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Big K.R.I.T. - Style Not Quite Free
Big K.R.I.T.
Style Not Quite Free
2LP | 2021 | US | Reissue (BMG Rights Management)
37,99 €*
Release: 2021 / US – Reissue
Genre: Hip Hop
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Double vinyl LP pressing of this 2021 mixtape from the hip-hop artist and producer.
Big Paul Ferguson - Virtual Control Red Vinyl Edition
Big Paul Ferguson
Virtual Control Red Vinyl Edition
LP | 2021 | US | Original (Cleopatra)
23,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Big Red Machine - How Long Do You Think It´S Gonna Last?
Big Red Machine
How Long Do You Think It´S Gonna Last?
Tape | 2021 | US | Original (Jagjaguwar)
16,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."
Big Red Machine - How Long Do You Think It´S Gonna Last? Black Vinyl Edition
Big Red Machine
How Long Do You Think It´S Gonna Last? Black Vinyl Edition
2LP | 2021 | US | Original (Jagjaguwar)
26,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."
Big Red Machine - How Long Do You Think It´S Gonna Last? Red Vinyl Edition
Big Red Machine
How Long Do You Think It´S Gonna Last? Red Vinyl Edition
2LP | 2021 | US | Original (Jagjaguwar)
27,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."
Big Sean - Detroit 2
Big Sean
Detroit 2
2LP | 2021 | US | Original (G.O.O.D. Music)
52,99 €*
Release: 2021 / US – Original
Genre: Hip Hop
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Big Sean - Detroit 2
Big Sean
Detroit 2
2LP | 2021 | US | Original (Def Jam)
52,99 €*
Release: 2021 / US – Original
Genre: Hip Hop
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Big Strick Featuring Generation Next - Alpha & Omega / Origin / Bloodline
Big Strick Featuring Generation Next
Alpha & Omega / Origin / Bloodline
12" | 2012 | US | Original (7 Days Ent.)
8,54 €* 8,99 € -5%
Release: 2012 / US – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
Big Thief - Capacity
Big Thief
Capacity
LP | 2017 | EU | Original (Saddle Creek)
21,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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The trails that Brooklyn's Big Thief take us down on Capacity, the band's highly anticipated second record, are overgrown with the wilderness of pumping souls.

After last year's stunning Masterpiece, Capacity was recorded in a snowy winter nest in upstate New York at Outlier Studio with producer Andrew Sarlo.
Big Turks - Big Turks Redux
Big Turks
Big Turks Redux
CD | 2021 | US | Original (Air Vinyl)
17,99 €*
Release: 2021 / US – Original
Genre: Hip Hop
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BIG Turks is Rome Streets, Jamal Gasol, Lord Juco, Ro Data, Jordan Commandeur, and Jonny Botsch. The group's self-titled concept album dropped almost exactly a year ago and was praised as Album of the Year by many. "big Turks Redux" collects remixes that were exclusive to the CD release of "big Turks" and the "Director's Cut" vinyl, as well as new remixes by Mr. Green, Hobgoblin, Observe Since 98, and MichaelAngelo. To reinforce the Turkish theme, the group invited Turk producer Smek to remix "Leave It To The Turks," while Oberseve Since 98 and Halal Cool J (aka Don Leisure) both used Turkish samples for their respective remixes.
Big Twins - Hood Stories
Big Twins
Hood Stories
CD | 2021 | EU | Original (Tuff Kong)
19,99 €*
Release: 2021 / EU – Original
Genre: Hip Hop
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Infamous Mobb representative Big Twins, one of the most representatives names from the streets of Queensbridge is back with his brand new album "Hood Stories". Gritty and grimy street rap as his trademark, he delivers 8 new joints featuring productions by Cuns and EL Rojo and guest appearances by Beanz and Blaq Poet.
Big Twins - Hood Stories Brown Vinyl Edition
Big Twins
Hood Stories Brown Vinyl Edition
LP | 2021 | EU | Original (Tuff Kong)
30,59 €* 33,99 € -10%
Release: 2021 / EU – Original
Genre: Hip Hop
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Big Water - I'm Here To Drink Nattys And Fuck Shit Up, And I'mm All Out Of Shit To Fuck Up Colored Vinyl Edition Big Yawn - No! Remixes
Big Yawn
No! Remixes
12" | 2021 | UK | Original (Research)
12,99 €*
Release: 2021 / UK – Original
Genre: Electronic & Dance
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Electronic four-piece Big Yawn invites five revered artists to reconstruct their debut album No!, originally released in March 2020 through Research Records.

The remixes convey a unique combination of darker textures and brooding sounds, clearly indebted to their source material.

The release features interpretations from Sleep D, Jay Glass Dubs, Maria Moles, Bullant and Raymond Scottwalker.

Rhythm merchants Sleep D (Butter Sessions) up the tempo and weave their signature expansive production in their fearless take on 'Reflex'.
Prolific producer Jay Glass Dubs (Bokeh Versions) flavours the 'Body Double' refix with looping clattering drums and glitchy murk, creating a compelling arrangement.
Like a drift into a warm gorge, percussionist Maria Moles (Nice Music) inserts gentle sustained synth work into 'Doodle Damage'.
Bullant (Flightless Records) pulls the listener out abruptly with a rework of 'Skinrat', a house-streaked churner.
Raymond Scottwalker (Fallopian Tunes) wraps up the record with another rework of 'Reflex', creating a mind-bending, aggressive industrial rejig.

