All Items 12374 Items

Release: 2018 / EU – Original

Genre: Pop

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OST The Pink Panther Gatefoldsleeve Edition

Henry Mancini

LP | 2018 | EU | Original (Dol)

Release: 2018 / EU – Original

Genre: Soundtracks

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A.A.L. (Against All Logic)

2012-2017

2LP | 2018 | EU | Original (Other People)

24,99 €*

LP | 2017 | US | Original (Interscope)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Under an old alias, Nicolas Jaar puts out a new album, prooving that he is innovative as ever.

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Playboi Carti

35,99 €*

LP | 2017 | EU | Original (Caroline)

Release: 2017 / US – Original

Genre: Hip Hop

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Playboi Carti's 2017 debut album Playboi Carti. It includes Carti's platinum single "Magnolia". The album peaked at #12 on the Billboard Top 200 Chart. Playboi Carti, is an American rapper and songwriter from Atlanta, Georgia. He is also a member of Atlanta art collective Awful Records.

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Loyle Carner

Yesterday's Gone

2LP | 2016 | EU | Original (Polydor)

Release: 2017 / EU – Original

Genre: Hip Hop

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Stellar debut south-londons rising star Loyle Carner! No exaggerations, no fakin', just pure UK flavor. Tip!

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Michael Kiwanuka

Love & Hate

38,99 €*

Release: 2016 / EU – Original

Genre: Organic Grooves

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Etazhi Silver Vinyl Editoin

Molchat Doma

LP | 2018 | US | Reissue (Sacred Bones)

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Ghostface Killah & Big Ghost Ltd

The Lost Tapes 5th Anniversary Edition

2LP | 2018 | US | Reissue (Coalmine)

36,99 €*

Malibu Black Vinyl Edition

Release: 2018 / US – Reissue

Genre: Hip Hop

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In celebration of the five year anniversary of Ghostface Killah’s widely acclaimed 2018 LP, The Lost Tapes — produced entirely by Big Ghost LTD — Coalmine Records is pleased to announce their partnership with Holy Toledo Productions for a deluxe edition reissue that includes both the main and instrumental passes. Despite what the title may suggest, The Lost Tapes is not a collection of rare or unreleased tracks, but rather an album recorded with the intention of summoning an incarnation of an early Tony Starks, akin to Only Built 4 Cuban Linx, Ironman, and Supreme Clientele. And this is achieved largely by the production value that Big Ghost LTD brings to the table, whose rise to fame first came by way of Twitter with his spot-on Pretty Toney parody. Armed with a cache of raw beats, Big Ghost tastefully weaves soulful samples to create a satisfying cocktail of distinctively up-to-date boom bap. This especially holds true on tracks like “Majestic Accolades” and “Watch Em’ Holla.” The former of which is among the album’s highlights, as Starky Love raps one of the more memorable hooks, talking about his experiences with girls, hustling, and life in general. Narrated by Michael Rapaport, the ’90s hip-hop aficionado, actor and comedian helps keep the pace for Ghost Deini’s 10th solo LP by reminding us that we’re in the presence of greatness. But it’s the chemistry of emcee and producer that elevates The Lost Tapes to one of the more stand-out solo releases in Wu-Tang’s discography of recent memory. Entrenched in the classic Wu sound, the 12 track LP slaps like a ‘90s record without sounding like a strained attempt to recapture lightning in a bottle. To boot, The Lost Tapes are also abound with features from hip-hop luminaries such as Snoop Dogg, Raekwon, E-40, Killah Priest, Kxng Crooked, Cappadonna, Big Daddy Kane, Ras Kass and more. All in all, The Lost Tapes is a victory lap, and one who’s purpose is to not only to create nostalgia, but to formulate a group of songs that represent who Ghostface was as a person back then, and where he stands now as one of the most exemplary emcees of all time.

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Anderson .Paak

2LP | 2017 | EU | Reissue (Steel Wool)

32,99 €*

King Gizzard & The Lizard Wizard

Release: 2017 / EU – Reissue

Genre: Hip Hop

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2nd full album by Anderson .Paak with features by Schoolboy Q, Talib Kweli, The Game, BJ The Chicago Kid and more.

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Polygondwanaland Random Colored Vinyl Edition

LP | 2018 | EU | Original (MY45)

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Interscope)

Juice WRLD

Goodbye & Good Riddance

Release: 2018 / EU – Original

Genre: Hip Hop

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2LP | 2018 | UK | Original (R&S)

Djrum

Portrait With Firewood

32,99 €*

2LP | 2018 | EU | Original (Matador)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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As 'Portrait With Firewood' is Felix’s most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point.
Felix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work.
Felix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album.

Felix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record.

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Car Seat Headrest

Twin Fantasy

30,99 €*

LP | 2017 | US | Original (Dark Entries)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Will Toledo always knew he would return to Twin Fantasy. He never did complete the work. Not really. Never could square his grand ambitions against his mechanical limitations. Listen to his first attempt, recorded at nineteen on a cheap laptop, and you’ll hear what Brian Eno fondly calls “the sound of failure” - thrilling, extraordinary, and singularly compelling failure. Will’s first love, rendered in the vivid teenage viscera of stolen gin, bruised shins, and weird sex, was an event too momentous for the medium assigned to record it.

On February 16th, on the heels of the smashing success of Teens of Denial, Car Seat Headrest will release a new version of Twin Fantasy. “It was never a finished work,” Will says, “and it wasn’t until last year that I figured out how to finish it.” He has, now, the benefit of a bigger budget, a full band in fine form, and endless time to tinker. According to him, it took eight months of mixing just to get the drums right. But this is no shallow second take, sanitized in studio and scrubbed of feeling. This is the album he always wanted to make. It sounds the way he always wanted it to sound.

It’s been hard, stepping into the shoes of his teenage self, walking back to painful places. There are lyrics he wouldn’t write again, an especially sad song he regards as an albatross. But even as he carries the weight of that younger, wounded Will, he moves forward. He grows. He revises, gently, the songs we love so much. In the album’s final moments, in those apologies to future me’s and you’s, there is more forgiveness than fury.

This, Will says, is the most vital difference between the old and the new: he no longer sees his own story as a tragedy.

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Solid Space

Space Museum

Waltz For Debby Gatefold Sleeve Edition

Release: 2017 / US – Original

Genre: Pop

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Dark Entries is honored to finally present the first ever official vinyl reissue of Space Museum by Solid Space. Solid Space was the British duo of Dan Goldstein (keyboards, vocals) and Matthew "MAF" Vosburgh (guitar, bass, keyboards, vocals) formed in 1980. Dan and Matthew met at the age of 11 while attending school in north London. In late 1978 at at the age of 14, they formed EXHIBIT 'A' with Paul “Platypus” and Andrew “Lunchbox” Bynghall. They recorded two EPs in 1979 and 1980, self-released on Irrelevant Wombat Records and appeared on The Thing From The Crypt compilation. After the dissolution of the group, Mathew started taking his guitar over to Dan’s house where he’d play his Casio MT-30 and they would record songs. Eventually a second hand drum machine and Wasp synthesizer were acquired from classified ads in Melody Maker and the Solid Space sound was born. By this time they were just turning 18 and finally found the freedom to make the music they’d had in their heads. Over the course of the next two years the band assembled eleven bedroom recordings that would become one of the most cherished DIY obscurities of its kind. Their debut album Space Museum was released in 1982 on cassette by In Phaze Records. The band's music and lyrics were heavily indebted to science fiction, in particular the 1960s television series Doctor Who. Space Museum is an unveiling of atmospheric, minimalist post punk supported by bright melodies. The music combines drum machines and synths with acoustic guitar and toy drums whilst also experimenting with samples between tracks. Representing a bubbling spirit within the underground, they foreshadowed an entire world of independent music which would emerge across the '80s and well into the '90s. For this reissue we’ve included two bonus tracks from the band’s archive, “Platform 6” originally released on the B-side of the second single by Exhibit ‘A’, this song features only Dan and Matthew and is the first Solid Space track ever recorded. “Tutti Lo Sanno” is a cover of In Phaze label mates Marine Girls, though the lyrics have been changed to suit the gender of the new singer.

