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Release: 1977 / CA – Reissue

Genre: Organic Grooves

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Jame’s Newton’s 1977 self-released solo-debut, ‘Flute Music’ is an unheralded gem of the 70’s jazz underground. An album that showcases a diverse range of styles and fervent cross-pollination, while retaining a clear sense of direction and cohesion. An artist funnelling their wild expression into multiple facets of “The New Music”, crafting an auspicious and artistic debut. Newton would later go on to record with revered jazz labels like India Navigation and ECM, and collaborate with fellow creative luminaries like Sam Rivers, Anthony Davis, Andrew Cyrille, David Murray, and John Carter. But ‘Flute Music’ captures Newton’s fiery creativity and experimental nature in its earliest blossom.

The album’s opener, Arkansas Suite, finds Newton’s flute unaccompanied, but densely layered. Folding and cascading upon itself, he creates a ricocheting web of dense woodwind harmonics. The effect is deeply immersive and meditative. From first blush, it seems this could be an album of blissful new age. But after this track, Newton’s influences explode outwards. On the same LP side, Darlene’s Bossa welcomes a full band into the fold. The track expounds upon a latin-jazz groove as if the group were seasoned experts of the form. The next track once again finds Newton’s flute on its own as he upends Duke Ellington’s jazz standard, Sophisticated Lady. And finally, on the sidelong b-side track, Poor Theron, the band is suffused with free-jazz electricity - quietly roiling in the midst of musique concrete clatter, and exploding into a din of spiritual fervor. Flute Music pushes in many directions at once, and yet it revolves firmly around a singular smoldering core. That core is Newton’s unmistakable talent and musicianship. His flute anchors the whole affair, whether it’s in cascading sheets of unaccompanied wind, or flitting between the breathmarks of his backing band.

With ‘Flute Music’, James Newton casts himself as a potent force on the creative-jazz scene, and the rest of his career has certainly given credence to that promise.Reissued for the first time since its scarce private-press issue in 1977, Morning Trip are exceedingly proud to present the debut solo work by a renowned and prestigious jazz luminary.

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Trapped (Back Print) T-Shirt

Available Sizes: S, L, XL, 2XL

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The Radiohead Trapped Tee is equipped with the following features:
• rib crew neck with interior tape
• Trapped artwork printed on front and back
• regular fit
• 100% organic cotton single jersey

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Gawps T-Shirt

Available Sizes: XL, 2XL

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The Radiohead Gawps Tee is equipped with the following features:
• rib crew neck with interior tape
• Gawps artwork printed on front
• regular fit
• 100% organic cotton single jersey

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Carbon Patch T-Shirt

Available Sizes: M, L, XL, 2XL

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The Radiohead Carbon Patch Tee is equipped with the following features:
• rib crew neck with interior tape
• Carbon Patch artwork printed on front
• regular fit
• 100% organic cotton single jersey

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Note Pad (Cut-Out) T-Shirt

LP | 2021 | EU | Original (Taxi Gauche)

Available Sizes: S, L, 2XL

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The Radiohead Note Pad (Cut-Out) Tee is equipped with the following features:
• rib crew neck with interior tape
• Radiohead Note Pad cut-out artwork printed on front
• regular fit
• 100% organic cotton single jersey

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Brion Starr

A Night To Remember

2020 Clear/Silver Vinyl Edition

Release: 2021 / EU – Original

Genre: Pop

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Brion Starr lives and works in New York City, joined by a group of foreign and domestic collaborators. Their latest album 'A Night To Remember' is a meditation on night itself, a spinning sci-fantasy through this future darkness we all contemplate, a journey to the end of the night told as a story of one evening in an internationalist future city with no up and no down, no beginning and no end. Passing through the seedy clubs, with all their trappings, when the night is just turning into morning. Have you lost your mind? Blackout and wake on a train. Is this a dream? We are nocturnal. There’s fire in the streets. The first tier looks down on you. So find the ones you love and hold them tight. Recorded at the Chateau d’Herouville and produced by Tony Visconti (David Bowie, T. Rex, Sparks). Starr’s current collaborators include Jaie Gonzalez (Splashh), Hayden Tobin (Hanni El Khatib), Pete Sustarsic (Public Access TV), James Hurst (Beach Party), Ben McConnel (Beach House), Grace Kennedy, Charlie Sands, and composer Nigel Wilson. “We had a listening party when we finished, Tony was so happy that day, he told me he hadn't had a listening party in "probably 30 years" (and we were in the middle of the pandemic!) I smile when I think of him suggesting we do it. It was a true celebration, I still have the cork from the champagne!”

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Brion Starr

LP | 2021 | EU | Original (Taxi Gauche)

Total Invasion - Live In The Usa Blue Vinyl Edition

Release: 2021 / EU – Original

Genre: Pop

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This is the first of two albums to be released by Brion Starr over the next month, the second of which is produced by the legend that is Tony Visconti. On 2020, the first full length album recorded at the infamous Chateau d’Herouville in France since its closure in 1985, Starr explores a year which none of us will soon forget. Starr says of the album “I feel like this is us at our most blunt, I certainly haven’t felt very poetic this last year. I’ve been writing about what is right in front of me and have chosen to eschew beauty for the raw reality of what has been happening in NYC this year.” 2020 is a genre hopping, time traveling whirlwind with heavy depth and impeccable range which is set very firmly in the surreal and manic time we are living in. The music and lyrics found within equal the surreal with the subtly psychedelic, the manic with a frantic talent.

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Killing Joke

LP | 2021 | EU | Original (Cadiz Music)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Double Dinners Black Vinyl Edition

Cousin Kula

LP | 2021 | EU | Original (Rhythm Section International)

LP | 2021 | EU | Original (Concentric)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Bristol based band Cousin Kula announce their debut album Double Dinners. With co-signs from the likes of Badbadnotgood and newly signed to Rhythm Section, Cousin Kula have created their own musical universe of otherworldly pop serenity with vastly distinct, but complementary elements: “the possibilities of jazz, the emphatic energy of club culture, and the sonic tapestries of psychedelia” Clash Magazine remark.

Living and recording together, nestled in the sun-drenched hills on the outskirts of Bristol, Cousin Kula are masters of their craft, and also of restraint; widely regarded by their fans for their superior live show. Having performed live in various bands for the past 10 years since their early teens, not being able to hit the stage during lockdown took its toll on these musicians. Ever resourceful, however, Cousin Kula began a series of their own home-made live sessions, which lead in turn to a Boiler Room Session and further a request from XL signees Badbadnotgood to record a live adaptation of their new single.

Now, Cousin Kula flutter into the collective consciousness with a timeless slice of psychedelic soul on debut album Double Dinners. The latest band to emerge out of the buoyant Bristol music scene, they have stripped back all excess baggage for their most accomplished recordings to date. Existing on a similar plane to contemporaries such as Connan Mockasin, Mildlife, Toro Y Moi, Mac DeMarco and Homeshake, the band caught the attention of renowned tastemaker Bradley Zero with their 'Casa Kula Cassette' EP at the end of 2020, with the Rhythm Section founder swiftly taking the 5 piece under his wing, with him commenting:

“The band balance an outsider approach with more hooks than you can shake a stick at... the result being a gently beguiling sound that effortlessly draws you in, revealing more character with each listen.”

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Tobias.

Hall Ov Fame

LP | 2021 | EU | Original (Satelite K)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The ambient / cross-genres label Concentric Records launches its first solo release as a special edition LP written and composed by the celebrated and influential techno / experimental producer Tobias. It is the first strictly-ambient solo album of Berlin's Tobias. aka Tobias Freund.

Entitled Hall Ov Fame, the 42min. full length album is a rare ambient journey into a sonic world that is full of narrative and cinematic imagination, blurring boundaries between perceived and staged reality, past and future memory.

