's Easy To Remember" and the Sinatra classic "Nancy (With The Laughing Face)" are the essence of Ballads. When asked why attempt such an undertaking, Coltrane replied "Variety."

While it may have been a short detour by Trane before he exploded off into the nether regions of jazz music a few years later, it is still a fantastic document of one of the premier jazz groups of the 1960s.

Recorded December 21, 1961 and September 18 & November 13, 1962 at Rudy Van Gelder Studios.

"It's impossible to sleepwalk through tracks like "You Don't Know What Love Is" and "I Wish I Knew" and impart them with even a fraction of the emotional heft that the Quartet achieves. This is the type of jazz album in which the music just washes over the listener with it's restrained grace and beauty, and while it may not have the adventurousness that some listeners think Trane should have had each and every time he recorded, I'd say it shows off a side of him that only makes us appreciate his more bold and daring albums even more." — The Jazz Record

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Revolver Special Edition Super Deluxe Vinyl Box Set Edition

4LP+7" | 1966 | EU | Reissue (Apple)

193,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie, Pop

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The Jimi Hendrix Experience

Are You Experienced Larity Vinyl Edition

Box Set | 1967 | US | Reissue (Ananlogue Productions)

168,99 €*

7" | 1966 | UK | Original (Island)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Analogue Productions präsentiert eine weitere Uhqr - den Jimi-Hendrix-Klassiker "Are You Experienced". In Zusammenarbeit mit Quality Record Pressings ist diese Wiederveröffentlichung ein echtes Sammlerstück - eine Ultra High Quality Record (Uhqr) Veröffentlichung!

Diese Uhqr-Stereo-Wiederveröffentlichung ist auf 20.000 Exemplare limitiert und hat einen mit Goldfolie einzeln nummerierten Umschlag.

Bei seiner Erstveröffentlichung im Jahr 1967 stellte "Are You Experienced" die Musikwelt auf den Kopf, denn Hendrix zeigte allen, was es bedeutet, "erfahren" zu sein. Hendrix synthetisierte verschiedene Elemente der modernsten Rockmusik von 1967 zu einer Musik, die sowohl futuristisch klang als auch in den besten Traditionen von Rock, Blues, Pop und Soul verwurzelt war. Die meiste Aufmerksamkeit erhielt natürlich seine atemberaubende Gitarrenarbeit, mit der er neue klangliche Territorien in Bezug auf Rückkopplung, Verzerrung und schiere Lautstärke erschloss. Das hätte jedoch nicht viel bedeutet ohne sein hervorragendes Material, ob psychedelische Raserei ("Foxey Lady", "Manic Depression", "Purple Haze"), instrumentale Freak-Out-Jams ("Third Stone from the Sun"), Blues ("Hey Joe") oder zarte, poetische Kompositionen ("The Wind Cries Mary"), die die Bandbreite seines Songwriting-Talents demonstrierten. Nicht zu unterschätzen waren die Beiträge von Schlagzeuger Mitch Mitchell und Bassist Noel Redding, die der Musik einen rhythmischen Puls gaben, der Teile des Rock und des improvisierten Jazz verschmolz.

Was Jimi über die Neuauflage seines Debütalbums in den USA durch Reprise Records dachte, die "The Wind Cries Mary", "Purple Haze" und "Hey Joe" in die ursprüngliche 11-Track-Liste aufnahmen, ist nicht ganz bekannt. Aber Jimi äußerte bei späteren Bühnenauftritten seine Enttäuschung darüber, dass "Red House", seine großartige Original-Blueskomposition, aus dem US-Album gestrichen worden war.

Die US-Version des Titels wurde im August 1967 veröffentlicht. Enthalten sind auch die ersten drei britischen Singles der Gruppe: "Purple Haze", "Hey Joe" und "The Wind Cries Mary".

