All Items 1026 Items

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | US | Reissue (International Artist)

13th Floor Elevators

Easter Everywhere

58,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Reissue (Lion)

49th Parallel

LP | 1967 | US | Reissue (Mainstream)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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In the spring of 1969, 49th Parallel had a hit in with ‘Twilight Woman’, a lovely song that sounds like a poppier version of what bands like Tomorrow were doing in England. That success led to the release of 49th Parallel’s only album. All hyperbole aside, it is easily one of the top Canadian rock albums of the psychedelic era. The album is strong throughout—from the pulsating psychedelia of ‘Lazerander Filchy’ and the ultra-strange ‘(The) Magician’, the shimmering beauty of 'Twilight Woman', to the quintessential slashing guitars punk edginess of ‘Now That I'm a Man’ and ‘(Come On Little Child &) Talk To Me’. Dan Lowe's blazing fuzz guitar work stands out on ‘Missouri’ and also when matched by organist Jack Velker's brilliant work on ‘Eye To Eye’, ‘Talk To Me’ and ‘(The) People’.

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A Pot Of Flowers

With love

LP | 1961 | EU | Reissue (Candid)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Abbey Lincoln

Straight Ahead

31,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (ECM)

Abdullah Ibrahim

African Piano

25,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Con Giulio Libano E La Sua Orchestra Blue Vinyl Edition

Adriano Celentano

LP | 1960 | Reissue (Jolly)

Release: 1960 / Reissue

Genre: Pop

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Furore Blue Vinyl Edition

Adriano Celentano

LP | 1961 | Reissue (Jolly)

Release: 1961 / Reissue

Genre: Pop

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LP | 1962 | EU | Reissue (Jolly)

Adriano Celentano

Peppermint Twist

Release: 1962 / EU – Reissue

Genre: Rock & Indie

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After All Black Vinyl Edition

After All

LP | 1969 | EU | Reissue (Out-Sider Music)

23,99 €*

LP | 1962 | EU | Reissue (Honeypie)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Hailing from Florida, After All was formed by well-experienced musicians with an R&B, jazz and blues background who hooked up with poetry writer Linda Hargrove to record an ambitious album influenced by acid-rock and psychedelic, early progressive sounds. Originally released in 1969 on the Athena label, the album is now considered an obscure classic. Top level psych/prog dominated by Hammond organ / guitar plus explosive drumming. Here’s a welcome new reissue in original artwork plus remastered sound, insert with liner notes.

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Ahmad Jamal

All Of You

13,99 €*

LP | 1960 | EU | Reissue (Honeypie)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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All of You is a live album by American jazz pianist Ahmad Jamal featuring performances recorded at Jamal's own club in Chicago in 1961 and released originally on the Argo label. Jamal's group had a personal sound of its own, often playing quietly and leaving space but never losing the passion. These versions of "Time on My Hands," "Star Eyes" and "All of You" in particular are well worth hearing. On the cover, photographed by Don Bronstein, one of the first staff photographers for Playboy magazine, Jamal sits in an MAA chair, designed by George Nelson.

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Ahmed Abdul-Malik

East Meets West

LP | 1962 | US | Reissue (New Jazz)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Ahmed Abdul-Malik was best known to jazz listeners as a bassist with Thelonious Monk, Randy Weston, Coleman Hawkins, and many others. He made a few records as a leader, with this one being his most exotic. The Brooklyn native was of Sudanese descent; in addition to playing bass, he also plays oud, the forerunner to the lute. Originally released in 1960 the album is rich and heady, a multi-layered set of tonal grooves that are wrapped tight beneath the melody lines. The musicians on Malik's eight originals vary from track to track. On the mournful "La Ibky (Don't Cry)," Malik's oud shares the spotlight with a tenor sax (either Benny Golson or Johnny Griffin) plus trumpeter Lee Morgan. "Rooh (The Soul)" features the 72-string kanoon (which is sort of a brittle sounding and much smaller harp) played by Ahmed Yetman, along with Malik's arco bass and the droning violin of Naim Karacand. His ability to fuse Western Jazz with the driving rhythms created by his oud that seems almost sequenced, are startling.

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Ahmed Abdul Malik

Sounds of africa

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | UK | Reissue (Be With)

Al Hirt

Soul In The Horn

Alan Silva & His Celestrial Communication Orchestra

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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Yes, *that* Al Hirt record. Featuring the godlike "Harlem Hendoo", looped unforgettably by De La Soul for the legendary Buhloone Mind State cut, "Ego Trippin' (Part Two)"!

Al Hirt's infamous Soul In The Horn is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of "Harlem Hendoo". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000.

However, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the "soul" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for.

A Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most "diggers" claiming otherwise - this here gem is genuinely hard to come across "in the wild". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull "thrift store record", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills!

Soul In The Horn represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical "Harlem Hendoo" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for "Stay Cool" and Nightmares On Wax for "Damn".

The rest of the record makes for a mighty fine listen. From the opening cover of Booker T. & The MG's "Honey Pot", to the propulsive, ultra-funky "Mess Around", it's nothing but a good time. Given its title, the elegant stepper "Calypsoul" sounds exactly as you'd hope whilst the melancholic, wistful "Long Gone" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of "Sweetlips" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky "Girl" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of "Love Ya' Baby" shines brightly before the skipping funky-jazz of true highlight "Sunday-Goin' To Meetin' Time" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched "Snap Back" serves as the sumptuous prelude to "Harlem Hendoo"'s main character energy before the irrepressible, upbeat R&B of "Ludwig" closes out this quite remarkable album. An album deserving of a place in every serious record collection.

