All Items 27884 Items

LP | 1991 | EU | Reissue (Music On Vinyl)

Release: US – Reissue

Genre: Organic Grooves

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The Label: TK Records in essence represents the city of Miami when it came to Soul/R&B
and the early stages of Disco. In 1974, George McCrae gave the label its first #1 Disco
hit with Rock Your Baby. A little more than a year after McCrae's hit, the record label
struck gold with KC & The Sunshine Band with five #1 songs on the Billboard Hot 100.
Needless to say at the height of the genre’s cultural domination TK did pretty well.
Timmy Thomas: Without a doubt, he’s most famously known for the hit song Why Can’t We
Live Together. The record topped the U.S. Billboard R&B chart, made the top three in the
Billboard Hot 100 and was charted in top 10 in many countries including the UK. A staple
in the R&B scene, he had a succesful solo career until the mid 80s, later focusing on
the writing and production side of the business.

Why Can’t We Live Together: It may have been his biggest hit, but also one that keeps
resonating to this day. A response to the devastating news coming from the war in
Vietnam, its words “No more wars, we want peace in this world, and no matter what color,
you’re still my brother.” are indicative of a time marked by the horrors of war abroad,
and the racial discrimination in America. Written and Produced by Timmy Thomas himself
solely on a Lowrey organ, and an early rhythm machine, the song however was far from
simple as its emotive message continues to provide a profound context. And even though
it’s been covered over the years by many artist including Sade and Joan Osborne, Why
Can’t We Live Together has managed to come back on the charts again in 2015, as the
instrumental backing to Drake’s Hotline Bling, which has now sold over 2 Million copies
in the U.S. Alone. Once a hit, always a hit.

Africano: When it comes to this Deep Disco cut, Africano is one of those tracks that
probably never got much shine in America, but has since become a dancefloor favorite of
underground disco DJs worldwide. Curiously, years after its release, its biggest
supporters were Italian DJs like Danielle Baldelli, Mozart and Gianni Maselli who during
the 80s played Disco, African records, American R&B, and reggae to create what has been
since become known as the Afro-Cosmic scene at the height of Club culture in the
discothèques of Northern Italy.

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Morphine

Good

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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Fire On The Floor Transparent Vinyl Edition

Beth Hart

LP | 2016 | EU | Reissue (Mascot Label Group)

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | Reissue (Megaforce)

Meat Puppts

Huevos

Release: 1987 / Reissue

Genre: Rock & Indie

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The Power Within Remix Remastered Ep Clear Green Vinyl Edition

Liquid Crystal

12" | 1992 | UK | Reissue (Kniteforce)

15,99 €*

Release: 1992 / UK – Reissue

Genre: Electronic & Dance

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2CD | 1970 | EU | Reissue (Columbia)

Miles Davis

Bitches Brew

13,99 €*

Waiting For The Real Thing

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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... that groundbreaking album that changed jazz music ... sampled by Aceyalone, Black Moon, Chi-Ali, Fabe, Heavy D, Lootpack and others!

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Pointed Sticks

LP | 2006 | US | Reissue (Sudden Death)

Release: 2006 / US – Reissue

Genre: Rock & Indie

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LP | 2014 | EU | Reissue (Nettwerk)

Boy & Bear

Harlequin Dream

Release: 2014 / EU – Reissue

Genre: Pop

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Active Force Black Vinyl Edition

Active Force

LP | 1983 | EU | Reissue (Music On Vinyl)

Song For My Father Blue Note 85 Blue Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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180 gram audiophile vinyl
Soul, boogie, funk album produced by Michael Stokes
Includes the big club hit "Give Me Your Love"
Reissue for the first time since 1983, celebrating its 40th anniversary

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Horace Silver

LP | 2024 | Reissue (Blue Note)

Go! Blue Note 85 Blue Vinyl Edition

Release: 2024 / Reissue

Genre: Organic Grooves

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A decade into his recording career, pianist Horace Silver made the album that would endure as the crown jewel of a catalog that boasts numerous hard bop classics. Song for My Father captured the transition of his quintet with two tracks taken from an October 1963 session with Blue Mitchell, Junior Cook, Gene Taylor, and Roy Brooks. A year later Silver entered Van Gelder Studio again with a new band featuring Carmell Jones, Joe Henderson, Teddy Smith, and Roger Humphries for a session that yielded four more cuts including what would become his signature tune, “Song for My Father,” a dedication to his father that was inspired by both his Cape Verdean heritage and the music Silver had heard on a recent trip to Brazil.

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Dexter Gordon

LP | 2024 | Reissue (Blue Note)

Double Cup 10th Anniversary Gold Vinyl Edition

Release: 2024 / Reissue

Genre: Organic Grooves

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By the time he recorded GO! in 1962, Dexter Gordon had already lived several lifetimes in jazz. He was among the first to adapt the language of bebop to the tenor saxophone in the 1940s, but after a decade in which personal troubles limited his output, he signed with Blue Note in 1961 and began a run of essential albums that marked a rebirth for the tenor giant. Featuring a quartet with Sonny Clark on piano, Butch Warren on bass, and Billy Higgins on drums, GO! was a showcase of Gordon’s limitless creativity on hard-swinging numbers like his great tune “Cheese Cake” and a sure-footed version of “Love for Sale,” as well as his peerless artistry on ballads as evidenced on stunning takes of the standards “I Guess I'll Hang My Tears Out to Dry” and “Where Are You.”

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DJ Rashad

2LP | 2013 | UK | Reissue (Partisan)

31,99 €*

Release: 2013 / UK – Reissue

Genre: Electronic & Dance

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LP | 1982 | UK | Reissue (Greensleeves)

Linval Thompson

Look How Me Sexy

24,99 €*

Release: 1982 / UK – Reissue

Genre: Reggae & Dancehall

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Re-issue of the album from 1982, recorded at Channel One & Harry J Studios with the Roots Radics and mixed at Channel One by Soldgie Hamilton!- "Look How Me Sexy" features nine Linval Thompson productions while the hit title track, produced by Henry "Junjo" Lawes, features one of the top reggae riddims of its time ("I'm Not Getting Crazy"), which is most known by Frankie Paul's "Worries In The Dance". While most of the album's ten tracks fit the lovers rock style of the era, it also includes the brooding "I Spy", with the riddim that was also used for Eek-A-Mouse's "Do You Remember". Furthermore dubbed out versions exsist of "Are You Ready", "Call Me", "Things Couldn't Be The Same" and "Holding On To My Girlfriend", all mixed by Scientist and released in the´Greensleeves Dub Classic series.

Linval Thompson was one of the first reggae singers of his era to move into self-production, he was known initially as a roots and culture artist, recording for various producers including Bunny "Striker" Lee before initiating his own studio sessions in 1978. In 1979, he mentored Henry "Junjo" Lawes as a producer, who in turn would become one of the most successful producers of the early 1980s, eclipsing Thompson in terms of output.