Big Yawn's remix EP is a dynamic pairing to No!, entrusting an exceptional group of musicians to adhere to the spirit of the record, yet take it in a totally re-imagined direction
Bigeneric (Marco Repetto Of Grauzone) - Helva
Bigeneric (Marco Repetto Of Grauzone)
Helva
2CD | 2021 | EU | Original (Inzec)
18,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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In the fall of 2016, having overcome serious health issues, Marco Repetto – Bigeneric – begins to weave new delicate soundscapes from a place of stillness, unaware of his emerging role in the fabled magic web of the fairy queen Helva. Inspired by an encounter with the storyteller Andreas Sommer and the legend of Helva, the fairy queen who lives on the Gantrisch mountain, and another gentle message from the universe, Marco Repetto merges his electronic strands of magical sounds into a tender and mystical composition he names Helva. Helva is a cinematic work of sound with long, hypnotically mesmeric tonal progressions and subtle ambient colors, combining influences from the electronic avant-garde and the futuristic spectrum of contemporary electronic music. This is the spiritual soundtrack of the Heart Rebels Gang who ceaselessly radiate into the world a powerful and profound force of beauty
Bigeneric (Marco Repetto Of Grauzone) - Helva
Bigeneric (Marco Repetto Of Grauzone)
Helva
2LP | 2021 | EU | Original (Inzec)
30,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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In the fall of 2016, having overcome serious health issues, Marco Repetto – Bigeneric – begins to weave new delicate soundscapes from a place of stillness, unaware of his emerging role in the fabled magic web of the fairy queen Helva. Inspired by an encounter with the storyteller Andreas Sommer and the legend of Helva, the fairy queen who lives on the Gantrisch mountain, and another gentle message from the universe, Marco Repetto merges his electronic strands of magical sounds into a tender and mystical composition he names Helva. Helva is a cinematic work of sound with long, hypnotically mesmeric tonal progressions and subtle ambient colors, combining influences from the electronic avant-garde and the futuristic spectrum of contemporary electronic music. This is the spiritual soundtrack of the Heart Rebels Gang who ceaselessly radiate into the world a powerful and profound force of beauty
Bigfire - Deathcotheque The Album
Bigfire
Deathcotheque The Album
12" | 2021 | JP | Original (Bigfire)
11,99 €*
Release: 2021 / JP – Original
Genre: Electronic & Dance
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Bigger Better Sun - Adjust To Wellness
Bigger Better Sun
Adjust To Wellness
LP | 2021 | UK | Original (Counter)
16,89 €* 25,99 € -35%
Release: 2021 / UK – Original
Genre: Rock & Indie
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BigLikeBaz - Ormond
BigLikeBaz
Ormond
LP | 2017 | UK | Original (Not On Label)
13,49 €* 17,99 € -25%
Release: 2017 / UK – Original
Genre: Hip Hop
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Used Vinyl
Medium: Sealed, Cover: Sealed
Sealed copy!
Bikini Death Race - Refrigerator
Bikini Death Race
Refrigerator
LP | 2021 | EU | Original (Negative Gain Productions)
21,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
Vinyl is close to NM.
Bikini Death Race - Refrigerator
Bikini Death Race
Refrigerator
LP | 2021 | EU | Original (Negative Gain)
23,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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A Mix Of Punk, Synth-Pop And Electronica, Neon Lights, Distorted Bass And Liberating Screams.The Ironic, Dadaist And Nonsense Approach Of The First Album Is Well Preserved But With Refrigerator, The Band Have Taken A Deep Dive Into Experimentation With Analog Synthesizers And Drum Machines - Modelling A More Defined Sound By Uniting The Punk Soul Of Their Past With More Varied And Articulated Songwriting.For Fans Of New Wavefor Fans Of Synth Punkfor Fans Of Electroclash
Bilderbuch - Magic Life
Bilderbuch
Magic Life
LP | 2017 | EU | Original (Maschin)
27,99 €*
Release: 2017 / EU – Original
Genre: Pop
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Bill Brown And The Soul Injection - Bill Brown And The Soul Injection
Bill Brown And The Soul Injection
Bill Brown And The Soul Injection
LP | 2021 | JP | Original (P-Vine)
31,99 €*
Release: 2021 / JP – Original
Genre: Organic Grooves
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Bill Callahan & Bonnie Prince Billy - Blind Date Party
Bill Callahan & Bonnie Prince Billy
Blind Date Party
2LP | 2021 | US | Original (Drag City)
42,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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The Blind Date Party hosted by Bill Callahan and Bonnie ‘Prince’ Billy and featuring Azita, Matt Sweeney, Alasdair Roberts, Matt Kinsey, Sean O’Hagan, Bill MacKay, George Xylouris, Dead Rider, David Pajo, Mick Turner, Meg Baird, Ty Segall, Emmett Kelly, Cory Hanson, Six Organs of Admittance, David Grubbs, Cassie Berman, Cooper Crain and Sir Richard Bishop happened online in the fall and winter of ’20–’21 — but the party planning dated back to the spring of 2020. Stuck at home, with no gigs in the foreseeable future, Bill, Bonnie and Drag City needed an outreach program to keep themselves busy, not to mention sane. In the absence of any company or anything on the calendar, playing songs they loved was an idea; playing with people they loved, the desire. And making it fun — so pairing someone with someone else having no say in the matter, the essence of the blind date, was the plan. Favorite songs were chose; players from around the Drag City galaxy were messaged. Pretty soon, songs were flying back and forth — music in the air! And thus, they were entertained throughout the summer of 2020, when so much else in the world seemed so completely wrong. By the fall, the songs started to appear online: Bill and Bonnie singing a song by someone they loved and admired; each song cut by another another artist they loved and admired, then sent to Bill and Bonny to provide the finishing touches. The spotlight pointed in every direction each week: toward the singers and writers who’d originally played the songs (Yusuf Islam, Hank Williams Jr., Dave Rich, The Other Years, Billie Eilish, Steely Dan, Lou Reed, Bill Callahan, Jerry Jeff Walker, Robert Wyatt, Lowell George, Johnnie Frierson, Air Supply, Will Oldham, Leonard Cohen, David Berman, Iggy Pop and John Prine), toward their featured collaborators, the artists whose artwork adorned each digital single and videos made by still more collaborators. And you, the listener. Like the best parties, it turned out to be everything and more than they’d even hoped for. So many more people were involved in the process that we can get on the page here. Suffice to say, making records over the years has required a broad sense of community and an always-surprising mix of independence and unity, inspiration and utility. Some of our best memories are those where as many of our folks as possible were together in one place at one time. In those moments, it was just a great thing just to be there. And with others looking in . . . this was a joy one could only be infinitely lucky to feel and to take for granted, as well. The Blind Date Party was one of these, maybe the most improbable one yet. It’s for everyone who’s here and it’s in the name of everyone who’s gone but will never go and will always live with us here. This album will too. And thus, we are entertained.