The audio for Soul In The Horn has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.

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Luna Surface 180 Gram Edition

LP | 1969 | US | Reissue (BYG)

LP | 1967 | US | Reissue (Superior Viaduct)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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180 Gram Vinyl!

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Albert Ayler

In Greenwich Village

Love Cry Verve By Request Edition

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In the mid-'60s, Albert Ayler found himself at the center of major transformations within jazz. On his albums for ESP-Disk', his delivery was radically aggressive and his tone blistering – aiming for something beyond the New Thing. His music would be further energized when (at the behest of John Coltrane) Bob Thiele signed him to Impulse! As Ayler told The Plain Dealer at the time, "It's not about notes anymore. It's a sound – a feeling. The approach we're taking will discontinue the use of the word 'jazz.'" In Greenwich Village, Ayler's first LP on Impulse!, perfectly captures the Cleveland-born saxophonist's radiant intensity. Sourced from a pair of live engagements – February '67 at the Village Theatre on New York's Lower East Side and December '66 at the Village Vanguard – these recordings show an improved clarity in production and performance. Both sets feature two basses (including Alan Silva and Henry Grimes) which allowed the ensemble to go in different harmonic directions while maintaining an organic unity. Of particular interest are "For John Coltrane," a tribute to Ayler's mentor who would pass later that year, and "Truth Is Marching In" where trumpeter Donald Ayler joins his brother to celebrate and ultimately deconstruct several jazz traditions to stunning effect. Vibrant in sound and vision, Albert Ayler's In Greenwich Village is a landmark statement in free jazz and a career high-point for this truly original artist. Superior Viaduct is honored to present this classic album on vinyl for the first time domestically in 30 years.

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Albert Ayler

LP | 1967 | EU | Reissue (Verve)

31,99 €*

LP | 1964 | EU | Reissue (ESP Disk)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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1968’s Love Cry mixes Albert Ayler’s free jazz with a catchy combination of nursery rhythms and brass band marches, resulting in a peak example of experimental jazz of the period. This was Ayler’s last recording with his brother, Donald, who keeps the pace fiery along with the rhythm section of bassist Alan Silva and drummer Milford Graves, and harpsichordist Call Cobbs.

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

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Albert Ayler Trio

Spiritual Unity

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Reissue (Craft)

Albert King

Born Under A Bad Sign

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Albert Mangelsdorff And His Friends

Albert Mangelsdorff

LP | 1967 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Albert Mangelsdorff Quintet

Now Jazz Ramwong

LP | 1964 | EU | Reissue (Tiger Bay)

20,99 €*

LP | 1961 | EU | Reissue (Honeypie)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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The virtuoso trombonist Albert Mangelsdorff was one of the prominent figures of European Jazz of the 60s – 70s. Eastern influences with a perfect blend of Western culture characterized this album recorded in Frank- furt after the groups Asian tour. “Now Jazz Ramwong” sees the group in its best shape: alto saxophonist Gunther Kronberg, tenor saxophonist Heinz Sauer, bassist Gunter Lenz and drummer Ralf Hubner. A really mind-blowing mix of jazz, folk and Eastern sounds. The album contains “Three Jazz Moods”, a jazz adaptation of Ravi Shankar’s music.

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Alegre All Stars

22,99 €*

Alexis Korner's Blues Incorporated

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Born from a studio jam organized by Al Santiago in 1961, the "Alegre All Stars" was inspired by the famous late 50's Cuban jam sessions. Originally published by Alegre Records, a New York City based label specialized in Latin music, this album stands as a legendary release in the field. This is like an open door on a wild Nuyorican party including food, drinks and an ongoing selection of highly infectious Latin grooves to dance to.

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Red Hot From Alex

LP | 1964 | UK (Trading Places)

Alfredo Linares Y Su Sonora

Release: 1964 / UK

Genre: Organic Grooves

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Alexis Korner's third album, originally released on the Transatlantic Label in 1964, after two live albums recorded at the Cavern at the Marquee, featuring his all-time hits 'Stormy Monday ' and Chicken Shack'. A true masterpiece from one of the godfathers of the white blues movement from the 60's.

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Yo Traigo Boogaloo Record Store Day 2020 Edition

LP | 1969 | EU | Reissue (Vampisoul)

17,99 €*

Alton Ellis / The Soul Syndictae

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2020 Release.
Limitation: 500 copies.

Long sought after by collectors, DJs and lovers of hard salsa and boogaloo alike, 'Yo Traigo Boogaloo' is now lovingly reissued in replica form with the original cover art, remastered from the studio tapes, reproducing that magical MAG stuio sound for today's aficionados to enjoy like it was 1969 all over again.

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If I Could Rule The World / Lava

12" | 1967 | EU | Reissue (Only Roots)

14,99 €*

LP | 1969 | EU (Trading Places)

Release: 1967 / EU – Reissue

Genre: Reggae & Dancehall

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Reissue of a 1967 rocksteady gem (extended version) b/w and extended mix of The Soul Syndicate's 'Lava'.

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Amalgam

Prayer For Peace

21,99 €*

LP | 1969 | US | Reissue (Mainstream)

Release: 1969 / EU

Genre: Organic Grooves

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While stationed in Germany in the RAF during the late 1950s and early 1960s, York-born alto and soprano saxophonist Trevor Watts met the drummer John Stevens, with whom he would form the Spontaneous Music Ensemble upon returning to the UK in 1965, which became an important vehicle for British free improvisation. Watts’ spin-off project Amalgam came two years later with Stevens and bassist Jeff Clyne, previously in the Jazz Couriers with Ronnie Scott; their debut LP Prayer For Peace is jazz improv at its most melodic, an unpredictable album of varying shades, with three unique takes of the song ‘Judy’s Smile.’

