All Items 177691 Items

LP | 2010 | US | Reissue (Hyperrealist)

First & Second

39,99 €*

Release: 2010 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Red marbled vinyl. Cover with small beginning of seam split on top spine. Copy closer to NM

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LP | 2019 | EU | Original (Rykodisc)

Gold & Grey

Release: 2019 / EU – Original

Genre: Rock & Indie

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Gold & Grey Red & Blue Vinyl Edition

2LP | 2019 | EU | Original (Rykodisc)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Live At Maida Vaile Bbc Volume II

12" | 2020 | US | Original (ADA)

Release: 2020 / US – Original

Genre: Rock & Indie

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Black Friday Record Store Day 2020 Release.
RSD First. Limitation: 3500 copies.

Live at Maida Vale BBC - Vol. II is a limited edition RSD exclusive splatter EP that capture's the band's BBC Maida Vale session from September 2019. It contains four live ver

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Purple Black Vinyl Edition

LP | 2015 | US | Original (Abraxan Hymns)

Release: 2015 / US – Original

Genre: Rock & Indie

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This is the first album from Baroness with the new rhythm section, adding Nick Jost and Sebastian Thompson on bass/keysand drums. Produced by Baroness and Dave Fridmann (The Flaming Lips, MGMT, Tame Impala), 'Purple' features ten intense, heavy and sonically captivating songs resulting in the most fully realized representation of Baroness's intentions as a band.

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Red Album Red Blood Splatter Vinyl Edition

2LP | 2007 | Reissue (Relapse)

29,99 €*

Release: 2007 / Reissue

Genre: Rock & Indie

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Red Album Red Milky Clear And Black Ripple Effec

2LP | 2007 | Reissue (Relapse)

33,99 €*

Release: 2007 / Reissue

Genre: Rock & Indie

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Stone Black Vinyl Edition

LP | 2023 | EU | Original (Abraxan Hymns)

26,99 €*

Release: 2023 / EU – Original

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Stone Light Blue Tape Edition

Tape | 2023 | EU | Original (Abraxan Hymns)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Stone Ruby Red Vinyl Edition

LP | 2023 | EU | Original (Abraxan Hymns)

26,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Yellow & Green Neon Yellow Green Milky Clear Vinyl Edition

2LP | 2012 | Reissue (Relapse)

33,99 €*

Release: 2012 / Reissue

Genre: Rock & Indie

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Take A Backseat / Create The Myth

Baronski & Andy Cooper

7" | 2020 | EU | Original (We Keep Shit Dope)

2x7" | 2024 | EU | Original (Dezi-Belle)

Release: 2020 / EU – Original

Genre: Hip Hop

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Baronski and Andy Cooper from Ugly Duckling teamed up under the wings of We Keep Shit Dope Records to bring you back that simple recipe:

Beats & Rhymes & Cuts

The story behind this 7 inch is quite simple. Take one of Germanys talented producers on the MPC hook him up with a master of ceremony from Long Beach, shake and whirl everything and get dancefloor banger on side A and some mystic vibes on the flip side.

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Baronski

Westfalo Disco

Baronski & WOX & Czientist

Release: 2024 / EU – Original

Genre: Hip Hop

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Limited to 50 copies.

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Great Minds Connect

10" | 2022 | EU | Original (Dezi-Belle)

Baronski, Wox , Czientist

Release: 2022 / EU – Original

Genre: Hip Hop

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Limited edition of 100 copies

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Great Minds Connect

10" | 2022 | DE | Original (Dezi Belle)

19,99 €*

Release: 2022 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

7" | 2019 | EU | Original (Souffle Continu)

Baroque Jazz Trio

Orientasie / Largo

Baroxmix Feat Krozome 131

Release: 2019 / EU – Original

Genre: Organic Grooves

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“Alongside Alfred Panou & the Art Ensemble of Chicago’s ‘’je suis un sauvage’’ , Baroque Jazz Trio‘s ’’Orientasie /Largo’’ is probably one of the hardest to find EP on Saravah.

Hitting #2 on Jazzman Records European Jazz 45’s top 10 list, this is the finest fusion between free jazz, baroque music & exotica with one of the most singular sound you can find on a jazz record!”