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Start Walkin' 1965-1976 Tape Edition

Tape | 2020 | US | Reissue (Light In The Attic)

10,99 €*

Release: 2020 / US – Reissue

Genre: Rock & Indie

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2CD | 2018 | Reissue (Laced)

Mick Gordon

OST Doom

LP | 2011 | US | Reissue (Delmore Recording Society)

Release: 2018 / Reissue

Genre: Soundtracks

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Laced Records, in partnership with Bethesda Softworks and id Software, today announced that the Doom (Original Game Soundtrack) by composer Mick Gordon will make its long-awaited debut on physical audio formats (Vinyl/CD) in Summer 2018. The X2lp was cut at the world famous Abbey Road Studios. The Doom (Original Game Soundtrack) will be available in two formats at retail; a Deluxe Double CD in a triple gatefold sleeve including all 31 tracks from the game and a deluxe Double Vinyl with 20 favorite tracks selected by the developers pressed on 180g red vinyl and cased in a deluxe sleeve with full printed inner sleeves. A Game Awards 2016 Winner for Best Music / Sound Design and Bafta Games Nominee for Best Music and Audio Achievement, the Doom (Original Game Soundtrack) brings the trademark pulse-pounding and demon-stomping audio experience to fans for the first time on physical disc. Composed by long-time Bethesda collaborator Mick Gordon, his dark and intense vision channels industrial metal to mirror Doom’s trademark brutal power fantasy gameplay across 31 synth and metal-filled tracks, spanning over two hours of run time. A true passion project, the recording process saw Gordon representing Doom’s portrayal of Hell through the role of energy in sound production, imparting the physical properties of analogue equipment onto digital sources. To mimic the power of Hell and its coruptive Argent energy, Mick created the “Doom Instrument”. Consisting of pure sine wave inputs directed into four separate sound processing chains and a variety of post-processing techniques, it allowed Gordon to dynamically ‘corrupt’ generated sounds. Further callbacks to the franchise’s legacy and imagery are found as the soundtrack’s signature screeching guitar lines are layered with the chainsaw audio from the original 1993 title.

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Karen Dalton

1966

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Karen Dalton was a remote, elusive creature. A hybrid of tough and tender with an unearthly voice that seemed to embody a time long past. As is often the case with such fragile beings, she instinctively understood that the only way to survive the harshness of the world around her, was to keep herself hidden. So it comes as no great surprise that she rarely sang in public or ventured into the unnatural setting of a recording studio. Only twice, for 1969’s It’s So Hard To Tell Who’s Going To Love You The Best and then again for 1971’s In My Own Time, was she coaxed from her habitat into the studio. Other times she made music in casual settings, sitting around a kitchen table or wood burning stove with her friends, singing and playing until daybreak.

In 1966, Carl Baron brought his reel to reel over to her remote cabin in Summerville, Colorado and recorded one of those exquisite musical evenings. Karen and Richard Tucker were rehearsing for a gig when Carl hit the “Record” button. The result is a 45-year-old tape, carefully exhumed, documenting Karen at her most raw and unfiltered. On it are Fred Neil and Tim Hardin songs we’ve never heard Karen give voice to before, as well as traditional songs she uncannily makes her own, including a devastating version of ‘Katie Cruel’, that is so powerful, it is as if the ghost of Katie Cruel seeped into her blood. This recording is a window to her Summerville cabin opened, allowing us to eavesdrop on Karen Dalton at her most pure and unaffected.

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Boots Swirl Colored Vinyl Edition

LP | US | Reissue (Light In The Attic)

27,99 €*

Release: US – Reissue

Genre: Rock & Indie

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LP | 1961 | EU | Reissue (Waxwork)

Gene Moore

OST Carnival Of Souls

37,99 €*

In My Own Time 50th Anniversary Edition

Release: 1961 / EU – Reissue

Genre: Pop

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ROB ZOMBIE PRESENTS CARNIVAL OF SOULS Original Motion Picture Soundtrack Features:

The Original Soundtrack Officially Available For The First Time
"Carnival Ghoul" Blue Pinwheel Colored Vinyl
Old Style Tip-On Gatefold Jackets with Matte Satin Coating
New Art by Graham Humphreys
12"x12" Insert

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Karen Dalton

Tape | 1972 | US | Reissue (Light In The Attic)

12,99 €*

Evolution - Bring Back The Ofege Beat Black Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

Both the CD and cassette editions feature 9 bonus tracks, including 3 alternate takes from the In My Own Time album sessions, along with 6 previously unreleased tracks captured during Karen’s 1971 European tour, including live at The Montreux Golden Rose Pop Festival and Germany’s Beat Club.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

1–10: Originally released as Just Sunshine – PAS 6008, 1971 11–13: Alternate Takes from album sessions, 1970/71 14–15: Recorded live at Beat Club, Germany, April 21, 1971 16–19: Recorded live at The Montreux Golden Rose Pop Festival, May 1, 1972

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Melvin Ukachi (Ofege)

LP | 1981 | US | Reissue (Tidal Waves Music)

19,99 €*

LP | 2017 | EU | Reissue (Animal63)

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Melvin Ukachi needs little introduction, the Lagos (Nigeria) based vocalist and bandleader is a living legend. Melvin is known for his fantastic solo albums, his vocals for the afrobeat star-groups M.F.B. and Ozzobia…but his biggest legacy is without a doubt him being the singer and bandleader of Ofege.

Melvin formed Ofege in the early 1970s (when he and the other band members were all still a bunch of teenagers). Due to their vibrant combo of sweet harmonies, hooks & fuzz, Ofege would become one of the most legendary Nigerian groups of all time, with expressive sales and national stardom to follow. At the turn of the century (and because of tracks appearing on various compilations) Ofege would receive international acknowledgment for being the first of their kind and THE ultimate West-African psychedelic funk band!

Melvin Ukachi recorded four milestone albums with Ofege: ‘Try and Love’ (1973) ‘The Last of The Origins’ (1976), ‘Higher Plane Breeze’ (1977) and ‘How Do You Feel’ (1978). When the Ofege story came to an end, Melvin recorded two astonishing solo albums: ‘Evolution-Bring Back The Ofege Beat’ (1981) and ‘I am Ok’ (1985). Both of his solo recordings have now become much sought-after holy grails for collectors and fans alike.

On the album, we are presenting you today (Evolution-Bring Back The Ofege Beat) the listener is treated to the trademark Ofege sound (as the title of the record obviously suggests). Next to the rootsy and raw Ofege sound, we’re shown a perfect glimpse of the late '70s afrobeat works combining soul, jazzy rhythms, William Onyeabor style synths & fluid boogie-danceability

Expect some serious ‘all-star’ guest musicians as well…featured on the album are Chyke Madu (The Funkees) on drums, Berkley Jones (Ofege) on guitar…and many other local legends. To top things off the tracks were recorded and mixed at the legendary Abbey Road Studios in London…all slickly engineered by Rafiu Ayoade (The Apostles) and produced by the president of sound himself Odion Iruoje (known for his work with Manu Dibango, Fela Kuti…and many others).

‘Evolution-Bring Back The Ofege Beat’ was released on EMI Nigeria in 1981 and is a total Afro-psych-funk classic that begs for a special place in your record collection. It’s tight, funky and Melvin’s soulful vocals are to die for. This record is a monster!

Tidal Waves Music now proudly presents the first-ever reissue (supervised by Melvin Ukachi himself) of this amazing Nigerian Afrobeat album. This Rare classic (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies, 300 black, 200 clear) complete with the original artwork made at Grafikad (who were responsible for designing landmark sleeves for renowned artists such as Fela Kuti).

