All Items 10696 Items

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (American Dream)

Brett Naucke

Ems Hallucinations

24,29 €* 26,99 € -10%

2LP | 2020 | EU | Original (Blue Note)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Naucke traveled to EMS with the express purpose of creating an album in the spirit of 70s academic synthesizer music, but knew he was going to build it out of exploration. When he thought about EMS residencies, he didn’t think of albums recorded entirely there, and for his tenure, he wanted to flip the script. For EMS Hallucinations, Naucke recorded several hours of audio using Ems’ Buchla 200 and their Serge Modular system. The result is a meditative, immersive collection imbued with the pioneering ethos of artists like Pauline Oliveros, Ruth White, Morton Subotnick, and others, but draws from a more contemporary palette - dance music, especially.

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Brian Blade

Brian Blade Fellowship

48,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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CD | 2020 | EU | Original (Opal)

Brian Eno

Film Music 1976-2020

15,99 €*

CD | 2020 | EU | Original (Opal)

Release: 2020 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

slight stains on box

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Brian Eno

Film Music 1976-2020

9,99 €*

Release: 2020 / EU – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2020 | UK | Original (All Saints)

Brian Eno & Jah Wobble

Spinner

31,99 €*

Release: 2020 / UK – Original

Genre: Electronic & Dance

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LP | 2020 | UK | Original (All Saints)

Brian Eno & John Cale

Wrong Way Up

31,99 €*

Release: 2020 / UK – Original

Genre: Rock & Indie

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Brian Kage, Andy Garcia & Mike Kretsch

Aliens In The D! EP

12" | 2020 | US | Original (Cryovac)

12" | 2020 | EU | Original (Michigander)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Cryovac Recordings exists because craftsmen and artists work together to make it so. Cryovac enlists individuals that are true to their identity and expression. These conscripts are survivors that adapt and continue through techno's ever changing terrain. Cryovac works to expose the depth, creativity, and diversity of the Detroit underground. We believe that vinyl is the best format to inscribe our effort. It is our intent to leave a physical record of our time before we can no longer speak.
Brian Kage moves quietly letting his personal projects, various labels and collaborations be his voice. His production is marked by a big and lumbering sound pushed by a strong crispy percussion. His clear headed response to techno electro is a conditioning of a Detroit instinct. Kage’s drive to achieve his vision means escape from the box and into his own world. Andy Garcia and Mike Kretsch have a shared method of recording and editing that works naturally together. It is a mindset of minimally based 4/4 progression amid simple synth hooks and heroic rises. They build a free form improv jam and insert it into a mathematical arrangement. It is this duality of extremes in which their tracks find identity. The Garcia/Kretsch team endeavor to tell a story one melody at a time.

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Brian Kage

Reality Ahead EP

Brian Kayser & Bob Lipitch

Release: 2020 / EU – Original

Genre: Electronic & Dance

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For Michigander’s fifth release, Brian Kage delivers four solid dance-floor fillers, each infused with a unique blend of melodic Detroit soul, intelligent acid and perfectly mixed percussion. Each offering teleports the listener into a future where social distancing has finally abated and celebration can commence. Lockdown starts the record off with undulating 303 bass notes that groove around in a circular arpeggiated formation until hypnotic 909 percussion breaks through with echoing claps and weaves together a tale of futuristic tension building. Hold On Pain Ends features a stabbing analog synth-line that repeats a half-beat phrasing contrasted with slamming technical percussion, a heavy kick and a lush pad that is perfect for late nights in a warehouse. That Woman from Michigan contains gentle swinging upbeat percussion and deep soothing chords with samples of Governor Whitmer asking all Michiganders to do their part and join together in solidarity. A subtly modulating acid line builds tension into a perfectly resonating crescendo. F.U Covid19 - An ominous swelling pad rips across the dystopian horizon as swinging rimshots build around a deep pulsing kick and a dirty mono synth swirl. Echoing vocal samples punctuate this acidic frenzy until the tension falls away giving dancers an opportunity to catch their breath before the next round of infectious rhythmic groove forces the hypnotic spell to intensify.

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Interviews Volume 3

Chopped Herring

15,99 €*

Brian Wilson & Van Dyke Parks

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Vol 3 of the interviews series – Includes interviews with: DJ Hen Boogie & Izadoe from Bay Area crew The Dereliks, Izniz [Ghettolandz/The Madness/Burn UNI/Boom Bap Nation], Eddie Meeks Insane Cirkle & Southern Vanguard Radio , Charlie Dawk The Superstar from Da Phlayva/Langston, Joseph Caldwell from Lower Level, Supreme The Rudeboy aka DJ Supreme, Dope artwork by AzhqOne.

