All Items 6897 Items

12" | 2018 | EU | Original (Ouie)

Release: 2018 / US – Original

Genre: Organic Grooves

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Following up on the massive worldwide success of their debut album 55, Bacao Rhythm & Steel band is back with another heavy duty offering. Picking
up where they left off and incorporating a ton of new recording techniques they take a huge step forward with The Serpent’s Mouth. Named after the
eight-mile strait between the island of Trinidad and the coast of Venezuela, The Serpent’s Mouth is a journey through both originals and covers,
combining classic elements that wide-eared music fans already know, and mashing them up in new and unique ways.
Take “1 Thing” – on it, the group attacks the galloping, chopped Amerie smash hit, with singing pans that follow the R & B vocal. The sound is crisp
and up-front, arguably more muscular than the 2005 original. On “Great To Be Here,” they take on the Jackson 5 B-Boy favorite (which stretches back
to the Zulu Nation / Bronx block party days) – uncoincidentally, the original version featured a guitar lick that emulated a steel pan run. Here, it gets
an even more pulsating groove, adding open-drums breaks throughout, to get DJs salivating. The group veers through more inventively-constructed
covers as the album’s sequence continues, including Gang Starr’s “All For The Cash”, Mary J. Blige’s “I Love You”, and the recently unleashed first
single, “XXplosive” and “Burn,” paying tribute to both Dr. Dre and Mobb Deep for a bi-coastal funk party. And, as band leader Bjorn Wagner states,
“My favorite cover on the album is probably ‘Crockett Theme,’ which is the theme to ‘Miami Vice.’ I always loved the melody, and the cosmic vibe of
the song, and I was honestly surprised that it worked without synthesizers.”
This time around the group’s originals are even stronger, as evidenced by cuts like the flute-fueled break-fest of “Hoola Hoop”, the slow and spacey
“Touchdown”, and the album’s title track, the future-epic-adventure-movie-soundtrack cut “The Serpent’s Mouth.” Wagner explains, “I wrote the song
with Bernhard Hummer as an instrumental fantasy story – think of pirates, smugglers and a dangerously beautiful sea passage towards the island. It
became an allegory for our mind travels into the world of the steel pan.”
The Serpent’s Mouth is sure to please past fans and newly-minted ones alike. It seems like a new era for Steel Drum music is upon us, and Bacao is
firmly leading the way into the hearts of music fans around the world.

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David Mayer

The Call

12" | 2018 | US | Original (Virgin)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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David Mayer’s career and background is marked by a desire to keep moving and experiencing new perspectives. Having finally settled in Berlin, the German DJ and producer has built up an enviously diverse back catalogue on labels such as Connected Frontline, Objektivity, Gruuv, Audiomatique and Keinemusik. With his first release on Acid Pauli and Nico Stojan’s Ouie label, Mayer brings his trademark groove to the fore once more.

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Frankie Knuckles

The Whistle Song

13,99 €*

Release: 2018 / US – Original

Genre: Electronic & Dance

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Gold: The Best Of Spandau Ballet

Spandau Ballet

2LP | 2018 | EU | Original (Chrysalis)

29,99 €*

Release: 2018 / EU – Original

Genre: Pop

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7" | 2018 | US | Original (Peoples Potential Unlimited)

Dreamcast

Floral Place

13,99 €*

LP | 2018 | EU | Original (Fauxpas Musik)

Release: 2018 / US – Original

Genre: Electronic & Dance

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Follow up to their debut Liquid Deep, Dreamcast Davon and Sasac are back for another PPU PRODUCT.

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Irrelevant

Vague Memories 2

Actually 2018 Remastered Edition

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Here comes our next coup. Irrelevant returns to Fauxpas Musik with the permission of „Absolute Loss“, We will release Vague Memories II as a Vinyl Edition. Two outstanding long players explore the deep, melancholy electronic soundscapes that he loves. Vinyl tastes better.

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Pet Shop Boys

LP | 2018 | US | Original (Rhino)

Release: 2018 / US – Original

Genre: Pop

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LP | 2011 | EU | Original (Rotorelief)

Sand

Desert Navigation

Robbie M (Midnight Express)

Release: 2011 / EU – Original

Genre: Electronic & Dance

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limited to 500 copies

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I Wanna Be With You Tonight

7" | 2011 | US | Original (Peoples Potential Unlimited)

LP | 2018 | Original (Abbruch)

Release: 2011 / US – Original

Genre: Organic Grooves

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Robbie M of Midnight Express (Danger Zone) is back with his latest single! This is the first track from Robbie's Upcoming LP.

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Abbruch

Lieber Linksextrem

Release: 2018 / Original

Genre: Rock & Indie

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2LP | 2011 | UK | Original (LateNightTales)

MGMT

LateNightTales

2LP | 2018 | UK | Reissue (World Of Echo)

Release: 2011 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with bumped corner