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The Blaze

Territory EP

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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Kindred Spirits Colored Vinyl Edition

Clan Of Xymox

LP | 2012 | UK | Reissue (Trisol Music Group)

41,99 €*

Release: 2012 / UK – Reissue

Genre: Rock & Indie

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2LP | 2008 | EU | Reissue (Wave Planet)

Brenk Sinatra

Gumbo

27,99 €*

Release: 2008 / EU – Reissue

Genre: Hip Hop

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2LP | 2017 | Reissue (Light In The Attic)

Acetone

1992 - 2001

34,99 €*

Blowout Comb Clear & Purple Vinyl Edition

Release: 2017 / Reissue

Genre: Rock & Indie

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* New vinyl pressing on black wax * First time band anthology * Includes 9 unreleased tracks * Audio restored and remastered from original tapes * Double LP housed in a gatefold jacket * Liner notes by Sam Sweet / “Acetone are into it for what they get out of it. Their music reflects who they are, and that's so rare in music today. It's a soul music thing.” - Jason Pierce (Spiritualized) 'Acetone are one of my all time favorite bands. Their music is still as electrifying and beautiful now as it was back then.” - Hope Sandoval (Mazzy Star)

'A lovely mix of what would it be like if Dick Dale and Neil Young played with Isaac Hayes and The Velvet Underground. A seminal American band.” - Richard Ashcroft (The Verve) This fall, the independent literary press All Night Menu will publish Sam Sweet’s _Hadley Lee Lightcap_, a nonfiction novel that traces the backstories of the three members in Acetone, a band that played in Los Angeles for nine years. Though few heard them, their recordings are time capsules of who they were, how they lived, and where they came from. Light In the Attic has partnered with All Night Menu to present Acetone 1992-2001, the first anthology of the trio’s music. The book and the album will be released concurrently on September 22. Counting their early years in the scuzz-rock band Spinout, whose sole self-titled release came out in 1991 on Delicious Vinyl, guitarist Mark Lightcap, bassist Richie Lee, and drummer Steve Hadley played together for a total of 15 years. They disbanded in July 2001, when Lee committed suicide in the garage next to the house where the trio practiced. Afterwards, _Rolling Stone_ ran a short obituary saying Acetone’s albums were “well received” but “failed to make any waves.” It was the first and only time they were featured in the national music press. Between 1993 and 2001 the trio released two LPs and an EP on Vernon Yard—a Virgin subsidiary—and two LPs on Vapor, the L.A.-based label founded by Neil Young and manager Elliott Roberts. In that span, they were selected to tour with Oasis, Mazzy Star, The Verve, and Spiritualized. Against a rising tide of post-Nirvana grunge and slipshod indie rock, Acetone tapped into a timeless Southern California groove by fusing elements of psychedelia, surf, and country. They rehearsed endlessly in an empty bedroom in northeast Los Angeles, recording hours of music onto cassettes that were subsequently stuffed into shoeboxes and left in a shed behind the drummer’s house. Those tapes are being released for the first time in this anthology, which also includes highlights from Acetone’s official releases. Taken together, the songs form a companion soundtrack to Sam Sweet’s book, which maps the character of Los Angeles as a place through the lens of these three unique characters bonded by music. “I think our music is all about moods and feeling but hopefully it will get as weird as it possibly can,” said Richie Lee in 1997. “We want things to get weird in the way that you could hear an Acetone song and know that no one else in the world could make that kind of music but us.”

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Digable Planets

2LP | 1994 | US | Reissue (Modern Classics)

45,99 €*

OST Hook Original Motion Picture Soundtrack

Release: 1994 / US – Reissue

Genre: Hip Hop

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Preorder shipping from 2024-11-15

We are finally set to reissue Blowout Comb, the 1994 second album by cult, Brooklyn-based hip hop trio Digable Planets.

The album is named for the combs used to maintain an Afro hairstyle, and that’s significant. The group’s Ishmael “Butterfly” Butler said it summed up what they wanted to do with it: "It means the utilization of the natural, a natural style,” he has said.

Like with 1993’s debut Reachin’ (A New Refutation of Time and Space), ‘utilizing the natural’ meant creating hip hop that blended jazz with the formidable rap skills of the aforementioned Butterfly, Craig ‘Doodlebug’ Irving and Mary Ann ‘Ladybug Mecca’ Vieira. Unlike that debut, it meant broadening to include guests such as Gang Starr’s Guru, Jeru the Damaja, and Jazzy Joyce.

Following the gold-selling commercial success of their debut, they here set out to prove their artistic prowess. This is intelligent, alternative hip hop that sounded like party music. Its lyrics are dense with wit, social commentary and politics – and its original inner sleeve was modeled on the newspaper of the Black Panther movement.

Its instrumentation includes sax, vibraphone and flute. Its samples – gathered from global cratedigging trips while touring the first album around the world – included Grant Green, Eddie Harris, Shuggie Otis and jazz-funk pioneer Roy Ayers (whose “We Live in Brooklyn, Baby” became “Borough Check” here). And yet at the same time its beats are infectious and its spirit undeniable.

This is an album firmly rooted in Brooklyn. “Growing up hearing and cherishing this album, it created a textured soundscape of a mythical world of rhymes, jazz, breakbeats, culture, art and urban ambiance,” says DJ and fan Mick Boogie in the liner notes. “When I moved to Brooklyn years later, I found that the world I imagined while listening to this classic LP actually really existed…”

Though Digable Planets have reunited on occasion since – and though their influence endures in every top-shelf rap act with a jazzy sensibility – the trio parted ways after Blowout Comb, citing that old favorite "creative differences”. Sometimes, the most volatile combinations create the best art.

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John Williams

2LP | 1994 | US | Reissue (Mondo)

48,99 €*

Betty Davis Black Vinyl Edition

Release: 1994 / US – Reissue

Genre: Soundtracks

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30th anniversary edition
Pressed on double black vinyl
Album artwork by Devin Elle Kurtz
Liner notes by John Takis
DESCRIPTION

Mondo is proud to celebrate the 30th anniversary of Steven Spielberg's HOOK, with a re-issue of John Williams' beautiful and brilliant original score on vinyl.

A maestro of some of the most iconic and memorable film themes in the history of the medium, John Williams' take on the legendary pirate and his greatest foe is worthy of his storied career - as if the man who made us believe Superman could fly couldn't do the same for Peter Pan. But this score is truly singular - from Swashbuckling and epic symphonic motifs of Never Never Land, to the adult contemporary jazz of the real world, to twinkling lullabies - the soundtrack to Hook is a fantastical feast for the senses.

This 30th anniversary vinyl reissue was produced and edited by Mike Matessino. Featuring all new, original artwork by Devin Elle Kurtz, and liner notes by John Takis.

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Betty Davis

LP | 1973 | US | Reissue (Light In The Attic)

39,99 €*

In My Own Time Silver Vinyl Edition

Release: 1973 / US – Reissue

Genre: Organic Grooves

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There is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago – we live in an age that’s been profoundly changed by flamboyant flaunting of female sexuality: from Parlet to Madonna, Lil Kim to Kelis. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? Marva Whitney had the voice but not the independence. Labelle wouldn’t get sexy with their “Lady Marmalade” for another year while Millie Jackson wasn’t “Feelin’ Bitchy” until 1977. Even Tina Turner, the most obvious predecessor to Betty’s fierce style wasn’t completely out of Ike’s shadow until later in the decade.

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Karen Dalton

LP | 1971 | US | Reissue (Light In The Attic)

34,99 €*

Histoire De Melody Nelson Crystal Clear Vinyl Edition

Release: 1971 / US – Reissue

Genre: Rock & Indie

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1971 acid folk masterpiece reissued on 180 g vinyl and remastered from the original tapes ... and limited to 1000 copies!

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Serge Gainsbourg

LP | 1971 | US | Reissue (Light In The Attic)

41,99 €*

Release: 1971 / US – Reissue

Genre: Pop

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OST Suspiria Splatter Vinyl Edition

Goblin

LP | 1977 | US | Reissue (Death Waltz)

37,99 €*

Release: 1977 / US – Reissue

Genre: Soundtracks

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This score is an absolute tour de force. It’s arguably one of the most outstanding horror scores ever recorded. It’s ferocious, full of wailing, screaming, and guttural noises. Incredibly intense yet still retaining a musicality that Italian cinema excelled at in the 1970s. Dario Argento and Goblin were a match made in heaven, and I’m not sure anyone has created such a nightmarish mix of visuals and sounds in the history of cinema. In addition, the artwork by Randy Otiz is one of the best interpretations of this film I have ever seen! A Masterpiece in every way.

