All Items 27796 Items

LP | 1972 | EU | Reissue (Wagram)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Strut present the first official reissue of a landmark album in the field of African music, Mulatu Astatke’s ‘Mulatu Of Ethiopia’ from 1972. Recorded in New York, the album arrived at a time when Astatke had begun to master the delicate fusion of styles needed to create Ethio jazz.

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Billie Holiday

Strange Fruit

15,99 €*

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Bacillus)

Epsilon

Move On

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | US | Reissue (Now-Again)

Paternoster

LP | 1972 | EU | Reissue (Music On Vinyl)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Paternoster, that UFO of a rock album released unceremoniously on a custom-pressed CBS Austria
long player in 1972, is the stuff of legend. It’s been known to the rock collecting elite since the 1980s,
when it was first rediscovered, and it quickly became one of those rock records, the records you hear
about only if you know someone who knows someone with a copy, much like Damon’s
Song of a Gypsy.
Paternoster is a terrifying album, a collection of songs that traverses the sublime, and thus
necessitates a bowel-loosening acceptance of beauty too complicated to merely admire, bowing
under the weight of a tremendous atmosphere, accentuated by Gothic organs and scorching fuzz
guitar, punctuated by wailing vocals detailing visceral, Bosch-like images, and carried by enveloping
bass and syncopated, mixed-well-too-loud-and-thankfully-so drums.
Includes download card for WAV files of the entire album and a digital version of the booklet with the
story of this mysterious album, told for the first time, in English and German.

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Buddy Guy & Junior Wells

Play The Blues

LP | 1972 | BR | Reissue (Polysom)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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The southern-style, Rhythm & Blues album Play The Blues by Buddy Guy & Junior Wells was recorded in the Miami Criteria Studios in the second half of 1970. This is probably the best recordings Guy & Wells ever made, sounding clean and smooth. An excellent blues album from two masters in blues!

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Lo Borges

39,99 €*

LP | 1972 | EU | Reissue (Sonor Music Editions)

Release: 1972 / BR – Reissue

Genre: Organic Grooves

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This reissue is on 180g vinyl. An incredible album from Lo Borges, one of the best singer/songwriters on the Brazilian scene of the 70s.

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Edmondo Giuliani

Il Mare

Overdrive – Rock/Jazz - Party

Release: 1972 / EU – Reissue

Genre: Soundtracks

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Edmondo Giuliani - "IL MARE: Musica Con Strumenti Elettronici", originally released in 1972 on the micro-label Dischi Egede. A Mega-Rare Italian Electronic Underwater music Library production - recorded for an obscure documentary on sea from the early '70s. Infectious and trippy Abstract Experimental music that plumbs in the sea depths with abyssal echoes, sound iridescences and marine electronic themes. Addictive record out for our Underwater Library tryptych release. Another great vinyl obscurity is filed and published on our label with amazing renewed artwork.
Limited edition of 500 copies on 180 gram vinyl.

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The Bridge

LP | 1972 | EU | Reissue (Sommor)

LP | 1972 | EU | Reissue (Wah Wah)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this fabulous kraut, jazz-funk / fusion / rare grove / library album from 1972, originally released on the budget Tempo label from Germany. Lots of fuzzy distorted organ & Fender Rhodes courtesy of Kristian Schultze (pre-Passport) plus the mighty Pawel Jazerbski on bass and Joe Nay (Tete Montoliu, Roland Kirk, Blue Note Club…) on drums.
Master tape sound, original artwork and insert with liner notes.

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Nik Pascal

The Sixth Ear

20,99 €*

LP | 1972 | US | Reissue (Sony Legacy)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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1972 saw the release of The Sixth Ear (Narco NR666), this time credited to Nik Pascal. A more complex work than Beyond The End..., it adds consistent rhythmic patterns to the mix with the addition of bongoes and also explores some interesting chord progressions.

Besides his musical explorations, Nik was also an interesting painter. His paintings are auctioned from time to time, and are consciousness expanding works influenced by abstract cubism and surrealism, some kind of Salvador Dalí on drugs exploring the outter and inner space. All the artwork on the sleeves of his LPs is done by himself. Spacey landscapes and psychedelic colours that fit perfectly to the music they contain.

Never reissued before on vinyl format, the Wah Wah reissue features original sleeve artwork made of paintings and drawings by Nik himself and reproduction of the famous ironic "Do not listen if you are stoned" sticker. Limited edition, 500 copies only.

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Santana

Caravanserai

27,99 €*

Release: 1972 / US – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Sony Legacy)

Simon & Garfunkel

Greatest Hits

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Max Roach & Clifford Brown

Daahoud

LP | 1972 | US | Reissue (Mainstream)

18,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Paula)

Montclairs

Dreaming Out Of Season

15,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Paula)

Montclairs

Dreaming Out Of Season

16,14 €* 16,99 € -5%

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Warner Music Poland)

Skaldowie

Krywan, Krywan

26,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | US | Reissue (Atlantic)

Blind Willie McTell

Atlanta Twelve String

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Atlantic)

Professor Longhair

New Orleans Piano

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Mr Bongo)

Celia

Geraldo Pino & The Heartbeats

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Célia Regina Cruz recorded four self-titled albums for Continental between 1971 and 1977, ‘Amor’ in 1982 plus several more before she sadly passed away late in 2017. Célia was a Brazilian vocalist who worked frequently with master arranger-composer Arthur Verocai in her early years and many other heavyweights over the course of her extensive career.
This, her second self-titled LP from 1972, features an all-star line up including Arthur Verocai, Erasmo Carlos, Roberto Carlos, Marcos Valle, Antonio Carlos Jobim, Nonato Buzar and Vinicius de Moraes amongst others. Célia’s version of ‘Na Boca do Sol’ – taken from this album – is arguably her most well-known and well-loved song. An incredible take on Verocai’s original, featuring waling fuzz guitars, strings, piano, horns and drums. Needless to say clean, original versions of this record now change hands for silly money! We are very proud to be able to reissue it officially, at long last. Official Mr Bongo reissue. Replica original gatefold artwork. Licensed from Warner Music.

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Afro Soco Soul Live

LP | 1972 | EU | Reissue (Oom Dooby Dochas)