Each song has been carefully remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record is sleeved in a replica of the cassette artwork featuring the Cybermen and Jamie from the Doctor Who episode "The Wheel in Space". Every copy includes a double sided 11x11 insert with lyrics, notes and never before seen photographs of the band taken by Maf as well as a postcard featuring an original advert for the cassette.

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The Bill Evans Trio

LP | 2017 | EU | Original (Dol)

Risin' To The Top / Hang Tight

Release: 2017 / EU – Original

Genre: Organic Grooves

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Gatefold 180g Includes Rare Or Exclusive Artwork Inside

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Keni Burke

7" | 2017 | UK | Original (Expansion)

12,99 €*

Release: 2017 / UK – Original

Genre: Organic Grooves

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Habibi Funk: An Eclectic Selection

2LP | 2017 | EU | Original (Habibi Funk)

Release: 2017 / EU – Original

Genre: Organic Grooves

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LP | 2017 | US | Original (Dreamville)

J. Cole

4 Your Eyez Only

37,99 €*

2LP | 2017 | EU | Original (Sony)

Release: 2017 / US – Original

Genre: Hip Hop

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J. Cole's last album, 2014 Forest Hills Drive, was both a profound personal statement about childhood, sexual insecurities, adult angst, and the follies of success, on top of being an addictive listen with smooth beats that sounded closer to Jay-Z's prime in the early 2000s. But after hints at an early retirement and a declaration in September that he was going to stop performing for "a long time," it's a real sigh of relief to get this album. Partially recorded at the famous Electric Ladyland studios, J. Cole has made this his most intimate and personal album. He even jams out on the piano and guitar along to some of the tracks.

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Scorpions

Acoustica

Release: 2017 / EU – Original

Genre: Rock & Indie

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Mr Bongo Record Club Volume 1

2LP | 2016 | UK | Original (Mr Bongo)

LP | 2016 | EU | Original (Interscope)

Release: 2016 / UK – Original

Genre: Organic Grooves

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The first instalment in our new ‘Mr Bongo Record Club’ compilation series – a
selection of favourites, recent discoveries and sought after obscurities, which
form the basis of our DJ sets and our radio show of the same name. Including
cuts by Claudia, Cortex, Dave Pike Set, Fruko, Neno Exporta Som, Connie
Laverne, Barbosa and more.
The original concept for ‘Mr Bongo Record Club’ was a radio show that allowed
us to air our treasured record collections, recorded and broadcast once a
month. We wanted to create an outlet free from any genre or BPM restrictions,
not constrained by the need to beat-mix every record, a space where we could
play latest finds alongside favourites. The only self-imposed rule being that
it had to be played from vinyl.
We have always DJ’d across-the-board, but playing in an eclectic way hasn’t
always been easy. Recently DJ’s such as MCDE, Floating Points, Nick The Record,
Leon Vynehall, Four Tet, Jeremy Underground, Antal (Rush Hour), Sassy J and
Young Marco – to name a few – have opened things up with very diverse sets to
younger audiences; Brazilian samba-rock, next to modern soul, highlife, disco,
boogie, jazz, house, techno and beyond.
We’re seeing a rare groove like sensibility. A shift towards the attitude of
legendary club nights hosted by the likes of Mr Scruff and Gilles Peterson,
where you could hear house, hip hop, Turkish funk, boogie, jazz, dub and Latin
back to back. At the same time it isn't a nostalgic or retro movement, people
have a progressive attitude and a thirst for new-old music. It is a vibrant and
exciting time – we are proud to be a part of it.

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Kendrick Lamar

Untitled Unmastered

Dusk & Dreamland 2024 Repress Edition

Release: 2016 / EU – Original

Genre: Hip Hop

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Oh yes, next big surprise release by King Kendrick called "Untitled Remastered".

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System Olympia

LP | 2017 | Reissue (Okay Nature)

Fucked Up Donald Orange Vinyl Edition

Release: 2017 / Reissue

Genre: Organic Grooves

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This is the highly demanded second edition of System Olympia's first release "Dusk & Dreamland" EP.
Originally pressed by a small italian label in an unknown number of copies,
this EP was the first appearance of System Olympia' very own blend of funk, melancholy and female sensuality
that defined a whole new department in the italo/nu disco scene.
Features two new original tracks never pressed on vinyl before, Girl On Girl and Signal Your Love,
and a new edition of the cover art illustrated by Pip Carter.
Essential record for your home collection, club nights, late night car rides and bedroom entertainment.

Tracklist:

A1 CALL GIRL
A2 LAMB
A3 CLOSE TO MY NEBULA
A4 GIRL ON GIRL

B1 NIGHT RISE
B2 8
B3 YOON
B4 SIGNAL YOUR LOVE

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D.O.A.

7" | 2016 | US | Reissue (Sudden Death)

18,99 €*

Release: 2016 / US – Reissue

Genre: Rock & Indie

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LP | 2018 | DE | Original (HHV Records)

Relaén

Twines Rework

7,49 €* 14,99 € -50%

Release: 2018 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2016 | CZ | Reissue (Daptone)

The Frightnrs

Nothing More To Say

DJ Fett Burger & Luca Lozano

Release: 2016 / CZ – Reissue

Genre: Reggae & Dancehall

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The Frightnrs escort Daptone into the world of long-playing reggae with both the sweetest and the roughest record of the decade.

Crafted under the meticulous eye of black-belt reggae mastermind/producer Victor Axelrod (aka Ticklah), Nothing More to Say is a rocksteady masterpiece the likes of which has not reared it's head since the golden era of Studio One. However, you'll find no imitation here - none of the faux-jamaican cliches of lesser reggae bands. Like all things Daptone, this record is above all soulful and honest.

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2 Make A Record

12" | 2016 | US | Original (Not On Label)

3,84 €* 6,99 € -45%

Release: 2016 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

The Tony Allen Experiments - Afrobeat Makers Volume 3

Nu Guinea

LP | 2016 | EU | Reissue (Comet)

Herbert Von Karajan / Berliner Philharmoniker

Release: 2016 / EU – Reissue

Genre: Organic Grooves

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Comet is pleased to announce the third volume of the Afrobeat Makers Series: Nu Guinea - The Tony Allen Experiments.
By re-working the original magic drum patterns from the Afrobeat master Tony Allen, Nu Guinea created a compilation of tracks which is charged by a voluminous electronic jazz-Psyche funk imprint.
For this release, Comet Records teamed up with Early Sounds Recordings, the berlin label, also home to duo Berliners Nu Guinea.
The Naples formed, Berlin-based duo, is a project that arose out of jam sessions, melting synthesizers with instruments, containing a handmade sound that is not aiming for perfection but genuineness. It can be understood as a steadily shaping form, always open for collaborations with other musicians.
They've previously collaborated with singer Wayne Snow (fellow berliner artist on Comet) for the vocal edit of Nu-World, also delivered a remix for Wayne Snow’ ʻRosie Epʼ both recently released on Tartelet Records.

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Adagio + Kanon

LP | 2016 | EU | Original (Deutsche Grammophon)

25,99 €*

Release: 2016 / EU – Original

Genre: Classical Music

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LP | 2017 | US | Reissue (Lewis)

Skinshape

Life & Love

LP | 2018 | US | Original (Warner Bros / WEA)

Release: 2017 / US – Reissue

Genre: Organic Grooves

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Re-issued and remastered. Genre - Funk/Jazz/Soul/Psyche. 'Life & Love' is the third album from Skinshape (with 'Filoxiny' being his fourth). Written, Recorded and Produced by Will Dorey at the Arch Studio, London, and in his bedroom. Great melting pot of styles and tunes, D.I.Y. Funk Soul Jazz. Recommended if you're into Khruangbin. Skinshape is the project of British musician William Dorey. The sound has roots in many genres but in particular 1960s-0s Funk, Soul, Reggae, Psychedelic Rock, Afrobeat and Folk. Skinshape grew out of a love for old music and the way it sounded. Initially Dorey experimented with samples (especially drum breaks) to create instrumental Hip-Hop/Trip-Hop tracks but then later started to play around with tape machines as a means to create his own 'samples'. This process gave birth to Skinshape with all elements being recorded by Dorey since the first self-titled album released in 2014. Aside from the Skinshape project Dorey was bassist for the band Palace from 2014-2017 and runs a reggae label called Horus Records based in North London.