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Orange Crate Art

2LP | 2020 | EU | Original (Rykodisc)

114,99 €*

12" | 2015 | US | Original (Shelflife)

Release: 2020 / EU – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Records with some scuffs and slight scratches!

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Brideshead

Never Grow Up

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Power It Up)

Brigade Fozzy

Jetzt Erst Recht

18,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Down In The Weeds, Where The World Once Was

Tape | 2020 | US | Original (Dead Oceans)

16,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Down In The Weeds, Where The World Once Was

LP+LP+All Media | 2020 | US | Original (Dead Oceans)

20,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Still in shrink, but opened, with hype sticker

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Down In The Weeds, Where The World Once Was Black Vinyl Edition

2LP | 2020 | US | Original (Dead Oceans)

Release: 2020 / US – Original

Genre: Rock & Indie

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2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Down In The Weeds, Where The World Once Was Red & Transparent Orange Vinyl Edition

2LP | 2020 | US | Original (Dead Oceans)

Bright Light Bright Light

Release: 2020 / US – Original

Genre: Rock & Indie

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First pressing on limited edition Transparent Red + Transparent Orange vinyl - 2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Fun City

LP | 2020 | EU | Original (Yskwn)

23,99 €*

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Brigid Dawson & The Mother's Network

Ballet Of Apes

LP | 2020 | US | Original (Castle Face)

Muzak Pour Ascenceurs En Panne

Release: 2020 / US – Original

Genre: Rock & Indie

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Tip-top of Castle Face’s osmosis list is the first quiver of tunes from Brigid Dawson and her newly minted Mothers Network: wise warnings dyed in dark hues, knotted and hard-won torch songs from the edge of a turbulent sea, bittersweet balladry spun in defense against evils familiar and unknown. Lovely though it may seem from a distance, the striation of loss quicksilvered throughout provides weighty balance to her contralto lilt. Those familiar with her harmonic counterpoint from her time in Thee Oh Sees or in OCS know she can belt as well as lullaby but there’s a fresh and smolderingly heavy swing in her step on display here that Castle Face mightily digs. Ballet Of Apes tapestries together sessions that read like a who’s who from outside the label’s castle walls—in Australia with Mikey Young (Total Control / Eddy Current Suppression Ring), in San Francisco with Mike Donovan (ex-Sic Alps), Shayde Sartin (ex-Fresh & Onlys / lifetime ringer) and Mike Shoun (ex-Oh Sees / Peacers), and in Brooklyn with instrumental heavy-weights Sunwatchers—and the results are spellbinding. At the focal point of this maelstrom, the lady, as if illumed by candlelight, intones, pleads, consoles—white magic perhaps, but it carries with it the anodized tang of blood.

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Brigitte Barbu

LP | 2020 | EU | Original (Circus Company)

Remixes Pour Ascenceurs En Panne

Release: 2020 / EU – Original

Genre: Electronic & Dance

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A download code is included. Uniting cosmic tones and lovely notes, unique sound collages and electronic noises, Muzak pour ascenseurs en panne ("Muzak for Broken Lifts"), Brigitte Barbu’s first album, explores a dreamy universe, at the crossroads of electronica and the 70s’ post-tune-in/drop-out, echoing shadows of the peculiar doppelgänger; Pépé Bradock.

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Brigitte Barbu

12" | 2020 | EU | Original (Circus Company)

11,99 €*

CD | 2020 | US | Original (Leaving)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Brigitte Barbu’s Muzak pour ascenseurs en panne (Muzak for broken lifts) marked a bold new addition to the Circus Company repertoire. In a gilded haze of resonant tones conjured by traditional and non-traditional methods, Brigitte Barbu created an inviting sound world brimming with life and doffing its cap to 1970s signal processing. Out of such sonic research and development comes a wealth of material for other artists to sink their teeth into, and so we proudly present an accompanying remix EP that takes Brigitte Barbu’s distinctive stamp into new territory. Roman Flügel makes a first appearance Circus Company with two versions of “Dae-Boj DeMoya” that showcase this constantly versatile lynchpin of European techno. First up is his “kraut remix", which unsurprisingly channels the grainy beauty of Neu! and early Kraftwerk, before his “synth remix” dials back the drums and diverts our attention towards an expansive arrangement of melodious flourishes from classic synthesisers. John Tejada and Reggie Watts reunite as Wajatta following their triumphant LP Don’t Let Get You Down on Brainfeeder to deliver a particularly inventive, soul-stirring vocal techno version of “Couvre chef en peau de taupe". Watts soars over the signature warmth of Tejada’s production, while Brigitte Barbu’s mysterious tones linger in every fold of the mix. Matthew Herbert offers up a “Butter Dub” version of the album interlude serie “Trou Vert” that pits his signature stark sampling methods against Brigitte Barbu’s material and creates a fruitful dialogue of crooked 4/4 mechanics with all the playful curiosity of the original and a strong dose of Herbert’s inimitable musical personality.