LP | 1972 | EU | Reissue (Wah Wah)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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He was born in Sierra Leone in the 1930s. Fact is that Gerald Pine was son to a lawyer working in Nigeria, lost his mother and sister at a very young age and found relief in music. He played social clubs by the early 60s with his newly founded band THE HEARTBEATS delivering cover-versions of American hits and Congolese rumba tunes that were then utterly popular in the West Africa area. Due to the influence of Congolese popular musicians Franco and Dr. Nico he adopted the more exotic sounding stage name of Geraldo Pino and he moved on from there. THE HEARTBEATS literally played until their fingers bled in popular night clubs in Sierra Leone, became one of the highest earning bands of Western Africa and were even able to put up their own television show after television had been introduced in Sierra Leone in 1962. All those developments put Geraldo Pino and his band in the position as leading figures in the African popular music that even a legend such as Nigerian cult musician Fela Kuti, who is often credited with originally creating the so called “Afro Beat” style stated Geraldo Pino and THE HEARTBEATS as major influence which even made him setting sail to the USA to introduce his musical vision over there for he could not match with Geraldo Pino concerning popularity in Africa. This of course is a whole different story. Geraldo Pino lived and played in his area, Sierra Leone, Ghana, Nigeria and created some of the hottest funky sounds with sophisticated sound gear, outstanding clothing and songs that made your blood boil. After a few 7” releases throughout the 1960s the first real album of GERALDO PINO & THE HEARTBEATS hit the scene in 1972. “Afro soco soul live” is as the title suggests an album that has been recorded at a concert and Geraldo Pino often communicates with the utterly enthusiastic audience, gives longer announcements between the songs or introduces his lead guitarist before he starts a simmering solo. All songs here have an average length of six minutes and despite their composed parts they show this free jammy flow. The basic style is funk with soulful vocals which gets mixed up with traditional African percussion grooves. This album swallows you with its mesmerizing rhythms. It's afro funk at best with a frantic atmosphere whirling up from the ever flashing percussive arrangements. The funky Hammond B – 3 organ is omnipresent on all the tracks and duels with the wild and completely unleashed lead guitar from time to time. Repetative chord progressions and harmonies decorate the solid rhythmmical base and deprive you of your senses while you get deeper and deeper into a trance like state moving and floating along on the dancefloor. Due to the crisp and clear sound this record gives you the feeling of being right at the scene, everything sounds and feels so vivid, even after more than four decades. So it is no wonder that this record is a popular gem in Western Africa but how is the reception from the European and American fans of furious funk music? Well, Geraldo Pino has become a legend in his home area but just a short time before his death in 2008 people from the Western World really discovered him and his amazing band. Original copies of this album go for several hundred USD if they ever turn up. So a reissue of this sacred gem of African funk music from the early 70s has been long overdue. A record that is made to let dancefloors smoke and tremble and the musicianship is sheer amazing!

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Siloah

Sukram Gurk

20,99 €*

2LP | 1972 | UK | Reissue (Munster)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Coming out of the boiling Munich scene of the sixties that also gave us the original Amon Düül (Thom Argauer had played in a dixieland band with Chris Karrer in the late 60s, actually), Siloah are one of the best kept secrets of the krautrock production. In 1972 Siloah had suffered a certain number of changes. Thom Argauer was still leading the project, but since his coleagues had left the farm in which they were all leaving he had to start again with new members Markus Krug and Florian Laber. He also looked for a more electric approach, himself moving from acoustic guitar to electric organ.

'Sukram Gurk' was the title chosen for their second LP. It was the name of Markus Krug spelled backwards. Markus' name was chosen because it was the one that sounded better phonetically to the ears of the trio. The sound of the album takes it all one step further, turning into an electric storm, yet retaining the free psychedelic improvisation feel of its predecessor.

The Wah Wah reissue is made in cooperation with Thom Argauer family, it has been cut from the original master tapes, has one bonus track not on the original LP added, features an insert with photos and liner notes and comes in a strictly limited edition of 500 copies only.

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Marc Jonson

Years

17,09 €* 17,99 € -5%

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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LP | 1972 | US | Reissue (Polydor)

James Brown

Get On The Good Foot

31,99 €*

Doug Clifford (Creedence Clearwater Revival)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

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Doug "Cosmo" Clifford

LP | 1972 | EU | Reissue (Craft)

31,99 €*

OST La Macchina Della Violenza

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Originally released in 1972, Cosmo - the only solo effort from Creedence Clearwater Revival’s drummer Doug “Cosmo” Clifford - was recorded not long after the breakup of the legendary Bay Area band. Encompassing elements of country and R&B, plus plenty of up-tempo hooks, Cosmo includes eight original compositions, plus covers of tracks from the Spencer Davis Group (“I’m a Man”), John Sebastian’s “Daydream” and Doug Sahm’s “She’s About a Mover.” The album features CCR’s bassist Stu Cook on rhythm guitar, legendary sideman and Stax session musician Donald “Duck” Dunn on bass, plus members of Tower of Power on horns. Available for the first time in 45 years, the album is newly remastered by Clifford, pressed on 180-gram vinyl and housed in an old-school-style, tip-on jacket. An essential addition to every CCR or Grateful Dead aficionado’s record collection.

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Francesco De Masi

LP | 1972 | EU | Reissue (Spettro)

LP | 1972 | US | Reissue (Mainstream)

Release: 1972 / EU – Reissue

Genre: Soundtracks

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Another master of the soundtrack is Francesco De Masi, that, through a long carrier, has moved between different genres, giving the soundtrack to spaghetti western movies (like Vado l’ammazzo e torno) comedies, and action movies like La Macchina della violenza (The Big Game), by Robert Day. A soundtrack that goes from tense and nervous songs, to soft ballads with female voice.

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Lightning Hopkins

Dirty Blues

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Araca Azul Colored Vinyl Edition

Caetano Veloso

LP | 1972 | EU | Reissue (Lilith)

2LP | 1972 | EU | Reissue (BMG)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Apparently when this album was originally released in 1972, confused and bewildered fans, expecting more of the same found on Transa, released earlier that year, returned the album to the shop, demanding a refund. Meanwhile, critics raved, and many now consider Araçá Azul known as CAETANO VELOSO’s “experimental album” to be one of his great creative moments. To be fair to his many fans, it was a stark departure from his previous releases, which were decidedly more pop, but Veloso had been through a lot recently, having just returned from political exile in the UK, so it is no wonder that the artist was feeling a bit like he needed to fly in the face of conformity. In Veloso‚s own words, “I made this album without thinking, without taking the time to stop to think.” He refers to the album’s “insolent experimentalism” and calls it a kind of “last stand.” Color vinyl version.

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Amon Düül

Carnival In Babylon

32,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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An Evening With The Devil

Wendell Harrison

LP | 1972 | BR | Reissue (Polysom)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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»The compositions we play are reflective of the music of our times whereby we play Jazz, Rock, and African music with its poly or many rhythms. I wrote all the tunes on this particular LP and it is written as a suite in 5 movements which means that the music can be performed along with poetry and dancers. On our last LP called “Message From The Tribe” we featured the compositions of our very talented composer, arranger, and trombonist Phil Ranelin. On one side he wrote all the compositions and on the flip side I wrote all the tunes. This album was produced by us on the Tribe record label. As far as the music on “Evening With The Devil” is concerned it really speaks for itself. In addition to the music it features some relevant poetry by two very talented young poets named Oba and Vajava who are also members of a very excellent theatre group in Detroit called The Black Messengers.«
Extract from the sleeve notes of this album by Wendell Harrison.

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Celia

37,99 €* 39,99 € -5%

Philippe Mate / Daniel Vallancien

Release: 1972 / BR – Reissue

Genre: Organic Grooves

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The release comes on 180g vinyl. Brazilian singer, guitarist, teacher and composer Célia recorded four self-titled albums for Continental between 1971 and 1977, 'Amor' in 1982 plus several more before.This, her first self-titled LP from 1970, feature arrangements by Rogério Duprat, Pocho Perez, Arthur Verocai & José Briamonte.

