All Items 23476 Items

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

The Vertigo Of Bliss: Expanded Edition

Biffy Clyro

2LP | 2012 | UK | Original (Beggars Banquet)

33,99 €*

LP | 2018 | US | Original (Legacy / Columbia)

Release: 2012 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

2LP reissue on orange vinyl in gatefold sleeve.

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Big Audio Dynamite II

On The Road Live '92

7" | 2017 | UK | Original (Plane Groovy)

Release: 2018 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2018!

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Big Big Train

Merry Christmas

13,99 €*

Release: 2017 / UK – Original

Genre: Rock & Indie

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The Young Bill Broonzy Black Vinyl Edition

Big Bill Broonzy

LP | 2018 | US | Original (Yazoo)

Release: 2018 / US – Original

Genre: Organic Grooves

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The Young Bill Broonzy Colored Vinyl Edition

Big Bill Broonzy

LP | 2018 | US | Reissue (Yazoo)

Release: 2018 / US – Reissue

Genre: Organic Grooves

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LP | 2018 | EU | Original (Pop Wig)

Big Bite

28,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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12" | 2018 | Reissue (Touch & Go)

Big Black

Headache

Big Brother And The Holding Company

Release: 2018 / Reissue

Genre: Rock & Indie

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REMASTERED BY STEVE ALBINI AND BOB WESTON AT CHICAGO MASTERING!Big Black was started by Steve Albini in 1982 while he was attending Northwestern University in Evanston, Illinois. Lungs, the first Big Black release was recorded by Steve on a borrowed 4-track. He played everything on the EP himself - except the sax bleating courtesy of pal John Bohnen and the drums courtesy of Roland. Soon after, Steve recruited Jeff Pezzati (Naked Raygun) on bass, and Santiago Durango (also Naked Raygun) joined them on guitar. In 1983, together with live drummer Pat Byrne, they recorded the Bulldozer EP. By 1984, the band had done some touring and recorded the Racer X EP and the start of the Il Duce 7". After that, Jeff returned to Naked Raygun and was replaced by Dave Riley. In 1985, Big Black recorded their first full-length, Atomizer, as well as finishing the Il Duce 7". Atomizer was released in 1986 along with the release of the Hammer Party compilation CD. In 1987, the Headache EP and Heartbeat 7" were released. That same year, the band recorded and released the 7" of The Model/He's A Whore as well as their second full-length album, Songs About Fucking. They toured extensively (for Big Black). And they broke up."We liked to think we were ahead of our time. Now that time hascaught up with us-well, this isn't such a swell place, and having gotten here first doesn't make it any nicer." - Steve Albini

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Live At The Carousel Ballroom

2LP | 2012 | Reissue (Music On Vinyl)

33,99 €*

Release: 2012 / Reissue

Genre: Rock & Indie

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Big Brother & Holding Company

Sex Dope & Cheap Thrills

2LP | 2018 | US | Original (Sony Legacy)

36,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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Big Brother & The Holding Company

Cheap Thrills

LP | 2018 | EU | Original (Columbia)

Release: 2018 / EU – Original

Genre: Rock & Indie

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12" | 2018 | EU | Original (URBAN [PIAS])

Big Buddha Chez

Epicerie Corenne

Release: 2018 / EU – Original

Genre: Hip Hop

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LP | 2021 | US | Original (Side One Dummy)

Big D And The Kids Table

Do Your Art

Release: 2021 / US – Original

Genre: Rock & Indie

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Double LP in a gatefold jacket. Cyan Blue Vinyl, limited edition of 1000 copies.DO YOUR ART isn't just an album title for Big D and the KidsTable's ninth studio album of original material. DO YOUR ARTis an inherently political mission statement delivered with gusto and enthusiasm to anyone creative to remind them to keepgoing, even if the odds are increasingly stacked against them in this hyper-capitalistic society. "I wanted to instill in young artists_or old artists, or whoever_to keep doing it," says frontman David McWane. "Life might pull you away with itsdemands: but don't give up. Every musician, artist and dancerneeds to realize that there's magic inside of them that otherpeople just don't have, no matter the circumstances of theirupbringing." DO YOUR ART, finds Big D and the Kids Table sounding as fresh and inspired as ever for their fifth album with SideOneDummy Records. Produced and engineered by ReelBig Fish's Matt Appleton, DO YOUR ART is a musical meltingpot, highlighting the band's versatile talents and delivering amixture of punk, ska and dub-reggae songs, as well as payinghomage to McWane's favorite `60s B-films. The 20-track albumis truly a moveable feast. And what's moving are your feet!DO YOUR ART is a reminder to make the most of life_evenwhen at its lowest points_and also to not be dissuaded fromcreating what you want to create. It's an album that will makeyou think and feel, but also make you dance and laugh. It's asurge of positivity in a crappy world where it's all too easy to feel equally crappy, and a much-needed jolt of perspectiveabout everything that's going on. "I definitely want this record to be helpful for people mentally," says McWane. "It'ssomewhere for them to go to and laugh. So listeners can focuson recognizing all the good things in their lives_all the beauty, and all the people who love them_and make sure to enjoy their life and DO YOUR ART!"