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Tutti Felici

12" | 2002 | DE | Original (Duplikat)

4,99 €*

Release: 2002 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1981 | DE | Original (Hansa)

Piel De Barrabás

7,99 €*

Release: 1981 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1973 | EU | Reissue (Sommor)

Power

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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“Power” was the second Barrabás album, originally released in 1973. As well as their first album, this is another great example of funk-rock, but this time with glam, hard & psych touches, including some of their most celebrated songs: “Casanova”, “The Horse”, “Children”... After reaching international success with their first album, the line-up of Barrabas experienced some major changes: Fernando Arbex, more and more involved as songwriter and producer for other artists, leaves the drum kit, being replaced by drummer José María Moll (from Juan & Junior’s backing band). From now on, Fernando will focus on songwriting & production duties for Barrabas. Also, due to an accident, bass player / lead singer Iñaki Egaña is forced to leave the band. A new powerful singer is found: José Luis Tejada (from Los No, a legendary beat band from Barcelona). And finally original guitar player Miguel Morales switched to bass. For the album recording, Arbex decided to use the same studio where they recorded the first Barrabas album: RCA in Madrid. J. Cobos was again the sound engineer and Fernando was the producer and main songwriter. “Power” was the result, released in 1973 housed in a glam-tastic gatefold sleeve. Highlights are “Mr. Money” (pure funk-rock which entered the US charts); the atmospheric “The Horse”, the psych-funk of “Time To Love” or the catchy “Children”, which was a big hit in South America, especially in Venezuela.

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LP | 1973 | FR | Original (RCA Victor)

Power

9,99 €*

Release: 1973 / FR – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker on cover.

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LP | 1974 | EU | Reissue (Sommor)

Soltad A Barrabas!

LP | 2018 | EU | Original (ECM)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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“¡Soltad a Barrabás!” (Release Barrabás!) was the third album by the famous Spanish funk-rock band. Recorded in the US and originally released in 1974, housed in a shocking gatefold cover, this time the sound was 100% funk oriented and included big hits like “Hi-Jack”, covered by Herbie Mann. After reaching worldwide success with their previous two albums and a lenghty South America tour, Fernando Arbex went even further with Barrabás: he wanted to register their third album in the US. So he managed to book MGM studios in Hollywood and the band spent a month in L.A. Fernando encouraged all the other Barrabás members to write songs for the planned album. The result was a fantastic pro-sounding recording (thanks to the work of sound engineer Humberto Gatica), where the band nearly dropped their previous Latin influences to concentrate on funk and black music. “Hi-Jack” rocketed to number one in the Billboard and Black Music charts in the US and soon after Herbie Mann released his famous jazzy cover. The album also included other ace tracks like “Tell Me The Thing” - much in the vein of Chicago and Blood, Sweat & Tears, “Suzie Wong”, “Lady Love”...

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Barre Phillips

End To End

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Eargong)

Barre Phillips

Unaccompanied Barre

Sounds Of Far East Dance Music Vol. I

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in St. James Norlands church in London in November 1968 and first released in the following year, this work stands as the first solo bass album in the history of Jazz and improvised music. Born in 1934 in San Francisco, Barre Phillips is one the most influential bassists of his generation. In his long career Phillips has played and recorded with almost everyone in the world of Jazz and beyond, a long list of forward thinking music icons including Don Ellis, Bobby Hutcherson, Dave Holland, Archie Shepp, Marion Brown, John Surman, Paul Bley, Evan Parker just to name a few! Originally recorded as part of a 3 hours session this solo tour-de force expresses the true essence of a genius. A multifaceted, kaleidoscopic journey through a myriad of melodic, rhythmic, fretted and bowed lines. In other words: a true master class and a seminal statement from one of the greatest figures in creative music! ‘...Not just an improviser of the highest order; but a true sound sculptor capable of drawing from his instrument such a vast array of shapes and colours that his creation is almost a form of visual art for the ears.’ Jazzwise

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Barrel House

2x12" | 1998 | IT | Original (Krylon)

7,99 €*

Release: 1998 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1966 | DE | Original (CBS)

Barrelhouse Jazzband

6 - Talking Hot

Release: 1966 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Distracted To Death... Diverted From Reality

Barren?

LP | 2021 | US | Original (Destructure)

12,59 €* 17,99 € -30%

Release: 2021 / US – Original

Genre: Rock & Indie

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Curse Of The Red River The

Barren Earth

LP (Peaceville)

Genre: Rock & Indie

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Genre: Rock & Indie

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Chemical Tardigrade Blue Vinyl Edition

Barren Womb

LP | 2024 | EU | Original (Bluesfortheredsun)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Barrence Whitfield And The Savages

Under The Savage Sky

CD | 2015 | US | Original (Bloodshot)

7,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2022 | EU | Original (La Vida Es Un Mus)

Barrera

Visiones Nocturnas

LP | 2011 | US | Original (Douchemaster)

Release: 2022 / EU – Original

Genre: Rock & Indie

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BARRERA follows up the NUEVO SONIDO BALEAR path started by ORDEN MUNDIAL, POU and PENA MAXIMA with a debut release filled to the rim with lust, sex, power and distortion. Their songs are slow and acidic, with a tortured tone that would make GLOOM or BRAINBOMBS cry. The seven songs on "Visiones Nocturnas" are themed around the death of romantic love and are not afraid to look at the darkest side of life with a nihilistic conviction. Musically the record follows the path laid by STICKMEN WITH RAYGUNS or FLIPPER but are firmly rooted in Spanish Punk with DESECHABLES as a clear point of reference, both aesthetically and sonically. Although BARRERA occupy their own space with a sound that is clearly their own nightmare. Recorded and mixed by Chano Morales at Impala Uno Studio, Mallorca. Mastered by Shigenori Kobayashi at Noise Room, Tokyo. Artwork by Barrera.

