All Items 161408 Items

Release: 2023 / US – Original

Genre: Electronic & Dance

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Pentastar / In The Style Of Demons

Earth

LP | 1996 | US | Reissue (Sub Pop)

Release: 1996 / US – Reissue

Genre: Rock & Indie

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Poem For The Lost Souls (Kuniyuki & Session Victim Versions)

Lea Lisa

2x12" | 2024 | DE | Original (Smallville)

LP | 2024 | EU | Original (Aguirre)

Release: 2024 / DE – Original

Genre: Electronic & Dance

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Following well-regarded outings on Phonica Records and Wolf Music, and a superb "Many Shades Of House" compilation released this year, Lausanne-based Lea Lisa joins Smallville Records this June with ‘Poem For The Lost Souls’, accompanied by remixes from Kuniyuki and Session Victim as a special Double-12“ package with Gatefold Cover.

For these tracks, Lea Lisa has worked with several musicians in the studio to transform the warmth and organic feel of real instruments into her musical universe. The original mix of ‘Poem For The Lost Souls’ leads, a jazzy house journey that ebbs and flows through fluttering flute melodies, ethereal chords, wandering piano and funk-infused bass grooves running atop organic percussion and disco tinged drums. On the B Side, the ‘Broken Mix’ follows, as the name would suggest, rhythmically shifting focus towards off-kilter drum breaks alongside the other melodies and again - all the ingredients that make a classic house track.

Opening the C-side on record 2, acclaimed Japanese artist and Mule Musiq regular Kuniyuki steps up to rework ‘Poem For The Lost Souls’, in typical fashion the Sapporo born producer extracts the core grooves from the original and shapes it into something uniquely his own, laden with warmth, soul and dynamics. The duo Session Victim then round out the release on Side D with their interpretation, fusing together the original synth melodies with their own amalgamation of intricately intertwined keys and atmospherics, underpinned by a shuffled rhythm section and bouncy low-end drive.

It’s coming with a gatefold cover-artwork by Stefan Marx for a cherry-blossom glimpse of Yoyogi Park in Tokyo.

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Amalie Dahl's Dafnie

Star Op Med Solen

Mad World Limited Green Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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‘Står op med solen’ (Rising with the sun) is the second album by Amalie Dahl’s Dafnie. With this album, the band continues the exploration of their collective sound. We hear influences from both old school free jazz, and contemporary Scandinavian jazz like Fire! Orchestra and Christian Wallumrød Ensemble, as well as clear connection to the Trondheim milieu, where the group was founded in 2020.

The energetic and expressive band explores their more subtle side with this record. ‘Står op med solen’ is an album longing for humans to be one with nature. The music comments on the world’s ultra-capitalistic power structures of today. The band navigates like one organism through parts of organic free jazz, strict structures and composed cells.

They start out where their first record ended, in the familiar free jazz sound with riffs and melodies, and take us safely on their onward journey. Amalie Dahl’s Dafnie brings together five well-known names from the Norwegian jazz scene, also known from other projects like Kongle Trio, Bliss Quintet, I like to sleep, Veslemøy Narvesen, Galumphing Duo, Treen and Trondheim Jazz Orchestra, among others.

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Gentleman

LP | 2022 | Original (Urban)

Release: 2022 / Original

Genre: Reggae & Dancehall

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Horror Of The Hexham Heads

The Night Monitor

LP | 2024 | UK | Original (Library Of The Occult)

LP | 2024 | EU | Original (BMG Rights Management)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The Night Monitor deftly constructs an auditory labyrinth, intertwining layers of analog synthesis and spectral ambience. Drawing inspiration from the obscure landscapes of 1970s electronic experimentation and the spectral echoes of the BBC Radiophonic Workshop to create an immersive experience that resonates with the unknown. From the dissonant whispers to the pulsating rhythms, "Horror of the Hexham Heads" invites listeners to navigate the murky waters of the unexplained, delving deep into the real-life paranormal saga surrounding the Hexham Heads, a tale shrouded in mystery and intrigue.

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Marc Almond

I'm Not Anyone

Release: 2024 / EU – Original

Genre: Pop

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LP | 2024 | UK | Original (Gondwana)

Caoilfhionn Rose

Constellation

Release: 2024 / UK – Original

Genre: Pop

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LP | 2024 | UK | Original (Libary Of The Occult)

Men From S.P.E.C.T.R.E.

Magnetic Sunshine

LP | 1973 | EU | Reissue (Music On Vinyl)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"Deadlier than Ernst Stavro Blofeld himself, these Men From S.P.E.C.T.R.E. are on a mission more dangerous than anything imagined by Ian Fleming. Their aim? Destroy dancefloors across the globe with their uncontrollable cinematic grooves. Their weapons? Hulking Hammond organs, scorching bongos and fuzzed-out guitars that could soundtrack either an incense-flamed club scene from an Amicus chiller circa ’69, or an international spy flick replete with monstrous henchmen and venomous femme fatales a-go-go. Their hit rate? Groovily lethal 100% of the time. And your job, dear listener? Submit to their villainous demands and let the instrumental atom bombs of Magnetic Sunshine blow you away."

- Thomas Patterson

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Blue Öyster Cult

Tyranny And Mutation

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Drummer of the Two Worlds

Okay Temiz

LP | 1980 | EU | Reissue (Caz Plak)

Lil' Golden Book 10th Anniversary Deep Purple Vinyl Edition

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Licensed from "Warner Records Sweden" and remastered from original material in Warner Record's vaults by Shawn Joseph at Optimum Mastering Bristol. 180 gr heavyweight vinyl Manufactured in Optimal Berlin.
Recorded between Istanbul and Stockholm, it captures the era between Okay Temiz's Don Cherry Trio touring and his own band Oriental Wind's sensational debut.
Mentioned distinctive elements have elevated the record to 'cult' status among record collectors, sample enthusiasts, and diggers around the world.
By 1980, Okay Temiz had already embarked on a series of dynamic collaborations and sound experiences with Don Cherry as a member of the Don Cherry Trio. This period included a noteworthy summer in the early '70s at Dartmouth College in New Hampshire, hosted by Jon Appleton, a notable American composer and visionary in electro-acoustic music.
"During that summer, Jon asked me, 'What kind of sound do you have in mind?' I had already given this considerable thought, using a tape recorder to capture sound frequencies influenced by the moon's position. Jon Appleton's question made me think about the extension of 'Organic Music Theory,' which we were exploring with Don Cherry at the time."
In 1982, Okay Temiz recorded the most comprehensive answer to 'What is Turkish Jazz?' at the Montreux Jazz Festival (CAZLP 004) with his band Oriental Wind, featuring Bobo Stenson (of the Jan Garbarek - Bobo Stenson Quartet), Palle Danielsson (of the Peter Erskine European Trio), and Lennart Åberg (of the Scandinavia New Jazz Group).
In 1980, without fully realizing he was navigating between these two worlds, Okay Temiz entered Stockholm's renowned Metronome studios to record the 'sound in his mind' as a solo artist.
`Drummer of Two Worlds` is a star map of Okay Temiz's musical worlds. Blending elements from the grand piano to his handmade drums, and from the amplified Berimbau to his cowbell array, weaving Turkish rhythms like 9/8 and 7/8 with the universality of 4/4, it presents a unique sound narrative that resonates with the dimensions of a well-traveled mind."
Haluk Damar

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Princess Chelsea

LP | 2024 | US | Original (Lil' Chief)

Some Boots Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Deep Purple Vinyl.10th Anniversary Golden Deluxe Edition of Princess Chelsea's debut album.Features include 180g Gold Colored Vinyl in a die cut gatefold sleeve with gold foil spine, lyrics and an A1 sized poster.Lil' Golden Book is the debut album by the New Zealand recording artist Princess Chelsea. It was released on 2 May 2011, through Lil' Chief Records. The album was produced by Jonathan Bree and Chelsea Nikkel and tells the tale of life growing up as a teenager and young adult in New Zeala...

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Karate

LP | 2002 | US | Reissue (Numero Group)

Release: 2002 / US – Reissue

Genre: Rock & Indie

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Delores Ronnie And The Revelation

Why Did You Ask Me To Marry You

LP | 2023 | US | Original (Paxico)

Release: 2023 / US – Original

Genre: Organic Grooves

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If You Ask Me To Black Vinyl Edition

Victor Axelrod

LP | 2023 | EU | Original (Daptone)

D'Ya Hear Me: Naffi Years 1979-83

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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If you're a fan of Daptone Records, chances are you've read or heard the name Victor Axelrod, and even if you haven't, you've heard music from his hand. As a producer, arranger, recording and mixing engineer, and keyboardist, his creativity has extended across more than two decades of the label's releases, even dating to its prehistory with Desco Records. If You Ask Me To..., the first LP under his name for the label, is a collection of singles released between 2007-2023 as well as unreleased tracks from Sugar Minott and Binky Griptite. The genesis of which came via an 11th hour request from Daptone for a Sharon Jones remix (2007) that resulted in the reggae version of "How Long Do I Have To Wait For You?" found here. This opened the door to additional explorations of reggae/soul synergies within the catalogue, affirming the musical and cultural link between Daptone's core soul sound and Axelrod's passion for Jamaican music. While previous projects like Ticklah Vs. Axelrod and Roots Combination (produced under the alias Ticklah) were inspired by the Jamaica of the 1970s and 80s, this set specifically channels an earlier period in the 1960s when Jamaica was both strikingly original in its continuum of genres but also closely and empathetically attuned to Black American music. Through Axelrod's exceptional taste and the notable contributions of guitarist Tom Brenneck, original tapes from Bob & Gene's MoDo discography, members of The Frightnrs, and others from the NYC reggae community, the legacy of trailblazing Jamaican artists like Alton Ellis, Tony Gregory, and Ken Parker continue to resonate and inspire a whole new generation of reggae and soul enthusiasts.