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Big Daddy Kane

Half Steppin' T-Shirt

Available Sizes: S, M, XL, 2XL

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The Big Daddy Kane Half Steppin' Tee is equipped with the following features:
• rib crew neck with interior tape
• Half Steppin' artwork printed on front
• regular fit
• 100% cotton single jersey

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Big Daddy Kane

Ropes T-Shirt

7" | 2018 | EU | Original (Old Chillin)

Available Sizes: S, M, L, XL, 2XL

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The Big Daddy Kane Ropes Tee is equipped with the following features:
• rib crew neck with interior tape
• Ropes artwork printed on front
• regular fit
• 100% cotton single jersey

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Big Daddy Kane

Set It Off

12" | 2021 | US | Original (Incienso)

Release: 2018 / EU – Original

Genre: Hip Hop

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Classic

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Big Ever

Otto

Release: 2021 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2021 | EU | Original (Oscilla Sound)

Big Hands

Lakamha

16,99 €*

LP | 2018 | EU | Original (Lotterlabel)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Baroque Sunburst Co-Founder And Honest Jon's Team Member, Big Hands Displays His Potent Production Prowess On The Next Oscilla Sound Release With Three Tracks Touching On Organic Soundscapes, Illbience And Muddy Bass Oddities. In The Old City Of Lakamha Ancient Tombs Stand Tall And Ruined, Woven With Moss. Birds As Old As Time Beat Their Wings Over Tropical Forests; Their Cries Bouncing Off Wet Rock Lassoed With Carvings Of Mayan Symbols. '1346' Begins With Stirring Synths And Dub-Echoing, Low Frequencies Encompassing Both Spatiality And Aberration Before The Heads-Down Atmospheric Roller 'Calix's Head' Lays Down Sharp, Acid Flutters And Ghostly Ripples. 'Louis H Theme' Is An Ode To The Radical Minimalist Composer Moondog (Louis Thomas Hardin), Whose Experiments With Polyrhythms Continue To Influence Numerous Generations Of Musicians. The Track Features Swampy Bass That Balances Weightlessly With The Hypnotic Sonics And Breezy Rhythms.

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Big Howard,The

Will

12,09 €* 21,99 € -45%

Release: 2018 / EU – Original

Genre: Pop

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LP | 2018 | US | Original (Daydream Library Series)

Big Joanie

Sistahs

2LP | 2021 | US | Reissue (BMG Rights Management)

Release: 2018 / US – Original

Genre: Rock & Indie

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BIG JOANIE are Stephanie Phillips (singer/guitarist), Estella Adeyeri (bass) and Chardine Taylor-Stone (drums). The band formed in 2013 and released their first EP
'Sistah Punk' in 2014 and the single 'Crooked Room' in 2016. As part of London's thriving DIY punk scene they have played with locals Shopping; toured with US
punks Downtown Boys; and Dutch band The Ex; and performed at the first UK Afropunk festival. Inspired by The Ronettes, Nirvana, Breeders and Jesus and Mary
Chain, Big Joanie have described themselves as being "similar to The Ronettes filtered through '80s DIY and Riot Grrrl with a sprinkling of dashikis." Big Joanie recorded 'SISTAHS' over several sessions from November 2017 to January 2018 at Hermitage Works Studio with producer Margo Broom. One of the main reasons for coming together was to create an atmosphere to be "completely ourselves as black women and discover what was possible to realise in those spaces." The album cover features Steph's mum Joan, whom the band is named after, and her aunt on holiday in Wales.

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Big K.R.I.T.

Style Not Quite Free

37,99 €*

Virtual Control Red Vinyl Edition

Release: 2021 / US – Reissue

Genre: Hip Hop

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Double vinyl LP pressing of this 2021 mixtape from the hip-hop artist and producer.

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Big Paul Ferguson

LP | 2021 | US | Original (Cleopatra)

23,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (People)

Release: 2018 / EU – Original

Genre: Rock & Indie

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How Long Do You Think It´S Gonna Last?

Tape | 2021 | US | Original (Jagjaguwar)

16,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."

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How Long Do You Think It´S Gonna Last? Black Vinyl Edition

2LP | 2021 | US | Original (Jagjaguwar)

Release: 2021 / US – Original

Genre: Rock & Indie

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How Long Do You Think It´S Gonna Last? Red Vinyl Edition

2LP | 2021 | US | Original (Jagjaguwar)

27,99 €*

2LP | 2021 | US | Original (G.O.O.D. Music)

Release: 2021 / US – Original

Genre: Rock & Indie

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Big Sean

Detroit 2

52,99 €*

Release: 2021 / US – Original

Genre: Hip Hop

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2LP | 2021 | US | Original (Def Jam)

Big Sean

Detroit 2

52,99 €*

Release: 2021 / US – Original

Genre: Hip Hop

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CD | 2018 | UK | Original (Chopped Herring)

Big Sha aka Poetry

Poet's Ambition EP

15,99 €*

Release: 2018 / UK – Original

Genre: Hip Hop

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LP | 2018 | UK | Original (Chopped Herring)

Big Sha aka Poetry

Poet's Ambition EP

Release: 2018 / UK – Original

Genre: Hip Hop

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Big Strick Featuring Generation Next

Alpha & Omega / Origin / Bloodline

12" | 2012 | US | Original (7 Days Ent.)

