All Items 23538 Items

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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Orchid Abbey Road Half Speed Master Black Vinyl Edition

Opeth

2LP | 1995 | EU | Reissue (Candlelight)

51,99 €*

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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Shadows Of Death And Desire

Silent Servant

LP | 2013 | UK | Reissue (Hospital Productions)

39,99 €*

Lord Talk Trilogy Purple Vinyl Edition

Release: 2013 / UK – Reissue

Genre: Electronic & Dance

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Now-legendary producer, DJ, and art director Juan Mendez arguably reset techno at least twice. Once with his surreal and Europe-by-way-of-LA '80s surrealist apocalypse culture aesthetics for Sandwell District, and again--as Silent Servant--with his “Jealous God" imprint that captured the youth-driven mutation of crossover electronics and dark parties churning in the American underground, which followed directly in the wake of his game-changing modern classic, Negative Fascination. Mendez has evolved to more aggressive and stripped-down acid punk electro dance attacks on Silent Servant's equally vital follow-up, "Shadows of Death and Desire". While many would stall after the success of a now contemporary cult classic, Mendez took his time to deliver a more raw--yet refined--brutalism in his second album.

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Flee Lord

LP | 2020 | US | Reissue (Next)

27,89 €* 30,99 € -10%

LP | 1988 | US | Reissue (Select)

Release: 2020 / US – Reissue

Genre: Hip Hop

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Lord Talk Trilogy Presented In A Purple Vinyl Pressing Flee Lord brings you his Lord Talk Trilogy album on limited edition vinyl. Originally released in 2020, this album is the third installment of his Loyalty or Death / Lord Talk series. The 10-track project is fully produced by godBLESSbeatz and also features guest appearances from Ransom, Eto and T.F. In 2020, Flee Lord pledged to release a full length album for every month of the year. Not one to let his fans down, Flee kept his promise and released 12 high quality projects in 2020, culminating with the release of the acclaimed In The Name of Prodigy album. An ode to the legacy of the late Prodigy, Flee Lord tapped in with Havoc (of Mobb Deep) to handle all of the production. Looking to keep up his momentum, Flee has since teamed up with Roc Marciano to drop their collaborative Delgado album to rave reviews in 2021. In 2022, Flee followed up with the release of Pray for the Evil 3 and his latest effort, Ladies & Gentlemen. Lord Lord!

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Kid 'N Play

2 Hype

Discovers Hoagy Carmichael's Music Shop

Release: 1988 / US – Reissue

Genre: Hip Hop

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Select Records presents 2 Hype in an opaque white pressing For a certain generation of hip hop fans, just the mention of Kid ‘n Play brings on a wave of nostalgia. The group released three full-lengths between 1988 and 1991 with a focus on positive lyrics and pop friendly production. The success of the group’s music lead to countless House Party films, a Saturday morning cartoon show and even a series of comic books for Marvel (so, technically speaking, are Kid ‘n Play are part of the Marvel Universe?) It all started here on the 1988 full-length 2 Hype which features “Do The Kid 'n Play Kick Step”, the musical accompaniment to their trademark dance, “Rollin’ With Kid ‘n Play” which hit number 11 on the Billboard R&B Singles chart and of course Kid's now classic hi-top fade haircut, which measured up to over six inches high at its peak. Producer Hurby “Luv Bug” Azor, instrumental in the success of Salt-N-Pepa, was certainly a factor and the full length went on to chart in the Billboard Top 200 and to Riaa certified gold status.

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Stark Reality

2LP | 1970 | US | Reissue (Now-Again)

36,99 €*

Yancey Boys Instrumentals

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Definitive reissue of the album Mojo Magazine called “one of the most prized 'funk’ artifacts of all time... a project that allies Hendrix-stoned guitars, heavily-fuzzed vibraphone and Bitches Brew rhythms…” Lacquered by Bernie Grundman in an all-analog transfer directly from the master tapes. Contains an extensive, oversized booklet with rare photos, liner notes and annotation. The story of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop begins in Boston the late 1960s, with a wild jazz – as psychedelic as they were modal, as funky as they were swinging - band based in Boston landing a deal with Ahmad Jamal’s nascent AJP imprint after the legendary jazz pianist heard their demo recordings. They had been tasked by the great American songsmith Hoagy Carmichael’s son, Hoagy Bix Carmichael, to create interpretations of the elder Carmichael’s children songs for a Mr. Rogers-themed show that the younger Carmichael was producing for local PBS affiliate Wgbh. The quartet - Monty Stark on vibes, Phil Morrison on bass, Vinnie Johnson on drums and a very young John Abercrombie on fuzz guitar – recorded an album that flopped upon its initial release and went on to become one of – as Mojo Magazine noted - “the most prized 'funk’ artifacts of all time... a project that allies Hendrix-stoned guitars, heavily-fuzzed vibraphone and Bitches Brew rhythms…” Now-Again Records, who has kept the Stark Reality’s music in print since 2002, presents the definitive reissue of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop. Lacquered by Bernie Grundman in an all-analog transfer directly from the master tapes maintained by the Stark Reality’s photographer Jim Bourne, it’s presented in a replica gatefold sleeve, and contains an extensive, oversized page booklet with rare photos, liner notes and annotation.

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J Dilla

2LP | 2008 | US | Reissue (Delicious Vinyl)

36,99 €*

Return Of The Sp-1200 V.2

Release: 2008 / US – Reissue

Genre: Hip Hop

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Delicious Vinyl presents this key material from Jay Dee’s output in a never before issued and not to be repeated random colored vinyl assortment. Shortly after Jay Dee’s younger brother Illa J’s solo debut was issued on Delicious Vinyl, the label and the artist knew the next step in honoring Jay Dee’s legacy was to issue the complete instrumentals from Yancey Boys as a stand-alone release. This mother lode of previously untouched (at the time) beats dates as far back as Jay Dee’s time working on the Pharcyde’s sophomore album, 1995’s Labcabincalifornia . As Delicious Vinyl owner Michael Ross explains, “From ‘95 through ’98 Jay Dee was my go-to guy for hot beats and remixes. He was always making beats, always. So there was a select amount of tracks that he composed for me during that time, tracks as good as anything he’d done, only they never got used.” Once these beats were used for Illa J’s Yancey Boys they were presented to the public on Yancey Boys Instrumentals.

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Pete Rock

LP | 2022 | US | Reissue (Tru Soul)

LP | 2014 | EU | Reissue (Masterworks)

Release: 2022 / US – Reissue

Genre: Hip Hop

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Return Of The Sp-1200 Volume 2 is available in an exclusive opaque red pressing Pete Rock is widely recognized as one of the greatest hip hop producers of all time. His name is oft included in the pantheon of the greatest, alongside DJ Premier, RZA and J Dilla. In addition, Pete has one of the worlds most extensive vinyl collections, the sort of collection whose size can only be estimated, and that estimate stands in excess of 100,000 LPs. In 2019 Rock launched his own imprint, Tru Soul Records, with Return Of The Sp-1200 Pete Rock goes back to his roots - the Sp-1200 and his vinyl with Return Of The Sp-1200 Volume 2.

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Mica Levi

OST Under The Skin

23,99 €*

Release: 2014 / EU – Reissue

Genre: Soundtracks

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2LP | 2003 | US | Reissue (Rhymesayers)

Aesop Rock

Bazooka Tooth

Danger High Voltage (Henry Stone Records)

Release: 2003 / US – Reissue

Genre: Hip Hop

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Originally released in 2003, Bazooka Tooth was the fourth studio album by Aesop Rock. It features production by Blockhead, El-P (Run The Jewels), and Aesop Rock himself. Guest features include El-P (Run The Jewels), Camp Lo, Mr. Lif, and Party Fun Action Committee. On Bazooka Tooth, Aesop's dizzying delivery and oscillating growl paired well with the production, delivering more apocalyptic angst and future-funk flavor than its predecessors. Buried within these sawtooth grooves, listeners have discovered a plethora of Aesop's keen observations on the state of the industry, the state of the world and the state of humanity.