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Brenda Ray

LP | 2012 | UK | Reissue (EM)

Dead Man's Voice Clear Vinyl Edition

Release: 2012 / UK – Reissue

Genre: Electronic & Dance

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Welcome 2023 re-press of this sweet post-punk vocalist's heartfelt reggae/funk with analogue dubs. A unique slice of late-70s/early-80s niceness from Brenda Ray, whose previous EM release, Walatta [EM1071CD], has been embraced by a large number of listeners. Recorded in North West England, D'Ya Hear Me! is warm-hearted, open, fresh and slyly experimental. With a true D.I.Y. soul, these thirteen tracks, originally released in various formats by Ray a.k.a. Brenda Kenny a.k.a. Natalie Sand a.k.a. Polly Rith'm, and her musical friends under the moniker(s) Naffi/Naffi Sandwich, were recorded in a simple home-made studio, to tape. Far from media-crazed London, Naffi created a musical world free from lust for the spotlight, focusing solely on the music, and the results are fittingly pure. D'Ya Hear Me! is a wide-ranging release, with lovely vocal tracks, warm dubs and pleasingly odd instrumentals, all knitted together with a special trans-Atlantic rhythmic sense. Two songs of special interest here are "Moonbeams" and the Young Marble Giants-esque "Everyday Just Another Dream", which are early versions of "Starlight" and "Another Dream" from Walatta. Also noteworthy are several previously unissued longer versions of some songs. A year-round collection of summery breezes.

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The New Roses

LP | 2016 | EU | Reissue (Napalm)

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | US | Original (Ubiquity)

Reuben Vaun Smith

Da Cuckoo Yaya

Magic Lady Black Vinyl Edition

Release: 2023 / US – Original

Genre: Electronic & Dance

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Since he made his debut three years ago with sun-soaked first album Warm Nights, Reuben Vaun Smith has grown and evolved as an artist. His aims, objectives and musical output have changed, too – something that’s evident from the opening bars of his third full-length, Da Cuckoo Ya Ya, which also marks his first appearance on Californian institution Ubiquity Records. Whereas the summery and colourful Warm Nights was the result of time spent teaching himself music and production, not to mention over a year of daily recording, Da Cuckoo Ya Ya was recorded in less than two months. It not only showcases Smith’s sharpened musicianship and his growing love of Eastern exoticism and wide-eyed psychedelia, but also features guest spots from friends (and fellow Leeds locals) Sakura Murakami (a guitarist who also featured on 2021’s Sounds From The Workshop album), bassist Nial Deravairere (on deliciously dubbed-out and hazy closing cut ‘Beams’) and vocalist Lucy Saddler. While it shares some sonic similarities with its predecessors – not least a greater reliance on live instrumentation and plenty of audible nods towards Malian musical culture – Smith’s new set is his most confident and dynamic yet, with the Leeds-based producer consciously moving closer to the dancefloor whilst polishing his productions further and showcasing all he’s learned to date.

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Mandy Morton & Spriguns

LP | 2023 | EU | Original (Guerssen)

Stone Ruby Red Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Magical UK folk-rock with psychedelic / West Coast influences. It was originally self-released by Mandy Morton in 1978, after the two Spriguns albums for Decca. “Magic Lady” was dedicated to Sandy Denny, who had just passed away that same year. It was available on black vinyl with a few copies (20 aprox) pressed on blue color. Both versions are very hard to find today.

Terrific songwriting, superb musicianship and beautiful vocals. Recorded at Spaceward Studios, produced by Mike Kemp in conjunction with Mandy, mastered at Abbey Road and featuring guest appearances by Tim Hart (Steeleye Span) and Graeme Taylor (Gryphon, Albion Band).

*Original artwork in hard cardboard sleeve + OBI *Sourced from the original masters *Insert with liner notes by Mandy Morton and photos

“…one of the best things Mandy Morton did, perhaps the very best…” –Patrick Lundborg (Galactic Ramble)

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Baroness

LP | 2023 | EU | Original (Abraxan Hymns)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Shapes Black Vinyl Edition 2023 Repress

Robohands

LP | 2021 | UK | Reissue (KingUnderground)

Journey To The Moon And Beyond Black Vinyl Edition

Release: 2021 / UK – Reissue

Genre: Hip Hop, Organic Grooves

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2023 Repress on Black Vinyl.

The third album from London-based multi-instrumentalist, Robohands. ‘Shapes’ fuses elements of jazz, krautrock, hip hop and ambient music. For fans of Khruangbin, Yusef Dayes, CAN, Coltrane and 70s library music moods.

Shapes is the solo project of London based composer, instrumentalist and producer Andy Baxter. His debut LP Green was released on Village Live Records in 2018 and was received with much love and acclaim in the UK Jazz, hip hop and surrounding scenes.

His follow up full-length, 'Dusk’, dropped in 2019, combining soul, funk, Latin & experimental moods. It featured vocalists & musicians from around the world including legendary New York French horn player, John Clark, who has worked with Isaac Hayes, Gil Evans Orchestra, McCoy Tyner, Jaco Pastorius, Ornette Coleman and many more greats.

'Shapes' is inspired by 1970s library music and their legendary composers including Piero Umiliani, David Axelrod, Brian Bennett and co. The album builds on these influences and incorporates modern motifs, contemporary jazz/hip hop drumming styles with a nod to 1990s Mo Wax artists such as DJ Shadow. The theme for the record is future/nostalgia, mixing vintage & modern instruments and production techniques.

Much of ‘Shapes’ was recorded with JB Pilon at Buffalo Studios in Limehouse, London. Due to the COVID restrictions that changed everything in 2020, the remaining parts were recorded in Andy’s flat using a collection of old mixing desk preamps and instruments.

For the heads – ‘Shapes’ features an array of vintage snares, including a 1960's Ludwig Pioneer and a mono, overhead ribbon mic on the drum kit provided extra old school points! The kick drum was re-amped through a huge vintage bass amplifier on a couple of tracks to give it some real character. “My favourite guitar sound achieved on this LP project is a

Sontronics Sigma ribbon microphone in front of a WEM Dominator amp, which you can hear on the track 'Odysea'. The bass sound for all the tracks is a 1973 Fender Precision into an old Altec valve preamp, the one used on most Motown recordings.”

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Mort Garson

LP | 2023 | US | Original (Sacred Bones)

LP | 2023 | EU | Original (Fulltime Hobby)

Release: 2023 / US – Original

Genre: Electronic & Dance

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When Sacred Bones first began their Mort Garson reissue project in 2019 with a proper reissue of Plantasia, the Garson-naissance began in earnest. Soon after, you could hear Mort Garson and his Moogs bubbling up on TV shows, documentaries, podcasts, hip-hop tracks, or anywhere else, the man a cultural phenomenon once more. Like a perennial that returns with each new spring, the Mort Garson archives have brought to bear yet another awe-inspiring bloom. Journey to the Moon and Beyond finds even more new facets to the man's sound. There's the soundtrack to the 1974 blaxploitation film Black Eye (starring Fred Williamson) alongside some newly unearthed music for advertising. Just as regal is "Zoos of the World," where Garson soundtracks the wild, preening, slumbering animals from a 1970 National Geographic special of the same name. The mind reels at just what project would have yielded a scintillating title like "Western Dragon," but these three selections were found on tapes in the archive with no further information. The crown jewel of the set is no doubt Garson's soundtrack to the live broadcast of the 1969 Apollo 11 moon landing, as first heard on CBS News. That's one small step for man, one giant leap for Moogkind. But for decades, this audio was presumed lost, the only trace of it appearing to be from an old YouTube clip. Thankfully, diligent audio archivist Andy Zax came across a copy of the master tape while going through the massive Rod McKuen archive. So now we get to hear it in all its glory. Across six minutes, Garson conjures broad fantasias, whirring mooncraft sounds, zero-gravity squelches, and twinkling études. It showcases Mort's many moods: sweet, exploratory, whimsical, a little bit corny, weaving it all together in a glorious whole. Maybe at the time it scanned as crass and opportunistic for Garson to apply his keyboards to subjects like astrological signs, the occult, hippiedom, houseplants, or the moon landing. But more than most other electronic music pioneers of his ilk, Garson foresaw the integration of such electronics into our daily lives, how they would allow us to engage with the world.

