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12" | 1985 | EU | Reissue (Onderstroom)

De Sfeer Van Grote Dagen

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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LP | 1986 | EU | Reissue (Onderstroom)

Harde Feiten

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Onderstroom)

Koude Oorlog

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Onderstroom)

Koudvuur

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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12" | 1984 | EU | Reissue (Onderstroom)

Voor De Dood

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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12" | 1986 | EU | Reissue (Onderstroom)

Zonder Omzien

2LP | 2002 | EU | Reissue (Keplar)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Arovane

Icol Diston

31,99 €*

LP | 2004 | EU | Reissue (Keplar)

Release: 2002 / EU – Reissue

Genre: Electronic & Dance

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The »Icol Diston« compilation, released in 2002 on DIN, comprised the three first EPs released by Uwe Zahn under his Arovane moniker. Following up on vinyl reissues of his path-breaking debut album »Atol Scrap« as well as 2000’s »Tides,« the German Keplar label finally makes »Icol Diston« available in its entirety on vinyl for the first time in a remastered version with new artwork. This expansive reissue sheds a new light on Zahn’s first two outings as a producer on the »I.O.« and »Icol Diston« EPs on Torsten ›t++‹ Pröfrock’s legendary label as well as highlighting his radical inventiveness as a remixer with the two renditions of Pröfrock-produced material offered on »AMX.« Taken together, these musically complex and emotionally rich electronic compositions form the prologue to an artistic story like none other while also documenting a very specific era in cultural history. The energy running through Berlin and its boundaryless electronic music scene at the end of the 1990s is reflected by and refined through these eleven tracks. »There was an overwhelming dynamic of liberation reverberating through the city—through the clubs, the arts, the people,« says Zahn today. At this early stage in his career, he had a head full of ideas and slowly started filling up his studio with samplers, synthesizers, and sequencers to put them into practice. »I would compose percussive structures in my mind during long metro rides and record them once I was back at the studio as well as composing melodies spontaneously on my sequencer.« The Yamaha Qy700 would become his sketchbook that allowed him to experiment with different patterns, creating polymetric figures out of discrete musical elements. Zahn’s sessions, recorded live in stereo and straight to DAT, resulted in two very different EPs of original material. His debut »I.O.« showcases a playful and gentle, albeit dubby and at times moody aesthetic. The four tracks are exercises in sonic worldbuilding, creating vast spaces and filling them with a plethora of intertwining melodies and rhythms. Its successor »Icol Diston« drew on similar parameters, but painted a very different picture in terms of atmosphere and mood. »Berlin’s history felt still so tangible and yet somewhat ghostly during the 1990s, and it is a reflection of all that,« explains Zahn. »The weight of its past, starting with World War II up to the end of the GDR, clashed with an atmosphere of departure, a new zest for life among the people in the city.« It is perhaps no surprise then that the five tracks put a firmer focus on beats, at times even approximating techno or electro grooves despite never eschewing the complexity that is so central to Zahn’s work. The »amx« EP features two remixes of tracks originally produced by Pröfrock under two different guises. »Außen vor« had been released under his Dynamo moniker and was reworked by Zahn after having been introduced to his label owner’s Studio 440 sampler, sequencer and drum machine. By leaving the groove at the core of the original track mostly intact but infusing it with more dub as well as anthemic synth drones, Zahn gave it more depth both sonically and emotionally. With his remix of »No. 8,« released under Pröfrock’s tongue-in-cheek pseudonym Various Artists, Zahn followed a more radical approach which led him even deeper into dub territory. »I used a relatively short sample as the tonal foundation and then added an incredibly deep bass and percussive elements,« he explains. Widely different from the original version, it perfectly translated the spirit of this singular masterpiece into another stylistic idiom. The »Icol Diston« compilation is imbued with a forward-thinking spirit that remains exhilarating until today. It captures the sound of one unique artist, but also electronic music during that time more broadly. This is the sound of opening a new chapter, the willingness to venture into the unknown.

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Arovane

Lilies

26,99 €*

LP | 2000 | EU | Reissue (Keplar)