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Betty Wright

LP | 1974 | EU | Reissue (Wagram)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Latimore III (Henry Stone Records)

Latimore

LP | 1975 | EU | Reissue (Wagram)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Soul Jazz Records presents

Studio One Funk

Tape | 2004 | UK | Reissue (Soul Jazz)

17,99 €*

Soul Jazz Records presents

Release: 2004 / UK – Reissue

Genre: Reggae & Dancehall

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Soul Jazz Records" long out of print classic "Studio One Funk" collection is being re-released in three new one-off limited-edition coloured pressing 18th anniversary format editions! Studio One Funk is made up of rare and unreleased Reggae Funk from the vaults of Studio One. Ever since the birth of Funk in America, the sound has been an ever-present ingredient in the melting pot of Studio One"s musical output.

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Studio One Funk

CD | 2004 | UK | Reissue (Soul Jazz)

2LP | 1992 | US | Reissue (Analogue Productions)

Release: 2004 / UK – Reissue

Genre: Reggae & Dancehall

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Janis Ian

Breaking Silence

69,99 €*

Release: 1992 / US – Reissue

Genre: Rock & Indie

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LP | 1958 | EU | Reissue (Impex)

Michel Legrand

Legrand Jazz

49,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Impex)

The Dave Brubeck Quartet

Time Further Out

49,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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12" | 2018 | EU | Reissue (Mirror Zone)

DJ Ungel

Transpirits

13,99 €*

LP | 2021 | EU | Reissue (Xtra Mile)

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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Warped vision; the time spill is source of our distortia, in recognition we recalibrate. It neither predicts an age nor remembers an era, the function is the flow – not parallel but actual. The set points swim in a fever dream, a pink mist which echoes both signal and version. Detangled, decrypted, explained – it could be primal truth, except for endless reality. New message from the Mirror Zone, signals here cast by DJ Ungel who summons mystic breakbeat and shamanic acid from deep fractal wells of pan-consciousness. Charged mantras echo and gate amongst pulsating Megadog trance, whilst waves of ERP and Stinsonian electro roll into the ambient dub of Higher Intelligence Agency, Universal Egg, and other Artificial Intelligence like Banco De Gaia and Sandoz. True energy.

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Pet Needs

Fractured Party Music

31,99 €*

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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2LP | 1999 | EU | Reissue (Peaceville)

Katatonia

Tonight's Decision

37,99 €*

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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LP | 2021 | EU | Reissue (Relapse)

Genghis Tron

Dream Weapon

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Military Affairs Neurotic

G.I.S.M.

LP | 2014 | EU | Reissue (Relapse)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Reissue (Sunday Best)

Dub Pistols

Addict

29,99 €*

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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Sharon Jones & The Dap Kings

Dap Dippin' Remastered Edition

LP | 2022 | US | Reissue (Daptone)

22,99 €*

Release: 2022 / US – Reissue

Genre: Organic Grooves

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Suonando La Batteria Moderna

Tullio De Piscopo

LP | 2023 | EU | Reissue (Dialogo)

26,99 €*

12" | 1995 | EU | Reissue (Fördämning Arkiv)

Release: 2023 / EU – Reissue

Genre: Organic Grooves

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A Brief History OF THE Drums Jazz Drums as we know them today are a complex group of percussive instruments that reveal the inventive genius of the first jazz-band players of New Orleans, on Mississippi show-boats and later, in Chicago. In their actual form (which is substantially the same as that used in the first New Orleans groups ) they are none other than the como ination into one single instrument of all the percussive units used by the Southern blacks. Let us examine the drums in their single parts: the bass drum is a percussion instrument without definite pitch, normally beaten by a stick that has a large, felt-covered knob on one end, while the other end is attached to a pedal played by the right foot. It is the same instrument used in parades with brass bands, when it is worn around the neck and can also be played with regular drumsticks if a drum roll is required. Also a descendant of the traditional New Orleans brass bands are the Charlestons, two superimposed metal plates which are also played by pedal. Drumsticks or brushes are used to play one or two cymbals, large, slightly cupped disks of brass which when struck together loudly, also produce a crashing, dramatic effect. Drumsticks are also used to play the snare drum, of military origin, and the tom tom, of African descent, which can also be played by beating the drum-head with the fingers and the heel of the hand to accompany dancing. Other supplementary instruments such as the castanets, cow-bells, etc., are also played with drumsticks. In early jazz formations and in all New Orleans jazz, drums were used to rhythmically sustain the group, in other words, to furnish the beat, particularly with the bass drum playing the strong beats; the Charlestons would follow on the weak beats and the other parts would more or less ‘fill in’ depending on the player’s ability, by playing syncopation and off-beats. Rarely were the drums used as a solo instrument in New Orleans or traditional jazz bands; at the most, the drums would perform during a break, that is, a brief solo that filled in a pause left by the other melodic instruments between two stanzas or refrains. In jazz history the most important representatives of this ‘archaic’ jazz style are considered to be Warren ‘Baby’ Dodds (brother of the famous clarinet player Johnny Dodds ) and Zutty Singleton; both can be heard on the historical recordings of the Hot Five and the Hot Seven where they played under Louis Armstrong. During the swing era the drums were somewhat modified and perfected (it was during the ’30s that they assumed their standard and present form), thus requiring players to develop a more refined, sophisticated playing technique. In fact, during the swing era the small groups that had made up the backbone of New Orleans and Chicago jazz moved momentarily into the background and attention was focused on the first big, commercial dance bands, then to small, experimental groups that consisted of trios and quartets. But while the New Orleans drummer had been accustomed to playing with musicians he knew personally and with them performed music with which he was completely familiar and could therefore easily provide rhythmic support to, during the ’30s the drummer found himself in the new situation of having to play with a large number of musicians who played written music that had been selected for commercial reasons and part of complicated, orchestral arrangements. In addition, because of continuous changes in orchestral personnel, he seldom had time to familiarize himself with his fellow musicians; he was forced, by necessity, to adapt himself to the needs of the group at a short time notice and it was not unusual for the band leader to expect an exceptionally long break during which the drummer had to demonstrate his particular virtuosity. Naturally the technical superiority of this generation of musicians found supremacy in small groups in which the drums sustained first place together with the melodic instruments. An example of two such outstanding drummers of the swing era were Chick Webb and Gene Krupa. Around and immediately following World War II there took place, gradually and not as suddenly as one is led to believe, a so-called ‘revolution’ that initiated what was the ‘modern jazz’ trend, to which the preceding jazz style was superimposed and defined as ‘traditional’ jazz. While it would be impossible to analyze here all the melodic, harmonic, rhythmic and timbric innovations created by modern jazz musicians, two considerations can be made about the drums. The first is that in modern jazz there is no longer any distinction between ‘melodic’ and ‘accompanying’ instruments, thus leveling all instruments of the group to equal importance, all with solo possibilities (just think of what a classic accompanying instrument like the guitar becomes, in the hands of Charlie Christian!). The second is that while in traditional jazz the beat, i.e., the basic rhythmic scansion of a piece, offered the possibility of rhythmic balance, in swing, rhythm became explicitly an element of sound, while in modern jazz the beat is implicit and despite its prominence throughout an entire piece, whether solo or group playing, no instrument has the specific job of sustaining the others. It is clear therefore, that when the drums have been given equal value to the other instruments, they are freed from the obligation they once had to sustain rhythmically an orchestra or group and in modern jazz find enormous expressive possibilities. The musician most responsible in giving the drums their prominence in this era was Kenny Clarke, and among his many followers two of completely different styles but both with supreme technical skills, were Shelley Manne and Max Roach.