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Naoki Zushi

34,99 €*

Wake The Sleeping Dragon! Black Splattered Green Vinyl Edition

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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Double LP - gatefold, tip-on sleeve, black vinyl - edition of 500 worldwide. RIYL: Hallelujahs, Nagisa Ni
Te, Roy Montgomery, Grouper, Manuel Gottsching. With IV, World Of Echo inaugurates a series of reissues by Japanese guitarist,
Naoki Zushi. Perhaps best known for his stellar guitar contributions to psych folk group, Nagisa Ni Te, Zushi has had a parallel career,
for several decades, slowly releasing solo albums that spotlight his exultant guitar playing. Originally released to CD only by Shinji
Shibayama of Nagisa Ni Te’s Org imprint in 2018, IV has Zushi playing and writing at a peak, its six songs slowly unfurling with a kind
of paradoxical understated grandeur. This is psychedelic guitar music at its most paced and considered, yet given to flights of
inspiration, and in this respect, Zushi sits within a lineage of guitarists who’ve used their instrument both as textural anchor and
improvisatory tool – think of figures like Phil Manzanera and Robert Fripp, but also Roy Montgomery, Liz Harris of Grouper, even Tom
Verlaine on his instrumental solo albums. Like those artists, Zushi locates moments of deep emotional resonance amidst luxuriant
textural and melodic exploration. Zushi’s history stretches back to the mid 1970s. While for many, he first appeared on the scene as a
founding member of noise legends Hijokaidan, alongside Jojo Hiroshige, his musical contributions predate that encounter. He started
out playing progressive rock and improvised music, making home recordings of when he was in high school. He was a member of
Rasenkaidan (Spiral Staircase) alongside Hiroshige and Idiot (Kenichi Takayama), the group that soon mutated into Hijokaidan
(Emergency Staircase). Zushi and Takayama would soon form Idiot O’Clock, in 1982; Zushi also led his own Naoki Zushi Unit, starting
in 1983. But for many, Zushi’s first significant appearance on record was as a member of Shinji Shibayama’s mid-eighties psych-pop
group, Hallelujahs, whose sole album was recently reissued on vinyl. That group mutated into Nagisa Ni Te, and Zushi has played a
significant role as their lead guitarist for several decades. His own solo music has appeared sporadically – Paradise (1987),
Phenomenal Luciferin (1998), III (2005) and IV, with a few recent, meditative offerings, For My Friends’ Sleep (2021) and Nocturnes
(2022). With IV, though, Zushi achieved something remarkable, a kind of extended exploration of the time-altering properties of
echoplexed, hypnotically spiralling guitar interplay. The opening ‘Mirror’, “a song about the mirror inside me,” Zushi explains, starts out
as a lush psych-folk song, slow and gentle, but soon takes to the skies with a cat’s cradle of Fripp-esque guitars, before thick, droning
chords sweep the song to a drowsy coda. ‘Nocturne’ weaves silver skeins of guitar melody around a cyclical chord pattern; it gathers
energy and quiet intensity through insistent repetition. The rest of the album explores the nuance Zushi can draw out of simple
elements, building on what ‘Mirror’ and ‘Nocturne’ offer – the profundity of a chord change; the melancholy of a few quietly sighed
words; the exhilaration of a guitar solo bursting out of the speakers; the subtle shifts in emotional register offered by tone and touch.
Throughout, there’s something quiet, yet ineffable, shading the contours of the songs, such that it makes perfect sense when Zushi
says, “What I want to express through music may be ‘sense of mystery’.” A few of the songs had their basic parts recorded at LM
Studio and Studio Nemu with Shibayama and Masako Takeda joining on bass and drums, respectively; much of the album, however,
was tracked at Zushi’s home studio. That seems appropriate for a collection of songs that are expansive in their intimacy. Asked what
drove the sessions, Zushi answers, “I thought I’d make IV an album that particularly focuses on the guitar play.” And focus it does, as
Zushi’s sky-scraping, soaring, elemental tone is front and centre throughout. But these are no guitar heroics; rather, Zushi uses the
guitar as conduit and diviner, a tool for spirit location, and IV is his most eloquent expression yet of such singular magic.

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Sick Of It All

LP | 2018 | EU (Radiation Reissues)

2x12" | 2018 | DE | Original (HHV Records)

Release: 2018 / EU

Genre: Rock & Indie

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Reissue for the 2018 album by Nyhc pioneers Sick Of It All. Wake the Sleeping Dragon is not sensitive, subtle, nuanced singer songwriter fare. Aggressive, angry and in your face old school Lower East Side hardcore punk. Sick Of It All have made another career and genre defining album. Don’t sleep on Wake the Sleeping Dragon.

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Soulbrotha

Moment Der Wahrheit

16,99 €*

David Borden, James Ferraro, Sam Godin, Laurel Halo, Daniel Lopatin

Release: 2018 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: Near Mint

Still in shrink but opened. Tiny corner wear.

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FRKWYS 7

LP | 2011 | US | Original (Rvng Intl.)

20,99 €*

12" | 2011 | US | Original (M-Plant)

Release: 2011 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM

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Floorplan

Sanctified EP

Release: 2011 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

LP | 2011 | Reissue (Post Present)

Wives

Roy Tapes

15,99 €*

LP | 2011 | US | Reissue (Captured Tracks)

Release: 2011 / Reissue

Genre: Rock & Indie

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A special release signifying PPM50 and Post Present Medium as a label for ten years. Wives were a punk band formed in Los Angeles in 2001, they recorded, performed and toured until 2005 when they disbanded. After their last US tour and and before their (_rst and last) UK /Europe tour in 2005 Dean Spunt (bass and vocals) and Randy Randall (guitar) recorded these 7 songs with new drummer Roy Tatum. These were the songs, if you saw them live, Wives were playing, working on and perfecting at the time on the final tour.Recorded By Bobb Bruno in their practice space in 2005 the "Roy Tapes" were shelved and have not been listened to by anyone until they were decided to be released, nearly seven years later. It holds the fury and confusion of the live sets...