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Amboy Dukes

Migration

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Ohr)

Amon Düül

Psychedelic Underground

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Anders & Poncia Album

Anders & Poncia

LP | 1969 | EU | Reissue (Hanky Panky)

22,99 €*

LP | 1969 | US | Original (Sheep Chase)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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First ever reissue of this bona fide “buried treasure” produced by Richard Perry and featuring Ry Cooder and the Wrecking Crew. Includes 4 page insert with notes by music historian Stephen J McParland and Vini Poncia, and many rare pictures and ephemera. Like the other more familiar and phenomenally successful duos Goffin/King, Barry/Greenwich or Mann/Weil, Peter Anders and Vini Poncia also graduated from the Brill Building era school of songwriting. Friends since high school, Anders and Poncia debuted as members of the Providence, Rhode Island vocal group The Videls whose second single Mister Lonely (written by Anders-Poncia) proved to be a moderate national hit (#73 on Cash Box and Billboard) in early 1960. It would be five more years before the duo’s pièce de résistance, The Trade Winds’ New York’s A Lonely Town, would appear on the legendary Red Bird label (started by George Goldner and songwriters Jerry Leiber and Mike Stoller in 1964). An East Coast (though California molded) surf music anthem, New York’s A Lonely Town had impressed both Phil Spector (with whom Anders and Poncia had enjoyed a brief working association, writing songs for The Ronettes, The Crystals or Darlene Love) and Beach Boys leader Brian Wilson. They also worked on an Elvis Presley film score – “Harum Scarum”. After releasing albums as The Trade Winds and The Innocence, as well writing and releasing a bunch of songs under various guises for Kama Sutra and Buddah Records, Anders & Poncia signed to Warner Bros in 1969. Produced by Richard Perry (Captain Beefheart, Fats Domino, Tiny Tim…), and featuring the Los Angeles A-Team of sessioneers (later known as “The Wrecking Crew”), their only album features ten original compositions and a version of Leiber & Stoller’s “Smokey Joe’s Cafe” (with some great bottleneck guitar by Ry Cooder). Reissued here for the first time these eleven brilliant and extraordinarily powerful tracks are ripe for rediscovery. As the liner notes state: “listen to Anders & Poncia … and you have found your poets.”

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Andre Borgen

Forested

Release: 1969 / US – Original

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Cree)

Andre Tanker Five

Afro Blossom West

16,99 €*

Black Fire Tone Poet Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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When this album was first released in 1969, the young combo around vibraphonist and singer Andre Tanker conveyed a new style mix, which apparently naturally merged quite different musical influences into a new whole. At the centre of the music of the Andre Tanker Five was jazz in its Caribbean, Trinidadian style, a combination of the modern jazz of those days and the sounds of the extremely popular steeldrum bands of the time. A very decisive addition is typical for Trinidad: Calypso. Calypso stands for the attitude to life of this young generation of musicians, for the 'Good Time Feeling' and the desire to incorporate danceable Caribbean rhythms and Afro-Latin grooves into their individual style.
Although the original sounds of the young Andre Tanker Five are deeply rooted in the music of the West Indies, Afro-American elements always remain in the foreground. The young combo is musically equally at home in the Caribbean as in the 'hip' jazz clubs of the US megacities and the juke joints of the south with their sultry blues as well as the soul dance halls in Detroit or Memphis. The combination of vibraphone and electric guitar plus bass/drums is also rather unusual in those days. Not a pure instrumental album, 'Afro Blossom West' delivers some surprising vocals - rather unusual for a groove-jazz-based project with a sophisticated rhythmic sound.
Bandleader and vibraphonist Andre Tanker is considered a very creative and versatile musician. His exciting improvisations are a dominant feature of this group. Party In The City, Lena and Swahili are original compositions of which he sings the first two himself. Guitarist Clarence Wears is a gifted accompanist and effective soloist. His sometimes 'funky soul style' is more reminiscent of 'Memphis' than 'Trinidad'. Bass player Clive Bradley, who also plays piano and guitar, is a fine all-round musician who knows his music to the limit, and the rhythm section around Kester Smith (drums and timbales) and Mikey Coryat (congas) are able to provide the necessary power, but they can also play softly and subtly when the mood demands it.
As the album's name suggests, the combo refers deeply to the music and rhythms of Africa, whose roots - when shifted to the West - have produced the calypso, blues and Afro-Latin rhythms heard on this LP. We have had the album reworked from the original master tapes for this limited high quality LP edition by mastering expert Tom Meyer. New liner notes by Ron Reid shed light on the history of Andre Tanker, his combo and the circumstances that led to this creative product!

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Andrew Hill

LP | 1964 | US | Reissue (Blue Note)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Blue Note)

Andrew Hill

Point Of Departure

Andromeda Black Vinyl Edition

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Blue Note’s modern jazz classic “Point of Departure” features pianist and composer Andrew Hill in a sextet with alto saxophonist Eric Dolphy, tenor saxophonist Joe Henderson, trumpeter Kenny Dorham, bassist Richard Davis and drummer Tony Williams. AllMusic calls the album "a stellar date, essential for any representative jazz collection, and a record that, in the 21st century, still points the way to the future for jazz”.

Blue Note Classic Vinyl Edition: stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Andromeda

LP | 1969 | EU | Reissue (Guerssen)

Angelo Francesco Lavagnino

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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One of the key albums when talking about psychedelic hard-rock and early proto-metal, originally released in 1969. Featuring the great John Du Cann (The Attack, Atomic Rooster, Hard Stuff…) on guitar plus Mick Hawksworth (Fuzzy Duck, Alvin Lee) on heavy bass plus the powerful drumming of Ian McLane (Neat Change, Ray Owen’s Moon).