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The Saxophones

To Be A Cloud

Release: 2023 / EU – Original

Genre: Hip Hop

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Reverie Black Vinyl Edition

Les Imprimes

LP | 2023 | US | Original (Big Crown)

Provincial Blue & Transparent Marbled Vinyl Edition

Release: 2023 / US – Original

Genre: Organic Grooves

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Big Crown Records is proud to present the debut full length offering from Les Imprimés, Rêverie. The stirring and ethereal sounds of Les Imprimés have been making fans of anyone who hears them since their first 7" single hit the speakers. Morten Martens is the man behind the band. Born, raised, and working in Kristiansand, Norway, he keeps a low prole while making his heart felt, highly infectious, and unique music. This album is a long time coming for Martens and it is sure to make him a name to be reckoned with. The first thing you notice listening to Les Imprimés is the high level of musician-ship. Martens plays nearly every instrument on the recordings and handles the production and arranging. He has been making records for decades, winning a Spellemann Award (aka, the Norwegian Grammy) in 2006 for producing a HipHop album as well as getting nominations across three other genres. While awards and accolades speak to the level of his talent, this new album really shows who he is an artist on his own terms. Moving away from being a hired gun on the touring scene naturally led him to start doing more studio work. Slowly collecting gear and getting more experi-ence behind the boards he built his own studio on the island of Odderoya and was making a living playing with and recording other people's music. As the story goes, after those sessions would end he would work on his own project into the wee hours of the night. From these late night sessions, Les Imprimés was born and Rêverie began to take shape. However, "it wasn't until COVID, when things locked down, that I was really able to nd the time to focus on Les Imprimés" Morten says about creating and leading his own solo project. "It was a scary time. But I knew I had to do something with it." He took the sum of his inuences, combined them with his own vibe and got busy writing the music, playing the instruments, and singing the songs. "It's soul music, but I don't exactly have the soul voice," Morten explains humbly. "But I do it my own way, in a way that's mine. "It is his sound, his fingerprint, his sensibility, that makes his music hard to put in a box. The album showcases both Martens' range and his ability to make a cohesive album. The lead single "Falling Away" starts with a raw drum break and turns into a lushly arranged tune that paints the picture of love when it slips away. On "Still Here" he professes his resilience through life's twists and turns over a thundering track that puts a new spin on the B side ballad genre. Songs like "You" and "Our Love" mix tones from 60s and 70s Soul with arrangement nods to Doo Wop records while Martens' lyrics and delivery leave you singing the melodies long after they finish. "Love & Flowers" finds Martens in a moment of clarity with a song that ts the niche sub genre of happy break up tunes, the four on the floor track will move the dancefloor or while the message will resonate with anyone who put too much effort into the wrong situation in their lives. However, it is songs like "Muse" and "Chess" that really encapsulate the uniqueness of Les Imprimés as they push the boundaries of genre, one a profession of love for music and the other a cover of an electronic record respectively. Martens' lyrics, emotion, and delivery truly make the whole thing come together and stand out from any of his peers. There's an infectiousness and a pop sensibility in the writing that is done with the utmost class and taste giving Les Imprimés the rare quality of immediate attraction that only deepens the more you listen.

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John K. Samson

LP | 2023 | EU | Original (Grand Hotel Van Cleef)

Release: 2023 / EU – Original

Genre: Pop

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LP | 2017 | EU | Reissue (Smiling C)

Shams Dinn

Shams Dinn 2023 Repress

Release: 2017 / EU – Reissue

Genre: Organic Grooves

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New label Smiling C starts off with a compilation LP of released and unreleased works by the Arabic rapper, Shams Dinn.
For their first ever reissue, Smiling C connects with the Arabic rapper Shams Dinn to release a compilation his best songs, including the hit "Hedi Bled Noum". The compilation covers his entire career of with songs made between 1985-1990, most of which went unreleased at the time. One of the few Moroccan rappers to ever be recorded on vinyl back in the 80s, Shams Dinn was a pioneer of Arabic flow. Starting his career because he wanted to be a positive light for the Arabic immigrants living in France. He earned his status participating in freestyle competitions, and performing in small clubs around Europe. His career came to a turning point when he was asked by a major label to record a full LP. Unfortunately, the label decided they didn't want to promote Arabic music (largely because of the Gulf War) - and asked Shams to translate the Arabic to French. Shams Dinn wouldn't stand for that, and he was dropped from the label. The following years he worked at a school, teaching kids how to rap and express themselves through words.
The reissue comes with newly imagined art, and an inner sleeve with interview and photos.

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Just Like Heaven-A Tribute To The Cure White Vinyl Edition

LP | 2023 | EU | Original (Cleopatra)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Rone With Orchestre National De Lyon

L(Oo)Ping

LP | 2023 | Original (Infine)

Release: 2023 / Original

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (Modern)

Pat Metheny

Dream Box

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Jealous Butcher)

Johanna Samuels

Bystander

Release: 2023 / EU – Original

Genre: Rock & Indie

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Christina Pluhar / Philippe Jaroussky / L'arpeggiata

Teatro D'amore

LP | 2022 | EU | Original (Erato)

Release: 2022 / EU – Original

Genre: Classical Music

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Bury Me At Make Out Creek

Mitski

LP | 2015 | US | Reissue (Dead Oceans)

Hey Sexy Marbled Vinyl Edition

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Since releasing Bury Me at Makeout Creek in November 2014, Mitsku has received international acclaim for her distinct, arresting sound and profoundly reflective lyrics.

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Fortuna Ehrenfeld

LP | 2017 | EU | Reissue (Grand Hotel Van Cleef)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Sports Lime Green Vinyl Edition

Modern Baseball

LP | 2012 | US | Reissue (Lame-O)

Small Talk At 125th And Lenox Black Vinyl Ediiton

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Philly's Modern Baseball have been on every 2012 year-end list, and finally we have their debut full-length record SPORTS! The band's first full length is uniquely modern, capturing a sort of love and loneliness, as it conveys how it feels to be young and hopeless in modern America. Singer Brendan Lukens' words are presenting familiar narratives with clever, vivid images and put a contemporary twist on universal conflicts, love lost and love found, epic and disastrous nights, and the search for connection and purpose.

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Gil Scott-Heron

LP | 1970 | UK | Reissue

Everything's Fine Colored Vinyl Edition

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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Gil Scott-Heron was twenty-one years old when he was signed to Flying Dutchman by Bob Thiele to make an album of his poetry. The resultant “Small Talk at 125th and Lenox” was recorded before a small live audience and, released in 1970, sat perfectly in a world where the Last Poets had just tasted Top 10 success with their debut LP. “Small Talk at 125th and Lenox” opened with a spoken word version of ‘The Revolution Will Not Be Televised’ and also featured poems and musical pieces like ‘Omen’, ‘Brother’, ‘Plastic Pattern People’, ‘Paint It Black’ and ‘Everyday’ that reflected on the black community and its condition within America at this time.

The starkest of these sharp observational pieces from Scott-Heron was ‘Whitey On The Moon’, which recounts the US Government spending billions on landing a rocket on the moon at a time when, “a rat done bit my sister, Nell”.

Like its follow-up – “Pieces Of A Man” – “Small Talk at 125th and Lenox” is a classic album and we are delighted to serve it up again on vinyl in a gatefold sleeve with the original liner notes.

With current “Big Talk” of going back to the moon, whilst injustice still prevails for many black people in America, “Small Talk at 125th and Lenox” still conveys a message that resonates today.

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Matt Corby

LP | 2023 | UK | Original (Communion)

LP | 2017 | US | Reissue (Mississippi)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Everything’s Fine', the third album from award-winning Matt Corby, due in 2023. It follows on from 2020’s stand-alone singles, ‘I Never Say A Word’ and ‘Vitamin’, and 2016’s J Award-winning Rainbow Valley. Matt has a loyal global fanbase, with sold out theatre shows across the world with over 325,000 albums sold and 300 million streams. His accolades include Triple J’s Album of the Year. Since the release of that record, Corby has also been busy running his own label and fine-tuning his skills as a producer, working with artists including Tash Sultana, Genesis Owusu and Budjerah.

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Arvo Pärt

Für Alina

LP | 1975 | Reissue (Knitting Factor)

Release: 2017 / US – Reissue

Genre: Classical Music

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Compilation of our favorite Arvo Pärt pieces. All sparse and beautiful arrangements. Some solo piano pieces, some duets with piano, violin cello and viola and one string quartet. The pieces on this record are all unique to the style of Arvo Pärt - deceptively simple compositions that force you to live in the moment you are listening to them. A Pärt quote from the back of the record - "You can kill people with sound. And if you can kill, then maybe there is also the sound that is opposite of killing. And the distance between these two points is very big. And you are free -- you can choose. In art everything is possible, but everything is not necessary." This record comes in a beautiful "tip on" old school cover with metallic gold foil and features an incredible painting from the 16th century manuscript Kometenbuch.

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Fela Kuti

He Miss Road

Release: 1975 / Reissue

Genre: Organic Grooves

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LP | 2022 | US | Original (Vhf)

Mike Gangloff

Evening Measures

3CD | 2023 | DE | Original (Cocoon)

Release: 2022 / US – Original

Genre: Rock & Indie

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First solo LP in a decade from long-time Pelt/black Twigs/eight Point Star leader, presenting a remarkable program of solo Hardanger and octave fiddle music. Evening Measures is a bold and unique statement, a direct and disarming individual expression of a musician’s inner thoughts and inspirations. Like some of Mike’s work in other projects, this ricochets back and forth across the line between the most traditional and the most “out” music, blending drone, melody, and the pure tactile sensation of acoustic string music into a personal sound. A set of all-original compositions (save the traditional “Wild Geese Chase”), Mike’s playing is languorous and expressive, with the sympathetic strings of the Hardanger-style instrument ringing out on some cuts like multiple players. The album touches on a variety of styles, keeping things fresh for the entire playing time. “The Other Side of Catawba” is a deeply psychedelic and immersive cloud of hovering string sound, reminiscent of some of Pelt’s more gentle explorations. “New River Suite” (some of which appeared in group versions by Eight Point Star on a PBS documentary about Appalachia’s New River) is a keening set of themes that have the memorable melodies of established traditional repertoire but are all completely new. “Wild Geese Chase” is a rugged and wild slash through a well-known fiddle standard. “Halfway From Shawsville” rounds things out with a lovely tribute to Mike’s Virginia

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Sven Väth

What I Used To Play

Philippe Maté / Jef Gilson

Release: 2023 / DE – Original

Genre: Electronic & Dance

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For this uniquely personal retrospective spread over twelve vinyl discs, Sven Väth takes us back to the early days of his DJ career. On What I Used To Play we meet great pioneers of electronic music, gifted percussionists, obscure wave bands, and innovative producers of a bygone 'new electronic' era. Rough beats and irresistible grooves from the identification stage of house, techno, and acid remind us not just how far electronic music has evolved over the past four decades, but how great it was to dance to EBM, techno, and house for the very first time.