“I have movies in my head” describes Tobias Freund the source that inspired his new album to fill it with a fantastic life of its very own. Consequently, each of the eight tracks represents a scene out of a fictitious short film, some of them with a claustrophobic and tense atmosphere while others appear light and hopeful on the screen of imagination. What they have in common is an adventurous spirit that is inherent in and played out by three main characters: repetitive electronic and acoustic patterns, voices from far away and field recordings of obscured origin. All the episodes combined introduce this “Hall Ov Fame” as a psyche-cinematic event which resonates with “ambience in its natural shades” to evoke the whole range of sensations that make a proper, suspenseful mind movie.

Tobias. (Freund) is long established as an influential artist and has - since the early 1990s - been working as a professional producer, sound engineer, label owner and strictly live musician. The Berghain resident constantly keeps exploring the vast synth-driven Techno, Experimental and Ambient territories on journeys in-between genres, both as a live act and on his countless releases. Besides his early solo projects (such as Pink Elln, Metazone or Phobia) he’s also been collaborating with Dandy Jack (as Sieg Über Die Sonne), Ricardo Villalobos (as Odd Machine), Max Loderbauer (as NSI.), Valentina Berthelon (as Recent Arts) and AtomTM to only name a few. With his vast experience, diverse output and interests, Tobias. doesn’t tire to actively push against existing boundaries and explore new areas of electronic music. By this he stands in a long tradition of electronic music, scrutinizing the self while reaching out towards the unknown, approaching sound with an appetite for the new, in the tradition of true innovators.

Hall Ov Fame follows a compilation in three parts that introduced Concentric Records’ roster and exploratory sonic realm over the past year and half, featuring unique and wide-ranging works by (in order of appearance) Pole, Daniela Huerta feat. Cornelia Thonhauser, Samuel Rohrer, Vladislav Delay, Jake Muir, Hotel Neon, Soundwalk Collective, Etapp Kyle, Tragic Selector (Daisuke Tadokoro & Terre Thaemlitz), Kareem Lotfy, Christina Vantzou, Jana Winderen, Echium, Max Loderbauer, William Selman, Petre Inspirescu, Supply, The Waves, Holovr, Aswa.

Written and Produced by Tobias Freund at Non Standard Studios, Berlin. Mastered by Tobias Freund. Lacquer Cut by Mike Grinser. Cover Image: TV Caption of Marcello Mastroianni in 'La Città delle Donne' by Federico Fellini, 1980. Artwork by Blackbirds Inc.

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The Excitements

Keepin' On

LP | 2022 | EU | Original (Les Rythmes Ruban)

Release: 2021 / EU – Original

Genre: Organic Grooves

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The Catalan Rhythm'n'Blues and Soul band The Excitements arrives with his fourth studio album;

Keeping 'on' (Satelite K 2021). An album with 14 songs full of classic melodies that join the

sounds of old school soul and rhythm ‘n’ blues and lyrics that speak to us both about social

issues and interpersonal relationships. The incorporation of the French singer of Somali origin

Kissia San stands out. This new voice has allowed them to broaden her spectrum without losing

the strength that has characterized them during all these years. Collaboration in the songwriting

process by James Graham; member of Hannah Williams and the Affirmations (British band with

which they shared their last tour) has opened them to new musical structures and the

production of Neil Sugarman; head of Daptone Records; with Marc Tena; has managed to give an

extra solidity to the sound of the band.

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Blundetto

OST Vtc

LP | 2022 | DE | Original (Rummelplatzmusik)

Release: 2022 / EU – Original

Genre: Soundtracks

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For its 10th album, Blundetto drops his first soundtrack on LP, an ode to road trips and 70’s scores. VTC is a Canal + mini series and features Golshifteh Farahani as Nora, the main character. This soundtrack is the most « urban » and « electronic » work from Blundetto to date. 33 mins of funk grooves, hypnotic atmospheres and psychedelic landscapes. This is the first release of Blundetto’s new label: Les Rythmes Ruban.

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Galv

Vola

LP | 2022 | EU | Original (Jippie! Industrie)

Release: 2022 / DE – Original

Genre: Hip Hop

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Galv ist ein Ausnahme-MC, der großen Respekt innerhalb der HipHop-Szene genießt und inzwischen auch im Mainstream eine feste Größe ist. Sein Rapstil und seine Stimme sind in der deutschen HipHop-Landschaft absolute Unikate.

Auch als Filmemacher und Host der ARD-Dokumentation „Wer rettet die Clubs?“ konnte Galv dieses Jahr schon auf sich aufmerksam machen.

Mit Vola legt er nun ein Album vor, auf dem jeder einzelne Song eine Single sein könnte. Unterstützt wird er dabei von der Creme de la Creme der deutschen HipHop Produzenten wie Suff Daddy, Torky Tork, Maniac, S Fidelty, Audiotism, Jan Faati uvm.

Ob krachende Tanzflächenbretter wie „So Fly“, Oldschool-Funk-inspirierte BoomBap-Tracks wie „Phonk Station“ oder melancholische Abgesänge wie „Flakka“ - Galv beherrscht sämtliche Tonlagen und klingt doch immer unverwechselbar wie Galv.

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Buhai

Release: 2022 / EU – Original

Genre: Pop

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LP | 2022 | EU | Original (A Colourful Storm)

Reiko Kudo And Tori Kudo

Tangerine

LP | 2021 | EU | Original (Nude Club)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A Colourful Storm presents Tangerine, a collection of songs by Reiko and Tori Kudo. Recorded at Village Hototoguiss, Japan, in 2011 and 2012 and Cafe Oto, London, in 2009, Tangerine is the result of over thirty years of improvisation and intimacy between Reiko Kudo and Tori Kudo (Maher Shalal Hash Baz, Fushitsusha, Noise, Ché-SHIZU). Their live performances would welcome local musicians, neighbourhood children, friends and passersby on stage while in the studio, they have been joined by Ikuro Takahashi (lsd March) and Takashi Ueno (Tenniscoats), releasing on indie labels such as Geographic and K. A touchstone of contemporary Japanese folk minimalism and significantly the last recorded appearance of the duo. Originally released on CD by Hyotan in 2013 and presented for the first time on vinyl by A Colourful Storm. Full-colour sleeve with insert, postcard and lyrics in Japanese and English.

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Boy Harsher

OST The Runner

2LP | 2001 | EU | Reissue (Sony)

Release: 2021 / EU – Original

Genre: Soundtracks

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Augustus Muller and Jae Matthews’ fifth release entitled ‘The Runner (Original Soundtrack)’ is not a traditional album. Rather, it is the soundtrack to a short film, also entitled ‘The Runner’. The film, written, produced, and directed by the duo, is a searching horror film, attached to a meta-style “documentary” about Boy Harsher’s recording process. The album includes several distinct components: cinematic arrangements, vocal features, and of course classic Boy Harsher dark pop. Both the album and short film will be released in January 2022.

The album opens with “Tower”. The only track on ‘The Runner (Original Soundtrack)’ that Boy Harsher has previously played live, but never recorded. The song is an incantation, with its pulsing synth and Jae’s begging vocals. A spell about desire and impending destruction. Jae asks 'But are you honest? Do you trust? You trust in me?' Questions answered by her desperate yells. It starts both the film and the soundtrack with a heavy presence.

Two songs on ‘The Runner (Original Soundtrack)’ feature vocalists other than Jae Matthews. He allows a distinct sound for both vocalists and really leans into the possibility of divergent genres. “Machina”, is a Hi-nrg homage, performed by Mariana Saldaña of Boan, and “Autonomy” a new wave tribute, performed by Cooper B. Handy of Lucy. Augustus Muller fully embraces the soundtrack ethos, by creating fictional ‘bands’ to generate additional content.

‘The Runner (Original Soundtrack)’ is exactly what’s in the name: a soundtrack. At first the shape of the release was nebulous - yet once realized the album is dynamic. It serves as the story of the running figure and her musical accompaniment. Those expecting a traditional release will be surprised, but not disappointed.