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Brin

Homescreen Glow

10,49 €* 13,99 € -25%

Post Human: Survival Horror

Release: 2020 / US – Original

Genre: Electronic & Dance

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Brin is a strand of rhythmic audio expressionism for the online world through the lens of LA-based artist Colin Blanton. Homescreen Glow, the full-length debut on Leaving, is a collection of solo & collaborative explorations refined to a focused sound world of leafy-chimed blooming digital gardens, layered inner-clock zero grid beats, and buoyant cloud smears w. toasted edges.

Musical conversations shape-shifted during the making of Homescreen Glow, from passing samples via email, to live recording sessions at CalArts, sunny living rooms, & La Tierra de la Culebra in Highland Park LA. Collaborations across these works include Matthewdavid, Dustin Wong, Brian James Griffith, Raays, and Sick Whips - all mastered by M. Geddes Gengras.

Once the new world arrived with the pandemic, Homescreen’s organic beginnings required a format change to isolated completion lost in the glow of the computer screen.

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Bring Me The Horizon

LP | 2020 | EU | Original (RCA)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Live Favourites Red Vinyl Edition

Brinsley Schwarz

LP | 2015 | WW | Reissue (Vogon)

28,99 €*

Release: 2015 / WW – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Original (Pelagic)

Briqueville

Quelle

27,99 €*

2LP | 2020 | EU | Original (Parlophone)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Classic black vinyl!The contemporary Belgian music scene keeps spawning awesome bands, and B R I Q U E V I L L E - the spaces in between the letters are part of their moniker are among the most intriguing and compelling of them. The meditative heaviness of their sound and the carefulengineering of the visual aspects of their mesmerizing live-performance rituals are awe-inspiring and challenging in equal measure.After 2017's dazzling instrumental opus ,II", the Flemish 5-piece finally return with their 3rd studio album, one of the first real pandemic-albums to be released on Pelagic. The band members had to finish the album in separation, which worked outbetter than they had initially expected: the forced distance allowed them to take distance not only to each other, but alsotowards their own song material. Some pieces grew larger than originally intended, others were stripped down to the essentials and reinvented.The end result is a staggering album that is sophisticated and smothering at the same time, made up of altogether shorter songs as compared to the previous release, and there is a more prominent focus on those tasty electronics, which have always been an integral part of B R I Q U E V I L L E 's sound. The album is also the first one with an album title: Quelle means ,source" in German, and ,which" in French. ,We strongly feel that this record keeps all the ingredients of previous recordsand explores them further than we ever did before. The theme of a 'source', and the 'which' linking it reflexively to our previous album artwork gave us the feeling that we stayed true to our original concept, music, artwork and clips. Water and sand as a source of life and death. How an isolated soul deals with these elements", says a nameless band member... What? Yes, B R I Q U E V I L L E is a band shrouded in mystery. The black Nazgûl-robes and golden masks that all members wear on stage give their presence the air of an occult ritual... butthe band is not chasing (a) Ghost; in fact t...

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British Lion

The Burning

34,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Bro / Morgan / Christensen

Gefion

LP | 2015 | EU | Original (ECM)

25,99 €*

Release: 2015 / EU – Original

Genre: Organic Grooves

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2LP | 2015 | UK | Reissue (Warp)

Broadcast

The Future Crayon

Release: 2015 / UK – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Mint, Cover: Sealed

LP | 2020 | US | Original (Red Scare Industries)

Broadway Calls

Sad In The City

17,99 €*

LP | 2020 | EU | Original (Odd Funk / HHV Records)

Release: 2020 / US – Original

Genre: Rock & Indie

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We’ve been fans of Broadway Calls for a while now and after years of pestering they finally gave in and joined the team. Their exact words were, “It would take a catastrophic act of god that destroyed the music industry for us to consider working with Red Scare.” And what do ya know! Thank you, 2020. (Ironically, the record is about the impending civil war and apocalypse… so maybe this is all their doing?!) Then we sent ‘em down to the Bay Area to work with Scott Goodrich (Culture Abuse, Direct Hit!, etc.) and they emerged with the best 11 songs we’ve ever heard from this Oregon trio. Sad In The City is fast, it’s loud, and most of all it is catchy as hell. It’s their finest full length and it’ll likely go down as one of the top releases in our entire catalog.