Andromeda was formed during the final days of Du Cann’s previous band The Attack, when he decided to go in a full heavier & proggier musical direction. Recruiting his friend/room mate Mick Hawksworth on bass plus drummer Jack McCulloch (of One In A Million, soon to be replaced by Ian McLane), the power-trio was born. After initial interest from John Peel (Dandelion) and Kit Lambert (Track Records), Du Cann decided to go with a major label, RCA, who offered him the chance to self-produce their first album. Recorded at Advision Studios, the impressive Andromeda debut was released in 1969, housed in a sleeve designed by John with photos by Gered Mankowitz. But despite receiving excellent reviews and the band playing lots of gigs (some of them billed above bands like Black Sabbath), RCA didn’t know what to do with such a heavy rock band. Tired of the lack of promotion and support, John accepted an offer to join Atomic Rooster… but that’s another story.

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OST Kali-Yug: La Dea Della Vendetta

LP | 1962 | EU | Reissue (Contempo)

13,99 €*

3LP | 1964 | EU | Reissue (Music On Vinyl)

Release: 1962 / EU – Reissue

Genre: Soundtracks

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Lavagnino's soundtrack to the great 1962 movie 'Kali-Yug: La Dea Della Vendetta' directed by Mario Camerini and starring Senta Berger and Lex Barker, finally gets a proper reissue since its 1963 release on CAM Records. Composed and directed by Lavagnino, 'Kali-Yug' is one of the best soundtracks ever written by the late Maestro. Known for his beautiful orchestral themes, Lavagnino outdoes himself in 'Kali-Yug', with stunning exotic themes which makes this score a must have for serious soundtrack collectors. Original artwork. Master and sound restoring done by Roberto Zamori at Film Music Art Studio. Original copies, if you're lucky enough to find one, change hands for more than 350 euro!!!

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Animals

Complete Animals

41,99 €*

Life Time Tone Poet Vinyl Edition

Release: 1964 / EU – Reissue

Genre: Pop

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This triple vinyl package includes the complete sessions that The Animals recorded with producer Mickie Most in 1964 and 1965. The 40 songs capture the band at their peak, including most of their best and biggest hits: "House of the Rising Sun", "Don't Let Me Be Misunderstood", "Bring It on Home To Me", "We Gotta Get Out Of This Place", "I'm Crying", "It's My Life" and "Boom Boom."

180g vinyl.3

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Anthony Williams

LP | 1964 | EU | Reissue (Blue Note)

43,99 €*

LP | 1967 | EU | Reissue (Elemental)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Der frühreife und begnadete Schlagzeuger und Komponist Tony Williams war bereits Mitglied des Miles Davis Quintet und wirkte an zahlreichen bahnbrechenden Blue-Note-Aufnahmen mit, darunter Herbie Hancock "Empyrean Isles", Eric Dolphy "Out To Lunch", Andrew Hill "Point Of Departure", Jackie McLean "One Step Beyond" und Grachan Moncur III "Evolution", als er im August 1964 sein eigenes abenteuerliches Debütalbum "Life Time" aufnahm, als er gerade einmal 18 Jahre alt war.

Williams hatte nicht die Absicht, auf seiner Jungfernfahrt als Leader auf Nummer sicher zu gehen und machte sich daran, seinen kompromisslosen Ausdruck auf diesem Programm mit innovativen Originalkompositionen zu dokumentieren. Seite 1 präsentiert die ausgedehnte zweisätzige Suite "2 Pieces of One", bei der der Schlagzeuger von dem Tenorsaxophonisten Sam Rivers und den Bassisten Gary Peacock und Richard Davis unterstützt wird. Seite 2 beginnt mit dem fröhlichen "Tomorrow Afternoon", bei dem Williams, Rivers und Peacock mitwirken. Auf dem frei improvisierten "Memory", bei dem Herbie Hancock am Klavier und Bobby Hutcherson am Vibraphon mitwirken, spielt Williams verschiedene Perkussionsinstrumente, und das nachdenkliche Klavier-Bass-Duett "Barb's Song to the Wizard", das von Hancock und Ron Carter gespielt wird und das Album abschließt, ist ganz auf ihn zugeschnitten.

Diese Stereo Tone Poet Vinyl Edition wurde von Joe Harley produziert, von Kevin Gray (Cohearent Audio) von den originalen analogen Masterbändern gemastert, bei Record Technology Inc. (RTI) auf 180g Vinyl gepresst und in einer luxuriösen Gatefold-Tip-on-Hülle verpackt.

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Antonio Carlos Jobim

Wave

31,99 €*

LP | 1969 | EU | Reissue (Charly)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Reissue of the 5th studio album by Brazilian jazz legend Antônio Carlos Jobim. Considered one of Jobim’s best albums, this masterpiece peaked at #5 on the Billboard Jazz Albums chart. It features a plethora of star sidemen, such as Dom Um Romão, Claudio Slon, Jerome Richardson, Ron Carter & Urbie Green, among others, as well as superb arrangements by Claus Ogerman.