If there is one protagonist of the electronic music scene who has remained curious, innovative and at the very cutting edge of music for over four decades, it's Sven Väth. His multi-layered artist albums and Sound of the Season mix compilations have been defining the genre for over two decades, and even today, he is constantly on the lookout for the next top tune to add to the highlights of his next set. At least, that's the case when he's not producing them himself as an artist or remixer. "Actually, it's always been part of my DNA to think ahead," and nothing had been further from his mind than looking back at his past, but when in spring of 2020 the international DJ circuit had to be scaled down to virtually zero, the 'restless traveler' suddenly had time. Time to stop and reflect on "how it actually was back then, at the very beginning of my career..."

"It was a great trip and with every track, beautiful memories came flooding back".
In the London apartment, he had just moved into, Sven has set up a "little music room", where he cocooned himself for several days, "to look way back for the first time and review my musical journey through the eighties, so to speak."

The interim result was six thematically oriented playlists with a grand total of 120 tracks from 'early 80s' to 'Balearic late 80s', together with excursions into afrobeat, European new wave, and EBM sounds and a few epochal techno/house tracks from the USA in between. From these 'Best of Sven Väth's favorites', the project What I Used To Play crystallized. Sven remembers how the Cocoon team reacted to his proposal: "They found the idea of making a compilation out of it MEGA from the beginning and everyone said 'Sven, go for it', but then, of course, the work really started, namely, to clear the rights and to get clean sounding masters of the up to 40-year-old tracks. There was also disappointment, of course. We couldn't clear certain titles because the rights holders in the USA had fallen out with each other or simply disappeared from the scene. In short, it wasn't easy, but now I can safely say we got the most important tracks."

Finally, after two years of research, curation, design, and administrative fine-tuning, the "little retrospective" from 1981 to 1990 is available. The exquisitely packaged, and three-kilo heavy box set is not only physically impressive, WIUTP is also the definitive record of Sven Väth's musical development. On each of the twenty-four sides of vinyl, you can trace track by track, what influenced him during which phase, and how he took off as a DJ from his parents' Queen's Pub straight into the spotlight at Dorian Gray. There and at Vogue (later OMEN), Sven became the style-defining player in the DJ booth that he still is today.

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Workshop

LP | 1973 | EU | Reissue (Souffle Continu)

Valentina Magaletti & Yves Chaudouet

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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In October 1974, the first number of “L'Indépendant du Jazz”, a small self-produced magazine DIY -before punk supposedly invented the concept- was launched by Jef Gilson, Gérard Terronès, Jean-Jacques Pussiau and a few other specialists of a different kind of jazz in France, it looked at the already long career of Jef Gilson and in detail at the album with saxophonist Philippe Maté : “The ‘Workshop’ is, with Philippe Maté (alto-sax), an undeniable success. Maté is genuinely ‘the’ most inventive French saxophonist since Michel Portal burst onto the jazz scene (who has also worked with Jef Gilson on both “Enfin” and “Gaveau”).” Even though the author of the article is a mysterious I.H. Dubiniou, and it is difficult to know if it is a real person or a pseudonym used by one of the merry bunch, it is also tempting to hear it as what Jef Gilson really thought about his new discovery. Even more so as the two men would work together over a long period, as Maté became one of the key figures of Gilson’s Europamerica orchestra up until the 1980s. Philippe Maté had started to make a name for himself with the Acting Trio when they released an album on the BYG label in 1969, and he was also one of the regular sidemen for the Saravah studios (he can notably be heard on albums by Higelin, Fontaine or his cult duo album with Daniel Vallancien). The album was recorded on 4 February 1972, at the Foyer de Montorgueuil, where Gilson had set up his studio, with more or less the same team found on “La Marche Dans Le Désert” by Sahib Shihab + Gilson Unit (recorded ten days later). This was drummer Jean-Claude Pourtier and pianist Pierre Moret (regular Gilson accomplices since “Le Massacre Du Printemps”), alongside Maurice Bouhana and Bruno Di Gioa on various percussions and/or wind instruments. On bass is Didier Levallet, of the now mythical Perception, (Jean-François Catoire would replace him with Shihab) and Philippe Maté who took top billing, rather than the American saxophonist afterwards. The two albums are however quite different. This “Workshop” is more abrasive, more free. Made up of two long improvisations each of over 22mn, “L'Œil” on side A and “Vision” on side B (Gilson specialists would recognise the nod to one of his albums from the 60s), the album plunges you into the depths, attempting to drown you in electronic waves, dragging you back to the surface by the collar, giving you a good shakedown, before showing you the light, leaving you breathless on the shore after 46mn of the most intense music French has to offer. “An undeniable success”, they said.

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Batterie Fragile

LP | 2022 | EU | Original (Un Je-Ne-Sais-Quoi)

LP | 2010 | EU | Reissue (Rhino)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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London based Valentina Magaletti, is a composer, producer and percussionist experimenting with new materials and sounds. She is one of the most prominent musicians of the wide experimental world. The prolific drummer collaborates with many musicians and releases albums in all musical directions (from noise to jazz by way of dub...). She was part of the acclaimed duo Tomaga until the tragic passing of Tom Relleen in 2020. Lately Valentina Magaletti collaborates with Joao Pais Filipe, Lafawndah, Marlene Ribeiro, Julian Sartorius among many others and she is part of bands like Vanishing Twin, Better Corners, Holy Tongue, Uuuu, Avvitagalli, Moin... She released 3 solo albums, La Tempesta Colorata (A Colourful Storm, 2022), A Queer Anthology Of Drums (Takuroku/Cafe Oto, 2020) and Valentina Plays The Batterie Fragile (Un je-ne-sais-quoi, 2017).

The Batterie fragile is a sculpture conceived by artist Yves Chaudouët. A drum-kit made out of porcelain.

Yves Chaudouët is a French visual artist. His first interest was painting. From the 1990s, he began to experiment with other art forms such as filmmaking, installation, theater and novels.

This is the second installment of recording on that amazing drum kit. The first recording (2017) was a testimony of the 1st meeting between Valentina and the drumkit during a live experience in Tours (Fr) at le Musée des Beaux-Arts during the Super Flux Festival. It was a raw recording (fragile itself) picking up a very quick meeting and two magical improvisations. It naturally led Yves Chaudouët to build another Batterie fragile with few improvements (as if the 1st one were a prototype) and quickly to plan to record another album.

Recorded in 2021 at Impersonal studio in Rennes (fr) with Thomas Poli on a magnificent analog console Studer 928, edited and mixed in 2022 at Abbey Road studio (uk) by Valentina Magaletti and Leon Marks, this outstanding recording, composed and performed by Valentina Magaletti on an unlikely sounding instrument is a poetic and unique experience. Valentina took time to explore all the sounding possibilities of the drums, using different kinds of sticks, wire brushes and rubber beaters. The recordings have been assembled in a collage-style approach dear to her and result in two otherworldly tracks that reveal a few secrets of the mysterious drum kit through Valentina Magaletti’s fantastic play and delicate versatility.

To create this new album, Magaletti says, “I applied wood and metal and rubber to the porcelain. My starting point is always textural, and I’m very interested and enchanted by friction.”

An important work in the career of one of the best drummers and composers of her time, which Un je-ne-sais-quoi is proud to share with you.

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The Doors

The Doors Mono Version

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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I'm Wide Awake, It's Morning

Bright Eyes

LP | 2005 | EU | Reissue (Dead Oceans)

The Sea Drift Clear Vinyl Edition

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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"The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God."

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The Delines

LP | 2022 | EU | Original (Decor)

Drift White Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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The third album proper for 'Country-got-Soul's finest, The Delines, on Decor Records sees them exploring the US Gulf Coast, not far from where Amy Boone grew up. The songs in this cinematic opus all focus around this area and are inspired by when Amy asked Willy Vlautin to write her a song like Tony Joe White's 'Rainy Night In Georgia' after her tragic accident being hit by a car in 2016 and her 3 year recovery. This follows on from 2019's The Imperial which was number one in the UK official AMA charts for two weeks. Written and partially recorded before lock down the rest of the album was finished last Summer, produced by John Morgan Askew at his Bocce studios just outside of Portland, Oregon. The album features the classic line-up of the band with Amy Boone (vocals), Willy Vlautin (guitars, vocals, songwriting), Freddy Trujillo (bass), Sean Oldham (drums, vocals) and Cory Gray (keyboards, trumpet and arrangements) doing some of their finest work yet. Willy Vlautin has just published his sixth novel and we will be reissuing more of their previous band, Richmond Fontaine in later 2022.

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Pianos Bcome The Teeth

LP | 2022 | EU | Original (Eptaph Europe)

Jimetta Rose & The Voices Of Creation

Release: 2022 / EU – Original

Genre: Rock & Indie

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Drift, their fifth studio album sees Pianos Become THE Teeth taking another sonic step forward to craft a musical statement that truly transcends genres. For the recording of Drift, the band took it back to basics, starting at a family-owned cabin in the woods of Virginia, that they transformed into an analog recording studio. The band lived together, recorded together and ate dinners together where they would listen to the day's recordings, talk about them and pull them apart and reworking them, creating what may be their finest album to date. Per front man Kyle Durfey, "Something that we really took away from this experience was just the connection we had together. We produced the record ourselves with our longtime friend/collaborator/engineer Kevin Bernsten who recorded our first two records." The recordings that the band created using innovative recording techniques, recording 100% analog are sonically transportive and certain to mystify and inspire generations of recording artists. All the echoes were made with old echoplexes and tape delay, which made for a really organic record. With Bersten's help the band was able to take some of the weirder and more ambitious ideas they had and turned them into reality making this a fantastic album for immersive headphone listening.