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CD | 1966 | US | Reissue (Light In The Attic)

Nancy In London

I'm Just Like You: Sly's Stone Flower 1969-70 Purple Vinyl Edition

Release: 1966 / US – Reissue

Genre: Rock & Indie

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The definitive vinyl reissue of V3Nancy’s third album - Contains the hits “Summer Wine” and “Friday’s Child” - Features audio freshly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin - Includes four bonus tracks: The complete 1969 Mickie Most sessions with the previously unreleased “Colors Are Changing” - Vinyl pressed at RTI on black, "Summer Wine" red, & "Little Bird Blue w/ Peach" splatter wax - Beautifully packaged and expanded gatefold LP with 20 page booklet features Q&A with Nancy & GRAMMY®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive “Strawberries, cherries, and an angel’s kiss in spring…” were the immortal words sung by a twenty-five-year-old Nancy Sinatra on a frigid spring day in a London recording studio during the sessions for her third LP in four months! The 1966 album was cut in three days at Pye Studios where The Kinks, Petula Clark, and David Bowie recorded their songs in the mid-1960s. By going directly to the source and choosing songs like “On Broadway,” “Wishin’ and Hopin’,” and “This Little Bird,” the album has an unequivocally British feel. The LP includes the timeless Nancy & Lee Hazlewood duet “Summer Wine.”

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Sly Stone

2LP | 2014 | US | Reissue (Light In The Attic)

30,99 €*

Release: 2014 / US – Reissue

Genre: Organic Grooves

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Country Funk Volume 3 1975-1982 Orange & Blue Vinyl Edition

V.A.

2LP | US | Reissue (Light In The Attic)

Release: US – Reissue

Genre: Rock & Indie

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2LP | 1978 | JP | Reissue (Rca/Air)

Tatsuro Yamashita

It's A Poppin Time

63,99 €*

LP | 1971 | US | Reissue (Solid/Ultra-Vybe)

Release: 1978 / JP – Reissue

Genre: Pop

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Originally released in 1978 Recorded at the legendary Pitt Inn in Roppongi Pressed on 180g black double vinyl Limited edition This album is an unforgettable live recording featuring both original songs by Yamashita as well as covers! What’s more, Yamashita is accompanied by several top-class musicians including Ryuichi Sakamoto, Minako Yoshida, Shuichi “Ponta” Murakami, Tsunehide Matsuki, and Akira Okazawa at the legendary Pitt Inn.

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Kim Sang-Hee

Sings Tom Jones

52,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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LP | 1976 | US | Reissue (Rca/Air)

Tatsuro Yamashita

Circus Town

71,99 €*

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Betty Davis Coke Bottle Clear Vinyl Edition

Betty Davis

LP | 1973 | US | Reissue (Light In The Attic)

43,99 €*

U.F.O. Black Vinyl Edition

Release: 1973 / US – Reissue

Genre: Organic Grooves

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* New Pressing On Blue Colored Vinyl *In 1973, Davis Would Finally Kick Off Her Cosmic Career With An Amazingly Progressive Hard Funk And Sweet Soul Self-Titled Debut. Davis Showcased Her Fiercely Unique Talent And Features Such Gems As "If I'm In Luck I Might Get Picked Up" And "Game Is My Middle Name." The Album Betty Davis Was Recorded With Sly & The Family Stone's Rhythm Section, Sharply Produced By Sly Stone Drummer Greg Errico, And Featured Backing Vocals From Sylvester And The Pointer Sisters.

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Jim Sullivan

LP | 1969 | US | Reissue (Light In The Attic)

30,99 €*

3LP | 2020 | US | Reissue (Mondo)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.

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Hans Zimmer

OST Wonder Woman 1984

59,99 €*

Release: 2020 / US – Reissue

Genre: Soundtracks

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* Composed by Hans Zimmer * Artwork by La Boca * Pressed on 180 Gram Swirl Vinyl * Manufactured in the Czech Republic

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LP | 1966 | US | Reissue (Light In The Attic)

Boots Blue Vinyl Edition

Native North America Volume 1: Aboriginal Folk, Rock And Country 1966-1985

Release: 1966 / US – Reissue

Genre: Pop

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Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some”. Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin. Vinyl pressed at RTI Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea. Never–before–seen photos from Nancy’s personal archive Beautifully packaged and expanded gatefold LP featuring a 20–page booklet.

“Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”

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V.A.

2CD | 2014 | US | Reissue (Light In The Attic)

4LP | 1971 | US | Reissue (Future Days)

Release: 2014 / US – Reissue

Genre: Rock & Indie

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2016 Grammys Best Historical Album Nominee
34 tracks newly re-mastered
Deluxe 3xLP set includes 60-page book housed in a “Tip-On” slipcase with three “Tip-On” jackets
Both 2xCD and 3xLP editions include comprehensive liner notes, artist interviews, unseen archival photos, and lyrics (with translations)
Vinyl pressed at RTI
Liner notes by Kevin “Sipreano” Howes

Largely unheard, criminally undocumented, but at their core, utterly revolutionary, the recordings of the diverse North American Aboriginal community will finally take their rightful place in our collective history in the form of Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985. An anthology of music that was once near-extinct and off-the-grid is now available for all to hear, in what is, without a doubt, Light In The Attic’s most ambitious and historically significant project in the label’s 12-year journey.

Native North America (Vol. 1) features music from the Indigenous peoples of Canada and the northern United States, recorded in the turbulent decades between 1966 to 1985. It represents the fusion of shifting global popular culture and a reawakening of Aboriginal spirituality and expression. The majority of this material has been widely unavailable for decades, hindered by lack of distribution or industry support and by limited mass media coverage, until now. You’ll hear Arctic garage rock from the Nunavik region of northern Quebec, melancholy Yup’ik folk from Alaska, and hushed country blues from the Wagmatcook First Nation reserve in Nova Scotia. You’ll hear echoes of Neil Young, Velvet Underground, Leonard Cohen, Creedence Clearwater Revival, Johnny Cash, and more among the songs, but injected with Native consciousness, storytelling, poetry, history, and ceremony.

The stories behind the music presented on Native North America (Vol. 1) range from standard rock-and-roll dreams to transcendental epiphanies. They have been collected with love and respect by Vancouver-based record archaeologist and curator Kevin “Sipreano” Howes in a 15-year quest to unearth the history that falls between the notes of this unique music. Tirelessly, Howes scoured obscure, remote areas for the original vinyl recordings and the artists who made them, going so far as to send messages in Inuktitut over community radio airwaves in hopes that these lost cultural heroes would resurface.

With cooperation and guidance from the artists, producers, family members, and behind the scenes players, Native North America (Vol. 1) sheds real light on the painful struggles and deep traditions of the greater Indigenous community and the significance of its music. The songs speak of joy and spirituality, but also tell of real tragedy and strife, like that of Algonquin/Mohawk artist Willy Mitchell, whose music career was sparked by a bullet to the head from the gun of a trigger-happy police officer, or those of Inuk singer-songwriter Willie Thrasher, who was robbed of his family and traditional Inuit culture by the residential school system.

Considering the financially motivated destruction of our environment, the conservative political landscape, and corporate bottom-line dominance, it’s bittersweet to report that the revolutionary songs featured on Native North America hold as much meaning today as when they were originally recorded. Dedicated to legendary Métis singer-songwriter and poet Willie Dunn, featured on the anthology but who sadly passed away during its making, Native North America (Vol. 1) is only the beginning. A companion set featuring a crucial selection of folk, rock, and country from the United States’ Lower 48 and Mexico is currently in production.

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Grateful Dead

Three From The Vault

71,99 €*

Wild Grey Ocean / Little Bull Of Blithe Record Store Day 2023 White Vinyl Edition

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Following on the heels of Light In The Attic’s vinyl LP release of One and Two From The Vault comes the final release in the trilogy of From The Vault releases by the Grateful Dead. These releases are distinguished from the more abundant Dick’s Picks series in that Dick’s Picks are “direct from the soundboard” recordings, while the From The Vault series were professionally recorded on multi-track tape and then mixed down (decades) later for release.