THE Drums AND POP Music The introduction of drums in European pop music occurred at the same time as the transformation of dance bands and was conditioned by the popularity of jazz. In the first dance orchestras that offered American dance music in Europe (the fox trot, one-step, and later the Charleston), the drummer often gave his name to the entire group, which was called a ‘jazz band’. The pop music drummer, in general, was not just a pale image of his jazz colleagues. If he performed any virtuoso passages they were certainly not the result of an expressive need, but rather, well-calculated effects created by an arranger for purely commercial reasons. The drums in pop music were also liberated from their secondary role, however, in another change similar to that brought on by the modern jazz revolution: it was with rock ‘n’ roll and the experiments of the new American groups that followed the Beatles and the Rolling Stones that re-evaluated the possibilities of the drums in new forms of instrumental ‘sounds’ and added to the wealth of technical capacity and the actual physical make-up of the instrument, adding other percussive instruments from both Afro-Cuban origin (bongos) and classical music (tympani), as well as oriental instruments like the gong, Chinese bells, Korean blocks, etc. For those who are fascinated by the virtuosity of some jazz or pop musician and have undertaken the study of the drums with the intention of imitating them, it is well to remember that it is no longer possible to do so with just a good sense of rhythm, musical sensitivity and the physical capacity to play. The modern drummer must also have a thorough theoretical background and a good teacher to guide him. Sightreading is of course indispensable particularly for playing the drums and a music school diploma certainly helps. This record, therefore, does not pretend to offer more than a series of modern rhythms that anyone with a good musical background can learn from and have fun with. The rest is up to you!

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Dress

19,99 €*

LP | 1970 | EU | Reissue (Guerssen)

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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"By the mid-1990s, there was a quietly thriving underground in Wellington, New Zealand, made up of a number of loosely aligned operatives - Surface of The Earth and their World Resources imprint; Fever Hospital and 8 Dec, and the music made by the members of The Garbage & the Flowers after that group temporarily dissolved in 1992..." One of those rather short-lived groups was Dress, who on record consisted of Yuri Frusin and Helen Johnstone from The Garbage & the Flowers and Kristen Wineera from Entlang. Their sole release was a lathe cut 10" released in 1995 on their own label Hell On in a total run of 120 copies. Fördämning Arkiv here presents those wonderfully puzzling tracks to a wider audience, now pressed as a 45rpm 12" with the original recordings remastered for vinyl by Ben Wright Smith. While the ambience is kind of similar to what was going on in the early The Garbage & the Flowers stuff, the music that was made by Dress was very different: improvised and non-song-based but kept in place by repetition and odd melodies. Hypnotic and perplexing music that existed in its own parallel universe for a brief moment in time. The 12" is packaged in a sleeve with slightly reworked artwork though staying very close to the original 10" cover and comes with a 16-page booklet featuring extensive liner notes by Jon Dale, lots of photos and a reprint of the interview with Helen Johnstone and Yuri Frusin published in Opprobrium #1 in 1995. Edition of 500 copies. Fördämning Arkiv 7, October 2022.

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Crystalline

Axe Music

25,99 €*

LP | 1972 | EU | Reissue (Guerssen)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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First reissued by us in 2012 and out of print for many years, here’s a new, improved repress of this UK psych holy grail. Axe (known also as Axe Music and finally Crystalline by the time they recorded their rare acetate) were an obscure British psych band led by acid-rock guitar player extraordinaire Tony Barford and graced by Vivienne Jones ethereal vocals. The band hailed from Northampton (home also of their mates Dark of “Dark Round The Edges” fame). In 1970, they recorded a demo album of which only 12 copies were pressed as a demo acetate. Here's a straight reissue of this legendary artifact, as the previous "reissue" on the Kissing Spell label from 1993 and credited to Axe was altered without the band consent and included newly edited tracks, artificial echo / phasing effects, altered song titles...

Here' you'll find the acetate recording on its pure form: 100% unadulterated heavy psych and acid-rock sounds full of raw, fuzzed-out guitars and dreamy female vocals. Four impressive original songs plus a long, psyched to the max cover of Love's "A house is not a motel" which has to be heard to be believed. Carefully remastered from an original acetate copy in 24-bit. Unfortunately, no masters survived and no 100% clean copies are known to exist of the original acetates, but you’ll get the best result for the possibilities. In fact we’ve managed to improve the sound a bit over our first edition from 2012. * New artwork (the original acetate came in blank sleeve), insert with unseen pictures and liner notes by Paul Cross (Sweet Floral Albion). Rated with the maximum rarity (six stars) in Hans Pokora's 5001 Record Collector Dreams book.

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Dakila

25,99 €*

3LP | 2020 | EU | Reissue (Dirty Hands)

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Dakila (a Filipino word meaning Greatness) emerged from the melting pot of musical fusions that originated in the San Francisco Bay Area of the late 60s. They often could be seen playing at Bill Graham's Fillmore West, SF Winterland and all the major clubs in the SF Bay Area and festivals.

Singing in Tagalog, Spanish and English, Dakila was the first Filipino-American band signed to a major label. Their sole album from 1972 combined their Filipino heritage with Latin Rock, psychedelia / acid-rock and afro-funk. The result was an explosive, hot jamming sound full of congas/percussion, Hammond, dual fuzz guitar, fuzz-bass…

This, the first ever official reissue, features corrected pitch (the original was speeded up by the producers against the band’s will) and a 4-page color insert with detailed liner notes.

*50th Anniversary Reissue

*One of the hidden gems from the original Latin-Rock movement

Riyl: Santana, El Chicano, Barrabás, Chango, Malo, Mandrill…

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Per Hammar

Pathfinder 2022 Repress

2LP | 1978 | US | Reissue (Mobile Fidelity)

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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After six years in the making between Malmö and Berlin, Per Hammar presents his first studio album on his Dirty Hands imprint. Pathfinder LP is designed for the dance floor and represents the evolution of one of Sweden’s finest artists from his musical beginnings in 2004 to the current day. Per Hammar has been associated with labels such as Infuse, Constant Sound, Malin Génie Music and Berg Audio to name a few. Always inspired by music where melody is the focus, he notes his subconscious as being an inspiration for his productions. Over the last 15 years, his material has featured influences from dub to video game scores, and trance to happy hardcore, but on his Dirty Hands productions it’s been dub that’s held centre focus.

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Warren Zevon

Excitable Boy

73,99 €*

Release: 1978 / US – Reissue

Genre: Rock & Indie

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Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set

Joni Mitchell

2LP | 1970 | US | Reissue (Mobile Fidelity)

154,99 €*

2LP | 1971 | US | Reissue (Mobile Fidelity)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
PRESSED AT RTI ON MOFI SUPERVINYL, AND STRICTLY LIMITED TO 5,000 NUMBERED COPIES
1/4” / 15 IPS / Dolby A analogue master to DSD 256 to analogue console to lathe

Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolour painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.

Sourced from the original analogue master tapes, pressed on MoFi SuperVinyl at RTI on MoFi SuperVinyl, featuring new liner notes, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set delivers Ladies of the Canyon with bracing intimacy, detail, balance, and depth. Marking the first time the LP has received audiophile treatment, it's one of six iconic Mitchell records Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.

Playing with organic warmth, superb clarity, and ample spaciousness, this collectible UD1S edition benefits from the inherent properties of SuperVinyl — a virtually non-existent noise floor, reference-calibre groove definition, and ultra-silent surfaces among them. Primarily recorded solo, with spare accompaniment on select tracks, Mitchell practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; relatedly, the soundstage extends far and wide, with carbon-black backgrounds adding to the uncanny realism.