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Archie Shepp

Blase

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Charly)

Archie Shepp

Yasmina, A Black Woman

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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I Never Loved A Man the Way I Love You

Aretha Franklin

LP | 1967 | EU | Reissue (Rhino)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Never Loved A Man Vinyl Me, Please Edition

Aretha Franklin

LP | 1967 | US | Reissue (Vinyl Me, Please)

35,99 €*

Aretha Franklin With The Ray Bryant Combo

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
"‘I Never Loved a Man the Way I Love You’ runs the stylistic gambit without feeling Franklin is doing things just for show. The album isn’t trying to function as a resumé of her skills. Genre shifts feel organic and natural. “Don’t Let Me Lose This Dream” is built on a bossa nova groove, while “Do Right Woman Do Right Man” has a little country ballad flavor. “Dr Feelgood (Love Is A Serious Business)”—one of four songs penned by Franklin herself—is a bluesy belter. She might have been Queen of the genre, but pigeonholing Franklin in soul is like calling Sugar Ray Leonard just a welterweight. She could shuffle through styles as smooth as velvet. Everything is stamped with her own distinct character."

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Aretha

LP | 1961 | EU | Reissue (Music On Vinyl)

Release: 1961 / EU – Reissue

Genre: Electronic & Dance

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OST Nell'anno Del Signore Black Vinyl Edition

Armando Trovaioli

LP | 1969 | EU | Reissue (AMS)

OST La Famiglia Benvenuti

Release: 1969 / EU – Reissue

Genre: Soundtracks

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“Nell’Anno del Signore” is a 1969 film directed by Luigi Magni; set in Rome in 1825, it is based on a real event, the execution of two individuals belonging to the Carbonari revolutionary secret society; the main characters are interpreted by Nino Manfredi, Enrico Maria Salerno and Claudia Cardinale.

The drama and gloom atmosphere of the movie reflect in a soundtrack composed and arranged by Maestro Armando Trovajoli for an orchestra conducted by Gianfranco Plenizio; a few but essential notes outline the principal melodies of the main themes of the work, for a result that is still enticing today. In addition, we have the fundamental contribution of Alessandro Alessandroni’s Cantori Moderni and Edda Dell’Orso, together with the extraordinary participation of Fabrizio De André in the song “Nell’Anno del Signore (Suite)”, here released on vinyl for the first time.

This soundtrack special reissue, with audio remastered by Claudio Fuiano, is accompanied by a completely renewed graphic design compared to the original 1969 version, and also contains a special A4-sized 12-page booklet with a reproduction of the manuscript of the original score of “Tema di Giuditta”.

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Armando Trovajoli

LP | 1969 | EU | Reissue (Four Flies)

25,99 €*

Sunshine & Shadows Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Soundtracks

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Presenting one of the greatest works by maestro Armando Trovajoli; a solid Italian easy listening masterpiece. After its commercial debut in 1968 as an original soundtrack of famous Italian TV-movie, this record gained renewed interest in the 1990s when four tracks were compiled in the immortal Easy Tempo series. From then on, La Famiglia Benvenuti has not only been considered of Trovajoli’s most sought after records, but has achieved the status of being the manifesto of the Roman swinging sixties - a lively addition to the delightfully cool sounds of the late 1960s, made possible by the following key ingredients: the Marc 4 sound (a steady presence for almost every Trovajoli recording); the outstanding I Cantor i Moderni di Alessandroni, with their unmistakable vocal harmonies; and lastly, the eccentric use of the harpsichord (a signature of Trovajol i ' s spaghetti soundtracks of the period). Behold a brilliant cocktail of groovy bossa, terrific shake, catchy tunes, and pop songs, as the amazing La Decisione, sung by Donatella Luttazzi, daughter of the great Lelio.
An absolute must-have for any serious soundtrack collector, and reissued here on vinyl for the very first time!

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Ars Nova

LP | 1969 | US | Reissue (Sundazed)

29,44 €* 30,99 € -5%

Sunshine & Shadows Pink Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Touted as the “new Doors,” Ars Nova’s second release shows the band genre-bending jazz and heavy psychedelia in a style that’s their own. Shifting from a largely classical centric sound, this was the group’s last album before going their separate ways. Pressed on pink vinyl!

Sunshine & Shadows takes the baroque-meets-psych sound of the debut and turns a bit more to the psych side. The stately brass interludes are gone, but horns still figure prominently in the mix. There’s some jazzy New Orleans flavor to a couple of the tunes, albeit twisted into a 7/4 vamp on “You Had Better Listen.”

The instrumentalists in the band, featuring trumpet and trombone, really give the music a unique flavor, setting them apart from the multitudes of other American psych bands. Ars Nova might be likened to Ultimate Spinach (but without the overly serious, pretentious lyrics) or later Zombies (though with less emphasis on the keyboards).

It’s all very well written and nicely played, and when they do a tender ballad like “Temporary Serenade,” the acoustic guitar is very lute-like, much more along the lines of classical than folk (like the later work of Jan Akkerman with Focus), and the trumpet descant adds a lovely spice.

“Well, Well, Well” is the heaviest rock tune in their repertoire, with a great electric guitar riff and hot organ playing, again set apart by trombone and trumpet. This one is definitely worth seeking out for baroque pop fans.

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Ars Nova

LP | 1969 | US | Reissue (Sundazed)

30,99 €*

Arsenio Rodriguez & The Afro-Cubano Sound

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Viva Arsenio!