Diese Uhqr wurde von dem legendären Bernie Grundman von den originalen analogen Masterbändern remastert. Jede Uhqr wird im Presswerk von Acoustic Sounds, Quality Record Pressings (qrp), auf handselektiertem Clarity Vinyl® gepresst, wobei auf jedes einzelne Detail geachtet wird. Diese Platten weisen das gleiche flache Profil auf, das die ursprüngliche Uhqr so begehrenswert gemacht hat. Von der Einlaufrille bis zur Auslaufrille weist das Profil keine Neigung auf, so dass die Abtastnadel des Kunden wirklich senkrecht zu den Rillen von der Kante bis zur Mitte spielen kann. Clarity Vinyl ermöglicht die reinstmögliche Pressung und die visuell beeindruckendste Präsentation. Jede Uhqr wird nach Abschluss der Pressung von Hand geprüft, und nur die wirklich makellosen Exemplare werden auf den Markt gebracht. Jede Uhqr wird in einer Deluxe-Box verpackt und enthält ein Booklet, in dem der gesamte Herstellungsprozess einer Uhqr beschrieben wird, sowie ein handsigniertes Prüfzertifikat. Dies wird ein wahrhaft luxuriöses Sammlerprodukt sein.

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Chris Farlowe

Stormy Monday

161,49 €* 169,99 € -5%

Release: 1966 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1964 | US | Reissue (Mobile Fidelity)

Muddy Waters

Folk Singer

158,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Workin' With The Miles Davis Quintet

The Miles Davis Quintet

LP | 1960 | US | Original (Prestige)

150,99 €*

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Original US deep groove Mono pressing. Torn spines and discolouration.

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Revolver Special Edition Super Deluxe CD Box Set Edition

Box Set | 1966 | EU | Reissue (Apple)

138,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie, Pop

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"Live" At The Village Vanguard

LP | 1962 | US | Original (Impulse!)

114,99 €*

LP | 1964 | US | Original (Blue Note)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Record has some hairlines and a few superficial scratches.
Plays with faint surface noise but far from overpowering the music.
Upper and lower seam are split. Sticker on back cover.

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Lee Morgan

The Sidewinder

103,99 €*

Earthquake / Opportunity Street

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with scuffs and hairlines, cover with yellowing and open seam split on top and bottom spine.

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Bobbi Lynn

7" | 1968 | UK | Original (Stateside)

99,99 €*

Release: 1968 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Record has just a few hairlines and is close to VG+.

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LP | 1968 | US | Original (Columbia)

Nefertiti

93,99 €*

LP | 1964 | US | Original (Blue Note)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US pressing.

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Lee Morgan

The Sidewinder

Laissez Briller Le Soleil

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G

Vinyl with many scuffs, hairlines and some deeper marks. Cover with long seam splits, shelf wear. and yellowing

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Les Boots

7" | 1966 | FR | Original (Polydor)

Joya Landis / Alton Ellis, Phyllis Dillon

Release: 1966 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Record with clean labels plays with faint surface noise which is especially audible in the run-ins but far from overpowering the music.

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Angel Of The Morning / Love Letters

7" | 1968 | UK | Original (Trojan)

Curtis Fuller With Red Garland

Release: 1968 / UK – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Record in excellent condition with clean labels and just a few hairlines. Plays with very faint surface noise in the run-ins, far from over powering the music. Prong has been removed.

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LP | 1962 | US | Original (New Jazz)

LP | 1967 | US | Original (Blue Note)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G

US original.
Sleeve has taped seams, heavy wear, punchhole.
LP has scratches.

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Lee Morgan

Delightfulee

LP | 1962 | JP | Reissue (Riverside)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with many scuffs, hairlines and a couple of deeper marks. Cover with seam split, tears and shelf wear.

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The Bill Evans Trio

Waltz For Debby

88,99 €*

Release: 1962 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1993 reissue. OBI is missing. With insert. Stuffed corner. Vinyl is close to NM.

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2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Nefertiti

83,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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2LP, 180 Gram Audiophile Vinyl, Numbered Limited-Edition

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LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Miles Smiles

82,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-11-08

John Mayall & The Bluesbreakers

A Hard Road

LP | 1967 | UK | Original (Decca)

80,99 €*

Release: 1967 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

John Mayall & The Bluesbreakers

Bare Wires

LP | 1968 | UK | Original (Decca)

80,99 €*

Carlos Lyra E Dulce Nunes Com Moacir Santos / Catulo De Paula / Thelma Soares

Release: 1968 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker residue on front cover. Mono, gatefold.