Bill Callahan & Bonnie Prince Billy - Blind Date Party
Bill Callahan & Bonnie Prince Billy
Blind Date Party
2Tape | 2021 | US | Original (Drag City)
21,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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The Blind Date Party hosted by Bill Callahan and Bonnie ‘Prince’ Billy and featuring Azita, Matt Sweeney, Alasdair Roberts, Matt Kinsey, Sean O’Hagan, Bill MacKay, George Xylouris, Dead Rider, David Pajo, Mick Turner, Meg Baird, Ty Segall, Emmett Kelly, Cory Hanson, Six Organs of Admittance, David Grubbs, Cassie Berman, Cooper Crain and Sir Richard Bishop happened online in the fall and winter of ’20–’21 — but the party planning dated back to the spring of 2020. Stuck at home, with no gigs in the foreseeable future, Bill, Bonnie and Drag City needed an outreach program to keep themselves busy, not to mention sane. In the absence of any company or anything on the calendar, playing songs they loved was an idea; playing with people they loved, the desire. And making it fun — so pairing someone with someone else having no say in the matter, the essence of the blind date, was the plan. Favorite songs were chose; players from around the Drag City galaxy were messaged. Pretty soon, songs were flying back and forth — music in the air! And thus, they were entertained throughout the summer of 2020, when so much else in the world seemed so completely wrong. By the fall, the songs started to appear online: Bill and Bonnie singing a song by someone they loved and admired; each song cut by another another artist they loved and admired, then sent to Bill and Bonny to provide the finishing touches. The spotlight pointed in every direction each week: toward the singers and writers who’d originally played the songs (Yusuf Islam, Hank Williams Jr., Dave Rich, The Other Years, Billie Eilish, Steely Dan, Lou Reed, Bill Callahan, Jerry Jeff Walker, Robert Wyatt, Lowell George, Johnnie Frierson, Air Supply, Will Oldham, Leonard Cohen, David Berman, Iggy Pop and John Prine), toward their featured collaborators, the artists whose artwork adorned each digital single and videos made by still more collaborators. And you, the listener. Like the best parties, it turned out to be everything and more than they’d even hoped for. So many more people were involved in the process that we can get on the page here. Suffice to say, making records over the years has required a broad sense of community and an always-surprising mix of independence and unity, inspiration and utility. Some of our best memories are those where as many of our folks as possible were together in one place at one time. In those moments, it was just a great thing just to be there. And with others looking in . . . this was a joy one could only be infinitely lucky to feel and to take for granted, as well. The Blind Date Party was one of these, maybe the most improbable one yet. It’s for everyone who’s here and it’s in the name of everyone who’s gone but will never go and will always live with us here. This album will too. And thus, we are entertained.
Bill Evans & Jim Hall - Undercurrent
Bill Evans & Jim Hall
Undercurrent
LP | 2012 | UK | Original (Pure Pleasure)
37,99 €*
Release: 2012 / UK – Original
Genre: Organic Grooves
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Bill Evans & Jim Hall - Undercurrent Gatefold Sleeve Edition
Bill Evans & Jim Hall
Undercurrent Gatefold Sleeve Edition
LP | 2017 | EU | Original (Dol)
15,99 €*
Release: 2017 / EU – Original
Genre: Organic Grooves
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Bill Evans - On A Monday Evening
Bill Evans
On A Monday Evening
LP | 2017 | US | Original (Fantasy)
36,99 €*
Release: 2017 / US – Original
Genre: Organic Grooves
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Bill Fox - Shelter From The Smoke
Bill Fox
Shelter From The Smoke
2LP | 2021 | US | Original (Scat)
28,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Scat Records offers up a definitive edition of Bill Fox's debut solo disc, Shelter from the Smoke, back in print after more than half a decade. Originally self-released in 1997 and reissued the following year by SpinArt, both previous versions featured different tracklists. This edition includes all songs from both versions, as well as the two tracks from a scarce 1996 Scat 7-inch. This reissue also marks the first time the album has been pressed on vinyl. Fox began his musical journey in early 1980s Cleveland with The Mice, who fused punk energy with British-Invasion-style songwriting and harmonies. He infamously dissolved the group on the eve of a European tour, then dropped out of the scene altogether, with an unfinished Mice LP in the can. In the early '90s, he began a series of home recordings which revealed a growing preference for acoustically based music, and formed the basis for Shelter from the Smoke as well as the follow-up Transit Byzantium (scheduled for a similar reissue treatment next year). Shelter also includes four electric tracks recorded with Fox's short-lived band The Radio Flyers. After a 1998 tour, Fox once again dropped out of music. Now he is performing again. For how long, nobody knows. Fox is one of those rare musicians who really does not enjoy the limelight, even declining an interview with Joe Hagan of The Believer, who went so far as to fly to Cleveland in hopes of meeting him. That and his refusal to "be on the internet" has probably only helped the growing cadre of music fans who sees his solo albums as mysterious, lost classics. Or perhaps they just delight in the ringing sound of Fox's perfectly pitched voice or his deft lyricism. Either way, Fox's two solo albums are jewels not to be missed by anyone who enjoys traditional songcraft or iconic vocalists.
Bill Fox - Transit Byzantium
Bill Fox
Transit Byzantium
2LP | 2021 | US | Original (Scat)