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Clueso

Text Und Ton

Release: 2001 / EU – Reissue

Genre: Hip Hop

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2LP | 2014 | EU | Reissue (Sony)

Clueso

Stadtrandlichter

Release: 2014 / EU – Reissue

Genre: Hip Hop

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2LP | 2011 | EU | Reissue (Sony)

Clueso

An Und Für Sich

Release: 2011 / EU – Reissue

Genre: Hip Hop

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Xphresh (Ben Bondy & Special Guest DJ)

Xephon

LP | 2021 | EU | Original (3XL)

LP | 2021 | EU | Original (Universal)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Bblisss specialists special guest dj and Ben Bondy’s Berlin/Brooklyn duo, xphresh, debut a lush volley of shatterproof jungle accelerators and RPG intrigued illbient beatdown on the newly minted 3XL division of Experiences Ltd, finding a gaseous spot somewhere between DJ Crystl’s pioneering ambient hardcore and Nwaq x Final Fantasy ‘xephon’ is a dream fusion by two distinctive, dextrous catalysts of the current flux between dance and ambient poles. In five shots they careen from sublime junglist tension to subaquatic dub wooze, disembodied shoegaze and cyberpunk illbient gunk with a wickedly unresolved, fractal quality that’s a real pleasure to sink into. As pillars of a scene that’s emerged and helped reshape, displace definitions of “ambient” and “dance” music over the past few years in particular, their collision of energies here feels to model a lush form of quantum mechanics; evoking the sensation of existing in multiple states of emotional and physical excitement simultaneously. Scaling between the gyring junglist roil of its title track and the post-club gouch out of ‘eikon’, xphresh hit squarely between their dilated 3rd eyes with a proper, rushy thizz. The ephemeral ballistics of ‘xephon’ are effectively congealed into the charged sot-dubstep plasma of ‘myst’, while ‘luh’ passes out into radiant choral bliss on the “up” side, contrasting with a deep sink into the queasy belly of 4 Hero’s Macro Dub Infection all-timer ‘The Paranormal In 4 Forms’ on ‘scum break’, before they yield to the mazy emotional rip currents of their closing beauty. At each stage it’s easy to pick out their reference points, but their natural ambiguity and restless style means their coordinates are never fixed, always in search of an elusive ghost particle that’s in the shine-eye of the beholder.

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The Gardener & The Tree

Intervention

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Infine / Cry Baby)

Léonie Pernet

Le Cirque De Consolation

Blush White Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Léonie Pernet’s second album Le Cirque de Consolation, to be released November 19th on InFiné & CryBaby, inhabits a world where borders dissolve and everyone makes their own unique and singular utopia. Hereby, the record questions the links between pop music, African cultures and electronic music, neo-classical music or the role of voice, whether human or synthetic. Sophomore albums can be a painful process for an artist - how refreshing it is to hear one so decidedly optimistic. Textextext - (add your write up) The sought after whirlwind of French Pop that exploded onto the scene with her debut “Crave", Leonie Pernet, returns with her second album, “Le Circque de Consolation", a sort of double negative of her first. While the yearning that sat at the center of “Crave"might not have been resolved, the young multi-instrumentalist and singer has found a new perspective - a more open and positive outlook on her own life and work. Perhaps telling, then, that the title was the first element of the album to exist: as it is and has always been a journey of personal (and collective) consolation first, a musical confrontation with the self.

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Facta

LP | 2021 | EU | Original (Wisdom Teeth)

LP | 2022 | EU | Original (Tiger Diger)

Release: 2021 / EU – Original

Genre: Organic Grooves

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London-Based Record Label Wisdom Teeth Kicks Off 2021 With Something Close To Home: Blush - The Playful, Dynamic Debut Lp By Label Co-Founder, Facta. Recorded Unusually Quickly Over A Short Stint In Early 2020, The Record Is The Product Of A Period Of Refreshed And Unfussy Creativity. It's An Innovative And Distinctly Contemporary Album That Moves A Good Few Steps Beyond The Artist's Work To Date - Loosely Rooted In Uk Dance Music But Taking Added Influence From Ambient, Modern Classical, Dreampop, Balearic, Folk Music And Beyond. The Result Is A Lush, Ornate Record Populated By Aqueous Pads, Bleeping Arps, Wandering Melodies And Sparse Broken Rhythms; Acoustic Instruments That Play Out Alongside Fm Synths, All Processed With A Pristine Uv Sheen Inherited From Modern Pop Music. The Record Opens With 'Sistine (Plucks)' - A Crystalline Synth Piece With A Stumbling, Shifting Metre Revolving Around An Odd-Ended Midi Harp Loop, Coloured Through With Washed-Out Pads And Snatches Of Found Sound. This Breezy Mood Follows Through To 'On Deck', Where An Fm Vibraphone Rings Out On Top Of Woozy, Warping Chords And A Subby Soca Groove. Moving Forward The Record Moves Cohesively Through A Range Of Shifting Moods And Hues. The Machine Jazz Of 'Brushes' Is Tense And Coiled, With Nods Towards Burnt Friedman, Photek And Eli Keszler. 'Iso Stream' Sees A Rich, Colourful Sprawl Of Arpeggiated Synths And Dissociated Vocal Chops Unspool Slowly To Form Pooling, Lowlit Melodies. Title Track 'Blush' Is A Forlorn Autonomic Love Song Built From Clicks-N-Cuts - Like Dbridge & Instra:Mental Reduced And Reinterpreted By Snd. Throughout, Bold, Broad Melodies Take Centre Stage, And The Tracks Build Like Compositions Rather Than Loops Or Club Tools. There Are Echoes Of The Dancefloor - Particularly In The Slo-Mo Bruk Of 'Verge' And The Glacial Subs Underpinning 'Diving Birds' (A Collaboration With Friend And Trilogy Tapes Regular Parris) - However The End Results Find Us Somewhere Far Off. 'Blush' Is The Second Long-Form Release To Co...

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Mats Eilertsen

Solitude Central (Live)

LP | 1969 | US | Original (Bluesway)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Solitude Central is a live-recording from Oslo in March 2020, just after the pandemic lockdown. I was lucky and was challenged and got the opportunity to do several solo performances in that time, of course mainly all alone in front of an non-existing-live audience, via video streaming.

This record is in a different way, mode and mood than f.ex my previous acoustic solo-release “Short Stories” from 2007.

This releases is build upon the work I did with my “Reveries and Revelations”-album from 2019, but this time performed live, without edits, processing and additions by fellow musicians. In 2020 Mats Eilertsen also received Spellemannprisen (Norwegian Grammy) for Best Jazz Album “And then Comes The Night” Mats Eilertsen Trio (ecm 2019)

Mats is a highly in-demand musician and plays in a number of different bands and constellations in Norway and internationally.

He composes for various ensembles and projects and has released several albums in his own name, among the latest ones are Mats Eilertsen Trio `And Then Comes The Night´ ECM in 2019 and «Reveries and Revelations» (Hubro 2019).

Mats is one of the finest and most distinct bass players on the Norwegian jazz scene of today. He has a special warm and lyrical way of treating the bass, being steady and experimental at the same time, bringing it all together and yet showing openness, willingness, and constantly searching for new sounds. He has participated on 100 recordings with a wide range of artists, Bendik Hofseth, Håkon Kornstad, Nils Økland, Trygve Seim for ECM, Hubro

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B.B. King

Completely Well

LP | 2021 | EU | Original (Good Memory)

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US original.
Record close to VG. Writing on back cover. Cover with hype sticker

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Erin Rae

Lighten Up

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Infine)

Arandel

InBach Volume 2

LP+CD | 2021 | EU | Original (Insideoutmusic)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Sharing his InBach album with the world in 2020 set events into motion that ultimately led to Arandel making second edition in the critically acclaimed, borderless project that unites rare instruments, musical reimanigation. Arandel unites once again behind the musical phrases of the Leipzig composer specialists of ancient and modern instruments (Thomas Bloch), modern synthesizers and moogs, strings experts (Gaspar Claus), and the poetic spoken word of Myra Davies and Bridget St.John. Textextext - (add your write up) “There is a Bach for everyone” Arandel says, “and that discovery is what led me here, to InBach". Beneath the intricate history, the godlike adoration placed upon Bach, he was a playful musician, an eclectic one even. And so, a full year after the release of the first InBach record on InFiné, there is enough material to make a second one. “There is so much about Bach I didn’t even know when making the first one - but after the release, people kept coming to me, telling me about certain pieces I should listen to or rework; songs that I had never even heard of.” The second InBach grew like a garden from the seeds of the first one - an eclectic journey through melodic fantasies, intricate sound design and a certain Pop silver lining. Some tracks were born out of Arandel’s band performing on stage, experimenting with the songs live and composing them anew, like “Nos Contours", a new, French-lyrics version of Bodyline with Ornette, Arandel’s stage partner.