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Sam Fender

7" | 2021 | EU | Reissue (Polydor UK)

15,99 €*

LP | 1998 | PL | Reissue (Universal)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Originally released on the Live Deluxe Edition of Sam Fender's No. 1 album, Seventeen Going Under, Wild Grey Ocean and Little Bull Of Blithe are presented here for the first time on limited edition white 7" vinyl with exclusive artwork

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The Offspring

Americana

31,99 €*

Release: 1998 / PL – Reissue

Genre: Rock & Indie

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Tape | 1982 | Reissue (Universal)

R.E.M.

Chronic Town

14,99 €*

Release: 1982 / Reissue

Genre: Rock & Indie

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Star Bright Blue Note Classic Vinyl Edition

Dizzy Reece

LP | 1959 | EU | Reissue (Blue Note)

LP | 1973 | EU | Reissue (Island)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Jamaican-born trumpeter Dizzy Reece was a fixture of the London jazz scene before moving to New York City in 1959 where he recorded his excellent album Star Bright, a hidden gem in the Blue Note catalog featuring a first-rate hard bop quintet with Hank Mobley on tenor saxophone, Wynton Kelly on piano, Paul Chambers on bass & Art Taylor on drums.

Blue Note Classic Vinyl Edit

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Bob Marley & The Wailers

Burnin’

Release: 1973 / EU – Reissue

Genre: Reggae & Dancehall

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Abbey Lincoln, Featuring Stan Getz

You Gotta Pay The Band

2LP | 1991 | EU | Reissue (Verve)

Release: 1991 / EU – Reissue

Genre: Organic Grooves

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2LP | 2015 | EU | Reissue (Universal)

Andrea Bocelli

Amore Remastered Edition

Release: 2015 / EU – Reissue

Genre: Classical Music

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Paul McCartney & Linda McCartney

Ram

LP | 1971 | EU | Reissue (Capitol)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 2011 | UK | Reissue (Universal)

ABBA

The Album

Release: 2011 / UK – Reissue

Genre: Pop

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2LP | 2010 | EU | Reissue (Earmusic Classics)

ZZ Top

Live From Texas

32,99 €*

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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2LP | 2010 | EU | Reissue (Transmission)

Porcupine Tree

Voyage 34

40,99 €*

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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LP | 1999 | EU | Reissue (Blumfeld Tonträger)

Blumfeld

Old Nobody

Blood Marbled Vinyl Edition

Release: 1999 / EU – Reissue

Genre: Rock & Indie, Pop

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Hochwertige Neuauflage im Original-Artwork in Gatefold-Cover und auf 180gr Vinyl (Direct Metal Mastering).

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In This Moment

LP | 2012 | EU | Reissue (Arising Empire)

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Feast Of Love 10 Year Anniversary Edition

Pity Sex

LP | 2013 | US | Reissue (Run For Cover)

Sylvain Chauveau & Ensemble Nocturne

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Pink & Green Pinwheel Vinyl.Celebrate the 10 Year Anniversary of Pity Sex' breakthrough debut full-length record Feast of Love with this commemorative anniversary edition LP. This reissue features the album in full along with three bonus tracks: 'Euclid,' 'Acid Reflux' and a cover of Pixies' classic 'Gigantic.' The anniversary edition also features a gatefold jacket previously unavailable in the United States and an updated lyric sheet.Walking the razor's edge between overdriven navel gazing bliss and perfect pop sensibility, Ann Arbor's Pity Sex have crafted a breathtaking debut LP in 'Feast of Love' that's both awesomely beautiful and deftly evocative. Massive, harmonically distorted guitars and airy dual male/female vocals are hallmarks of Feast of Love, all drenched in warm, dreamy reverb. Most impressive however, is how the band utilizes pop conventions - both vocal and instrumental melody, and a strong and pounding rhythm section - while delving deep into the ethereal power of textured soundscapes. Guitars fuzz and flange, weaving between distinct, identifiable parts and simple brushes of colored noise. The voices similarly drift between carrying delicate melodies and delivering evocative feeling. Calling on the infectious, hooky inclinations of the Pixies, dreary melodies of the Breeders and sonic mass of My Bloody Valentine, Pity Sex's Feast of Love twists and churns with these beautiful yet fleeting vignettes captured in sound.

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Down To The Bone (A Tribute To Depeche Mode)

LP | 2015 | EU | Reissue (Ici D'Ailleurs)

18,99 €*

Release: 2015 / EU – Reissue

Genre: Pop

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Das Ox-Kochbuch 1 (Kochen Ohne Knochen)

Ox Kochbuch

Ox Productions

11,99 €*

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Köpfer Mint Colored Vinyl Edition

Rantanplan

LP | 1998 | EU | Reissue (B.A.)

20,99 €*

Release: 1998 / EU – Reissue

Genre: Rock & Indie

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LP | 2010 | EU | Reissue (La Pocket Factory)

Alizée

Une Enfant Du Siècle

35,99 €*

LP | 2002 | EU | Reissue (Sub Pop)

Release: 2010 / EU – Reissue

Genre: Pop

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In 2010, Alizée comes back with a 4th album: "Une Enfant du Siècle" (Institutes/Jive). The album is inspired by and depicts the life of Edie Sedgwick. This new 'concept' album is hailed by critics thanks to the various collaborations with Chateau Marmont, Jean-René Etienne, Rob...Since then, the singer has recovered the rights to her album and is offering a collector's reissue in gatefold vinyl and 3-fold digipack formats. For the occasion, all the tracks have been remas...

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Hot Snakes

Suicide Invoice

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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7" | 1983 | EU | Reissue (Universal)

Brian May

Star Fleet Project

17,99 €*

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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LP | 1999 | UK | Reissue (Panegyric)

XTC

Apple Venus Volume 1

Release: 1999 / UK – Reissue

Genre: Rock & Indie

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Paul Giovanni & Gary Carpenter

OST Wicker Man Colored Vinyl Edition

LP | 1998 | UK | Reissue (Silva Screen)

Release: 1998 / UK – Reissue

Genre: Soundtracks

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2LP | 1979 | UK | Reissue (Panegyric)

Robert Fripp

Exposure

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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LP | 1979 | UK | Reissue (Panegyric)

Robert Fripp

Exposure

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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Keeper Of The Flame Colored Vinyl Edition

Golden Earring

LP | 1989 | EU | Reissue (Music On Vinyl)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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OST West Side Story Gold Vinyl Edition

V.A.

2LP | 1961 | EU | Reissue (Music On Vinyl)

39,99 €*

2LP | 2023 | UK | Reissue (Silva Screen)

Release: 1961 / EU – Reissue

Genre: Soundtracks

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180 gram audiophile vinyl / Gatefold sleeve.
West Side Story is the soundtrack to the 1961 film by the same name. All music is composed by Leonard Bernstein and lyrics written by Stephen Sondheim. When released, the soundtrack spent 54 weeks at No.1 on Billboard’s album charts, giving it the longest run at No.1 of any album in history. Perhaps Michael Jackson’s Thriller comes close, on the grounds that West Side Story was listed on a chart for stereo albums only at a time when many albums were recorded in mono. During the Grammy Awards of 1962, it won Best Sound Track Album - Original Cast and Best Large Ensemble Jazz Album for Johnny Richards’ orchestrations of the movie score. These successes bolstered the popularity of the movie and soundtrack even further. In the United States, it was the best-selling album of the 1960s, certifying three times Platinum in over two decades. West Side Story includes 4 bonus tracks, “Overture”, “Intermission Music”, “Finale (Somewhere)” and “End Credits”. This 2LP-set is available as a limited edition on gold coloured vinyl, housed in a gatefold sleeve.