Release: 2004 / EU – Reissue

Genre: Electronic & Dance

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Arovane's acclaimed 2004 album »Lilies« has been out of print on vinyl for nearly 2 decades now. It finally gets a well-deserved reissue through the Berlin based Keplar label. The new version has been remastered by Kassian Troyer at Dubplates & Mastering and comes with a brand new cover artwork. »Lilies« was a follow-up to »Tides« in every sense, exploring a trip to Japan and drawing on shimmering textures and the sort of melodies that you might need some time to recover from. There's a hugely evocative sense to these tracks, emotionally driven, free of complexity or conceit, piano melodies providing the central focus for a twilight cascade of light that seems perfect for the Tokyo skyline - just as the sun sets. It's an album that radiates warmth and vulnerability, fusing the technological might at the heart of each track (and at the heart of the city) with an age-old understanding that certain echoes of sound, small melodic changes and cushioned lullabies can imprint sounds on your mind like childhood memories - remembered forever. Like a dreamlike score, or maybe even an alternate soundtrack to »Lost in Translation« - the sort of music that intertwines with images and stays in your mind indefinately. After coming back from Tokyo and completing the production of »Lilies«, Uwe Zahn disassembled his studio in the big flat in an old building in Berlin's Prenzlauerberg district and stored it away in boxes. He needed a break from making music. »Lilies« was the last album prior to a nine-year hiatus for Arovane, ending in 2013 with the release of »Ve Palor«.

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Arovane

Tides

20,99 €*

12" | 2009 | NL | Reissue (M>O>S)

Release: 2000 / EU – Reissue

Genre: Electronic & Dance

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»Tides« marked a radical change in direction for Arovane. After Uwe Zahn had made a name for himself with cutting-edge IDM rhythms and slick ambient textures on a slew of releases, his sophomore album saw the prolific producer opt for a sample-based approach that resulted in a more organic sound and laid-back downbeat grooves. Having reissued Arovane’s seminal »Atol-Scrap« as a double LP in 2021, the Berlin-based Keplar label now makes »Tides« available on vinyl for the first time since its original release in 2000 through the legendary City Centre Offices. The new version has been remastered by Kassian Troyer at Dubplates & Mastering and comes with a brand new cover artwork. It shines a new light on a release for which Zahn quite literally ventured into previously unknown territory — »Tides« is an album that emits a timeless, quiet calm and nonetheless stays constantly in motion.

»The idea for the album came to me after a vacation in France«, says Zahn. Inspired by the landscape, especially the coastline and the sea, he made field recordings throughout his trip that were also used on the record, giving it its sensual feel. The foundation of the album however, the loose yet gripping grooves at the heart of every track, result from Zahn working extensively with samples. »I wanted to make use of drum sounds and small excerpts from old jazz vinyl records«, he explains. He maintained the unique sound signatures and rhythmic flutter of the source material while building intricate beats with them. Most of the material was culled from the record collection of Christian Kleine, whose spontaneous guitar improvisations over the first musical sketches were recorded and edited by Zahn and can be heard on four tracks. Also employing the occasional cembalo or spinet sound, he worked with a hardware sequencer and a delay to integrate the different, discrete elements into nine tracks that feel both dense and light at once.

What’s astonishing still 22 years later is how spacious »Tides« sounds. This is due to the fact that Zahn not only paid close attention to the sonic idiosyncrasies of his source material, but also to what happened in between those sounds. »Mark Hollis’s solo album was a huge inspiration at that time«, says Zahn. »What I find fascinating about it until this day is how silence and the subtle hiss of the mixing boards were being used on that record.« Silence was also an important stylistic element on »Tides« and adds greatly to the overall atmosphere of an album that with the appropriately named »Theme« immediately sets the mood with intricate spinet melodies: Zahn opens a door for his listeners and invites them to follow him to see a specific part of the world through his very own lens.

As a whole, the album mirrors Zahn’s trip that took him along the steep cliffs on a foggy day (»Seaside«), to an abandoned house in which he found old maps (»A Secret«), along the coastline during a long car ride (»Deauville«), to a sleepy village and the slowly moving sea (»Tides«) and finally back home to his native Germany where he started reflecting upon his experiences, ultimately deciding to translate them into music (»Epilogue«). »Whenever I listen to this album now, the images and memories it evokes are incredibly vivid and vibrant«, he says. It’s not hard to see — or rather hear — why. »Tides« may have been a deeply personal project, but it effortlessly evokes universal feelings by (re-)building an entire world in the course of only a few pieces of music.

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Aroy Dee

The Planets

3,99 €*

Release: 2009 / NL – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Hydrostatic Equilibrium EP

12" | 2018 | EU | Reissue (30d Exoplanets)

11,99 €*

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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Arpanet needs no introduction for those who know. Hydrostatic Equilibrium EP is a reissue of the 2 tracks released by 30D Records from the Detroit artist back in 2018 (cat# 30d-006), now presented together in a special limited edition single sided 12" vinyl. The EP includes the original tracks Supernova Remnant and Main Sequence Star, being the only two tracks produced by Arpanet since 2006. Presented with a new artwork, designed by Arpanet himself, and this time on 30D Records sub label ExoPlanets, Hydrostatic Equilibrium EP becomes an instant collectors must have, especially after the quick sell out that followed the 2018 release and the numerous reissue requests received since then.