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Cher

Believe 2018 Remaster

32,99 €*

Release: 2018 / US – Original

Genre: Pop

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2LP | 2018 | EU | Original (Caroline)

Tamino

Amir

34,99 €*

Release: 2018 / EU – Original

Genre: Pop

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2LP | 2018 | EU | Original (Because Music)

Parcels

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Music On Vinyl)

The Meters

Meters

2LP | 2018 | EU | Original (Second State Audio)

Release: 2018 / EU – Original

Genre: Organic Grooves

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The Meters is the debut studio album by the band of the same name. It's an essential album in the funk scene and one that contains a lot of energy and soul.

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Michael Klein

Snapshot (Gatefold 2LP)

11,39 €* 18,99 € -40%

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Be The Cowboy Black Vinyl Edition

Mitski

LP | 2018 | EU | Original (Dead Oceans)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Von Abseits Black Vinyl Edition

Doppelkopf

2LP | 2018 | DE | Original (Hong Kong / HHV Records)

24,99 €*

Release: 2018 / DE – Original

Genre: Hip Hop

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LP | 2018 | EU | Original (Caroline)

XXXtentacion

Release: 2018 / EU – Original

Genre: Hip Hop

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2LP | 2018 | EU | Original (Rhino)

Phil Collins

The Singles

Release: 2018 / EU – Original

Genre: Pop

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The Blue Notebooks - 15 Years

Max Richter

2LP | 2018 | EU | Original (Deutsche Grammophon)

Release: 2018 / EU – Original

Genre: Soundtracks

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LP | 2018 | EU | Original (Erased Tapes)

Rival Consoles

Persona

LP | 2018 | EU | Original (Mr Bongo)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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The title ‘Persona’ was inspired by Ingmar Bergman’s film of the same name, specifically a shot in the opening credits of a child reaching out to touch a woman’s face on a screen, which is shifting between one face and another. This powerful image struck Ryan and it inspired the album’s main theme — an exploration of the persona, the difference between how we see ourselves and how others see us, the spaces in between; between states, people, light and dark, the inner persona and the outer persona.

“My music is generally inward looking. I like finding something about the self within music, that doesn't have to be specific but maybe asks something or reveals something. This record is a continuation on the self through electronic sounds. Like Legowelt once said ‘a synthesiser is like a translator for unknown emotions’, which I think sums up what I am trying to do. I think all these emotions we have make up our persona. So in a way by finding new ones you alter or expand your persona. And that is what I want my music to try to do. I deliberately aimed to be more sonically diverse with this record. I wanted to experiment more. I wanted to create new sounds and new emotions.” — Rival Consoles

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Ebo Taylor

Yen Ara

12" | 2018 | UK | Original (Ninja Tune)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Ghanaian music legend Ebo Taylor returns with perhaps his finest album to date. But don't take our word for it. That’s coming straight from the man himself. And he should know after more than 60 years in the business. The 81-year-old composer, arranger, guitarist and vocalist has been a key figure in the evolving afro-funk sound since the Seventies, working with the likes of Apagya Show Band, CK Mann and Pat Thomas. Famously, he rubbed shoulders with Fela Kuti while studying in London in the Sixties, before going on to lead the Ghana Black Star Band (featuring Osei and Sol Amarfio from Osibisa) and later the Uhuru Dance Band back in Ghana. Like Fela, he is always pushing forward, constantly reconceptualising his sound and
attuning it for a new generation. Part teacher, part messenger. Listen to Yen Ara and you will not only hear the high-energy afrobeat, sweet highlife, jazz and konkoma influences that he’s famous for. There is also a disco pulse and hard-hitting percussive edge to the tracks, which were produced by Justin Adams (Tinariwen, Rachid Taha, Robert Plant) and recorded in the live room at Electric Monkey Studio in Amsterdam. An Ebo Taylor for these times, you might say.
His group, the Saltpond City Band, are all handpicked local musicians featuring two of his sons. An appropriate line-up on an album whose titles means “we”. And they are on fine form, ripping through tracks such as ‘Krumandey’ (a surefire party starter) and ‘Mind Your Own Business’ (a simple message delivered over a frenetic drum rhythm). Elsewhere, ‘Aboa Kyirbin’ will please fans of tough afrobeat grooves, while Taylor could well be inciting a riot at his next gig with ‘Mumudey Mumudey’, We hear him calling for ‘preshaaah’ and leading us into a call and response as the trumpet takes us higher. And the lift of those horns on ‘Ankoma'm’ evokes some of his finest work such as ‘Love & Death’ and ‘Come Along’, the latter recorded
with the Pelikans and featured on a recent Mr Bongo reissue. This album fizzes and pops with life but the best way to experience Taylor, as always, is live. Catch him on tour in Europe from March 2018.

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Peggy Gou

Once

16,99 €*

12" | 2017 | EU | Original (Digwah)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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It's Gou's second Ninja Tune release, following 2016's Seek For Maktoop, which landed on their club-focused Technicolour sublabel. The Berlin-based artist also sings on the new EP, which includes three tracks that each cater to a specific context—open air, warm-up and "proper party," she says.

"I tried to draw on all my influences of the last few years," she explains, "from electro, African music, early '90s house music and also techno, especially Maurice Fulton and DMX Krew." She closed out her RA podcast this week with the EP cut "It Makes You Forget (Itgehane)."

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The Unknown Artist

Ijzeren Rots

LP | 2017 | EU | Original (Interscope)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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The DIGWAH imprint returns with another dance floor dub, kicking up a storm.

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Billie Eilish

Don't Smile At Me

Release: 2017 / EU – Original

Genre: Pop

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Delicate Sound Of Thunder

Pink Floyd

2LP | 2017 | EU | Original (Parlophone)

Release: 2017 / EU – Original

Genre: Rock & Indie

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2LP | 2017 | US | Original (Dark Entries)

Patrick Cowley

Afternooners

Niandra LaDes And Usually Just A T-Shirt

Release: 2017 / US – Original

Genre: Electronic & Dance

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Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab at the school, where he would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.

By the mid-70’s, Patrick’s synthesis techniques landed him a job composing and producing songs for disco superstar Sylvester, including hits like “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and “Stars.” This helped Patrick obtain more work as a remixer and producer. His 18-minute long remix of Donna Summer’s “I Feel Love” and his production work with edgy New Wave band Indoor Life were both of particular note. By 1981, Patrick had released a string of dance 12″ singles, like “Menergy” and “Megatron Man”. He also had founded Megatone Records, the label upon which he released his debut album, “Menergy”. Around this time Patrick was hospitalized and diagnosed with an unknown illness: that which would later be called AIDS. Throughout 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album “Mind Warp”. On November 12, 1982, he passed away.

In 1979 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick’s songs in-sync with the film scenes. The result was the VHS collections “Muscle Up” and “School Daze” released in 1979 and 1980. “Afternooners” is the third collection of Cowley’s instrumental songs, recorded in May 1982. These recordings were culled from two 23-minute reels in the Fox Studio vaults. All songs were originally untitled, so we’ve used the titles from Fox Studio’s 8mm film loops. This compilation also includes three bonus tracks found in the archives of fellow Megatone Records recording artist Paul Parker and the attic of teenage friend Lily Bartels. Influenced by Tomita, Wendy Carlos, and Giorgio Moroder, Patrick crafted a singular sound from his collection of synthesizers, percussion, modified guitars, and hand-built equipment. The listener enters a world of forbidden vices, evocative of Patrick’s time spent in the bathhouses of San Francisco. The songs on “Afternooners” reflect the advances of the equipment available at the onset of the 1980s. Cowley's unadulterated electronic forms are stripped down and dubbed up. Lush electronic percussion, soaring synthesizer riffs and low slung funk grooves comingle on these magnificent soundscapes.