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How Good It Is

LP | 2022 | EU | Original (Day Dreamer)

Still Life Transparent Green Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

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The Voices of Creation are a community-based choir led by vocalist, songwriter, arranger, producer and mainstay of the Los Angeles scene Jimetta Rose. Made up of a multigenerational group of mainly non-professional singers backed by some of the city's finest musicians,their music marries hip strains of gospel with layers of jazz, soul and funk. While aspects of their music might recall Kamasi Washington, The Staple Singers or Sly Stone, Jimetta's unique vision has resulted in new spiritually-charged forms of music whose whole-hearted embrace of love, joy and peace act as sonic healing balms for the soul.

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Kevin Morby

LP | 2014 | US | Reissue (Woodsist)

Beauty And The Beat Black Vinyl Edition

Release: 2014 / US – Reissue

Genre: Rock & Indie

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Still Life is the second solo album from Kevin Morby. The namesake of the record is an art piece by Maynard Monrow entitled “Still Life with the Rejects from the Land of Misfit Toys.” The album’s title has several meanings. On the surface, it refers to Morby’s change in lifestyle that came with moving to Los Angeles from New York in August of 2013. But he also admits that the title is ironic. The songs from Still Life were written during yet another period of tour and travel for Morby, as he spent almost all of 2013 on the road with Woods (with whom Morby parted ways amicably last year), The Babies (who are currently on hiatus) and as a solo artist. The album reflects both this time in transit and the quiet confines of his new home in Montecito Heights. Scenes of performers, audience expectations and the paradoxical confines of a roving individual perpetually caught in a crowd percolate the songs, notably in “The Jester, The Tramp & The Acrobat,” and “Parade.” (Morby calls the latter an elegy of sorts for one of his major influences, Lou Reed.) Violent fates, wrestling with destiny and the nature of death creep into songs like “The Ballad of Arlo Jones,” “Bloodsucker” and “Amen.” Even Morby’s more obvious love songs like “All of My Life,” “Drowning” and “Our Moon” are highly bittersweet; the characters seem to never quite find each other, but perhaps they find themselves. As with Harlem River, Still Life is produced by Rob Barbato (Cass McCombs, Darker My Love) who adds his signature guitar and bass playing to the album. The album was engineered and mixed by Drew Fischer, who also worked on Harlem River and The Babies’ second full-length album Our House on the Hill, and recorded between March and June of 2014 at Barbato and Fischer’s new studio, Comp’ny. Morby is also once again joined by Justin Sullivan (The Babies) on drums and percussion. Sullivan is a fixture in Morby’s live band, which completed a full US tour in January of 2014, supporting Cate Le Bon. Solo artist (and Le Bon guitarist) H. Hawkline handled bass duties for Morby on the tour and contributes bass to three songs on the record that were a live staple. Multi-instrumentalist Will Canzoneri (Le Bon, Cass McCombs, Jessica Pratt), who also performed live with Morby on the tour and who was a contributor on Harlem River, performs piano and organ on the album.

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Edan

LP | 2005 | UK | Reissue (Lewis)

Same Old Tunes White Vinyl Edition

Release: 2005 / UK – Reissue

Genre: Hip Hop

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Classic black LP! While Edan's critically acclaimed debut, 'Primitive Plus', was a celebration of hip-hop's golden age and a true throwback, his sophomore album, 'Beauty And The Beat', is a vast musical collage that contains many different influences; hip-hop, rock, pop, dusty breaks, hazy loops, luxurious off-kilter samples and curveball tempo changes that are all crafted into one cohesive piece of art. In 2015, FACT placed it at number 30 on the "100 Best Indie Hip-Hop Records of All Time" list. In 2013 NME placed it at number 392 on the "500 Greatest Albums of All Time" list. // "A Psychedelic gem. It's like 'The Grey Album' in technicolour" - Vice // "This is a record that exults in the joy of musical creation. It should prove impossible not to love" - The Times // "Perhaps one of the greatest US hip-hop album you'll hear" - DJ // NME 8/10 // Pitchfork 8.8/10 // MOJO **** // Uncut **** // Stylus A- // HipHopDX 4.5/5 // Entertainment Weekly A- //

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Millencolin

LP | 1994 | EU | Reissue (Epitaph)

From Anywhere Powder Blue Vinyl Edition

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Millencolin's debut album "Same Old Tunes" (originally released on October 28, 1994 under the original title "Tiny Tunes") opens with the incredible manic-paced and emotionally uplifting classic "Mr Clean" (which is still a highlight of any Millencolin show). "Same Old Tunes" is considered by many to be a defining record in the Skatepunk genre. Fast yet melodic; fun but sincere and pure concentrated sonic energy: This is Millencolin at their awesome inspirational beginning.

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Reverend Baron

LP | 2022 | US | Original (Karma Chief)

My Other People Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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From the academy of deep soul and no ego, Reverend Baron delivers visions of liquor store East LA, the off-the-freeway dry mirage of slow motion graffiti and lonely seagulls. A nylon stringed zen fog with themes of woozy love, layered dimensions of nostalgia and glazed neighborhood tales that roll in with a natural ease. After notching a permanent status in the skateboarding orbit as Danny Garcia, he transferred his effortless style, dedication and authenticity into music. Practicing a philosophy of demystifying the process and doing it yourself, he has become a proficient multi-instrumentalist, engineer, and producer of his own and other artist's music. All streams of curiosity converge into the river. An enigma, Reverend Baron emerges from the proverbial gray overpass with no sense of urgency. He takes a sharp gaze at his surroundings and processes them through a factory of depth and gentle swag to yield a sound that sits as easy as fallen molasses on the bodega shelf. The songs are an unassuming invitation to either walk through the doorway or lean on the wall outside, either way something beautiful and rare. For Fans of Richard Swift, Michael Nau, Cut Worms.

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TV Priest

LP | 2022 | US | Original (Sub Pop)

The Best Of Fun Boy Three Record Store Day 2022 Green Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Without a brutal evaluation of their own becoming, TV Priest might have never made their second album. Heralded as the next big thing in post-punk, they were established as a bolshy, sharp-witted outfit, the kind that starts movements with their political ire. There was of course truth in that, but it was a suit that quickly felt heavy on its wearer's shoulders, leaving little room for true vulnerability. "A lot of it did feel like I was being really careful and a bit at arm's length," says vocalist Charlie Drinkwater. "I think maybe I was not fully aware of the role I was taking. I had to take a step back and realize that what we were presenting was quite far away from the opinion of myself that I had. Now, I just want to be honest." Having made music together since their teenage years, the London four-piece piqued press attention in late 2019 with their first gig as a newly solidified group, a raucous outing in the warehouse district of Hackney Wick. Debut single "House of York" followed with a blistering critique of monarchist patriotism, and they were signed to Sub Pop for their debut album. When Uppers arrived in the height of a global pandemic, it reaped praise from critics and fans alike for its "dystopian doublespeak," but the band - Drinkwater, guitarist Alex Sprogis, producer, bass and keys player Nic Bueth and drummer Ed Kelland - were at home like the rest of us, drinking cups of tea and marking time via government-sanctioned daily exercise. As such, the personal and professional landmark of its release felt "both colossal and minuscule" dampened by the inability to share it live. "It was a real gratification and really cathartic, but on the other hand, it was really strange, and not great for my mental health" admits Drinkwater. "I wasn't prepared, and I hadn't necessarily expected it to reach as many people as it did." As such, My Other People maintains a strong sense of earth-rooted emotion, taking advantage of the opportunity to physically connect. Using "Saintless" (the closing song from Uppers) as something of a starting point, Drinkwater set about crafting lyrics that allowed him to articulate a deeper sense of personal truth, using music as a vessel to communicate with his bandmates about his depleting mental health. "Speaking very candidly, it was written at a time and a place where I was not, I would say, particularly well," he says. "There was a lot of things that had happened to myself and my family that were quite troubling moments.Despite that I do think the record has our most hopeful moments too; a lot of me trying to set myself reminders for living, just everyday sentiments to try and get myself out of the space I was in." "It was a bit of a moment for all of us where we realised that we can make something that, to us at least, feels truly beautiful," agrees Bueth. "Brutality and frustration are only a part of that puzzle, and despite a lot of us feeling quite disconnected at the time, overwhelmingly beautiful things were also still happening." This tension between existential fear born from the constant uncertainties of life, and an affirmative, cathartic urge to seize the moment, is central to My Other People, a record that heals by providing space for recognition, a ground zero in which you're welcome to stay awhile but which ultimately only leads up and out. For TV Priest, it is a follow-up that feels truly, properly them; free of bravado, unnecessary bluster or any audience pressure to commit solely to their original sound.

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Fun Boy Three

LP | 1984 | UK | Reissue (Chrysalis)

Traditori Di Tutti Colored Vinyl Edition

Release: 1984 / UK – Reissue

Genre: Pop

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Fun Boy Three was formed by Terry Hall, Lynval Golding and Nevile Staples after leaving The Specials in the Summer of 1981. Taking on a more pop sensibility, the band went on to have 8 hit singles between 1981 and 1983. Tracks including: ‘It Ain’t What You do (It’s the Way That You Do It)’, ‘Our Lips Are Sealed’, a cover of the old Gershwin classic ‘Summertime’ and ‘The Lunatics (Has Taken Over The Asylum)’, which was recently re-recorded by The Specials on their 2019 album Encore. This RSD exclusive is a newly remastered version of their 1984 Best of release made available on green vinyl.