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The Tea Party

Blood Moon Rising

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Trouble In Mind)

Offset: Spectacles

The Offset: Spectacles

LP | 2021 | Original (FatCat)

Release: 2021 / US – Original

Genre: Rock & Indie

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Trouble In Mind Is Superemely Honored To Release The Tenth Anniversary Reissue Of Beijing Trio Offset: Spectacles Lonefull-Length Album; A Forward-Thinking, Captivating And Uncompromising Missive Meant To Subvert R'n'r Traditions; Drummerless, Lo-Fi, With Surrealist Lyrics Meant To Confound & Unnerve. The Band Was A Crucial Part Of The Rose Mansion Analog Label (Including Bands Soviet Pop, Hot & Cold, And Golden Driver) & The Scene That Spawned Around It. Since The Band'sdissolution, Guitarist Tom Ng Has Formed The (Even More) Minimalist Duo Gong Gong Gong (Wharf Cat Records) Andcontinues To Hone The "Phantom Rhythm" With Each Passing Release. The Offset: Spectacles Debut Album Is Presented Again In Glorious Black Vinyl, With Remastered Audio By Mikey Young,And Includes A New Insert With English Translations Of The Lyrics By Vince Li.

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Resina

Speechless

Release: 2021 / Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Napalm)

Wolftooth

Blood & Iron

Release: 2021 / EU – Original

Genre: Rock & Indie

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Jason Boland & The Stragglers

Light Saw Me

LP | 2021 | EU | Original (Proud Souls Ent.)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 1988 | UK | Reissue (Neon)

Television

Double Exposure

Release: 1988 / UK – Reissue

Genre: Rock & Indie

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CD | 2021 | EU | Original (Blue Note)

Norah Jones

I Dream Of Christmas

Release: 2021 / EU – Original

Genre: Organic Grooves, Christmas

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CD | 2021 | US | Original (Light In The Attic)

Leo Nocentelli

Another Side

Embrace Capitalism (Until It Strangles You) EP

Release: 2021 / US – Original

Genre: Organic Grooves

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“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet alongside hand-written lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960’s and early 1970’s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard...Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.

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Abraxas

12" | 2021 | EU | Original (Oraculo)

LP | 2021 | EU | Original (Oraculo)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Abraxas is the activist techno side project of Damià Llorens , alma matter of WE ARE NOT Brothers. Self-defined as “activism trough music, promoting social, political, economical and environmental changes in our fucking capitalist society towards a greater good”, his vinyl debut is about real punk attitude on the 21th century. Including collaborations by Nightcrawler, Univac and José Rodríguez”. Presented on deluxe edition, including inner printed sleeve.

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Here-X

You're Coming Home

Slow Pete's Badass 70ies - Jamaican Record Label Guide

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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The debut album of the Greek one-man project Here-x contains everything we could expect from a leading modern post-punk act. Cold wave ambiances fulfilled with sumptuous guitar riffs and beautiful synth lines surrounded by exuberant vocals. A necessary new record for any collection that includes She Wants Revenge, She Past Away or Actors vinyl records. Presented on deluxe edition, including inner printed sleeve.

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Slow Pete

Oi Jazz

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Nevermind 30th Anniversary Edition Deluxe CD

Nirvana

2CD | 1991 | EU | Reissue (Geffen)

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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Crimson Poem Smokey Vinyl Edition

Yikii

LP | 2021 | EU | Original (Danse Noire)

LP | 2021 | EU | Original (Jakarta)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Inspired by ambient, gabber and post-club; contemporary composition, avant-pop and nursery rhymes. Influenced by horror games, nursery rhymes and gabber, Chinese producer Yikii’s first proper full-length is like Tim Burton on mushrooms - like a soundtrack to a Chinese reboot of “A Nightmare Before Christmas” rendered in luscious 4D. Bonkers and brilliant. Since 2017, Changchun-based Yikii has released over 20 albums and EPs, but “Crimson Poem” is her first fully developed statement. It’s an ambitious album that started life as an exploration of microtonality before evolving into a set of quirky, psychedelic songs that pull in ideas from across the spectrum of contemporary culture, from hard dance and avant-pop to traditional Chinese music and drone. But no influence looms larger on “Crimson Poem” than video games. The album sounds completely plugged into the fantasy realm, and uses disparate genre hallmarks with the fizzy abandon of Yuzo Koshiro’s “Streets of Rage” soundtrack or CoLD SToRAGE’s “Wipeout” score. Yikii has no intention of making functional dance music and instead channels pop ideas through a narcotic haze of abstract noise, gothic soundscaping, airlock club and chiming classical music. At any point in the album it’s like hearing multiple personalities communicating with each other, guided by Yikii’s sugar-sweet vocals. There’s trip-hop, trance and sadistic industrial noise on ‘Disillusionment’, Bernard Herrmann-style “Psycho” strings, ambient drone and traditional Chinese music on ‘Phantasmagoria!’, hardstyle and evil nursery rhymes on ‘Afterimage In Ruin’, gabber, punk, industrial and classical on ‘Scavenger’s Daughter’, and so much more. “Crimson Poem” is a unique record that perfectly encapsulates Yikii’s personal world and spectrum of interests. It’s surreal and cute, but never cloying and succeeds in being eclectic without ever losing coherence. Yikii’s world is often terrifying, but it’s never uninviting: imagine Björk, Danny Elfman, Pharmakon, Gabber Modus Operandi and Ziúr shaken into a viscous purple cocktail and you’ll have some idea where this one’s going.

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J.Lamotta & Budamunk

Searching Skies

The Persistence Of Memory

Release: 2021 / EU – Original

Genre: Organic Grooves

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Multi-disciplinary producer and singer J.Lamotta teams up with Japanese beat-scene-monger BudaMunk to present collaborative album “Searching Skies” via Jakarta Records. After the success of her recent releases J.Lamotta (165k monthly listeners on Spotify and more than 10M cumulative streams) is clearly becoming an international name. She keeps this prolific momentum alive with “Searching Skies”, the collaborative album with Tokyo-based producer-mastermind BudaMunk, marking Lamotta’s fourth, and BudaMunk’s first, album to be released with Jakarta Records.

The Longplayer perfectly merges J.Lamotta’s iconic R&B, jazzy-Neo-Soul aesthetics with BudaMunks laid-back, impeccably-imperfect lo-fi hip-hop productions. It’s a well-timed collaboration, as J.Lamotta sees her loyal fanbase growing in Japan, and will be a worthy follow up to her previous Jakarta releases while Tokyo-based heavyweight BudaMunk (40k monthly listeners on Spotify and more than 1.7M cumulative streams) has received cosigns from a number of artists within the hip-hop arena, including Mndsgn, Eloquent, Pink Siifu, Suff Daddy, Kiefer, Swarvy and Lefto, among a host of others. His output is prolific and consistent, including releases on Jazzy Sport and Dogear Records, as well as LA-juggernaut Fat Beats’ “Baker’s Dozen” series; and his notoriety within the Japanese beat-scene is only growing. As Bandcamp’s Max Bell writes of BudaMunk, “it takes years to perfect being this relaxed and this precise”.