8,54 €* 8,99 € -5%

Release: 2012 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 2017 | EU | Original (Saddle Creek)

Big Thief

Capacity

21,99 €*

CD | 2021 | US | Original (Air Vinyl)

Release: 2017 / EU – Original

Genre: Rock & Indie

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The trails that Brooklyn's Big Thief take us down on Capacity, the band's highly anticipated second record, are overgrown with the wilderness of pumping souls.

After last year's stunning Masterpiece, Capacity was recorded in a snowy winter nest in upstate New York at Outlier Studio with producer Andrew Sarlo.

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Big Turks

Big Turks Redux

17,99 €*

CD | 2021 | EU | Original (Tuff Kong)

Release: 2021 / US – Original

Genre: Hip Hop

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BIG Turks is Rome Streets, Jamal Gasol, Lord Juco, Ro Data, Jordan Commandeur, and Jonny Botsch. The group's self-titled concept album dropped almost exactly a year ago and was praised as Album of the Year by many. "big Turks Redux" collects remixes that were exclusive to the CD release of "big Turks" and the "Director's Cut" vinyl, as well as new remixes by Mr. Green, Hobgoblin, Observe Since 98, and MichaelAngelo. To reinforce the Turkish theme, the group invited Turk producer Smek to remix "Leave It To The Turks," while Oberseve Since 98 and Halal Cool J (aka Don Leisure) both used Turkish samples for their respective remixes.

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Big Twins

Hood Stories

Hood Stories Brown Vinyl Edition

Release: 2021 / EU – Original

Genre: Hip Hop

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Infamous Mobb representative Big Twins, one of the most representatives names from the streets of Queensbridge is back with his brand new album "Hood Stories". Gritty and grimy street rap as his trademark, he delivers 8 new joints featuring productions by Cuns and EL Rojo and guest appearances by Beanz and Blaq Poet.

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Big Twins

LP | 2021 | EU | Original (Tuff Kong)

30,59 €* 33,99 € -10%

Release: 2021 / EU – Original

Genre: Hip Hop

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I'm Here To Drink Nattys And Fuck Shit Up, And I'mm All Out Of Shit To Fuck Up Colored Vinyl Edition

Big Water

LP | 2021 | Original (Reptilian)

Release: 2021 / Original

Genre: Rock & Indie

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12" | 2021 | UK | Original (Research)

Big Yawn

No! Remixes

Bigeneric (Marco Repetto Of Grauzone)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Electronic four-piece Big Yawn invites five revered artists to reconstruct their debut album No!, originally released in March 2020 through Research Records.

The remixes convey a unique combination of darker textures and brooding sounds, clearly indebted to their source material.

The release features interpretations from Sleep D, Jay Glass Dubs, Maria Moles, Bullant and Raymond Scottwalker.

Rhythm merchants Sleep D (Butter Sessions) up the tempo and weave their signature expansive production in their fearless take on 'Reflex'.
Prolific producer Jay Glass Dubs (Bokeh Versions) flavours the 'Body Double' refix with looping clattering drums and glitchy murk, creating a compelling arrangement.
Like a drift into a warm gorge, percussionist Maria Moles (Nice Music) inserts gentle sustained synth work into 'Doodle Damage'.
Bullant (Flightless Records) pulls the listener out abruptly with a rework of 'Skinrat', a house-streaked churner.
Raymond Scottwalker (Fallopian Tunes) wraps up the record with another rework of 'Reflex', creating a mind-bending, aggressive industrial rejig.

Big Yawn's remix EP is a dynamic pairing to No!, entrusting an exceptional group of musicians to adhere to the spirit of the record, yet take it in a totally re-imagined direction

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Helva

2CD | 2021 | EU | Original (Inzec)

Bigeneric (Marco Repetto Of Grauzone)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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In the fall of 2016, having overcome serious health issues, Marco Repetto – Bigeneric – begins to weave new delicate soundscapes from a place of stillness, unaware of his emerging role in the fabled magic web of the fairy queen Helva. Inspired by an encounter with the storyteller Andreas Sommer and the legend of Helva, the fairy queen who lives on the Gantrisch mountain, and another gentle message from the universe, Marco Repetto merges his electronic strands of magical sounds into a tender and mystical composition he names Helva. Helva is a cinematic work of sound with long, hypnotically mesmeric tonal progressions and subtle ambient colors, combining influences from the electronic avant-garde and the futuristic spectrum of contemporary electronic music. This is the spiritual soundtrack of the Heart Rebels Gang who ceaselessly radiate into the world a powerful and profound force of beauty

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Helva

2LP | 2021 | EU | Original (Inzec)

30,99 €*

12" | 2021 | JP | Original (Bigfire)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Bigfire

Deathcotheque The Album

11,99 €*

Release: 2021 / JP – Original

Genre: Electronic & Dance

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LP | 2021 | UK | Original (Counter)

Bigger Better Sun

Adjust To Wellness

16,89 €* 25,99 € -35%

Release: 2021 / UK – Original

Genre: Rock & Indie

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LP | 2017 | UK | Original (Not On Label)

BigLikeBaz

Ormond

13,49 €* 17,99 € -25%

LP | 2021 | EU | Original (Negative Gain Productions)

Release: 2017 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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Bikini Death Race

Refrigerator

21,99 €*

LP | 2021 | EU | Original (Negative Gain)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM.