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Calibro 35

LP | 2013 | EU | Reissue (Record Kicks)

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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Jeremiah Chiu & Marta Sofia Honer

Recordings From The Aland Islands Black Vinyl Edition

LP | 2022 | US | Original (International Anthem)

LP | 2021 | US | Original (Sophomore Lounge)

Release: 2022 / US – Original

Genre: Organic Grooves

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Debut duo album from the unlikely pairing of Jeremiah Chiu's modular synthesizer and Marta Sofia Honer's viola features post-composed improvisations interwoven with field recordings from sojourns on the Åland archipelago in the Baltic Sea. An active intersectional cultural producer in the Los Angeles scene, Chiu is known for his visual art as much as his music. A professor at Otis College of Art and design by trade, Chiu's a regular musical collaborator of Booker Stardrum, Celia Hollander, Dustin Wong, and Sam Prekop. Honer is a first call session player for the likes of Adrian Younge and Beyoncé. She's also played on recordings by Chloe x Halle, Angel Olsen, Fleet Foxes, Stanley Clarke and others, including five recordings with Grammy nominations.

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C Joynes

Poor Boy On The Wire

LP | 2021 | EU | Original (Vampisoul)

Release: 2021 / US – Original

Genre: Rock & Indie

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Over the last decade-and-a-half, C Joynes has ploughed a singular furrow through solo guitar, with a body of work incorporating English folk-tunes alongside North & West African music, and lifting proto-minimalist and improvised techniques from the European classical and avant-garde traditions.

His new release, ‘Poor Boy On The Wire’, is his first full album dedicated wholly to the electric guitar. Through a typically wide-ranging set, Joynes exploits the instrument’s potential by placing intricate parlour music alongside overdriven garage blues throw-downs, wiry electric folk and the brittle ringing tones of free improvisation. However, these explorations of the tones and timbres of close-mic’d guitars and amplification retain an overall coherence and unity through the deliberate use of a limited palette of budget instruments and vintage equipment.

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La Sanora Mag

El Negro Bembon

2x12" | 2021 | EU | Original (Ampoule)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Credited to the unexisting La Sonora MAG, this mega rare late '50s album was actually recorded by Peruvian percussionist Ñiko Estrada and his Sonora, comprising hits from the repertoire of the most famous Cuban and Boriquen orchestras: guarachas, boleros and one instrumental tropical beguine.It features three great vocalists: Manolo Castro, Rafael "Chivirico" Dávila and Vicky Zamora, whose take on 'Pepito' became one of the most popular songs of the year in Peru.Reissued for the first time. 180g vinyl pressing.DESCRIPTION/DETAILS:This album comprises hits from the repertoire of the most famous Cuban and Boriquen orchestras in the late '50s, performed by young Peruvian percussionist Ñiko Estrada and his sonora. However, due to contractual restrictions, the album was released under the fictitious Sonora MAG name.Fascinated by the music of the Cuban orchestras broadcast on the radio and the colourful and flamboyant outfits they sported when played Lima, Ñiko Estrada named his first band Los chicos de Cuba (The Cuban Boys). In 1958 he put together his own group, sonora, signing to the local label Smith and recording a number of hits. At the same time, he also agreed to anonymously record more music for MAG, the Peruvian company owned by Manuel Guerrero. An imaginary Sonora MAG was born_"El Negro Bembón con la Sonora MAG" includes, with the only exception of the instrumental track 'Té Para Dos', mostly vocal songs -guarachas and boleros- by the likes of Manolo Castro, Rafael "Chivirico" Dávila, and Vicky Zamora, being her take on 'Pepito' the biggest hit of the album.This album is currently almost impossible to find in its original edition, so we are now happy to present the first ever reissue of "El Negro Bembón con la Sonora MAG" in its original artwork and 180g vinyl pressing.

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Pub

Single

Planetary Assault Systems

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Dense and beautiful electronic music that falls somewhere between T++ / Various Artists, early Boards of Canada, Basic Channel and Carl Craigs most epic works. This record contains rare & long out of print classic tracks from the three Pub EP's that were released on Ampoule in 1999, 2001and 2003 respectively. There are also two 2 exclusive cuts which have been never released on vinyl before. Remastered by Dubplates & Mastering and new artwork by Pub.

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Sky Scraping

2LP | 2021 | EU | Original (Token)

Thiago Franca Presents A Espetacular Charanga Do F

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Luke Slater presents "Sky Scraping", a new Planetary Assault Systems album. P.A.S. has become a byword for hypnotic, funk-heavy Techno in a purist tradition. Toeing the line between heady, psychedelic material and all out main room fare - Slater's work as PAS captures the very best facets of the genre, with economically selected parts exquisitely arranged and engineered with a shrewd and uncompromising ear for what really makes people move.

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The Importance Of Being Espetacular Blue Vinyl Edition

LP | 2021 | EU | Original (Mais Um Discos)

Release: 2021 / EU – Original

Genre: Organic Grooves

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A Espetacular Charanga do França is Sao Paulo's most hyped carnival collective and brass band led by Thiago França - best known as a founding member of Afro-punk explorers Metá Metá. The collective combines retro horns with cumbia, baile funk, jazz and features Brazilian vocal legends such as Lucas Santtana, Tulipa + Jucara Marcal.

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Overdose Of The Holy Ghost - Compiled By David Hill

2LP | 2013 | EU | Reissue (Z)

LP | 2021 | US | Original (Vhf)

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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"Gospel music has often followed the prominent trends in secular music, probably in the hope of widening its audience by giving the subject matter a sprinkling of cool. In the 60s it happened with R&B and then funk-flavoured gospel, the 70s brought sweet-soul crossovers, and by 1975 the sounds of early disco had started to permeate the genre. This compilation brings together overlooked gospel gems that have their production rooted in disco and boogie, the sound of the early 80s that followed in disco's wake. It's only recently that this music has begun to be appreciated by fans outside of its original target market, and I'm glad to help it finally reach a wider audience."

David began his music career in 1994 as a member of the Ballistic Brothers, together with Ashley Beedle and Rocky & Diesel of X-Press 2. In 1994 he co-founded the Nuphonic record label, where he managed the creative aspects on almost a hundred releases, with artists including Faze Action, Norman Jay, Andrew Weatherall, Maurice Fulton and David Mancuso. In addition to the record label, Nuphonic also produced the Sony award winning London Xpress radio show for Xfm, which led to various club nights.

David has also acted as a music consultant to several record companies, one of these being Soul Jazz records, who he produced a series of successful albums for - in 2004 the 'World of Arthur Russell' and more then the acclaimed 'Soul Gospel' series. He was also production consultant for Auralux, the London based reggae reissue record label, where he worked with Lee Perry, King Jammys, Sly & Robbie and Linval Thompson.

He continues to work on personal projects such as Rootikal, the monthly roots reggae Night, and has a number of reissue and compilation projects currently in production. He is also currently overseeing the production of a book and an accompanying touring exhibition that will showcase Bill Bernstein's photographs of New York nightlife in the late 70s.

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Eight Point Star

LP | 2021 | US | Original (Western Vinyl)

Release: 2021 / US – Original

Genre: Rock & Indie

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Remarkable debut album by new Cosmic-Appalachian string band, birthed from the same Virginia firmament that has brought forth Pelt, Jack Rose, Black Twig Pickers, and Spiral Joy Band. Led by Mike Gangloff’s droning fiddle and Matt Peyton’s fingerpicked guitar, Eight Point Star mines the modal traditions of both old-time Appalachia and far-out drone music to produce beautiful tunes that are equal parts memorable and psychedelic. Side A starts with the gentle guitar and fiddle duet of “Winchester’s Dream” before segueing into the loping “Waiting on the Band,” where the subliminal pulse of Tim Thornton’s upright bass animates the music until the lengthy lock-groove repetition of “The Interloper.” Closing the side, “Flowerthrower” and “Mount-Calvary Peacock” have a vibe reminiscent of Popol Vuh’s mid-’70s masterpieces, combining sawing fiddle and melodic guitar with simple and haunting chord structures. Side B is bookended by two country-blues influenced numbers, with Peyton’s boisterous vocal and guitar and Isak Howell’s harp leading the upbeat “Brand New Shirt” and the elegiac “Weeping Cherry Cry.” In between the two vocal features are a segued mini-epic of moods, including an expanded group lineup collapsing midway through “A Water Panther Speaks” into an eerie soundscape of singing bowls and distant gong sounds as dark as the night in remotest Virginia.