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2LP | 2006 | EU | Reissue (Record Makers)

Inertial Frame

24,99 €*

Release: 2006 / EU – Reissue

Genre: Electronic & Dance

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2LP vinyl reissue of Arpanet's 2006 electronic masterpiece! Under his real name Gerald Donald, Arpanet is a man-machine from Detroit fond of science with multiple identities:Glass Domain, Heinrich Mueller, also part of Drexciya, and Dopplereffekt. Following Kraftwerk, he became on his turn a real pioneer of an uncluttered and effective industrial electronic music.

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2LP | 2005 | EU | Reissue (Clone Aqualung Series)

Quantum Transposition

25,99 €*

Release: 2005 / EU – Reissue

Genre: Electronic & Dance

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Re-issue of Arpanet's second album from 2005. After the criticly acclaimed 'Wireless Internet' album Arpanet goes on a starker and more experimental ambient trip. As with his other pseudonyms Gerald Donald pushes the envelop further on every album with sonic explorations of scientific, technological and social themes. Originally released on Rephlex, now remastered for Clone Aqualung Series with a new exclusive track from the same sessions 'Superposition-Many Worlds'.

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2LP | 2005 | EU | Reissue (Clone Aqualung Series)

Quantum Transposition

27,99 €*

3 Years, 5 Months & 2 Days In The Life Of

Release: 2005 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

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Arrested Development

2LP | 1992 | US | Reissue (Capitol)

48,99 €*

Release: 1992 / US – Reissue

Genre: Hip Hop

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For The Fkn Love Black & Grey Vinyl Edition

Arrested Development

2LP | 2022 | US | Reissue (Ruffnation)

Release: 2022 / US – Reissue

Genre: Hip Hop

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Arrington De Dionyso's Malakait Dan Singa

Open The Crown

LP | 2013 | US | Reissue (K)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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You may have experienced ARRINGTON DE DIONYSO'S MALAIKAT DAN SINGA as an unexpected live force, pushing up through the earth like daffodils in late winter; or maybe you're familiar with their previous exploits in the studio, "Malaikat dan Singa" [KLP215] and "Suara Naga" [KLP226], which burn clean with fragrant traumas. "Open the Crown" is similarly passion-filled, with new vistas (channeled hallucinations) exploring English (previously only the Indonesian language was employed) as their stomping ground to expand parallel themes anew. Open the Crown conveys tendrils of raw energy emanating from the head - dream visions translated directly to audio outrage. Heavy. And sexy. To be expected from ARRINGTON DE DIONYSO and his molten collection of MALAIKAT DAN SINGA who manipulate the "form'd and the formless" to create from within this broken system.

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LP | 1968 | EU | Reissue (Long Hair)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Ars Nova Black Vinyl Edition

LP | 1968 | US | Reissue (Sundazed)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Classical infused psych from NY groovers Ars Nova! Through their creative use of medieval modes, hook-driven pop, & trombone, Ars Nova delivers psychedelia within a classical & prog rock lens, a style that’s their own, yet recalls bands like Left Banke, Honeybus, and Aphrodite’s Child - all who were experimenting with the short-lived baroque pop craze. Pressed on green vinyl! Ars Nova was something totally different for the musical ears of 1968, and still sounds fresh and exciting today, when you think of the great albums of ‘68, like Abbey Road, White Light/White Heat, The Hangman’s Beautiful Daughter, The Move, Electric Ladyland, This Was or Wonderwall Music shows how influential the year was and yet, Ars Nova with its wide sphere of influences has nothing in common with the trends of the year. The only albums that it can be vaguely compared to is either the Velvet Underground or United States of America, both bands that, like Ars Nova, bucked against existing trends and the end of psychedelia, instead preferring to go their own unique way. This is American progressive music, and takes the art of music making into a different genre, an alternative alleyway. The intelligence and musical nous that spans [this album] is really worth diving into and enjoying. It’s always great to get to hear albums like this, as it provides a counterpoint to the contemporary of the time and gives a real insight into the underground and alternative scene of that era. The beauty of being underground and away from the mainstream is that something that is not of its time ends up being timeless.

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Ars Nova Green Vinyl Edition

LP | 1968 | US | Reissue (Sundazed)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Sunshine & Shadows Black Vinyl Edition

LP | 1969 | US | Reissue (Sundazed)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Touted as the “new Doors,” Ars Nova’s second release shows the band genre-bending jazz and heavy psychedelia in a style that’s their own. Shifting from a largely classical centric sound, this was the group’s last album before going their separate ways. Pressed on pink vinyl!