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LP | 1972 | EU | Reissue (Souffle Continu)

LP | 1972 | EU | Reissue (Music On Vinyl)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Although discrete, the career of saxophonist Philippe Maté includes nonetheless several indispensable albums: be it with the Acting Trio, Jean Guérin (Tacet) or Jef Gilson (Workshop), his collaborations in a big band or quartet with Lawrence “Butch” Morris, his presence in the Saxophone Quartetand also on the brilliant L’Enfant assassin des mouche by Jean-Claude Vannier.
As for the man in the background, Daniel Vallancien, a sound engineer rarely featuring on the sleeves, the collection Actuel on the BYG label owes much to him (he is at the controls behind Anthony Braxton, Don Cherry, Sonny Sharrock or Steve Lacy), the same goes for Saravah for who he notably recorded Areski, Brigitte Fontaine, Maurice Lemaître or the Cohelmec Ensemble: not bad for starters! What is more, Daniel Vallancien is one of a prestigious group of French recording engineers with open ears and often themselves musicians, even if only occasionally for some, including Bruno Menny, Daniel Deshays or Jean-Marc Foussat, who have all recorded remarkable albums as leaders. Behind this collaboration was the idea ofcreating music which was free, direct and spontaneous, while having also a minimum of advance planning. Music, according to the brief liner notes desirous to “remove itself from long and patient laboratory experiments “. So, there can be found here none of the sophisticated tools associated withelectroacoustic research, but mainly a recording mixer console, which, in the hands of Daniel Vallancien acts directly on the original instrumental sound in real time, modifying and multiplying it while respecting the natural flow. Be it Paul Méfano, Betsy Jolas, Gérard Grisey or Jacques Lejeune, many contemporary composers working in France have, at one time or another, includedthe saxophone in their work. Michel Redolfi, for example, with the GRIM and then the CIRM , experimented with saxophonist André Jaume on a convincing recording (Hardscore). Nothing, however, can compare to the singularity of the dialogue between Philippe Maté and Daniel Vallancien, which they themselves describe as being “serious, sarcastic orhumorous”, with, here and there, “disturbing sounds”. Words, however, even those used by the protagonists themselves, are insufficient to describe such a sonic object, difficult to identify and, it has to be said, extraordinary.

First ever vinyl reissue
500 copies – Gatefold sleeve – Obi strip
Licensed from Saravah

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Herbie Hancock

Crossings

LP | 1972 | BR | Reissue (Polysom)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Crossings is the second album in the experimental sextet trilogy Herbie Hancock released early
1970s. His electronic movements are further explored and the whole sound comes alive in the three
long tracks this album consists about. The album opens with some African drums before moving on
the to some of the unearthed sounds the sextet created for this album. Centerpiece "Sleeping Giant" is
nearly 25 minutes long and is divided into five funky and groovy parts. A transcendent experience that
has grown over time into one of the most moving, powerful and innovative artistic statements of the
modern era. Over forty years later this album still sounds incredibly ahead of its time.
Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played
with the greats such as Donald Byrd and Miles Davis. As he was a bit of a geek, he enjoyed gadgets &
buttons and he was one of the first to embrace and master the electric piano, but he always stayed
true to the acoustic sound. In fact, he always bounced back and forth between his electronic and
acoustic sound, touching upon almost every development in R&B, Funk and Jazz while retaining an
original and distinctive voice.

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Karma

39,99 €*

LP | 1972 | EU | Reissue (Out-Sider)

Release: 1972 / BR – Reissue

Genre: Organic Grooves

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This is a 180 gram pressing. An obscure bit of Brazilian folk rock from the early 70s – recorded with an easygoing, laidback style that's really wonderful!

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Lite Storm

Warning

LP | 1972 | EU | Reissue (Mr Bongo)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Genuine underground freakiness”– Patrick Lundborg (Acid Archives)

Screaming psychedelic garage from L.A. with fuzzed out guitars, Vox organ, killer vocals, early Oriental vibes...Recorded in 1967-68 but not widely released until 1972.

File next to Music Emporium, Tiffany Shade, Seeds, Rebecca & The Sunnybrook Farmers … Formed in California in 1967, Lite Storm was the first incarnation of spiritual seekers Johnima & Kalassu Wintergate (later on Lightstorm, One…). A pioneering psychedelic band, Lite Storm played at all the hip Sunset Strip clubs, were friends with Kali Bahlu and travelled to the Orient and Far East, touring in Vietnam in 1970.
“Warning” was recorded at a four-track studio in 1967-68, first released as a custom tiny pressing before being licensed to the Beverly Hills label for a proper release. This is the first ever vinyl reissue.

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The Sylvers

LP | 1972 | EU | Reissue (Mr Bongo)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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* Record Store Day Europe / UK 2019 Exclusive Release
* Beautiful funk-soul album produced by Jerry Butler, Keg Johnson and Michael Viner, written by Leon Sylvers III.
* The Sylvers were a family group from Los Angeles with chart hits including ‘Fools Paradise’, ‘Boogie Fever’, ‘Hot Line’ and ‘High School Dance’
* Sampled by J Dilla, Jazzanova, Ghostface Killah, Snoop Dog and many more.

Beautiful funk-soul album produced by Jerry Butler, Keg Johnson and Michael Viner, written by Leon Sylvers III. The Sylvers were a family group from Los Angeles who were very successful during the 70s and into the early 80s, with chart hits – deep into pop-disco territory by then! – including ‘Fools Paradise’, ‘Boogie Fever’, ‘Hot Line’ and ‘High School Dance’. No less than 9 of the 10 brothers and sisters of the family made up the group, often referred to as a Southern version of the Jackson 5. Sampled by J Dilla, Jazzanova, Ghostface Killah, Snoop Dogg and many more.

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Ronald Mesquita

Bresil 72

The Unforgiven / Theme From "The Movietown Sound"

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Classic Brazilian album from master drummer, Ronald Mesquita, originally released in 1972. Featuring songs by Jorge Ben, Antonio Carlos-Jobim, Gilberto Gil, Edu Lobo and others.
Mesquita is probably most well-known for playing with Luis Carlos Vinhas and his ‘Bossa Tres’ outfit, along with his own group, ‘Ronie E A Central Do Brasil’, that he formed after his return from the US in the early 1970s. He also played on several songs on Tenorio Jr.’s ‘Embalo’ album that Mr Bongo recently reissued.
The killer track ‘Balanca Pema’ was very big in the Jazz Dance scene in the 90s and also featured on the Mojo compilation ‘Dancefloor Jazz Volume Four’.
Madlib sampled ‘Balanca Pema’ on his Medicine Show Number 2 ‘Flight to Brazil’.
Official Mr Bongo reissue. Licensed courtesy of Universal Music Group Limited.

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Scorpio And His People

7" | 1972 | US | Reissue (Ubiquity)

12,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Manufactured)

Nitai Dasgupta

Songs Of India

18,89 €* 26,99 € -30%

LP | 1972 | EU | Reissue (Be With)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Manufactured Recordings reissues two Indian Classical LPs, Songs Of India from prominent vocalist Nitai Dasgupta and Three Sitar Pieces by trained instrumentalist Pandit Kanwar Sain Trikha, both originally released on Vic Keary’s underground label, Mushroom Records, in the early 70s.