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Hanoi Janes

Year Of Panic

Release: 2011 / US – Reissue

Genre: Rock & Indie

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"With the obvious homage the name implies, you'd expect Hanoi Janes to be a group of riot grrrl angnsty types, displaced in time by about 20 odd years. Having taken on the nickname given to Jane Fonda in the 70s because of her anti-war stance on Vietnam, these girls would be all bent up about, well you know, stuff. You'd expect that, but you'd be wrong. It is in fact primarily the work of one guy from Sachen, Germany - Oliver Scharf. But then Hanoi Janes' album, 'Year of Panic', is able to inspire all kinds of misconceptions. Name of the band aside, would you expect a German guy (who's a bit handy with an eight-track) to produce a series of beautifully lo-fi, sub two-minute, surf-pop tracks, full of buzzing guitar and bubblegum spirit. Maybe - maybe not. But that's just what Scharf has done. The sound is distinctly garage, reminiscent of a 70s surf sound, and like The 5. 6. 7. 8's, Hanoi Janes are able to launch into the genre with the luxury of being removed from the scene itself. Tracks like opener, 'The Boys Are Out' and 'Beach Kids' are unashamedly infectious, utilising catchy hooks, hand claps and the odd 'Ooo ooo ooo' to great effect. The production is fuzzy, but that only adds to the overall charm of the album. Because charming is what it is, as Hanoi Janes have packed 'Year of Panic' with some real gems. 'Summer of Panic' offers something tinted with psychedelic sounds; 'Our Lives' could have been an early track by The Strokes had they been influenced by the Californian sun rather than the New York shadows; 'Good Bone' is a track which can only be performed if there are several oversized surf-boards nearby. 'Year of Panic' is lo-fi, scuzzy garage surf-pop at its finest and it deserves to be the sound-track of your summer" -BOWLEGS, UK

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12" | 2018 | FR | Original (Telegraph)

Classics Vol. 1

Release: 2018 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2018 | NL | Original (R-Zone)

R-Zone

R-Zone 20

Release: 2018 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2018 | EU | Reissue (Rhino)

Ramones

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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LP | 2018 | UK | Original (Millennium Jazz Music)

Mosik & Koncise

The Dots

Release: 2018 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2011 | UK | Original (Shevchenko)

Vakula

You Cannot Resist

Ricardo Villalobos & Max Loderbauer / Peverelist

Release: 2011 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Clear vinyl. Hand stamped white label.

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Meet Tshetsha Boys

12" | 2011 | UK | Original (Honest Jon's)

LP | 2018 | DE | Original (HHV Records)

Release: 2011 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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Relaén

Twines Rework

Release: 2018 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Limited edition numbered copy. Still in shrink but opened.

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2x12" | 2018 | DE | Original (SEELEN.)

SEELEN.002

12" | 2011 | US | Original (Truncate)

Release: 2018 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with ligth edge and corner wear

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Truncate

Jack

13,99 €*

2LP+CD | 2018 | EU | Original (BMG)

Release: 2011 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Handstamped white label.

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Cypress Hill

Elephants On Acid

12" | 2018 | DE | Original (Limousine Dream)

Release: 2018 / EU – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Original inner sleeves.

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Gene On Earth

Top Cat E.P.

Claudio Simonetti Presents Goblin

Release: 2018 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Ships in a generic sleeve with hype sticker.
Record is close to VG+.

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Music For A Witch

LP | 2018 | EU | Original (Rustblade)

Release: 2018 / EU – Original

Genre: Soundtracks

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12" | 2011 | DE | Original (Ostgut Ton)

Ryan Elliott

Rocksteady

LP+LP+All Media | 2018 | US | Original (Domino)

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Light damage on bottom left corner.

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Animal Collective

Tangerine Reef

15,99 €*

2x12" | 2011 | UK | Original (Hotflush)

Release: 2018 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Green translucent Vinyl. One single sdied vinyl with art etcheing in one side. Original inner sleeves. Vinyl seems unplayed. Limited edition.

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Sepalcure

29,99 €*

LP | 2018 | UK | Original (Fuzz Club)

Release: 2011 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM

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Lumerians

Call Of The Void

Release: 2018 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2011 | DE | Original (Ostgut Ton)

Steffi

Remixes

5,99 €*

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

10" | 2011 | CA | Original (Constellation)

Colin Stetson

Those Who Didn't Run

14,95 €*

Release: 2011 / CA – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Shadow Of Your Love / Reckless Life

Hollywood Rose

7" | 2018 | US | Original (Deadline)

14,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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Audio-Technica

AT-HS6

29,00 €*

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Die-cast aluminium body
Integral finger lift
Includes terminals quad wire
1 pair of 10mm screws and 1 pair of 8mm screws
1 pair of M2.6 nuts with plastic washer
Available in Black and Silver

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Those Shocking Shaking Days

3LP | 2018 | US | Original (Now-Again)

33,99 €*

LP | 2018 | EU | Original (Rebel Up)

Release: 2018 / US – Original

Genre: Rock & Indie

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2023 repress
"Indonesian Hard, Psychedelic, Progressive Rock and Funk: 1970-1978
The untold story of indonesia’s various underground 70s musical scenes; extensive liner notes,
photographs and ephemera; fully restored and remastered audio; officially licensed.
The progressive music scenes in 1970s Indonesia were largely underground as a result of strict censorship imposed by the dictator Suharto.
Those who performed music marked by relentless fuzz, over the top, politically charged lyrics, strong rhythms and a cranky low-fidelity were truly
rebellious. And the resulting output has been largely – outside of the confines of this island nation – unheard or ignored. Indonesia, based in large
part on the restrictions imposed by Suharto, is better known for the coffee it exports than the music it creates. This situation hasn’t been remedied
by the rough-hewn Indonesian bootlegs that dotted the psychedelic landscape over the past five years.
Thanks now to the tireless – and expensive – research of Canadian hip hop producer and Southeast Asian music specialist Jason “Moss” Connoy
- and the trust that Indonesian rock legend Benny Soebardja placed in Now-Again Records as he traversed his homeland’s islands securing the
rights necessary for us to offer you this anthology - we feel like we can, in good spirits and conscience, shine the light on some of the most
impressive organizations to offer their take on the psychedelic and progressive rock and funk sounds during the early shocking, shaking days of
Suharto’s regime."