Sunshine & Shadows takes the baroque-meets-psych sound of the debut and turns a bit more to the psych side. The stately brass interludes are gone, but horns still figure prominently in the mix. There’s some jazzy New Orleans flavor to a couple of the tunes, albeit twisted into a 7/4 vamp on “You Had Better Listen.”

The instrumentalists in the band, featuring trumpet and trombone, really give the music a unique flavor, setting them apart from the multitudes of other American psych bands. Ars Nova might be likened to Ultimate Spinach (but without the overly serious, pretentious lyrics) or later Zombies (though with less emphasis on the keyboards).

It’s all very well written and nicely played, and when they do a tender ballad like “Temporary Serenade,” the acoustic guitar is very lute-like, much more along the lines of classical than folk (like the later work of Jan Akkerman with Focus), and the trumpet descant adds a lovely spice.

“Well, Well, Well” is the heaviest rock tune in their repertoire, with a great electric guitar riff and hot organ playing, again set apart by trombone and trumpet. This one is definitely worth seeking out for baroque pop fans.

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Sunshine & Shadows Pink Vinyl Edition

LP | 1969 | US | Reissue (Sundazed)

Arsenio Rodriguez & The Afro-Cubano Sound

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Viva Arsenio!

LP | 1967 | US | Reissue (Bang)

15,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1957 | UK | Reissue (Ermitage)

A Night In Tunisia

Release: 1957 / UK – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Second)

A Night In Tunisia

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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A Night In Tunisia Orange Marble Vinyl Edition

LP | 1961 | EU | Reissue (Second)

24,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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A Night In Tunisia Orange Vinyl Edition

LP | 1961 | EU | Reissue (Second)

20,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1981 | EU | Reissue (Music On Vinyl)

Album Of The Year

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Au Club St. Germain Colored Vinyl Edition

LP | 2024 | UK | Reissue (Ermitage)

57,99 €*

Release: 2024 / UK – Reissue

Genre: Organic Grooves

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Art Blakey And The Jazz Messengers With Barney Wilen

Les Liaisons Dangereuses 1960

LP | 1960 | EU | Reissue (Decca)

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Art Blakey and the Jazz Messengers with Barney Wilen provide an essential jazz soundtrack to an extended ‘surprise party’ scene in director Roger Vadim’s 'Les liaisons dangereuses'. Originally released on the Fontana label, Blakey’s lively hard-bop and latin originals were used specifically as night club and party music in the film and his ‘No Problem’ became a classic with Blakey’s band in full flight. Decca France present the original soundtrack recording on 180gm vinyl in a deluxe gatefold tip-on jacket with English translation of the original liner notes, and a photo from the film of Gérard Philippe and Jeanne Moreau. Included is a 2pp insert with additional notes by recording producer Marcel Romano from 1988.

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Art Blakey's Jazz Messengers With Thelonious Monk

2LP | 1958 | EU | Reissue (Rhino)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Blakey And His Jazz Messengers Verve By Request

LP | 1961 | EU | Reissue (Impulse)

33,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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1961 Art Blakey and his Jazz Messengers made their only recording for the label Impulse! Records. It marked a turning point for the popular hard bop formation as it was their first appearance as a sextet with trombonist Curtis Fuller, and secondly their last recording with pianist Bobby Timmons. Also unusual is the fact that only one piece by a band member was on the program and otherwise only standards were played.
VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Gatefold Sleeve.

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Blakey In Paris Feat. Bud Powell And Lee Morgan Clear Vinyl Edtion

LP | 1961 | EU | Reissue (Sowing)

22,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! This is Art Blakey and his Jazz Messengers, with guests Bud Powell - piano and Barney Wilen - alto sax, caught live at the Théâtre des Champs-Élysées in Paris in1959. At that time Blakey's Messengers were no less than Lee Morgan – trumpet, Wayne Shorter – tenor sax, Walter Davis Jr. – piano and Jymmy Meritt – bass. In other words one of the greatest Hard Bop combos ever, a pool of great young individuals under the direction of one of the most influential drummers and band leaders in the history of Jazz. No need to add that "Paris Jam Session" is regarded as an essential release in Blakey's extensive discography.

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Holiday For Skins Volume 1

LP | 1958 | Reissue (Culture Factory)

Release: 1958 / Reissue

Genre: Organic Grooves

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Art Blakey & Jazz Messengers

Ugetsu

LP | 1963 | US | Reissue (Fantasy)

32,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (Blue Note)

Moanin'

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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More than any other album in the canon of Art Blakey & The Jazz Messengers, 1958’s Moanin’ — featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt —was the perfect crystallization of the band’s bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time.

Originally self-titled, the album was later renamed Moanin’ due to the popularity of Timmons’ unforgettable opening track. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including “Along Came Betty” and “Blues March.”