29,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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These newly remastered editions of Bill Fox’s second album are the first since its 1998 release, including the first-ever vinyl pressing. Listeners will hear a wider soundstage, more detail, and improved listenability. Recorded on 4-track cassette, the fidelity belies the sophistication and nuance of the songwriting, This adept remaster by John Golden Sr helps bring definition to the intimate, at-home feel of the album. It sparkles. Very similar in feel and quality to Fox’s debut album, much of Transit Byzantium draws from the same group of recordings. It has the same feel of musical inevitability, that the songs exist beyond time itself, their eventual manifestation guaranteed by Apollo. He could’ve given them to the Everly Brothers, or the Byrds, or the Who, but instead they were channeled through an everyman from Cleveland with an aversion to the limelight. And while a traditional folk influence colors several songs, even those possess the indelible stamp of Fox’s charismatic voice and personality. Although nearly entirely acoustic and with minimal percussion, these eighteen songs cycle through a remarkable variety of textures and moods. While much has quite rightly been written about the god-tier songwriting here (“Song of a Drunken Nightingale,” “My Baby Crying,” “I’ll Give It Away” for starters), it should also be noted that this is a guitar player’s record, though more in terms of conception than flash. Lines of harmony and counterpoint wander between parts, sublime in their invention though sometimes crudely documented.
Bill Gage & Cheater Slicks - Piano Tunnels
Bill Gage & Cheater Slicks
Piano Tunnels
LP | 2021 | US | Original (In The Red)
24,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Bill Gage is a quasi-famous singer with a raw, rock ’n’ roll voice. Cheater Slicks are an infamous, raw, rock ’n’ roll band. Put the two together and the resulting album is a stream-of-conscious stew of wild, fuzz-drenched rock ’n’ roll! Some history: both Cheater Slicks and Bill Gage’s band Bill began in Boston in 1987, and it was sometime around then that Gage first sang with Tom and David Shannon playing guitars, in Gage’s bedroom in Laconia, New Hampshire. It was an intense and primal sound that was not forgotten by those involved. Gage’s singing has been compared to Captain Beefheart, David Thomas, Damo Suzuki, and Yoko Ono. However, Gage clearly has his own sound, which includes guttural yells, sweet crooning, and bluesy meanderings—all seemingly told from a tarpaper shack porch under the oceans of Mars. Cheater Slicks have from the start been a brain-melting rock ‘n’ roll dream / nightmare of a band. Steeped in the wild guitar interplay and pounding drums of classic noisy underground rock groups (Cramps, Scientists, Velvet Underground), they have created their own unique and ever-evolving style that has only gotten deeper and sharper over the years. In spring 2018, when Cheater Slicks were presented with the idea of a collaborative record with Gage, they wasted no time, and began writing and arranging new songs for the project. Gage traveled to Columbus to record at the legendary Musicol studios in November of that year. It was a great session and came together as if it were always meant to be. After thirty years of performing, is the world finally ready for Bill Gage—accompanied by the seismic Cheater Slicks? All profits from this record will benefit the Arts Resources programs of the National Association for Down Syndrome.
Bill Haley & The Comets - Rock Around The Clock
Bill Haley & The Comets
Rock Around The Clock
LP | 2017 | EU | Original (Vinyl Lovers)
19,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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Includes two bonus tracks.
Bill Mackay And Nathan Bowles - Keys
Bill Mackay And Nathan Bowles
Keys
LP | 2021 | US | Original (Drag City)
19,19 €* 31,99 € -40%
Release: 2021 / US – Original
Genre: Rock & Indie
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Bill MacKay - Esker
Bill MacKay
Esker
LP | 2017 | US | Original (Drag City)
27,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
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Bill Stone - Stone
Bill Stone
Stone
LP | 2021 | US | Original (Drag City)
34,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Bill Thompson - Black Earth Tongue
Bill Thompson
Black Earth Tongue
Tape | 2021 | EU | Original (The Tapeworm)
12,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Bill Thompson is a sound artist and composer. His work is concerned with various aspects of perception and embodied presence. Using found objects, field recordings, repurposed electronics and digital media, his installations encourage active attention to each moment. He applies this same strategy within his compositions which often include sustained tones, densely layered textures and indeterminate or improvised structures.
Although trained as a guitarist, Thompson has worked primarily with live electronics for 20 years. In 2016, he returned to guitar (by Moog) combined with miscellaneous tabletop devices, found objects, flashing lights and the occasional vibrator.
His work has been released on Ash International, Burning Harpsichord Records, Mikroton Records, State Sanctioned Records, and/Oar, Autumn Leaves, Phonography and several compilations. Notable recent performances and installations include the Venice Biennal (2020/21), Pauline Oliveros Tribute (Café Oto 2018), Intraspect Concert 2018, Edinburgh Fringe (2016-2018), Nawr 2017, Sonic Atlas 2017, Organ Reframed 2016 (Installation), What Remains Festival 2016, Sound Festival 2016.
"Black Earth Tongue" is based on material composed when working on the project Mushroom! with the contemporary dance group In the Making for the Edinburgh Fringe Festival 2016. Track titles are taken from (mis)translations of Japanese or Latin names for various fungi.
Bill Wyman - History Of
Bill Wyman
History Of
4LP | 2017 | US | Original (Demon)
69,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
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Billain - Total Darkness / Fiber Twist
Billain
Total Darkness / Fiber Twist
12" | 2012 | UK | Original (Rise Audio)
11,99 €*
Release: 2012 / UK – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
Label cover. Writing on label sticker.
Billie Eilish - Don't Smile At Me
Billie Eilish
Don't Smile At Me
LP | 2017 | EU | Original (Interscope)
28,99 €*
Release: 2017 / EU – Original
Genre: Pop
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Billie Eilish - Hands Face T-Shirt
Billie Eilish
Hands Face T-Shirt
17,99 €* 19,99 € -10%
Available Sizes: S, M, 2XL
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The Billie Eilish Hands Face Tee is equipped with the following features:
• rib crew neck with interior tape
• Hands Face artwork printed on front
• regular fit
• 100% cotton single jersey
Billie Eilish - Happier Than Ever
Billie Eilish
Happier Than Ever
2LP | 2021 | EU | Original (Darkroom / Interscope)
29,99 €*
Release: 2021 / EU – Original
Genre: Pop
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Continuing the tradition on from her multi-Grammy Award, record-breaking debut album When WE ALL GO TO Sleep, Where DO WE GO?, Happier Than Ever features no outside songwriters or producers, and was written by 19-year-old Billie Eilish and her brother Finneas who produced the album in Los Angeles.