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Babylon Trio

Habibi

20,99 €*

3LP | 2018 | EU | Original (Timesig)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Iraqi band Babylon Trio from Brussels plays an electrified ravey mix of contemporary Iraqi and Arabic music styles, such as choubi choubi, dabke, maqam and electronic hybrids that put the dancefloor on fire.

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Richard Devine

Sort\Lave

32,99 €*

This Is My Story / Blue Light

Release: 2018 / EU – Original

Genre: Electronic & Dance

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After a break of 6 years, Atlanta based electronic musician, producer and sound
designer Richard Devine returns with a new album. Recorded between 2016 and
2017 using Richard's custom built Eurorack modular system and two Nord G2
Modular units, Sort\Lave features 12 tracks of intricate electronica that ranges from
abrasive percussive experiments such as `Revsic` to `Astra's dazzling juxtaposition of
sounds and onto the radiant ambience of the album's closer `Takara`. Talking about
the album's genesis Devine explains "I've been using modular synthesizers since I was
17, but have never written complete tracks using these newer systems. This was my
first experiment to see if it would be possible and I probably spent about 5 years
building up the systems that I used on this album." "The aim here was to create
something that felt very organic, detailed, spacious, big and warm and just as
importantly, a record that you could put on and play all the way through that flowed
in a seamless way. So the tracks are more like captured snapshot performances
where I could play around with the idea of probability-based sequencing for every
patch, string multiple sequencers together that would feed other sequencers to
come up with interesting rhythms and melodies. It was really fun coming up with
new sounds this way too, I felt like I created several I haven't heard before with this
album. Some of the tracks on the album were complete accidents and evolved from
something that happened spontaneously." Making his debut in 1995, Devine's
releases for labels including Schematic, Warp Records and Detroit Underground
have established him as one of the leading figures within the electronica community

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Holy Hive

7" | 2018 | US | Original (Big Crown)

12" | 2018 | EU | Original (Dirt Tech Reck)

Release: 2018 / US – Original

Genre: Rock & Indie

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Big Crown Records is proud to present the debut single from the newest band on the roster, Holy Hive.

Comprised of Paul Spring, Homer Steinweiss, and Joe Harrison, Holy Hive obscures genre lines and has a style and energy uniquely their own.

Side A, “This Is My Story”, is a cover of the Invincible’s cult classic from 1968. Holy Hive takes the tune into modern times while keeping just enough of the original. The horns and vibraphone rip into the speakers from the first note and Paul Spring’s ethereal and honeyed vocals sit atop Homer’s infamous drumming like an ox pecker on a black rhinos back.
The B Side, “Blue Light” is a perfect representation of the sound that is wholly unique to Holy Hive. With a less is more ethos, they craft an intimate space that is equal parts Jessica Pratt, The Persuaders, and Julian Bream.

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Waajeed

Strength EP

14,99 €*

LP | 2018 | EU | Original (Constellation)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Waajeed is proud to present ‘Strength’, a cathartic EP due September 14th on his own imprint, DIRT TECH RECK. For this four-track package he’s enrolled three Detroit natives to collaborate; Ideeyah provides soulful vocals whilst Jon Dixon and Jay Daniel offer two diverse remixes. A Detroit dream team, if you will. The title track is a radiant, melodic groover that looks to the sky for inspiration. Ideeyah’s lyrics battle with self-doubt, searching for solace in the harmonies around them, yet her vocals exude pure power. For his own ‘String Mix’, Waajeed elevates the delicate sentiment of the original to a sun-drenched dose of uplifting house.

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Sandro Perri

In Another Life

Release: 2018 / EU – Original

Genre: Rock & Indie

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How Do I Talk To My Brother? Black Vinyl Edition

Ben Pirani

LP | 2018 | US | Original (Colemine)

27,99 €*

DeRobert & The Half-Truths

Release: 2018 / US – Original

Genre: Organic Grooves

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"It'd be easy to mistake this release for yet another soul revival album made by a dude who wasn't there the first time around - but it'd be the listener's mistake to make. What kind of record is a man with a punk past going to make when he's been a mod, a rocker and a rare soul collector in between? One that draws on a familial history of activism, sacrifice and earnest hustling - the very same things we're all being called upon to conjure as a society in this present moment. This is a body of work that lets neither performer nor listener off the hook, yet still understands the need for care and cause in the spaces between. Consider it: A band of fighters meant for the clear-eyed lovers of the world. Ben Pirani is not fooling around, and neither are the working musicians who agreed to make this record with him." - Jocelyn Brown Colemine Records is proud to present the debut LP from Ben Pirani. A record that feels so very easy and familiar, but at the same time fresh and relevant. Like the hype sticker says, "Soul music that's so positive it might just spark a revolution!"