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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LP | 1958 | EU | Reissue (Jazz Images)

Moanin

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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2LP | 1958 | Reissue (Groove Replica)

Moanin'

Release: 1958 / Reissue

Genre: Organic Grooves

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Moanin' Pink Vinyl Edition

LP | 1958 | EU | Reissue (20th Century Masters)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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A Night At Birdland Volume 1 Back To Blue Edition

Art Blakey Quintet

LP | 1954 | EU | Reissue (Blue Note)

Release: 1954 / EU – Reissue

Genre: Organic Grooves

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A Midnight Session With The Jazz Messengers

LP | JP | Reissue (CBS/Sony)

17,99 €*

Release: JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

A Night In Tunisia Blue Note Classic Vinyl Series

LP | 1960 | EU | Reissue (Blue Note)

Art Blakey &The Jazz Messengers

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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One of the great line-ups of Art Blakey & The Jazz Messengers coalesced when saxophonist Wayne Shorter joined trumpeter Lee Morgan, pianist Bobby Timmons, and bassist Jymie Merritt, as heard on the 1960 album "A Night In Tunisia". Opening with a fiery version of Dizzy Gillespie’s famous piece, the rest of the set showcased new bandmember originals.

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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A Night In Tunisia Xrcd Edition

CD | US | Reissue (JVC)

Release: US – Reissue

Genre: Organic Grooves

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Xrcd

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Art Blakey & Jazz Messengers

LP | JP | Reissue (Philips)

17,99 €*

Release: JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1973 | EU | Reissue (BGP)

Buhaina

25,99 €*

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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incl. 'a chant for bu' as sampled by A Tribe Called Quest for 'excursions'

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LP | 1963 | EU | Reissue (Blue Note)

Buhaina's Delight

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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The drum hero’s classic 1963 album
Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey, during November and December 1961
The Jazz Messengers’ 11th Blue Note album
Featuring the classic Messengers line-up of Freddie Hubbard (trumpet/flugelhorn), Wayne Shorter (tenor), Curtis Fuller (trombone), Cedar Walton (piano) and Jymie Merritt (bass)
Showcasing three classic Shorter compositions (‘Backstage Sally’, ‘Contemplation’, ‘Reincarnation Blues’) plus Fuller’s ‘Bu’s Delight’, Walton’s ‘Shaky Jake’ and a take on Henry Mancini’s ‘Moon River’
Produced by Blue Note co-founder Alfred Lion
Includes photography by BN co-founder Francis Wolff and liner notes by esteemed writer Leonard Feather

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LP | 1974 | US | Reissue (Trip)

Buttercorn Lady

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Price tag and some sticker residue on front cover. Small drill hole.

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LP | 1957 | US | Reissue (Impex)

Drum Suite

Release: 1957 / US – Reissue

Genre: Organic Grooves

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LP | 1964 | US | Reissue (Blue Note)

Free For All

15,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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LP | US | Reissue (Impex)

Hard Bop Limited Edition

66,99 €*

Release: US – Reissue

Genre: Organic Grooves

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m the Original Analogue Mono Master Tapes by Kevin Gray and Robert Pincus!

Pressed at RTI!

Some of the greatest jazz musicians of all time have passed through Art Blakey's Jazz Messengers: Horace Silver, Hank Mobley, Kenny Dorham, Wayne Shorter and Donald Byrd, among many others. However brief their stay, working with the demanding and full-throttle drummer not only increased their visibility, but also their chops and interpretive capacity. Blakey's ability to drum up the best players in the game may have even eclipsed his superhuman ability to play drums.

Altoist Jackie McLean, trumpeter Bill Hardman, bassist Spanky deBrest, and pianist Sam Dockery deliver whole-bop goodness on five propulsive, fiery tracks. True to its title, this LP bops hard, with a ferocious swing, boundless energy and telepathic communication between players - especially Blakey and Hardman. Considering the rhythmic demands of Blakey's locomotive playing style, this was an incredible achievement.

Impex Records has cut this gorgeous 180-gram LP with the original analogue mono master tapes and without computer processing of any kind. You hear all the vivacious interplay that occurred on that weekend in 1957 when Blakey and crew forged a bold new vision of muscular, funky jazz. This is music that still resonates over 50 years later. Not to be missed!

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!!!!! Impulse! Art Blakey! Jazz Messengers! !!!!!

LP | 1963 | US | Reissue (Impulse!)

21,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

LP | 1977 | JP | Reissue (Blue Note)

Moanin'

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Moanin' Blue Vinyl Edition

LP | 1958 | EU | Reissue (Blue Note)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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More than any other album in the canon of Art Blakey & The Jazz Messengers, 1958’s Moanin’ — featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt —was the perfect crystallization of the band’s bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time. Originally self-titled, the album was later renamed Moanin’ due to the popularity of Timmons’ unforgettable opening track. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including “Along Came Betty” and “Blues March.”