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Broaks

17,99 €*

LP | 2015 | EU | Reissue (Skull & Palms)

Release: 2020 / EU – Original

Genre: Hip Hop, Organic Grooves

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Strictly limited edition of 300 copies.

A creative union of 90s hiphop production techniques, live instrumentation, turntablism and spoken word poetry. Performed by Dan Broak, Herbal Bert and Lion El Hämpton at Odd Funk Records studio under the dope quality control surveillance of the notorious production-duo The Blassics.

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Broilers

Loco Hasta La Muerte!!!

24,99 €*

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Original (Third Man)

Broken Social Scene

Live At Third Man

17,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Trost)

Brom

Dance With An Idiot

LP | 2020 | EU (Une Vie Pour Rien)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Anton Ponomarev - alto saxDmitry Lapshin - bass guitarFelix Mikensky - guitar, electronicsYaroslav Kurilo - drumsA fresh new studio album by the powerful Russian Free jazz band, now with a fourth player (guitar and electronics)Press about their last album (Sunstroke, Trost):Jazzandbluesblogspot: It is a reverent and thoughtful performance, with powerhouse electric bass at its core, leading to a fast and furious conclusion.Jazzwise: Moscow based power jazz trio BROM are a group that push against musical boundaries and allow suchdiverse genres as rock, noise, free jazz and improvisation to leak into their ever evolving sound.Jazzword: The antithesis of polite Chamber Jazz, this fiery Sunstroke should provide pleasure for those who prefer theirJazz (Rock) blistering without succor, no matter the temperature.TracklistingA1 DemonsA2 A Simple StoryA3 Dance With An IdiotA4 Goodbye, White Rhino!B1 Iron HairB2 The Saltiest PeanutsB3 PanaceaB4 This Is A Good Club Though Bad Music Is Played Here

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Bromure

18,99 €*

Release: 2020 / EU

Genre: Rock & Indie

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LP | 2020 | EU | Original (Soda Gong)

Broshuda

Contemplative Figuration

18,99 €*

Us 10th Anniversary Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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With Contemplative Figuration we see Broshuda pushing his amorphous, impossible-to-pin-down music in exciting new directions. Stitched together in various European cities over the last few years, it is the artist’s most dynamic and ambitious release thus far, drawing equally from musique concrete, beat research, ambient, tape collage, and spoken word. Episodic in nature, the collection functions well as a sort of impressionistic travelogue, with romantic, hazy atmospheres coaxed from borrowed equipment, serendipitous recording sessions with old friends, and even a drum sequence programmed with Mario Paint, among other curios and sleights of hand. Broshuda deftly wrings bonafide cohesion and balance from these disparate source materials, tools, and locations, as on opener “Kakigori,” which allows a snaking harmonic drone the space to evolve before exploding it into a sort of seething, dubbed out pointillism. Later, “Lied Für Hase” concocts a potent, humid atmosphere of beautifully evolving acoustic piano loops and elegant narration. Taken as a whole, Contemplative Figuration is a weightless, transportive record, one that is bursting at the seams with ideas, mischief, and a restless spirit. Mastered by Helmut Erler at D&M, Artwork by Alex McCullough and Niall Wynne Lewis.

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Brother Ali

2LP | 2020 | US | Original (Rhymesayers)

27,99 €*

Release: 2020 / US – Original

Genre: Hip Hop

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LP | 2020 | EU | Original (Omn Label Services)

Brother Firetribe

Feel The Burn

19,99 €*

12" | 2020 | EU | Original (Carpet & Snares)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Brother Firetribe are gearing up for the release of their new album, Feel the Burn, and once again, it’s an instant melodic rock classic.

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Brother G.

Medicines EP

13,99 €*

Medicines EP 2023 Repress

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Carpet & Snares Records in Lisbon continues its analogue series Circuits with a welcome return for Rawax alumnus Brother G. Each of the four tracks here has its own afternoon mood – the lazy, hazy, almost kick-less pastoralism of 'Stress Relief' contrasts with the wakeful buzzing of 'Give It A Try', whose steps and spirals in turn give way to slick and focussed microhouse on '10ml Bottle Please'. Finally, 'Xanax' is nothing but a daydream, its detuned IDM pads and broken beats the perfect soundtrack for self-medication and a cup of tea.