The deluxe packaging of the Ladies of the Canyon UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue is made for listeners who prize sound quality and production, and who desire to engage themselves in everything involved with the album, including Michell's illustrative painting that serves as the cover art.

Deemed "powerful and brilliant" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.

Mitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving "a pattern all her own."

That pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. Within months of releasing Ladies of the Canyon Mitchell would find herself at the centre of the singer-songwriter movement — and preparing songs for another album whose impact is still felt today.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Joni Mitchell

Blue

158,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1976 | US | Reissue (Friday Music)

The Doobie Brothers

Takin It To The Streets

Release: 1976 / US – Reissue

Genre: Rock & Indie

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Boz Scaggs Gold Vinyl Edition

Boz Scaggs

LP | 1969 | US | Reissue (Friday Music)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Boz Scaggs Blue Vinyl Edition

Boz Scaggs

LP | 1969 | US | Reissue (Friday Music)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Run-DMC Numbered Limited Edition 180G Super Vinyl Edition

Run DMC

LP | 1984 | US | Reissue (Mobile Fidelity Sound Lab)

74,99 €*

Raising Hell Numbered Limited Edition 180G LP SuperVinyl

Release: 1984 / US – Reissue

Genre: Hip Hop

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Limited to 3000 copies. The impact, influence, and importance of Run-D.M.C.'s self-titled debut – the album that invented hardcore hip-hop and bridged rap, rock, and funk in then-unparalleled ways – cannot be measured. The first full-length record released by Profile Records, the 1984 set permanently changed the sound of music, broadcast streetwise wisdom to every corner of the country, and made the notion of a one-man band a distinct reality. Produced by Russell Simmons and Larry Smith – and bolstered by an incendiary blend of staccato deliveries, stark beats, aggressive exchanges, evocative hooks, and socially conscious messages – Run-D.M.C. still hits listeners in the jaw with the same intensity it did nearly 40 years ago when it could be heard booming from ghetto blasters carried around city blocks nationwide.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g SuperVinyl 33RPM LP is the definitive-sounding version of this groundbreaking work.

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Run DMC

LP | 1986 | US | Reissue (Mobile Fidelity Sound Lab)

99,99 €*

King Of Rock Numbered Limited Edition 180G LP SuperVinyl

Release: 1986 / US – Reissue

Genre: Hip Hop

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SOURCED FROM THE ORIGINAL MASTER TAPES AND PRESSED ON MOFI SUPERVINYL
1/2" / 30 IPS analogue master to DSD 256 to analogue console to lathe

Run-D.M.C.'s Raising Hell remains the turning point at which hip-hop crashed through mainstream barriers and never left. Anchored by the crossover smash "Walk This Way," the 1986 blockbuster still sounds like a revolution unfolding in real time. It has everything – hard-rock riffs, turntable scratching, itchy rhythms, hit singles – not the least of which are the trio's invigorating raps and inseparable chemistry. And now it's the first rap record afforded audiophile treatment, courtesy of Mobile Fidelity.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, the reissue label's numbered-edition 180g 33RPM SuperVinyl LP elevates Raising Hell to sonic heights on par with its musical and cultural significance. Ranked the 123rd Greatest Album of All Time by Rolling Stone, 43rd on Pitchfork's Greatest Albums of the 1980s, one of the Top 100 Albums of All Time by TIME – and included on "Best of" lists by Spin, Paste, XXL, Entertainment Weekly, and basically every other significant media outlet – the triple-platinum effort rocks the house.

Benefitting from the ultra-low noise floor and groove definition of SuperVinyl, Raising Hell unleashes a torrent of massive dynamics and tsunami of frequency-plumbing details underlined by Rick Rubin's taut, crisp, albeit raw and streetwise production. Just as the Queens-based group both defined what hip-hop could represent – and displayed just how big it could get – Rubin's work melded ear-worm hooks, savvy drum loops, metal-leaning guitars, and, of course, Run and D.M.C.'s cross-fire lyrical interplay into watertight frameworks bursting with ideas, tones, samples, and beats. Heard anew on Mobile Fidelity vinyl, Raising Hell is in every regard the aural equivalent of a direct-to-console 1970s classic. And it sounds as fresh as hell.

As for the music, it ranks among the most influential, inventive, and invigorating ever released – rap or otherwise. Vanguard artists such as Ice-T, Eminem, Jay-Z, and Public Enemy's Chuck D – who declared it his all-time favorite and "the first record that made me realize this was an album-oriented genre" – have testified on behalf of its brilliance. And never mind the presence of the Top 5 single "Walk This Way," whose power helped make Aerosmith's Steven Tyler and Joe Perry relevant for the first time in nearly a decade – and literally put Run-D.M.C. in bedrooms ranging from the Bronx to Bartlett to Bad Axe.

Look instead to the rest of the entirely filler-free set, be it the corkscrew turns, slippery wordplay, and "My Sharona"-meets-"Mickey" mixology of the boisterous "It's Tricky," the fat-but-minimized bass grooves and warped turntable wobble of the hysterical "You Be Illin'," chimes-accented inertia and boombox-on- shoulder thunder of the now-iconic "Peter Piper," or voice-as-percussion attack of the funky "Is It Live." With Raising Hell, the answer to the question is always affirmative – a sensation bolstered by the fact the group always had something to say.

The definition of Golden Age Hip-Hop in every way, Run-D.M.C. avoids the negativity and misogyny that later plagued the style, spinning assertive tales about identity (the biographical and culture-changing "My Adidas"), work ethics ("Perfection"), and, most notably, pride (the Harriet Tubman- and Malcom X.-referencing "Proud to Be Black"). Pavement-packed inner cities, tree-lined suburbs, and cornfield-rimmed rural areas would never again be the same. And rocking a rhyme that's right on time would become trickier than ever.

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Run DMC

LP | 1985 | US | Reissue (Mobile Fidelity Sound Lab)

99,99 €*

LP | 2014 | CZ | Reissue (Glassnote Music)

Release: 1985 / US – Reissue

Genre: Hip Hop

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Run-D.M.C. leaves no doubt about its intent on King of Rock. The New York trio's hard-hitting sophomore album begins with a statement of purpose ("Rock the House") that serves as a stereophonic primer for the title track, a hybrid warning-anthem-theme song that swarms with justified boasts, heavy metal riffs, booming beats, cowbell accents, and dance-worthy grooves. The back-to-back tunes set the tone for a 1985 record that largely established the blueprint for the hip-hop that would follow for the next two decades – and which helped make rap a mainstream currency via the previously off-limits channels of radio, TV, and the national stage. "It's not Michael Jackson/And this is not Thriller," the group broadcasts early on in the record. Truer words – and music recorded with such honesty, pride, rawness, and integrity – have seldom been committed to tape.

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Childish Gambino

Kauai

32,29 €* 37,99 € -15%

The Hacker & Jensen Interceptor

Release: 2014 / CZ – Reissue

Genre: Hip Hop

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Pressed at GZ Media, CZ.

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Trigger Zone EP

12" | 2018 | EU | Reissue (International Chrome)

16,99 €*

The World Of Monnom Black II

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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The record that kicked of the International Chrome label is back due to popular demand. The Hacker & Jensen Interceptor combine their powers with Trigger Zone - three fresh tracks of machine funk.

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V.A.

3x12" | 2019 | EU | Reissue (Monnom Black)

47,99 €*

12" | 2021 | EU | Reissue (Mord)

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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To celebrate its landmark 20th release, Monnom Black invites you to enter The World of Monnom Black II - a return trip to techno's most uncompromising landscape. The triple vinyl release features 14 hand-picked contributions from the label's trusted collaborators alongside cutting-edge artists new to the roster; making this compilation one of the label's most varied and innovative collections yet.

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Nørbak

Liberdade EP

14,99 €*

LP | 2013 | US | Reissue (Weathermaker Music)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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Repress in generic sleeve. Fragments of our mighty voice, our blood is like tears. Above us shook the starry sky. Desolate are the hours into which we are rising.