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LP | 1961 | DE | Reissue (Blue Note)

Mosaic

Release: 1961 / DE – Reissue

Genre: Organic Grooves

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2LP | 1958 | EU | Reissue (Sam)

Olympia Concert

46,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP+LP | 2022 | FR | Reissue (Sam)

Olympia Concert

Release: 2022 / FR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Mint, Cover: Mint

LP | 1984 | FR | Reissue (Blue Note)

The Big Beat

Art Blakey & The New Jazz Men

Release: 1984 / FR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with minor storage abrasions.
Includes OBI.

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Live In Paris '65

LP | 1965 | UK | Reissue (Sam)

32,99 €*

Wham Bang Pow Lets Rock Out

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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Art Blakey's "Live In '65" boasts an exceptional one-hour concert from Paris in 1965. This performance showcases one of the few undocumented Blakey bands, the New Jazzmen, featuring Freddie Hubbard on trumpet, Jaki Byard on piano, Reggie Workman on bass, Nathan Davis on sax, and, of course, Blakey on drums.

Freddie Hubbard's incendiary playing on "Blue Moon" and the blistering 24-minute version of his own "Crisis" shows that he was one of the most innovative trumpeters in jazz history.

On this live session, the audiences seem to have been enthusiastic and appreciative. »Everywhere we’d go people would say, this is the best Jazz Messengers we’ve heard!«, according to Davis. »And because of the way Jaki would play and Reggie would go, it was like a semi-freedom thing – with Messengers heads, you know, but when we got to soloing...! And Blakey was ridin’ and oatin’ the time ... but he would always be loose enough to follow, to keep it going. He’s one helluva musician.«

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Art Brut

LP | 2020 | UK | Reissue (Alcopop)

22,99 €*

Release: 2020 / UK – Reissue

Genre: Rock & Indie

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A Jackson In Your House Black Vinyl Edition

LP | 1969 | UK | Reissue (Charly)

29,99 €*

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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A Jackson In Your House Colored Vinyl Edition

LP | 1969 | UK | Reissue (Charly)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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A Jackson In Your House Orange Marbled Vinyl Edition

LP | 1969 | UK | Reissue (Charly)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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LP | WW | Reissue (Charly/Byg)

Message To Our Folks

29,99 €*

Release: WW – Reissue

Genre: Organic Grooves

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Message To Our Folks Green Marbled Vinyl

LP | WW | Reissue (Charly/Byg)

31,99 €*

Release: WW – Reissue

Genre: Organic Grooves

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LP | 1976 | JP | Reissue (United Artists)

Art Farmer

Modern Art

24,99 €*

LP | 1967 | JP | Reissue (CBS/Sony)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with Obi.
Sleeve has foxing.

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Art Farmer Quintet

The Time And The Place

12" | 1985 | US | Reissue (Dark Entries)

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1973 reissue. With insert. close to NM. OBI is missing,

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Art Fine

Dark Silence

12,59 €* 20,99 € -40%

12" | 1985 | EU | Reissue (ZYX)

Release: 1985 / US – Reissue

Genre: Pop

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Art Fine was the duo of Fabrice Bellini (electronics, vocals) and Rush Blakemann (guitar, synthesizer) from Tuin, Italy. They met in art school and became friends, inspired by New Wave, dance and electronic music. They recorded their only single “Dark Silence” in November of 1984, which was released by Discomagic in 1985. It is now remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl is housed in the original jacket featuring a photo of the duo and that Art Fine logo in puzzle pieces. Each copy includes a double sided postcard insert with lyrics and liner notes by Fabrice Bellini.

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Art Fine

Dark Silence

Release: 1985 / EU – Reissue

Genre: Pop

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LP | US | Reissue (Columbia)

Art Garfunkel

Watermark

4,99 €*

No Message Blue Vinyl Edtion

Release: US – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Small sticker on cover.

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Art P

LP | 1985 | EU | Reissue (The Outer Edge)

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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We are proud to present the first ever vinyl release of “No Message” by Art P, a still lesser known and lost masterpiece from the P.A.P. archives. Art P (initially Art Programming) was an electronic music duo consisting of Jens-Markus Wegener and Frank Grotelüschen. On “No Message”, originally released in 1985, we hear the band’s most profound work, a detailed and unique mixture in between of Electro and the synth-laden edge of New Wave.