The album’s 1st single, “Eyes To The Skies” is set to be released on September 24th alongside stunning visual accompaniments by Tokyo-based film, design and screen-print studio Damn Good Productions and multimedia artist 8mL. The laid-back production, full of warbly keys, pads and the angelic warmth of Lamotta’s voice lets the listener float along as if they’re in the skies themselves. It’s a perfect vibe for the onset of the chillier Autumn weather.

The album’s 2nd single, “Put It Aside” is set to be released on October 15th and will be accompanied by visuals once again provided by Damn Good Productions and 8mL. This second single takes blisteringly swinging percussive elements and melodies that warp into peculiar sounds that defy auditory recognition, yet tingle with familiarity. J.Lamotta’s voice is as sweet as dates, and is the perfect accompaniment to BudaMunk’s lo-fi headiness. The album’s focus track, “Stay”, will be released in conjunction with the album November 5th.

The album’s single-releases and videos will be promoted via the artist’s and the label’s social media channels and will also be featured by music-blog Stereofox entirely, while Tokyo-based label Jazzy Sport will distribute and promote the release throughout Japan.

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EMIGRATE

LP | 2021 | EU (Sony Music)

Release: 2021 / EU

Genre: Rock & Indie

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An Evening With Imperial Triumphant

Imperial Triumphant

LP | 2021 | EU (Century Media)

Release: 2021 / EU

Genre: Rock & Indie

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Robson Banda & The New Black Eagles

Soweto

LP | 1986 | EU | Reissue (Nyami Nyami)

LP | 2021 | EU | Original (Suburban)

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Nyami Nyami Records are pleased to announce the first ever reissue 100% analog from the original master tapes of the classic Zimbabwean album Soweto from 1986, with the same tracklist and original artwork, produced at the peak of jit’s popularity in the mid-1980s. While staying within the chimurenga music framework pioneered by Thomas Mapfumo and Jonah Sithole, Robson Banda and the New Black Eagles produced a crisp, precise and exciting sound, emphasising the upbeat dance music favoured on the dancefloors of independent Zimbabwe’s nightspots and beerhalls. Mbira-based guitar licks bring a nostalgic feeling to these dance-floor gems championed at the time by legendary English DJ John Peel.

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Sore Losers

Ultra Elektric

Release: 2021 / EU – Original

Genre: Rock & Indie

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Gloria 40th Anniversary Transparent Sun Yellow Black Friday Record Store Day 2021 Edition

12" | 1981 | EU | Reissue (Island)

Valentine Opaque Gold Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Pop

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Limited to 4000 copies worldwide. Celebrating the 40th anniversary of the U2 single “Gloria”, originally released as a single in October 1981, the second single to be taken from the second studio album October. It remains a staple in U2’s live set. This 40th anniversary limited edition EP includes the studio version of “Gloria” plus three live versions from three different decades. • 4-track 12” EP, cut at 45 rpm • Pressed on 180g transparent sun yellow vinyl • Full color gatefold outer sleeve with high gloss finish, featuring portraits of the band • Large poster (600mm x 600mm, folded) with montage of photos from the various live shows across the decades

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Snail Mail

LP | 2021 | EU | Original (Matador)

Valentine Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Brand new euphoric indie rock from Snail Mail.

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Snail Mail

LP | 2021 | EU | Original (Matador)

LP | EU | Reissue (Metal Blade)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Brand new euphoric indie rock from Snail Mail.

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Lizzy Borden

Give Em The Axe

Release: EU – Reissue

Genre: Rock & Indie

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Bestandsaufnahme (2003-2021)

Montreal

LP | 2021 | EU | Original (Amigo)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Bulls On Parade Mic T-Shirt

Rage Against The Machine

LP | 1978 | EU | Reissue (Adarce)

Available Sizes: S, M, L, XL

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The Rage Against The Machine Bulls On Parade Mic Tee is equipped with the following features:
• rib crew neck with interior tape
• Bulls On Parade Mic artwork printed on front
• slim fit
• 100% cotton single jersey

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Paco Ros

Clasicos Con Ritmo

LP | 1988 | EU (Trading Places)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Adarce proudly presents the reissue of ‘Clásicos con Ritmo’ by Paco Ros. Originally released in 1978 on Discos Maller, still sounds as special and out of time as when it was released; a strange album that has become one of the most sought after jewels - and most hard to find - for lovers of Spanish Groove. 'Clásicos con Ritmo' offers a mix of sounds that range from a kind of analog pre-Balearic to something similar to Library Music, passing through a slow cadence groove based on sinuous layers of Hammond organ, Fender pianos, vibraphones and xylophones. During the 11 songs on the album, Paco Ros revisits his life trajectory through memories: his Valencian childhood in Godella, his professional beginnings in Madrid and his musical adventures as a backing band, his return to Valencia -where he would form 'Los 4 Ros, then simply the Ros - to finally take refuge in his Mallorcan retreat, cradled between Party Rooms, Hotel Discotheques and endless sunrises, moved as always by his infinite love for music.

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Kingdom Come

LP | 2021 | EU | Original (Noisolution)

Release: 1988 / EU

Genre: Rock & Indie

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God of Hellfire’ Arthur Brown made an indelible impact in The Crazy World Of Arthur Brown, performing outlandish theatrics with a burning helmet and being deported from Italy after a naked appearance at the Palermo Pop Festival in 1970. When his bandmates quit to form Atomic Rooster, Brown formed Kingdom Come to cut three esoteric albums for Polydor, this self-titled sophomore set inspired by the element of water. It’s a deep dive into prog concept territory, with churning organ, pounding bass and drums, wah-wah excursions and Brown’s internal conversations drifting between the speakers. Fantastic stuff!

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Daily Thompson

God Of Spinoza

Release: 2021 / EU – Original

Genre: Rock & Indie

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A Drive-By Love Affair Limited Edition

The Kokomo Kings

LP | 2021 | EU | Original (Rhythm Bomb)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (La Vida Es Un Mus)

Koma

Internment Failure

Absortos En El Tedio Eterno

Release: 2021 / EU – Original

Genre: Rock & Indie

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Leeds/London Band Koma Deliver Their Debut Lp "Internment Failure": 12 Tracks Of Brutal, Unrelenting, Constantly Contorting And Mutating Hardcore - Perfectly Encapsulating The Desperation Of Living In The Final Generations Of A Failed State, Watching The Life Of The Planet Ebb Away. Frantically Written And Recorded Across 2 Cities Within The Band's First 12 Months Of Existence, Koma Casts A Wide Net Of Global Influences But Refuses To Be Indebted To Any One Singular Band Or Scene. At Times Recalling The Classic Finnish & Swedish Hardcore Of Mellakka And Crude Ss Mixed With The Raw Distorted Brute Power Of Vo?O Protesta And Bastard; Echoes Of The Unhinged Mayhem Of Ataque Frontal And Chain Reaction Subside To Moments Of Gothic Tension Like Toäibabe And Pyhäkoulu. Koma Makes A Bold And Ambitious Statement Of Intent, A Wholly-Realised Vision And Fully-Formed Sound Of Pummeling Riffs And Powerful Vocals That Will Remind Of Sacrilege's Debut.