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Clutch

Earth Rocker

26,99 €*

Release: 2013 / US – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Cosmic Rock)

Orphan Egg

22,49 €* 24,99 € -10%

LP | 1981 | EU | Reissue (Black Saint/Eargong)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Orphan Egg were a short lived group who were formed in 1967 in San Jose California. Their sole self-titled album was released in 1968 on the small independent company Carole Records. Essentially a garage-psych album – in the tradition of future iconic compilation like Nuggets or Pebbles – Orphan Egg was recorded by a bunch of students at Saratoga High School in Saratoga. Occasionally they won the Vox Battle of the Bands, a nationwide competition. They also appeared on the soundtrack of the classic bike-movie ‘Cycle Savages’ with 3 tracks.

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Joseph Jarman / Don Moye

Earth Passage - Density

LP | 1971 | EU | Reissue (Bonfire)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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An outstanding yet obscure 1981 release by two Art Ensemble of Chicago members, multi reeds player Joseph Jarman and drummer Don Moye along with legendary bassist Rafael Garret (mostly remembered for his presence on Coltrane's masterpiece "Kulu se Mama") and young lion Craig Harris on trombone. Four great individuals digging deep between ancient African rituals and modern urban multidimensional grooves. A tribal ecstatic sound based on a multitude of instruments: reeds, bamboo flutes, didgeridoo, trombone, conch shell, panpipes and a sea of percussion. A beautiful example of Aacm "Ancient to the Future" aesthetic. A magic mixture of elements from the African American music continuum.

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Chillum

20,99 €*

Lol Coxhill/Pierre Courbois/Jasper Van't Hof

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies The sole self-titled album by English progsters Chillum was in fact an offshoot project of famous psychedelic icon Second Hand. They shared three members - George Hart, Ken Elliott, Kieran O'Connor – with the former band, giving birth to a more experimental act. The record originally saw the light of day in 1971. The lp was supposed to be the third Second Hand album, but apparently the members decided to change the band's name. Their heavy swinging approach was in the end similar to such contemporary luminaries like Atomic Rooster, Leaf Hound, and Arthur Brown's Kingdom Come. A jam album with lots of roaring percussion and an impressive organ to make big sound. Ken Elliott (Keyboards, Mellotron, Organ, Vocals), Kieran O'Connor (Drums), Tony McGill (Guitar) and George Hart (Bass)

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Toverbal Sweet

LP | 1972 | EU | Reissue (Lantern Heights)

20,99 €*

LP | 1993 | EU | Reissue (Soulgramma)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Fully licensed, ltd to 500 copies. Released on cultish London based label Mushroom in 1972, this album brought together the anarchic genius of saxophone player Lol Coxhill, with the pure magic of a dutch rhythm section: Pierre Curbois on the drums and keyboard player Jasper Van’t Hof. A clash of the titans as a matter of fact, with the more classical and impro sounding lines of Coxhill and the straight – almost jazz-rock – harmonies of the other two players. A fascinating record comparable to Keith Tippett small groups and the rise of the most peculiar impro-jazz scene.

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Devon Russell

Darker Than Blue

29,99 €*

LP+CD | 1990 | EU | Reissue (Spittle)

Release: 1993 / EU – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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Worldwide exclusive, fully licensed ! Finally a proper re-issue of this stone cold soul-reggae classic. The record was originally published in 1993, but the first session dates back to 1979. It was around this time that Earl ‘Chinna’ Smith (of The Wailers and Soul Syndicate fame) approached the singer with the idea of re-making some Curtis Mayfield songs. ‘We The People Who Are Darker Than Blue’ was the first track generated during the meeting, followed after a couple of years by ‘Move On Up’. Devon Russell's birthplace and date are as much a mystery as the gaping holes in his recording career. He began with the Tartans, a mid-'60s rock steady vocal group comprised of himself, Prince Lincoln Thompson, Linbergh "Preps" Lewis and Cedric Myton; they disbanded after their 1967 hit "Dance All Night" (Federal Records). It is no mystery Jamaicans loved Motown soul, but this tribute was an epiphany on its own. With a crew comprised of eclectic master drummer Sly Dunbar, the album was completed at the Leggo Studios in Kingston, Jamaica with The Firehouse Crew on board. A mission accomplished ten years after the first foundation stone was laid. We recently heard Devon Russell ‘Move On Up’ and ‘We The People Who Are Darker Than Blue’ on the amazing Soul jazz compilation Disco Reggae Rockers, now you have the whole package !

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Kina

La Gioia Del Rischio

LP+CD | 1996 | EU | Reissue (Spittle)

Release: 1990 / EU – Reissue

Genre: Rock & Indie

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Originally released on cassette by Blue Bus in 1990 and issued here for the first time on vinyl This was Kina's first live album. An in your face snapshot of the band caught live during their 1900 European tour. Special Edition LP + CD + printed inner sleeve

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Kina

Citta' Invisibili

LP | 1992 | EU | Reissue (1972)

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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Originally released on Kina's Blu Bus label in 1996 "Citta invisibili" comes as the band's most mature work. A strong and final statement from one of the seminal hardcore punk bands ever. Special Edition LP + CD + printed inner sleeve

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Sea Urchins

Stardust

40,99 €*

The Adventure Of Pirate Kid

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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Cutting their teeth as teens in a West Bromwich bedroom, The Sea Urchins were nothing like the heavy metal that seemed to fill every bar in the UK Black Country. Fringe haircuts, perfect trousers, suede jackets and infectious tambourines gave plenty of hints as to their youthful ambition, but nothing could fully prepare you for just how utterly spellbinding these songs would be. Compiling their fanzine-only flexi material with the full complement of singles for Sarah Records, Stardust runs chronologically from late 1986 to the middle of 1989, beginning with the singles split for Clare Wadd’s Kvatch and Matt Haynes’ Sha La La, before hitting the first of what would be an even hundred releases from the new label Wadd and Haynes would form - Sarah. The song that launched a legendary label and defined a sound, a scene, a place and time; “Pristine Christine” still rings out as immediate and magical today as it did on first listen. What a glorious jangly rush racing around the corners of pop’s history! The band would reach such heights time and again over the course of this three year burst. The melancholy swinging folk of “Everglade” and it’s wonderfully yearning vocal; the organ-fueled british invasion garage rock sing-a-long of “Solace”; the playful psych pop of “A Morning Odyssey”; the acoustic sweep of “Wild Grass Pictures”; the perfectly named “Summershine” leaving you with a ramshackle smile out on the dancefloor. All of it is just so filled with delicate humanity, yet somehow absolutely perfect. As Bob Stanley said about the shimmering ballad “Please Rain Fall” while bestowing it with NME Single Of The Week (an honr also bestowed upon “Pristine Christine”), “think of some variations on the word marvelous and you’re most of the way there.” In their time, they might have seemed wildly out of step, but it’s not crazy to say that things could have been very different for the likes of Radiohead, The La’s, and Oasis without The Sea Urchins.