The two artists from Bremen, the second largest city in Northern Germany after Hamburg, initially met in early 1982 due to a small add in a local newspaper when Grotelüschen was selling his Roland 101 synthesizer. Wegener became the new owner of the machine, the two kept in touch and soon became friends. When Grotelüschen was on holiday for a while he was nice enough to borrow his TR 808 drum machine as well as his Jupiter 4 synth to Wegener. During those six weeks he composed about 6 to 7 tunes that amazed his newly found partner, so that they decided to work together. Art Programming was born and from then on the two electronic music enthusiasts combined forces and released music on various projects. On their first album, the self titled “Art Programming” (1983), they worked with instruments like the Korg Mono/Poly which they mainly used for their bass sounds, a Roland Tb-303 as well as a Fricke sequencer. Later, newer synths like the Yamaha Dx-9 came into play.

We initially discovered Art P on the tape compilation “berlincassette 2-85” a couple of years ago. Their contribution, the title track from their second and last album “No Message”, blew us right away: punchy drum machines, heavy synths and cool female vocals delivering a serious, yet slightly ironic view on the meaninglessness in pop music having “no message”. A couple of months later, when we finally were lucky to get hold of an original full length tape (which is pretty hard to come by!), we couldn’t ask for more: powerful apocalyptic Synth Wave on “A Place To Fear”, thrilling vocoder Electro Funk on “Polaroid”, uptempo New Wave Synth Pop on “Sounds of the City”, dreamy and melodic Electro on “Without Jackets”, and other well produced tracks. It was an absolute necessity for us to get in touch with Art P and ask for permission to re-release their music on vinyl.

“No Message” was remastered from the absolute best original tape source and sounds incredibly well. The release is limited to 300 copies and will be pressed on blue vinyl. It contains an insert with lyrics and additional art. We think it is save to say, that this should not be missed!

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Art Pepper + Eleven Contemporary Records Acoustic Sounds Series Edition

LP | US | Reissue (Craft)

Release: US – Reissue

Genre: Organic Grooves

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180g pressing

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Art Pepper Meets The Rhythm Section

LP | 1957 | JP | Reissue (Contemporary)

33,99 €*

Release: 1957 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1979 reissue. Japanese pressing, no Obi.

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Direct From Original SP Vol. 3

LP | 1985 | JP | Reissue (Savoy)

Release: 1985 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.
Includes original insert.

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Intensity Limited Contemporary Records

LP | 1963 | Reissue (Craft)

Release: 1963 / Reissue

Genre: Organic Grooves

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The Complete Art Pepper At Ronnie Scott's Club

7LP | 2010 | US | Reissue (Pure Pleasure)

199,99 €*

Release: 2010 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Limited Edition. 180 gram vinyl.

Box with a slightly dented corner is close to NM.
Records are close to VG+
Includes original insert and booklet with tiny sticker rip off.

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LP | 1956 | EU | Reissue (Jazz Workshop)

The Return Of Art Pepper

2LP | 2003 | JP | Reissue (Monchént)

Release: 1956 / EU – Reissue

Genre: Organic Grooves

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Originally recorded for Herb Kimmel's Jazz West label in August 1956. These were titled The Return of Art Pepper, since they were recorded shortly after he completed a jail sentence in 1956. As a result, Pepper's chops are a little rusty, but you can hear that he still has a passion for playing, and he does improve over the course of these tracks. For serious Pepper fans, it's worth a listen." Scott Yanow -All Music Guide

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Art-School

Love/Hate

67,99 €*

2LP | 2002 | JP | Reissue (Monchént)

Release: 2003 / JP – Reissue

Genre: Rock & Indie

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The first LP release of Art-school's classic albums, which continue to lead Japan's alternative music scene, is being reissued for the first time in their career to celebrate the 20th anniversary of their release! The two albums will be released simultaneously as "Record Day 2023" limited editions! The band's sound textures are post-grunge and shoegazing, with a slow and steady progression of roaring guitars and beautiful melodies. The second album by Art-school, which confirms their position as a one-of-a-kind band through the fragile and dangerous worldview of vocalist Riki Kinoshita, is now being released on LP for the first time in their career, as a double-vinyl!!

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Art-School

Requiem For Innocence

67,99 €*

Art Tatum & Ben Webster Quartet

Release: 2002 / JP – Reissue

Genre: Rock & Indie

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The first LP release of Art-school's classic albums, which continue to lead Japan's alternative music scene, is being reissued for the first time in their career to celebrate the 20th anniversary of their release! The two albums will be released simultaneously as "Record Day 2023" limited editions! The major label debut album by Art-school, which shocked the scene with its sweet melodies and sharp, dynamic, roaring guitar sound that creates a sense of intoxication and a sense of speed, has been released on LP for the first time in their career as a double-vinyl!!

