All Items 9750 Items

Release: 2020 / EU – Original

Genre: Rock & Indie

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Caesars Palace / The Twelve Ceasars

Cherry Kicks

LP | 2020 | EU | Original (Busy Bee Production)

Release: 2020 / EU – Original

Genre: Rock & Indie

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7" | 2020 | EU | Original (Beat)

Detto Mariano

Il Ragazzo Di Campagna

Angela Munoz & Adrian Younge

Release: 2020 / EU – Original

Genre: Soundtracks

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Beat Records is glad to present this 7" vinyl to celebrate, and not forget, Maestro Detto Mariano, who unfortunately passed away in this awful 2020. Il ragazzo di campagna is the first of a series of tributes that we will realize to honour the famous composer career, in this vinyl 7" edition featuring the brilliant main titles on the A side, and in a disco version on the B side, singed by the OST vocalist, Patrizia Tapparelli. Il ragazzo di campagna is the mandatory choice to start with this memory flux we'll dedicate to the artist, one of the most iconic movie from the glorious 80s, with a delightful score, also available in a complete edition on CD. Vinyl green and wthite, the cover features the original poster of the movie, on the front and on the vinyl, on the back it features the photographic album with Renato Pozzetto, on his tractor, in Milan downtown. The product comes with an extra print of the cover, numbered, on deluxe paper. Mastering by Enrico De Gemini, graphic layout by Daniele De Gemini.

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Introspection Instrumentals

LP | 2020 | US | Original (Linear Labs)

2LP | 2020 | EU | Original (London)

Release: 2020 / US – Original

Genre: Organic Grooves

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Instrumental to Angela Munoz recent album on Adrian Younge's Linear Labs label, produced by Adrian Younge / Angela Munoz, a 18-year-old Los Angeles native, debuts her hypnotic voice with her new album released on Linear Labs. This prolific artist is a prodigy, writing and singing music beyond her tender years. Her captivating voice carries strength and prowess, cultivated by a myriad of first-hand experiences and training in the art of sound.

At the age of 5, she discovered her distinctive voice and was considered an “Old Soul.” She began to play instruments such as guitar and piano. With practice, Munoz began to dominate singing competitions, leaving unexpected audiences in a trance. Throughout the years, she trained herself by attending a performing arts middle school and high school in the heart of Los Angeles. Many of the artists were introduced to her by her older brother (writing partner) Brandon Munoz. As an avid music collector, artists such as Nirvana, Donny Hathaway, Erykah Badu, A Tribe Called Quest and Cortex began to make an imprint on her sound.

A few years ago, her brother introduced her to Something About April, a record produced by Adrian Younge. The quality of the music left her intrigued. Shortly thereafter, she serendipitously found herself working with “The Midnight Hour,” a group comprised of Younge and Ali Shaheed Muhammad (formally of A Tribe Called Quest). In 2018, they debuted her song “Bitches do Voodoo,” on their eponymously titled album The Midnight Hour; they also took Angela on tour, featuring her on NPR’s Tiny Desk.

Angela Munoz is an old soul that finds solace in the sound of an orchestra, turntables, or the randomness that fuels her youthful energy; a prodigy who stands by her uniqueness, even if it doesn’t satisfy the status-quo. She believes the heart of music is emotion and this is where she finds her personal liberty and strength. With her commanding presence, she is destined to become a cannon in music for years to come.

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Fine Young Cannibals

The Raw And The Cooked

Curtis Knight & The Squires (With Jimi Hendrix)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Colored Vinyl edition : Solid White. The album remastered for the very first time, with Roland Gift's involvement. Incudes download card featuring the album 10 + 22 rare & unreleased bonus tracks (B Sides, remixes) =32 Tracks Total.

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No Business: The PPX Sessions Volume 2 Black Friday Record Store Day 2020 Edition

LP | 2020 | EU | Original (Legacy)

Services Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Black Friday Record Store Day 2020 Release.
RSD Exclusive. Limitation: 3000 copies.

No Business: The PPX Sessions Volume 2 continues the documentation of Jimi Hendrix’s pre-Experience sideman work with the Harlem-based R&B combo. These twelve recordings were captured at Studio 76 in 1965 [as well as two controversial sessions in July and August 1967] and offer a fascinating glimpse of Hendrix’s genius in the years before—and during—his early success. It includes the 1965 demo of the first known Hendrix composition (“Working All Day”) and shiver-inducing guitar playing that hints at the genius to come. While not a Jimi Hendrix album the music is now under the control of Experience Hendrix, and thanks to them has been lovingly restored by legendary engineer Eddie Kramer for RSD Black Friday, giving fans the chance to enjoy these tracks in their proper historical context in a numbered, limited edition brown vinyl release.

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Tempers

LP | 2020 | EU | Original (Dais)

J. Peter Schwalm / Arve Henriksen

Release: 2020 / EU – Original

Genre: Rock & Indie

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Repressed In Quantity For The First Time In Years.Includes The Hit Single "Strange Harvest".Tempers, Comprised Of Jasmine Golestaneh And Eddie Cooper, Have Carved Out Their Own Niche Within Dark Indie, Electronica And Synth-Pop Circles. Their Sound Is About Exploring Tonal And Emotional Tension As Much As It Is About Actual Tracks Or Singular Moments. Adrenalizing Yet Hypnotic Landscapes Layer Mechanical And Sensual Impulses, As Crystalline Vocals Weave Fever Dreams Of Yearning And Alienation. Informed By Both Golestaneh's Involvement In Musical Performance And Visual Art And Cooper's Electronic Production Resume, As Well As Their Time In The States And Abroad, They Operate As A Multi-Disciplined Entity In The Spirit And Ethos Of Factory Records. Tempers Describe Their Creative Process As A Telepathic Kinship They've Developed Since They Started Making Music Together: "We Have These Sort Of Unspoken Criteria When We're Writing Music. We Never Really Need To Explain What That Is But We Both Know When It's Missing Or When We've Hit It." After A String Of Critically Acclaimed Singles Beginning In 2013 With "Eyes Wide Wider" B/W "Hell Hotline," The Duo Released Their Debut Lp "Services" (2015) On Cult Imprint Aufnahme + Wiedergabe Resulting In The Underground Club Hit "Strange Harvest", Extensive International Touring And Sold-Out Shows. The Album's Vinyl Edition Soon Became A Sought After Collectors Item. Their 2017 Ep "Fundamental Fantasy" Was Released As A Result Of The Vinyl Factory's Volcano Extravaganza Artist Residency On The Aeolian Island Of Stromboli. Following Their Unique Creative Compass, In 2018 They Indirectly Moved From The Dance Floor To Galleries, Releasing "Junkspace" A Conceptual Collaboration With Famed Architect Rem Koolhaas. The Record Is Available In The World's Most Select Cultural Hotspots, From The New Museum In New York To Walther Konig Museum Stores Throughout Europe, A Testament To Tempers' Love For Experimental Output And Unorthodox Presentation. In 2019 Tempers Signed With D...

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Neuzeit

LP | 2020 | EU | Original (Rarenoise)

Gathering Swans Neon Yellow Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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How We Define The Age We Live In Depends Entirely On The Frame We Choose To View It Through. On One Timescale We're Just Getting Settled Into The 21st Century; Zoom Out And We're Deeply Entrenched In The Anthropocene. We Might Be Waking To The Dawn Of An Enlightened, Interconnected New Era Or Teetering On The Brink Of A Sixth Mass Extinction. Neuzeit, Which German Electro-Acoustic Composer J. Peter Schwalm Views Through His New Duo Outing With The Norwegian Trumpeter Arve Henriksen, Is Generally Taken To Refer To The Modern Era That Began In The 16th Century And Witnessed The Rise Of Western Civilization. Schwalm Chooses To Take The Term On Its Face, However; The Fusion Of "New" And "Time" He Defines As A Period Marked By Sudden And Drastic Change. To Borrow Another Word From The German, It Ably Yet Dauntingly Captures The Zeitgeist Of Our Tumultuous Moment, One In Which Political Upheaval, Global Pandemic And Catastrophic Climate Change Seem Poised To Usher In An Uncertain New Existence.

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Choir Boy

LP | 2020 | EU | Original (Dais)

LP | 2020 | EU | Original (Spiral Void)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Salt Lake City's Indie Pop Favorites Choir Boy Return After Four Years With The Release Of Their New Cosmic Album, Gathering Swans. An Emotionally Powerful Record, Full Of Poignant Heartbreak And Gently Steeped In Pop Nostalgia, Choir Boy Push Their Distinctive Sound Further, While Tenderly Romancing The Unsuspected. Since The Release Of Their Well-Received 2016 Debut Passive With Desire, Of Which Slug Magazine's Erin Moore Declares To Be "...Packed With Songs That Are Infectious By Way Of Their Sound, As Well As Their Emotion...