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Sons Of Sun

LP | 1972 | JP | Reissue (Fuji)

Lightnin' Rod Feat. Kool & The Gang

Release: 1972 / JP – Reissue

Genre: Rock & Indie, Pop

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Originally released in 1972, the legendary Soft Rock "Happy End" album is now back on an analog LP!! Written by Hiro Yanagida, Produced by Takashi Matsumoto, Sons OF SUN's first album will be making its return from the label Fuji!! Keyboard Hiro Yanagida Drums Kiyoshi Tanaka E.Guitar Kazuyuki Nagaoka E.Bass Hideaki Takebe Vocal MAO

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Hustler's Convention Green Beige Vinyl Edition

7" | 2023 | UK | Reissue (Dynamite Cuts)

19,99 €* 24,99 € -20%

A Tribute To Obabi Red Marbled Vinyl Edition

Release: 2023 / UK – Reissue

Genre: Hip Hop

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Limited to 150 copies. Jalaluddin Mansure Nuriddin was an American musician and poet. He was one of the founding members of The Last Poets, a group of poets and musicians that evolved in the 1960’s. Earlier in his career he used the names Lightnin’ Rod and Alafia Pudim. He is sometimes called, “The Grandfather of Rap’, and wa a devout Muslim, poet, acupuncturist, and marital art expert. Nurridin’s talent and genius with words and rhythm are renowned. He produced some epic poems. The band featured on this release just happens to be the one and only Kool & The Gang.

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The Last Poets

7" | 2023 | UK | Reissue (Dynamite Cuts)

It's A Trip Lilac Vinyl Edition

Release: 2023 / UK – Reissue

Genre: Organic Grooves

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Limited to 150 copies. Dynamite Cuts are proud to be able to release this classic afro jazz vibe groove. Sampled back in the day by The Jungle Brothers. This track is Originally 10 minutes long; we have now edited it down to a brilliant 4 minutes, for this exclusive vinyl release. The entrancing, hypnotic saxophone and vocals fill your ears with an uplifting energy of Jazz.

“Sensational”

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The Last Poets

7" | 2023 | UK | Reissue (Dynamite Cuts)

Release: 2023 / UK – Reissue

Genre: Organic Grooves

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Limited to 150 copies. This incredible trio of poets, were not only musicians but Civil Rights Activists, rising up in the early 1960’s. They formed the group whilst in prison where they began performing the “spoken word” to rhythm and percussion. The last poets where born! None of this prolific music has been issued as a 7” before, great music for all good music lovers

A - “It’s a trip” - Vocal Acid Jazz / dance gem!

Killer Track. Percussive vocals; addictive and funky. Acid jazz club classic. Dare you to keep up. Once you start, you can’t stop dancing. Such vibes. Environmental and racism-alerts messages chorused as early as 1977. You gotta listen to the words. Zeitgeist extraordinaire.

B - “Blessed are those who struggle” - Exclusive 7” cut for this vinyl release. The super funky drums of Mr Bernard Purdie, one of the best drummers in the World, if I may say so myself. Stunning

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Honour & Blood Picture Disc Edition

LP | 1984 | EU | Reissue (High Roller)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, lyric sheet, ltd 460, deluxe plastic bag, 4 tracks

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This Means War Picture Disc Edition

LP | 1983 | EU | Reissue (High Roller)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, lyric sheet, ltd 460, deluxe plastic bag, 4 tracks

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Power Of The Hunter Picture Disc Edition

LP | 1982 | EU | Reissue (High Roller)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, lyric sheet, ltd 460, deluxe plastic bag, 4 tracks

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Filth Hounds Of Hades Picture Disc Edition

LP | 1982 | EU | Reissue (High Roller)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, lyric sheet, ltd 460, deluxe plastic bag, 6 tracks

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Don't Walk Away Picture Disc Edition

LP | 1981 | EU | Reissue (High Roller)

Get The Freaks And Get Some

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, lyric sheet, ltd 460, deluxe plastic bag, 5 tracks

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Synapse

12" | 1997 | EU | Reissue (Serotonin)

12,99 €*

Le Dernier Message De Lester Young

Release: 1997 / EU – Reissue

Genre: Electronic & Dance

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Serotonin Records brings an eclectic fusion of electro styles, from experimental electronica to synth-pop. Wer are delighted to present you Ser004 - Synapse - Get The Freaks And Get Some from 1997. Don't sleep on this high demanded record!

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Lester Young

LP | 1959 | UK | Reissue (Sam)

31,99 €*

Ivory Black Vinyl Edition

Release: 1959 / UK – Reissue

Genre: Organic Grooves

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Re-mastered from the original master tapes.
Limited edition 2000 copies.
180 gr vinyl pressed by Optimal in Germany.

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Kio Amachree

LP | 1981 | EU | Reissue (Mondo Groove)

22,79 €* 23,99 € -5%

LP | 1974 | EU | Reissue (Real Gone Music)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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The killer 1981’s Nigerian funk boogie disco and reggae by Kio Amachree repressed for the first time.

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Soul Searchers

Salt Of The Earth

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Black Hand Inn Limited Purple Vinyl Edition

Running Wild

2LP | 2017 | EU | Reissue (Noise)

35,99 €*

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Immaterial Possession Transparent Blue Vinyl Edition

Immaterial Possession

LP | 2020 | UK | Reissue (Fire)

12" | 2023 | EU | Reissue (Soul:r)

Release: 2020 / UK – Reissue

Genre: Rock & Indie

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Transparent Blue Vinyl w/ download card. The debut album from post-folk travellers Immaterial Possession, a quartet, half of whom came from an artist commune and half who were card-carrying Elephant6 alumni. ‘Immaterial Possession’ is a rich tapestry of a record, a gorgeous, melodious return to a time when influences co-habited freely and whatever was close at hand made the music of the day. All set to Syd Barrett-era Floyd and Nico with haunting lines, it’s perfectly tinged with gamelan harmonies, evocative Spanish guitars and xylophone. Exuding mystical symbolism; they wear luscious threads, they’re part of something/anything; perhaps a neo-modern-folk commune of artists in search of a canvas to stretch out over their juxtaposed influences. Immaterial Possession was conceived by Atlanta natives, Cooper Holmes and Madeline Polites, who met while living together at an Atlanta artist commune that was integrated into the DIY music, theatre, and arts scene. Some years later the duo moved to the neighbouring musical town of Athens, GA. They were soon joined by seasoned drummer, John Spiegel, and eventually fulfilled with multi-instrumentalist Kiran Fernandes (keyboards, clarinets, flutes) - descendant of the Elephant 6 Collective scene. It’s eastern, it’s eerie dream pop, it’s spacious and ethereal… A perfectly wild trip, and where it ends is immaterial.

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DRS

The View

14,39 €* 15,99 € -10%

Release: 2023 / EU – Reissue

Genre: Electronic & Dance

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Sell Your Soul / The Guillotine

Marcus Intalex

12" | 2012 | EU | Reissue (Soul:r)

15,99 €*

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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Helloween Yellow Vinyl Earbook Edition

Helloween

2LP+2CD | 1985 | EU | Reissue (Atomic Fire)

53,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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2LP | 2004 | US | Reissue (Nature Sounds)

R.A. The Rugged Man

Die Rugged Man Die

LP | 1974 | UK | Reissue (Soul Brother)

Release: 2004 / US – Reissue

Genre: Hip Hop

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This reissue of "Die, Rugged Man, Die" features brand new updated artwork.

When R.A. The Rugged Man dropped his first album, it seemed like he'd been around for years...and, well, he had. The Rugged Man's storied background includes early 90s collaborations with legends like Mobb Deep and The Notorious B.I.G., plus a few epic appearances on the seminal "Soundbombing" compilations. But until this 2004 masterpiece, he had never released a proper album. Thankfully, R.A. delivered "Die, Rugged Man, Die", a defiant opus that kick-started his journey from industry outcast to independent hip-hop icon.

Featuring the classic single "Chains", "Die, Rugged Man, Die" proved R.A. could deliver on a full-length album, and remains an impressive body of work. Now, the previously out-of-print collection is available again on vinyl, complete with new updated artwork.

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100% Pure Poison

Coming Right At You

22,99 €*

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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LP | 2014 | EU | Reissue (Peaceville)

Mysticum

Planet Satan Black

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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2x12" | 2022 | EU | Reissue (Repertoire)

Ricky Force

Doomed Planet

22,99 €*

2LP | 1972 | EU | Reissue (Distance)

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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Repress! One of Ireland’s best known drum and bass producers Ricky Force is finally releasing his long awaited debut album on contemporary jungle label Repertoire.