While Vic Keary’s background was in reggae, Mushroom Records dabbled in recording a bit of everything. Mostly known for hyper-rare Psych, Prog and Acid Folk, Nitai Dasgupta and Pandit Kanwar Sain Trikha’s diverse LPs fit in perfectly with their British Psych and Prog label mates like Simon Finn, Magic Carpet, and Chillum.

Nitai Dasgupta was one of the most talented Indian classical singers in Great Britain. His sweetness and flexibility created a unique style complemented by his melodious voice and composing abilities. Songs Of India pleases the lovers of Indian classical and semi-classical music while enticing pop and folk lovers. This LP even caught the ears of acclaimed electronic artist, Four Tet, who featured track “Cham Cham Cham Cham” on his NTS Radio show.

I inherited the Nital Dasgupta LP from my grandfather. I’ve no idea how he came to have it and after he died it sat on a shelf for many years before I found it and gave it a listen. – Kieran Hebden aka Four Tet

Both LPs are fascinatingly diverse pieces of work that dive into the intersection of folk, classical, and psychedelic music.

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John Cameron

Jazzrock

LP | 1972 | EU | Reissue (Right Track)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180g vinyl and was remastered from the original tapes. Be With have raided the KPM archives to re-issue another of our favourites from the KPM 1000 series. They say: A Dramatic Suite Of Themes, Montage, Sequences And Generics. We say: An enormously influential and heavy KPM set of timeless, killer funk breaks from 1972 by the mighty John Cameron. Jazzrock is an aggressive, percussion-heavy album with an energy that leaves jaws on the floor. Breaks and beats for days with electric piano, bass loops, and pounding percussion. Funky jazz with a deep, tough, soundtrack feel. As with all of our KPM re-issues, the audio for The Road Forward comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity. And don’t worry! Those KPM stickers aren’t stuck directly on the sleeves!

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Fairuz

La Gardienne Des Cles

Roberta Flack & Donny Hathaway

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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This reissue comes on 180g. Right Track is a specialized music label based in Beirut - Lebanon. As an IFPI certified member they are the exclusive Licensee and distributor of multiple international and regional labels in addition to a range of Lebanese Artists. From Omar Khorshid’s arabian-funk to Fairuz’s eerie songs, from Ziad Rabani’s proto-disco to lebanese traditional Wadih Al Safi compositions, Right Track is committed to re-releasing the Immortal Arabic music repertoire on 180 g vinyls, delivering the highest possible quality from remastered audio to satisfy the demanding audiophile connoisseurs.

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LP | 1972 | EU | Reissue (Music On Vinyl)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Demon)

Satisfaction Unlimited

Think Of The Children

LP | 1972 | US | Reissue (Etats-Unis)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1972 this is a rare LP originally released on Invictus, Hotwax label. This release is so obscure there is little information about them online. This is a vocal, soul classic that features the masterful title track ‘Come On Back’ and the monster club cut ‘Lets Change The Subject’ Line-up includes Lorenzo Hines (lead tenor), James Isom (second tenor), Earl Jones (baritone), and Fletcher Lee (bass). Reissued on 180gm heavyweight classic black vinyl.

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The Taj-Mahal Travelers

July 15, 1972

37,99 €*

LP | 1972 | ES | Reissue (Wah Wah)

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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For over half a century, Takehisa Kosugi was one of the most unique and enduring figures in the Japanese underground. With a penchant for long psychedelic jams (some lasting 12 hours or more) The Taj-Mahal Travelers lived up to their name. Touring in a Volkswagen van across Europe and Asia in the early '70s, they eventually reached the actual Taj Mahal in India. Upon their return to Japan, they held a concert to raise more touring funds and released their very first recordings. Their debut album, July 15, 1972, would extend the band's matter-of-fact titling: all the tracks were named precisely for the times they began and ended.

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Anthony Moore

Secrets Of The Blue Bag

Jim Sullivan Black Vinyl Edition

Release: 1972 / ES – Reissue

Genre: Classical Music

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Secrets Of The Blue Bag', Moore's second solo LP for Polydor, was issued in 1972 but recorded in the Fall of 1971, just a bit before Slap Happy were backed by Faust on the recording sessions of their first album. Anthony Moore was joined by soprano Geeske Hof-Helmers, violinists Toni Sen and Patrick Strub, celloist Rolph Braun and Wolf Schreiber on fagott.

The missing link between British "art-rock" and the German "krautrock" scenes!

This is a 500 copies only reissue done in collaboration with Anthony Moore himself. Comes housed in its original artwork.

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Jim Sullivan

LP | 1972 | US | Reissue (Light In The Attic)

Jim Sullivan Mystery Blue Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Mastered from the original analog tapes
Deluxe Stoughton “tip-on” jacket with debossing
Vinyl pressed at RTI
All tracks previously unreleased
Booklet with liner notes and rare archive photos

On March 4, 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost. Some think the mafia bumped him. Some even think he was abducted by aliens.

By coincidence–or perhaps not–Jim’s 1969 debut album was titled U.F.O.. Released in tiny numbers on a private label, it too was truly lost until Light In The Attic Records began a years-long quest to re-release it–and to solve the mystery of Sullivan’s disappearance. Only one of those things happened, and you can guess which…

Light In The Attic’s reissue of U.F.O. introduced the world to an overlooked masterwork and won Sullivan, posthumously (presumably), legions of new fans. Those new admirers are in for a real treat: a lavish, first-time release of a previously unheard 1969 studio session.

If The Evening Were Dawn contains 10 acoustic solo recordings that have never seen the light of day. Whereas U.F.O. was bolstered by legendary sessioneers The Wrecking Crew, this is Jim Sullivan on his own terms, stripped down and soulful as ever. Recorded at a Los Angeles studio circa 1969, the session contains acoustic versions of a handful of U.F.O. tracks alongside a half dozen previously unheard songs. This, then, is the closest thing to those fabled Malibu bar performances at which Sullivan was first noticed.

According to his widow, Barbara, this was the album Jim always hoped to record. It serves as an unprecedented glimpse into the mysterious, larger-than-life figure who’s become the stuff of legends.

While Sullivan’s disappearance remains unsolved, his music endures and is finally gaining him the recognition he deserves, albeit long overdue. This recording serves as an unexpected missing piece of the puzzle; this is Jim Sullivan’s true swan song.

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Jim Sullivan

LP | 1972 | US | Reissue (Light In The Attic)

37,99 €*

CD | 1972 | US | Reissue (Dolemite)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Rudy Ray Moore

The Turning Point

14,99 €*

LP | 1972 | CA | Reissue (Return To Analog)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Rudy Ray Moore
The Turning Point

Dolemite Records
DOL103-CD
8 29357 01032 2
$8.14

Throughout the 1970s, Rudy Ray Moore made his name as one of the most uniquely explicit, anti-establishment underground comedians working. With his profane, controversial material, and frequently taboo stories surrounding his famed pimp character Dolemite, Moore commanded a cult-fanbase throughout the decade, remained a star of blaxploitation films of the era, and was a strong influence on rap stars such as Snoop Dogg, Big Daddy Kane, and 2 Live Crew. His party records were considered too vulgar to be displayed in record shops, but word of mouth made his albums the stuff of legends.