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Algara

LP | 2021 | EU | Original (La Vida Es Un Mus)

LP | 2021 | EU | Original (Century Media)

Release: 2021 / EU – Original

Genre: Rock & Indie

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News From The Front: Algara's First Lp Is Here. From Barcelona, The Land Where The Cnt-Fai Shined In 1936, Now The Anarchist Bombs Explode Again Through The Twelve Tracks Of "Absortos En El Tedio Eterno". Ever Wondered What Would Have Happened If The Rondos And Crass Had Joined Forces At The Conway Hall Or If Aviador Dro And Esplendor Geometrico Never Had A Couple Of Judo Kicks And The Four Started A New Band? Well, Then You Are Close To Imagining How Algara Sounds. At Times Sparse Militant Punk A La Crisis/ Fallout Filtered Thru The Kgb/ Siniestro Total Machine. At Times Minimal Synthetic Idealist Anthems, But Always Revolutionary, Forward Thinking, And Making The Sound Their Own. The Anonymous Collective Self Recorded "Absortos En El Tedio Eterno" In A Barcelona Squat While Engaging In Their Agitprop Campaigns. With Songs About Poor Working Conditions, The Constant Evictions, Youth Unemployment, And A City Consumed By Tourism And Other Forms Of Gentrification, The Lp Is A Cold Call To Arms For Today's Political Punk. The Lp Sleeve Shows Members Of The Collective At One Of Their Rendezvous Point Looking Cool. Comes With An A2 Double Sided Poster, 14 Page Manual For Sound Guerrilla Booklet And A Sticker. Ffo: Antorcha, Futurisk, Siniestro Total, Total Control, Aviador Dro, Crisis, Crass, Rondos.

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Spiritworld

Pagan Rhythms

Release: 2021 / EU – Original

Genre: Rock & Indie

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7" | 1967 | UK | Reissue (Coolumbia)

Latin Combo

I'm A Man

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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LP | 1985 | EU | Reissue (Metal Blade)

Slayer

Live Undead

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Wayne County & The Electric Chairs

Things Your Mother Never Told You

LP | 1978 | EU | Reissue (Spittle)

LP | 2021 | EU | Original

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Jayne/Wayne County's most audacious album is also possibly among the most important albums of its age. Released in 1979 just as the new wave was teetering on the brink of some kind of bold step forward, Things Your Mother Never Told You was one of the sudden shoves which sent it sprawling into its destiny. Electro-punk starts here. Producer David Cunningham takes only a portion of the credit; in years to come he would lead the Flying Lizards into the realm of heavily stylized electronica. But County's songs match his ambitions all the way, from the harsh, grating soundscapes behind "C3"'s muttered imprecations to the soft-spoken paranoia of "Waiting for the Marines," and onto "Berlin," the song that put into words everything David Bowie (among others) tried to convey about that city via image and insinuation. It's not all electro-art smarts, of course. "Boy With the Stolen Face" and the pouting, punishing "Wonder Woman" are archetypal Electric Chairs - a reminder of how, at the band's very best, they could run the Rolling Stones close in the swaggering rock & roller stakes - and the murder mystery "Wall City Girl" could have fallen off a forgotten volume of Nuggets or Pebbles. The title track, meanwhile, doesn't simply seethe with all the promise -- sexual, social, and societal -- which made County the superstar (s)he so very nearly was, it also lets listeners know why no one has ever truly snatched that crown away. (All Music)

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Ghost Pony

LP | 2021 | EU | Original (Black Truffle)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Ghost Pony was created by singer and guitarist Julia Beresikowa in her hometown Erfurt. As she moved to Berlin, the band's change of location was the perfect opportunity to expand its sound as well and after a few line-up changes over the years, the group ended up as a trio with former members of The Mokkers: Elisa Bischoff on bass and drummer Hannes Neupert (Mexican Radio).

The band has been making a name for themselves in the Berlin Underground scene since 2017, playing their own mix of Surf, Dream Pop and Garage labelled as Mud Pop.

Their self-titled debut album, coming out on July 21st, is a versatile and intriguing affair. The band crafted a fresh sounding and exciting record, while not hiding their retrophile approach that is enthusiastically embracing the past glory of bands like La Luz, Mazzy Star or The Cramps. The recording sessions started in 2018, with the band piecing together the album over the course of a couple of years - giving them space to experiment with different ideas and enabling them to get out of their musical comfort zone.

The album boasts twelve songs, including recent singles "Don't Call Me Baby" and "Midnight Thirst", the latter of which addressed the harsh reality of everyday social dominance practices in the form of intimidation and sexual harassment.

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David Behrman

ViewFinder / Hide & Seek

LP | 2021 | EU | Original (Zonedog)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Black Truffle is thrilled to announce ViewFinder / Hide & Seek, a new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Last heard from on Black Truffle as part of the collaborative art song/live electronics madness of She’s More Wild, these recordings find Behrman continuing the pioneering work in interactive electronics that have established him as one of the major living experimental composers.

Side A presents excerpts from two live realisations of Unforeseen Events (1989), the fourth in a series of pieces focussing on the interactions between instrumental performers and responsive software. Like the classic earlier works in the series, On the Other Ocean (1977), Interspecies Smalltalk (1984) and Leapday Night (1986), Unforeseen Events is an “unfinished composition” in which a computer system listens for and responds to specific pitch cues from an instrumentalist. Performed by the composer on electronics and Werner Durand on soprano saxophone in Berlin in 1989, the first realisation immediately ushers the listener into an environment of long soprano notes, lush, sustained synth harmonies, randomised percussive interjections and distantly burbling arpeggiated patterns.

The 1999 realisation recorded in New York with Jon Gibson on soprano shows how much room for the instrumentalist to affect the course of the music exists in Behrman’s interactive pieces, in which, as he notes, ‘performers have options rather than instructions’. Beginning in a roughly similar area to the version with Durand, this later recording eventually becomes substantially more active, as polyrhythmically layered arpeggios and percussive patterns respond to fast chromatic lines and dynamic phrases from the saxophone, moving Gibson in turn to respond with cycling figures and moments of extended technique that touch on the soprano languages pioneered by players like Steve Lacy and Evan Parker. Yet even at its most active, the lack of conventional forward movement in the music allows it to retain what Behrman’s friend Jacques Bekaert called its ‘fragile tranquillity’, as episodes of activity appear only as momentary disruptions of an underlying calm.

On the B side, we are treated to a new collaborative work from Behrman and Werner Durand, building on the 2002 installation work ViewFinder, in which a camera detecting physical motion triggered changes to electronic sound. The piece presented here is a long-distance studio construction, recorded by Behrman in the Hudson Valley and Durand in Berlin, offering up an expansive duet between Behrman’s lush, gliding synth tones and the alien, untempered tones of Durand’s invented and adapted wind instruments. Presented in a stunning gatefold sleeve with art from Terri Hanlon, archival photographs and new liner notes from Behrman and Durand,ViewFinder / Hide & Seek is an essential release showcasing the continuing vitality of a legendary figure in experimental music.

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Disrupt

Under Triple Suns

Let It Be 50th Anniversary Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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...lost contact with scientist team looking into the energy signature on Psylos Prime. Just entered orbit, on my way to investig... System Error---' Last words from seasoned psychonaut Disrupt, and the beginning of 'Under Triple Suns', a gripping SonicFiction paperback novel, cut to holo-disk for the very first time. Dubbed-out loop clusters, foggy melody nebulas and hazy layers of alien field recordings are held together by otherworldly off-the-grid rhythms, shaping the experience into an highly immersive sonic tale of crash-landing on a mysterious planet. Out on the Jahtari-sublabel Zonedog the album follows the trail of previous space exploration endaevours like 'Omega Station' and 'The Recreation Room'. Coming with beautiful vintage-SciFi water color artwork by Ellen G. --- Signing OFF...

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The Beatles

CD | 1970 | UK | Reissue (Apple)

LP | 2021 | UK | Original (Demon)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Following on from the global success of ‘Abbey Road’, Apple Corps and USM are proud to present the next multi-format Beatles album reissue of ‘Let It Be’.

January 1969 – The Beatles planned to return to live performance, setting up in Twickenham Film Studios, London, for 21 days of rehearsals. They then decamped to their new studio in their Apple office building in Saville Row and on January 30th performed their last ever live group performance on the rooftop. All of this was filmed for a proposed documentary (eventually released in 1970). During the rehearsal process, they asked Glyn Johns, who had been hired to help with the live sound, to attempt a mix to create an album. This was never released, becoming known as one of the great ‘lost’ albums in rock history and is now included in this Super Deluxe Set. The album was delayed further and in fact became their 12th and final official album release on 8th May 1970 following additional production by American producer Phil Spector.