Featuring 70 minutes of music never before released on vinyl. All songs have been remastered by George Horn at Fantasy Studios in Berkeley, CA. The vinyl is housed in a gatefold jacket designed by Berlin-based artist Gwenael Rattke, featuring black and white photos of Patrick in his studio that opens to a full color array of x-rated scenes from the Fox Studio vaults. Included is a fold-out poster featuring a handmade collage using photography and xeroxed graphics of classic gay porn imagery and an essay from Drew Daniel of Matmos. For Patrick’s 67th birthday, Dark Entries and Honey Soundsystem Records present a glimpse into the futuristic world of a young genius. These recordings shed a new light on the experimental side of a disco legend who was taken too soon.

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John Frusciante

2LP | 2017 | US | Original (Superior Viaduct)

38,99 €*

2LP | 2017 | US | Original (Common Wonder)

Release: 2017 / US – Original

Genre: Rock & Indie

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Niandra LaDes And Usually Just A T-Shirt is the first solo record by John Frusciante. Between 1990 and 1992 the guitarist made a series of 4-track recordings, which at the time were not intended for commercial release. After leaving the band Red Hot Chili Peppers in 1992, Frusciante was encouraged by friends to release the material that he wrote in his spare time during the Blood Sugar Sex Magik sessions.

Originally released on Rick Rubin’s American Recordings label in 1994, Niandra LaDes is a mystifying work of tortured beauty. Frusciante plays various acoustic and electric guitars, experimenting with layers of vocals, piano and reverse tape effects. Channeling the ghosts of Syd Barrett and Skip Spence, his lyrics are at once utterly personal and willfully opaque.

Frusciante’s rapidfire, angular playing shows how key he was in the Chili Peppers’ evolution away from their funk-rock roots. His cover of “Big Takeover” perfectly deconstructs the Bad Brains original with laid-back tempo, twelve-string guitar and a fierce handle on melody.

The album’s second part—thirteen untitled tracks that Frusciante defines as one complete piece, “Usually Just A T-Shirt”—contains several instrumentals featuring his signature guitar style. Sparse phrasing, delicate counterpoint and ethereal textures recall Neu/Harmonia’s Michael Rother or The Durutti Column’s Vini Reilly.

On the front cover, Frusciante appears in 1920s drag—a nod to Marcel Duchamp’s alter-ego Rrose Sélavy—which comes from Toni Oswald’s film Desert in the Shape.

This first-time vinyl release has been carefully remastered and approved by the artist. The double LP set is packaged with old style tip-on gatefold jacket and printed inner sleeves.

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Common vs. Stevie Wonder

A Common Wonder

30,99 €*

LP | 2017 | EU | Original (Soundway)

Release: 2017 / US – Original

Genre: Hip Hop

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Latest mash up masterpiece from AMERIGO GAZAWAY, the man behind BIZARRE TRIBE, YASIIN GAYE, and FELA SOUL. On this new SOUL MATES project he brings to life an imagined studio session between Chicago's crowned prince of hip hop COMMON and Motown soul legend STEVIE WONDER. Double vinyl pic sleeve.

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The Movers

Kansas City

15,99 €* 19,99 € -20%

JJ DOOM (Jneiro Jarel & MF DOOM)

Release: 2017 / EU – Original

Genre: Organic Grooves

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An extremely rare and in-demand record from the disco-funk group has been unearthed and restored. The Movers enjoyed huge success in the 1970s, releasing album after album of ground-breaking sounds, including fusions of South African marabi jazz, funk, disco and jive. The line up of the band shifted throughout its existence - however this particular album produced by David Thekwane features musicians Jabu Sibumbe, L Rhikoti, Lloyd Lelosa and Sankie Chounyane.

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Bookhead EP

12" | 2017 | UK | Original (Lex)

18,99 €*

Release: 2017 / UK – Original

Genre: Hip Hop

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2LP | 2017 | UK | Original (Late Night Tales)

BBNG (BadBadNotGood)

Late Night Tales

LP | 2017 | EU | Original (Legacy)

Release: 2017 / UK – Original

Genre: Pop

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Canadian quartet BadBadNotGood take on creating the ultimate “late night” selection of tracks from their record collections, set for release on 28th July 2017. The original trio of Matthew Tavares, Alex Sowinski and Chester Hansen formed while studying music at Toronto’s Humber College (they’ve recently added Leland Whitty to the line-up). A shared appreciation of hip hop and instrumental covers of Gucci Mane and Earl Sweatshirt suggested a worldly outlook and reciprocated love from Tyler The Creator and Ghostface Killah, which whom they made 2015’s Sour Soul.

This is an international effort: Velly Joonas’ Estonian version of ‘Feel Like Makin’ Love’, Kiki Gyan, Admas and Francis Bebey representing Africa (Ghana, Ethiopia and Cameroon respectively), Les Prospection from France, Scots’ Boards Of Canada and fellow Canucks River Tiber and Charlotte Day Wilson.

Finally, there’s the no-small-matter of the Late Night Tales cover version, in which BADBADNOTGOOD take on Andy Shauf’s ‘To You’ is turned into a mournful delight. while the Queen Of Siam herself, Lydia Lunch, delivers a sexual sermon involving only you, her and Jim Beam.

“We were really excited to have the chance to put together a Late Night Tales compilation, it’s a great organisation. We decided to use it as a vehicle to show everyone all the amazing music we have gotten to experience by touring and meeting new people. Every track on this comp was either shown to us by an incredible person or made by one of our friends. We also included a little cover of a song by one of our favourite current musicians, Andy Shauf.

These artists, as well as many, many others, have influenced us to create and kept our deep love of music alive. This mix will keep you company on a quiet night by yourself or with friends. You can check it out on the plane, the bus, a long walk, or any situation where you want a soundtrack for reflection and meditation.” - BadBadNotGood May 2017

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Moondog

LP | 2017 | EU | Original (Universal)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Moondog is the fifth album by American composer Moondog.

Moondog had released no music for twelve years since his 1957 album The Story of Moondog. Finally, in 1969, producer James William Guercio invited him to record an album for Columbia Records.[1]

The resulting album compiled various music which Moondog had been working on since the 1950s. This included two "minisyms" (Moondog's term for short symphonic-styled works performed by small orchestras); two canons; a chaconne in memory of Charlie Parker; ballet music originally written for Martha Graham ("Witch of Endor"); and three symphonic (or "symphonique") works, one of which was dedicated to Benny Goodman and featured elements of swing. A version of one composition, "Theme", had previously been recorded for Epic Records in 1952

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Lorde

Melodrama

7" | 2016 | EU | Reissue (Phantom)

Release: 2017 / EU – Original

Genre: Pop

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"Melodrama" is the second studio album by New Zealand singer Lorde.

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Pisse

Kohlrübenwinter #1

7,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Either / Or: Expanded Edition Black Vinyl Edition

Elliott Smith

2LP | 2017 | US | Original (Kill Rockstars)

43,99 €*

Return To The 37th Chamber

Release: 2017 / US – Original

Genre: Rock & Indie

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Either/Or: Expanded Edition features the original tracks carefully remastered from original tapes under the supervision of Larry Crane (owner of Jackpot! Studios). The second disc features five live multi-track recordings from the Yo Yo A Go Go Festival in Olympia WA in 1997, as well as three previously unreleased studio recordings and one b-side gem. The double LP is packaged in a gatefold jacket that includes an insert of the original liner notes, a postcard of the original master tapes, and several never-before seen photos. This gorgeous collection is an essential listen for longtime fans and newcomers alike.

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El Michels Affair

LP | 2017 | US | Original (Big Crown)

Derya Yildirim & Grup Simsek

Release: 2017 / US – Original

Genre: Organic Grooves

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Return To The 37th Chamber” is being issued on vinyl with four unique cover designs as pictured above. Which cover art you will get will be picked at random.