Though Rudy Ray Moore was widely known for his provocative stand-up, less is known about his musical side. Though he found success as a comedian he had always wanted to be a famous singer, and deeply loved to perform music. (His stand-up shows regularly featured a backing band, providing his monologues a backdrop of jazz and R&B music.) In 1972, as his comedy career was booming with cult-popularity, Moore released The Turning Point, and fans were treated to the raunchy raconteur's previously unheard croon. The album features smooth R&B renditions of songs by Curtis Mayfield, The Impressions, The Platters, and other favorites of the comedian, even featuring two originals written by Moore himself.

The music on The Turning Point could easily stand toe-to-toe with the smooth, silky 70s soul of greats like Isaac Hayes or Lou Rawls. Over 35 years later, Dolemite Records, with a dedication to bringing Rudy Ray Moore's legacy to a modern audience, now brings you this compact disc reissue, complete with retrospective liner notes from Rudy's former manager Donald Randell.

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Champignons

Premiere Capsule

Release: 1972 / CA – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Vinyl Magic)

Giuliano Sorgini

Elettroformule

LP | 1972 | UK | Reissue (Speakers Corner)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale.

Giuliano Sorgini is one of the most mysterious composers of the sonorization and soundtrack genres: almost nothing is known about his life, despite his name being linked to dozens of albums and compositions. "Elettroformule" is probably one of his most 'extreme' experiments: a collection of thirteen short improvisations generated with the sole aid of electronic instruments: abstract compositions, balanced between ambient and noise music, perfect for a hypothetical science fiction from the '60/70s.

"Elettroformule" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers.

Edition in black vinyl 180gr.

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Carly Simon

No Secrets

LP | 1972 | CA | Reissue (Return To Analog)

Release: 1972 / UK – Reissue

Genre: Pop

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Carly Simon’s unquestionably best album, "No Secrets", was also her commercial breakthrough. It topped the Billboard charts for over five weeks, thus quickly gaining gold status, as did the single release of "You’re So Vain". This song determined the album’s flippant tone, with its sexually unashamed autobiography (»You had me several years ago/When I was still quite naïve«) and its observations on the lifestyle of the jet set. But Simon’s sincerity also meant that her lyricism was double-edged. Now that she thinks she has found true love, she expresses her joy over her relationship to James Taylor with "The Right Thing To Do", another top ten hit. On the other hand she was just as willing to recognize her own mistakes and regretted pointing her finger at other people. It was not just Simon’s frankness that made the album a success, but also Richard Perry’s simple, elegant pop-rock production, which lent Simon’s music a vitality it never known before. Perry was mindful in particular of Simon’s vocals, making them more perceptive and stirring than in her other productions. And of course her fellow musicians, such as Paul and Linda McCartney, Mick Jagger, Klaus Voormann, Lowell George, Bobby Keys, Jim Keltner as well as her ex-husband James Taylor all contributed to the success of the album, which was awarded official platinum status by the Recording Industry Association of America.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.
Recording: September - October 1972 at Trident Studios, London, by Robin Geoffrey Cable

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Franck Dervieux

Dimension M

Release: 1972 / CA – Reissue

Genre: Rock & Indie

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Rahsaan Roland Kirk

Blacknuss

2LP | 1972 | JP | Reissue (Warner Music Japan)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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As deep as a soul record can be and as hot as any jazz record has a right to call itself. deep

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Speed Glue & Shinki

62,99 €*

LP | 1972 | EU | Reissue (RCA)

Release: 1972 / JP – Reissue

Genre: Organic Grooves

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Speed, Glue & Shinki's last album has been reissued in a gorgeous specification that faithfully reproduces the original, including the entire volume band! Released in 1972. It is a two-disc set that became the last album. Famous for its tiger jacket. There are a lot of songs that seem to be centered on Joey Smith now, but Bluesy Rock is fully opened like the previous work. Although some lyrical songs can be seen, the D-side medley makes heavy use of the precious Moog synthesizer at the time. Guests include Michael Hanopol, Shigeki Watanabe, Hiroshi Oguchi. The 96khz24bit sound source mastered in 2017 is used for this analog conversion. The jacket is a single jacket × 2, a full-length band, a lyrics card, etc. The original is reproduced as much as possible.

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Lou Reed

Transformer

27,99 €*

Exile On Main Street Half Speed Remastered Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Legendary second solo studio album by American recording artist Lou Reed. Produced by David Bowie and arranged by Mick Ronson, the album was released in November 1972 by RCA Records. Pressed on standard black vinyl.

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The Rolling Stones

2LP | 1972 | EU | Reissue (Polydor)

38,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Wewantsounds)

Alice Clark

LP | 1972 | EU | Reissue (Demon)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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2022 repress. Following the success of Wewantsounds' Alice Clark RSD edition featuring an extra 20-page booklet, the label reissues the standard version of Alice Clark's highly sought-after soul jazz classic produced by Mainstream Records' Bob Shad in 1972. Featuring original artwork, remastered sound making this reissue is the first official reissue of Alice Clark's original album for decades, a long overdue release of one of the best Soul albums ever recorded. When it comes to legendary albums, very few can match the cult status achieved on the international jazz and funk scene, by Alice Clark's eponymous album, recorded for Mainstream Records in 1972. The record which went unnoticed when it first came out has become one of the most sought-after albums ever since it became cult on the London jazz and funk scene in the late '80s. It is now being acknowledged as one of the best soul albums of all-times. Recorded live over two days at the Record Plant studios in New York City, the album was produced by Bob Shad and arranged by jazz veteran Ernie Wilkins with a big band setting. The music is a superb mix of jazz and soul blessed by Clark's superb singing and including two all-time favorites, "Don't You Care" and "Never Did I Stop Loving You" plus a selection of heart-wrenching songs beautifully sung by Clark. Hailed as a soul masterpiece alongside Aretha Franklin or Roberta Flack's best albums, Alice Clark's LP took almost fifty years to achieve classic status and Alice Clark is now finally getting the recognition she deserves.

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Laura Lee

Two Sides Of Laura Lee

LP | 1972 | EU | Reissue (Demon)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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This classic is reissued on 180g heavyweight black vinyl with original artwork and printed inner sleeve.

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Harrison Kennedy

Hypnotic Music

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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LP | 1972 | UK | Reissue (Ace)

Ohio Players

Pleasure

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Speakers Corner)

Buddy Guy & Junior Wells

Play The Blues

LP | 1972 | US | Reissue (Real Gone)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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The blues is perhaps one of the most private things from which a human being can suffer. However, to play the blues, and thus to express a man’s innermost feelings and state of mind, is probably the most important task of black music. With Buddy Guy and Junior Wells, we have two disciples from the world of the blues who express their highly personal blues with profound instrumental proficiency. The enormously talented, self-taught guitarist Buddy Guy was ranked 23rd in Rolling Stones magazine’s list “100 Greatest Guitarists of All Time”, and several times he was awarded one of the coveted Grammy awards. Junior Wells entered Muddy Waters’ 'academy' at the tender age of 18 and played the blues harp with enormous passion and virtuosity. In this recording, the musicians condense their rock playing over a bone-dry bass line to create a mantra-like funky style ("A Man Of Many Words"), passing on with fleet-footed steps to a slender chirping sound on the mandolin with a 12-bar blues construction and creating an earthy groove ("T-Bone Shuffle"). Then the duo works perseveringly on an unrelenting chord ("A Poor Man’s Plea"), only to return to two numbers that pulsate forcefully with a snappy and jagged offbeat ("This Old Fool"). The handpicked band, among them being co-producer Eric Clapton who is eternalized on the rhythm and bottleneck guitar, and the voodoo rocker Dr. John who occasionally contributes his magic on the keyboard, make this album a truly collectible sound experience.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: October 1970 at Criteria Studios, Miami (fl), by Ron Albert and April 1972 at Intermedia Studios, Boston (ma), by Richard Oulleppe Production: Ahmet Ertegun, Eric Clapton, Michael Cuscuna, Tom Dowd

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Awakening

Hear, Sense And Feel

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Teasing You Again / Your Love, My Love T Record Store Day 2020 Edition

Willie Tee

7" | 1972 | EU | Reissue (Gatur)

11,99 €*

Mickey & The Soul Generation

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2020 Release.