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Don Bradshaw-Leather

Distance Between Us

37,99 €*

Spit On The Plate 2023 Repress

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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Reissue of this cult 1972 album which featured on the infamous Nurse With Wound List.

During the long, dark hangover of the Summer of Love, the classically-trained Essex prodigy approached CBS Records with demo recordings. A forward-thinking A&R executive must have seen a potential revenue stream in Don Bradshaw-Leather's avant-classical noise. The artist was given an advance to record an album. He used the funds to create a large studio in Sussex with many instruments including an actual church organ. Here, on his own, without the use of any electronic sequencing, he recorded "Distance Between Us" using simply multitrack tape, layering each part of the composition. Upon hearing the product of their financial investment - four side-long tracks of blurry organ drones, frantic piano tinkling, and ritualistic percussion - CBS got cold feet.

The album was self-released on Bradshaw-Leather's own Distance imprint; a vanity label established for the sole purpose of releasing the album. The sleeve art is full of mysteries, from the misspelling of "Bradshaw" ("Bradsham"), to the coal-blackened visage of the bohemian madman on the cover (dbl himself?), to the rear photo collage depicting the same madman accosting a nude woman. The music isn't any less mysterious; shapeless symphonies of smeared-out Mellotron, tribal drums, and wordless vocals. Don Bradshaw-Leather passed away in the 90's.

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V.A.

12" | 2021 | EU | Reissue (Kaos)

14,99 €*

LP | 2018 | EU | Reissue (Pias Germany)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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When the reopening is slowly approaching, chaos is slowly dissolving. We pushed the button to try the new reality and for the soundtrack we've got for one of the more club oriented releases we have made till date. Dakar's newest affiliate midnight menace starts the release with his already known schranz alike beat, dark and acidic pushing the Dance floor limits. Cressida strikes with a funk push which could have totally fit in a Black Nation record from 2002, one of the very few produces using swing in his tracks these days. Freshness guaranteed. Debuting the Spaniard Jheal Bashta deliver a hyper futuristic song, amen breaks, autotune, which year is it again? Closing the issue, we warmly welcome to the legend Deeon, who deserves no introductions. Ghetto-punk. For disc-jockeys and collectors.

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Jonathan Jeremiah

Good Day

26,99 €*

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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CD | 1970 | EU | Reissue (Far Out)

Hermeto Pascoal

Hermeto

17,99 €*

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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No Hashish, No Change Money, No Saki Saki Black Vinyl Edition

Bardo Pond

LP | 1993 | US | Reissue (Three Lobed)

30,99 €*

LP | 1979 | US | Reissue (We Are Busy Bodies)

Release: 1993 / US – Reissue

Genre: Rock & Indie

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In 1993 Bardo Pond was fresh and still drying off out of their crawl out of Philadelphia's psych primordial ooze. A quartet in those early days, they assembled a demo cassette to use for booking and merch purposes titled cryptically as "No Hashish, No Change Money, No Saki Saki". This release largely remained a Discogs curio in the intervening years, never seeing a wide formal release in any capacity. Now, thirty years later, "No Hashish..." makes its first truly formal release in a mastered format and ready to daze their every hungry fans. Close to an hour of hazy, smoke-filled goodness spread over two LPs, this provides the proper soundtrack for a late night zone out accompanied by your chemicals of choice.

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Lionel Pillay

Plum & Cherry

32,29 €* 33,99 € -5%

The Vibrators & Impact All Stars

Release: 1979 / US – Reissue

Genre: Organic Grooves

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Following the April 2022 reissue of the album Shrimp Boats, We Are Busy Bodies presents companion titles Plum and Cherry and Deeper in Black to round out a Lionel Pillay and Basil Mannenberg Coetzee “trilogy” as part of the label’s As-Shams South African jazz archive series. The connection between these three albums is tight as the 1987 release Shrimp Boats compiled unreleased recordings from both the 1979 session for Plum and Cherry and the 1980 session for Deeper in Black. These two rare records have been carefully remastered from their original tapes and are back in print for the very first time in over 40 years.Shrimp Boats and Plum and Cherry capture the extraordinary musical chemistry that existed between pianist Lionel Pillay and tenor saxophonist Basil Coetzee in the late 1970s. The respective album showpieces “Shrimp Boats” and “Cherry” each occupy an entire side of vinyl with both exquisite musical journeys clocking in at an epic 25 minutes a piece. While “Shrimp Boats” was an instrumental reimagining of the popular 1951 song by American singer Jo Stafford, “Cherry” drew inspiration from Abdullah Ibrahim at the behest of producer Rashid Vally, who wanted to emulate the success of the famous track that had helped launch his independent As-Shams/The Sun record label in 1974. Ibrahim’s hit “Mannenberg” had also featured Basil Coetzee and it was this zeitgeist South African jazz recording that had given rise to his stage name.Capturing the grace and vitality of working-class township life on the city fringe, “Cherry” channels the type of laid-back Cape groove that Abdullah Ibrahim, recording as Dollar Brand, introduced to South African jazz in the 1970s. On the flip side, “Plum” appears to take its own simple chord change in the same direction before breaking into a chugging 20-minute romp that verges on proto-electronica and on which Pillay hangs all manner of savage keyboard riffing and experimentation. The two distinct flavours of Plum and Cherry make for a well-rounded platter with an iconic cover featuring the work of abstract expressionist painter and As-Shams/The Sun collaborator Hargreaves Ntukwana.

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Go Back

10" | 1971 | EU | Reissue (Onlyroots)

12,99 €*

Release: 1971 / EU – Reissue

Genre: Reggae & Dancehall

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7" | 1975 | EU | Reissue (Onlyroots)

Johnny Clarke

Be Upright Natty Dread

10,99 €*

Release: 1975 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1991 | EU | Reissue (Hornin Sounds)

The Sojourners

Black People

2LP | 2023 | EU | Reissue (Be With)

Release: 1991 / EU – Reissue

Genre: Reggae & Dancehall

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Killer 90's Afro-Root from Nigeria.

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Lewis Taylor

Numb

33,24 €* 34,99 € -5%

LP | 1998 | US | Reissue (Calar Music)

Release: 2023 / EU – Reissue

Genre: Organic Grooves

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Lost soul phenomenon Lewis Taylor's Numb finally arrives on double vinyl! One of UK soul’s most fascinating artists, most enigmatic figures and most under-appreciated talents, Andrew Lewis Taylor is a prodigious multi-instrumentalist and eclectic polymath. He enjoys a fiercely loyal following which, over the years, has included celebrity champions like Bowie, Elton and D'Angelo. Numb is Taylor's sixth album, initially released on his own label Slow Reality (an anagram of his name) and licensed to Be With for this long-awaited physical edition. It captures Taylor's wholly unique, intoxicating take on lush, late-night psychedelic soul music.

Lewis wrote and recorded these 10 brand new tracks after a 17 year break from making music, although the album came together over a two-year period. The years away have done nothing to dull Taylor's unique musical vision. He still astounds. The lyrical themes, however, have shifted. Understandably, more than a decade and a half of soul searching and unflinching self-examination cannot fail to influence this most honest of songwriters, and boy does it show. Numb marks a return to the darker, more mysterious side of his output: "Brian Wilson-channels-Smokey Robinson atmospheres", as Mojo put it recently.

After playing a rapturously received gig at the Bowery Ballroom in NYC in 2006, Lewis unceremoniously walked away from music and disappeared completely. An interview in 2016 shed light on some of the reasons for Taylor’s withdrawal from the business, but there was no hint of a return anytime soon. Then in June 2021, news emerged out of the blue that he was readying new music alongside Sabina Smyth with whom he had worked first time around.