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Hollie Kenniff

The Quiet Drift

Sebastiao Tapajos Dos Santos, Pedro

Release: 2021 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Director David Lynch once said "I long for a kind of quiet where I can just drift and dream. I always say getting inspiration is like fishing. If you're quiet and sitting there and you have the right bait, you're going to catch a fish eventually. Ideas are sort of like that. You never know when they're going to hit you." Inspired by this quote in both name and spirit, Hollie Kenniff's The Quiet Drift is an ambient gallery of cloudlike synths, seraphic strings, echoing guitars, and other celestial textures guided to cohesion by Hollie's own wordless singing. Though the album certainly creates (and originates from) the kind of space where Lynch's proverbial "fish" can be caught, The Quiet Drift is a fitting title for Hollie's own history, both recent and distant. During the course of the album's creation, Hollie and her family moved cross-country from an island in Washington state, to an island in Maine before ultimately relocating to Canada. "As a child I visited Ontario year-round," she explains in her own words. She continues "More than any other landscape, I think the lake, rivers, and woods there left the most enduring impression on me. The landscape and pace of life of these places will always stay with me." But the reverberant spaces Hollie crafts need no physical headquarters. Instead of conjuring views of nature at the ground level, her sound more readily evokes a top-down perspective, with the distinct features of the land shrinking underfoot as the listener becomes untethered from geography altogether. The Quiet Drift belongs more to the liminal spaces between life and afterlife, memory and fantasy, landscape and dreamscape, than any mappable locale. Describing her formative years, Hollie says "As a dual US/Canadian citizen who spent my childhood in a rural town-- one that I haven't returned to in many years - I have a sense of not entirely belonging anywhere. When I was a teenager my close friends were male musicians, so I was also an outsider to the degree that they were wild and anarchic in a way that I wasn't. I was a quiet book reader and avid music listener who enjoyed being around a creative group. I was also a radio DJ for alternative and punk music throughout high school." In this light, The Quiet Drift attests that creativity is placeless, and calls into question the stereotype of artists as scene-centric city dwellers. Having come of age in the absence of metropolitan sensory overload, Hollie learned to spot the muse in nature, and within herself, instead of the echo chamber of a frenzied peer group. On The Quiet Drift Hollie Kenniff wholly escapes from such pop-culture feedback loops into transcendent, shimmering realms, and she brings the listener along with her. In this age in which we have all been called to reevaluate our relationship to indoor spaces, and seek refuge in the great outdoors, The Quiet Drift provides an apt soundtrack for such rebalancing.

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Volume 1

LP | 2021 | EU | Original (Vampisoul)

2x12" | 2021 | UK | Original (Tokzen)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Recorded And Originally Released Only In Argentina In 1972, The Album Shows An Exquisite And Delicatedialogue Between The Guitar Of Sebastiao Tapajos And The Percussion Provided By Pedro Dos Santos That Generates Ambiences Of Unusual Beauty And Depth.It Is A Necessary Addition To The Much-Hailed Pedro Dos Santos Album "Krishnanda" In The Collection Of Anyone With An Interest In The Most Adventurous Sounds Of Brazil And Also An Essential Work In The Discography Of Sebastiao Tapajos.Includes The Killer Afro-Samba 'Mungangá' And The Hypnotic Groover 'Sorongaio'.Info:The Ion Studios, Located In The Buenos Aires Neighborhood Of Balvanera, Have Been The Usual Setting For Recordings By Argentine Artists As Popular As Les Luthiers Or Charly García. In The Early 1970s They Also Hosted Brazilian Guitarist Sebastiao Tapajos For Several Sessions Accompanied By Other Musicians Such As Arnaldo Henriques, Marianazareth Or Pedro "Sorongo" Dos Santos. Two Albums Would Be Published In The Argentine Record Label Trova Of The Recordings Along With The Latter.Following The Success Of Our Recent Reissue Of Several Recordings From These Sessions ("Vol. 2" Vampi 212 And "Tudo É Moda" Vampi 45073) We Are Now Happy To Present This "Vol. 1". The Connection Between The Delicate Guitar Of Tapajos And The Surprising Experimental Percussion Of Pedro Dos Santos, Based On Unusual Objects Such As Spoons, Deodorant Containers Or Matchboxes, Creates Extraordinary Beauty Throughout The 12 Songs On The Album. The Sound Of The Flute Is Another Of The Ingredients Present In Several Of The Songs And, Although His Actual Involvement Is Not Confirmed On The Sleeve Credits Of The Album, Everything Seems To Indicate That Danilo Caymmi Was The Musician Invited To Accompany The Tapajos-Dos Santos Duo.Since Its First Release In 1972, This Album Has Been Highly Sought After By All Tapajos Fans, Both Inside And Outside Brazil, Becoming A Title Hard To Get Hold Of Due To The Fact That It Was Initially Only Published In Argent...

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Sculptured Music

Tell The Grooves

LP | 2021 | US | Original (Sub Pop)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Willy Lubisi better known by his stage name "SculpturedMusic" is a DJ & Producer who hails from Spruitview, situated in the east of Gauteng. He has 3 Albums. 2018 Saw SculpturedMusic evolve with times with his Smash Hits "OverFlow. Sing My Blues and who can forget "SadToThink" rumbled the house music dance floor across SA, which saw him take "Best Producer of 2019 at Dance Music South Afrika". Tokzen Records is going to release two projects on vinyl from SculpturedMusic thus far, and the projects are : East Blues E.P, Tell The Grooves while we at Tokzen Records are planning on release more projects from this outstanding artist.

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Lael Neale

Acquainted With Night

Release: 2021 / US – Original

Genre: Rock & Indie

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First Pressing On Limited-Edition White Vinyl.It Is The Simple Thing That Is So Hard To Do. This Is The Paradox That Musician Lael Neale Has Lived Within Throughout Her Development As An Artist. It Is The Reason She Became Enthralled With Poetry. Poems Are A Distillation. Lael Says, "This Challenge To Winnow Away What Is Unessential Is The Most Maddening And, Ultimately, Rewarding Part Of Writing A Song."Lael's New Album Acquainted With Night Is A Testament To This Poetic Devotion. Stripped Of Any Extraneous Word Or Sound, The Songs Are Lit By Lael's Crystalline Voice Which Lays On A Lush Bed Of Omnichord. The Collection Touches On Themes That Have Been Thr...

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2LP | 2021 | EU | Original (Dekmantel)

Profondo Nero

LP | 2021 | US | Original (Western Vinyl)

Release: 2021 / EU – Original

Genre: Organic Grooves, Pop

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Profondo Nero compiled by Cinema Royale Profondo Nero narrates a storyline that goes beyond the borders of Italy’s musical legacy. Cutting across the face of Italo disco’s leftfield musicians between the early and late ‘80s, Profondo Nero champions a multi-faceted sound that nods to the blueprint of Italo disco but tries to dig deeper. The music is unmistakably Italo disco but moves away from the familiar classic sound. Amsterdam based collector Cinema Royale stitches together eleven tracks from 1983 – 1989, celebrating a sound he fittingly describes as ‘leftfield Italo’. The compilation connects the dots between soulful disco (Louise Freeman – Mirage), synth-pop (Mark – Dreamland), electro-rap (Loukas Thanos – Jazzburger), breaks (Santoro – Lover Message), 80s dub disco (Jet Set – Love Break), Balearic (Isamar & Compañia - No Estas), boogie (Tom Hooker – Talk With Your Body) and proto-house (International Music System - An English ’93). Profondo Nero’s title salutes the legendary oeuvre of Italian horror director Dario Argento. His Profondo Rosso (1975) is a classic example of exquisite cinematic storytelling, boasting courageous colors, expressionist camera angles and an unforgettable Goblin score forming the ingredients for an intriguing piece of art. Profondo Rosso’s music, created the spark for a new Dekmantel Records endeavor led by Amsterdam based experimental film score connoisseur, record collector and DJ Cinema Royale. For those in the know of underground Amsterdam music culture, Arne Visser aka Cinema Royale is among the city’s longest standing record collectors. Born to an Italian mother and Dutch father, Arne was brought up on a diet of Italo disco in the 80s. Cinema Royale explains: ‘For Profondo Nero I took a plunge into the lesser known fringes of Italo disco. From there I tried to connect, among others, San Francisco boogie, Balearic, Japanese late era Italo-electro and synth-pop funk. I hope you can hear what I had in mind: an infectious showcase of my take on traditional Italo disco that will hopefully get a lot of listeners itching for a spin. It’s fair to say that lately this particular sound has seen a reappraisal and renewed interest. As a party-starting collection for entry-level connoisseurs or suave but lazy types, I hope Profondo Nero can be an education. I’m not claiming I’m the first DJ or collector to do so, but I did try do present something special by digging deep.’ It wasn’t my goal to unearth the most obscure tracks, instead I wanted to compose a compilation that takes you on a journey. ‘In my opinion the best DJs create something extraordinary out of illogical selections by combining music against all odds and showing different kind of moods along the way. There’s a certain amount of arrogance involved: you take the music out of its original context. But by doing so in a very conscious way, you might be able to enhance the power of the individual records. Hopefully each song on Profondo Nero provides an intimate and memorable experience.’

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Elori Saxl

The Blue Of Distance

Idris Ackamoor And The Pyramids

Release: 2021 / US – Original

Genre: Classical Music

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Limited Edition Cloudy Clear Vinyl.Combining Processed Recordings Of Wind And Water With Analog Synthesizers And Chamber Orchestra, Elori Kramer's The Blue Of Distance Is An Audio Dissertation On The Role Technology Plays In Our Relationships To Geography And Nature, Unspoolinginto An Examination Of Memory And Longing Across Seven Sections That Layer Filmic Minimalism Over Churning Electronic Soundbeds. Half Of The Suite Was Written In The Adirondack Mountains During Summer Amid Lakes, Rivers, And Moss-Ladenforest Floors, While The Other Half Was Conceived On A Frozen Lake Superior Island In Deep Winter, Creating A Subtextual Dialogue Between The Two Extreme Settings. Kramer, Who Was Born In 1990 And Grew Up Alongside The Internet, Uses Her Musicto Explore Nature In The Actual And The Virtual World, Through Direct Experience And Facsimile Alike, Focussing And Blurring The Line Between The Two. "Looking Back At My Videos Of That Summer-- Which Is Where The Processed Audio Came From-- I Triedto Remember What It Had Felt Like To Be There," She Recalls, "Thinking About Questions Of Reality Versus Imagination; Physical Versus Digital; And The Ways In Which Memory Shifts Through Our Minds And Technology." The Title The Blue Ofdistance Was Derived From Rebecca Solnit's Book A Field Guide To Getting Lost, Referring To The Phenomenon Of Faraway Mountains Appearing Blue Due To Light Particles Getting Lost Over Distance. "If We Were To Go Up To The Mountains Thatappear Blue From Far Away, We Would See That They Weren't Actually That Color." She Says. "This Beauty Is Made Possible Because Of Their Distance," Much In The Same Way That The Splendor Of A Lush Season Is Only Fully Realized In The Throes Of A Bleak One, And The Joy Of An Event Can Only Be Felt When It Has Long Since Been Consigned To Remembrance.R.I.Y.L Kaitlyn Aurelia Smith, Philip Glass, Steve Reich, Josiah Steinbrick, Emily Sprague

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Shaman!