One of the most expensive records in the world. The only available copy on Discogs is a mere £4,000! This was Willie Tee returning to his ’60s anthem “Teasing You” but updating it with a beautiful 1972 New Orleans production turning it into a Modern Soul anthem. It’s a work of sublime genius and the fully remastered 7″ reissue will have replica artwork of the original Gatur label. You have just been spoilt, again.

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How Good Is Good Record Store Day 2020 Edition

7" | 1972 | EU | Reissue (Mr. G)

12,99 €*

LP | 1972 | CA | Reissue (Return To Analog)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2020 Release.

Fully remastered reissue with replica artwork of ultra-rare heavyweight Funk 45 by DJ Shadow’s favourite Funk band, Mickey & The Soul Generation – ‘How Good Is Good’. 1972 originals of this 7 inch gem sell on the second hand market for £1000. Black 7″ dinked centre hole vinyl

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Dionysos

Le Prince Croule

Release: 1972 / CA – Reissue

Genre: Rock & Indie

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2LP | 1972 | EU | Reissue (Parlophone Label Group)

Itzhak Perlman

24 Caprices

26,99 €*

Release: 1972 / EU – Reissue

Genre: Classical Music

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Sahib Shihab + Gilson Unit

La Marche Dans Le Desert

LP | 1972 | EU | Reissue (Souffle Continu)

LP | 1972 | EU | Reissue (Sony)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this French free jazz nugget recording by Sahib Shihab + Gilson Unit. Paris, February 1972. A few months after having released Le Massacre du Printemps, Jef Gilson was back behind his keyboards for a completely different experience. Heading up his Unit, he was joined by Sahib Shihab, ex- partner to Gillespie, Monk and Coltrane, for a brief stroll in the desert. For three-quarters of an hour, the caravan passes by, evoking, one after the other, Pharoah Sanders and Alice Coltrane, Pierre Henry and Karlheinz Stockhausen... Oh yes, and one other thing, we forgot to mention that Shihab’s saxophone is... amplified.

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Simon & Garfunkel

Greatest Hits

Release: 1972 / EU – Reissue

Genre: Pop

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LP | 1972 | EU | Reissue (Universal)

Balletto Di Bronzo

63,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Situazioni Del Terzo Mondo

Maria Teresa Luciani

20,69 €* 22,99 € -10%

LP | 1972 | US | Reissue (Demon)

Release: 1972 / EU – Reissue

Genre: Soundtracks

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The world of Italian Library music surprises us again with an extremely evocative record. Released with the name of Maria Teresa Luciani but really produced and composed by her brother Maestro Antonino Riccardo, Situazioni del Terzo Mondo ranks among the most important abstract soundscape records. Spontaneous tribalisms tainted with concrete sounds support the looming psychedelic vein, with different solutions from track to track. Recorded in 1972 it is reissued in a limited edition by Cinedelic Records.

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Glass House

Thanks I Needed That

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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Enrico Intra

Jazz In Fabbrica

LP | 1972 | EU | Reissue (Green Tree)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Cinedelic presents a reissue of Enrico Intra’s Jazz In Fabbrica (Jazz In The Factory) originally released in 1972. Pianist, composer, arranger and conductor, among the most important ones in the history of European jazz, Enrico Intra has developed a poetics aiming at the encounter between the most exquisitely jazz language and contemporary music of a cultured matrix, and for this reason he was among the first Italian musicians to develop a “European” concept of jazz. Nuova Civiltà suite, certainly one of his best-known compositions, often also interpreted by Gerry Mulligan, deeply combines blues and tradition, adhering to the most radical trends of the music scene. A challenge to established formal and expressive schemes.

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Abacus

Everything You Need

You Don't Mess Around With Jim / Operator (That's Not The Way It Feels) Record Store Day 2021 Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Studio Album, released in 1972. CD reissue 2012 New Music-Green Tree + 2 exclusive bonus tracks. 8-page booklet, digitally remastered

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Jim Croce

12" | 1972 | EU | Reissue (BMG)

17,99 €*

Music Inc.: Live At Slug's Volume 1

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2021 Release. Color: Tangerine.

Limited edition double A-side on 12” Tangerine vinyl, featuring the first two singles from Jim Croce’s 1972 album, You Don’t Mess Around with Jim, which hit #1 in the US and Canada is RIAA Certified GOLD

Also included are the original B-sides “Photographs and Memories” and “New York’s Not
My Home”

The release also includes replicated original front cover art from both singles, one on each side.

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Charles Tolliver

LP | 1972 | EU | Reissue (Souffle Continu)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Where have you gone, Charles Tolliver? There was such promise in the concept of Music Inc., and in Strata East, but evidently the music world's attention was elsewhere and this tremendous live set was probably heard by only a few hundred sets of ears. On the back of the record sleeve, Tolliver undersigned his mission statement: »Music Inc. was created out of the desire to assemble men able to see the necessity for survival of a heritage and an Art in the hopes that the sacrifices and high level of communication between them will eventually reach every soul.« And he isn't kidding. You won't find a much higher level of communication than he, Cecil McBee, Stanley Cowell, and Jimmy Hopps engaged in on May 1, 1970 at Slugs' in New York City. This was much more than an attempt to merely 'preserve acoustic jazz' as in the stilted Marsalis vein. This was an attempt to preserve a measure of authenticity while maintaining the notion of forward-thinking, present-tense improvised music. They deserved a greater response than the lukewarm, sparse applause they received that night, and continue to deserve a far more cognizant audience for their efforts. Tolliver ('Drought"), McBee ("Felicite"), and Cowell ("Orientale") each contribute a track to the set; though very much distinct, each is equally strong. "Drought" is the kind of dark-hued, well-honed burner which Tolliver routinely produced in his fertile years. "Felicite" is a more contemplative affair, a deeply felt and empathically performed piece; the unit here is in particularly sublime form, merging considerable skill with a staggering depth of emotion. "Orientale" falls somewhere in between the pace of the two, with Cowell's Eastern scales establishing an austere, industrious tone throughout its seventeen-and-a-half-minute length. Through its duration, the music on Live at Slugs' is often riveting and incessantly compelling. Hopps is a lesser-known entity to me, but the other three players featured here are some of the all-time underrated presences in the jazz pantheon, and they play nothing short of masterfully. Always a presence on his recordings, Tolliver demonstrates tremendous range, flair, and command as a trumpeter and leader. Had he not come along at a time when pure jazz was falling out of favour, I have to believe his name (along with Woody Shaw's) would be every bit as prolific as Freddie Hubbard's or Lee Morgan's; the same holds for the always brilliant and expressive McBee on bass. I feel saddened that Music Inc. fell so far short of »eventually reach[ing] every soul« - yet fortunate that it eventually reached mine. RYM