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Art Tatum & Ben Webster

LP | 1958 | EU | Reissue (20th Century Masterworks)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1972 | JP | Reissue (Roulette)

Art Tatum, Erroll Garner

Giants Of The Piano

11,99 €*

Art Tatum • Lionel Hampton • Buddy Rich

Release: 1972 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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. . . Again! - The Tatum Group Masterpieces

LP | 1979 | US | Reissue (Pablo)

14,99 €*

Release: 1979 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Footnotes To Jazz: Vol.2 Rehearsal

Art Tatum Trio

LP | 1952 | US | Reissue (Folkways)

8,99 €*

LP | 1982 | EU | Reissue (Spittle)

Release: 1952 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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Artery

Oceans

12,99 €*

One Afternoon In A Hot Air Baloon

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Formed in Sheffield in 1978 and originally known as just "The", Artery is a band that saw several changes in the line-up throughout the '80s. Supported by John Peel and often compared to Joy Division their music incorporates various fundamental elements of the British post-punk aesthetic. Originally released in 1982 on Red Flame records, "Oceans" was Artery's debut mini-LP including some absolute gems such as "into the Garden" and "Afterwards" infectious anthemic tracks of the post-punk era.

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Artery

LP | 1983 | EU | Reissue (Spittle)

21,99 €*

LP | 1962 | US | Reissue (Spin The Blues)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Brilliant second album from the wholly original cult Sheffield post punk band. Released in 1983 on Red Flame ‘One Afternoon In A Hot Air Balloon’ is an adventure on its own. Artery somehow replaced the somber post-punk of the debut with a stream of melancholic pop paeans influenced by british folk and certain ballroom dances, with a spectral keyboard sound worth killing for. The secret weapon - when compared to the rest of their discography - is largely explained by the presence of keyboard player and (by now) main composer Christopher Hendrick. The band was in fact reduced to a trio with former members Mark Gouldthorpe (guitar) and Garry Wilson (drums) now supported by the singular effort of Hendrick (also on bass and xylophone). At the same time Garry Wilson was playing in an early incarnation of Pulp. Despite the early Joy Division influence - which the band firmly dismissed – Artery is moving forward into the so-called new romantic era. A vaudeville scenario light years ahead from the streets and the aggro-culture, a way to some pleasant and revealing experience.

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Arthur Big Boy Crudup

Mean Ol' Frisco

36,99 €*

Chisholm In My Bosom Crystal Clear Vinyl Edition

Release: 1962 / US – Reissue

Genre: Organic Grooves

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* Originally released in 1962 * Japanese OBI-strip * The jacket is reproduced based on the original edition Arthur 'Big Boy' Crudup was an American Delta blues songwriter and guitarist from Forest, Mississippi. He is best known, outside blues circles, for his song 'That's All Right' which was later recorded by Elvis Presley when he debuted in 1954. 'Mean Ol' Frisco' is his first solo album which was released in 1962 from Fire Records when he was 57 years old and there are no reissues on LP in recent years. As a pioneer of Japanese blues music, P-vine proudly presents this important album historically and musically with the artwork of the original edition!

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Arthur Brown

LP | 1977 | EU | Reissue (Cargo)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | US | Reissue (King)

Arthur Prysock

Unforgettable

5,99 €*

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

2LP | 1993 | EU | Reissue (Be With)

Another Thought

33,99 €*

Release: 1993 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Another Thought was the first collection of Arthur Russell’s music to be released after his death in 1992. Released on CD by Point Music in 1993 it marked the beginning of nearly 30 years of work to let the world hear the enormous archive of unreleased recordings Arthur left behind. Be With revisits this first compilation for a new gatefold double vinyl version and a triple-fold digipak CD re-issue. This is the only place where you can hear some of Arthur’s most recognisable music, like the title track Another Thought, A Little Lost, This Is How We Walk On The Moon, Keeping Up and the woozy disco of In The Light Of The Miracle and My Tiger, My Timing. Though technically a compilation, the whole of Another Thought comes together as a consistent, coherent, wonderful album. Thanks to Janette Beckman for helping reproduce her iconic photograph of Arthur in his newspaper boat hat for the new vinyl sleeve. And thanks also to Tom Lee for giving permission to include his liner notes from the original CD booklet, together with Arthur’s lyrics. Another Thought is absolutely essential for even the most casual Arthur Russell collection. In fact it’s essential for any fan of non-obvious pop music.

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CD | 1993 | EU | Reissue (Be With)

Another Thought

Release: 1993 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 2004 | UK | Reissue (Rough Trade)

Calling Out Of Context

Release: 2004 / UK – Reissue

Genre: Pop

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2LP | 2022 | UK | Reissue (Rough Trade)

Calling Out Of Context

Release: 2022 / UK – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

2LP | 2004 | US | Reissue (Audika)

Calling Out Of Context

48,99 €*