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Judgement Pt. 1 / Judgement Pt. 2 Black Vinyl Version

7" | 2018 | US | Original (Colemine)

Release: 2018 / US – Original

Genre: Organic Grooves

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12" | 2018 | US | Original (DFA)

LCD Soundsystem

I Used To Dixon Retouch

16,99 €*

Alopecia 10th Anniversary Black Vinyl Edition

Release: 2018 / US – Original

Genre: Electronic & Dance

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Dixon gave his personal touch to LCD Soundsystem's 'I Used To' on the A side. B side features a previously digital only version of 'Pulse'.

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Why?

LP | 2018 | US | Original (Joyful Noise)

Release: 2018 / US – Original

Genre: Rock & Indie

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"I'll go unknown by torpedo or Crohn's / Only those evil live to see their own likeness in stone." It's the kind of couplet you'd carve into a wall whilst savoring the irony at hand, but when Yoni Wolf spit the line ten years ago he was blissfully, broodily unaware that he and his band WHY? were creating a career-defining album—one so fan-adored that it would go out of print, and so influential that the art-pop heroine Lorde herself would lovingly steal the very lyric quoted above. When it dropped in 2008, Alopecia not only marked WHY?'s evolution from a sonically collaged mostly solo project to a live-recorded powerhouse band of badass multi-instrumentalists. It also minted a genre of one: wryly written, poignantly posed, simultaneously swaggering and heart-rending song-rap that jangles like folk, bursts like psych-rock, and sways like chamber pop. To this day, there is no other group in the known universe that sounds or feels like WHY? does on Alopecia. The album's 2018 reissue cheekily etches that aural likeness into our musical history.

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Agile Experiments Volume 1

LP | 2018 | UK | Original (Agile Experiments)

LP | 2018 | US | Original (Rvng Intl.)

Release: 2018 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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At the beginning of 2015 I approached Victor Greetham at The Agile Rabbit Pizzeria about programming a series of concerts at his spot in Brixton Village, an open air marketplace in the heart of Brixton (London, UK).

The premise being that I would bring a selection of great, strictly one hour long concerts every Thursday night, some of which would be completely improvised free form music. These performances came to be named “Agile Experiments”, paying homage to Victor & his venue for allowing us to expose the market's passing trade audiences to something they may well have never had an opportunity to hear before or ever again for that matter.

We implemented two simple rules for the performances:
1. We wouldn't discuss or plan anything around what we were going to play.
2. We would play for an hour straight with no breaks.

After a year of concerts in the market place, I organised 8 one hour long recording sessions in a studio with 8 different combinations of musicians I had had the honor of performing with over this period and we applied the same rules as we did for the live performances in order to document these happenings.

Two further years down the line, after sitting on these recordings trying to find a way for them to be heard, I am extremely pleased to announce a sequential release of two limited edition vinyls featuring 12 extracts from these raw & unpredictable performances.

I hope that you will truly enjoy these minutes of off-the-cuff cooperative creativity.

In good faith and love for people and music,

Dave De Rose

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Lucrecia Dalt

Anticlines

12" | 2011 | DE | Original (Perlon)

Release: 2018 / US – Original

Genre: Electronic & Dance

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Lucrecia Dalt's Anticlines is a volume of poetic theory and sound contemplating the bodies of self and earth's surface. On Anticlines, Dalt conjures a sonic space of speculative synthesis and spoken word where South American rhythms rattle contemporary composition recalling Laurie Anderson, Robert Ashley, and Annea Lockwood. CD version comes with lyric booklet documenting Dalt's collaborative work with Regina de Miguel and Henry Andersen.

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Melchior Productions

Bums 4 Higher EP

12" | 2018 | EU | Original (Sentry)

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Label cover.

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Caspa

Gutter Riddim / Hot Head

LP | 2018 | US | Original (Awesome Tapes From Africa)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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We know you’ve been waiting for this one since last summer! Caspa’s debut on Youngsta’s ridiculously on-point Sentry has been one of the most requested releases in a very long time. Hot on the heels of releases by dBridge, Nomine and Akcept, the Sub Soldier comes in hard with two absolute burn-ups.

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Hailu Mergia

Lala Belu

Release: 2018 / US – Original

Genre: Organic Grooves

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Paul Ramos / Ulysses Crockett

Fence Walk / Funky Resurgence

7" | 2018 | US | Original (Big Crown)

12" | 2018 | EU | Original (DFA)

Release: 2018 / US – Original

Genre: Organic Grooves

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Big Crown Records is proud to present this tough as nails split 7”

The A side is Paul Ramos version of the Mandrill classic “Fence Walk”. Originally released on the Harlem label, and later licensed to Falcon only to oddly appear on their Kris Bravo LP. Ramos stays close to the original, but adds enough to the tune to make it a must have for funk collectors.

The B side “Funky Resurgence” comes by way of vibes player/bandleader Ulysses Crockett who was a stalwart on the Bay Area scene of the 1960's first with his Latin Jazz group Afro Blue Persuasion and later Ulysses Crockett Magic. He also played in The Skins w/ the legendary Bill Graham. "Funky Resurgence" was one of several compositions he wrote for the 1971 play "Resurgence." During this period, Ulysses was also going through law school and he remains a legal voice, writer and activist in the Bay Area.