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Bikini Death Race

Refrigerator

23,99 €*

LP | 2017 | EU | Original (Maschin)

Release: 2021 / EU – Original

Genre: Rock & Indie

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A Mix Of Punk, Synth-Pop And Electronica, Neon Lights, Distorted Bass And Liberating Screams.The Ironic, Dadaist And Nonsense Approach Of The First Album Is Well Preserved But With Refrigerator, The Band Have Taken A Deep Dive Into Experimentation With Analog Synthesizers And Drum Machines - Modelling A More Defined Sound By Uniting The Punk Soul Of Their Past With More Varied And Articulated Songwriting.For Fans Of New Wavefor Fans Of Synth Punkfor Fans Of Electroclash

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Bilderbuch

Magic Life

27,99 €*

Release: 2017 / EU – Original

Genre: Pop

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Bill Brown And The Soul Injection

LP | 2021 | JP | Original (P-Vine)

31,99 €*

Release: 2021 / JP – Original

Genre: Organic Grooves

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Bill Brown & The Soul Injection

Time After Time / Instrumental

7" | 2018 | UK | Original (Super Disco Edits)

13,99 €*

Bill Callahan & Bonnie Prince Billy

Release: 2018 / UK – Original

Genre: Organic Grooves

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Limited edition vinyl!
Bill Brown and Al Hall jr. met around 1971, they were both in south central L.A and shared the same apartment building, also in the same building was Doug Carn and brownstone singer Billy Wilson.
These studio sessions were don't at Paramount studios Hollywood where Al Hall jr. was working for producer Art Smith A&C music.
The main distributor for A&C was Accent records. So, the Soul Injections very first single "Stay Off The Moon" was released via Accent, as was Bill Browns "Bip Bam". The group wasn't that pleased with how Accent handled the releases so Bill took it upon himself to set up his own label called Brownstone records. Many musicians were called in for studio sessions these included Doug Carn (organ), Kirk Lightsey (keyboards) Mel Bolton (guitars), Mel Lee (drums), Al Hall jr. (trombones), Willaim 'Bill'Henderson (strings).
The label was met with some confrontation from other Hollywood labels and many of the Brownstone releases were told not to hit the shops by Mafia run labels. Later around 1975 Brownstone released a track by Everyday People feat Alexis "World Full Of People", a now cult soul 45. But wait, Super disco edits have unearthed the original tapes with the very first incarnation of that song and music, different lyric content and sung by Bill Brown. Not just this you get the instrumental on the B-side!! TIP!!

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Blind Date Party

2LP | 2021 | US | Original (Drag City)

42,99 €*

Bill Callahan & Bonnie Prince Billy

Release: 2021 / US – Original

Genre: Rock & Indie

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The Blind Date Party hosted by Bill Callahan and Bonnie ‘Prince’ Billy and featuring Azita, Matt Sweeney, Alasdair Roberts, Matt Kinsey, Sean O’Hagan, Bill MacKay, George Xylouris, Dead Rider, David Pajo, Mick Turner, Meg Baird, Ty Segall, Emmett Kelly, Cory Hanson, Six Organs of Admittance, David Grubbs, Cassie Berman, Cooper Crain and Sir Richard Bishop happened online in the fall and winter of ’20–’21 — but the party planning dated back to the spring of 2020. Stuck at home, with no gigs in the foreseeable future, Bill, Bonnie and Drag City needed an outreach program to keep themselves busy, not to mention sane. In the absence of any company or anything on the calendar, playing songs they loved was an idea; playing with people they loved, the desire. And making it fun — so pairing someone with someone else having no say in the matter, the essence of the blind date, was the plan. Favorite songs were chose; players from around the Drag City galaxy were messaged. Pretty soon, songs were flying back and forth — music in the air! And thus, they were entertained throughout the summer of 2020, when so much else in the world seemed so completely wrong. By the fall, the songs started to appear online: Bill and Bonnie singing a song by someone they loved and admired; each song cut by another another artist they loved and admired, then sent to Bill and Bonny to provide the finishing touches. The spotlight pointed in every direction each week: toward the singers and writers who’d originally played the songs (Yusuf Islam, Hank Williams Jr., Dave Rich, The Other Years, Billie Eilish, Steely Dan, Lou Reed, Bill Callahan, Jerry Jeff Walker, Robert Wyatt, Lowell George, Johnnie Frierson, Air Supply, Will Oldham, Leonard Cohen, David Berman, Iggy Pop and John Prine), toward their featured collaborators, the artists whose artwork adorned each digital single and videos made by still more collaborators. And you, the listener. Like the best parties, it turned out to be everything and more than they’d even hoped for. So many more people were involved in the process that we can get on the page here. Suffice to say, making records over the years has required a broad sense of community and an always-surprising mix of independence and unity, inspiration and utility. Some of our best memories are those where as many of our folks as possible were together in one place at one time. In those moments, it was just a great thing just to be there. And with others looking in . . . this was a joy one could only be infinitely lucky to feel and to take for granted, as well. The Blind Date Party was one of these, maybe the most improbable one yet. It’s for everyone who’s here and it’s in the name of everyone who’s gone but will never go and will always live with us here. This album will too. And thus, we are entertained.