The wait is over, „Return To The 37th Chamber” is El Michels Affair’s highly anticipated follow up to 2009's underground cult classic “Enter the 37th Chamber”. Churning out classic records since then for the likes of Lee Fields, The Arcs, The Shacks, and tons more, it is clear that EMA's signature sound is stronger & sharper than ever.
This time, in addition to re-interpreting the Wu compositions for a live band, EMA pays homage to the production and sonic fog that makes a RZA beat so recognizable. Producer and bandleader Leon Michels recorded the album completely analog, sometimes hitting 6 generations of tape before it was ready for mixing, giving the “Return to The 37th Chamber” it’s own hazy sound. Adding to the unique fidelity, the record is laced with psychedelic flourishes, “John Carpenter” synths, heavy metal guitars, triumphant horns, and traditional Chinese instruments that make up for the lack of the Wu’s superlative vocals. From start to finish it’s a dark trip that walks the line between RZA’s timeless hip-hop aesthetic and the cinematic soul EMA has become known for.
El Michels Affair tackles some classics like “4th Chamber” and “Wu Tang Aint Nuthin to Fuck Wit”, as well as some deeper cuts like Ol Dirty Bastard’s “Snakes”, Raekwon’s “Verbal Intercourse”, and “Shaolin Brew”, Wu-Tang’s contribution to the St. Ide’s Hip Hop endorsement campaign from 1994.
This time El Michels brings some of the Big Crown family along for the ride. Lee Fields handles vocal duties on “Snakes” and is joined by Shannon Wise of The Shacks for their version of “Tearz”, which pays as much homage to the Wendy Rene sample as it does to the Wu-Tang Clan. Lady Wray makes an appearance on the cover of Method Man’s hit, “All I Need”, lending her vocal prowess to what gave the Wu one of their biggest hits of all time. Interspersed throughout the record are some original interludes that are like the “rug that ties the room together,” giving “Return To The 37th Chamber” a cinematic narrative that makes it a proper El Michels Affair record and not just a collection of covers.
The vinyl version of “Return To The 37th Chamber” is presented with 4 different hand painted covers. The originals were painted on two sewn together flour sacks in Accra, Ghana by Heavy J and Stoger, two artists who are legends in the Ghanaian Mobile Cinema scene and regular contributors to the Deadly Prey Gallery’s collection in Chicago.
From the music to the presentation, this album is a perfect example of what can only be achieved through diversity. The end result is as much a kaleidoscope of influences and multiculturalism as the city it was recorded in. El Michels Affair is once again, “Sounding Out The City” that raised them, pulling elements of art and culture from across the country and around the globe to create an album truly unique in its own right.

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Nem Kaldi

12" | 2017 | CH | Original (Bongo Joe / Catapulte)

16,99 €*

12" | 2016 | EU | Original (Reflector)

Release: 2017 / CH – Original

Genre: Rock & Indie

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The debut-EP of this Anatolian psych-pop sensation consists of four heart-melting gems in which Turkish folk music meets groove and electric action! Singer/multi-instrumentist Derya Yildirim teams up with fantastic drummer Greta Eacott (G-Bop Orchestra, One-Take Records) and three-quarters of Orchestre Du Montplaisant (Antonin Voyant, Graham Mushnik and Andrea Piro). With members originating from Turkey, Germany, France, Italy and Great Britain, Grup Simsek encapsulates the Outernational generation. Unlike in western pop culture, Turkish pop music is often focused on traditionalised songs and endless ways of reimagining these. Grup Simsek take the righteous and rich Turkish poetry to the future whilst not losing awareness of the past.

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DJ HMC

6AM / Marauder

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Propelling Down Under techno and house into the worlds clubs with classics such as Phreakin, LSD and 6AM in the mid-90s, djhmc (Cam Bianchetti) is rightly hailed as the * godfather of Australian Techno*.
With the arrival of the reflector label the world is his, and he has embraced it whole-heartedly as in the past the world embraced djhmc, once again its time to prove why he is one of the most talented techno and house producers and DJs to ever grace the turntables….the Godfather is back!

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Doing It In Lagos: Boogie, Pop & Disco in 1980’s Nigeria

3LP+7" | 2016 | EU | Original (Soundway)

Practice Yo! Cuts Vol. 1&2 Remixed White Vinyl Edition

Release: 2016 / EU – Original

Genre: Organic Grooves

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Soundway Records present a new compilation of twenty rare and mostly unavailable tracks from the slick and sassy world of Nigerian pop music and club culture of the early 1980s.

Buoyed by an explosive oil boom and a return to democracy after a series of military dictatorships, Nigeria’s economy in the years of the early ‘80’s was mirrored by its recording industry as countless young artists and groups hit the airwaves and dancefloors of the capital and beyond.

It was a glossy, brash new form of pop music born out of ashes of late 1970s disco and funk and, just as in America, was the soundtrack to a new generation for whom money, style and flirtation trumped the overblown psychedelia of the previous decade. Eager to sound as American as possible with no hint of the fervor for afro-beat, afro-rock and afrocentric thinking that the 1970s had thrown up, a new generation of young artists and performers turned their backs on their cultural roots in music and sought a new kind of stardom and fame firmly connected to the glossy, snazzy world of the 1980s that was erupting in the USA and Europe.

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DJ Ritchie Ruftone

7" | 2016 | UK | Reissue (Turntable Training Wax)

18,99 €*

LP | 2016 | DE | Original (Normale Musik)

Release: 2016 / UK – Reissue

Genre: Hip Hop

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A deep cut 7” non-skip ultra-pitch scratch tool with the best samples
from vol. 1 and vol. 2 remixed. The A side at 83bpm and the B side at
100bpm.
The press, cut and production is the best yet and will certainly be the
‘to go to’ 7” whilst on the move.
A new standard has been set.

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Audio88 & Yassin

Halleluja

19,99 €*

Release: 2016 / DE – Original

Genre: Hip Hop

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Motoi Sakuraba / Yuka Kitamura

OST Dark Souls III Lita Exclusive Variant Splattered Vinyl Edition

2LP | 2018 | US | Reissue (Spacelab9)

48,99 €*

5 Years Of Finder 2024 Repress

Release: 2018 / US – Reissue

Genre: Soundtracks

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Preorder shipping from 2025-01-31

Double yellow, silver, and black splatter colored vinyl LP pressing. Upon release in March 2016, Dark Souls III was critically and commercially successful, with critics calling it a worthy and ﬁtting conclusion to the series. The game's original score was primarily written by Dark Souls II and Bloodborne composer, Yuka Kitamura, and performed by the Tokyo Philharmonic Orchestra. Additional music was written by Dark Soulscomposer Motoi Sakuraba, with a single boss theme each by Tsukasa Saitoh and Nobuyoshi Suzuki

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Ninetoes

12" | 2018 | EU | Reissue (Kling Klong)

14,99 €*

Whiskey Light Green Vinyl Edition

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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Let's celebrate 5 years of 'Finder' together with Carl Cox & Matador!

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Jay-Jay Johanson

LP | 2016 | EU | Reissue (Music On Vinyl)

44,99 €*

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-11-15

Tuxedo (Mayer Hawthorne & Jake One)

Tuxedo II

2LP | 2017 | US | Reissue (Stones Throw)

12" | 2018 | US | Reissue (Rhymes Of An Hour)

Release: 2017 / US – Reissue

Genre: Organic Grooves

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“The only time you wear a Tuxedo is when it’s time to party.”

So says legendary West Coast player Snoop Dogg on the opening track of “Tuxedo II”. The blessing of the Doggfather is of special importance to Mayer Hawthorne and Jake One, whose second album as a duo finds them at the forefront of a new wave of gangster boogie - one that owes as much to G-funk as P-funk.This is the territory of pre- and post-hydraulic low riders: a mélange of Cali boom-bap, analog synth bass and elegant disco that resonates truth and authenticity in an era where so many are faking the funk.