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Barreracudas

Nocturnal Missions

20,99 €*

Release: 2011 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Warner)

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Barricada

Accion Directa

32,99 €*

Release: 2024 / US – Original

Genre: Pop

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Preorder shipping from 2024-11-08

LP | 2024 | US | Original (Warner)

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Barricada

Flechas Cardinales

32,99 €*

Release: 2024 / US – Original

Genre: Pop

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LP | 2024 | US | Original (Warner)

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Barricada

La Tierra Esta Sorda

39,99 €*

Release: 2024 / US – Original

Genre: Pop

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Preorder shipping from 2024-11-08

Tape | 2023 | EU | Original (Winspear)

13,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Brooklyn-based musician and producer Barrie Lindsay,known simply as Barrie, has a passion for creating left-of-centerpop music. She spends her days writing songs and tinkeringin Logic, stockpiling her creations in a vast archive offolders and hard drives. When it came time to select thesongs for her sophomore LP, `Barbara,' she narrowed it downto sixteen tracks. As the record came together, it becameclear that there would be two separate projects - the firstbeing `Barbara,' an emotionally charged collection of songsdealing with the loss of a parent, the love of a new partner, andfinding one's own identity. The remaining five tracks, whichwere more light-hearted and o the cu, were compiled into anew project titled `5K.'As an avid runner, Barrie named the EP after the common footrace. The aptly titled lead single, "Races," is a delightfulsynth-pop track in a unique 12/8 time, built around a bombasticdrum kit and giddy key ris. "Nocturne Interlude" acts as asegue between `Barbara' and `5K,' showcasing a hauntingmelody amidst dark brass-like synths. Second half highlight"Ghost World" has a distorted guitar ri and classic drumpattern that evokes a forgotten 90's radio b-side. The songwas recorded entirely by Barrie herself, serving as her ownband on guitar, bass, keys, and drum kit. Even though mostpeople would finish listening to the project front to backbefore finishing a 5k run, the short, sweet, and melodically richEP begs to be replayed over and over. With `5K,' Barrie showcasesher versatility as an artist, closing the loop between thesounds found on her debut LP `Happy To Be Here' and herfollow-up `Barbara'.

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LP | 2023 | EU | Original (Winspear)

5k Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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5k Goldfish Colored Vinyl Edition

LP | 2023 | EU | Original (Winspear)

23,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Brooklyn-based musician and producer Barrie Lindsay, known simply as Barrie, has a passion for creating left-of-center pop music. She spends her days writing songs and tinkering in Logic, stockpiling her creations in a vast archive of folders and hard drives. When it came time to select the songs for her sophomore LP, `Barbara,' she narrowed it down to sixteen tracks. As the record came together, it became clear that there would be two separate projects - the first being `Barbara,' an emotionally charged collection of songs dealing with the loss of a parent, the love of a new partner, and finding one's own identity. The remaining five tracks, which were more light-hearted and o¬ the cu¬, were compiled into a new project titled `5K.' As an avid runner, Barrie named the EP after the common foot race. The aptly titled lead single, "Races," is a delightful synth-pop track in a unique 12/8 time, built around a bombastic drum kit and giddy key ri¬s. "Nocturne Interlude" acts as a segue between `Barbara' and `5K,' showcasing a haunting melody amidst dark brass-like synths. Second half highlight "Ghost World" has a distorted guitar ri¬ and classic drum pattern that evokes a forgotten 90's radio b-side. The song was recorded entirely by Barrie herself, serving as her own band on guitar, bass, keys, and drum kit. Even though most people would finish listening to the project front to back before finishing a 5k run, the short, sweet, and melodically rich EP begs to be replayed over and over. With `5K,' Barrie showcases her versatility as an artist, closing the loop between the sounds found on her debut LP `Happy To Be Here' and her follow-up `Barbara'.