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Vert:x

Hed

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Krauted Mind)

Simones

Balloon Ride

Release: 2020 / EU – Original

Genre: Rock & Indie

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Release: 2020 / EU

Genre: Rock & Indie

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LP | 2020 | UK | Original (The Get Down)

Outsiders Syndicate

You Know The Style

Release: 2020 / UK – Original

Genre: Hip Hop

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LP | 2020 | EU | Original (Four Flies)

Giuliano Sorgini

Occulto

Release: 2020 / EU – Original

Genre: Soundtracks

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Two years after the stunning AFRICA OSCURA, Four Flies Records is back with another gem from Giuliano Sorgini’s secret archives, this time one which unearths some of his darkest, eeriest music – that is, pieces he composed in the mid-70s for some of the most infamous, low-budget horror movies ever made in Italy.
This collection brings together a selection of original recordings from those movies, which were directed by “Italian Kings of the B’s” Angelo Pannacciò, Salvatore Bugnatelli, Luigi Batzella, and Guido Zurli, with whom the Roman composer worked intensively throughout the 70s. Due to the very low-budget nature of the films, Sorgini recorded the soundtracks entirely on his own, in his Cat & Fox Studio in Rome. He played drums and percussions and added overlapping layers of analogue synths to create a superbly sinister soundscape, thus turning a constraint into an opportunity.
The result is a journey into the mysterious atmospheres of the Italian occult-sounding music of the time, something very close to the dark electronic masterpieces that made Sorgini famous, such as ZOO FOLLE or THE LIVING DEAD AT MANCHESTER MORGUE.
OCCULTO features ten previously unreleased tracks characterized by enigmatic moods, obscure beats and esoteric themes. All tracks are taken from original master tapes that remained buried in the composer’s archives for decades.
The LP comes in a deluxe jacket and inner sleeve designed by Luca Barcellona.
Also available in digital format with three previously unreleased bonus tracks.

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Mot Aykerim (You Can't Cheat Death)

LP | 2020 | US | Original (Now-Again)

2LP | 2020 | EU | Original (Sony)

Release: 2020 / US – Original

Genre: Organic Grooves

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Ayalew Mesfin stands aside the likes of Mulatu Astake, Mahmoud Ahmed, Hailu Mergia and Alemayehu Eshete as a legend of 1970s Ethiopia. Mesfin’s music is some of the funkiest to arise from this unconquerable East African nation. Mesfin’s recording career, captured in nearly two dozen 7” singles and numerous reel-to-reel tapes, shows the strata of the most fertile decade in Ethiopia’s 20th century recording industry, when records were pressed constantly by both independent upstarts and corporate behemoths, even if they were only distributed within the confines of this East African nation. Though Mesfin was forced underground by the Derg regime that took control of Ethiopia in 1974, he has returned almost 50 years later with this triumphant set albums – the first time that his music has been presented in this form. These albums give us a chance to discover a rare and beautiful moment in music history, in anthologies built from Mesfin’s uber-rare 7” single releases and from previously unreleased recordings taken from master tapes. Mot Aykerim gives us a chance to discover a rare & beautiful moment in music history, in an anthology built from his uber-rare 7” single releases. Contains an oversized 11” x 11” 16 page book that tells the story of modern Ethiopian music and Mesfin’s role within it.

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The Chicks

The Essential The Chicks

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP+CD | 2020 | EU | Original (Vietnam / Because Music)

J.E. Sunde

9 Songs About Love

Release: 2020 / EU – Original

Genre: Rock & Indie, Pop

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LP | 2020 | Original (Hallow Ground)

Mats Erlandson

Minnesmärke

LP | 2020 | Original (Fire)

Release: 2020 / Original

Genre: Electronic & Dance

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Mats Erlandsson Makes His Debut On The Swiss Label Hallow Ground With "Minnesmärke," At Once A Nuanced Sonic Exploration Of The Industrial And Political History Of His Native Sweden And A Deeply Personal Album. One Of The Key Figures Of The Stockholm Drone Scene, The Prolific Composer Worked With The Kilimanjaro Darkjazz Ensemble's Hillary Jeffery, Violinist And Long-Time Friend Gaianeh Pilossian As Well As Sound Artist And Frequent Collaborator Yair Elazar Glotman For A Two-Part Composition Built Around Tuned Sustained Tones Performed By Electronic And Acoustic Instruments That Were Combined With Field Recordings In Order To Evoke A Psychedelic State Of Reflection, A Dream-Like Elegy For The Acoustic Properties Of The Former Iron Ore Mine Ställbergs Gruva Where The Music Has Been Conceived And Recorded. Following Up On Releases On Labels Such As Hallow Ground Label Mates Kali Malone And Maria W Horn's Xkatedral Imprint, 'Minnesmärke' Is Erlandsson's Most Accomplished Work Yet. Originally A Commissioned Work By The Non Existent Center For A Month-Long Artist Residency In Ställbergs Gruva Last Summer, 'Minnesmärke' Conceptually Picks Up On The Socio-Political And Economic History Of The Bergslagen Region Where The Mine Is Situated. After Mining Operations Had Been On-Going For Decades Prior, In The Industrial Age Iron Became One Of The Country's Largest Exports, Making The Mining Industry An Integral Part Of The Country's Progression Towards A Socialdemocratic Welfare State In The Years After World War Ii. With The Rise Of Neoliberalism And The Simultaneous Erosion Of The Welfare State However, The Mines Around The Region Started Closing, Which Resulted In The Surrounding Community Losing Its Relative Prosperity. Erlandsson's Interest In This Story Though Does Not Exclusively Stem From The Historical Significance Of The Mine, That Has Been Re-Opened In 2012 As A Centre For Cultural Activities And Critical Thought. In Fact, His Grandfather Was Born And Raised In The Vicinity Of It And Thus His Life - An...

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Faten Kanaan

A Mythology Of Circles

LP | 2020 | EU | Original (Columbia)

Release: 2020 / Original

Genre: Electronic & Dance

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'A Mythology Of Circles' Is The New Album From Brooklyn-Based Composer And Musical Artist Faten Kanaan, Her First To Be Released On Fire Records. Cyclical Patterns And 'Variation Through Repetition' Are Central To Faten's Music. Harmony And Counterpoint Are Composed Intuitively And Treated As Narrative Tools- With Sound, Silence, And The Resulting Mystical Relationship Between Notes Used As Gestures To Tell A Wordless Story. The Album Is Separated Into A 'Dusk To Evening' Side, And An 'Underworld/Dream-State' Side; Highlighting The Myths Of Ishtar, Inanna, Orpheus, Persephone, And Others.Inspired By Cinematic Forms And Mythological Story Structures: From Sweeping Landscapes And Quiet Romances, To Patterned Tensions And Dream Sequences; Faten Brings An Earthy, Visceral Touch To Electronic Music. In Symbiosis With Technology Is An Appreciation For The Vulnerability Of Human Limitations And Nuances.All The Sections Are Played In Real Time, Neither Looped Nor Sequenced- Allowing For Subtle Changes To Unfold. The Use Of Vst Sampled Choral Voices In This Album Embodies The Forlorn State Of Technological Acceleration, And The Desire To Return To A Vulnerable Human Sound. The Album Art Also Explores A Complicated Relationship With Technology: The Statue Comes From A Series Of Digital Replicas, Returning In Its Last Stage To A More Intimate And Handmade Feel.Composed, Produced And Mixed By Faten Kanaan, The Album Was Mastered By Heba Kadry (Bjork, Ryuichi Sakamoto, Julianna Barwick)."Strangely Haunting Yet Beautiful Bouquet Of Nocturnal, Electronic Blooms Ranging From Poignant Ambient Vignettes To Chamber-Like Pop, From Brooklyn's Faten Kanaan- A Gifted Musical Story-Teller" Boomkat

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AC/DC

Power Up

Release: 2020 / EU – Original

Genre: Rock & Indie

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Palm Trees & Thirty Degrees

Trinidad

2LP | 2020 | EU | Original (Trinidad)

LP | 2020 | EU | Original (Hallow Ground)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Following the release of a number of EPs on Swiss, German, British and Australian labels, Trinidad will release their debut album ‘Palm Trees & Thirty Degrees’ on October 16th 2020. The album draws on the Swiss-based trio’s experience of sustaining the energy of festival and club shows, while also providing the perfect background to a relaxed summer evening with friends.

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Miki Yui

Aperio!

Rob Mazurek & Exploding Star Orchestra

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The title of Miki Yui’s seventh solo album Aperio! is derived from the latin origin of April, "aperire" meaning “to open” or “to reveal”. Hinting at the way her music unveils another reality which is hidden beneath the surface. The title also reflects the aperiodic character of the music, its irregularity. Like a magic word to reveal the mysterious cosmos, each song opens up another intimate world of wonders.

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Dimensional Stardust Splatter Vinyl Edition

LP | 2020 | US | Original (International Anthem)

Release: 2020 / US – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Striped)

Manges

Punk Rock Addio

Barney Wilen & Tete Montoliu

Release: 2020 / US – Original

Genre: Rock & Indie

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Punk Rock Addio is “punk rock veterans” The Manges from Italy’s 5th studio album. Recorded in Rome in 2020, with the minds behind the success of Italian glam rock band Guida, producers Lorenzo Moretti (guitarist and songwriter for Guida) and Danilo Silverstri. 12 Songs for 24 minutes; catchy and fast punk rock. Including the new on written by CJ Ramone, a long time friend of the band, and “Take It On The Chin” a cover of alt-country-folk artist William Elliott Whitmore. The Songs on Punk Rock Addio are melody-driven but dark, catchy and fast, in pure Ramones tradition.