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Malagasy / Gilson

Malagasy

24,69 €* 25,99 € -5%

LP | 1972 | EU | Reissue (Heavenly Sweetness)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Gilles Peterson (Worldwide), Thurston Moore (Sonic Youth), Four Tet or Dan Snaith (Caribou) are all crazy about this album. Not satisfied to have already opened for John Coltrane in 1965, to have participated in the legendary Double Six or to have launched the careers of several stars of French jazz (Texier, Ponty, Lubat, Portal, Vitet, Vander and many more), the pianist and bandleader Jef Gilson would become, through this recording, the unlikely catalyst of a jazz which would proudly claim its’ Malagasy identity. Historical!

"Paris, May 13th 1968. There was a general strike. One last plane left the runway, strewn with flaming oil drums. On board were three jazz musicians wondering whether they would be able to return home one day. But for the time being they really want to make it to Madagascar where concerts and workshops with young local musicians were waiting for them. Pianist and bandleader Jef Gilson was accompanied by his bassist Gilbert "Bibi" Rovère (Martial Solal Trio) and the young drummer Lionel Magal (Crium Delirium). Gilson, who already had a reputation for finding new talent (it was thanks to him that, amongst others Jean-Louis Chautemps, Henri Texier, Jean-Luc Ponty or Michel Portal first became known) was literally blown away by the standard of the young Malagasy musicians, all capable of imitating their American idols by ear. Their names were known only to jazz fans on the island; Serge, Allain and Georges Rahoerson, Arnaud Razafy, Roland de Comarmond, Joel Rakotomamonjy, Alain Razafinohatra, Samuel Ramiara... Gilson then had a vision: he wanted to encourage them to play jazz which was truly Malagasy and which would find its’ soul in the island’s culture and traditional instruments (Sodina flute, valiha, various percussion instruments...).

He would go back to the big island three times, in March (with cellist Jean-Charles Capon), in October 1969 (alone), then in February 1970 (as a trio with guitarist Raymond Boni and drummer Bertrand Gauthier). The two trips in 1969 would lead to the sessions, recorded on a simple ReVox with two Neuman microphones, which would make up the essential part of this mythical album entitled "Malagasy", and first issued in 1972 on the Lumen label, and then reissued, as early as 1973, on Palm, Jef Gilson’s own label.

Apart from the last track, recorded in Paris in 1971 with Malagasy instruments brought back from trips by the trio which would play on the avant-garde "Le Massacre du Printemps" (Futura), all the other compositions on the album are by Jef Gilson, Jean-Charles Capon and the young saxophonist Serge Rahoerson. There is also a cover of a song issued just a few months earlier and that the Malagasy musicians had only heard through bits and pieces played by Gilson on piano: the song is "The Creator Has A Masterplan" by Pharoah Sanders, and it is one of the most wild and mystical versions you will ever hear.

In May 1972, Madagascar itself would be the theatre of youth revolt. And the composition "Avaradoha" by Serge Rahoerson, the second track of the first side of this album, would be the anthem of the revolution on the streets." --- Jérôme "Kalcha" Simoneau

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Mulatu Astatke

Ethio Jazz

Release: 1972 / EU – Reissue

Genre: Reggae & Dancehall

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Showmen 2 (Napoli Centrale) White Transparent Record Store Day 2021 Edition

Showmen 2

LP | 1972 | EU | Reissue (Udp Disco Piu)

32,99 €*

Space Walk British Jazz Explosion Series Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2021

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Don Rendell Quintet

LP | 1972 | EU | Reissue (Decca)

Radius Colored Record Store Day 2021 Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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For the first time with the correct title sequence. More info coming soon.

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Alberto Radius

LP | 1972 | EU | Reissue (Numero Uno)

31,99 €*

Daddy's Dream / Since You've Been Gone Colored Record Store Day 2021 Edition

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2021 Drop 2 release.

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Stratos Demetrio

7" | 1972 | EU | Reissue (Numero Uno)

9,79 €* 13,99 € -30%

LP | 1972 | EU | Reissue (Transversales Disques)

Release: 1972 / EU – Reissue

Genre: Rock & Indie, Pop

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Record Store Day Italia 2021 Drop 2 release.

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Philippe Sarde

OST Cesar Et Rosalie

27,99 €*

Music Inc.: Live At Slug's Volume 2

Release: 1972 / EU – Reissue

Genre: Soundtracks

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After Les choses de la vie, Transversales proudly presents the first ever LP reissue of this classic Philippe Sarde soundtrack: César et Rosalie. « As it happens, Philippe is less interested in his natural function which is to write music sheets... than in the film itself. And I, somehow, am as much, and perhaps more interested in the music than in the film itself. Therein lies the deep reason for our paradoxical relationship.” These are the words French film director Claude Sautet used to define his collaboration with the prodigious French composer. The « Cesar et Rosalie » score is like a magical bridge linking baroque and electronic music, mixing Moog synthesizer sequences with acoustic instruments. Compared to the original CAM LP, this reissue contains 6 unreleased tracks that were removed from the original tracklisting. Among them a Mariage 72 in Bacharach style and a beautiful piano version of the theme performed by Philippe Sarde himself. It obviously contains Romy Schneider’s famous voice-over in the unforgettable track La lettre de Rosalie.

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Charles Tolliver

LP | 1972 | EU | Reissue (Sonor Music Editions)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Owning both this disc and "Live at Slugs', Volume 1" is essential for hardcore Jazz fans. Part two of the Slugs' date is just as impressive and again feature three originals all penned by the group. Here we get a better example of Tolliver's compositional work with the touching Coltrane tribute "Our Second Father". Again Tolliver's trumpet is simply stunning. The rhythm section of Cecil McBee and Jimmy Hopps also deserve mention as these two really drive the quartet along in a similar fashion to Garrison and Jones did with Coltrane. The McBee original Wilpan's also highlights the strength of McBee's writing and is probably the pick of the tunes here.

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Sandro Brugnolini

Utopia

36,99 €*

Slayed? Colored Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Sonor Music Editions is proudly continuing the dive into the glorious Sermi catalogue, a renomated Italian Library label that released, between late 60s and early 70s, some among the most sought-after and insane records of the whole Library/Soundtrack genre. We're now excited to announce the first ever reissue of another Italian Library grail from the catalogue - originally issued in 1972 on Gemelli label. Sandro Brugnolini's masterpiece "utopia", originally pressed on a ridiculous run, and released on a beatiful tip-on sleeve reproducing painter Michel Seuphor's abstract art. The first official release after the recent maestro's passing, conceived with the great arrangements of Giorgio Carnini at the Hammond and piano, and the direction of maestro Franco Tamponi. A brilliant and inspired Jazz-Funk and Lounge Jazz session with just amazing sounds, driven by both dreamy and underground moods, Avant-garde Jazz refined orchestrations and gorgeous grooves.