Billie Eilish has also teased her forthcoming single is coming this Thursday, April 29 at 9AM PT.

Billie Eilish has fast become one of the biggest stars to emerge since the release of her debut single “ocean eyes,” and continues to shatter the ceiling of music with her genre-defying sound. Fast forward from her humble breakout in 2015, Billie’s album When WE ALL Fall ASleep, Where DO WE GO? debuted at No. 1 on the Billboard 200 in the U.S as well as 17 additional countries around the world upon release, and was the most streamed album of 2019. When WE ALL Fall ASleep, Where DO WE GO? was written, produced and recorded entirely by Billie Eilish and brother Finneas in their childhood home of Los Angeles. Billie Eilish went on to make history as the youngest artist to receive nominations and win in all the major categories, at the 62nd Grammy® Awards, receiving an award for Best New Artist, Album of the Year, Record of the Year, Song of the Year, and Best Pop Vocal Album. Billie Eilish is also the youngest artist to write and record an official James Bond theme song, ‘No Time To Die.’ Most recently, Billie Eilish was nominated for four additional awards at the 63rd Annual Grammy Awards in 2021, and took home both Record of the Year for 'everything i wanted,' and Best Song Written For Visual Media for 'No Time To Die.'
Billie Eilish - Happier Than Ever
Billie Eilish
Happier Than Ever
CD | 2021 | EU | Original (Darkroom / Interscope)
17,99 €*
Release: 2021 / EU – Original
Genre: Pop
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Billie Eilish has revealed details on her highly anticipated sophomore album. The 16-track studio album, titled Happier Than Ever, will be released via Darkroom/Interscope Records on July, 30 Continuing the tradition on from her multi-Grammy Award, record-breaking debut album When WE ALL GO TO Sleep, Where DO WE GO?, Happier Than Ever features no outside songwriters or producers, and was written by 19-year-old Billie Eilish and her brother Finneas who produced the album in Los Angeles.