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Grenoble '88 Black Friday Record Store Day 2020 Release

LP | 2020 | EU | Original (Elemental)

LP | 2020 | EU | Original (Not Now)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Black Friday Record Store Day 2020 Release. RSD Exclusive. Limitation: 1000 copies. Elemental Music presents a never-before-heard complete concert which constitutes the only recorded testimony of the reunion of two jazz giants: French tenor and soprano saxophonist Barney Wilen and Spanish pianist Tete Montoliu. All tracks from this concert, which took place in Grenoble, France on February 12, 1988 are previously unreleased and boast excellent sound quality. The group is completed by the Italian bassist Riccardo del Fra (who frequently played and recorded with Chet Baker) and Chicago drummer Aaron Scott (who the year following this Grenoble concert would start a 14-year association and tenure with pianist McCoy Tyner as part of the McCoy Tyner Trio, winning three Grammy Awards and performing worldwide). This release includes specially prepared liner notes as well as never before published photos from the actual performance.

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Edith Piaf

Very Best Of

Release: 2020 / EU – Original

Genre: Pop

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OST Terrorvision Blue Vinyl Edition

Richard Band

LP | 2020 | EU | Original (WRWTFWW)

What Beetlez? Yellow Vinyl Edition

Release: 2020 / EU – Original

Genre: Soundtracks

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Wrwtfww Records is giggling with pleasure as it announces the official reissue of Richard Band’s director’s cut soundtrack for sci-fi horror comedy classic TerrorVision (1986).The limited edition blue-colored 180g vinyl LP is housed in a heavy gatefold sleeve with full movie gallery, obi strip, and video store stickers. It includes liner notes by Richard Band himself. People of Earth Your planet is about to be destroyed… We’re terribly sorry for the inconvenience Conceived as a late 1960s Lost in Space type score with a 80s electronic twist, TerrorVision is one of the most unique soundtracks in Richard Band’s discography. Part oddball adventure, part eerie soundscape, it mixes the fun and flashy colors of the era with synth explorations that flirt with minimalism and experimental music. Band composed with a Yamaha Cs70 plus twin ARP 2800s, a mini Moog synthesizer, as well as DX5 and DX7 keyboards, creating a groovy twilight zone of electrifying alien funk. The soundtrack also includes 5 numbers by deliriously wild LA band The Fibonaccis. One of a kind - like the movie itself!

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Cut Beetlez

LP | 2020 | UK | Original (Ae Production)

Release: 2020 / UK – Original

Genre: Hip Hop

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Problem Attic - Purple & Pink with splatter Vinyl Edition

Nuclear Bubble Wrap

LP | 2020 | US | Original (Needlejuice)

26,99 €* 29,99 € -10%

An Ode To Escapism Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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•180 gram vinyl •Purple & pink vinyl with yellow and pink splatter •Download card with commentary and stems •Gate fold jacket with artwork by KC Green •Lyric insert. Nuclear Bubble Wrap’s greatest creation yet, Problem Attic is a 45-minute genre-hopping roller coaster ride through the hurricane of bullshit that’s terrorized us for our entire lives. It’s the experience of growing up in a miserable world on the verge of falling apart. Corporations paper over cruelty with fake smiles. The people who should have been doing something about it decades ago avoid responsibility.

It’s got killer AI and lonely mars rovers. It’s got sexy dinosaurs. It’s got vaporwave. It’s got sleazy politicians and illuminati ghouls. It’s got a theme song for pansexual pantheists. It’s even got a zombie Elvis. It’s Problem Attic.

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Ghost Funk Orchestra

LP | 2020 | US | Original (Karma Chief)

T.H.I.N.G.S. (The Hunger Inside Never Gets ...)

Release: 2020 / US – Original

Genre: Organic Grooves

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Where will you hide when the world around you is closing in? On their latest LP, GFO invites you to close your eyes and take a dive into your subconscious. Strings and horns float around from ear to ear while their three sirens explore themes of isolation, fear of the unknown, and the fabrication of self-image. It's a soulful psychedelic journey that picks up sonically where "A Song For Paul" left off. The drums are heavier, the arrangements are more intricate, and the vocal harmonies soar over a bed of odd time signature grooves. This is an album that's meant to be listened to in the dark. So won't you join them? You're not scared.....are you?

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Reks

LP | 2020 | US | Original (Brick)

Release: 2020 / US – Original

Genre: Hip Hop

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On his twelfth studio LP in nearly 20 years, Reks sounds just as hungry and passionate on T.H.I.N.G.S. (The Hunger Inside Never Gets Satisfied) as he did when Along Came The Chosen dropped back in 2001. Perhaps even more so. There seems to be a fire that gets lit under the Lawrence, MA native whenever he begins crafting a new album. “While my conceptualizing process has grown over the years, the actual approach to getting started has remained consistent,” Reks says. “There’s a youthful eagerness that comes over me every time I’m about to start a new record.” That feeling is palpable throughout T.H.I.N.G.S., an album bursting with everything you’d want from a Reks record, but also so much more. There are certainly instances of his trademark wordplay mixed with bravado on here, like the Apollo Brown-produced banger “King of the Town” featuring Lucky Dice & Chi Knox. But the real core of this record is Reks’ reckoning with bigger societal issues that have simply run rampant for far too long. And given his talents with the pen, he’s able to blend strong songwriting with deep, conceptual lyrics. Just listen to how he tackles white privilege on the otherwise catchy “Rachel Green” or the way he chronicles being Black in America on “White House.” That’s not even mentioning “The Complex,” a lyrically gripping look at Ptsd and Big Pharma featuring Pharoahe Monch, and his personal favorite track, “Nana & Grampy’s Song,” a heartfelt dedication to Black love. For Reks, it’s all about delivering the best possible music to his fans while staying true to himself. And he does exactly that not just through his own gifts, but also through collaborations with the likes of Pharoahe Monch, Lil Fame, Nottz, Apollo Brown, Statik Selektah, Evidence, and Marco Polo, among others.

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LP | 2020 | US | Original (Now-Again)

Wegene (My Countryman)

Colour Splatter Viny Edition

Release: 2020 / US – Original

Genre: Organic Grooves

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Ayalew Mesfin stands aside the likes of Mulatu Astake, Mahmoud Ahmed, Hailu Mergia and Alemayehu Eshete as a legend of 1970s Ethiopia. Mesfin’s music is some of the funkiest to arise from this unconquerable East African nation. Mesfin’s recording career, captured in nearly two dozen 7” singles and numerous reel-to-reel tapes, shows the strata of the most fertile decade in Ethiopia’s 20th century recording industry, when records were pressed constantly by both independent upstarts and corporate behemoths, even if they were only distributed within the confines of this East African nation. Though Mesfin was forced underground by the Derg regime that took control of Ethiopia in 1974, he has returned almost 50 years later with this triumphant set albums – the first time that his music has been presented in this form. These albums give us a chance to discover a rare and beautiful moment in music history, in anthologies built from Mesfin’s uber-rare 7” single releases and from previously unreleased recordings taken from master tapes. Wegene gives us a chance to discover a rare & beautiful moment in music history, in an anthology built from his uber-rare 7” single releases. Contains an oversized 11” x 11” 16 page book that tells the story of modern Ethiopian music and Mesfin’s role within it.

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Pete Josef

LP | 2020 | EU | Original (Sonar Kollektiv)

2LP | 2020 | Original (Lewis)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Limited edition repress of the debut album by Pete Josef from 2015. A heartfelt, genre-bending combination of jazz, soul, pop, and electro, UK singer, songwriter and multi-instrumentalist Pete Josef releases his debut album "Colour".

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Leron Thomas

More Elevator Music

LP | 2020 | Original (Sub Pop)

Release: 2020 / Original

Genre: Organic Grooves

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Genre: Jazz / Funk / Alternative / Hip-Hop. "Leron Thomas Isn't Making It Easy On Himself. His Self-Produced Records Are Hard To Sum Up - And That's The Point". Ny Times // 'More Elevator Music' Is Twelve Tracks Of Jazz-Edged Hip-Hop And Reassuring Curiosity Reaching From The Fuzziest Depths Of Its Backpack, With Iggy Pop, Malik Crumpler, Florian Pellissier, Kenny Ruby, Tibo Brandalise And Greg F Providing Assists. After Opening Act 'Corporate', Bbc 6 Music's Shaun Keaveny Would Laud Next Single 'Blind' As "A Bass Groove Masterclass". Jazz Trumpeter, Composer, Vocalist, Multi-Instrumentalist, Provocateur And, "Masterful Genre-Bender", Leron Thomas, A New York Transplant From Houston, Was Once Upon A Time In His Own Words "Just Your Run Of The Mill Jazz Musician Realizing That I Didn't Vibrate Well On The Nyc Jazz Scene". His Credentials That Have Put Him In His Own Lane, Make A Mockery Of Such Self-Deprecation. Charles Tolliver - Thomas' One-Time Trumpet Teacher In College - Is But One Scene Great He Has Performed With. Broadly Speaking He Can Name Bilal, 88 Keys, Dennis Ferrer, Lauryn Hill (As Part Of Her Touring Band) And Zara Mcfarlane As Further Conspirators Of Note. His Performance Critiqued By The Ny Times As "Intelligent, Casual, A Little Nuts And Completely Entertaining", Thomas Has Featured On Gilles Peterson's Vanguard 'Brownswood Bubblers' Compilation Series, And His 2015 Release 'Cliquish' Was Shortlisted By Peterson At The Worldwide Awards In The Best Album Category, Described As A "Brilliant Lp That Really Breaks The Mould". Prolifically Off The Radar And Realigning His Style Inspired By The Likes Of Frank Zappa, David Bowie, George Clinton, James Brown, Wayne Shorter, Miles Davis, Herbie Nichols And Frankie Beverly, Thomas' Most Recent Position At The Wheel Of Reinvention Was As A Vital Cog Behind Iggy Pop's 'Free' Album Of 2019 ("A Liberating Collection That Unshackles The Star From His Past" - Nme). Those In The Know Also Relish His Supplying Of Fresh, Ambiguous Angles For The Bbc...