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Pobre Menina Rica

LP | 1964 | BR | Original (CBS)

79,99 €*

Greatest Hits 45RPM, 200g Vinyl Edition

Release: 1964 / BR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with shelf wear

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Patsy Cline

2LP | 1967 | US | Reissue (Analogue Productions)

LP | 1968 | BE | Reissue (Elektra)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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What praises haven't been lauded the immortal singing talent of the late, great Patsy Cline? She died at the height of her career, at age 30, with two other stars of the Grand Ole Opry, and her manager, in a private plane crash near Camden, Tennessee, on the group's return to Nashville from Kansas City. Before that ill-fated flight, though, she left a musical legacy as one of the most influential and successful female vocalists of the 20th Century.
In the late 1950s and the '60s, country music was essentially a singles medium. This album, first released in 1967, collects a dozen of Patsy's biggest hits — all of them from the country singles market — including "Walkin' After Midnight", "Sweet Dreams (Of You)", "Crazy", and "I Fall to Pieces".
Producer Owen Bradley surrounds Cline's full-throated, emotionally charged vocals with lush, sophisticated arrangements that set the standard for Nashville's 'countrypolitan' sound. And trust us, on this 200-gram QRP pressing, mastered by Sterling Sound, Cline's seductive vocals have never sounded clearer or richer.
Cline's life and career has been the subject of numerous books, movies, documentaries, articles and stage plays. She has sold millions of albums through the past 50 years, giving her an iconic fan status, similar to that of country artists such as Johnny Cash and Dolly Parton. In 1992, the U.S. Postal Service honored her, along with Hank Williams, on a U.S. postage stamp. And in 1995 she was honored with a Grammy Lifetime Achievement Award. Cline was also honored with a star on the Hollywood Walk of Fame in 1999.
Before Shania Twain found a new (though not necessarily improved) way to combine country and pop in the 1990s, this was the top-selling country album of all time by a female artist.

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Nico

The Marble Index

Release: 1968 / BE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

1972 reissue.

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Seven Steps To Heaven 45 Rpm 180g Edition

2LP | 1963 | US | Reissue (Analogue Productions)

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Blues & Roots Atlantic 75 Series

Charles Mingus

2LP | 1960 | US | Reissue (Analogue Productions Atlantic 75 Series)

2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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180g 2LP 45rpm

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Johnny Cash

At Folsom Prison

74,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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The Crazy World Of Arthur Brown

LP | 1968 | US | Original (Track)

74,99 €*

2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1968 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

US first pressing. Strong VG copy!

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Jefferson Airplane

Surrealistic Pillow

Release: 1967 / US – Reissue

Genre: Rock & Indie

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180 Gram MONO 45RPM Audiophile Vinyl, limited/numbered

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2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

Filles De Kilimanjaro

Live At The Sands (Before Frank)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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180 Gram 45RPM Audiophile Vinyl, Numbered Limited-Edition

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Count Basie

2LP | 1966 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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180 Gram Audiophile Vinyl, limited & numbered!

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2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Sorcerer

Release: 1967 / US – Reissue

Genre: Organic Grooves

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180 Gram 45RPM Audiophile Vinyl, Numbered Limited-Edition

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LP | 1963 | US | Reissue (Mobile Fidelity Sound Lab)

Seven Steps To Heaven

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Big Brother & The Holding Company

Cheap Thrills

LP | 1968 | JP | Original (CBS/Sony)

70,99 €*

LP | 1966 | UK | Original (Transatlantic)

Release: 1968 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Taped spines. Japanese pressing. OBI is missing. Vinyl is close to NM.

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John Renbourn

70,99 €*

2LP | 1962 | US | Reissue (Analogue Productions)

Release: 1966 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Original UK mono pressing.