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Marcus Marr

Familiar Five

15,99 €*

LP | 2011 | US | Original (Sub Pop)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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DFA is proud to present the long-awaited debut EP by London's Marcus Marr, Familiar Five. Influenced by
classic soul, rock, disco, and acid house, the multi-instrumentalist, DJ, and producer makes spacy dance
music, often including percolating synths, funky bass guitar, and vocals. A regular at Berlin's famed
nightclub Berghain/Panorama Bar since 2014, the lifelong music obsessive's first encounters with dance
music were acid house records, which grew his vinyl collection of rock and soul, and attending all night
parties under Brixton's St Matthews Church. At last, Marr returns to DFA with a collection of elastic
bassline stompers, reminiscent of early Daft Punk. The title track Familiar Five originally began with a rock
riff, which he later repurposed as the backbone of a piece of slow, dark, dance music. Inspired by Dr.
Jekyll and Mr. Hyde, Faust, and Kafka's Metamorphosis, Marr explains that he wanted to make something
spooky and simple - a song utilizing very few elem ents, with a throb and synth vomit. On the flip side,
lead single High Times channels the electric guitar stylings of Nile Rodgers circa 1979, and makes good
use of the producer's trademark whizzing synths as well as vocals from collaborator Nandi Bhebe. Love
Release and Rocketship are both equally effective tracks built for the dancefloor.

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Shabazz Palaces

Black Up

30,99 €*

Release: 2011 / US – Original

Genre: Hip Hop, Electronic & Dance, Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Original inner sleeve

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Guardians Of A Kids Society

12" | 2018 | DE | Original (Childhood Intelligence)

16,99 €*

Release: 2018 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2011 | ES | Original (Analog Solutions)

Eduardo De La Calle

Untitled

12" | 2018 | DE | Original (Slow Life)

Release: 2011 / ES – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Clear vinyl.

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Luis Malon

Sisters Of The Night

7,99 €*

Release: 2018 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2018 | DE | Original (Fleisch)

Lucy Cliche

Cliché’s Principle

Release: 2018 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 2018 | EU | Reissue (Rhino)

The Grateful Dead

Blues For Allah

34,99 €*

12" | 2018 | US | Reissue (Holodeck)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Insert included. Record looks unplayed.

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Marie Davidson

LP | 2018 | EU | Original (Reprise)

Release: 2018 / US – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Pink vinyl. Cover with beginning of seam split on bottom spine.

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Mastodon

Crack The Skye

27,99 €*

Dub Tapes From Outer Space

Release: 2018 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Comes with insert. Record looks unplayed.

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LDS

12" | 2018 | NL | Original (Transatlantic)

45,99 €*

Release: 2018 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2011 | US | Original (Rvng Intl.)

Blues Control & Laraaji

FRKWYS Vol. 8

20,99 €*

Tashi Wada With Yoshi Wada And Friends

Release: 2011 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM

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Nue

LP | 2018 | US | Original (Rvng Intl.)

23,99 €*

Release: 2018 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2018 | US | Original (Mass Appeal)

N.O.R.E.

17,99 €*

Skinn Ynorris / Mason Rent

Release: 2018 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl closer to NM. Cover with hype sticker on the front, otherwise NM

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Inception Part Two

12" | 2018 | DE | Original (Your Mother Naked)

12" | 2018 | FR | Original (YYK no label)

Release: 2018 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Uchitoshi

Saibansho

LP | 2011 | US | Reissue (Trouble In Mind)

Release: 2018 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light marks

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Wax Museums

Eye Times

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Gravel / Selector Dub Narcotic

Lake

Release: 2011 / US – Reissue

Genre: Rock & Indie

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The second album LAKE recorded for K, Let's Build a Roof [KLP213], included a song by drummer/multi-instrumentalist Lindsay Schief many consider one of its highlights, "Gravel". When the band returned from their U.S. tour following the release of Let's Build a Roof "Gravel" had a new fluid soulful feel to it that struck resident Dub Narcotic Studio producer Selector Dub Narcotic (aka Calvin Johnson) as a ripe candidate for the Dub Narcotic Disco Plate series of 7" 45 rpm phonograph records.

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White Rainbow

The Making Of Thriller

LP | 2011 | US | Reissue (Jagjaguwar)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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FROM THE DEPTHS OF DUB COMES THE CULTURE CLASH CLASSIC STEPPER, Adam Forkner, with his latest piece of hot wax [DBN125] White Rainbow - "The Making of Thriller" b/w Selector Dub Narcotic - "The Making of Star Wars." This marks a home-coming of sorts, with Forkner returning to Dub Narcotic Studio to work with life-long friend and one time studio-mentor Calvin Johnson.

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Pterodactyl

Spills Out

12" | 2011 | Reissue (Acephale)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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On third album Spills Out, Brooklyn noise-punk mischief-makers Pterodactyl have mutated from their abrasive loft-show roots into a glorious, broken-pop juggernaut. The band's squealing, sweat-soaked art-bustle had rapidly put them alongside contemporaries like Oneida, These Are Powers and Parts & Labor; but Spills Out gently leads the trio towards the uplifting, wistful harmonies of '60s rockers like The Zombies, CSNY and the pre-acid Beatles. Pterodactyl's onomatopoetic barks have been replaced by a luxurious three-part croon; their adenoidal squawk has been expanded to include Spectoria...

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Korallreven

As Young As Yesterday

LP | 2011 | Reissue (Constellation)

Release: 2011 / Reissue

Genre: Rock & Indie

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Returning for her second collaboration with the duo is Victoria Bergsman who previously contributed her dulcet tones to Honey Mine. As Young triumphs with glittering bombast - a true Balearic anthem. Cascading 808 fills mingle with steely acoustic guitar and chipmunked vocals while deep kettledrums and pulsing strings balance things out. It's a glorious celebration of Summer's fade, a song that looks forward by glancing back. Animal Collective's Panda Bear, fresh off the tremendous success of Person Pitch, delivers a reinterpretation that is at times frenetic and jarring, and at others meditative and soothing. London's Girl Unit revisits the pitched vocals and builds a sprawling epic that erupts into a throbbing payoff before subsiding to begin anew. Finally, the Korallreven boys wrap things up with a massive expansion of their original - an evolving, layered rhythm section lays the foundation for ecstatic builds of shimmering, hazy synths.