LP | 1967 | US | Reissue (Bang)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Art Blakey And The Jazz Messengers

A Night In Tunisia

LP | 1961 | EU | Reissue (Second)

16,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Art Blakey And The Jazz Messengers

A Night In Tunisia Orange Marble Vinyl Edition

LP | 1961 | EU | Reissue (Second)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Art Blakey And The Jazz Messengers

A Night In Tunisia Orange Vinyl Edition

LP | 1961 | EU | Reissue (Second)

20,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Art Blakey And The Jazz Messengers With Barney Wilen

Les Liaisons Dangereuses 1960

LP | 1960 | EU | Reissue (Decca)

Blakey And His Jazz Messengers Verve By Request

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Art Blakey and the Jazz Messengers with Barney Wilen provide an essential jazz soundtrack to an extended ‘surprise party’ scene in director Roger Vadim’s 'Les liaisons dangereuses'. Originally released on the Fontana label, Blakey’s lively hard-bop and latin originals were used specifically as night club and party music in the film and his ‘No Problem’ became a classic with Blakey’s band in full flight. Decca France present the original soundtrack recording on 180gm vinyl in a deluxe gatefold tip-on jacket with English translation of the original liner notes, and a photo from the film of Gérard Philippe and Jeanne Moreau. Included is a 2pp insert with additional notes by recording producer Marcel Romano from 1988.

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Art Blakey

LP | 1961 | EU | Reissue (Impulse)

Blakey In Paris Feat. Bud Powell And Lee Morgan Clear Vinyl Edtion

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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1961 Art Blakey and his Jazz Messengers made their only recording for the label Impulse! Records. It marked a turning point for the popular hard bop formation as it was their first appearance as a sextet with trombonist Curtis Fuller, and secondly their last recording with pianist Bobby Timmons. Also unusual is the fact that only one piece by a band member was on the program and otherwise only standards were played.
VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Gatefold Sleeve.

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Art Blakey

LP | 1961 | EU | Reissue (Sowing)

22,99 €*

Art Blakey & The Jazz Messengers

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! This is Art Blakey and his Jazz Messengers, with guests Bud Powell - piano and Barney Wilen - alto sax, caught live at the Théâtre des Champs-Élysées in Paris in1959. At that time Blakey's Messengers were no less than Lee Morgan – trumpet, Wayne Shorter – tenor sax, Walter Davis Jr. – piano and Jymmy Meritt – bass. In other words one of the greatest Hard Bop combos ever, a pool of great young individuals under the direction of one of the most influential drummers and band leaders in the history of Jazz. No need to add that "Paris Jam Session" is regarded as an essential release in Blakey's extensive discography.

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A Night In Tunisia Blue Note Classic Vinyl Series

LP | 1960 | EU | Reissue (Blue Note)

Art Blakey & The Jazz Messengers

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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One of the great line-ups of Art Blakey & The Jazz Messengers coalesced when saxophonist Wayne Shorter joined trumpeter Lee Morgan, pianist Bobby Timmons, and bassist Jymie Merritt, as heard on the 1960 album "A Night In Tunisia". Opening with a fiery version of Dizzy Gillespie’s famous piece, the rest of the set showcased new bandmember originals.

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Free For All

LP | 1964 | US | Reissue (Blue Note)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Art Blakey & The Jazz Messengers

Mosaic

LP | 1961 | DE | Reissue (Blue Note)

Release: 1961 / DE – Reissue

Genre: Organic Grooves

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A Jackson In Your House Black Vinyl Edition

Art Ensemble Of Chicago

LP | 1969 | UK | Reissue (Charly)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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A Jackson In Your House Colored Vinyl Edition

Art Ensemble Of Chicago

LP | 1969 | UK | Reissue (Charly)

30,99 €*

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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A Jackson In Your House Orange Marbled Vinyl Edition

Art Ensemble Of Chicago

LP | 1969 | UK | Reissue (Charly)

30,99 €*

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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LP | 1962 | US | Reissue (Spin The Blues)

Arthur Big Boy Crudup

Mean Ol' Frisco

I Haven t Got Anything Better To Do

Release: 1962 / US – Reissue

Genre: Organic Grooves

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* Originally released in 1962 * Japanese OBI-strip * The jacket is reproduced based on the original edition Arthur 'Big Boy' Crudup was an American Delta blues songwriter and guitarist from Forest, Mississippi. He is best known, outside blues circles, for his song 'That's All Right' which was later recorded by Elvis Presley when he debuted in 1954. 'Mean Ol' Frisco' is his first solo album which was released in 1962 from Fire Records when he was 57 years old and there are no reissues on LP in recent years. As a pioneer of Japanese blues music, P-vine proudly presents this important album historically and musically with the artwork of the original edition!

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Astrud Gilberto

LP | 1969 | EU (Endless Happiness)

LP | 1960 | JP | Reissue (P-Vine)

Release: 1969 / EU

Genre: Organic Grooves

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With her tenure on Verve drawing to a close, Astrud Gilberto steps further away from her bossa nova roots with I Haven't Got Anything Better to Do, an intimate, nocturnal set closer in scope and spirit to the Baroque pop of Burt Bacharach, whose "Trains and Boats and Planes" is beautifully rendered here. In the liner notes Gilberto dubs it "my fireplace album," and indeed the record is immediately warm and comforting, despite the melancholy that colors all of the selections. Albert Gorgoni's arrangements are sumptuously romantic, perfectly complementing the simple, poignant vocals. Mistakenly considered a minor entry in the Gilberto canon, I Haven't Got Anything Better to Do is instead a minor masterpiece.

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B.B. King

The Great B.B.King

LP | 1967 | JP | Reissue (P-Vine)

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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After creating a storm in the 50s with over 30 chart-hitting singles, BB King didn’t slow for a moment as he marched into the next decade. The Great B.B. King, the blues legend’s fifth release for Crown Records, was released in 1960 and collects a number of his iconic 50s hits including “Sweet Sixteen” and “I Had A Woman (Ten Long Years)”. P-vine is delighted to be revisiting this essential album for a limited pressing on 180g heavyweight vinyl paired with an iconic Japanese obi strip.