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Brother G.

12" | 2020 | EU | Reissue (Carpet & Snares)

9,09 €* 12,99 € -30%

LP | 2015 | US | Original (i.corrupt)

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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Brother/Ghost

Buried

9,99 €*

LP | 2020 | EU | Original (Legwork)

Release: 2015 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Green blue splattered vinyl seems unplayed. Gatefold cover is very close to NM.

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Brother Nebula

The Physical World

22,99 €*

LP | 2020 | EU | Original (Whirlwind)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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After a short hiatus, Brother Nebula is back home on Legwork with his debut long player. Less FaceTime, More Spacetime.

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Brotherly

Analects - Best Of

35,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Beat Jazz International)

Brous One

Juslikedat

LP | 2020 | US | Original (Fat Beats)

Release: 2020 / EU – Original

Genre: Hip Hop

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The vinyl edition is limited to 300 copies and comes in a sealed heavy old-fashioned cardboard sleeve. A free download code plus a BJINT logo sticker round up the packaging.

We are super excited to welcome Brous One with his new album "Juslikedat" to the BJINT roster. Expect nothing but mellow vibes here like the introduction on the title track says: "Juslikedat now chill". Feature guests include Retrogott, Hulk Hodn & Greco Murillo and the photography on front shows Brous' deep love Vero. Enjoy!

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Brownout

Berlin Sessions

LP | 2020 | Original (Backseat)

Release: 2020 / US – Original

Genre: Organic Grooves

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Brownout’s legendary status as a “Funk Powerhouse” (Stereogum) is a reputation well deserved. The band of musicians have an impressive resume performing with Prince (RIP), GZA of the Wu-Tang Clan, Bernie Worrell (RIP), and accolades from Ozzy Osbourne for their Brownout Presents: Brown Sabbath project. The latter helped grab the attention of Fat Beats Records, who worked with the band to release the critically acclaimed Public Enemy instrumentals project Fear of A Brown Planet in 2018. The Austin 9-piece is back with their first full length album of original music in over 8 years. The album, aptly titled, Berlin Sessions (out March 6, 2020 on Fat Beats) was produced by Steve Berlin of Los Lobos and is the first with lead singer Alex Marrero, whom they originally collaborated with on their wildly successful Brown Sabbath records. Berlin Sessions finds the group merging a multitude of styles, from rock to psych and of course the Latin Funk and Breakbeat on which they have built their sixteen-year career and reputation as Austin's premier party-starters. NPR recently featured the band on their heralded “Tiny Desk Concert” series, performing songs off the new album. NPR described the diversity of the band, stating, “One of the things you need to know about this band is that they can change traditions or genres almost on a dime. The core members dip into soul, Latin funk, a form of Peruvian cumbia called chicha, and funk covers of both Black Sabbath and Public Enemy. What each configuration has in common is the almost telepathic bond the band has developed after 15 years of working stages across the country. As you can see on the video, it's so infectious that Prince once used them for a while as a back-up band.”

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BRTHR

High Times For Loners

19,99 €*

Release: 2020 / Original

Genre: Rock & Indie

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Non-Secure Connection Blue Dream Splash Vinyl Edition

Bruce Hornsby

LP | 2020 | US | Original (Zappo Productions - Thirty Tigers)

Release: 2020 / US – Original

Genre: Rock & Indie

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12" | 2020 | EU | Original (Faith Beat)

Bruce Ivery

The Rebirth EP

11,99 €*

Bruce Soord / Jonas Renkse

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Chicago native Bruce Ivery throwing down four stripped back blinders on Ryan Elliott's Faith Beat.

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Wisdom Of Crowds

2LP | 2020 | Original (Kscope)

37,99 €*

Release: 2020 / Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Sony Legacy)

18 Tracks

36,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Born in the U.S.A.

Release: 2015 / EU – Original

Genre: Pop

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LP | 2015 | FR | Original (Columbia/Legacy)

Born In The U.S.A.

33,99 €*

Release: 2015 / FR – Original

Genre: Rock & Indie

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180 Gram, download, indie advance exclusive Limited edition for Record Store Day 2015!

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Born to Run

Release: 2015 / EU – Original

Genre: Pop

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Limited edition for Record Store Day 2015!

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Darkness on the Edge of Town

Release: 2015 / EU – Original

Genre: Pop

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Limited edition for Record Store Day 2015!

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LP+LP+All Media | 2020 | US | Original (Columbia)

Letter To You

32,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Near Mint

Cover with a bumped corner.