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Siskiyou

Keep Away The Dead

Lynch The Swan / Dub The Swan

Release: 2011 / Reissue

Genre: Rock & Indie

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Most of the tunes on Keep Away The Dead were born at Mara Hall in Mara, BC (pop. 350) where bed tracks were laid down in the crisp air during the depth of winter. The arctic atmosphere of that empty, cavernous, hardwood structure was the perfect complement to Huebert's sensibility: a tense and acute restraint; a shivering, biting, sometimes bitter rending of barebones, folk-inflected rock music.Siskiyou's debut was a stunning little scrapbook of short, sharp tunes; Keep Away The Dead ramps up with subtle care and clarity - something closer to a sonic novella. The resulting song cycle yields a strikingly cold-eyed, warm-hearted album, marked by quiet defiance and desperation, where each tune feels like another precious log thrown on a lone campfire burning in the cold night.

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The Hive Dwellers

LP | 2011 | US | Reissue (Temporary Residence)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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The Hive Dwellers are a small grouping of Pacific Northwest natives, led by the large sound of one Calvin Johnson. On their latest musical effort, [DBN126] - "Lynch the Swan" b/w Selector Dub Narcotic - "Dub the Swan" - Johnson and his alternating collection of collaborators fuse baritone vocals with melodica for an awkwardly peppy groove sensation.

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The Drift

Blue Hour

LP | 2011 | US | Reissue (Captured Tracks)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Without a doubt their most meditative release since their Travels In Constants debut, Blue Hour eases off the jazz and dub influences that had become a trademark of The Drift's sound, and instead focuses on hypnotic repetition and subtle, textural layering of guitars, keyboards, electric bass and drums. Beautiful, fragile melodies descend into sheets of noise atop an unwavering lockstep groove, and the near-silence of a single bass note becomes alternately haunting and near transcendent. It is a cathartic memorial to a dear friend and invaluable collaborator, and the perfect beginning to a new chapter in The Drift's resilient story.

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Soft Metals

Release: 2011 / US – Reissue

Genre: Rock & Indie

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LP | 2011 | US | Reissue (K)

Angelo Spencer

World Garage

23,99 €*

LP | 2011 | US | Reissue (Jagjaguwar)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Inspired by Bollywood, a trip to Morocco, and SergeGainsbourg, Angelo Spencer's second full-length WorldGarage [KLP235] brings armloads of new instruments and theflavor of exotic locations to a compilation of songs that amount to more than just an album, but an experience of wildness. Hearing Spencer transition from English to French, from guitar to hand percussion, and from soft singing to autotuned screaming, it's easy to close your eyes and imagine that you're running barefoot through the soft grass of, somewhere. Somewhere else. Backed by local musicians Ben Kapp, Karl Blau, Clyde Petersen, with guest vocals by Rebecca Redman (from the band Watercolor paintings), World Garage began as a bundle of unfinished songs that Spencer played for everyone, along with a mixtape of Algerian, Moroccan, and Bollywood selections meant to serve as inspiration for how he wanted the finished album to sound; from the sounds of it, it did the trick.

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Richard Youngs

Amplifying Host

12" | 2011 | US | Reissue (Captured Tracks)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Amplifying Host finds Richard Youngs wandering the guitar desert somewhere between Ry Cooder's Paris, Texas score and Neil Young's work on Dead Man. Yet, the randomly determined chord movements and Youngs' stretched-out vocal passes across the record are, perhaps, more akin to Jandek's Six And Six - here, removed from its gauze and dipped in a dark gold.When Youngs bends strings in this anglo-americana vision, it's like he's bending spoons. For more than 20 years, the UK's Richard Youngs has been at the forefront of progressive minimalism, through solo home recording projects and collaborations with the likes of Simon Wickham-Smith and Makoto Kawabata (of Acid Mothers Temple). Leaving a very human fingerprint on even the most far-reaching experimentations, Youngs has built an extensive, intriguing catalogue that just begs one to go deep. Youngs is joined on Amplifying Host by Damon Krukowski (Galaxie 500, Damon and Naomi), whose subtle, free-form drums sizzle and scatter around Youngs' lunar dust bowl compositions.

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The Fresh & Onlys

August In My Mind EP

12" | 2011 | US | Reissue (Captured Tracks)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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"...the San Francisco crew's releasing a great six-song EP on Captured Tracks early next month called August In My Mind... they kick up an excellent, hazy dust storm with the standout opener "Diamond In The Dark." (Really, people should pay more attention to these folks.)" -Stereogum

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Silk Flowers

Silk Flowers EP

12" | 2011 | US | Reissue (Captured Tracks)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Six track EP by this current NYC live staple. Eerie and experimental electronic pop.