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Loma

Don't Shy Away

Release: 2020 / Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Rhymesayers)

Atmosphere

The Day Before Halloween

LP | 2020 | US | Original (Atlantic)

Release: 2020 / US – Original

Genre: Hip Hop

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For over two decades, Atmosphere has maintained a course of rigorous output, releasing over two dozen studio albums, EP's and collaborative side projects in as many years. In that time, the venerated duo have built a legacy out of bringing honesty, humility and vulnerability to the forefront of their music, continually challenging themselves to evolve without straying too far from their roots. Slug has proven masterful at storytelling and writing compelling narratives, leaving a trail of his own influence while paying homage to the rappers and songwriters that shaped him. Ant has skillfully molded the soundtracks with inspiration from soul, funk, rock, reggae, and the wizardry of hip-hop's pioneering producers, creating his own trademark sounds while providing the pulse for songs about life, love, stress and setbacks. At its essence, Atmosphere has been a musical shepherd, and with each new album comes a new journey as they guide generations of listeners through this thing called life. Much like everything else in 2020 though, Atmosphere's new album, The Day Before Halloween, is something of a detour from the anticipated path. Cutting loose and eschewing their established norms, Slug and Ant have delivered the anti-pop answer to the content and compositions of previous albums. Over razor-sharp drums and distorted synths, The Day Before Halloween explores the life of a visual artist living in an antiquated surveillance state. It's menacing. It's murky. It's George Orwell meets Keith Haring at a video arcade, on New Year's Day, 1985. If you've entertained any theories that we've slipped into an alternate reality, you may find further evidence in this dark and brooding release of future's past.

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Wallows

Remote

Release: 2020 / US – Original

Genre: Rock & Indie

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Lift It Down Purple Vinyl Edition

Jeremiah Sand

LP | 2020 | EU | Original (Sacred Bones)

Rob Mazurek & Exploding Star Orchestra

Release: 2020 / EU – Original

Genre: Rock & Indie

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- Purple Vinyl Limited To 1500- Lost Record Created In 1974, Stored In A Lockbox For Almost 50 Years And Uncovered With Original Art In 2018- Created By Notorious Cult Leader Jeremiah Sand And His Followers Before A Series Of Mysterious Events And Dissapearances Occured- Liner Notes By The Late Genesis Breyer P-Orridge//In 1974, Jeremiah Sand And His Nascent Cult The Children Of The New Dawn Decamp La For The Shasta Mountain Region And Redding, Ca. They Set Up Shop, Begin Printing Leaflets, Hold Gatherings And Start Growing Their Ranks Through Recruitment. By Mid 1974, Jeremiah Becomes Obsessed With Recording "His Masterpiece"...A Musical Message To The World, Communicating A "Truth" That Only He Has Been Given Spiritual Access To. His Lieutenant Brother Swann Overhears That There Is A Small Recording Studio Just North Of The City. He Arrives One Day At The Reception With A Large Gym Bag Full Of Cash And Instructs The Owner To Cancel All Sessions On The Books. Tents And Rough Structures Appear On The Surrounding Property As The Children Make The Studio And Its Grounds Their New Home. A Disgraced Professor From The Electro Acoustic Music Program At Evergreen State Arrives With A Full Buchla System He's "Liberated" From The University, Jeremiah Is Entranced By It And For A Few Weeks The Only Sounds Coming From The Studio Are Blasts Of Atonal, Corroded Noise Underpinned By Ominous Chanting. The Mood Changes. The Town Begins To Turn Against The Children. A Few People Have Gone Missing. Some Teenagers. A Studio Engineer. By The Spring Of 1977, The Entire Session Has Broken Down Into Hallucinogen And Cocaine Fueled Chaos. Bad Vibrations. One Night In Early March, After A Particularly Grueling Mixing Session, The Producer And Owner Of The Studio Is Startled Awake By An Extremely Agitated Looking Brother Swann. Swann Is Sweating And Wild Eyed, Casually Holding A Gun, Explaining To The Producer That "Plans Have Changed" And That Jeremiah Has "Heard A Calling And A Great Summons". They Are Leaving. All Of Them...

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Dimensional Stardust Black Vinyl Edition

LP | 2020 | US | Original (International Anthem)

Release: 2020 / US – Original

Genre: Organic Grooves

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Brown Acid - The Eleventh Trip

V.A.

LP | 2020 | US | Original (Riding Easy)

LP | 2020 | US | Original (Riding Easy)

Release: 2020 / US – Original

Genre: Rock & Indie

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Riding Easy is now in the double digits of brilliant long-lost, rare, and unreleased hard rock, heavy psych, and proto-metal tracks from the ’60s-’70s and clearly this has become a bonafide archaeological movement as each new edition leads to more exciting new discoveries. Like the label has done throughout this series, all of these tracks were painstakingly licensed legitimately and the artists were paid. Here are just a few of the delights herein: This Trip opens with Adam Wind’s “Something Else,” featuring groovy crooning and a very acid-damaged guitar riff that meanders across key signatures like it ain’t no thing. This 1969 single by the Tacoma, WA band predates grunge by 20 years, but the band’s heavy psych and murky tones are just the stuff Northwest heroes Mudhoney sought so fervently at their peak. Lead singer Leroy Bell’s excessive vibrato gives the tune its charm, but the heavy breakdown in the middle is the real payoff. Later, Renaissance Fair take things in a very weird, very fun and undeniably heavy direction with an insanely distorted organ that sounds like a monstrous vacuum cleaner over dirge rhythms and growling vocals on their—let’s reiterate—weird 1968 track “In Wyrd.” Think if someone left a copy of The Doors’ Strange Parade out to warp in the sun on a blown-out toy record player, and then visiting space creatures attempted to imitate what they’d heard. Finally, Crazy Jerry sends this edition off on a high note with “Every Girl Gets One,” featuring crunching riffs, rollicking electric piano, stop ’n’ start rhythms and a curious telephone call sounding like a creepy answer to the Big Bopper’s “Chantilly Lace.” Crazy Jerry is the alter-ego of guitarist Jerry Ciccone, who can also be heard on a few soul / funk and rock records from the ‘70s, including The Left Banke’s second album. But here, Jerry is…well, simply crazy. Get comfortable and prepare for yet another deep, deep dive into the treasure trove of dank, subterranean, wild-eyed and hairy rock ’n’ roll.

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R.I.P.

Dead End

2LP | 2020 | Original (Sonar Kollektiv)

Release: 2020 / US – Original

Genre: Rock & Indie

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When R.I.P. came crawling out of the sewers of Portland, OR four years ago, their grimy, sleazy street doom was already a fully formed monstrosity that quickly infected the minds of everyone it encountered. At the time, no one expected its depravity to take such fierce hold, and yet, here it is, sheltering in place and / or stealthily creeping through a nightmare dystopia that the ’80s sci-fi / horror movies foretold. Dead End is, ironically, a recharge of the band’s sound, bearing influences ranging from John Carpenter films, post-apocalyptic grunge, pro-wrestling attitude and salty lo-fi hip-hop aesthetics, to the band’s ferocious heavy metal. During the three years since the 2017 release of their sophomore album Street Reaper, R.I.P. has been busy tightening their sound and their line up while loosening their grip on sanity—touring the west coast with bands like Electric Wizard and Red Fang, and taking street doom overseas for the first time for a month-long headlining tour of Europe. These years on the road and the addition of a more aggressive rhythm section have allowed the band to fully break free from their influences and deliver on the promise hinted at on their first two releases. For Dead End, R.I.P. worked with legendary producer Billy Anderson, interring onto wax their heaviest and most ambitious album yet. Continuing to move further away from their classic doom influences like Pentagram and Saint Vitus, the band offers a rare blast of originality in a scene rife with formulaic bands. Dead End is a fast and anxious ride where the very idea of doom is put to the test under duress of manic lyrics about death, insanity, and leather, and hook-laden guitar tracks that draw as equally from Nirvana as Black Sabbath.