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Blind Date Party

2Tape | 2021 | US | Original (Drag City)

21,99 €*

12" | 2018 | US | Original (Fit Sound)

Release: 2021 / US – Original

Genre: Rock & Indie

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Bill Converse

Converse EP

10,99 €*

Undercurrent Gatefold Sleeve Edition

Release: 2018 / US – Original

Genre: Electronic & Dance

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Acidic powerhouse Bill Converse makes his debut on FIT SOUND. His sound is a refreshing perspective informed by the midwest warehouse parties of which he was schooled mutated into his own blend. Treading the line between melody and brutality, while never being heavy handed, Converse has proved himself once again to be a true original lurking in the underground today.

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Bill Evans & Jim Hall

LP | 2017 | EU | Original (Dol)

15,99 €*

Release: 2017 / EU – Original

Genre: Organic Grooves

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LP | 2017 | US | Original (Fantasy)

Bill Evans

On A Monday Evening

36,99 €*

Release: 2017 / US – Original

Genre: Organic Grooves

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2LP | 2021 | US | Original (Scat)

Bill Fox

Shelter From The Smoke

28,99 €*

2LP | 2021 | US | Original (Scat)

Release: 2021 / US – Original

Genre: Rock & Indie

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Scat Records offers up a definitive edition of Bill Fox's debut solo disc, Shelter from the Smoke, back in print after more than half a decade. Originally self-released in 1997 and reissued the following year by SpinArt, both previous versions featured different tracklists. This edition includes all songs from both versions, as well as the two tracks from a scarce 1996 Scat 7-inch. This reissue also marks the first time the album has been pressed on vinyl. Fox began his musical journey in early 1980s Cleveland with The Mice, who fused punk energy with British-Invasion-style songwriting and harmonies. He infamously dissolved the group on the eve of a European tour, then dropped out of the scene altogether, with an unfinished Mice LP in the can. In the early '90s, he began a series of home recordings which revealed a growing preference for acoustically based music, and formed the basis for Shelter from the Smoke as well as the follow-up Transit Byzantium (scheduled for a similar reissue treatment next year). Shelter also includes four electric tracks recorded with Fox's short-lived band The Radio Flyers. After a 1998 tour, Fox once again dropped out of music. Now he is performing again. For how long, nobody knows. Fox is one of those rare musicians who really does not enjoy the limelight, even declining an interview with Joe Hagan of The Believer, who went so far as to fly to Cleveland in hopes of meeting him. That and his refusal to "be on the internet" has probably only helped the growing cadre of music fans who sees his solo albums as mysterious, lost classics. Or perhaps they just delight in the ringing sound of Fox's perfectly pitched voice or his deft lyricism. Either way, Fox's two solo albums are jewels not to be missed by anyone who enjoys traditional songcraft or iconic vocalists.

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Bill Fox

Transit Byzantium

Bill Gage & Cheater Slicks

Release: 2021 / US – Original

Genre: Rock & Indie

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These newly remastered editions of Bill Fox’s second album are the first since its 1998 release, including the first-ever vinyl pressing. Listeners will hear a wider soundstage, more detail, and improved listenability. Recorded on 4-track cassette, the fidelity belies the sophistication and nuance of the songwriting, This adept remaster by John Golden Sr helps bring definition to the intimate, at-home feel of the album. It sparkles. Very similar in feel and quality to Fox’s debut album, much of Transit Byzantium draws from the same group of recordings. It has the same feel of musical inevitability, that the songs exist beyond time itself, their eventual manifestation guaranteed by Apollo. He could’ve given them to the Everly Brothers, or the Byrds, or the Who, but instead they were channeled through an everyman from Cleveland with an aversion to the limelight. And while a traditional folk influence colors several songs, even those possess the indelible stamp of Fox’s charismatic voice and personality. Although nearly entirely acoustic and with minimal percussion, these eighteen songs cycle through a remarkable variety of textures and moods. While much has quite rightly been written about the god-tier songwriting here (“Song of a Drunken Nightingale,” “My Baby Crying,” “I’ll Give It Away” for starters), it should also be noted that this is a guitar player’s record, though more in terms of conception than flash. Lines of harmony and counterpoint wander between parts, sublime in their invention though sometimes crudely documented.

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Piano Tunnels

LP | 2021 | US | Original (In The Red)

LP | 2017 | EU | Original (Vinyl Lovers)

Release: 2021 / US – Original

Genre: Rock & Indie

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Bill Gage is a quasi-famous singer with a raw, rock ’n’ roll voice. Cheater Slicks are an infamous, raw, rock ’n’ roll band. Put the two together and the resulting album is a stream-of-conscious stew of wild, fuzz-drenched rock ’n’ roll! Some history: both Cheater Slicks and Bill Gage’s band Bill began in Boston in 1987, and it was sometime around then that Gage first sang with Tom and David Shannon playing guitars, in Gage’s bedroom in Laconia, New Hampshire. It was an intense and primal sound that was not forgotten by those involved. Gage’s singing has been compared to Captain Beefheart, David Thomas, Damo Suzuki, and Yoko Ono. However, Gage clearly has his own sound, which includes guttural yells, sweet crooning, and bluesy meanderings—all seemingly told from a tarpaper shack porch under the oceans of Mars. Cheater Slicks have from the start been a brain-melting rock ‘n’ roll dream / nightmare of a band. Steeped in the wild guitar interplay and pounding drums of classic noisy underground rock groups (Cramps, Scientists, Velvet Underground), they have created their own unique and ever-evolving style that has only gotten deeper and sharper over the years. In spring 2018, when Cheater Slicks were presented with the idea of a collaborative record with Gage, they wasted no time, and began writing and arranging new songs for the project. Gage traveled to Columbus to record at the legendary Musicol studios in November of that year. It was a great session and came together as if it were always meant to be. After thirty years of performing, is the world finally ready for Bill Gage—accompanied by the seismic Cheater Slicks? All profits from this record will benefit the Arts Resources programs of the National Association for Down Syndrome.