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Tony Bennett

At Carnegie Hall

69,99 €*

I Never Loved A Man The Way I Love You

Release: 1962 / US – Reissue

Genre: Organic Grooves

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This is it, the live, double LP where the magical Tony Bennett created indelible memories! "Tony Bennett At Carnegie Hall" is the Tony Bennett album to buy for any Bennett fan or those just introduced to his music. And you'll never hear or experience it presented in finer fashion than from this outstanding reissue by Analogue Productions and Quality Record Pressings!
We've given "Tony Bennett At Carnegie Hall" the deluxe reissue treatment. Starting with premier mastering by Ryan Smith at Sterling Sound from the original analog tapes. Then plating and presssing by Gary Salstrom and the crew at Quality Record Pressings, where the finest quality LPs in the world are pressed. But it doesn't stop there: We've expanded and enhanced the original studio photography, which was supplied by Sony to our graphic designers. And we've wrapped up the whole package in a deluxe 'old-school' tip-on gatefold jacket from Stoughton Printing!
Originally recorded in 1962, "Tony Bennett At Carnegie Hall" is a testament to Bennett's live vocal ability, writes allmusic.com. Backed by the Ralph Sharon Orchestra, Bennett moves far beyond his standard musical catalogue.
Along with standards like "I Left My Heart In San Francisco" and "Just in Time", Bennett reached out to create great medleys such as "(I Like New York in June) How About You/April in Paris", that automatically become his as soon as they are performed. Altogether there are 30 tracks on the album. Most remarkable is the clarity of the recording of the concert. If not for the tremendous applause of the audience, you could swear that Bennett had recorded each track in the studio. A masterpiece!

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Aretha Franklin

LP | 1967 | US | Original (Atlantic)

66,99 €*

2LP | 1967 | US | Reissue (Impex)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US mono Monarch pressing. Cover has slight wear.

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Thelonious Monk

Straight, No Chaser

62,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Kenny Burrell & John Coltrane

Kenny Burrell & John Coltrane (Original Jazz Classics Series)

LP | 1963 | EU | Reissue (Craft)

60,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | JP | Reissue (London)

The Rolling Stones

Beggars Banquet

60,99 €*

Sonny Rollins With The Modern Jazz Quartet Featuring Art Blakey And Kenny Drew

Release: 1968 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. close to NM. 1978 reissue.

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Sonny Rollins With The Modern Jazz Quartet

LP | 1960 | JP | Original (Top Rank International)

60,99 €*

Release: 1960 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Art Blakey & The Afro-Drum Ensemble

The African Beat

LP | 1962 | US | Original (Blue Note)

59,99 €*

LP | 1962 | US | Original (ATCO)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

US original.

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The Coasters

59,99 €*

LP | 1966 | US | Original (Cameo)

Release: 1962 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with shelf wear on the back, close to VG+

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? & The Mysterians

96 Tears

59,99 €*

LP | 1967 | US | Reissue (International Artist)

Release: 1966 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Cover with punch hole

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13th Floor Elevators

Easter Everywhere

58,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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LP | 1962 | EU | Reissue (Dialogo)

V.A.

Passaporto Per L'italia

58,19 €* 96,99 € -40%

LP | 1968 | WW | Reissue (Mobile Fidelity Sound Lab)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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Simon & Garfunkel

Bookends

The Thelonious Monk Quartet

Release: 1968 / WW – Reissue

Genre: Pop

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A Timeless Reflection on America and Ourselves: Simon & Garfunkel’s Searching Bookends Searches and Asks Big Questions, Includes “Mrs. Robinson” and “A Hazy Shade of Winter”

Mastered on MoFi’s Renowned System and Limited to 4,000 Numbered Copies: Mobile Fidelity’s 180g SuperVinyl 33rpm LP Magnifies the Brilliance of the Original Recording Sessions

1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe

Concept album, career-making moment, industry-defying creation, years-long pursuit of perfection: Simon and Garfunkel’s Bookends adheres to all those descriptions and more, the record at once a defining statement of the late 1960s and salient reflection on relationships, identity, society, and mortality whose enduring relevance attests to its exceptional merit. Ranked by countless sources as one of the greatest records of all time, the 1968 work transcends styles, trends, and generations.

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Monk's Dream

LP | 1963 | US | Reissue (Impex)

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Duke Ellington / Coleman Hawkins

Ellington Meets Coleman Hawkins Acoustic Sounds Vinyl Edition

LP | 1963 | EU | Reissue (Impulse)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | DE | Original (Star-Club)

V.A.