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B.B. King

The Jungle

34,99 €*

LP | 1969 | US | Reissue (Craft)

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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The Jungle, regarded as one of the best of B.B. King's many albums, is being reissued on P-vine! Recorded in 1961-62, at the height of his career, and released on Kent after he moved to ABC, six R&B charting hits came from this album. All of the songs are superbly crafted, and are truly the king of the blues. Slow songs such as '5 Long Years' are typical of B.B.'s music of this era. You can't talk about B.B. King without listening to this album!

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Bar-Kays

Gotta Groove

35,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Brunswick)

Barbara Acklin

Seven days of night

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Eargong)

Barre Phillips

Unaccompanied Barre

LP | 1961 | EU | Reissue (Jazz Workshop)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in St. James Norlands church in London in November 1968 and first released in the following year, this work stands as the first solo bass album in the history of Jazz and improvised music. Born in 1934 in San Francisco, Barre Phillips is one the most influential bassists of his generation. In his long career Phillips has played and recorded with almost everyone in the world of Jazz and beyond, a long list of forward thinking music icons including Don Ellis, Bobby Hutcherson, Dave Holland, Archie Shepp, Marion Brown, John Surman, Paul Bley, Evan Parker just to name a few! Originally recorded as part of a 3 hours session this solo tour-de force expresses the true essence of a genius. A multifaceted, kaleidoscopic journey through a myriad of melodic, rhythmic, fretted and bowed lines. In other words: a true master class and a seminal statement from one of the greatest figures in creative music! ‘...Not just an improviser of the highest order; but a true sound sculptor capable of drawing from his instrument such a vast array of shapes and colours that his creation is almost a form of visual art for the ears.’ Jazzwise

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Barry Harris Quintet

Newer Than New

LP | 1969 | EU (Trading Places)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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"A quick listen to the lively bop on 'Newer Than New' may enlist a perplexing question: Was this music really recorded 40 years ago? Apparently so, but the music still sounds fresh and exciting. If pianist Harris set out to show bop was still a vital force in 1961, he accomplished his task. Of course he didn't do this alone. Trumpeter Lonnie Hillyer, alto Charles McPherson, bassist Ernie Farrow, and drummer Clifford Jarvis join him on eight tunes that would've made Parker and Gillespie proud. The influence of bop pioneers is evident on tunes like "The Last One" and "Anthropology," both giving the horns lots of room to soar against the backdrop of dynamic rhythm. "Mucho Dinero," one of several Harris originals, has an exuberant Latin feel. After the horns set the piece in motion, Harris takes the first solo, creating colorful textures with his keen sense of harmony. Newer Than New also places special emphasis on the young horn players, providing McPherson and Hillyer lots of room to show what they've got. Both echo Parker and Gillespie without copying them. Hillyer displays a fat rich tone on numbers like "Easy to Love," while McPherson's resonant pitch, no matter how quickly he's playing, always comes across. Farrow and Jarvis keep the shifting rhythms heavy in the mix, pushing each soloist to create something vital. The title 'Newer Than New' perhaps mocks the obsession with the latest thing, as opposed to opting for the timelessness of high-octane improvising. Jazz styles, like all styles, come and go, but great music like 'Newer than New' transcends styles. It's also fun (and illustrative) to listen to an album like this back to back with the latest retro jazz. Barry Harris and his colleagues make great jazz without the least bit of self-consciousness."

—Ronnie D. Lankford, Jr. (All Music Guide)

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Beau

20,99 €*

Release: 1969 / EU

Genre: Rock & Indie

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Leeds-born folk-rocker John Trevor Midgely, alias Beau, was known for his deft twelve-string guitar work, his poignant voice and distinctive song-writing, which brought him onto the roster of John Peel’s Dandelion label in 1969. His self-titled debut album is arguably his best and includes the outstanding single ‘1917 Revolution,’ said to have inspired America’s smash, ‘Horse With No Name,’ the LP ably demonstrating that all the artist needed was his voice, his guitar, and his individual approach to song writing, the work bearing his haunting hallmarks throughout. In short, an unjustly obscure release that is ripe for current reappraisal. Including 2 Bonus Tracks

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Ben E. King's Greatest Hits Blue Vinyl Edition

LP | 1964 | US | Reissue (Friday Music)

44,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Don't Play That Song Crystal Clear Vinyl Edition

LP | 1962 | UK | Reissue (Rhino Atlantic)

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Although Ben E King's name is synonymous with The Drifters, he only actually sang on a dozen tracks with them, most of which were recorded concurrent with the start of his own solo career. This compilation anthologises Ben's solo recordings between 1960-62, presenting his early singles plus a handful of standout album tracks.

All his early hits are here, including the Drifters-like First Taste Of Love, his first million-seller Spanish Harlem, his signature song Stand By Me, the lilting Latin shuffle of Amor, the dramatic, bluesy Here Comes The Night/Young Boy Blues, his Sex'n'Soul double-sider Ecstasy/Yes, the explosive Don't Play That Song, the soulful Too Bad, the haunting I'm Standing By and Goffin & King's Tell Daddy.

Ben E. King’s ‘Don’t Play That Song!’ album is pressed on a single clear LP and is a one time pressing.

This vinyl release is a part of Atlantic Records' 75th Anniversary vinyl collection.

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LP | 1962 | EU | Reissue (Intermusic)

Dont Play That Song!