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Bill Haley & The Comets

Rock Around The Clock

Bill Mackay And Nathan Bowles

Release: 2017 / EU – Original

Genre: Rock & Indie

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Includes two bonus tracks.

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Keys

LP | 2021 | US | Original (Drag City)

19,19 €* 31,99 € -40%

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2017 | US | Original (Drag City)

Bill MacKay

Esker

27,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Drag City)

Bill Stone

Stone

34,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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Tape | 2021 | EU | Original (The Tapeworm)

Bill Thompson

Black Earth Tongue

4LP | 2017 | US | Original (Demon)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Bill Thompson is a sound artist and composer. His work is concerned with various aspects of perception and embodied presence. Using found objects, field recordings, repurposed electronics and digital media, his installations encourage active attention to each moment. He applies this same strategy within his compositions which often include sustained tones, densely layered textures and indeterminate or improvised structures.
Although trained as a guitarist, Thompson has worked primarily with live electronics for 20 years. In 2016, he returned to guitar (by Moog) combined with miscellaneous tabletop devices, found objects, flashing lights and the occasional vibrator.
His work has been released on Ash International, Burning Harpsichord Records, Mikroton Records, State Sanctioned Records, and/Oar, Autumn Leaves, Phonography and several compilations. Notable recent performances and installations include the Venice Biennal (2020/21), Pauline Oliveros Tribute (CafÃ© Oto 2018), Intraspect Concert 2018, Edinburgh Fringe (2016-2018), Nawr 2017, Sonic Atlas 2017, Organ Reframed 2016 (Installation), What Remains Festival 2016, Sound Festival 2016.
"Black Earth Tongue" is based on material composed when working on the project Mushroom! with the contemporary dance group In the Making for the Edinburgh Fringe Festival 2016. Track titles are taken from (mis)translations of Japanese or Latin names for various fungi.

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Bill Wyman

History Of

69,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

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Total Darkness / Fiber Twist

Billain

12" | 2012 | UK | Original (Rise Audio)

11,99 €*

Release: 2012 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover. Writing on label sticker.

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LP | 2017 | EU | Original (Interscope)

Don't Smile At Me

28,99 €*

Release: 2017 / EU – Original

Genre: Pop

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Hands Face T-Shirt

17,99 €* 19,99 € -10%

Available Sizes: S, M, 2XL

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The Billie Eilish Hands Face Tee is equipped with the following features:
• rib crew neck with interior tape
• Hands Face artwork printed on front
• regular fit
• 100% cotton single jersey

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2LP | 2021 | EU | Original (Darkroom / Interscope)

Happier Than Ever

Release: 2021 / EU – Original

Genre: Pop

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Continuing the tradition on from her multi-Grammy Award, record-breaking debut album When WE ALL GO TO Sleep, Where DO WE GO?, Happier Than Ever features no outside songwriters or producers, and was written by 19-year-old Billie Eilish and her brother Finneas who produced the album in Los Angeles.

Billie Eilish has also teased her forthcoming single is coming this Thursday, April 29 at 9AM PT.

Billie Eilish has fast become one of the biggest stars to emerge since the release of her debut single “ocean eyes,” and continues to shatter the ceiling of music with her genre-defying sound. Fast forward from her humble breakout in 2015, Billie’s album When WE ALL Fall ASleep, Where DO WE GO? debuted at No. 1 on the Billboard 200 in the U.S as well as 17 additional countries around the world upon release, and was the most streamed album of 2019. When WE ALL Fall ASleep, Where DO WE GO? was written, produced and recorded entirely by Billie Eilish and brother Finneas in their childhood home of Los Angeles. Billie Eilish went on to make history as the youngest artist to receive nominations and win in all the major categories, at the 62nd Grammy® Awards, receiving an award for Best New Artist, Album of the Year, Record of the Year, Song of the Year, and Best Pop Vocal Album. Billie Eilish is also the youngest artist to write and record an official James Bond theme song, ‘No Time To Die.’ Most recently, Billie Eilish was nominated for four additional awards at the 63rd Annual Grammy Awards in 2021, and took home both Record of the Year for 'everything i wanted,' and Best Song Written For Visual Media for 'No Time To Die.'

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CD | 2021 | EU | Original (Darkroom / Interscope)

Happier Than Ever

17,99 €*

Release: 2021 / EU – Original

Genre: Pop

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Billie Eilish has revealed details on her highly anticipated sophomore album. The 16-track studio album, titled Happier Than Ever, will be released via Darkroom/Interscope Records on July, 30 Continuing the tradition on from her multi-Grammy Award, record-breaking debut album When WE ALL GO TO Sleep, Where DO WE GO?, Happier Than Ever features no outside songwriters or producers, and was written by 19-year-old Billie Eilish and her brother Finneas who produced the album in Los Angeles.