Sweet Beat

The Ornette Coleman Quartet

Release: 1966 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with long open seam split on bottom spine and punch hole.

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This Is Our Music

2LP | 1960 | DE | Reissue (ORG Music)

56,99 €*

Release: 1960 / DE – Reissue

Genre: Organic Grooves

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Pressed at Pallas in Germany

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Sgt.Peppers´s Lonely Hearts Club Band

LP | 1967 | UK | Original (Parlophone)

55,99 €*

2LP | 1963 | EU | Reissue (Speakers Corner)

Release: 1967 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Uk reissue from the 2000s.
Includes original inner sleeve.

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The Dave Brubeck Quartet

At Carnegie Hall

55,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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2LP | 1963 | EU | Reissue (Ubatuqui)

Joao Gilberto

Warm World Of

54,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Coltrane Hq Ltd 200g Editionmono Numbered

LP | 1962 | US | Reissue (Analogue Productions)

53,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Blues In Orbit 200g Vinyl Edition

Duke Ellington

53,99 €*

LP | 1964 | US | Reissue (Analogue Productions)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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It's tempting for "Blues In Orbit" to be overlooked when Duke Ellington's best albums are discussed, but truly it's an undisputed gem. There are 14 tracks, none of them is longer than 4:50 and it is all good stuff. There are some familiar favorites such as "In A Mellotone" and "C Jam Blues" as well as less often heard gems like "Blues In Blueprint and "Sweet And Pungent". It is also in stereo, and the arrangements are superb.
The featured performers include Ellington stalwarts Johnnie Hodges, Ray Nance, Harry Carney and Jimmy Hamilton, as well as the less familiar Booty Wood and Matthew Gee. Johnnie, in particular is well showcased here, taking the lead not only in slow pieces like "Brown Penny" and "Sentimental Lady", but also in the rousing "Smada".
The full Analogue Productions reissue treatment is at work on this smashing LP — famed mastering engineer Bernie Grundman handled the remastering from the original analog tapes. The lacquers were plated and pressed at Quality Record Pressings, maker of the world's finest-sounding LPs. Lastly we've stashed each super-silent 200-gram disc in a premium Stoughton Printing gatefold jacket.
All of the takes were recorded during after midnight sessions recorded over two nights starting on December 2, 1959 in New York at Columbia Record's studio on East 30th Street. Each night Duke's late dinner arrived at 2 a.m. — a sizzling steak, a pot of coffee with lemons in it, portions of American cheese, and grapefruits. After dinner, and a breather for the band, the sessions finished around dawn in a swinging fashion.
If you're just getting into jazz, this album is highly recommended as a great way to initiate your collection. The sound is incredible, with packaging to match. Another audiophile home run.

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Booker Ervin

Song Book 180g Edition

53,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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LP | 1966 | US | Original (Verve)

Ed Thigpen

Out Of The Storm

50,99 €*

LP | 1963 | US | Original (Okeh)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Vinyl is slightly warped. Deep groove pressing. Drill hole and torn spines.

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Champion Jack Dupree

Cabbage Greens

50,99 €*

2LP | 1966 | US | Reissue (Zappa)

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

taped spines. original mono pressing

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Frank Zappa

It's Freak Out

Original Music From The Score "Alfie"

Release: 1966 / US – Reissue

Genre: Rock & Indie

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180 Gramm Reissue of the original 1966 stereo mix!

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Sonny Rollins

LP | 1966 | US | Original (Impulse!)

LP | 1966 | US | Original (Blue Note)

Release: 1966 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Wayne Shorter

The All Seeing Eye

The Fourth Dimension In Sound

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G

Vinyl with many marks, scuffs, hairlines and deeper scratches, plays with grainy background noise. Cover with completely open top and bottom spine, shelf wear

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Shorty Rogers

LP | 1962 | JP | Original (Warner)

The Horace Silver Quintet

Release: 1962 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl. Japanese pressing.

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Silver's Serenade

LP | 1963 | US | Reissue (Blue Note)

Quinteto Real En Japon Vol. 1

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Record has some hairlines and a few superficial scratches.
Backcover with minor stains from prior waterdamage.