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Barbara Orange Vinyl Edition

LP | 2022 | EU | Original (Winspear)

26,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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On Barbara, the sophomore album from Brooklyn-based songwriter and producer Barrie, she battles the loss of a parent, the start of a new relationship, and the impulse to separate herself from her music. This result is a beautifully peculiar, and quietly ambitious collection of synth-pop, art-pop, indie rock and folk songs that reflect a new willingness to let listeners into her world. Two events redefined Barrie Lindsay's life and shaped the direction of Barbara. In the summer of 2019, she met her now-wife, the musician Gabby Smith. Simultaneously, Lindsay's father learned that his lung cancer had worsened. In January of 2020, she moved home to Ipswich to spend time with family and begin work on her album. Three months became nine, thanks to the pandemic. Lindsay wrote Barbara while quarantining with Smith in Maine, while her father was dying, and while she was falling in love. Lindsay finds catharsis from the ambivalent desperation of losing a parent on the album's centerpiece, "Dig." You can hear her newfound boldness as she wails the song's central refrain, giving herself over to emotion: "I can't get enough of you / Where did you come from?" Despite the grief, personal and collective on Lindsay's mind while making Barbara, she often pauses to embrace joy. "Jenny," is a simple, acoustic guitar ode to meeting Smith. Similarly, her fantasy of a romantic but bloodied afternoon, "Quarry," sounds eerie and aqueous, before erupting into a euphoric geyser of synth and drums. "Barbara isn't an album specifically about grief or love. It's just an album where I let myself actually feel my emotions," Lindsay says. "That was something I'd never done before in music." Barbara is out March 25, 2022 via Winspear.

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Dig / Frankie Clear Vinyl Edition

7" | 2021 | EU | Original (Winspear)

5,84 €* 12,99 € -55%

LP | 2022 | EU | Original (Vacancy)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Barrie Lindsay is a soft spoken, obsessive producer and songwriter who grew up tinkering with instruments in Ipswich, Massachusetts. After graduating from Wesleyan in 2012 with a degree in music, Lindsay formed her first band with her brother, a 5-piece group called Grammar. She spent her 20's quietly making music in Boston and working at a sculpture studio until she was discovered on Soundcloud by a manager who encouraged her to move to Brooklyn and pursue a career in music by forming a band. Lindsay obliged and soon Barrie, the 5-piece band, was born. After a number of successful singles, Barrie released their debut in 2019, Happy To Be Here, earning buzzy press, TV syncs, and new fans around the globe. A month after Happy To Be Here came out, the band parted ways and Lindsay reintroduced Barrie as a solo project. In the two years since then, the 32-year old suffered the loss of a parent, and married her wife, Gabby. While Lindsay has maintained a separation between her personal feelings and lyricism inprevious works, she allowed herself to find catharsis in songamidst the intense love and grief she was experiencing. One night during a moment of grief, Lindsay couldn't bring herself to set up the mic properly in her studio. Instead, she opted to shout across the room in a true "fuck-it" moment. Liking the effect this produced, she decided to stick with it, yielding "Dig," a self-produced single featuring an impressionistic slew of slide guitar, dulcimer, and mandolin. You can hear her newfound sense of boldness, as she wails the song's central refrain, giving herself over to emotion: "I can't get enough of you / Where did you come from?" Whereas "Dig" floats in a seeming free-time, Barrie's second single, "Frankie," is locked into a driving, propulsive rhythm. Its bass synth, which remains constant throughout, is meditative and hypnotic. Among skittering arpeggios and melodic hooks, the song's message asks listeners to consider capitalism. Political pop can be awkward, but Lindsay's is subtle and poignan...

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Barrie-James

Strange Desire

31,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Limited to 1800 copies with obi strip & sleeve notes. Rare Soul-Jazz-Funk album from 1985. First ever vinyl reissue. Jazz guitarist Calvin Keys is a legend among soul-jazz-funk fans for both his work as a session & touring musician and for the catalog of classic releases under his own name. Key’s playing style is lean & muscular and his unique phrasing balances sophisticated jazz harmonics with funky R&B & soul grooves. Since the 1960s Calvin Keys has performed/recorded with renowned artists such as Ahmad Jamal, Ray Charles, Pharoah Sanders and Joe Henderson. He is also a mentor to young talent, offers private lessons, and is a frequent teacher at the yearly happening ‘Jazz Camp West’.

Calvin Keys was born in 1943 in Omaha, Nebraska. His first musical influence was his father Otis, a well-known drummer in the city's music scene…he passed the music bug on to Calvin, who picked up the guitar early. Keys landed his first notable gig as a member of Eddie 'Cleanhead' Vinson's band when he was 17 and then went on to play with Preston Love (of the Count Basie Orchestra). Later on, he would also join The Jimmy Smith Trio and then worked through the rest of the 1960’s with legends such as Jimmy McGriff, Richard 'Groove' Holmes and Brother Jack McDuff.