Billie Eilish has also teased her forthcoming single is coming this Thursday, April 29 at 9AM PT.

Billie Eilish has fast become one of the biggest stars to emerge since the release of her debut single “ocean eyes,” and continues to shatter the ceiling of music with her genre-defying sound. Fast forward from her humble breakout in 2015, Billie’s album When WE ALL Fall ASleep, Where DO WE GO? debuted at No. 1 on the Billboard 200 in the U.S as well as 17 additional countries around the world upon release, and was the most streamed album of 2019. When WE ALL Fall ASleep, Where DO WE GO? was written, produced and recorded entirely by Billie Eilish and brother Finneas in their childhood home of Los Angeles. Billie Eilish went on to make history as the youngest artist to receive nominations and win in all the major categories, at the 62nd Grammy® Awards, receiving an award for Best New Artist, Album of the Year, Record of the Year, Song of the Year, and Best Pop Vocal Album. Billie Eilish is also the youngest artist to write and record an official James Bond theme song, ‘No Time To Die.’ Most recently, Billie Eilish was nominated for four additional awards at the 63rd Annual Grammy Awards in 2021, and took home both Record of the Year for 'everything i wanted,' and Best Song Written For Visual Media for 'No Time To Die.'
Billie Eilish - Happier Than Ever
Billie Eilish
Happier Than Ever
2LP | 2021 | EU | Original (Darkroom / Interscope)
24,99 €*
Release: 2021 / EU – Original
Genre: Pop
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Used Vinyl
Medium: VG, Cover: VG+
Still shrink wrapped but opened.
Records with just a few paper scuffs are close to VG+.
Includes original inner sleeves.
Billie Eilish - Press Photo T-Shirt
Billie Eilish
Press Photo T-Shirt
14,99 €* 19,99 € -25%
Available Sizes: M, L, XL, 2XL
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The Billie Eilish Press Photo Tee is equipped with the following features:
• rib crew neck with interior tape
• Press Photo artwork printed on front
• regular fit
• 100% cotton single jersey
Billie Holiday - All Or Nothing At All 45rpm, 200g Vinyl Edition
Billie Holiday
All Or Nothing At All 45rpm, 200g Vinyl Edition
2LP | 2012 | US | Original (Analogue Productions)
69,99 €*
Release: 2012 / US – Original
Genre: Organic Grooves
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Billie Holiday - The Platinum Collection White Vinyl Edition
Billie Holiday
The Platinum Collection White Vinyl Edition
3LP | 2017 | EU | Original (Not Now)
39,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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Since her death, the music of Billie Holiday has been championed by many high-profile artists who freely acknowledge her influence. Though Holiday’s career was relatively short, she created a musical legacy that has endured to the current day. Billie Holiday was an original, and this compilation brings together the very best of her output. After experiencing these 42 tracks you will have an insight into the art and soul of a vocal artist who, Frank Sinatra insisted, touched every major American singer of their generation with her genius.
Billie Marten - Flora Fauna
Billie Marten
Flora Fauna
LP | 2021 | EU | Original (Caroline)
26,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Billion Ft. Code:breaker & Sense MC - Defence
Billion Ft. Code:breaker & Sense MC
Defence
12" | 2012 | Original (Alignment)
7,99 €*
Release: 2012 / Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
Generic label cover
Billy Bragg - A Million Things That Never Happened Black Vinyl Edition
Billy Bragg
A Million Things That Never Happened Black Vinyl Edition
LP | 2021 | UK | Original (Cooking Vinyl)
24,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Billy Bragg will release 'The Million Things That Never Happened', his tenth studio album, on the Cooking Vinyl label. The album, the first pandemic blues album of our times but also a heartfelt paean to human resilience, features 12 soulful country rock gems. The record was produced by Romeo Stodart and Dave Izumi at Echo Zoo studio in Eastbourne. All songs are written by Billy Bragg apart from the final song (Ten Mysterious Photos That Can't Be Explained), which is co-written by Billy's son Jack Valero.
Billy Bragg - A Million Things That Never Happened Blue Vinyl Edition
Billy Bragg
A Million Things That Never Happened Blue Vinyl Edition
LP | 2021 | UK | Original (Cooking Vinyl)
26,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Billy Bragg will release 'The Million Things That Never Happened', his tenth studio album, on the Cooking Vinyl label. The album, the first pandemic blues album of our times but also a heartfelt paean to human resilience, features 12 soulful country rock gems. The record was produced by Romeo Stodart and Dave Izumi at Echo Zoo studio in Eastbourne. All songs are written by Billy Bragg apart from the final song (Ten Mysterious Photos That Can't Be Explained), which is co-written by Billy's son Jack Valero.
Billy Bragg - The Million Things That Never Happened
Billy Bragg
The Million Things That Never Happened
LP | 2021 | UK | Original (Cooking Vinyl)
18,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
Still in shrink, but opened, with hype sticker
Billy Bragg & Wilco - Mermaid Avenue (The Complete Sessions)
Billy Bragg & Wilco
Mermaid Avenue (The Complete Sessions)
| 2012 | EU | Reissue (Nonesuch)
74,99 €*
Release: 2012 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Billy Changer - Over There
Billy Changer
Over There
7" | 2017 | CH | Original (La Suisse Primitive)
10,19 €* 11,99 € -15%
Release: 2017 / CH – Original
Genre: Rock & Indie
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Billy Cobham - Interactive Feat. Novecento Louie Vega Remixes
Billy Cobham
Interactive Feat. Novecento Louie Vega Remixes
12" | 2021 | EU | Original (Rebirth)
13,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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Since the release of the first volume in 2019, we knew we couldn't stop there. In 2021 we are even more excited to present the 'Drum'n Voice Remixed 2' album by the legend Billy Cobham in collaboration with Italian producers and composers Nicolosi / Novecento. As a taster to the album we are very happy to be releasing an EP containing remixes of ‘Interactive’ from the legend Louie Vega. Acclaimed as jazz-rock fusion's greatest drummer, Billy Cobham has dedicated his whole life to musical exploration and creative expression. Born in Panama, he has been surrounded by music. His father was a pianist, his mother was a singer and Billy started playing drums at four years old. Throughout his career he has collaborated with artists like Miles Davis, Horace Silver, Airto Moreira, George Benson and appeared on over 300 recordings, including icons like Peter Gabriel, Quincy Jones, Jack Bruce, Bob Weir, and James Brown, and to date, has produced and released more than forty albums as a leader. The first album ‘Spectrum’ is a masterpiece and still considered a reference album today. Billy and Nicolosi composed so many songs of the highest quality and class that we immediately wanted to get to work preparing a second volume of remixes. We are really happy to present the Louie Vega remixes of ‘Interactive’ in the run up to ‘Drum’N Voice Remixed 2’ collection that's set for a release later in the year. ‘Little’ Louie Vega does not need any introduction. One half of the Masters At Work (that are back now after a long time with their new single), he is one of the most important House Music duo of the last 30 years, even receiving a nomination in the last Grammy Awards. With the collaboration of Josh Milan (aka Honeycomb and former one half of Blaze) at the keyboards, these incredible remixes of 'Interactive' make track shine thanks to a powerful blend of funky cosmic disco and a perfect killer groove that makes us dance on Brian Auger's magnificent Hammond improvisation.
Billy F Gibbons - Hardware
Billy F Gibbons
Hardware
LP | 2021 | EU | Original (Concord)
23,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Billy F Gibbons - Hardware Lemonade Colored Vinyl Edition
Billy F Gibbons
Hardware Lemonade Colored Vinyl Edition
LP | 2021 | EU | Original (Concord)
25,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Billy F Gibbons - Hardware Limited Picture Disc Edition
Billy F Gibbons
Hardware Limited Picture Disc Edition
LP | 2021 | US | Reissue (Concord)
26,99 €*
Release: 2021 / US – Reissue
Genre: Rock & Indie
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Billy F Gibbons - Hardware Orange Crush Colored Vinyl Edition
Billy F Gibbons
Hardware Orange Crush Colored Vinyl Edition
LP | 2021 | EU | Original (Concord)
25,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Billy F Gibbons - Hardware Orchid Colored Vinyl Edition
Billy F Gibbons
Hardware Orchid Colored Vinyl Edition
LP | 2021 | EU | Original (Concord)
25,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Billy F Gibbons - Hardware Tangerine Colored Vinyl Edition
Billy F Gibbons
Hardware Tangerine Colored Vinyl Edition
LP | 2021 | EU | Original (Concord)
25,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Billy Harlan - Boppin' At Studio B
Billy Harlan
Boppin' At Studio B
2x7" | 2017 | US | Original (Muddy Roots Music)
16,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
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Billy Harper - Black Saint
Billy Harper
Black Saint
LP | 2021 | EU | Original (Our Swimmer)
29,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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Billy Harper is one of the great tenor saxophonists in the post-Coltrane mold. Originally from Houston, TX and with a degree from the venerable University of North Texas College of Music, Harper emerged on the New York City jazz scene in the late 1960s performing with Art Blakey, Max Roach, Lee Morgan and others. Known for his soulful and propulsive tone, Harper was already a highly regarded and prolific session man before the release of his debut album as a leader on the cult favorite Strata-East label in 1973. Recorded in 1975, Black Saint was the second album for Billy Harper as bandleader and is the most acclaimed and fully realized of his long career. The inaugural release of the Italian label Black Saint – to which the album lent its name – is comprised entirely of Harper compositions; the peaceful and subdued opener “Dance, Eternal Spirits, Dance!,” the swinging and fiery “Croquet Ballet” and the side-long epic “Call Of The Wild And Peaceful Heart.” Harper’s group features trumpeter Virgil Jones - a graduate of Roland Kirk’s mid-60s groups and session player for McCoy Tyner, Charles Tolliver and others - along with Joe Bonner on piano, David Friesen on bass and Malcom Pinson on drums. Black Saint is too melodic and swinging to be free jazz but too forward-thinking to be described as modal post-bop; Harper’s advanced compositional sense and galvanic tenor work make this an album of pure fire music. This is a beautiful album back into print on its original format for the first time in over 40 years.
Billy Harper Quintet - Antibes '75
Billy Harper Quintet
Antibes '75
LP | 2021 | EU | Original (Sam)
32,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though "Black Saint" is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, "Antibes ’75" shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further. That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a powerful and inspired performance. Never had Harper’s signature tunes “Cry of Hunger” and “Croquet Ballet” reached such a soulful expression, and we only wish that this moment of truth would have lasted a little longer. We are honored to present to you this concert for the first time on record, a 180g LP including a 6-page insert with previously unseen photos by Gérard Rouy and Thierry Trombert and an essay by Bernard Loupias.
Billy Harper Quintet - Antibes '75
Billy Harper Quintet
Antibes '75
LP | 2021 | EU | Reissue (Sam)
31,99 €*
Release: 2021 / EU – Reissue
Genre: Organic Grooves
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Produced by François Lê Xuan and Fred Thomas for Sam Records/Saga. Mastered from the original stereo master tapes. Limited edition 2000 copies. Cut by SST (Schallplaten Schneid Technik). 180g vinyl LP pressed by Pallas in Germany. 6-page booklet . Each record has been visually checked to prevent defects.