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Letter To You Black Vinyl Edition

2LP | 2020 | US | Original (Columbia)

42,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Letter To You Black Vinyl Edition

2LP | 2020 | EU | Original (Sony)

33,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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New Springsteen on black vinyl. One LP side comes with an etching. It's a gatefold jacket with transparent inner sleeves. There is a 16 page booklet in sleeve size. It's a 140g vinyl pressing

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Letter To You Grey Vinyl Edition

2LP | 2020 | US | Original (Columbia)

43,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Letter To You Limited Grey Indie Exclusive Vinyl Edition

2LP | 2020 | EU | Original (Sony)

32,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Limited new Springsteen on grey vinyl for the collectors. Comes in special vellum paper gatefold and special vellum inner sleeves. One LP-side is etched. It's a 140g vinyl pressing

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3LP | 2020 | US | Original (Sony Legacy)

Live In New York City

53,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2015 | FR | Original (Columbia / Legacy)

Nebraska

35,99 €*

Release: 2015 / FR – Original

Genre: Rock & Indie

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180 Gram, download, indie advance exclusive Limited edition for Record Store Day 2015!

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Nebraska

Release: 2015 / EU – Original

Genre: Pop

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LP | 2020 | US | Original (Sony Legacy)

Rising

36,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Sony)

The Rising

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2015 | EU | Original (Sony)

The River

Release: 2015 / EU – Original

Genre: Pop

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LP | 2015 | US | Original (Columbia/Legacy)

The River

46,99 €*

LP | 2015 | US | Original (Angry Voice)

Release: 2015 / US – Original

Genre: Rock & Indie

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180 Gram, gatefold, download, indie advance exclusive Limited edition for Record Store Day 2015!

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Bruch

Unverkäuflich

13,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Columbia)

Bruckner

Hier

Release: 2020 / EU – Original

Genre: Pop

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Baluba Shake / Il Gegehege

Brunetta / Rita Pavone

7" | 2020 | UK | Original (45 Years)

12,99 €*

Un Posto Ideale Per Uccidere (Oasis Of Fear)

Release: 2020 / UK – Original

Genre: Pop

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Connoisseurs of 1960s she-pop have been very well served by Ace Records, particularly those with a predilection for American and British artists. But good music, of course, is not exclusive to the English-speaking world, as those familiar with our collections devoted to the female vocalists of Italy will be aware (not to mention similar projects focusing on Japan, France, Sweden, Hungary and Spain). In a country renowned for its song festivals, most notably the prestigious event held annually in Sanremo, highly orchestrated ballads have always been especially popular in Italy. For this celebratory single, however, we present exemplary uptempo decks by Brunetta and Rita Pavone.

Brunetta was one of the first Italian singers to record rock’n’roll. Among her early releases were the appropriately titled “The Explosive Brunetta” and “Ciclone Brunetta” EPs and the frantic ‘Precipito’, which she performed with wild abandon in the film Urlatori Alla Sbarra. New stars Mina and Adriano Celentano also appeared in the movie, so she was in very good company. Fast forward a few lower-profile years, she released the record for which she would become best remembered. Backed by the Balubas combo, she performed the somewhat non-PC ‘Baluba Shake’ at the Pesaro Song Festival in 1966, scooping top prize. These days, the track is an underground dancefloor favourite, original copies of which change hands for a pretty penny.

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Bruno Lauzi

7" | 2020 | EU | Original (Four Flies)

Release: 2020 / EU – Original

Genre: Soundtracks

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LP | 2020 | EU | Original (Harbour)

Bruno Major

To Let A Good Thing Die

Release: 2020 / EU – Original

Genre: Rock & Indie

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OST La Dama Rossa Uccide Sette Volte (The Red Queen Kills Seven Times) Record Store Day 2022 Colored Vinyl Edition

Bruno Nicolai

2LP | 2015 | Reissue (Varese Sarabande)

34,99 €*

Bruno Sanchioni & Fred Hush

Release: 2015 / Reissue

Genre: Soundtracks

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Limited to 1500 copies.