After moving to Los Angeles in the 1970’s, he signed to Gene Russell's now-legendary Black Jazz label where he cut his first two albums: Shawn-Neeq (1971) & Proceed with Caution (1974). Next to his own output on Black Jazz Records, Calvin Keys also did session work for the label and played on several of its hit records. At this point in time Keys also auditioned for the Ray Charles Orchestra…his unique phrasing and his ability to balance sophisticated jazz harmonics with tough R&B and soul grooves were showcased nightly in Charles’ band. Before relocating to San Francisco in 1975, he also played on Billy Brooks' jazz-funk classic ‘Windows of the Mind’ (1974) and focused on more live and session work. Keys then joined Ahmad Jamal's group and spent close to a decade with the pianist, touring the globe and recording six albums with him.

The 1980’s and 1990’s also proved similarly fruitful for Calvin Keys…he was a ‘first-call’ studio & live sideman and amassed massive credits for touring with all-stars from the likes of Tony Bennett, Pharoah Sanders and Sonny Stitt. He released two more fantastic solo albums: Full Court Press (1985) & Maria’s First (1985), this time on Olive Branch Records. In 1991 he was featured on the recordings for the original score of the film ‘Dying Young’ composed by James Newton Howard. Next to all of this, his session and live work with his own trio continued at a relentless pace. He settled down in the Bay area and played a multitude of gigs throughout the 1990’s.

After being sidelined in 1997 by heart surgery, Calvin Keys entered the new millennium with a bang! He released five widely acclaimed Jazz-charting albums & worked with major players from the likes of Taj Mahal (Santana, Miles Davis), Chester Thompson (Tower Of Power), Big John Patton (Blue Note), Phil Ranelin (Tribe), Sonny Fortune (Roy Ayers, Strata East), Buell Neidlinger (Lionel Richie, Quincy Jones), Peter Erskine (Joni Mitchell, Weather Report) and Lonnie Smith. There’s no such thing as ‘slowing down’ for Mr. Keys!

On the album we are proudly presenting you today (Full Court Press) you’ll find seven sublime tracks recorded in 1984 and released in 1985 on the Olive Branch label. This was Calvin Key’s first solo album since his recordings for Black Jazz Records back in the 1970’s. Full Court Press features an impressive arsenal of working road dogs that Keys had shared the stage with over the years. Included are: Maxayn Lewis (The Ikettes, Morris Day), Mike Thompson (Freddie Hubbard), James Gadson (Marvin Gaye, Herbie Hancock), Donny Beck (Buddy Miles, Bobby Lyle)…and many others.

Full Court Press is THE dictionary definition of smooth (yet funky) soul-jazz, with washes of warm, laid back grooves pinned under Keys’ endless dancing up and down the fretboard. The playing is ‘deep in the pocket’ and comes off elegant and effortless. Fluid rhythmic fingerpicking that makes you forget all about time and space. This essential release deserves a prominent place in your record collection!

Tidal Waves Music now proudly presents the First ever vinyl reissue of “Full Court Press” (originally released on Olive Branch Records in 1985). This rare record (vintage copies are not easy to come by) now comes as a deluxe 180g vinyl edition, strictly limited to 1800 copies worldwide with obi strip and features the original artwork by John Heard (Azar Lawrence, Count Basie) & sleeve notes by Sherman Ferguson (Pharoah Sanders Quartet). Released exclusively for Record Store Day 2022 and available in participating stores on April 23, 2022.

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LP | 2015 | US | Original (Black Roses)

Acousticalevy

Release: 2015 / US – Original

Genre: Reggae & Dancehall

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Barrington Levy & Beenie Man

Under Mi Sensi

12" | 1994 | UK | Original (Greensleeves)

Release: 1994 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Generic label cover

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7" | 2023 | JM | Original (Grade One)

Black Roses

28,99 €*

Release: 2023 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Black Roses / Version

7" (Jah Life)

14,99 €*

Barrington Levy & Bounty Killer

Genre: Reggae & Dancehall

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Not much needs to be written here, one of reggae's all time anthems, one of the baddest tunes of the '80s. Finally back out on a crisp booming 45, rock to the sounds of Jah Life, internationally.

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Living Dangerously

7" | 1995 | JM | Reissue (Time 1 International)

3,99 €*

Release: 1995 / JM – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Barrington Levy & Ce'cile

My Woman

7" | 2002 | US | Original (VP)

6,99 €*

Release: 2002 / US – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | 1980 | UK | Reissue (VP)

Crucifixion

Release: 1980 / UK – Reissue

Genre: Reggae & Dancehall

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LP | 1979 | EU | Reissue (Greensleeves)

Englishman

Barrington Levy / Gg's All Stars

Release: 1979 / EU – Reissue

Genre: Reggae & Dancehall

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10 tracks

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You Have It / You Have A Dub

12" | 1981 | EU | Reissue (Onlyroots)

Release: 1981 / EU – Reissue

Genre: Reggae & Dancehall

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Same tune as "I Hold The Handle" which appears on the "Life Style" album. Here it comes with an extended version on the first side. Dub on the flip. Produced by Alvin "GG's" Ranglin in 1981.