Bonding over a shared love of Chic, Parliament, and the other signs in the greater funk Zodiac, Mayer Hawthorne (Aquarius) and Jake One (Taurus) were early predictors of the sea changes that American music would undergo in 2016. Their first release of 2015 debuted at #1 on iTunes America’s RnB charts, christened as “Dance Floor Catnip” by the Boston Globe, and “Pure disco-funk hot fire” by Okayplayer. Considering their individual successes (Mayer’s four solo albums, Jake’s production work for the likes of Drake, Future, The Weeknd, and De La Soul) and five Grammy nominations between the two of them, it’s no surprise that their powers combined have yet again yielded a bevy of absolute slappers that are packaged perfectly for dance parties in 2017. The material here, while wholly original, is an exercise in honoring its forebears. “Tuxedo II” recalls the future funk wobble of Zapp, Gap, Jam/ Lewis and Junie Morrison, while nodding lyrically to Mtume, Jodeci and Cameo.The crystallization of the album’s concept comes courtesy of its message of universal love; thanks to the signature combination of soul and pop sensibility that have come to define Mayer’s hooks.

“You gotta do what you love...” says Mayer in a recent interview with Nordstrom’s style blog, one of the many fashion outlets to cover Tuxedo’s rise. After all - the transcendental ritual of the party and the rippling self affirmation of the funk are of one spirit: the spirit of self love...of self expression. “Tuxedo II” is a modern testament to unity and positivity in trying times. It is a reminder that the dance floor will always be there to welcome you, whoever you are.

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Mazzy Star

Still

Release: 2018 / US – Reissue

Genre: Rock & Indie

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12" | 2018 | EU | Reissue (Altered Circuits)

Betonkust & Innershades

Forever In Boccaccio EP

17,99 €*

Feature Magnetic Tri-Color Canary Cake Vinyl Edition

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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Repress from Innershades & Betonkust's 2018 NEW Beat superhit Forever In Boccaccio! Comes fully remastered and in a new sleeve. Limited to 300 copies.

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Kool Keith

LP | 2016 | US | Reissue (Mello Music Group)

36,89 €* 40,99 € -10%

Hardwired To Self-Destruct Flame Orange Vinyl Edition

Release: 2016 / US – Reissue

Genre: Hip Hop

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In a world full of cheesecake rappers, one man has assembled a phenomenal team to bring you madness. The original originator, ultramanetic, high-wire rap legend Kool Keith brings a star studded album to the fore. "Feature Magnetic" highlights MF Doom, SLug of Atmpshere, Mac Mall, Necro, Craig G, Dirt Nasty, Ras Kass and more. This special edition 24 for '24 Artist Series Vinyl also features original oil painting art by KipDaFog for this oen time pressing on tri-color canary cake vinyl.

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Metallica

LP | 2016 | EU | Reissue (Universal)

47,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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LP | 2017 | US | Reissue (Nature Sounds)

J Dilla

Motor City

25,99 €*

Release: 2017 / US – Reissue

Genre: Hip Hop

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The late, great J Dilla is widely regarded as one of the greatest hiphop producers of all time. An innovator who pushed the genre in new sonic directions, the Detroit native born James Yancey crafted
timeless soundscapes for the likes of Slum Village, Busta Rhymes, Common, Erykah Badu, A Tribe Called Quest, The Roots, and many more. Since his death in 2006, Dilla’s mother Maureen “Ma Dukes”
Yancey has worked tirelessly to further her son’s legacy, and her latest effort is the new posthumous album Motor City. Inspired by Dilla’s beloved hometown, Motor City is a collection of rare and
unreleased Jay Dee instrumentals, hand-selected and sequenced by Ma Dukes. Conceived as a “letter” to her son, Motor City is packaged in a limited-edition mailing envelope, complete with a handwritten
message from Ma Dukes to J Dilla inside. Both CD and vinyl formats also include access to an exclusive mix of the album by Dilla’s close friend J Rocc, a world-renown DJ and founder of the Beat Junkies.

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2LP | 2018 | EU | Reissue (Music On Vinyl)

OST Call Me By Your Name

36,99 €*

Release: 2018 / EU – Reissue

Genre: Pop

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Paris Breakdown HHV Exclusive Pink Vinyl Edition

Pigalle Connection

7" | 2016 | EU | Reissue (Mocambo)

11,99 €*

Release: 2016 / EU – Reissue

Genre: Organic Grooves

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OST Night Of The Living Dead

2LP | 2018 | US | Reissue (Waxwork)

44,99 €*

Release: 2018 / US – Reissue

Genre: Pop

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2LP | 2016 | WW | Reissue (Commission)

Lil Dicky

Professional Rapper

Release: 2016 / WW – Reissue

Genre: Hip Hop

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Preorder shipping from 2024-11-15

Motoi Sakuraba / Yuka Kitamura

OST Dark Souls II Lita Exclusive Variant Splattered Vinyl Edition

2LP | 2018 | US | Reissue (Spacelab9)

48,99 €*

LP | 2018 | US | Reissue (Fat Beats)

Release: 2018 / US – Reissue

Genre: Soundtracks

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Dark Souls II, the highly anticipated sequel to 2009's Dark Souls was released with much fanfare in March 2014. As with it's predecessor, the intricate and moody score music struck a chord with fans of both composer Motoi Sakuraba and the game franchise, topping many a "best of 2014" list.

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Brownout

Fear Of A Brown Planet

Into The Pandemonium Deluxe Edition

Release: 2018 / US – Reissue

Genre: Hip Hop, Organic Grooves

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Twenty-eight years ago, pissed-off twelve-year-olds around the universe discovered a new planet, a Black Planet. Public Enemy’s aggressive, Benihana beats and incendiary lyrics instilled fear among parents and teachers everywhere, even in the border town of Laredo, Texas, home of the future founders of the Latin-Funk-Soul-Breaks super group, Brownout. The band’s sixth full-length album (out May 25th) Fear of a Brown Planet is a musical manifesto inspired by Public Enemy’s music and revolutionary spirit.

Chuck D., the Bomb Squad, Flava Flav and the rest of the P.E. posse couldn’t possibly have expected that their golden-era hip hop albums would sow the seeds for countless Public Enemy sleeper cells, one that would emerge nearly three decades later in Austin, Texas. Greg Gonzalez (bass) remembers a kid back in junior high hipped him to the fact that Public Enemy’s “Bring the Noise” is built on James Brown samples, while a teenaged Beto Martinez (guitar) alternated between metal and hip-hop in his walk-man, and Adrian Quesada (guitar/keys) remembers falling in love with Public Enemy’s sound at an early age. “When I got into Hip hop, I was looking for this aggressive outlet . . . and I didn’t even understand what they were pissed off about, because I was twelve and lived in Laredo . . . but I loved it and I felt angry along with them.”

Joseph Abajian (Fat Beats’ owner) must have sensed the deep hip-hop well lying beneath the versatile band’s Latin-Funk veneer. “I thought their sound would work covering Public Enemy songs,” Abajian says, and, “it was good to know they were P.E. fans . . . We came up with a track listing and they went to work.” Despite the band’s eagerness to work on new original material (an album of original songs is slated for next year), they couldn’t pass up the opportunity to pay homage to this iconic and influential posse.

Translating sample-based music to a live band turned out to be more of a challenge than they anticipated. Adrian tried to get inside the Bomb Squad’s [Public Enemy’s producers/beat-making team] head in order to find the inspiration to reinterpret P.E.’s songs: “imagine the Bomb Squad going back in time and getting the J.B.s [James Brown’s funky backing band] in the studio and setting up a couple analog synths and then playing those songs.” While some songs closely follow the original musical blueprint, others use the source breakbeats as jumping-off points later sweetened by Trombonist Mark “Speedy” Gonzales’ horn arrangements, synth wizardry courtesy of friend-of-the-band Peter Stopschinski, and DJ Trackstar’s turntable scratches. But don’t listen expecting to hear paint-by-numbers recreations of classic Public Enemy jams. “Our approach is never in the tribute sense,” Adrian explains. “We’ve always taken it and made it our own, whether it’s the Brown Sabbath thing or this Public Enemy thing.”