LA Dama Rossa Uccide Sette VOLTE—The Red Queen Kills Seven Times—blurs the line between thriller and horror. The cult success it enjoys can be attributed to its aesthetics that encapsulate the essence of the Italian thriller. Bruno Nicolai’s score for The Red Queen Kills Seven Times flawlessly brings together the pop and underground music sensitivity of the 1970s with the gothic nuances of the plot thanks to a clever use of harpsichords. The album is part of CAM Sugar’s Paura, a series of standalone soundtrack releases that follow the same-titled compilation which explores rare and unreleased horror gems from the label archive. This new limited 50th anniversary edition of this cult, sought-after soundtrack—a masterpiece of Italian Giallo cinema—is fully remastered from original tapes, includes two bonus tracks and is destined to become a staple for the collectors of the genre and for the fans of the golden age of Italian and horror cinema, making it an essential release of Record Store Day 2022.

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Game Of Love

12" | 2020 | EU | Original (Fantasia Artists)

11,99 €*

LP | 2020 | EU | Original (Universal)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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2 top producers decided to join hands in the studio. Brunos classic trance music is played by almost every dj all over the world, Seven Days and One Week was a top ten hit in more than ten countries worldwide. Followed up with three Top 20 hits Flash, Desire and Deeper Love. Supported by MTV Europe and BBC radio. B.B.E. Revision 1 & 2 are still worldwide played in the underground scene. Bruno Sanchioni produced one of the very first trance recordings, The Age of Love - one of the most played anthems ever. With the techno influences of Fred Hush and the original singer they came up with this stunning result. And now enjoy this long awaited follow up!

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Brunori Sas

Volume 2 Poveri Cristi

33,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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7" | 2020 | CA | Original (Kingfisher Bluez)

Brutal Poodle

Night Creeps

5,99 €*

Release: 2020 / CA – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Nobody Knows / King Of Fuh

Brute Force

7" | 2020 | UK | Original (45 Years)

12,99 €*

LP | 2015 | IT | Original (2 Life Sentences)

Release: 2020 / UK – Original

Genre: Pop

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Brute Force is the pseudonym of Stephen Friedland, an American singer and songwriter. In 1964, while in New York City as a young adult, he met the producers Hugo and Luigi, who co-wrote the Elvis Presley hit ‘Can’t Help Falling In Love’. They introduced Friedland to the Tokens, known for their hit ‘The Lion Sleeps Tonight’. Not only was Friedland hired as a songwriter for the Tokens’ music publishing company, he also became the group’s keyboardist.

Side A is Brute Force’s version of his song “Nobody Knows What’s Going On My Mind But Me’, better known as a hit for the Chiffons.

In 1967, Friedland recorded as Brute Force with the album “I, Brute Force, Confections of Love”, which was produced by John Simon, later renowned for his work with the Band. In late 1968, Brute Force recorded his song ‘King of Fuh’ which is the story of a mythical king who ruled the kingdom of Fuh. The music and lyrics begin innocuously until they get to these lines: “I said the Fuh King—he went to wherever he wanted to go/Mighty mighty Fuh King/All hail the Fuh King.”

After the song was recorded, a friend of Friedland, Tommy Dawes of the Cyrkle, forwarded it to his manager, Nat Weiss, who knew Beatles manager Brian Epstein. According to Friedland, George Harrison was very receptive to the song and said so in a phone call. But EMI, Apple’s distributor, refused even to press the record, much less distribute it. Eventually, Apple privately issued the single for UK release, planning to stock mail order outlets and selected record shops. The distribution plan never really caught on and the record quickly disappeared.

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Brutti E Ignoranti

Robe Da Matti

Tape | 2020 | EU | Original (Urban Waves)

Release: 2015 / IT – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Copy close to NM

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Bry.Zen

No Hope For Tomorrow

10,99 €*

Live At The Royal Albert Hall 1974

Release: 2020 / EU – Original

Genre: Hip Hop, Electronic & Dance

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"No Hope For Tomorrow", the new album by Bry.Zen, was created as if produced from a sci-fi inspired post apocalyptic universe.Imagine the producer as a wasteland wanderer, stumbling upon a lost studio and spending his time composing music based on inspiration and memories from before the catastrophic events. The music breaks boundries and expresses itself freely. To correlate to reality, this music reminds us that as much as we've seen things crumble around the globe the past year there's always a light that can shine and guide us forward.

This latest release is a switch up for Bry.Zen, reaching out from hip hop and delving into other exciting genres like garage, house, footwork and boom bap, all which share similar sonic qualities. When mixed together, the final project makes for a very unique album. Approach it with an open mind, and you're bound to be inspired!

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Bryan Ferry

LP | 2020 | EU | Original (BMG)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Flight Of The Knife Blue Vinyl Edition

Bryan Scary

LP | 2020 | US | Original (Needlejuice)

Flight Of The Knife Green/Yellow Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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The recorded debut of Scary's touring band, The Shredding Tears, crafted with producer Brian McTear in Philadelphia. Inspired by Pynchon's "Against the Day," the album tells tall tales of airships and innocence lost, bookended by the legend of Airship Valentine. 'Twas released on Black & Greene Records in 2008. "Find your own way to The Knife."