2LP | 2020 | EU | Original (Strut)

LP | 1996 | EU | Reissue (BMG)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Influential jazz collective Idris Ackamoor and The Pyramids retu rn with an epic new opus, 'Shaman!', released on 7th August featuring a fresh line-up including original 1970s Pyramids member Dr. Margaux Simmons on flute, Bobby Cobb on guitar, longterm associate Sandra Poindexter on violin, Ruben Ramos on bass, Gioele Pagliaccia on drums and Jack Yglesias on percussion. The band transitions from the political and social commentaries of 2018's acclaimed 'An Angel Fell' into more introspective themes. "I wanted to use this album to touch on some of the issues that we all face as individuals in the inner space of our souls and our conscience," explains Ackamoor. "The album unfolds over four Acts with personal musical statements about love and loss, mort ality, the afterlife, family and salvation."

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Dio

Angry Machines

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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LP | 2018 | EU | Original (Ariwa)

U Roy

True Born African

Release: 2018 / EU – Original

Genre: Reggae & Dancehall

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LP | 2020 | EU | Original (Rune Grammofon)

Fire! Orchestra

Actions

Release: 2020 / EU – Original

Genre: Organic Grooves

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2LP | 2019 | EU | Original (Sacred Bones)

Föllakzoid

I Black Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Philadelphia International Classics: The Tom Moulton Remixes Part 2

2x12" | 2012 | EU | Reissue (Philadelphia International)

Release: 2012 / EU – Reissue

Genre: Organic Grooves

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Archie Bell & The Drells, People's Choice, Teddy Pendergrass, Lou Rawls. The legendary partnership of NYC's Disco godfather Tom Moulton and Philadelphia International Records has long been documented. A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the labels output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of House music.

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Philadelphia International Classics: The Tom Moulton Remixes Part 1

2x12" | 2012 | EU | Reissue (Philadelphia International)

LP | 2019 | EU | Original (Neon Finger)

Release: 2012 / EU – Reissue

Genre: Organic Grooves

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The legendary partnership of NYC's Disco godfather Tom Moulton and Philadelphia International Records has long been documented. A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the labels output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of House music.

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Bybo Funk

Black Eye Galaxy

LP | 2019 | EU | Reissue (Polskie Nagrania)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Bybo Funk's interstellar and futuristic sound returns in the form of a brand new LP entitled "Black Eye Galaxy".

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Tomasz Stanko Quintet

Music For K

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Lotus Colored Vinyl Edition

Soen

LP | 2019 | EU | Original (Silver Lining)

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Afrosynth)

Ntombi Ndaba & Survival

Tomorrow

LP | 2017 | EU | Original (Music On Vinyl)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Incl. her in demand tune "Tomorrow" . Six-track anthology of South African singer Ntombi Ndaba, featuring 2 songs from 3 of her solo albums, Mina Ngiljaji (1988), Mama Nature (1989) and Why Me (1991).
Ntombi Ndaba first rose to fame in 1985 with Ntombi & Survival, becoming one of the most popular singers of the bubblegum era. After setting up the independent label Anneko with her producer A.T. ‘Rubber’ Khoza in 1988, she went solo. Following Khoza’s death in the early 1990s, Ndaba never recorded again.

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Snot

Get Some

2LP | 2017 | EU | Original (Tumult)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Snot's music is a mix of rough around the edge rock 'n' roll and fun funky hardcore punk-rock, especially on the standout songs "Snot", "Deadfall", "Joyride", "The Box". Celebrating the 20th anniversary of the album, Music On Vinyl proudly presents the first ever vinyl release of Get Some!

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Meute

Tumult

Release: 2017 / EU – Original

Genre: Organic Grooves

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LP | 2017 | EU | Original (Warner)

Linkin Park

One More Light

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2013 | US | Original (Dead Oceans)

Julianna Barwick

Nepenthe

Release: 2013 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (We Jazz)

Oaagaada

Music Of

Maybe Tomorrow La Bush Team Remix

Release: 2024 / EU – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-29

Oaagaada hail from the town of Hämeenlinna in Finland. The quartet includes Tuure Tammi (trumpet), Sami Pekkola (sax), Tero Kemppainen (bass) and Simo Laihonen (drums). Laihonen has recently appeared on We Jazz Records with Stanley J. Zappa and previously with Black Motor, and more Oaagaada can be heard on the recent "We Jazz Live Plates" album "Lonna 2019" and on the 2020 7" single release "Oag-Ada".

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2 Flying Stones

12" | 2024 | Original (2 Flying Stones)

LP | 2024 | EU | Original (Sony Music Catalog)

Release: 2024 / Original

Genre: Electronic & Dance

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Another banger from the golden era of 2 FLYING STONES.
"MAYBE TOMORROW", is 2 FLYING STONES’ signature track. It was remixed by NICO PARISI earlier this year and now has been remodelled by one of the biggest names from the North-of-France-Scene from the same era: LA BUSH TEAM.
Original vinyls from LA BUSH TEAM are for sale on 2nd hand-sites for over 200€, and they are rare, that combined with the hype surrounding 2 FLYING STONES, makes this release a no-brainer….

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Guano Apes

The Lost Tapes

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-29

Critical Thinking Black Eco Vinyl Edition

Manic Street Preachers

LP | 2025 | EU | Original (Sony)

Release: 2025 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-07

LP | 2025 | EU | Original (Napalm)

Jinjer

Duel

Release: 2025 / EU – Original

Genre: Rock & Indie

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LP | 1972 | UK | Reissue (Stang)

The Whatnauts

Whatnauts On The Rocks

Flaws Transparent Red Vinyl Edition

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

2022 reissue.

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Gardens

LP | 2024 | EU | Original (Siluh)

Rage And Ruin Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Deep inside my mouth is where dark treasures can be found/Would you like to find out?Austria is a place of high-altitudes and fittingly, the superb songwriting and musicianship ofGARDENS sits at a bird's eye view, embracing change with uncanny clarity, warmth andself-awareness, along with some darker hues. The quartet of Luca Celine Müller, PeterBenedikt Mathis, Patrick Stieger and Laura Keiblinger gained notoriety through their firsttwo singles `Talk' and `W...

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Slower

LP | 2024 | EU | Original (Heavy Psych Sounds)

Mrs. Ladyship And The Cleanerhouse Boys

Release: 2024 / EU – Original

Genre: Rock & Indie

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Bob Balch from FU MANCHU here. The idea for the SLOWER project started around four years ago. I was teaching a student how to play "South Of Heaven" by SLAYER but she was a beginner so we slowed it down. I thought that sounded cool so I tuned down to B standard and tried it. I added some drums and thought "someone in the doom community should do this and name it SLOWER."A few years later I befriended Steven "Thee Slayer Hippy" Hanford, best known for his work as the drummer in the influential Oregon punk band Poison Idea. He was backstage at a FU MANCHU show. Oddly enough I was wearing a POISON IDEA shirt and he told me that my shirt sucks. I asked who he was and why he was in our backstage. He told me and I felt stupid. We started drinking whiskey and talking about music. We stayed in touch over the next year or so and during Covid I told him about my SLOWER idea. He asked me to send him tracks. I waited too long because the day I sent the tracks he passed away. Totally tragic. I'm glad I got to know him even for a few years. He was a monster musician with a giant heart.He will be greatly missed.I shelved the project for a while after that. One day Esben from MONOLORD posted about musical collaborations. I love MONOLORD so I thought what the hell. I sent him some tracks and he killed it on drums. So I sent more. Then more. Shortly after that we started reaching out other musicians to get them involved. That's how we ended up with this lineup. Everyone that contributed completely knocked it out of the park and I can't thank them enough.This project has been a long time coming and I'm beyond stoked on how it turned out. Without all of the players involved, Steven Hanford and my baritone Reverend guitar it wouldn't have happened. Thanks to everyone involved and I hope you dig it! I'm a giant SLAYER fan so it's been a treat to dig into these classic songs. Hopefully we can do another record in the near future. Look out for shows because they will happen!

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The Smashing Times

LP | 2024 | US | Original (K)

Release: 2024 / US – Original

Genre: Rock & Indie

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What A Relief Black Vinyl Edition

Katie Gavin

LP | 2024 | US | Original (Saddest Factory)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2009 | DE | Original (Karaoke Kalk)

Dakota Suite

The End Of Trying

Release: 2009 / DE – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1980 | JP | Original (Elektra)

Grover Washington, Jr.

Winelight

Alliance White Vinyl Edition

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Light age discoloration, barely noticeable. Comes with OBI and insert. Record looks unplayed.

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Glok/Timothy Clerkin

LP | 2024 | EU | Original (Bytes)