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7" | 1993 | EU | Reissue (Black Roots)

Jah Black

Release: 1993 / EU – Reissue

Genre: Reggae & Dancehall

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Barrington Levy / Jah Life

Hold On Steady / Hold On Dub

7" (Jah Life Time)

Genre: Reggae & Dancehall

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Barrington Levy / Jah Thomas

Dance Pon The Corner

7" | JM | Reissue (Midnight Rock)

3,99 €*

Release: JM – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | JM | Original (Midnight Rock)

Jumpy Girl

9,99 €*

Barrington Levy / Little Rory

Release: JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Wrong track on B-side: Things and Time riddim dubbed.

A-side: On the Madlads' Losing You riddim

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Survival

7" | JM | Original (Grade One)

Release: JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | JM | Original (Volcano)

Looking My Love

Release: JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

Vinyl close to VG

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7" | JM | Reissue (Power House)

Money Move

4,99 €*

Release: JM – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

Na broke no fight over woman

7" | 1980 | US | Reissue (Jah Guidance)

14,99 €*

Release: 1980 / US – Reissue

Genre: Reggae & Dancehall

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LP | 1980 | JM | Reissue (Jah Life)

Place Too Dark

29,99 €*

Release: 1980 / JM – Reissue

Genre: Reggae & Dancehall

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LP | 1984 | US | Reissue (VP)

Prison Oval Rock

22,99 €*

Release: 1984 / US – Reissue

Genre: Reggae & Dancehall

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Reggae Anthology : Sweet Reggae Music

LP | 2013 | EU | Reissue (VP)

Release: 2013 / EU – Reissue

Genre: Reggae & Dancehall

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Robin Hood / Dub Version

7" (Thompson Sound)

10,99 €*

Genre: Reggae & Dancehall

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Barrington Levy / Sister Terrie Nairobi

Black Heart Man / Left With A Broken Heart

12" | 2023 | EU | Original (Jah Life)

23,99 €*

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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Disco mix sides from the Jah Life archives. On the A side we have one of Barrington's best, "Black Heart Man", in its original disco mix from 1983, with killer Scientist dub wise. On the flip is one of the all time sleepers from the Jah Life catalog, way under the radar since its original release in the early '80s. Terrie from the Nairobi Sisters voices the immortal "Left With a Broken Heart" on the killer original cut of the rhythm, which follows into a dub wise melodica piece, which sounds to us like the maestro Augustus Pablo. Both sides are pressed using new stampers made from the original mothers, so what you get is identical to the original pressings.

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Sweet Reggae Music: Reggae Anthology

LP | 2013 | US | Original (17 North Parade)

Release: 2013 / US – Original

Genre: Reggae & Dancehall

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Cut loud and proud with tracks carefully selected "Sweet Reggae Music" includes first time on LP appearances for the much sought after sound-system favorites "Whom Shall I Be Afraid Of", "Praise His Name" & "Pon Your Toe" alongside the broader than Broadway hits "Here I Come", "Mary Long Tongue", "Mini Bus" etc. - During this golden age of Jamaican music Barrington Levy was the undisputed lord of the dancehall - "Sweet Reggae Music" is 100% black vinyl proof!

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7" | JM | Reissue (Music Master)

Teach The Youth

6,99 €*

Release: JM – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

Barrington Levy, Trinity Aka Junior Brammer

Tell Dem Already / Genocide

7" | 2024 | EU | Original (Irie Ites)

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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Barrington Levy & Trinity

Lose Respect (Externded Version)

12" | 2019 | UK | Original (Greensleeves)

Release: 2019 / UK – Original

Genre: Reggae & Dancehall

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First time re-issue for this golden age righteous rastaman business from Barrington Levy & Trinity. In the rockers era Trinity cemented his place as the number one deejay scoring countless hits and becoming almost an almost essential ingredient on the onslaught of discomixes from yard. Moving into production with his own Flag Man label this 1979 crucial combination killer with Barrington „Lose Respect“ was also the first in a long parade of Mr. Levys 12-inch single hits for Greensleeves Records. The flipside features the soulful lovers rock lick of „Since You Are Gone“ / „Give Love A Try“ from Roman Stewart & Trinity to rival the previous and much loved versions by Delroy Wilson, Pat Kelly & David Isaacs.