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Bryan Scary

LP | 2020 | US | Original (Needlejuice)

LP | 2020 | EU | Original (Easy Life)

Release: 2020 / US – Original

Genre: Rock & Indie

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Bryde

Volume Of Things

Release: 2020 / EU – Original

Genre: Rock & Indie

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7" | 2020 | US | Original (Colemine)

Bubaza

Ice Breaker

10,99 €*

LP | 2020 | EU | Reissue (Tuff Kong)

Release: 2020 / US – Original

Genre: Organic Grooves

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Bubaza Is A Side Project Featuring Members Of Jungle Fire And The Sure Fire Soul Ensemble. Covering Ground That Each Of Their Respective Bands Live In: Latin Jazz, Instrumental Soul, Funk, Etc., But While Also Extending This A Little More Into B-Boy And DJ Culture With Fiery Drum Breaks And Crafting Tunes Meant For The Funk Dance Floor.

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Buckwild

Fully Loaded

27,19 €* 33,99 € -20%

LP | 2020 | EU | Original (Tuff Kong)

Release: 2020 / EU – Reissue

Genre: Hip Hop

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Legendary Bronx producer and Ditc representative Buckwild doesn’t need much introduction, his credit list speaks for itself having produced for a plethora of legends such as Notorious BIG, Faith Evans, Nas, 50 Cent, AZ, Big L and the list goes on. Recently he’s been getting busy with several up and coming names and on this brand new album he’s bringing the heat with a few of them as well, having gathered well established names such as Raekwon, Meyhem Lauren, Little Brother and Chris Rivers together with new buzzing cats such as Madhattan, Rasheed Chappell and Asun Eastwood. Buckwild has delivered an album that’s as “Fully Loaded” as the title says, proving once again his legendary status in this game.

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Buckwild

Music Is My Religion

28,89 €* 33,99 € -15%

LP | 2020 | US | Original (King Tone)

Release: 2020 / EU – Original

Genre: Hip Hop

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DITC’s legendary producer Buckwild is back with his second producer album of 2020, aptly titled “Music Is My Religion”. His devotion to the craft has made history and continues to do so, with the Bronx’s producer collaborating with more and more interesting new names in today’s game. On this new offering he has gathered guest appearances by Fred The Godson (RIP), Willie The Kid, Planet Asia, Milano Constantine, Has Kingpin, Flee Lord Daniel Son, Rim of Da Villins and Jay Royale among others. With the first limited edition pressing selling out quickly, the record is now available once again for retail distribution.

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Budamunk & Tsuggs

Thank And Gro

LP | 2015 | US | Reissue (Lightyear)

Release: 2020 / US – Original

Genre: Hip Hop

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On the heels of his installment of the Baker's Dozen, Budamunk has combined his talents with Tony Suggs, provider of the keys to Roy Hargrove's 'RH Factor' as well as the Count Basie Orchestra. T. Suggs has also collaborated with the Manhattan Transfer, Patti Austin, and Marlena Shaw among others. 'Thank and Gro' realizes a robust yet soothing sonic environment distilling elements transcending time, location, and genre. Instrumental additions provided by Ameen Saleem, Satoshi Yoshida, Kenji 'Jino' Hino, and Patriq Moody. Phonetic accompaniments courtesy of Iman Omari and T.I.V.E. DJ Yuze on the cuts. A peace to surly peek interest of connoisseurs throughout the many audible hemispheres.

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Buddy Rich

Birdland

28,99 €*

Release: 2015 / US – Reissue

Genre: Organic Grooves

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Budgie Picture Disc Edition

Budgie

LP | 2020 | UK | Original (Noteworthy Productions)

35,99 €*

Release: 2020 / UK – Original

Genre: Rock & Indie

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LP | 2020 | UK | Original (Holy Ghost Zone)

Budgie

Holy Ghost Zone II

24,99 €*

Long In The Tooth Black Vinyl Edition

Release: 2020 / UK – Original

Genre: Hip Hop

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More digging in the gospel section...

Possibly less obscure but definitely deeper. Made up of tracks that were started in Wyoming for Kanye/Sunday Service and then finished in LA and transposed to this project…

Includes 7 tracks exclusive to the vinyl release.

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Budos Band

LP | 2020 | US | Original (Daptone)

25,99 €*