Sam Records and Saga present:

A never-before released Billy Harper 1975 live recordings.

First official release with the full permission and cooperation of the Billy Harper & INA (Institut National de l’Audiovisuel).

Billy Harper Quintet – Antibes ‘75

Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though Black Saint is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, Antibes ’75 shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further.

That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a powerful and inspired performance. Never had Harper’s signature tunes “Cry of Hunger” and “Croquet Ballet” reached such a soulful expression, and we only wish that this moment of truth would have lasted a little longer.

We are honored to present to you this concert for the first time on record, a 180g LP including a 6-page insert with previously unseen photos by Gérard Rouy and Thierry Trombert and an essay by Bernard Loupias.

Virgil Jones (Trumpet) Billy Harper (Tenor saxophone) Joe Bonner (Piano, arranger) David Friesen (Double Bass) Malcolm Pinson (Drums)
Billy Idol - Idolize Yourself (Greatest Hits)
Billy Idol
Idolize Yourself (Greatest Hits)
2LP | 2017 | EU | Original (Capitol)
38,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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Billy Lee & The Rivieras - You Know
Billy Lee & The Rivieras
You Know
7" | 2017 | EU | Original (Sundazed Music Inc.)
13,99 €*
Release: 2017 / EU – Original
Genre: Pop
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Billy MacKenzie - Beyond The Sun
Billy MacKenzie
Beyond The Sun
LP | 2017 | EU | Reissue (One Little Indian)
31,99 €*
Release: 2017 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance, Pop
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Billy Nomates - Emergency Telephone Colored Vinyl Edition
Billy Nomates
Emergency Telephone Colored Vinyl Edition
12" | 2021 | UK | Original (Invada)
21,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Billy Paul - The Best Of Billy Paul
Billy Paul
The Best Of Billy Paul
LP | 2021 | EU | Original (Sony Music Catalog)
26,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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Billy Paul - The Best Of Billy Paul
Billy Paul
The Best Of Billy Paul
LP | 2021 | EU | Original (Sony Music Catalog)
18,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Billy Squier - Don't Say No
Billy Squier
Don't Say No
LP | 2017 | US | Original (Intervention)
47,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
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Billy Strings - Renewal
Billy Strings
Renewal
2LP | 2021 | EU | Original (Concord)
38,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Billy Talent - Hits Black Vinyl Edition
Billy Talent
Hits Black Vinyl Edition
2LP | 2021 | EU | Original (Music On Vinyl)
30,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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After four highly successful albums and two live albums, it was time for Canadian punk rockers Billy Talent to release their first greatest hits compilation in 2014, simply called »Hits«. The album contains 12 of the band’s most popular singles, including »Try Honesty«, »Red Flag«, »Fallen Leaves«, »Devil on My Shoulder« and »Viking Death March«. The album also includes two new songs, »Kingdom of Zod« and »Chasing the Sun«. It charted well in both the band’s native Canada as well as Germany and Switzerland.