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Pete Josef

I Rise With The Birds

Release: 2020 / Original

Genre: Organic Grooves

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File Under UK Metaplasm Neon Black Vinyl Edition

Rian Treanor

LP | 2020 | UK | Original (Planet Mu)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Rian Treanor returns to Planet Mu for his raw and energetic second album "File Under UK Metaplasm". The enigmatic, sweaty energy of Tanzanian singeli and Chicago footwork are juxtaposed with slick, high-def bass weight which sits at the centre of the album. Opening track 'Hypnic Jerks' is the perfect example of this, with crinkled percussive loops cut through by machine-gun kicks and acidic wobbles. Elsewhere, 'Vacuum Angle' takes Sheffield's Warp-ed legacy and brings it crashing into the future, with rhythms collapsing into static and noise but never deconstructing or losing the flow. 'Debouncing' meanwhile folds gliding square synths into rattling dancehall kicks, joining the dots between SND, Equiknoxx and Wiley with a neon Sharpie. "It's using all those formulaic dance structures but just slightly mangled or messed up," he says. "I'm still focused on making dance music for clubs, but how far can you push that before it's just no."

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Tewedije Limut (Let Me Die Loved) Black Vinyl Edition

LP | 2020 | Original (Now-Again)

Johnny Cash And The Royal Philharmonic Orchestra

Release: 2020 / Original

Genre: Organic Grooves

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Ayalew Mesfin stands aside the likes of Mulatu Astake, Mahmoud Ahmed, Hailu Mergia and Alemayehu Eshete as a legend of 1970s Ethiopia. Mesfin’s music is some of the funkiest to arise from this unconquerable East African nation. Mesfin’s recording career, captured in nearly two dozen 7” singles and numerous reel-to-reel tapes, shows the strata of the most fertile decade in Ethiopia’s 20th century recording industry, when records were pressed constantly by both independent upstarts and corporate behemoths, even if they were only distributed within the confines of this East African nation. Though Mesfin was forced underground by the Derg regime that took control of Ethiopia in 1974, he has returned almost 50 years later with this triumphant set albums – the first time that his music has been presented in this form. These albums give us a chance to discover a rare and beautiful moment in music history, in anthologies built from Mesfin’s uber-rare 7” single releases and from previously unreleased recordings taken from master tapes. Tewedije Limut gives us a chance to discover a rare & beautiful moment in music history, in an anthology built from his uber-rare 7” single releases. Contains an oversized 11” x 11” 16 page book that tells the story of modern Ethiopian music and Mesfin’s role within it.

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LP | 2020 | EU | Original (Sony)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Rhino)

Joni Mitchell

Early Joni-1963

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Warner)

Nicklas Sahl

Unsolvable

Release: 2020 / EU – Original

Genre: Pop

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No Moon At All, What A Night

Shcaa

LP | 2020 | Original (Apollo)

Release: 2020 / Original

Genre: Electronic & Dance

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2LP | 2020 | Original (Zel Zele)

Cafe Turk

Release: 2020 / Original

Genre: Rock & Indie

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LP | 2020 | EU | Reissue (Not Now)

Dave Brubeck

Greatest Hits

LP | 2020 | EU | Original (BMG)

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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Keyboardist, bandleader and composer Dave Brubeck is the man the New York Times credited with 'helping make jazz popular again in the Fifties and Sixties. He did not always please the critics (but) the oppositional push and- pull between his piano and Paul Desmond's alto saxophone make the Brubeck Quartet's best work still sound original.' In Britain, the Daily Telegraph called Brubeck 'one of the most famous jazz musicians of the 20th century', adding that 'his recording of "Take Five" remains one of the few jazz records instantly recognised by members of the general public.' But, as fans know, there was more to Dave Brubeck's music than one composition or album. Dave Brubeck left a legacy of material that outlives the time and place it first came into being.

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Tim Minchin

Apart Together

Release: 2020 / EU – Original

Genre: Pop

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LP | 2020 | US | Original (Captured Tracks)

Mourn

Self Worth

LP | 2020 | EU | Original (Underdog)

Release: 2020 / US – Original

Genre: Rock & Indie

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Mourn knows quite a bit about setbacks, but a latent belief persists within: the negative will eventually become positive. It's the belief in the wonder of resilience. It's the name they chose for their new album: Self Worth. The band isn't the same as when they formed. The world isn't either. Mourn grew up, and that's evident in the songs that make up Self Worth. Their melodies - energetic and captivating - venture into less level grounds, and their lyrics show a newfound readiness to tackle issues of a different weight and size. "Men" is lyrically patent proof of this growth, and their heightened consciousness as women. A revealing song, necessary and deliberately uncomfortable. A beautiful melody of war against patriarchy; the impulsive rescue of the riot grrrl. Certain needs stand out through the album: leaving behind abusive ties, externalizing the interior noise. "We talked a lot about getting out of toxic situations - not resigning ourselves to that, not enduring that anymore. The songs are like flags to stand up and say: `we are done.'" Just as "Stay There" draws a limit and "Apathy" spits truth in your face, "Call You Back" seems to paint that instance in which love paralyzes, and "I'm In Trouble" turns exasperated voices into machine guns. Punk assault with a clear message: the body speaks when the mind is not well. Mourn is an enclave of post-teens dealing with the dilemmas of adult life. "This album gave us what we needed: self-worth, the desire to go forward, to love ourselves, with everything, with the good and bad. This album empowers us."

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The Brooks

Anyday Now

2LP | 2020 | EU | Original (Smi Col)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Named "best kept secret of Canadian funk" by the Quebecois newspaper La Presse, The Brooks are a band of accomplished musicians, well-known in the soul/funk scene across the Atlantic. Expert instrumentalists led by Alexandre Lapointe create a dazzling combo with frontman Alan Prater— an incredibly energetic showman who has worked alongside some of the biggest names in the music industry. This passionate and experienced band fan the sacred fire every time they perform! Thanks to a solid realization, their musical message comes across beautifully. The Brooks go beyond mere interpretation and style exercises: they are a powerful groove machine and a driving force in their sector. 50 years of African American music are condensed in the band's aesthetic. In their live shows and in their records, you can hear James Brown's meticulousness, D'Angelo's delightfulness, Fela Kuti's radiance, Herbie Hancock's intergenerational openness, and J. Dilla's innovative spirit. These heroes of music didn't let rules and trends dictate their messages, and neither do The Brooks. Just like these history makers, they built their reputation with sweat and rigor, outside of conventional channels. The Brooks are incredibly hard workers united in a project where pleasure and complete artistic freedom are the only key words. After 8 years of existence, with an EP and two albums, they have already won many awards and nominations (gamiq, Independent Music Awards, ADISQ...) and built a solid reputation in the Quebec indie world. Who are The Brooks? First, there's the icon, Alan Prater! This Florida-born musician can boast that he shared the stage with the Jacksons! Thanks to his many trips and experiences, he became a key member of Montreal jazz. He is the band's biggest asset: if The Brooks were a sports team, Alan Prater would be captain. Then, at the drums: Maxime Bellavance, one half of the Beat Market duo, whose "dancy and retro futurist" groove can be heard in several major and underground projects in Canada. Philippe Look aces guitar and vocals. His experience as a session musician working with famous bands for 20 years allowed him to take part in different projects: rock, downtempo, trip hop, electro… As one of the founding members of The Brooks, he also wrote many of the band's songs. Keyboardist Daniel Thouin is an integral part of the Montreal jazz scene. He is both an accomplished acoustic piano player and synthesizer player, well versed in writing as well as in improvising, in organic sounds as well as in the latest technologies. Thouin possesses a double vision, which allows him to both exalt and lead productions. Composer Sébastien Grenier wows us with his saxophone. Thanks to his theoretical knowledge and his 20 years of experience, acquired through continuous training all around the world, he is a true guiding force. French trumpetist Hichem Khalfa begun learning the instrument at 7 years old. He attended a musical conservatory before going to the Haute École de Musique and finally pursuing his studies at McGill University. He won prizes at Rimouski International Jazz Festival and received the François Marcaurelle prize at Montreal Off Festival. His successful jazz projects allowed him to work with famous musicians like Blitz the Ambassador, Nomadic Massive, Rhonda Ross and Kalmunity. Philippe Beaudin can be considered an apostle of Afro-Latin percussions, which he teaches and practices with great passion. Thanks to his participation in several projects, you can discover his talent both on stage and onscreen. The Brooks' philosophy is based on art in its rawest form, on perfectionism in musical practice. The choices they make and the directions they take are motivated mostly by instinctive feelings. This is how The Brooks recently crossed the path of Underdog Records during a trip in France. It was love at first sight for the two groups who share a passion for soul. Their chemistry allows them to be completely free in their creative process and natural as ever in their conception-creation-communication approach.

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John Legend

Bigger Love

Release: 2020 / EU – Original

Genre: Pop

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LP | 2020 | UK | Original (Acid Jazz)

Nimbus Sextet

Dreams Fulfilled

Release: 2020 / UK – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (MaRaCash)

Daal

Daecade

Release: 2020 / EU – Original

Genre: Rock & Indie

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Marie Davidson & L'Oeil Nu

Renegade Breakdown Black Vinyl Edition

2LP | 2020 | UK | Original (Ninja Tune)

2LP+CD | 2020 | US | Original (Planet E)

Release: 2020 / UK – Original

Genre: Electronic & Dance, Pop

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Sonically, Marie Davidson & L’Œil Nu’s Renegade Breakdown LP is noticeably different to previous Davidson releases. This is a record which largely eschews the wave music, house and techno influences that drove albums like Working Class Woman. Instead, Davidson and her bandmates Pierre Guerineau (Essaie Pas) and Asaël R. Robitaille (Bataille Solaire) draw heavily from styles like dream-pop, 60s chansons, jazz-tinged balladry and the stately rock style of David Bowie’s The Next Day to create an alluring set of leftfield pop for the twilight hours.