The Beatles iconic final studio album being released to coincide with the worldwide release of Peter Jackson’s 3 part documentary ‘The Beatles: Get Back’
New stereo mix of the original album by Giles Martin

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Belinda Carlisle

Nobody Owns Me

Release: 2021 / UK – Original

Genre: Pop

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2LP | 1986 | EU | Reissue (Golden Core)

Griffin

Protectors Of The Lair

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 2004 | EU | Reissue (Pure Noise)

With Honor

Heart Means Everything

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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LP | 2021 | EU | Original (Better Noise)

Asking Alexandria

See What's On The Inside

Release: 2021 / EU – Original

Genre: Rock & Indie

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CD | 2021 | US | Original (Victor)

Pop Smoke

Faith

Release: 2021 / US – Original

Genre: Hip Hop

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12" | 2021 | EU | Original (Relapse)

Cherubs

Slo Blo 4 Frnz & Sxy

Release: 2021 / EU – Original

Genre: Rock & Indie

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It Wasn't Hard To Love You

Fanfare Ciocarlia

LP | 2021 | EU | Original (Asphalt Tango)

Release: 2021 / EU – Original

Genre: Organic Grooves

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I Think We Agree, The Past Is Over.

Damiano Von Erckert

12" | 2011 | DE | Original (ava.)

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Pressure Gold Vinyl Edition

Bishops Green

LP | 2014 | EU | Reissue (Pirates Press)

Tunnelvision Brilliance Sea Blue Vinyl Edition

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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The Vancouver-based street punk band Bishops Green's 'Pressure' - Pressed on Gold Nugget vinyl to celebrate the band’s 10th anniversary!

Following a very impressive and critically acclaimed debut 12”, this 2014 full-length album picked up right where that left off. At the core, the songs on Pressure are similar but with a noticeable growth and maturation to them. Their lyrics continued to be bold and ask questions of our society, while extolling the traditions and pride of punk rock culture and accountability to each other through unity... This album was another milestone in the genre of streetpunk and oi! music!

Bishops Green’s music is raw and energetic with a style firmly embedded in the historic roots of Streetpunk and Oi! All of the members of Bishops Green have been playing in bands together since the ‘90s and this history combined with the group’s ability to draw from different punk genres, enables the creation of a catchy sing- along sound that makes sure that any audience feels like they are part of the show!

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Scott Reeder

LP | 2021 | EU | Original (Alone)

Love For Sale Standard CD Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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First time on vinyl!!! Originally released in 2006, 'TunnelVision Brilliance' is Scott Reeder's personal testimony of what artistic freedom means in connection to his roots, the formative years and the love praised to 70's and 80's classic rock icons, with the mixture of his own 90's vibe, all made by the long time ex-Kyuss member in a period between 1987 and 2005. Written, performed, recorded and mixed by Scott Reeder himself. A sometimes melancholic, but positive and embracing collection of songs.

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Tony Bennett & Lady Gaga

CD | 2021 | EU | Original (Interscope)

LP | 2021 | EU | Original (Black Truffle)

Release: 2021 / EU – Original

Genre: Organic Grooves

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The follow up to 2014's Grammy Award-winning Cheek To Cheek, Bennett and Gaga's latest collaborative album is a celebration of the Cole Porter songbook and a testament to the pair's enduring friendship and love for one another. The announcement of the album coincides with Tony's 95th birthday and two special performances at NYC's Radio City Music Hall, billed 'One Last Time'.

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Richard Youngs

CXXI

2x12" | 1997 | US | Original (Love From San Francisco)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Black Truffle is pleased to announce the latest offering from underground legend Richard Youngs. Hyperactive since the late 1980s, Youngs is widely celebrated for his remarkably extensive and varied body of recordings. His works range freely over a vast terrain, wandering from tender acoustic balladry to raging psychedelic noise and orchestral D-beat, always imbued with his distinctive, often mournful, melodic sensibility and irrepressible sense of joyous experimentation. Comprised of two side-long pieces, Cxxi carried on the experiments with chance operations used to generate material on many of Youngs’ recent releases. On ‘Tokyo Photograph’, a slowly changing, randomly generated sequence of 121 minor chords played by sine waves and accented with a brushed snare hit on every change provides the harmonic foundation for Youngs’ fragile yet impassioned vocal performance, shards of field recordings and electronics and Sophie Cooper’s long, tape-echoed trombone notes. While the melancholic drift of the chords calls up prime Robert Wyatt sides like Old Rottenhat or Dondestan, only the most vestigial sense of song remains here, as Youngs arranges his minimal ingredients over a spacious fifteen-minute expanse that often drops to nothing more than the rich hum of sine waves. ‘The Unlearning’ carries on directly from the first side, presenting another, more harmonically varied, sequence of randomly generated chords played by sine waves, distressed with tape echo flourishes and sparsely sprinkled with electronic touches. Like some of Youngs’ most single-minded instrumental works in recent years, such as his recordings of foot-played guitar or his shakuhachi pieces, ‘The Unlearning’ is deeply meditative but entirely remote from ambient or minimalist cliches.

Named after the number of chord changes on the opening piece and (Chicago-style) the number of records Youngs has released, Cxxi arrives in a striking monochrome sleeve featuring play-along chord charts for both pieces. Both rigorously conceptual and endearingly off-the-cuff, Cxxi is classic Richard Youngs.

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Furry Phreaks / Presence

Remixes

Release: 1997 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

7" | 2021 | US | Original (Sentient Ruin Laboratories)

Disimperium

Malefic Obliteration

LP | 2021 | US | Original (Mascot Label Group)

Release: 2021 / US – Original

Genre: Rock & Indie

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Featuring members of Misrule and Ascended Dead, Portland Oregon black death metal/grind terror commando Disimperium emerge from hell with their pulverizing debut EP Malefic Obliteration, a blinding assault of feral and merciless sonic devastation that will leave the listener crushed and disintegrated in its path. With an impenetrably dark and ultra-violent sound reminiscent of blackened death and grind war mongers like Knelt Rote, Diocletian and Heresiarch, Dismperium tap into a mysterious realm of terror to harness the quintessence of chaos and negativity, condensing years of influences and concepts into a twelve-minute terrorscape of absolute sonic tyranny. Housed inside a pro three-spine matte laminated sleeve with black flood inside the pocket, insert and download.

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De Staat

Wait For Evolution

Release: 2021 / US – Original

Genre: Rock & Indie

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Confessions Of A Justified Sinner

Blyth

LP | 2021 | EU | Original (Clouds Hill)

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (22nd Sentry)

Ahi

Prospect

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Rolling Stones - Origins

V.A.

LP | 2021 | EU | Original (Wagram)

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Springstoff)

Berlin Boom Orchestra

Im Sitzen Geht's

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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LP | 2021 | EU | Original (Oh Boy)

Emily Scott Robinson

American Siren

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Works And Days: The Black Sections

C.W. Winter

LP | 2021 | EU | Original

LP | 2021 | EU | Original (Editions Mego)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The Works and Days: The Black Sections' is a sound collage album that emerged out of the production material of the film, The Works and Days (of Tayoko Shiojiri in the Shiotani Basin). The film — winner of the Encounters Golden Bear for Best Film at the 2020 Berlinale — is the second feature of C.W. Winter & Anders Edström. It is an eight-hour fiction shot for a total of twenty-seven weeks, over a period of fourteen months, in a village population forty-seven in the mountains of Kyoto Prefecture, Japan. It is a geographic description of the work and non-work of a farmer. A portrait, over five seasons, of a family, of a terrain, of a sound space, and of a duration. The film was named one of the Ten Best Films of the Year by critics at: Artforum, Cargo, Cinema Scope, Desistfilm, Filo, La Internacional Cinéfila, Mubi, Nobody, Senses of Cinema, and Sight & Sound.