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Wojciech Kilar

OST The Ninth Gate

43,99 €*

Release: 2023 / UK – Reissue

Genre: Soundtracks

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North American Adonis (Buck 65, Doseone & Jel)

North American Adonis Splatter Vinyl Edition

LP | 2023 | US | Reissue (Handsmade)

59,99 €*

LP | 1972 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 2023 / US – Reissue

Genre: Hip Hop

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Second chance to get this: 25 years in the making this underground rap gem finally sees the light of day. Dose and Buck on the rhymes and Jel on the beats. Exciting!

The instrumentals are not included in the second press.

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Miles Davis

On The Corner

74,99 €*

Black Renaissance Red Vinyl Edition

Release: 1972 / US – Reissue

Genre: Organic Grooves

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SOURCED FROM THE ORIGINAL MASTER TAPES: MOBILE FIDELITY 180G 33RPM SUPERVINYL LP
REVEALS MULTIPLE LAYERS OF RHYTHM, VISCERAL BASS, AND PIONEERING PRODUCTION TECHNIQUES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches — the likes of which fill Davis' boldest and most controversial — undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling thanks to this very special pressing.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g 33RPM SuperVinyl LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid fashion. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can discern the multiple layers of rhythm Davis employed on complex tracks such as "Black Satin," as On the Corner stands as his first effort to use overdubbing and multiple tape machines. As a pioneer, Davis likely would’ve loved MoFi’s groundbreaking SuperVinyl profile that features the lowest-possible analogue noise floor as well as pristine transparency, dead-quiet surfaces, and superb groove definition.

New degrees of spaciousness and airiness — equally important to the musique concrete arrangements — give the impression Davis and Co.'s creations float in space. Instruments are portrayed in three-dimensional manners, rhythmic loops retain tonal purity, and horn solos skitter across an extra-wide soundstage that takes listeners into Columbia's Studio E. Mobile Fidelity's SuperVinyl LP captures Teo Macero's innovative production — and the trumpeter's cutting-edge aural collages — in definitive fashion.

Heavily inspired by Sly and the Family Stone, On the Corner portrays street vibes and remains Davis' Blackest-sounding record. The conscious attempt to connect with youthful audiences tapped into rock and funk is evident not only on the colorful cartoon cover art depicting hot-pants and zoot-suit revelers, but in the music's emphasis of recurring drum and bass grooves. Distinct from Davis' earlier fusion experiments, the record's long-misunderstood set dials back improvisation in favor of beats, loops, and atmospherics that generate trance-like effects. While Davis utilizes his band for core duties — Chick Corea and Herbie Hancock prominently figure — he also relies on an all-star cast of side-men for concentrated soloing and additional support.

With rhythm providing the basic foundation, other notes fall into place, with their positioning steered by Macero and Davis' editing-room techniques. Looking to the manipulation-based work of Karlheinze Stockhausen and teaming with Stockhausen disciple Paul Buckmaster, Davis re-imagines what grooves constituted and could accomplish throughout On the Corner. The shapes of the songs become completely transformed as they progress. Faint melodies, spacey chords, chunky riffs, wah-wah fills, and repeated motifs bounce in and out of a sonic funhouse that wouldn't be out of place at a Harlem block party.

Exotic, intrepid, and filled with Davis' "jungle sound," On the Corner remains daringly hip more than four decades later.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are virtually indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Harry Whitaker

LP | 1976 | US | Reissue (Luv N Haight)

17,99 €*

LP | 2003 | US | Reissue (Luv N'Haight)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Harry Whitaker is a piano player, producer and arranger who on MLK day 1976, at the age of 26, recorded Black Renaissance “Body, Mind, and Spirit,” a holy grail amongst collectors of soul-jazz and rare groove. So rare, it’s virtually a myth to many collectors and music aficionados.

Made up of two long tracks that periodically build and release for forty minutes over two sides of an LP it’s an improvised masterpiece combining Afrocentric spiritual soul, jazz, poetry, amazing solos, a tasty bass line or two and more than a fair share of funky beats. It’s also one of theearliest albums to feature rapping. “I called the project Black Renaissance because that is what I wanted to see happen – especially in music.”

Given its rarity, when asked if he was surprised that people knew about the album Whitaker jokes “I’ve told enough people about it over the years! Now they can actually hear it. It was a record before it’s time.”

Harry Whitaker cut his teeth on the best of the Roy Ayers Ubiquity releases (including playing keys on “We Live In Brooklyn Baby” and co-producing the “Coffy” OST) on and making a living working closely with Roberta Flack – as her musical director, even playing on her big Eugene McDaniels’ written hit “I Feel Like Makin’ Love.” Black Renaissance “Body, Mind, and Spirit,” was his first attempt at a project where he wrote and composed the music and played keys on all tracks.

This album features Woody Shaw, Azar Lawrence, Buster Williams, Billy Hart and Mtume amongst others.

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Don Cunningham

Something For Everyone

35,99 €*

12" | 1981 | US | Reissue (Cleopatra)

Release: 2003 / US – Reissue

Genre: Organic Grooves

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Ridiculously rare vinyl, superb musicianship, and a Playboy Club are ingredients that make the Don Cunningham Quartet's Something For Everyone album so tasty. Luv N'Haight is proud to preserve and re-issue one of the most collectible, highly sought-after jazz-dance records.

"Bunnies plus food and drink equals good time."Brad Holiday's original liner notes (featured on the back of this album) tell it like it was. Don Cunningham, Marion Miller, John Mixon, and Manny Quintero formed the Don Cunningham Quartet and played ‘The Living Room’ at Hugh Hefner's St. Louis branch of the Playboy Club between 1965 and 1968. Their music was different from that of the jazz mainstays playing in ‘The Penthouse Room’. It was also different from any act in St. Louis at the time.

"Before forming the Quartet, I traveled to Fiji, Australia, the Caribbean and beyond as part of the Johnny Mathis group," explains Cunningham. "On these tours I discovered the "island sound," which was something I'd never been exposed to before. It was enchanting, mysterious and sexual."

The Quartet's unique blend of exotica, Latin and Brazilian rhythms, jazz and easy listening was a perfect fit for the Playboy Club. "I was influenced by having seen Arthur Lyman, Cal Tjader, Willie Bobo, Mongo Santamaria, and Harry Belafonte play live. Not to mention that I was buying all the Les Baxter I could get!" adds Cunningham. The band's sound caught the attention of Bob Webb, a wealthy local businessman. As a friend of piano player Marion Miller he'd learned of the Quartet’s popularity. "I don't want to work, you work, I'll put up the money," Miller recalls Webb 's words. Webb fronted the funds for Miller to create Exclusive records, releasing three albums and two 45rpm singles, including the Something For Everyone LP.

"The music was only sold locally. We never looked up a distributor and we really didn't have a regular record deal," says Miller. Don Cunningham only remembers selling and giving-away the album at Playboy appearances and to a few friends outside of club hours. Only 500 copies were ever printed, some mono, some stereo, it's not known how many of each format.

Of all the tracks on the album "Tabu" has been the biggest hit with the jazz-dance crowd. That track is the reason many collectors have the album on their wants lists. It remains a tune worthy of heavy DJ play. "Something For Everyone" has been at the top of my wants list for about 10 years now. All my other wants I have managed to track down over the years, but to own an original copy of the Don Cunningham album is as illusionary as driving a Rolls Royce," says producer/DJ Rainer Truby of Compost Records. "Not only is it a rare album it is also a good one. "Tabu" to me is the mother of all jazzdance records! A welcome release! I'm curious to check the rest of the LP, but "Tabu" is more than enough of a reason to stroll down to your local record dealer," he adds.

Miller and Cunningham are surprised but obviously very happy with the current interest in the album. Both are still active musicians and hope that this re-issue may stimulate even more work for them. At time of writing Cunningham was on the road with his wife, appearing as The Cunninghams on tour with the Count Basie band. "It's great that the album is being re-issued. There's truly a quality of music on it that has been missed for so long. In a way it's world music - Polynesian, samba, Brazil, jazz, West Indian. It has the energy of Latin and funk records. It's inspired by - but is not really - easy listening, you couldn't exactly sleep in our "Quiet Village!"" says Cunningham.