Whether you’re a punk rocker looking to get to know Billy Talent in 14 incredible songs, or you’re a longtime fan of the band who already knows all their songs by heart, this compilation is an absolute must have. It comes in a UV matte finished gatefold sleeve and contains a 4-page booklet as well as an art print by Ken Taylor.
Billy Woost - Body Body Love
Billy Woost
Body Body Love
12" | 2017 | EU | Original (Best Record Italy)
16,99 €*
Release: 2017 / EU – Original
Genre: Organic Grooves
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Best Record Italy came out with another obscure italian disco record from 1977. This 12" release contais three solid dancefloor funky disco burners like 'Body, Body Love' unreleased Disco Version) and on the B side : 'Please Touch Me' and 'Sleep' from the Billy Woost Album.
Binary Digit & Victor Ziegler - From Berriat To Pitteurs
Binary Digit & Victor Ziegler
From Berriat To Pitteurs
12" | 2021 | EU | Original (Postal Code)
12,79 €* 15,99 € -20%
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Binary Operator - Machine Processed Rhythms EP
Binary Operator
Machine Processed Rhythms EP
12" | 2021 | EU | Original (Central Electronics)
13,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Binary Operator is back with his 2nd EP for Central Electronics. Again he delivered a mixture of electro and broken beats for dancers and digital dreamers.
Bing & Ruth - No Home Of The Mind Transparent Vinyl Edition
Bing & Ruth
No Home Of The Mind Transparent Vinyl Edition
2LP | 2017 | UK | Original (4AD)
30,99 €*
Release: 2017 / UK – Original
Genre: Electronic & Dance
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Established in 2006, Bing & Ruth is an ever-evolving collective steered by composer David Moore. A pianist from Kansas and graduate of New York’s school of Jazz and Contemporary Music at the New School, Moore’s work follows in the great tradition of fellow alumni John Cage and Steve Reich, albeit looking past the more studied repetition of the style’s forerunners toward a meditative form built on feeling.
With Moore at its nucleus, Bing & Ruth’s line-up has transmuted from the eleven-strong line-up that created debut album City Lake (“A stunning, humble record built on traditions we all understand, yet, somehow feels dizzyingly new.” – The Quietus) to a cast of seven for 2014’s Tomorrow Was The Golden Age (“One of the finest leftfield releases of the year.” – Pitchfork). With No Home of the Mind, the ensemble has been streamlined to a five-person unit, exploring the piano’s percussive qualities alongside running woodwinds, warbling tape delays and splattered upright bass lines that stare out with a wide-eyed transcendence, taking so-called “classical” music to new limits.
Binker And Moses - Escape The Flames
Binker And Moses
Escape The Flames
2LP | 2021 | EU | Original (Gearbox)
26,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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Biodive - Limpets Minds Priori Remix
Biodive
Limpets Minds Priori Remix
12" | 2021 | EU | Original (Pistol)
12,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Welcome to Pistol! The inaugural release of p.istol is introduced by Biodive, who sets the tone with his four track “Limpet Minds’ EP, written in the depths of lockdown from the producer's studio in Cape Town. Naff label head Priori contributes a no-nonsense remix of the title track - just in time as the world escapes the monotony of pandemic life.
Biome - Fargo EP
Biome
Fargo EP
12" | 2017 | UK | Original (Kaizen)
12,99 €*
Release: 2017 / UK – Original
Genre: Electronic & Dance
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The Fargo EP continues along the forward thinking tangent of the label,
expertly blending elements of bass, techno and rolling percussion. Early
support from Hodge, Loefah and Walton, KZN004 provides 6 club ready,
certified weapons fit for the dance.
Biome - Joker EP
Biome
Joker EP
12" | 2021 | EU | Original (Deep, Dark & Dangerous)
12,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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In The Joker EP, Biome shows why he is right at the very top of the game. 4 incredibly made pieces of Dubstep mastery, beautifully put together into the first Deep, Dark & Dangerous release of 2021. Creepy intros, crunchy midbass, crisp and slick drumwork, quirky hooks and crushing sub all categorise this release. Each sample and sound meticulously positioned for maximum effect. Biome has always been the king of making sure everything is in it's right place, less is more, every piece of the puzzle has it's purpose and the whole release is a masterclass in this aesthetic. We know you are going to love it as much as we do.
Bionic Singer (O. Maddo) - This Lady
Bionic Singer (O. Maddo)
This Lady
LP | 2017 | EU | Original (Cubiculo)
21,99 €*
Release: 2017 / EU – Original
Genre: Reggae & Dancehall
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After releasing the EP “Hear Mi Name Call” with Casio Love and the sad story behind it, we decided to repress this crucial album to spread even more Maddo´s music and his musical legacy.Maddo left among us his wife and son who we send our sincere condolences and strength, special thanks to Julie who also granted us permission to repress this masterpiece. Hopefully this record will help Maddo’s family and keep his memory alive between all of us.
Biosphere - Angel's Flight
Biosphere
Angel's Flight
CD | 2021 | EU | Original (Ad 93)
15,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Angel’s Flight is the new album from the highly acclaimed producer and composer Biosphere, due for release January 2021. It features twelve tracks that traverse the peripheries of classical and electronic composition, all based on Beethoven’s String Quartet No. 14. Much of the music was initially composed for ’Uncoordinated Dog’, a dance production by the Ingun Bjørnsgaard Prosjekt in 2019 that explores the personal, the ambiguous, exposure and beauty.
Biosphere - The Petrified Forest
Biosphere
The Petrified Forest
LP | 2017 | EU | Original (Biophon)
16,99 €*
Release: 2017 / EU – Original
Genre: Electronic & Dance
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Biosphere is the main recording name of Geir Jenssen, a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album.

The Petrified Forest mini-album is inspired by the movie of the same name, released in 1936 and directed by Archie Mayo.
Bipolar State - Immersive
Bipolar State
Immersive
12" | 2021 | EU | Original (BSR)
11,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Bird Peterson - Drankenstein: The Greatest Drips Volume 1 Picture Disc Edition
Bird Peterson
Drankenstein: The Greatest Drips Volume 1 Picture Disc Edition
LP | 2021 | US | Original (Cream Dream)
28,99 €*
Release: 2021 / US – Original
Genre: Hip Hop
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Bird Peterson’s reign of audio terror is still alive and well, friends. From making records and remixes for major and indie labels (Sony, Atlantic, Ed Banger, Mad Decent, Interscope, etc), to collaborating with a wide array of artists (Diplo, Tiesto, Method Man, Mstrkrft, Astronautalis, etc), to sharing the stage with everyone from T.I. to Lil Wayne to Death From Above 1979. His critically acclaimed Holiday Spectacular has seen multiple live shows and finally a double vinyl release as well. But all of these pale in comparison to Bird’s greatest assault on the world: DRANKENSTEIN. A remix hybrid of Dirty South rap and MainStage Trance, Bird hits his 11 year anniversary of this project with the release of Drankenstein’s Greatest Drips Volume One on Cream Dream records. This glorious limited edition picture disc, designed by Bird, features a mega mix of 16 of his favorite Drank tunes and is sure to wow anyone with ears. Prepare THYSELF.
Birdengine - SOMNAM
Birdengine
SOMNAM
LP | 2021 | US | Original (Eyeless)
9,99 €*
Release: 2021 / US – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
blue vinyl and cover are close to NM. Original inner sleeve
Birds Of Maya - Valdez
Birds Of Maya
Valdez
LP | 2021 | US | Original (Drag City)
28,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Birds On A Wire & Rosemary Standley - Mascarade
Birds On A Wire & Rosemary Standley
Mascarade
10" | 2021 | EU | Original ([Pias] Le Label)
15,99 €*
Release: 2021 / EU – Original
Genre: Pop
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Birdy - Birdy
Birdy
Birdy
LP | 2012 | EU | Original (Warner)
24,99 €*
Release: 2012 / EU – Original
Genre: Pop
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Birdy - Young Heart
Birdy
Young Heart
2LP | 2021 | EU | Original (Warner)
29,99 €*
Release: 2021 / EU – Original
Genre: Pop
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Birdy - Young Heart
Birdy
Young Heart
2LP | 2021 | EU | Original (Warner)
25,99 €*
Release: 2021 / EU – Original
Genre: Pop
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Used Vinyl
Medium: Sealed, Cover: Near Mint
Birth Control - Here And Now
Birth Control
Here And Now
2LP | 2021 | EU | Original (Look At Me)
24,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Birth Of Frequency - Blue EP
Birth Of Frequency
Blue EP
12" | 2017 | FR | Original (Concrete Music 4AM)
4,39 €* 7,99 € -45%
Release: 2017 / FR – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
Birthday Ass - Head Of The Household
Birthday Ass
Head Of The Household
LP | 2021 | EU | Original (Ramp Local)
22,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Bishop - Bishop
Bishop
Bishop
LP | 2021 | EU | Original (Specific)
19,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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