Coming off numerous tours as Brown Sabbath and even a stint backing the late legend Prince, Brownout is arguably the tightest and funkiest band on the road today and they’re psyched to bring this revolutionary music to the people. For a band without an overt political agenda, they collectively couldn’t resist the opportunity to play this music live, especially now. “If there’s any way that we can use the already political and protest nature [of P.E.’s music], we would like to try,” Beto says. “The album’s title, Fear of Brown Planet is definitely a relevant idea today and we’re not afraid to put it out there, because we want to speak out.” By reinterpreting these hip hop classics in their unique style and channeling the spirit of Public Enemy that first echoed around the world and captured their imaginations all those years ago, Brownout is doing exactly that.

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Celtic Frost

2LP | 2017 | EU | Reissue (Noise)

34,99 €*

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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7" | 2016 | EU | Reissue (Pingipung)

Andi Otto

Bangalore Whispers

10,99 €*

Distinct Dialect / Imaginary Dancer

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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Last copies, re-imported from the US.

Otto’s Bangalore Whispers gets finally repressed. The psychedelic track which he recorded together with the Indian singer MD Pallavi in 2016 has become a hit in the downtempo scene around the globe (“Saaaa - resa nisa”). Pingipung press a new edition of the much sought after single on the occasion of their 20th label anniversary. In this 2022 edition the original track is paired with the Peter Power remix which has not seen the light of day on vinyl before.The Brazil-based producer slows the track down a notch and adds even more space. A perfect tune both for the dancefloor or meditation.

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Øyvind Morken

12" | 2016 | NO | Original (Moonlighting)

3,49 €* 6,99 € -50%

Undun Black Vinyl Edition

Release: 2016 / NO – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Close to NM.

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The Roots

LP | 2018 | EU | Original (Def Jam)

OST The Eyes Of My Mother Colored Vinyl Edition

Release: 2018 / EU – Original

Genre: Hip Hop

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Official and limited reissue on Def Jam. Previously released as a 2LP set, this version has now been converted to 1LP, in addition to a limited edition CE color vinyl version.

Undun is the tenth studio album by The Roots, released on December 6, 2011. It is a concept album that tells the tragic, reverse-chronological story of a fictional character named Redford Stephens, a young man who becomes involved in a life of crime and meets an untimely death. The album explores the themes of fate, choice, and the socio-economic pressures that lead individuals into cycles of poverty, crime, and existential struggle.

Undun is told in reverse order, beginning with Redford’s death and slowly moving back through the key moments of his life that led to his demise. This structure provides a reflective, somber narrative, examining the forces that shaped his decisions and eventual downfall.
The album’s narrative structure emphasizes the sense of inevitability and regret, making it a powerful meditation on the fragility of life and the consequences of choices.
The character of Redford Stephens was inspired by a piece of music by composer Sufjan Stevens, titled "Redford (For Yia-Yia and Pappou)." This instrumental track is reinterpreted and appears toward the end of the album, underscoring its emotional weight.

Musically, Undun is a mix of hip-hop, neo-soul, orchestral elements, and art rock. The production is lush yet sparse, with haunting melodies, complex arrangements, and The Roots' trademark live instrumentation.
Questlove’s drumming and Black Thought’s lyricism are central to the album, with the music often using minimalist beats and atmospheric soundscapes to complement the lyrical themes of existential despair and reflection.
The album also features moments of instrumental interludes, which add to the cinematic and conceptual feel of the project.

Key Tracks and Highlights:
"Sleep" – The album’s opening track (which depicts the final moment of Redford’s life) is introspective and haunting. Black Thought raps about the moments before death, with lyrics like "I’ve lost a lot of sleep to dreams" capturing the sense of hopelessness and inevitability.
"Make My" (featuring Big K.R.I.T.) – This single features a melancholic beat and lyrics that delve into regret and introspection, with Big K.R.I.T.'s verse complementing Black Thought’s meditations on life and death.
"One Time" (featuring Phonte and Dice Raw) – A standout track that focuses on the idea of seizing moments and making choices, set to a gritty, understated beat. Black Thought and guest rapper Phonte trade verses, exploring themes of existential crisis and fleeting opportunities.
"Kool On" (featuring Greg Porn and Truck North) – One of the lighter, more groove-driven tracks on the album, yet still reflective, with lyrics addressing Redford’s attempts to navigate the temptations and pressures of street life.
"The Otherside" – A soul-stirring track that looks at the crossroads between life and death, with deeply philosophical lyrics. Black Thought’s introspective verse, combined with Dice Raw’s somber chorus, reflects the haunting struggle between moral choices and survival.
"Tip the Scale" – A reflection on the difficulty of breaking free from the cyclical patterns of poverty and crime, with Black Thought delivering some of the most emotionally raw and philosophical verses on the album.
"Redford" (the instrumental suite) – A moving four-part instrumental conclusion, drawing from Sufjan Stevens' original composition. This suite, made up of piano, strings, and drums, evokes the emotional depth of Redford’s life and his ultimate fate.

Existentialism and Free Will: The album continually questions the role of fate versus choice. Redford’s life is portrayed as a series of decisions that, while influenced by his environment, ultimately lead to his downfall, raising questions about whether he had any real control over his fate.
Social Injustice and Poverty: Many of the lyrics explore how systemic injustice, poverty, and lack of opportunity can push individuals into lives of crime. The album highlights the harsh realities faced by young Black men in America, grappling with the intersections of race, class, and violence.
Regret and Reflection: Much of the album has a reflective, mournful tone as Black Thought and other guest vocalists deliver verses that look back at life’s moments, filled with what-ifs and regrets, exploring the loss of potential and the weight of past decisions.
Production and Collaborations:
The album is largely produced by The Roots themselves, with Questlove overseeing much of the production. The minimalist yet atmospheric production style mirrors the album’s darker themes, with an emphasis on live instruments.
Undun includes collaborations with Big K.R.I.T., Phonte, Dice Raw, Truck North, and Greg Porn, all of whom contribute to the narrative through their verses and vocal contributions.

Undun received widespread critical acclaim for its ambitious concept, narrative depth, and emotional resonance. Critics praised the album for its cohesive storytelling, complex themes, and innovative production.
Many hailed it as one of The Roots' best albums, with its conceptual depth and musical sophistication setting it apart from conventional hip-hop albums.
The album was noted for its maturity and introspective tone, marking a departure from The Roots’ earlier, more outwardly political works, and instead focusing on the internal struggles of the individual within a broken system.

Undun is often regarded as one of the best concept albums in hip-hop, comparable to works like Kendrick Lamar’s good kid, m.A.A.d city for its narrative depth and thematic richness.
The album’s reverse chronology and philosophical musings influenced other artists looking to explore more experimental and narrative-driven albums.
Undun reinforced The Roots' reputation as one of the most innovative and thoughtful acts in hip-hop, further blurring the lines between rap, live instrumentation, and high-concept artistry.

Undun is a deeply reflective and philosophical album, focusing on the life and fate of a character caught between the societal pressures and personal choices that ultimately lead to his demise. With its reverse storytelling, live instrumentation, and poignant lyricism, the album stands as one of The Roots’ most emotionally complex and musically innovative works. It challenges listeners to think deeply about the forces that shape lives and the fine line between survival and destruction.

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Ariel Loh

2LP | 2018 | US | Original (Waxwork)

A Louder Silence Black Vinyl Edition

Release: 2018 / US – Original

Genre: Soundtracks

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Waxwork Records is excited to present the deluxe double LP film score release of The Eyes Of My Mother. Written and directed by Nicolas Pesce, The Eyes Of My Mother is a 2016 black and white horror film that focuses on a young woman, Francisca (Kika Magalhães) that grows up on the family farm where she has previously witnessed the murder of her mother during her adolescence. After keeping her mother’s murderer captive for years, and plagued by loneliness after the death of her father, Francisca begins a bizarre chain of actions that include luring victim’s back to the family farmhouse, dismemberment, kidnapping an infant to raise as her own son, and personally exhuming her mother.