On Numb, Lewis deftly balances stark, soul-bearing lyrics with moody mid-tempo pop-soul sheen. He deals candidly with depression, mental turmoil, even thoughts of suicide - clearly more personal than Taylor's earlier songs. The music is rich, warm and layered, with infectious melodies and hooks that stick with you. A true grower of an LP, it really does reward repeated listens. As Jim Irvin in Mojo reflected, "despite the depths these plumb, it's a curiously uplifting experience, unfurling like a concept album about life's challenges with an optimistic beauty at its heart."

Triumphant dubwise horns ring out yet, almost instantly, “Final Hour” takes on a dark, downbeat vibe. With lyrics that confront (and, seemingly, confound) death head-on, Lewis ensures the groove is still there, the beats still swing and your head still nods, strings glissade. Woven around delicate yet insistent piano and subtle strings over a killer bassline, the title track “Numb” is a good example of the lyrical themes throughout the album. As Taylor reflects, "So removed I feel no pain / And for all I know I could be having the time of my life" with a coda that feels very much in conversation with Brian Wilson's finest harmonies. "Feels So Good" is sophisticated 90s-sounding soul of the highest order. The music and vocals feel simultaneously optimistic and despondent. Downlifting. A neat trick, and one Lewis has been so adept at over the years. "Apathy" is a mini-epic, a symphonic-soul gem which builds and glides and, eventually, soars. “Worried Mind" is another slow-builder, creeping out the gate in a sketchy, discordant fashion before climbing to half-crescendo but never quite breaking free of its disorientating restraint.

The brighter "Please" presents a more hopeful mood, with the refrain "I still believe" ringing out as Lewis harmonises with himself. "Brave Heart" quietly struts from step one, as Lewis's falsetto swaggers over a downtempo backdrop with ace echoey drums, beautiful strings and serene electric guitar. Closing out Side C, "Is It Cool" answers its own (non-) question with a spellbinding five and a half minutes of swoonsome deep soul that oscillates between a restrained, barely-there backdrop and a lushly full musical accompaniment of acoustic and electric guitar and organ over bass and slick drums. The penultimate track "Nearer" is a magical, soul-stirring ballad in which Lewis sings of reaching a sweet salvation and achieving a peace of mind. If the hairs on the back of your neck aren't standing up by the midway point, you might need to check your pulse. Album closer and true tear-jerker "Being Broken" places Lewis's gorgeous voice high in the mix and the wordless falsetto and melodies invite you to ponder what Pet Sounds might sound like if it were refashioned as a dubby 21st Century electronic soul album. Astonishing.

Simon Francis’s vinyl mastering spreads out the ten tracks over a double LP so, as ever, nothing is compromised. And as usual, the records have been cut by Cicely Balston at Air Studios and pressed at Record Industry. Turn it up and let the Lewis Taylor sound envelop you.

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Melingo

Tangos Bajos

40,99 €*

LP | 1998 | US | Reissue (Secret)

Release: 1998 / US – Reissue

Genre: Organic Grooves

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MELINGO's Tangos Bajos is a milestone in Argentina's young generation in tango music. When Melingo moved back to Buenos Aires in 1997 after a decade in Europe, he turned to tango. He recorded an album that became an instant classic, first in Buenos Aires and then in Spain, UK and France—where they call him "Le Tom Waits du Tango". Using minimal resources: bandoneon, double bass and nylon string guitar, Melingo creates the foundation for his stories—a landscape of losers, desperados, hustlers, drug addicts and killers. The style is raw—a direct influence of he "Guardia Vieja" (Old Guard), but it's updated with arrangements that flirt with elements of ambient dub.

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Bedside Toxicology

48,99 €*

Due North Lime Green Vinyl Edition

Release: 1998 / US – Reissue

Genre: Rock & Indie

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After working together in Skinny Puppy, Pigface, and Ministry—ogre and Martin Atkins made their own album together back in 1998. The project was supposed to be called Ritalin but the drug company complained so it was changed to Rx. Now on vinyl for the first time ever. It's like the missing piece of the puzzle between Skinny Puppy and the "ohGr" project that would start a couple years later.

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Liam Kazar

LP | 2021 | US | Reissue (Woodsist / Mare)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Our House On The Hill Colored Vinyl Edition

The Babies

LP | 2012 | US | Reissue (Woodsist)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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The Many Faces Of Oliver Hart

Oliver Hart (Eyedea)

2LP | 2002 | US | Reissue (Rhymesayers)

12" | 2019 | EU | Reissue (Perc Trax)

Release: 2002 / US – Reissue

Genre: Hip Hop

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Did you know Micheal "Eyedea" Larsen - one half of the progressive hip hop duo Eyedea & Abilities - once released a solo project under the moniker Oliver Hart? Fresh on the heels of winning three of the most notable MC Battles of the time - Scribble Jam (1999), Rocksteady MC Battle (2000) and the nationally televised HBO Blaze Battle (2000) - and the release of his debut album with musical partner DJ Abilities, First Born, Eyedea was inspired, intent, insatiable. He used most of his earnings from those MC battles and the group's rigorous touring schedule to build himself a home studio and teach himself how to record and mix records, and in less than a year's time, he returned to share the fruits of his labor. Originally released in 2002, The Many Faces of Oliver Hart or How Eye One The Write Too Think was written, produced, recorded and engineered by a 20-year old Eyedea (aka Oliver Hart). Featuring the songs "Weird Side", "Here For You", "Step By Step" and "Bottle Dreams", which Complex named as #11 on a list of the best songs ever released on Rhymesayers Entertainment, the album was a diverse body of work that demonstrated Eyedea could not be easily defined, nor should he be.

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Rvde

90s Hammer 2022 Repress

13,99 €*

Dragon Force EP Silver Colored Vinyl Edition

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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Originally given a digital-only, Bandcamp-only release back in the summer of 2016 RVDE's '90s Hammer' has become a sleeper hit, slowly but surely growing through word of mouth, YouTube plays and DJ support. Now Perc Trax has licensed it from its original home T/W/B, added two brand new remixes and given it the vinyl release it always deserved as the label's final release of 2019.

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Halogenix

2x12" | 2020 | EU | Reissue (Critical Music)

37,99 €*

2x12" | 2020 | EU | Reissue (SK_Eleven)

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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The Dragonforce EP could be the best work yet to emerge from the studios of Laurence Reading aka Halogenix. Flipping from the Japanese comic book influence of the title track to the beautiful future soul of Independent is something not many other producers are capable of. Tekina brings even more ingenuity with a delicate light/dark fusion whilst Reminisce is awash with warmth and ethereal feels. An essential EP.

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Setaoc Mass

Neo-Noir

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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Pop & Blues Festival 1970

V.A.

2LP | 1970 | EU | Reissue (Long Hair)

30,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Long Hair)

Touch

30,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Long Hair)

Stray

Move It

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Miley Smile / Stage Recall

Burnin Red Ivanhoe

LP | 1972 | EU | Reissue (Long Hair)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Long Hair)

Ars Nova

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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CD | 2001 | US | Reissue (Legendary)

Living Legends

Almost Famous (+Bonus)

LP | 1967 | EU | Reissue (RCA)

Release: 2001 / US – Reissue

Genre: Hip Hop

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Special re-issue of the crew's first collective album as a whole. Repackaging and bonus tracks have been added to this fan favorites as an added bonus. Special remixes created by hip hop heavyweights Daddy Kev and Pigeon John also appear.

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Nina Simone

Sings the blues

34,99 €*

2LP | 2021 | EU | Reissue (3 Legged)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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180 gram high quality pressing vinyl!

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Blackberry Smoke

You Hear Georgia

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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7" | 2023 | UK | Reissue (Tramp)

Earl Turner

S'port City Rock

11,99 €*