Andrew Jervis. Ubiquity, February 2003.

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Glenn Danzig

Who Killed Marilyn

37,99 €*

2LP | 1979 | US | Reissue (Zappa)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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First ever reissue of one of the most sought after collector's items in the entire Glenn Danzig catalog - the notorious, non-album 1981 single "Who Killed Marilyn?"! Recorded during Danzig's tenure with horror punk icons The Misfits, this song was released as a solo single but backed with an unreleased Misfit's track, Spook City USA! Side A contains the original mixes of both songs while Side B contains all new remixed versions of both tracks by Glenn Danzig & metal producer/engineer Chris Rakestraw!

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Frank Zappa

Sheik Yerbouti

49,99 €*

Release: 1979 / US – Reissue

Genre: Rock & Indie

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2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Miles Davis

Sorcerer

73,99 €*

LP | 1976 | EU | Reissue (Mr Bongo)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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180 Gram 45RPM Audiophile Vinyl, Numbered Limited-Edition

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Tom Ze

Estudando O Samba

LP | 2002 | UK | Reissue (Mr Bongo)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Incredibly unique concept album from the one and only, Tom Zé. As featured in Rolling Stone magazine's 100 Greatest Brazilian Albums of all-time list (2007).
One of Ze’s finest albums in our opinion, originally released by Continental Brazil in 1976 – a tough one to find at a good price in its original form now. ‘Estudando do Samba’ (or ‘Studying The Samba’) is a post-Tropicalia studio
experimentation laiden with layers of hypnotic percussion, effects & samples that deconstructs the ‘samba’ form. Recorded during what was arguably his most creative period.
David Byrne found the record in Rio in the late 90’s and included several songs on his Tom Ze collection for Luaka Bop a few years later. At that time Tom was not recording or touring much; playing low-key shows in Sao Paulo and
contemplating a move back to Irará to work at a service station owned by one of his cousins. Byrne’s project helped to reignite his career and he hasn’t looked back since.
Official Mr Bongo reissue. Licensed courtesy of Warner Music UK Ltd.

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Seu Jorge

Carolina

Akuma Ga Kitarite Fue Wo Fuku

Release: 2002 / UK – Reissue

Genre: Organic Grooves

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Carolina’ is the Brazilian virtuoso Seu Jorge's debut full-length album from 2002. Originally released under the title ‘Samba Esporte Fino’, its release and subsequent international acclaim dovetailed with Seu Jorge’s ascent into movie stardom. He is probably best known outside of Brazil for his work on Wes Anderson’s 2004 film 'The Life Aquatic with Steve Zissou’, in which he played a starring role and his Portuguese covers of David Bowie records were a highlight of the soundtrack. Having initially found fame thanks to his standout performance as Knockout Ned in the revered movie ‘City of God’. ‘Carolina’ would cement his global fame and launch an illustrious musical career that has earnt him a Grammy nomination.

Co-produced by Mario Caldatto of Beastie Boys and Planet Hemp fame, the album presented a vibrant, contemporary combination of samba and funk, backed by guitar, bass, drums, percussion, and horns. It kicks off with one of Seu's most loved tracks 'Carolina', an anthemic feel-good classic with timeless energy, ending in a sing-along crescendo. Other highlights included the Brazilian-Funk of 'Mangueira' reminiscent in places of Tim Maia with its 80s inspired vibe, and the catchy jazzy-samba of 'Tu Queria' which always ignites the dance floor.

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Hozan Yamamoto & Yu Imai

LP | 1978 | EU | Reissue (Mr Bongo)

The Gospel According To Zeus

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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We've got a bit of an obsession with Hozan Yamamoto here at Mr Bongo! A legend of Japanese jazz, he is rightly regarded as a true master and was recognised as a "living national treasure" by the Japanese government in 2002. Over five decades he pushed the genre into new directions, absorbing fusion, funk, spiritual jazz and many other sounds, resulting in a discography studded with gems of rare beauty. Exploring his back catalogue has taken us on an engrossing journey that now sees us reissuing another work from this ground-breaking musician.

Though not translating perfectly into English 'Akuma Ga Kitarite Fue Wo Fuku', (kitarite has not been a modern expression in Japanese) roughly means 'The Devil Comes Playing The Flute' / 'The Devil Is Coming While Blowing The Whistle' or 'Devils Flute’. It is the original soundtrack to Kôsei Saitô’s 1979 mystery and suspense movie, ‘Devil’s Flute’. The film is based on a story by the famous author, Seishi Yokomizo, and is centred around a much-loved fictional Japanese detective, Kosuke Kindaichi. A Japanese Sherlock Holmes that has been popular for generations.

Hozan Yamamoto was invited to compose the soundtrack directly by the producer of the film, Haruki Kadokawa. Mr Kadokawa also hired keyboard player and producer Yu Imai as assistant producer on the project, resulting in a stunning cosmic, breaks and beats-laden, funk, disco soundtrack extravaganza.

When it comes to the soundtrack and the technology of the time, Hozan Yamamoto and Yu Imai got inventive, tripped out, funked up, and experimented, creating a quirky soundtrack masterpiece that needed to be heard more outside of Japan. Differing from the more traditional Japanese music orientation of some of his other albums such as 'Beautiful Bamboo-Flute' (also released on Mr Bongo) the album showcases a number of genres, from lush atmospheric incidental music to disco and funk grooves, experimental nuggets, drum and flute workouts, to neo-classical and more.

A special record that showcases the further depths of this wonderful musician's talents.

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Power Of Zeus

LP | 1970 | EU | Reissue (Mr Bongo)

LP | 1974 | EU | Reissue (Mr Bongo)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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* Record Store Day Europe / UK 2019 Exclusive Release!
* Transferred from 2 x 1/4"" analog reels at 192kHz/24-bit.
* Half-speed cut at Abbey Road Studios.
* One of the most sampled breaks in hip hop history - including KRS-One, Kanye West, Jay-Z, Cyprus Hill, Tribe Called Quest and Eminem to name a few.
* 180gm vinyl

Seminal funk-rock album originally released on Rare Earth in 1970. Featuring the monster breakbeat on 'The Sorcerer Of Isis’.

Formed in Detroit in 1968, Power of Zeus became the first rock band to be signed by Motown subsidiary label, Rare Earth. The group drew inspiration from British hard rock and heavy metal giants like Cream, Black Sabbath, and Led Zeppelin when they created this well-produced, seminal post-hard rock album. After ‘The Gospel According to Zeus’, the group never made another album and the band slipped into obscurity, until it was discovered by the hip hop diggers. The drum beat from "Sorcerer of Isis" has been one of the most sampled in hip-hop music, including KRS-One, Kanye West, Jay-Z, Cyprus Hill, Tribe Called Quest and Eminem to name a few.

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Burnier & Cartier

All The Weight Feathers Don't Have

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Sought-after Brazilian LP from 1974 that touches on MPB, soul, jazz, disco and boogie. Official Mr Bongo reissue. Replica original artwork. Extremely expensive theses days, this one has been on our list for a while. As
sampled by Andres on his ‘Sing About It’ collaboration with Kenny Dixon Junior aka Moodymann and on Kaytranada’s Janet Jackson flip, ‘Alright’. Championed by the likes of Jazzanova, Floating Points, Hunnee and co.
The record features Arthur Verocai and Luis Bonfa (composer Octavio Burnier’s uncle) on production/arrangement.