40,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Greatest Hits - Stand By Me Red Vinyl Edition

LP | 1964 | US | Reissue (Friday Music)

41,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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At The Renaissance Limitedcontemporary Records

Ben Webster

LP | 1960 | Reissue (Craft)

Release: 1960 / Reissue

Genre: Organic Grooves

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Further Conversations With Myself

LP | 1967 | EU | Reissue (Elemental)

37,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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A follow up to the similarly-titled Conversations With Myself album recorded several years before -- and like that one, a record that has Bill Evans playing "with" himself, via the technology of overdubs! The album's less a solo album, than a duet one -- given that most of the numbers feature Evans working between melody and rhythm on overlapping piano lines -- creating a mini chorus of pianos that sounds totally great, and wonderfully unique! Titles include "Emily", "Yesterdays", "Santa Claus Is Coming To Town", "Funny Man", "The Shadow Of Your Smile", "Little Lulu" and "Quiet Now”

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How My Heart Sings! 180g Vinyl Edition

LP | 1962 | EU | Reissue (Dol)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | US | Reissue (Jackpot)

Bill Evans & Jim Hall

Undercurrent

LP | 1962 | EU | Reissue (Not Now)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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In 1962, legendary jazz pianist Bill Evans collaborated for the first time on record with jazz guitarist Jim Hall to create the landmark album Undercurrent. And even though it is a two-person improvisational affair, it is almost unfathomable that these two giants alone fill up all the grooves on this record. The thoughtful interplay between these two musicians created such a beautiful, lush, and emotional journey that their work influenced many. At the time of this recording, Bill Evans was one of the top jazz pianists (his performance with Miles Davis on Kind Of Blue is still a high-water mark), but he had stopped performing and recording after the death of his peer, bassist Scott LaFaro. Eventually, he was persuaded to return to music, and this was one of the first recordings upon his return. Guitarist Jim Hall - who had worked with Ella Fitzgerald, Sonny Rollins, and Chico Hamilton - started his partnership with Evans during this time. Recorded over two sessions in April and May 1962, the two have that beautifully unspoken musical language of give and take; their recordings are refreshingly busy but also incredibly sparse. These two giants understand that intertwining their personalities and harmonic styles could create greatness. This notable re-issue is an all-analog production affair—AAA Mastered and cut live by audio guru Kevin Gray (Miles Davis, Herbie Hancock, Charles Mingus)—and it’s never sounded better. So dim the lights and let this music breathe with you; it’s an incredible listen and an essential album for both the novice listener wanting to dip their toe into the genre or the audiophile who needs to replace their well-worn vinyl copy. And depending on your day, it will color your mood in any emotive shade you desire.

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Bill Evans & Jim Hall

Undercurrent

LP | 1962 | EU | Reissue (20th Century Masterworks)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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When giants of Jazz join together in conjugal jamming the resultant jousting can be less than jubilant. That was often the case in the era when promoters and record producers thought it a bright idea to create battle conditions at concerts and on albums. Undercurrent features the protagonists unsupported by a rhythm section, and relies on their intuition and telepathic understanding to create the interplay revealed in this album. Much admired as an influence on other Pianists, Bill Evans won seven Grammy Awards and a led a Trio that released many acclaimed albums. While Jim Hall continued playing, composing and arranging touring the world, receiving myriad awards in recognition of his achievements.

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Bill Evans & Jim Hall

Undercurrent

18,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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New Jazz Conceptions 180g Vinyl Edition

LP | 1960 | EU | Reissue (Dol)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Not Now)

Portrait In Jazz

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Sunday At The Village Vanguard

2LP | 1967 | US | Reissue (Analogue Productions)

210,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Trio '64 Acoustic Sounds Edition

LP | 1964 | EU | Reissue (Verve)

42,99 €*

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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2LP | 1964 | US | Reissue (Analogue Productions)

Waltz For Debby

210,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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The Essential Carnegie Hall Concert 1956

Billie Holiday

LP | 1961 | UK | Reissue (Intermusic)

18,99 €*

Release: 1961 / UK – Reissue

Genre: Organic Grooves

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The Essential Carnegie Hall Concert 1956

Billie Holiday

LP | 1961 | EU | Reissue (Pan Am)

16,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Birdlegs & Pauline Baby Pink Vinyl Edition

Birdlegs & Pauline

2LP | 1964 | US | Reissue (Numero Group)

Birdlegs & Pauline Black Vinyl Edition

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Among the rarest albums from Jim Kirchstein's Wisconsin-based Cuca label, 1964's Birdlegs & Pauline runs a playful gamut of girl group soul, sultry R&B, bluesy torch songs, and junk shop doo-wop. The Rockford, Illinois-based husband and wife duo struck gold with their Top 20 R&B hit "Spring" the year prior and frequently returned to Sauk City to see if there was any additional magic up Cuca's sleeve. Gathered here are the best of Birdlegs & Pauline's family album of songs, featuring several previously unissued songs found deep in the Cuca vault.

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Birdlegs & Pauline

2LP | 1964 | US | Reissue (Numero Group)

LP | 1961 | Reissue (Concord)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Blind Gary Davis

Harlem Street Singer

Release: 1961 / Reissue

Genre: Organic Grooves

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Harlem Street Singer Limited Edition +2 Bonus Tracks

Blind Gary Davis

LP | 1961 | EU | Reissue (Blues Joint)

18,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Chrysalis)

Blodwyn Pig

Ahead Rings Out

Release: 1969 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1969 | EU | Reissue (Columbia)

Blood, Sweat & Tears

Blood, sweat & tears

34,99 €*

We Are Ever So Clean Remastered Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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limited edition analogue 180 gram vinyl reisue ... sampled by Run DMC, Public Enemy, ODB, ...

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Blossom Toes

LP | 1967 | UK | Reissue (Cherry Red)

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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OST Codice D'amore Orientale

Blue Marvin Orchestra

LP+CD | 1969 | EU | Reissue (Schema)

23,99 €*