Even on the tracks where Renegade Breakdown comes close to Working Class Woman territory - the steady electro-disco stomp of the opening title-track, for instance, or Gary Numan-esque ‘C’est parce que j’m’en fous’ - the sound here is more slow-burning than its frenetic predecessor. On these cuts the group soften up the chunky Big Beat stomp of an act like Daft Punk with reflexive keys and vocals that reach more for !!! territory.

The connecting thread between Renegade Breakdown and Davidson’s other work is her arch lyricism and appetite for subversion. Few other artists would break the fourth wall with a line like “Oh by the way, there are no money makers on this record”, something Davidson does on the title-track. Throughout the album Davidson & L’Œil Nu never allow the listener to get too comfortable, meaning that, while Renegade Breakdown may sound luxurious, there is a playfulness about it which always keeps you on your toes.

Together they have produced an album of sleek, lush pop tracks which are elevated by Davidson’s trademark wit and wry lyrical content.

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Mirko Loko

Detroit Love Volume 4

Release: 2020 / US – Original

Genre: Electronic & Dance

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Following contributions from Carl Craig, Stacey Pullen and Wajeed, Swiss DJ and producer Mirko Loko steps forward to mix the fourth volume of Planet E's mix series, Detroit Love. Active since the late nineties when he first began DJing in the clubs of Lausanne, Switzerland, Mirko Loko has always felt a deep connection to the music of Detroit. Having been personally invited by Carl Craig to play at the Detroit Electronic Music Festival in 2001, that connection has stayed consistent and electric ever since. Mirko Lokois also known as a Cadenza mainstay and a curator of Verbier's Polaris Festival, but the music of the Motor City has been the guiding force of his creative career.

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Good Aderegechegn (Blindsided By Love)

LP | 2020 | US | Original (Now-Again)

LP | 2020 | UK | Original (Evergreen)

Release: 2020 / US – Original

Genre: Organic Grooves

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Ayalew Mesfin stands aside the likes of Mulatu Astake, Mahmoud Ahmed, Hailu Mergia and Alemayehu Eshete as a legend of 1970s Ethiopia. Mesfin’s music is some of the funkiest to arise from this unconquerable East African nation. Mesfin’s recording career, captured in nearly two dozen 7” singles and numerous reel-to-reel tapes, shows the strata of the most fertile decade in Ethiopia’s 20th century recording industry, when records were pressed constantly by both independent upstarts and corporate behemoths, even if they were only distributed within the confines of this East African nation. Though Mesfin was forced underground by the Derg regime that took control of Ethiopia in 1974, he has returned almost 50 years later with this triumphant set albums – the first time that his music has been presented in this form. These albums give us a chance to discover a rare and beautiful moment in music history, in anthologies built from Mesfin’s uber-rare 7” single releases and from previously unreleased recordings taken from master tapes. Good Aderegechegn gives us a chance to discover a rare & beautiful moment in music history, in an anthology built from his uber-rare 7” single releases. Contains an oversized 11” x 11” 16 page book that tells the story of modern Ethiopian music and Mesfin’s role within it.

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Denise Sherwood

This Road

2LP | 2020 | EU | Original (MG.Art)

Release: 2020 / UK – Original

Genre: Reggae & Dancehall

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This Road' is the debut LP by one-to-watch Denise Sherwood, which features writing, production and instrumental contributions from Adrian Sherwood (On U Sound), Lee "Scratch" Perry, Mala (Digital Mystikz, Deep Medi Music), Mark Stewart (The Pop Group, Mark Stewart & The Maffia), Skip McDonald (Tackhead, African Head Charge, Little Axe) and Doug Wimbish (Living Colour, Tackhead). In addition to this extended family who came together to help her talent flourish, the album also features drums by the late Style Scott, who the singer lovingly recalls as my "my beautiful uncle." Portraying dark themes and damaged characters through an empathetic filter of bittersweet optimism, 'This Road' is a work of contrasts, which musically matches the mixed emotions felt in life. Bass pressure, contemporary club beats, nourishing roots music, sumptuous instrumentation and accessible, pop-schooled melodicism are woven together by her soothing but heavy-hearted voice, which is perfectly matured and full of depth. Saturated in vibes and an ingrained cognitive understanding of recording, 'This Road' is in part the product of childhood/teenage osmosis spent imbibing the sounds at her father Adrian Sherwood's On-U Studios. The impressionable youth gained an unparalleled education in music and also human nature, living in a house/studio where Lee Perry, Neneh Cherry, Jah Wobble, Big Youth, Little Annie, Style Scott, Tackhead, Bim Sherman and countless more made tracks. Like an epic coming-of-age movie focussing on Denise's part in the ongoing On-U chronicles - charting her changing roles as daughter, musician, mother, lover and more - it's little wonder 'This Road' is both contemporary and timeless, spanning time like a family tree.

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Ash Ra Tempel

Gin Rose

Release: 2020 / EU – Original

Genre: Pop

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LP | 2020 | US | Original (Karma Chief)

Rudy De Anda

Tender Epoch

LP | 2020 | US | Original (Dais)

Release: 2020 / US – Original

Genre: Organic Grooves

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Conceived in the 1980s in Mexico and brought to California through the border inside of his 6-month-pregnant mother, Rudy de Anda's debut solo record is a love letter to the long historical lineage of rock 'n roll music as interpreted through his multicultural lens. "I write my own story, I don't want to be defined by any scene" de Anda proclaims of his personal journey, and his ability to adapt and flit between cities and cultures is part of why L.A. Record has called his sound "deliberately difficult to classify, familiar but novel at the same time."Since 2005, De Anda has played thousands of shows in various musical projects, but with 'Tender Epoch', tellingly the first recorded under his own name, he has clearly found his own voice with a wealth of stories to spotlight. It's exquisitely crafted pop, with universal messages of heartbreak and loss that still feel appropriate played speeding windows-down on the highway in the coastal sunshine. Above all, De Anda likes to keep people guessing: from the album artwork to the multi-faceted textures of sound, 'Tender Epoch' feels ambiguous to any era, a perfect collusion of old and new that showcases a music historian's knowledge of both past greats and influential peers. Sculpting his own path through a wild ride that feels unlikely to let up, De Anda refuses to settle down or get comfortable, instead carving out a classic record that is sure to set a standard for songwriting to come.

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Drew McDowall

Agalma

2LP | 2020 | EU | Original (RCA)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Veteran NYC based Scottish electronic musician Drew McDowall's latest work is his loftiest, most liturgical, and least industrial outing to date - and potentially the apex of his recent discography. Named after an ancient Greek word for votive offering, Agalma exudes a hooded, devotional aura, creaking and keeling under vast rafters of stone, stained glass, and shredded wires. It's a music of majesty and mystery but also modernity, McDowall's refined modular system shape-shifting strings, piano, pipe organ, and choral masses into disorienting synthetic mirages of the sacred. He cites the intersection of "joy, terror, and the elegiac" as a centering inspiration - or, phrased more bluntly, "that 'what the fuck is going on' feeling."As a career collaborator himself, with stints in Coil, Psychic TV, and countless other shorter-lived partnerships, it's telling that McDowall chose this project to gather such an impressive spectrum of peers. Italian synthesist Caterina Barbieri, American drone organist Kali Malone, prolific multi-instrumentalist Robert Aiki Aubrey Lowe, operatic Humanbeast vocalist Maralie Armstrong-Rial, Saudi producer Msylma, and warped futurist beat-makers Bashar Suleiman and Elvin Brandhi cameo across the album's 42 minutes, contouring McDowall's nuanced negative spaces with shudders, shadows, and shivering flickers of serenity. Each of them shines in their spotlight, elevating these elusive alchemical states into surreal revelations of texture and transcendence.McDowall's original working title for the record is revealing: Ritual Music. He speaks of his creative practice in ceremonial terms, negating binaries by seeking the middle path to a numinous equilibrium that erases the distinction between the inner and outer worlds. These compositions feel similarly processional and intuitive, at the crossroads of holiness and hallucination, the sacred vertigo of yawning naves rising into untouchable night skies. It's a vision of industrial music as enigma and invocation, cryptic hymnals of shrou...

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Elvis Presley

From Elvis In Nashville

Release: 2020 / EU – Original

Genre: Rock & Indie

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Bobby Noble (Pen Pals) & Lars Viola

Good Time Bobby

LP | 2020 | UK | Original (Chopped Herring)

Doomzday / Gypcees / Suspects

Release: 2020 / UK – Original

Genre: Hip Hop

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Pen Pal’s MC Cynic the Apache as Bobby Noble, droppin this ridiculously nice concept album with killer jazzy beats by Lars Viola.