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Steel Tipped Dove

LP | 2023 | US | Reissue (Fused Arrow)

Release: 2023 / US – Reissue

Genre: Hip Hop

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2LP | 1970 | EU | Reissue (Guerssen)

Julian's Treatment

A Time Before This

Chrissy Zebby Tembo & Ngozi Family

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Debut, double album by musician/sci-fi writer Julian Jay Savarin. Originally released on Miki Dallon's Youngblood label in 1970, this is a classic since the early days of record collecting.
Hammond dominated, spacey, psychedelic prog-rock with long tracks, cool female vocals and a cosmic, sci-fi concept vibe.
This reissue features the original gatefold sleeve, master tape sound in 180g vinyl, and detailed liner notes by Andy Morten (Shindig!). Essential to anyone into early UK prog-rock!

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My Ancestors

LP | 2012 | US | Reissue (Mississippi)

Release: 2012 / US – Reissue

Genre: Organic Grooves

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To Plant A Seed Blue & Black Split Vinyl Edition

We Came As Romans

LP | 2009 | US | Reissue (Equal Vision)

Trouble Purple Vinyl Edition

Release: 2009 / US – Reissue

Genre: Rock & Indie

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Recorded with producer Joey Sturgis (the Devil Wears Prada, Emarosa, Attack Attack) at his Foundation Recording Studio, the ten-song followup to their breakout EP, Dreams, finds the band expanding their blend of popinfused metal. Not unlike the EP, the lyrics on To Plant A Seed reflect WE Came AS Romans’ goal of spreading a positive message through their music. The band hopes, “when people hear the album, they might not change the way they think or the way they act right now, but hopefully we’ve planted that ‘seed’, that thought of love, and it can grow.” The theme of the album is carried through to the artwork. Painted by acclaimed artist Paul Romano (mastadon, Chiodos), the album cover depicts a “very innocent looking boy in which the ‘seed’ has been planted in his mind and it grows to his heart, out of his palms and becomes branches,” describes Moore.

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Girly

12" | 1987 | EU | Reissue (I.D. Limited)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance, Pop

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Living Out A Fantasy Green Vinyl Edition

Oh Romeo

12" | 1987 | EU | Reissue (I.D. Limited)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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12" | 1985 | EU | Reissue (I.D. Limited)

Tommy Kerisch

Speedy Life

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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12" | 1984 | EU | Reissue (I.D. Limited)

David Gray

I Wanna Fly

Release: 1984 / EU – Reissue

Genre: Organic Grooves, Pop

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Hatred, Passions And Infidelity

Diamond D

2LP | 1997 | EU | Reissue (Music On Vinyl)

35,99 €*

Instrawmental (Special Edition)

Release: 1997 / EU – Reissue

Genre: Hip Hop

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Reissue on black vinyl, 180g pressing.

Diamond D released this gem in 1997 as Diamond. It features guest performances by Fat Joe, Pete Rock, Busta Rhymes, Phife Dawg, Big L, Lord Finesse, AG, Sadat X and more.

Must have.

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Lastrawze

CD | 1995 | EU | Reissue (Hip Hop Enterprise)

LP | 1968 | Reissue (Real Gone Music)

Release: 1995 / EU – Reissue

Genre: Hip Hop

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Lastrawze from Miami Florida are back with a "Limited Special Edition Vinyl-CD" (no-cd-r) of their 95 Album "Instrawmental".

The Special Edition comes with an alternate album cover art of the OG version. It includes some rare/unreleased freestyles of the Miami Radio Show "Saturday Night Funk Box", one unreleased bonus track by the legendary Miami DJ Craze, two Instrumentals and a 8 page booklet of a rare 1995 Miami New Times Interview.

All recordings are remastered by Justin Perkins, Adam Boose and Jee Van Cleef.

Also available is the "Lastrawze - Instrawmental (Special Edition Box Set)" which will be released in a laser engraved and oil treated wooden box! This box includes the Special Edition Vinyl-CD (no-cd-r), sticker and a mini press photo of the Lastrawze crew! Only 10 box sets have been made so grab one quick! Only available through the link below!

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Listening

41,99 €*

Release: 1968 / Reissue

Genre: Rock & Indie

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CD | 1994 | EU | Reissue (Hip Hop Enterprise)

Earthquake

9.9 Richter Scale

18,99 €*

My Field Trip To Planet 9

Release: 1994 / EU – Reissue

Genre: Hip Hop

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A sick heavy hitter originally released back in 1994 on CD and tape only. Back in print now on HHE, this pressing is limited to only 250 copies and includes a bonus track the "Only For The Wicked (Remix)" track.

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Justin Warfield

2LP | 1993 | EU | Reissue (Music On Vinyl)

31,99 €*

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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The Big Bad Wulvs & Ol’ Dirty Bastard

Dare Enter

CD | 1998 | EU | Reissue (Hip Hop Enterprise)

17,99 €*

CD | 1993 | EU | Reissue (Hip Hop Enterprise)

Release: 1998 / EU – Reissue

Genre: Hip Hop

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Recorded back in 1997-1998, this album was originally released at Fat Beats in NYC around 1998 on CD.

"Dare Enter" was recorded by Pliz and Ol’ Dirty Bastard in Pliz' room built studio, some of the tracks were recorded on a 4-track (tascam) recorder, the others were recorded on a Roland VS-1680.

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Soul King Productions

Trace Ya Stepz

18,99 €*

Django Mango 2024 Repress

Release: 1993 / EU – Reissue

Genre: Hip Hop

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HHE is proud to announce the CD release of "Soul King Productions - Trace Ya Stepz"! This 1993 banger out of New Jersey was originally only released on cassette, which these days is a pretty hard find.

Entirely remastered by Justin Perkins, and as an extra we added on 2 bonus tracks! Limited to 350 copies!

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Felipe Gordon

12" | 2021 | EU | Reissue (Skylax Classic)

13,99 €*

So Far The Best Of ... Clear Vinyl Edition

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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The Colombian producer whose name is on everyone's lips, figure of the underground in his native land, Felipe Gordon makes a sensational debut on our beloved label Skylax Records ! His fabulous Django Mango EP mixes his house music obssessions with his love for Latin & jazz music. Adept of analog equipment and eminent musician, he gives us a real work of art to store alongside Nuyorican souls legends (master at work in mind). Kicking off the release, the title song django mango takes us through the swirls of the alleys of bogota, a bit as if moodymann had paid for a first class round trip in bogota , a laid-back title that can be enjoyed at any time of the day. a clever mix of funky bassline & a light piano that almost reminds us of the masters of the buena vista social club (without the vocals!) in house mode. A masterpiece in itself. on A2, we can hear this mixture again the perfect fusion between the golden-age house aesthetics and the cultural sounds of South America all complemented by a superb vocal during the break "our names are nick names wich won't reflect where we came from" a statement in itself ! The b-side from the outset gives us perhaps one of the best songs of the ep, the brilliant dakar, a subtle mix of rhodes, swaying bass and African children's chants. And to end, D, Fuck Off All Your Trouble, is an ode to the resilience of the motor city in the purest style of the 313. A brillant debut !Skylax 4 Ever

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Sinéad O'Connor

2LP | 2021 | UK | Reissue (Chrysalis)

32,99 €*

12" | 2013 | EU | Reissue (Point G)

Release: 2021 / UK – Reissue

Genre: Pop

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So Far...The Best Of brings together the highlights of Sinead O'Connor's four albums available via Chrysalis Records.

Originally released in 1997, it features the Number 1 worldwide hit “Nothing Compares 2 U”, as well as her early singles “Troy” and “Mandinka”. This record showcases Sinead’s enormous talent and fearless uncompromising style.

Available on vinyl for the first time.

The album is presented in a 5mm sleeve and includes the tracks “Success Has Made A Failure Of Our Home”, as well as “Heroine” and “Just Like U Said It Would B” which were previously only available on the US version.

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Point G

10,99 €*

LP | 1995 | EU | Reissue (Music On Vinyl)

Release: 2013 / EU – Reissue

Genre: Electronic & Dance

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More action from Point G AKA DJ Gregory! Proper reduced groovy House!

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Therapy?

Infernal Love