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12" | JM | Original (Time 1 International)

Under Mi Senci

Release: JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Release: US

Genre: Reggae & Dancehall

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Wedding Ring / Version

7" (Volcano)

Genre: Reggae & Dancehall

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Living Off The Goodness Of Your Love

Barrino Brothers

LP (Demon)

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Shika Shika)

Espuma De Mar

20,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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In 2019, whilst touring Japan, Barrio Lindo found himself moving away from the dance floor, instead getting lost in his headphones while listening to music that dismissed genre, oscillating between jazz, chamber orchestras and electronica. As a producer at the forefront of Latin America’s folktronica scene over the last 10 years, Agustín Rivaldo, to give Barrio Lindo his given name, has proven himself more than adept at crafting soundscapes that can transport listeners, full of detail and nuance, but they always had to pander to the club and its duty to keep revellers energised. The epiphany in Japan necessitated a change in direction, to make music that people could get lost in,and which also meant he could revert to his younger self, that guy in his twenties playing guitar with his friends, just for fun. So he booked a studio on the outskirts of Buenos Aires in early 2020 and invited some friends over; the idea was simple, let’s play some music and see where it takes us.
Espuma de Mar is the result, those initial sessions refined over the intervening years, new collaborators brought in where necessary, the production crafted in the same manner as his previous electronic-focused output, but the feel here, the ambience, is completely different. Like the espuma de mar, the sea foam that gives the album its name, this music has a fleeting quality, it arrives, imperfectly, and never stops transforming; it replenishes, it diminishes, it breathes.

The biggest difference between this album and Rivaldo’s previous works is the increased tension, and the sense of space; whereas beats and sequencers, as per their design, propel constant rhythm, here every note has intent, only played if necessary to the composition. This is felt on “Llegada”, a minimal groove soothed by kalimba thumb piano and fidgety synths while layers of trumpet take the lead until a surprisingly sombre piano motif brings the song to a close. The title track has a similar feel, whereby the music sounds improvised, each instrument free to roam, yet each note hits you in the stomach; here, we get an ominous opener, spare notes of trumpet, charango, snare drum and heavily-reverbed piano taking their turn until a rhythm begins to develop, albeit a rhythm that refuses to retain its form, flutes, synths, bass and detached vocals all playing their part as the song refuses to stand still.
Rivaldo has stated that it was the sounds of German-Senegalese group Mark Ernestus' Ndagga Rhythm Force and the UK-based project Hidden Orchestra that had the biggest impact on the album’s sound, and it is certainly possible to see the affect of the latter in the mixture of field recordings and percussive symphonic jazz. For this record, Rivaldo has worked with a small ensemble of Nicolás Lapíne on trumpet, Ignus and drums and Federico Estévez on percussion, as well as invitees such as flautist Mariana Iturri and violinist Alex Musatov. With Rivaldo himself adding guitar, synth, bass and piano, the effect is of a modern chamber orchestra and the drama that can bring. Opening track “Seguí” is a great example with its crashing piano chords and pulsating violin, and there’s no denying the euphoria of a track like “Oasis”, whose woozy trumpets can’t help but recall prime Beirut.
But there’s a reason Rivaldo is thought of so highly within the folktronica scene, and it’s for his attention to detail. No two tracks on the album are the same, it goes from the percussion-heavy “Migrante”, whose breakbeat and jerky synths show a love for hip-hop and 80s funk, to a beguiling track like “Azufre” that has a vaguely-Caribbean cadence until a tenor sax solo from Camila Nebbia takes it into more overtly-jazz territory. Then there’s a track like “Periferia” whose use of close- mic’d percussion makes it feel like the speaker is literally shaking with rhythm, alongside “Tac Tac Tac” that is full of warm, reverberant bass notes, albeit offset by hand claps and the only-discernible vocal on the album. With this in mind, it should be no surprise that Rivaldo is also a luthier, using some of the instruments he’s created on the album; there is a meticulous mind at work. Espuma de Mar is that rare beast, an example of an artist reinventing themselves, yet somehow sounding completely like they’ve always sounded. As Bandcamp once said in a feature on Barrio Lindo, his music is “carefully composed, revealing an underlying sense of wonder and joy”, and this continues on his latest, an album that is destined to provide someone else with an epiphany as they get lost in the music on their headphones, whether that be in Japan or elsewhere.

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LP | 2022 | AR | Original (Shika Shika)

Espuma De Mar

Release: 2022 / AR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

White vinyl. Original inner sleeve

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Tape | 2014 | EU | Original (Project: Mooncircle)

Menoko Purple Tape

9,99 €*

Release: 2014 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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In the native tongue of the South American tribe Mapuche, there exists the word ‘MENOKO’. Deep within the Andean Forests there are sacred places, springs of purity known as Menokos. Hidden and untouched by man or animal, they are whispered, home of virgin water. Womb of the natural cycle from which plants and herbs of extraordinary medicinal abilities are nurtured.