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Third Eye Productions EP

LP | 2020 | UK | Original (Chopped Herring)

Shazam X / Pos-Neg / Sistar Act / Sld

Release: 2020 / UK – Original

Genre: Hip Hop

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Crazy hard to find material from VA label Third Eye Entertainment featuring Doomzday, Gypcees & Suspects.

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The Producer Project

LP | 2020 | UK | Original (Chopped Herring)

2LP | 2020 | EU | Original (Code Black)

Release: 2020 / UK – Original

Genre: Hip Hop

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Wicked 8 track EP of super rare Shazam X productions from the 90s.

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Mandrill

Back In Town

Release: 2020 / EU – Original

Genre: Pop

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Jazz Daredevil's The Soundtrack Collection

Jon Benjamin

LP | 2020 | US | Original (Sub Pop)

Release: 2020 / US – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (No Format)

Oumou Sangare

Acoustic

LP | 2020 | EU | Original (Profound Lore)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Oumou Sangaré releases acoustic album, 'Acoustic', on No Format. Re-imagining her much-praised 2017 release 'Mogoya' totally unplugged, in live sessions recorded over just two days, 'Acoustic' is the final chapter in a trio of related projects, following 2018's 'Mogoya Re-mixed' edition, which saw Sangaré's compositions retooled by high-profile fans including Sampha, Spoek Mathambo and St Germain.'Acoustic' consolidates Sangaré's position as Mali's leading opinion-maker, established with her 250,000-selling 1989 debut Moussolou, which did much for the feminist cause in West Africa. Oumou's capacity to confront suffering whilst preserving her connection to Malian values is reflected in two additional tracks added to 'Acoustic'. 'Saa Magni', which laments the passing of Amadou Ba Guindo (member of the Orchestre National Badema), and 'Diaraby Nene' (lifted from Mous-solou) in which Sangaré's lyrics dared to detail her first physical encounters.The release of 'Mogoya' in 2017 signalled the return of Oumou Sangaré after 8 years, during which she had been managing her numerous businesses (including agriculture & pisciculture). With that album, the woman who'd swapped selling water on the streets of Bamako for global stardom reconnected with her audience. Balancing the traditional music of Wassoulou and a forwards-facing curiosity, Malian instruments were augmented by electric guitar, bass and synths, with Tony Allen on drums. Oumou was painted by Congolese artist JP Mika for the front cover, and more recently sampled by Beyoncé (who used 'Diaraby Nene' without permission on 'mood 4 Eva'). Never before had Sangaré appeared so far removed from her home country - it's a dynamic that 'Acoustic' redresses, with Oumou embodying the same freedom & audacity of her debut, 30 years ago. It's the fighter, the undefeated rebel that you find here on this snapshot of an album.

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Expander

Neuropunk Boostergang

Release: 2020 / EU – Original

Genre: Rock & Indie

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Bremenmarsch (Live At Schlachthof 12.10.197)

Laibach

LP+CD | 2020 | EU | Original (MIG)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Agüita Yellow Vinyl Edition

Gabriel Garzón-Montano

LP | 2020 | UK | Original (Jagjaguwar)

Outland Black Vinyl Edition

Release: 2020 / UK – Original

Genre: Electronic & Dance

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This will come as no surprise to those who've followed GGM since 2014's Bishouné: Alma Del Huila, the critically-lauded, self-produced EP that put him on the map, and served as sample fodder for a handful of popular music's most iconic artists. His follow-up LP, 2017's Jardin, melded classical and folkloric instruments with rnb, hip-hop, and cumbia, proving once again that Gabriel is totally comfortable making transformative, funky, cathartic records all by himself. Agüita, his first release for Jagjaguwar, is a sequence of impossibly diverse offerings ranging from trap anthems to string-drenched art pop ballads - a prismatic self-portrait, personal and universal all at once. The artist is present, and he is in final form. The magic of Agüita lives in Gabriel's ability to consolidate a range of truths into a focused, crystallized idea. "Bloom," "Blue Dot," and "Fields" compare the growth and loss inherent in human life with the changing of the seasons and the life cycles of the universe; on "Fields," Garzón-Montano evokes the despondent whimper of Thom Yorke. There are mirrors of the same themes in compositions like "With a Smile," "Tombs," "Someone," and "Moonless," a quartet of songs that explore the births and deaths of the relationships we have with the people we love; on "Moonless," Gabriel explores for the first time his struggle with the grief of his mother's passing: "Mama died / and I was moonless in a Stygian tide...trying to hide the ripening tumor / breathing fire, love but a rumour / There's a woman in my sky / 17 when I learned to cry_" It is to his immense credit as a songwriter that we are left with an understanding of the depth of his loss, despite having never experienced it. Equally impactful are the trap and reggaeton cuts - the album's energetic high points. On "Agüita," "Mira My Look," and "Muñeca," GGM delves into club-banger territory, performing in Spanish for the first time on record. Whether you're here for the medium, or for the message, for the man himself, or one of his characters, Agüita stands as the strongest installment thus far in a series of alarmingly sincere, sensationally profound works, from an artist who has sought not only to challenge established preconceptions and categories, but to expose their ultimate unworthiness. From composition to execution, the product distills the essence of Gabriel Garzón-Montano's genius, an uninterrupted creative process rare in this age of fattened album credits.

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Ital Tek

LP | 2020 | UK | Reissue (Planet Mu)

LP+CD | 2020 | US | Original (Vhf)

Release: 2020 / UK – Reissue

Genre: Electronic & Dance

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2nd pressing on black vinyl! Ital Tek (a.k.a. Alan Myson) returns to Planet Mu with his sixth album ‘Outland‘. The album was written during a period of new beginnings following a move out of the city to a quieter space and the birth of his first child. During this time of self-imposed isolation Alan recorded a huge amount of source material and spent weeks and months sitting up at night with his newborn, listening back and making notes on how the new record should take form, focusing and developing ideas to shape this lean ten-track album. Alan talks of the record being a collaboration between two parts of himself, something that definitely comes across as the album unfolds. Textures are something Alan excels at and on his last album, the largely beatless ‘Bodied’, it felt as if he was building a new sound-world. On ‘Outland’ he expands upon this. The album brings together the extremes of Alan's sound, contrasting roughened bass and beats with starker more detailed atmospheres and emotions. The most beat-driven song here is ‘Deadhead’, with its gnarled bouncing bass, angular distorted melodies and cavernous textures. On tracks like ‘Bladed Terrain’ the contrasts are even more defined with buzzing drones and razor sharp drums plunging into a grainy fog, giving the track a dramatic 3D feel. Then there are the stop-start pauses of ‘Leaving The Grid’, where the song evaporates into space before reemerging with shuddering rhythms and ghostly textures. Melodies crawl around these tracks as if they’re just waking up, as heard on the atmospheric ‘Angel In Ruin’. The sleep-deprived fraying of the senses became Alan’s routine and one which he says gave him a renewed creative energy; half-asleep, working through the night, and then into the daytime super-focused but exhausted. Prone to audio hallucinations whilst writing the album, he aimed to capture these distortions in his perception of pitch and time, and you can hear these effects interpreted on tracks like ‘Endless’ and ‘Open Heart’ as melodies phase and slip out of time like an emotional Doppler effect. This is also true of the soaring atonal synths at the peak of ‘Diamond Child’, which feel like the aural equivalent of eye floaters. These intuitive feelings and functions are a difficult thing to capture in sound, but Alan manages it beautifully and always makes the result feel warm and adventurous, heartfelt and epic.

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Ashtray Navigations

Greatest Imaginary Hits

26,99 €* 35,99 € -25%

LP | 2020 | EU | Original (Capture Tracks)

Release: 2020 / US – Original

Genre: Rock & Indie

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27th Anniversary set for the multi-dimensional midlands-crew, led by Phil Todd and Melanie O’Dubhslaine. Nearly six hours of cosmic, psychedelic, mind-boggling sounds, featuring a newly recorded LP plus four max-length CDs curated by AshNav connoisseurs Rob Hayler, Henry Rollins, Pete Coward, and Neil Campbell. The CDs are drawn from the band’s massive back catalog of mostly small run / private releases, covering activity dating back to 1994. Mining a deep well of thousand-yard stare psychedelia, Ashtray Navigations possess of one of the most exciting outré music catalogs of the contemporary era, matching the classics from any era in originality and straight-up bonkers fun. This epic release includes a full range of hypnotic jams, including sequencer-led cosmic workouts, drifty ambience, and a heavy dose of Phil Todd’s ripping, laser guitar leads. The gatefold LP also includes pithy liner notes from Matt Valentine, Henry Rollins, Jon Dale, and more.