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Quinteto Real

LP | 1964 | JP | Original (CBS)

LP | 1966 | DE | Original (Capitol)

Release: 1964 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

OBI not included.
Cover slightly yellowed but close to VG+

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The Shacklefords

Little Darling (I Need You)

Release: 1966 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Sleeve has wear and scuffs.
LP has surface marks.

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Marvin Gaye

7" | 1966 | UK | Original (Tamla Motown)

Release: 1966 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Ships in a label sleeve with small tear at the centre.

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Sgt. Pepper's Lonely Hearts Club Band

LP | 1967 | DE | Reissue (Odeon)

2LP | 1968 | EU | Reissue (Polydor)

Release: 1967 / DE – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Early German reissue. Cover is close to NM. Vinyl seems unplayed.

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Cream

Wheels Of Fire

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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2LP | 1967 | US | Reissue (Polydor)

Velvet Underground

White Light / White Heat

Release: 1967 / US – Reissue

Genre: Rock & Indie

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LP | 1960 | JP | Reissue (Liberty)

Julie London

Around Midnight

LP | 1960 | JP | Reissue (Cadet)

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1994 reissue. OBI is missing. With insert.

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The Kenny Burrell Trio

A Night At The Vanguard

The Latin Bit Tone Poet Vinyl Edition

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Vinyl seems unplayed. With OBI and insert. 1975 reissue. Cover is close to NM.

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Grant Green

LP | 1962 | UK | Reissue (Blue Note)

47,99 €*

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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2LP | 1967 | Reissue (Rhino)

The Monkees

Headquarters

47,99 €*

Release: 1967 / Reissue

Genre: Rock & Indie

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Time Out 200g Vinyl Edition

The Dave Brubeck Quartet

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it — for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodite," "Pleasantville" and "Constantine." The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time — so distinctive, it's a rare jazz track that became a pop hit.
Including the monster hit "Take Five", the Brubeck Quartet's "Time Out" is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 33 1/3 RPM on 200-gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you "Time Out" renewed.
Like its 45 RPM sibling, "Time Out" is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.
The jacket is also special — very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic ‚old school‘ look and feel. This jacket is a beauty! Never has "Time Out's" colorful iconic cover art looked so vibrant.
The record label's sales executives didn't want a painting on the cover when "Time Out" debuted in 1959 on Columbia Records, Brubeck told an interviewer. An entire album of originals? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and "Time Out" became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.
The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music. Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five“, at Brubeck's urging to try and write a song in quintuple (5/4) time.
"Time Out" peaked at No. 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. "Take Five" became a mainstream hit, reaching No. 25 on the Billboard Hot 100, and No. 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.

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Eric Dolphy

Outward Bound

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Dolphy had left his native California and come east as part of Chico Hamilton's group, settling in New York in 1960 and becoming part of Charles Mingus's group. This first recording as a leader brought comparisons with Ornette Coleman but the two were really parallel figures in the then-emerging avant-garde. Dolphy did not eschew 'changes', as Coleman did, but he used them in new ways. This LP was significant not only for his alto saxophone but introduced his individual approach to the flute and, particularly, the bass clarinet.

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Oliver Nelson

Screamin' The Blues

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Thelonious Monk

At The Blackhawk

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Bill Evans At Town Hall Volume One Acoustic Sounds Edition

The Bill Evans Trio

LP | 1966 | EU | Reissue (Verve)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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A timeless piano jazz classic: Bill Evans’ first-ever performance at a concert hall in New York City. Featuring the sensitive accompaniment of Chuck Israels on bass and Arnold Wise on drums. Includes a thirteen-minute solo suite dedicated to the memory of Bill’s father who had only recently passed at the time of the recording.

Verve Acoustic Sounds Series: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

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Standard Coltrane 200g Vinyl Edition

LP | 1962 | US | Reissue (Analogue Productions)

LP | 1964 | US | Reissue (Analogue Productions)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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John Coltrane brought a new sound and style to jazz, and he applied it in his own unique way to the standard material of the storehouse of American music gathered from Broadway, Hollywood and Tin Pan Alley. With the excellent rhythm team of Red Garland, Paul Chambers (both of whom had done so many concert, club and recording dates with him) and Jimmy Cobb and the Miles-directed flugelhorn of Wilbur Harden, Trane puts his personal stamp on numbers not done that often like Henry Nemo's "Don't Take Your Love from Me", Fred Ahlert's "I'll Get By" and two more familiar yet still not overdone songs, Richard Rodgers' "Spring Is Here" and Bronislau Kaper's "Invitation."