Billie Eilish has also teased her forthcoming single is coming this Thursday, April 29 at 9AM PT.

Billie Eilish has fast become one of the biggest stars to emerge since the release of her debut single “ocean eyes,” and continues to shatter the ceiling of music with her genre-defying sound. Fast forward from her humble breakout in 2015, Billie’s album When WE ALL Fall ASleep, Where DO WE GO? debuted at No. 1 on the Billboard 200 in the U.S as well as 17 additional countries around the world upon release, and was the most streamed album of 2019. When WE ALL Fall ASleep, Where DO WE GO? was written, produced and recorded entirely by Billie Eilish and brother Finneas in their childhood home of Los Angeles. Billie Eilish went on to make history as the youngest artist to receive nominations and win in all the major categories, at the 62nd Grammy® Awards, receiving an award for Best New Artist, Album of the Year, Record of the Year, Song of the Year, and Best Pop Vocal Album. Billie Eilish is also the youngest artist to write and record an official James Bond theme song, ‘No Time To Die.’ Most recently, Billie Eilish was nominated for four additional awards at the 63rd Annual Grammy Awards in 2021, and took home both Record of the Year for 'everything i wanted,' and Best Song Written For Visual Media for 'No Time To Die.'

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2LP | 2021 | EU | Original (Darkroom / Interscope)

Happier Than Ever

Release: 2021 / EU – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG+

Still shrink wrapped but opened.
Records with just a few paper scuffs are close to VG+.
Includes original inner sleeves.

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Press Photo T-Shirt

14,99 €* 19,99 € -25%

Available Sizes: M, L, XL, 2XL

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The Billie Eilish Press Photo Tee is equipped with the following features:
• rib crew neck with interior tape
• Press Photo artwork printed on front
• regular fit
• 100% cotton single jersey

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LP | 2018 | EU | Original (Waxtime)

All Or Nothing At All

Release: 2018 / EU – Original

Genre: Organic Grooves

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All Or Nothing At All 45rpm, 200g Vinyl Edition

2LP | 2012 | US | Original (Analogue Productions)

69,99 €*

Release: 2012 / US – Original

Genre: Organic Grooves

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Lady In Satin Blue Vinyl Edition

LP | 2018 | EU | Original (Waxtime In Color)

Release: 2018 / EU – Original

Genre: Organic Grooves

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The Platinum Collection White Vinyl Edition

3LP | 2017 | EU | Original (Not Now)

39,99 €*

LP | 2021 | EU | Original (Caroline)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Since her death, the music of Billie Holiday has been championed by many high-profile artists who freely acknowledge her influence. Though Holiday’s career was relatively short, she created a musical legacy that has endured to the current day. Billie Holiday was an original, and this compilation brings together the very best of her output. After experiencing these 42 tracks you will have an insight into the art and soul of a vocal artist who, Frank Sinatra insisted, touched every major American singer of their generation with her genius.

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Billie Marten

Flora Fauna

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2018 | DE | Original (Rhythm Bomb)

Billie & The Kids

Soulful Woman

14,99 €*

Release: 2018 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Billion Ft. Code:breaker & Sense MC

Defence

12" | 2012 | Original (Alignment)

7,99 €*

A Million Things That Never Happened Black Vinyl Edition

Release: 2012 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Generic label cover

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Billy Bragg

LP | 2021 | UK | Original (Cooking Vinyl)

A Million Things That Never Happened Blue Vinyl Edition

Release: 2021 / UK – Original

Genre: Rock & Indie

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Billy Bragg will release 'The Million Things That Never Happened', his tenth studio album, on the Cooking Vinyl label. The album, the first pandemic blues album of our times but also a heartfelt paean to human resilience, features 12 soulful country rock gems. The record was produced by Romeo Stodart and Dave Izumi at Echo Zoo studio in Eastbourne. All songs are written by Billy Bragg apart from the final song (Ten Mysterious Photos That Can't Be Explained), which is co-written by Billy's son Jack Valero.

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Billy Bragg

LP | 2021 | UK | Original (Cooking Vinyl)

The Million Things That Never Happened

Release: 2021 / UK – Original

Genre: Rock & Indie

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Billy Bragg

LP | 2021 | UK | Original (Cooking Vinyl)

Mermaid Avenue (The Complete Sessions)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink, but opened, with hype sticker

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Billy Bragg & Wilco

| 2012 | EU | Reissue (Nonesuch)

74,99 €*

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Billy Butler & Infinity / Lady Lee

Whatever's Fair / Simple Things

7" | 2018 | EU | Original (Mr Bongo)

11,99 €*

Lost In The Crowd / Silly Kind Of Love

Release: 2018 / EU – Original

Genre: Organic Grooves

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‘Whatever’s Fair’ is a storming Northern Soul cut of the highest order, with a very catchy chorus hook, surprisingly not very well known it seems. Taken from Billy Butler & Infinity’s ‘Hung Up On You’ LP from 1973.

‘Simple Things’ is an awesome midtempo soul/rare groove jam, originally released on a 45 in 1972, by Pride. Lush instrumentation and soaring vocals from start to finish, reminiscent of Denise Williams ‘Free’ in places.