Composed by Ariel Loh, the score to The Eyes Of My Mother is dark, haunting, and atmospheric. Composed entirely on vintage, modded analog synthesizers, the score effectively presents a tune drifting, ghostly, and often beautiful collection of compositions that captures the lead characters psychosis and devolvement.

The score to The Eyes Of My Mother has been pressed to two 180 gram colored vinyl records and housed in a deluxe, heavyweight old-style gatefold jacket with satin coating. Features include composer liner notes by Ariel Loh, new artwork by illustrator Nikita Kaun, and an 11”x11” art print.

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Leifur James

LP | 2018 | UK | Original (Night Time Stories)

Release: 2018 / UK – Original

Genre: Organic Grooves

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7" | 2018 | EU | Reissue (Pioneer / Reggae Fever)

Tyrone Taylor

Move Up Black Man

12,99 €*

Release: 2018 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 2017 | UK | Reissue (Partisan)

IDLES

Brutalism

Release: 2017 / UK – Reissue

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Universal)

Drake

Scorpion

38,99 €*

Release: 2018 / EU – Original

Genre: Hip Hop

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LP | 2018 | EU | Original (Animal63)

The Blaze

Dancehall

30,99 €*

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Kamikaze Olive Green Vinyl Edition

Eminem

LP | 2018 | CZ | Original (Interscope)

31,99 €*

LP | 2018 | EU | Original (Def Jam)

Release: 2018 / CZ – Original

Genre: Hip Hop

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The standard edition comes as olive green colored vinyl.

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Pusha T

Daytona

Release: 2018 / EU – Original

Genre: Hip Hop

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Isolation Blue Transparent Vinyl Edition

Kali Uchis

LP | 2018 | EU | Original (Virgin)

Release: 2018 / EU – Original

Genre: Pop

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Onda De Amor: Synthesized Brazilian Hits That Never Were (1984-94)

2LP | 2018 | EU | Original (Soundway)

20,99 €*

12" | 2018 | US | Original (Dark Entries)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Some crate-digging compilations are often the result of someone hand-picking their choice favourites from another country’s musical history, perhaps unaware or uninvolved with its cultural lineage in the process. On Soundway’s latest release - a treasure trove of synth jams, pop, samba boogie, balearic and electro from 1980 & ‘90s Brazil - the tracks are picked by Millos Kaiser, one half of the Brazilian duo Selvagem, who are at the helm of throwing some of the country’s best dance parties. It’s a rare compilation that offers Brazilian music actually picked by a Brazilian.
Whilst names such as Ricardo Bomba, Villa Box, Fogo Baiano, Electric Boogies and Batista Junior may not be household names, they tell an untold, yet rich and important part of musical history in Brazil. The release also covers a decade that has been intentionally forgotten and brushed aside by many in the country.
Onda De Amor is a release that is loaded with smooth grooves, bubbling bass, glistening synthesisers, funk strutting guitar lines and sheen of production that undeniably marks it of its time. For Kaiser this compilation is about reintroducing music during a period of reappraisal, catching a new wave and hoping contemporary listeners will ride it with him. “The idea is to do justice to these songs. Songs that combine all the right ingredients that should have put them on radio playlists when I was growing up or at least in the cases of more adventurous DJs”.
Millos Kaiser is a DJ, digger, vinyl junkie/dealer born in Rio de Janeiro and living in São Paulo for the past 8 years. He launched the dance party/club night Selvagem with partner Trepanado in 2010, bringing thousands of dancers one Sunday a month to a public square in the heart of São Paulo.

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Miss Kittin & The Hacker

Lost Tracks Volume 2

16,99 €*

I Wouldn't Change A Thing / Rebirth

Release: 2018 / US – Original

Genre: Electronic & Dance

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Miss Kittin & The Hacker are the Electro duo of Caroline Hervé and Michel Amato from Grenoble, France. The pair met during the early 90s at a rave and soon after bought turntables and began DJing. In 1996, they started writing music heavily influenced by 1980s synthpop and post-punk bands like Fad Gadget, DAF, Liaisons Dangeuresues, and Yazoo, as well as Italo Disco. Bored by the techno scene at the time, they set out out to lighten the serious tone and bring a campy sexiness to the dour musical landscape. Upon hearing their demos DJ Hell signed them to his Munich-based International DJ Gigolo label and released their first 2 EPs in 1998 and 1999. Their debut album ”First Album" was released in 2001 followed by . in ?.

“Lost Tracks Vol. 2” contains 4 previously unreleased demos recorded between 1997 and 1999. The duo fused 80’s European New Wave/Italo Disco with 90’s Detroit Electro acts like Le Car and Dopplereffekt. By utilizing verse-chorus structures, they playfully shook up the loop based hard techno and electro that was popular at the time. Their studio set up at the time was a Korg MS-20, Roland SH-101, TR-606, TR-808, Siel DK80, and Boss DR-660 drum machine. The songs are direct, spontaneous, seemingly improvised in places. Miss Kittin sings about falling in love in the new millennium, snuff movies and controlling the unknown trip to death, all in her cheekily derisive French accent. All songs have been transferred from the original DAT tapes by the band and remastered for vinyl by George Horn at Fantasy Studios. The vinyl comes housed in a glossy jacket featuring a black and white photo of the duo taken in 1996. Each LP includes a postcard with liner notes from Miss Kittin and The Hacker designed by Eloise Leigh. As Miss Kittin says of these demos, “We were naive, innocent, adventurous and we didn’t expect anything in return”

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Coke Escovedo

7" | 2018 | UK | Original (Expansion)

13,99 €*

Release: 2018 / UK – Original

Genre: Organic Grooves

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Durand Jones & The Indications

LP | 2016 | US | Reissue (Dead Oceans)

Release: 2016 / US – Reissue

Genre: Organic Grooves

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In the fall of 2012, Jones left his small-town in Louisiana for the foothills of Indiana. Alto saxophone in tow he enrolled in the Jacobs School of Music at Indiana University. “Being a singer was never part of the plan,” Jones admits. But soon enough he found his way in front of a rowdy rock-n-roll band belting out a rambunctious rendition of “Dock Of The Bay,” to a basement full of drunken undergrads. That rowdy band unfolded into The Indications—comprised of Aaron Frazer (drums), Blake Rhein (guitar), Kyle Houpt (bass) and Justin Hubler (organ).

Inspired by a handful of dusty and obscure 45s bearing names like The Ethics, Brothers of Soul and The Icemen, The Indications set out to make a record steeped in heavy drums, blown-out vocals, and deep grooves. Gathered around a Tascam 4-track cassette recorder and a case of Miller High-Life, the group spent their Sunday evenings recording into the early hours of the morning.

With comparisons from Charles Bradley and Lee Fields to Al Green, the only thing that separates this band from those greats is their youth. Having now taken their raucous live show all across the US, the band have galvanized a following that are ready to take them to the next level.

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LP | 2018 | EU | Original (Wagram)

Reggae Vibrations

Release: 2018 / EU – Original

Genre: Reggae & Dancehall

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LP | 2017 | US | Original (P.W. Elverum & Sun)

Mount Eerie

A Crow Looked At Me

Release: 2017 / US – Original

Genre: Rock & Indie

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A new Mount Eerie album unlike anything else in the Mount Eerie or Microphones back catalog. Eleven stark songs about basic deep grief, loss, real death, love, significance and non-significance, reality. Nothing wise or learned, just the described experience of living through unimaginable domestic obliteration, with names and dates.

contains: 11 songs, 42 minutes, very nice sounding vinyl, foil stamped front and back covers, heavy old style gatefold tip-on jacket with special Neenah “Slide” paper as the inner liner, silver on black, all the lyrics, double sided art poster, free download card

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Gumba Fire: Bubblegum Soul & Synth Boogie In 1980s South Africa

3LP | 2018 | EU | Original (Soundway)

24,99 €*