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Slade

LP | 1972 | EU | Reissue (BMG Rights Management)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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DNA Clear Red Vinyl Edition

Jumbo

LP | 1972 | EU | Reissue (Vinyl Magic)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Holy Basil)

V.A.

Underground Mood

26,99 €*

2LP | 1972 | EU | Reissue (Reprise)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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First launched in 1971, Flirt Records was one of the many notable production music imprints distributed by Flipper Music, iconic publishing company founded by Romani Di Bari in 1968 and house to some of the best Italian library music. Back in 1972 the label released this compilation entitled "Underground Mood" featuring music composed by Emma De Angelis, Roberto Conrado, Luigi Lopez as well as Amedeo Minghi, whose anthemic "Lustful" track went on to be sampled by Justin Timberlake in 2013. An incredible 12-tracks collection of guitar driven jazz-funk tinted with fuzzy psychedelic rock vibes, making it one of the most interesting and sought-after releases of the Flirt Records catalog. Now available on vinyl for the first time since its original release as a limited edition of 500 copies.

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Neil Young

Harvest

43,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Son Of Schmilsson 2lp 180g 45rpm

Harry Nilsson

2LP | 1972 | UK | Reissue (Mobile Fidelity Sound Lab)

85,99 €*

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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It Became Crystal Clear Blue Vinyl Edition

Blue Sharks

LP | 1972 | EU | Reissue (Redi / Btf)

Ethiopian Modern Instrumentals Hits

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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“It Became Crystal” by Blue Sharks is an exclusive release by Redi Edizioni Musicali, an historical company from Milan that, in addition to curating the digital catalogue of Edizioni Leonardi’s library music and sonorizzazioni, is also re-printing faithful vinyl reproductions of the most prestigious titles from Leonardi’s catalogue. These records were originally released in very limited editions, often as not-for-sale promotional material, and many of the original LP’s are now very rare and collectibles almost impossible to find!

The library music LP re-release series by Redi Edizioni Musicali starts off with a true colossus in the genre. The record was written by maestros Giorgio Zinzi (under the pseudonymous “Ipcress” in the record’s credits) and Carmelo Carucci, who managed to involve composer and songwriter Stelvio Cipriani to collaborate with them in 1972: under the name “Blue Sharks” the trio created a perfect mix of rock, funk and soul, together with elements borrowed from their previous soundtrack works. The Moog synthesizer contributes to making this album unique and captivating from its first to last note. An evergreen classic!

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V.A.

LP | 1972 | JP | Reissue (Groove Diggers)

36,99 €*

CD | 1972 | UK | Reissue (Mobile Fidelity Sound Lab)

Release: 1972 / JP – Reissue

Genre: Rock & Indie

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Seminal compilation of instrumental tracks, originally released in Ethiopia in 1972. Features tracks from Tèsfa-Maryam Kidané, Bahta Gèbrè-Heywèt and Mulatu Astatké including the hit “Yégélé Tezeta”

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Eagles

Eagles SACD Edition

50,99 €*

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Speakers Corner)

Allen Toussaint

Life, Love And Faith

LP | 1972 | EU | Reissue (Elkar)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Allen Toussaint had it all around him – the voices and spirits of black music, rhythm ’n’ blues, funk and soul. He was born in New Orleans and grew up there, the birthplace of jazz. As from 1960, he worked as a record producer and an A&R man at Minit Records, an independent label, which was closely associated with the transformation of the New Orleans Sound. His compositions for fellow musicians landed them in the charts, he frequently participated by performing with them on the piano, and so became a connoisseur and master of all possible sounds. "Life, Love And Faith" marks his launch into his solo career, and quite rightly so. In the songs, Toussaint amalgamates all he had mastered with a rocking R&B, funky rhythms and expressive soul to create his highly personal sound. Although it is a soul album through and through, one has the feeling that one is listening to an album from Reprise’s stable of singers/songwriters – including such artists as Randy Newman, Bonnie Raitt, Little Feat and Joni Mitchell – rather than what usually came out of New Orleans in the early Seventies. And also because "Life, Love And Faith" captures an eccentric genius who pursues his own idiosyncratic vision. It is a structured, multi-layered album, which does not show Toussaint in his purest form, but it is his only album that shows just how widely ranged and profound his many talents were.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: 1972 at Jazz City Studios, New Orleans, by Cosimo Matassa and Skip Godwin Production: Allen Toussaint

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William S. Fischer

Akelarre Sorta

7" | 1972 | EU | Reissue (Giant / Onlyroots)

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Pello Joxepe is in the bar, but this time he's moving his hips to the sound of Curtis Mayfield's Superfly funk-soul groove. These are the kind of psychedelic visions created by this esoteric "Akelarre Sorta", an unparalleled gem. The African-American saxophonist, pianist and composer William S. Fischer, who worked in the 1950s with stars of the stature of Ray Charles, Muddy Waters, Joe Zawinul and Roberta Flack, in 1972 made an album of catchy, funky versions of popular tunes. And that's it, as simple as it is mysterious and surprising. Little more has ever been known about this recording or about the reasons behind William's visit to the Basque Country. So here it is, ready to attract a new audience to join the cult following it has gradually built up over nearly 50 years.

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Alton Ellis

Too Late To Turn Back

11,99 €*

Release: 1972 / EU – Reissue

Genre: Reggae & Dancehall

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Flashmen

Pensando

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Finally (after 50 years!) the LP reissue of one of the most loved albums by Italian progressive rock connoisseurs in a limited edition with gatefold cover like the 1972 original released for Kansas (the same label that produced Capricorn College 'Orfeo 2000' and EA Poe ‘Generazioni’). The Flashmen, a quartet from Cremona formed in 1967, have a wide and interesting discography but “Pensando” is at an absolutely superior level as regards creativity and maturity. A remarkable record worthy of the best groups of their contemporaries and aligned with that 'thirst for new' that pervaded the period in which it was made. With the superb organ of Silver Scivoli in the foreground, the distorted guitar of Luciano Spotti and the powerful drumming of Roberto Caroli which in the record demonstrates all its caliber the Flashmen (whose name derives from the Italian film 'Flashman' of 1966) give their best blending Rock Prog, Hard Blues, Psych and Gothic. A limpid and vigorous execution, an over the top recording, scratchy and modern lyrics as well as solid and original in its song structure enclosed between an "Ingresso (Entrance)” and a “Sortita (Sortie)" just like in the best concept albums make " Pensando” an essential album in the genre.

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Capricorn College

Orfeo 2000

Twenty Four Hours A Day / Rejoice

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Capricorn College was a sextet created by composer / musician Mario Barigazzi known as Barimar and very active since the 1960s. Orfeo 2000 from 1972 is the first of the 2 LPs they produced (both on Kansas) and certainly the most interesting with jazz and prog cues especially in the instrumental tracks and a melodic sang typical of those years in Italy. Masterfully recorded by Maestro Vittorio Paltrinieri at his Fono-Play Studio. A hidden gem of extreme rarity to be rediscovered. First reissue ever in a limited edition.

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Messengers Incorporated

7" | 1972 | EU | Reissue (P-Vine)