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Girls Names

Don't Let Me In

LP | 2011 | US | Reissue (Captured Tracks)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Formed in January 2009 with their first gig booked before even playing together, Belfast 's Girls Names unabashedly hark back to the early/mid eighties shadow world of Beat Happening, Black Tambourine, Felt, C86 and the Sound of Young Scotland. In their short existence they have quickly honed their craft in creating their own self-styled "disposable noise pop", masking subdued bittersweet vocals and melodic hooks with reverb drenched guitars and Mary Chain primal drums. Having sold out of their debut home taped demos on Cass/Flick (Belfast) last summer and after a string of support slots with the likes of Sic Alps, Wavves, Times New Viking, Lovvers and Gary War, Girls Names are set for their first release 'proper', with a 12" EP on Brooklyn's much talked about Captured Tracks label and a full UK tour with label buddies, La La Vasquez in the spring."

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Aias

A La Piscina

Don't Walk Away / Dub Walk

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Aias are Gaia, Laia and Miriam. Gaia sings and plays guitar. Laia sings and plays drums and Miriam sings and plays bass. And the three together they try to make songs for anyone else to sing. Pop with distortion, lots of "oooos" and vocal harmonies in in a cave with endless ceilings sung in their native Catalan (not Spanish, mind you!) Aias began as a birthday party band and by surprise ended up being a band for real, or at least that's their current intention. The desire to win in the fight against the instrument itself, the need to shout a bit during the week, a Vivian Girls concert during the Primavera Sound Festival and the providential intervention of Cristian Pallejà (Nisei, Sedaiós) lead to a home made recording in a village lost in Catalonia and an unexpected winter signing with the New York Label, Captured tracks.

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Bobby Birdman

At The Same Time / The Same Version

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Bobby Birdman is the ultraego of west coast musician Rob Kieswetter and he graces us with his musical interludes on "Don't Walk Away" b/w "Dub Walk". Born in San Diego, raised in Nevada City, braised in San Luis Obispo, grazed in Portland, OR, Bobby Birdman is currently living aloha in Los Angeles.Bobby Birdman has released music with Fryk Beat, States Rights Records, Not Not Fun and HUSH. He appears on records by K-related artists GIGI, Little Wings, Adam Forkner and YACHT. Lately, Bobby Birdman has been ripe with many musical projects. He remixed Young M.C.'s "Fastest Rhyme", released on Delicious Vinyl, produced music for L.A.'s Guy Fantastico and Nevada City's Golden Shoulders and composed music and sound installations for visual artist Geo_ McFetridge. He also contributed to new albums by YACHT, Ben Butler and Mousepad.

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Kendl Winter

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Kendl Winter is constantly on tour, so it's amazing that she somehow found the time to record her new 7" At the Same Time [DBN121;] But we're so glad she did! During a weekend stop-over in her hometown of Olympia, Kendl stopped in at Dub Narcotic to record this 7" that features Kendl, Joe Capoccia on bass, and Austin Cooper on Drums. Selector Dub Narcotic created a remix for the B Side of the album called "The Same Version," and both sides together create the perfect little snack pack to hold us over until she releases her next full-length! Both of these songs stay true to what we've come to love from Kendl; they're homegrown, feet in the dirt, clothes on the drying line in the front yard, sugary country.

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Generifus

In My Cave / I Know

Some Days Are Better Than Others

Release: 2011 / US – Reissue

Genre: Rock & Indie

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For his first release on K, "In My Cave" b/w "I Know" - 7" Generifus, aka, Spencer Sult, delivers a love song to comfort and personal growth. In his own words: "These two songs are connected through an ongoing narrative and also bookend aloose period of about two years of songwriting. "InMy Cave," written first, explores a time of desperationand a need for familiar comfort. Emerging out fromthis safe place becomes a priority as the realizationemerges that an individual stuck in a place ofendless restful warmth can't progress any furtherinternally. In "I Know," written around a year and ahalf later, independence is found through maternalwisdom, intense experiences and learning outside ofthe previous song's "cave."

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Matthew Cooper

LP | 2011 | US | Reissue (Temporary Residence)

LP | 2011 | US | Reissue (Temporary Residence)

Release: 2011 / US – Reissue

Genre: Soundtracks

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The day has finally come! We have waited with eageranticipation to release Matthew Cooper's spellbindingsoundtrack to Some Days Are Better Than Others sincebefore his creative breakthrough album, Similes(released under his more widely known Eluviummoniker) was even made. The film stars James Mercer(Broken Bells, The Shins) and Carrie Brownstein(Portlandia, Sleater-Kinney) as strangers whose livesoccasionally intersect as they navigate their way throughthe struggles of personal attachment and disconnection.

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Explosions In The Sky

Those Who Tell The Truth

LP | 2018 | EU | Original (Heavenly)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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2020 REPRESS!"Those Who Tell the Truth Shall Die, Those Who Tell the Truth Shall Live Forever" is the second album recorded by post-rock band Explosions in the Sky, released on September 4, 2001. It is their first album released on the Temporary Residence label. The artwork for the album, by David Logan, was inspired by the Angels of Mons.

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Halo Maud

Je Suis Une Île

Release: 2018 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2018 | Reissue (Discipline Global Mobile)

King Crimson

Discipline

LP | 2018 | EU | Original (Musik Produktion Schwarzwald)

Release: 2018 / Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Record has a couple superficial and inaudible paper scufs but was probably never played much.

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George Duke

Faces In Reflection

Tell Me How You Really Feel Black Vinyl Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Limited edition for Record Store Day 2018! Vinyl close to NM

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Courtney Barnett

LP | 2018 | UK | Original (Marathon Artists)

Peter Golding & Barry Miles

Release: 2018 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Minor damage in top edge, otherwise NM. Record looks unplayed.

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Rock Graphic Originals: Revolutions In Sonic Art From Plate To Print '55 - '88

Thames & Hudson

33,99 €*