The film is accompanied by this LP, The Works and Days: The Black Sections, by C.W. Winter, and the photo book, Shiotani, by Anders Edström. The album features musical excerpts from Tim Berne & Bill Frisell, Tony Conrad, Graham Lambkin, Mary Jane Leach, Alvin Lucier, Phill Niblock, Folke Rabe, Éliane Radigue, and Akio Suzuki. Producing, editing, and recordings by C.W. Winter. Mastered by Stephan Mathieu.

Winter & Edström’s first feature, The Anchorage, won a Golden Leopard at Locarno Film Festival and won the Douglas E. Edwards Independent/Experimental Film/Video Award from the Los Angeles Film Critics Association. It was named one of the Ten Best Films of the Year by critics at Cinema Scope, Film Comment, Senses of Cinema, Variety, and Indie Wire and was named Best First Film of the Year by The New York Times. Their first film, a documentary short called One Plus One 2 was made in collaboration with the late British guitarist, Derek Bailey. Their film/video work has shown at such venues as the Institute of Contemporary Art (Boston), Centre national de la photographie (Paris), Kunstmuseum Wolfsburg, Fotomuseum Winterthur, NRW-Forum (Düsseldorf), the Harvard Film Archive, Anthology Film Archives, the Wexner Center for the Arts (Columbus), Centre de cultura contemporània de Barcelona, the Tokyo Metropolitan Museum of Photography, and the National Museum of Modern Art (Kyoto).

C.W. Winter was born in California. In 2020, he completed his DPhil in Art Practice & Theory at The Ruskin School of Art at the University of Oxford. He received his MFA from California Institute of the Arts where he studied closely under Thom Andersen, James Benning, and Allan Sekula. His writing has appeared in Cinema Scope, Moving Image Source, Purple, and Too Much. He lives in the United Kingdom where he is currently a Visiting Professor at the Royal College of Art and a Lecturer at the University of Oxford.

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Powell

Piano Music 1-7

2LP | 2013 | EU | Original (La Belle Brute)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Editions Mego welcomes Powell to its roster with a bizarre and strangely emotive new LP of synthetic computer works entitled Piano Music 1-7.

Via his own Diagonal Records imprint, his work on XL Recordings and, most recently, the opening of audio/film platform A Folder [afolder.studio], Powell has firm footing in the contemporary electronic landscape. During a wry and obstinate musical life he has twisted myriad synthetic forms into shapes that explore and expand upon the districts of post-punk, techno, noise + computer music, and in the the last year alone he has released four albums of hi-def abstractions, each inspired by a formalisation of music proposed by Iannis Xenakis.

As an extension of this intense period of work/research/play with stochastic functions [using probabilities to compose music], various processes emerged that Powell then began to apply to more traditional musical events. Where ordinarily in his work the probabilities and relationships are used to define parameters such as wave-shape, folding, FM, filter modes etc., he now began to use them to create musical formations and visual scores that could be played back using any software/MIDI instrument [one of these can be seen on the rear cover of the LP release]. While mapping out this cartography of relations, he used a basic Grand Steinway sampler as a placeholder instrument; the longer the process went on, though, the more he began to embrace the acoustic properties of the synthetic piano and make it the bedrock for this new constellation of work.

Piano Music 1-7, subtitled ‘Music for Synthetic Piano and Assorted Electronics’, consists of seven different synthetic islands strung together into a single composition. All were composed using the aforementioned processes that allowed Powell to play a piano, even if he never learned to do so with his hands. After all, ’In writing electronic music,’ Robin Mackay once wrote, ‘you also have to direct the invention of new tools.’ Recorded in late 2020, these new Powell works propose not just a bold and bright vision of electronic music but serve also as a map with which, for 35 minutes at least, we can navigate our way out of the current milieu. As the artist himself remarks in the sleeve-notes, ‘. . . What emerged from this fog or soup [for me] were ideas and processes that felt affirmative and life giving — sensations I had always hoped to convey in my music. Perhaps the optimism or positivity I felt at these musical events unfolding, these clusters and knots tumbling in different directions across time, can also be felt by you.’

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Puce Moment

O.R.G.

Release: 2013 / EU – Original

Genre: Electronic & Dance

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LP | 1985 | EU | Reissue (The Gramophone Company Of India)

Brij Bushan Kabra

Lure Of The Desert

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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The Magic Of Music Guitar And Tabla

Brij Bushan Kabra

LP | 1982 | EU | Reissue (Classics For Pleasure)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 2016 | EU | Original (Abduction)

Hound Dog Taylor's Hand

Release: 2016 / EU – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2016 | EU | Original (Abduction)

Diminished Men

Release: 2016 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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B A B I L Sabir / Secret Chiefs 3

Split-Serie

10" | 2018 | EU | Original (! A N G R R !)

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Hybride Sentimento)

James Bernard & Influx

Reminiscence

Carolina Opaque Purple Swirl Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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After the Stroom release, James Bernard was revealed to the new generation. From Rising High/Sapho vaults, find over here 5 remastered tracks from 92-93 period. Alongside with 'm/n' compilation, Late-Night Rec. continues to explore the sound of a composer who made cross techno, electro and ambient at their peak. Incl. 'Lost In It' from his 1st LP, longly awaited to be reissued. A long-play record designed for ambient-atmospherics connoisseurs. Ltd edition of 300.

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Zake

LP | 2021 | EU | Original (A Strangely Isolated Place)

LP | 2021 | UK | Original (Ghost Box)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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According to the artist himself, zake's first solo album of 2020 was recorded and produced during "a four-day excursion in several secluded areas" in South Carolina. As a result, listeners can expect to hear babbling brooks, birdsong and the gentle rustling of leaves beneath Zake's alluring mixture of enveloping ambient chords, unearthly drone tones, opaque electronics and slowly-shifting, heavily processed neo-classical movements. The results are hugely immersive and undeniably enjoyable, with each of the four tracks delivering a head-in-the-clouds journey that ripples with becalmed, atmospheric intent. In other words, it's the kind of ambient music you can get lost in. More please!

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ToiToiToi

Vaganten

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Voodoo Jürgens / Klitclique

OST Sargnagel - Der Film

LP | 2021 | EU | Original (Sony)

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (The New Black)

Malcolm Pardon

Hello Death

LP | 2021 | DE | Original (Audiolith)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Roll The Dice’s Malcolm Pardon makes a rare solo appearance with a long awaited debut album of solemn keys, with his regular collaborator Peder Mannerfelt providing co-production alongside Aasthma bandmate Pär Grindvik. Evidently the more brooding half of Roll The Dice, judging by the air of ‘Hello Death’, Pardon carries over that project’s wistfulness and cinematic qualities to his solo work in eight minimalist works subtly adorned and rendered with atmospheric synth ornamentation by his fellow Swedish collaborators. The results could be called ambient neo-classical for home listening, but is elevated by its synthy input and a tangible kosmiche yearn, opening out immersive space between Pardon’s gently rolling keys and the complementary arps and pads that flesh out the music’s firmament, ultimately casting a sort of lonely, earthly sound that longs for the heavens. It’s almost solo piano, but Pardon’s skeletal loops are augmented with subtle, atmospheric electronic elements from Mannerfelt and Grindvik that imbue proceedings with an almost an Eno-esque quality, echoing the tapey, hypnotic minimalism of “Thursday Afternoon” or the delicate cosmic throb of “Cluster & Eno”. We’ve been subject to far too much solo piano tinkling over the last few years, but “Hello Death” avoids the usual pitfalls. It’s never too pretty or too obvious, avoiding excess and basking in silvery, widescreen subtlety. There’s beauty to be found here, but it’s encased in psychedelic reverberation and woozy, tape-dubbed electronix.

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Moped Ascona

Kismet Habibi

Release: 2021 / DE – Original

Genre: Rock & Indie

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Unmaker Black Vinyl Edition

LLNN

LP | 2021 | EU | Original (Pelagic)