“Phil. Well I am glad you’re finally back from your place in Monaco and getting to work. The pictures of you with the polo mallet and the horses you sent were impressive, sure but when you sell yourself as an artist type and then are seen cavorting with those over tanned Euro trustfunders, it is alienating to your audience. You are, however, the only person I have ever met who has actually cavorted and that’s why you will always be a mid-level god to me.” —Henry Rollins

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Wax Chattels

Clot White Vinyl Edition

Moveys Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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It is universally agreed that New Zealand's Wax Chattels are a must-see live act; their hypnotically sinister debut captured this perfectly. Released in 2018 and supported by relentless touring, the eponymous album reached #7 on the New Zealand Album Charts, and release week saw the title feature as #1 in Rough Trade's Top 20 New Releases. Tastemakers like NPR and A.V. Club came on as early champions. The album's success at home and abroad led to the well-deserved nomination of Best Alternative Artist at the 2018 New Zealand Music Awards, as well as the band's inclusion in the coveted shortlist of finalists for the Taite Music Prize and Auckland Live Best Independent Debut Award. After a knock-out entrée, the anticipation that surrounds their sophomore album, "Clot", is immense. Much like their debut, the writing process for "Clot" took the best part of a year. While some songs were written on the road, the bulk of the album was workshopped throughout 2019 across bedrooms and storage containers. Demos were fine-tuned before recording engineer James Goldsmith (Aldous Harding, Mermaidens) stepped in. The band maintained the use of only the barest of ingredients - bass guitar, keyboard, and a two-piece drum kit - but spent more time experimenting with and finding new sounds. They wanted to maintain the same live element, but, this time, heavier - for which they enlisted the help of mixing engineer, and fellow noise-maker, Ben Greenberg (Uniform, Destruction Unit, The Men). The keyboards are thicker, the bass more intense. A marked step-up, this new record keeps the visceral energy of the debut, only this time they dig deeper into cathartic noise.

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Slow Pulp

LP | 2020 | EU | Original (Winspear)

Club 707 Splattered Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Slow Pulp's remarkable full-length debut Moveys is a testament to hard-fought personal growth. In the process of making their new record, the Chicago-based indie rock band powered through health challenges, personal upheaval, and a pandemic, all while learning how to be better songwriters and friends. Full of blistering energy and emotional catharsis, this compelling 10-track collection highlights the band's resourcefulness and resilience to come together even when they were states away. As the band was in the midst of finishing the album, Massey's parents got in a severe car accident forcing her to pause recording and return home to Madison and take care of them. A week later, the Covid-19 pandemic hit. "I wasn't able to come back to Chicago for a while. How were we going to finish this apart from each other?" thought Massey. With Stoehr leading engineering, mixing, and production duties, the band managed to continue recording in an isolated, post-COVID world. "Thankfully most instrumentals were already written. Alex and Henry and I were all able to do that separately from a studio space that we rent in Chicago," says Mathews. As Massey's father Michael recovered from his injuries, the two worked on completing her vocal takes from his home studio, sending them to Stoehr for mixing. "Finishing this record was such a cool thing to know that we were able to do it," says Stoehr. Their made-up word "moveys" is multi-faceted for Slow Pulp. It is an invitation to dance. It is a wink at the cross-country nature of the album's songwriting process, while the bandmates were literally on the move touring, sheltering in place, and going through major life changes. But, mostly, it's an inside joke. Listening to these warm, dynamic and welcoming songs, it's easy to feel like you're a part of it too.

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Robert Parker

LP | 2020 | EU | Original (Electronic Purification)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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O.G.C. (Originoo Gunn Clappaz)

Da Storm Colored Vinyl Edition

2LP | 2020 | EU | Original (90's Tapes)

Intelligent Hoodlum Clear Vinyl Edition

Release: 2020 / EU – Original

Genre: Hip Hop

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Strictly limited edition of 500 copies on colored vinyl!

Here is another gem for your 90's classics collection, this time O.G.C.'s debut "Da Storm" finally gets the well-deserved reissue treatment.

Max. 2 copies per customer.

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Intelligent Hoodlum

2LP | 2020 | EU | Original (90's Tapes)

LP | 2020 | UK | Original (22a)

Release: 2020 / EU – Original

Genre: Hip Hop

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Strictly limited edition of 300 copies on clear vinyl of Intelligent Hoodlum's (later known as Tragedy Khadafi) self-titled debut album. Only 2 per customer!

Hailing from the Queensbridge housing projects in Queens, NY, the junior member of the Juice Crew alongside artists such as Big Daddy Kane, Kool G Rap and MC Shan debuted in 1990 as Intelligent Hoodlum. The album, produced by Marley Marl, was full of political commentary and still has a message today.

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Tenderlonious

Quarantena

LP | 2020 | EU | Original (MIG)

Release: 2020 / UK – Original

Genre: Hip Hop

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Multi-instrumentalist, producer and DJ Tenderlonious presents this collection of lo-fi beats and soundscapes courtesy of the lockdown studio sessions from his home in South London.

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Wishbone Ash

Live At Rockpalast 1976

Release: 2020 / EU – Original

Genre: Rock & Indie

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The Ascention Black Vinyl Edition

Sufjan Stevens

2LP | 2020 | US | Original (Asthmatic Kitty)

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Drag City)

No Age

Goons Be Gone

2LP | 2020 | EU | Original (BlankoMusik)

Release: 2020 / US – Original

Genre: Rock & Indie

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Summer 2020, and No Age are back out on the street! Effortlessly raw and extravagant in one practiced swoop, they set their live/bedroom internal clock and get out early into a glorious windtunnel of naked beats and sunbaked guitars, forming a wave from which they hang eleven tunes. A perfectly balanced set, ranging from their classic punk and indie to ever-evolving soundscapes, in maybe their most direct statement yet.A guitar/drums duo (Randall and drummer/vocalist Dean Spunt) with a penchant for self-recorded samples, No Age are mostly unconcerned with things like space or pause, and Goons Be Gone is gorgeously thick-- a hazy, delirious expanse that's both comforting and disorienting.Listening to Goons Be Gone, it's hard to comprehend how just two people can manage to make so much noise while still sounding so subdued and mysterious-- it's easier to imagine Randall and Spunt spewing these songs underwater, bursting forth from some colossal California quarry rather than a tiny, stuffy art space a few blocks from L.A.'s skid row. Ultimately, it's part of No Age's allure that Goons Be Gone is so difficult to figure out, that it manages to be so big while coming from a place so small: All you'll know for sure is that you want to listen longer. Maybe forever.

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Hubert von Goisern

Zeiten & Zeichen

Release: 2020 / EU – Original

Genre: Rock & Indie

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Live In Chateauvallon 1978 Record Store Day 2020 Edition

Dexter Gordon

LP | 2020 | US | Original (Elemental)

Live In Tokyo 1980 Red Record Store Day 2020 Edition

Release: 2020 / US – Original

Genre: Organic Grooves

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Record Store Day 2020 Release.
Limitation: 1500 copies.

1978 was a banner year for Dexter Gordon. Maxine Gordon (then Gregg) had started to manage his career, he signed with Columbia and moved to New York, forming and grooming his own band all at age 52! The wonderful quartet included George Cables on piano, Rufus Reid on bass, and Eddie Gladden on drums. This November 1978 concert at the Chateauvallon Jazz Festival highlights Dexter's joyous and fiery mood, peppering his solos with outrageous quotes from other songs. Pressed on 180-gram vinyl. Side A - Tangerine Side B - More Than You Know

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Toto

LP | 2020 | US | Original (Columbia)

LP | 2020 | EU | Original (Mutual Intentions)

Release: 2020 / US – Original

Genre: Rock & Indie

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Record Store Day 2020 Release.

Toto’s well-honed musical craftsmanship helped sell more than 40 million albums in their four decades together. In 1980, the band embarked on their first tour of Japan, forming a lifelong bond with fans in that country who adored their polished West Coast rock style. For the first time as a standalone release, the Live In Tokyo 1980 EP captures the original line-up of the band – vocalist Bobby Kimball, guitarist Steve Lukather, keyboardists David Paich and Steve Porcaro, bassist David Hungate and drummer Jeff Porcaro – performing four tracks from their then-new sophomore album Hydra (plus the unreleased track “Runaway”) during that historic trek. On red vinyl for Record Store Day 2020.

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Fredfades & Jawn Rice

Luv Neva Fades

Down In The Weeds, Where The World Once Was Red & Transparent Orange Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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High quality laqcuer cut LP with custom pantone printed innersleeve, pantone printed outer sleeve, shrink wrap and hype sticker! Features the deep house pioneers Byron The Aquarius & Javonntte.

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Bright Eyes

2LP | 2020 | US | Original (Dead Oceans)

Down In The Weeds, Where The World Once Was Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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First pressing on limited edition Transparent Red + Transparent Orange vinyl - 2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Bright Eyes

2LP | 2020 | US | Original (Dead Oceans)

LP | 2020 | EU | Original (Come Play With Me)

Release: 2020 / US – Original

Genre: Rock & Indie

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2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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V.A.

Come Stay With Me

Release: 2020 / EU – Original

Genre: Rock & Indie

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Barney Wilen / Alain Jean-Marie

Montreal Duets

LP | 2020 | US | Original (Anagram Music)

Release: 2020 / US – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (BMG)

Toots & The Maytals

Got To Be Tough

Release: 2020 / US – Original

Genre: Reggae & Dancehall

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2LP | 2020 | EU | Original (Vertigo Berlin)

Niedeckens BAP

Alles Fliesst

Release: 2020 / EU – Original

Genre: Pop

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Long Lost Solace Find Black Vinyl Edition

Mike Polizze

LP | 2020 | EU | Original (Paradise Of Bachelors)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Jens Lekman & Annika Norlin

Correspondence

2LP | 2020 | US | Original (Secretly Canadian)