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Billy Byrd

7" | 2018 | EU | Reissue (Record Shack)

7" | 2017 | CH | Original (La Suisse Primitive)

Release: 2018 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 150 copies. In white cut-out sleeve with sticker. The REVISIT Soundtrack was initiated by Markus Oberndorfer as part of his media art project REVISITED which features 360 video, media installation, photography, collage, and an artist book. Six befriended musicians were invited to provide three tracks each and given the assignment to send contributions representing their interpretations of the 360 videos recorded of the Sunset Strip in 2016 as part of REVISITED.

REVISIT OST is part of the installations virtual experience in form of radio broadcasts and subject of digital release and three limited physical releases on split 12“ vinyl. The vinyl is available in two versions à 150 copies: 1. Rhythm-Section (sound) and Rhythm- & Sequence-Frame-Section (sound & visual concept).

DROOM-01: Parental, Sirlensalot
DROOM-02: Devaloop, Lex (de Kalhex)
DROOM-03: Kompact, Dday One)

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Billy Changer

Over There

10,19 €* 11,99 € -15%

Release: 2017 / CH – Original

Genre: Rock & Indie

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Interactive Feat. Novecento Louie Vega Remixes

Billy Cobham

12" | 2021 | EU | Original (Rebirth)

13,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Since the release of the first volume in 2019, we knew we couldn't stop there. In 2021 we are even more excited to present the 'Drum'n Voice Remixed 2' album by the legend Billy Cobham in collaboration with Italian producers and composers Nicolosi / Novecento. As a taster to the album we are very happy to be releasing an EP containing remixes of ‘Interactive’ from the legend Louie Vega. Acclaimed as jazz-rock fusion's greatest drummer, Billy Cobham has dedicated his whole life to musical exploration and creative expression. Born in Panama, he has been surrounded by music. His father was a pianist, his mother was a singer and Billy started playing drums at four years old. Throughout his career he has collaborated with artists like Miles Davis, Horace Silver, Airto Moreira, George Benson and appeared on over 300 recordings, including icons like Peter Gabriel, Quincy Jones, Jack Bruce, Bob Weir, and James Brown, and to date, has produced and released more than forty albums as a leader. The first album ‘Spectrum’ is a masterpiece and still considered a reference album today. Billy and Nicolosi composed so many songs of the highest quality and class that we immediately wanted to get to work preparing a second volume of remixes. We are really happy to present the Louie Vega remixes of ‘Interactive’ in the run up to ‘Drum’N Voice Remixed 2’ collection that's set for a release later in the year. ‘Little’ Louie Vega does not need any introduction. One half of the Masters At Work (that are back now after a long time with their new single), he is one of the most important House Music duo of the last 30 years, even receiving a nomination in the last Grammy Awards. With the collaboration of Josh Milan (aka Honeycomb and former one half of Blaze) at the keyboards, these incredible remixes of 'Interactive' make track shine thanks to a powerful blend of funky cosmic disco and a perfect killer groove that makes us dance on Brian Auger's magnificent Hammond improvisation.

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Hardware

23,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Hardware Lemonade Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Hardware Limited Picture Disc Edition

LP | 2021 | US | Reissue (Concord)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Hardware Orange Crush Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Hardware Orchid Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Hardware Tangerine Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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2x7" | 2017 | US | Original (Muddy Roots Music)

Billy Harlan

Boppin' At Studio B

16,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Our Swimmer)

Billy Harper

Black Saint

LP | 2021 | EU | Original (Sam)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Billy Harper is one of the great tenor saxophonists in the post-Coltrane mold. Originally from Houston, TX and with a degree from the venerable University of North Texas College of Music, Harper emerged on the New York City jazz scene in the late 1960s performing with Art Blakey, Max Roach, Lee Morgan and others. Known for his soulful and propulsive tone, Harper was already a highly regarded and prolific session man before the release of his debut album as a leader on the cult favorite Strata-East label in 1973. Recorded in 1975, Black Saint was the second album for Billy Harper as bandleader and is the most acclaimed and fully realized of his long career. The inaugural release of the Italian label Black Saint – to which the album lent its name – is comprised entirely of Harper compositions; the peaceful and subdued opener “Dance, Eternal Spirits, Dance!,” the swinging and fiery “Croquet Ballet” and the side-long epic “Call Of The Wild And Peaceful Heart.” Harper’s group features trumpeter Virgil Jones - a graduate of Roland Kirk’s mid-60s groups and session player for McCoy Tyner, Charles Tolliver and others - along with Joe Bonner on piano, David Friesen on bass and Malcom Pinson on drums. Black Saint is too melodic and swinging to be free jazz but too forward-thinking to be described as modal post-bop; Harper’s advanced compositional sense and galvanic tenor work make this an album of pure fire music. This is a beautiful album back into print on its original format for the first time in over 40 years.

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Billy Harper Quintet

Antibes '75

32,99 €*

LP | 2021 | EU | Reissue (Sam)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though "Black Saint" is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, "Antibes ’75" shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further. That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a powerful and inspired performance. Never had Harper’s signature tunes “Cry of Hunger” and “Croquet Ballet” reached such a soulful expression, and we only wish that this moment of truth would have lasted a little longer. We are honored to present to you this concert for the first time on record, a 180g LP including a 6-page insert with previously unseen photos by Gérard Rouy and Thierry Trombert and an essay by Bernard Loupias.

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Billy Harper Quintet

Antibes '75

31,99 €*