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Booker Ervin

The Freedom Book

Exultation! 200g Vinyl Edition

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Booker Ervin's recordings with Charles Mingus and Randy Weston brought him good reviews and a bit of notoriety. But it was his series of Song Books for Prestige Records that broadcast the stentorian announcement that a jazz orator of gigantic stature had arrived. Ervin's tenor saxophone sound was haunted by the loneliness and spaciousness of the Texas plains where he was raised. The Southwest moan was an integral part of his playing. But his style went beyond the classic Texas tenor tradition to incorporate the intricacies of bebop and suggestions of the free jazz that was initiating one of the periods of self-renewal that keeps jazz fresh and interesting. "The Freedom Book", recorded at the end of 1963, was one of Ervin's masterpieces. He is abetted by the power and drive of Jaki Byard, Richard Davis, and Alan Dawson.

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Booker Ervin

LP | 1963 | US | Reissue (Analogue Productions)

Latin In A Satin Mood 200g Vinyl Edition

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Intensity marked everything that Booker Ervin played. In his harmonic concept, slashing attack, and broad Texas sound, Ervin demanded attention and constantly built improvisations of searing drama and epic sweep. His primary legacy is a series of albums recorded for Prestige in the 1960s, of which this was his first, a riveting quintet recital where the alto saxophone of Frank Strozier supplies an urgent complement and the rhythm section is piloted by Horace Parlan, Ervin’s longtime compatriot from their days together in the Charles Mingus Jazz Workshop and in a cooperative quartet that worked at "Minton’s Playhouse". In addition to four inspiring originals by Ervin and drummer Walter Perkins, the session features an eloquent reading of Fats Waller’s immortal "Black And Blue" and an exploration of the show tune "Just in Time". Both the latter and "No Land’s Man" are included in two versions, the shorter of which were cut for release as a 45rpm single.

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Julie London

LP | 1963 | US | Reissue (Analogue Productions)

OST From Russia With Love

Release: 1963 / US – Reissue

Genre: Organic Grooves

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She was the sultry film starlet-turned-torch singer-come-TV actress whose dusky alto captivated a generation. Julie London was 'discovered' while running a department store elevator in Hollywood.
Just three years earlier the bountiful 15 year old, born Julie Peck to her parents, a song-and-dance duo of the vaudeville era, was singing on her parents' radio show. When she started working in the movies in the 1940s, she changed her name to London. During the course of a celebrated career in acting and music, she made more than 30 albums.
The sultry-voiced actress, who was once married to "Dragnet" producer-star Jack Webb, had a hit record with the 1950s single "Cry Me a River". The single debuted in 1955, sold three million copies and remained in demand into the 1960s.
Analogue Productions has brought back Julie London sings Latin In A Satin Mood in damatic, deserving fashion. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200-gram vinyl at Quality Record Pressings, the crispness and vibrancy of this recording is spectacular.
Exotic and Latin albums were big deals in the 1950s and early '60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Like Peggy Lee, London combines a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal on this album of relaxing Latin standards. Julie does look beautiful on the cover, and the backup male 'mariachi-esque' serenade adds to the romantic ambiance.
And as to the cover, expect only top-notch reproduction for our Analogue Productions reissue. Originally a single LP jacket, we've upgraded to a gatefold incorporating more original photographs provided by Universal Music.
Describing her smoky vocal style, London once said, »It's only a thimbleful of a voice, and I have to use it close to a microphone. But it is a kind of over-smoked voice, and it automatically sounds intimate.« A style inimitable, in our estimation.

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John Barry

LP | 1963 | JP | Reissue (United Artists)

Release: 1963 / JP – Reissue

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover is close to NM. 1975 reissue. OBI is missing, With insert.

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2LP | 1968 | JP | Reissue (Apple)