Barrio Lindo feels a strong bond to the native tribes of his Argentinian home. Ancestral cultures are of great importance, providing a wealth of inspiration. An instrument maker by trade, using his bare hands he constructs many ethnical instruments like Andean flutes, African harps, string instruments from India and so on. This fascination with indigenous sounds is reflected within his music and themes with the use of samples and tribal instrumentation. While understanding his work is far from that of the native cultures, he finds ways to incorporate these influences through fusions of sounds. Drawing a parallel, worlds both old and new align.

‘Menoko’ comes on limited purple double vinyl (including download code) as well as a limited handmade and handpainted purple cassette edition (including download code).

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Menoko Purple Vinyl Edition

2LP | 2014 | EU | Original (Project: Mooncircle)

18,99 €*

Release: 2014 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 2022 | EU | Original (Mute)

Back To The Cat

29,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Barry Adamson Incorporated)

Cut To Black

31,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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I Will Set You Free Colored Vinyl Edition

LP | 2022 | UK | Original (Mute)

28,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Know Where To Run Colored Vinyl Edition

LP | 2022 | UK | Original (Mute)

31,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Memento Mori (Anthology 1978-2018) Limited Edition

2LP | 2018 | UK | Original (Mute)

Release: 2018 / UK – Original

Genre: Rock & Indie

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LP | 1995 | UK | Reissue (Mute)

Oedipus Schmoedipus

28,99 €*

Release: 1995 / UK – Reissue

Genre: Rock & Indie

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Steal Away Colored Vinyl Edition

12" | 2022 | UK | Original (Mute)

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Mute)

Stranger On The Sofa

32,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2006 | UK | Reissue (Mute)

Stranger On The Sofa

30,99 €*

Barry Biggs / Clarence Wears

Release: 2006 / UK – Reissue

Genre: Organic Grooves, Classical Music

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. Red vinyl Limited edition. 2022 reissue.

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Work All Day / Working Mood

12" | 1976 | EU | Reissue (Onlyroots)

Release: 1976 / EU – Reissue

Genre: Reggae & Dancehall

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Barry Biggs hit song from 1976. On the flip, Clarence Wears guitar version. Both (vocal & guitar) followed by its dub.

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Illusiondj Duckcomb Remix

12" | 2023 | UK | Original (Emotional Rescue)

16,99 €*

Release: 2023 / UK – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Noted reggae vocalist Barry Biggs comes under the Emotional Rescue microscope here with celebrated LA digger Patrick Billard aka DJ Duckcomb remixing one of his cuts. First up is the original version of 'Illusion' which has big pianos over the clean digital dub. The soaring vocal is obscured by plenty of lush effects and melodies. After a version twists and contorts the original, the DJ Duckcomb Discomix slows things down and ups the dazzling disco vibes but keeps the dub dubby bottom end to ensure plenty of dance floor impact. This is a classy one as ever from this label.

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Very Best Of - Storybook Revisited

LP | 2022 | UK | Original (Burning Sounds)

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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7" | 1981 | JM | Original (Afrik)

Wide Awake In A Dream

3,99 €*

Release: 1981 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

You're Welcome / Welcome Rock

10" | 2022 | EU | Original (Afrik)

Greatest Hits (Hot Shots)

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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Barry Bigg, killer roots tune from the 70's with King Tubby's Dub. On the flip, Robbie Lyn previously unreleased keyboard version.

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Barry Blue

LP | 1974 | DE | Original (Bell)

6,99 €*

Release: 1974 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Release: UK

Genre: Reggae & Dancehall

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LP | 2023 | EU | Original (Thompson Sound)

Barry Brown

Can't Stop Natty Dread

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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7" | 2011 | UK | Reissue (Jamaican)

Barry Brown

Cool Pon Your Corner

Release: 2011 / UK – Reissue

Genre: Reggae & Dancehall

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It A Go Dread / Dub / Version

Barry Brown / King Jammy

12" | 2021 | EU | Original (Golden Gems)

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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LP | 2023 | EU (Radiation Roots)

Barry Brown

Love And Protection

Barry Brown Meets The Scientist

Release: 2023 / EU

Genre: Reggae & Dancehall

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During the late 1970s and early 1980s, Barry Brown was one of the handful of upcoming artists that came to define the emerging dancehall style as a singer with a distinctive high tenor that was instantly recognizable, and one which inevitably made a lasting impression on the listener. His lyrics were witty, gritty, and full of gusto, typically addressing the trials and tribulations facing the underprivileged, but also celebrating the positive aspects of ghetto life, including the irresistible lure of the local sound systems, the need to enjoy a loving relationship with a woman, and the various other joys one may encounter along the way. Most of the work on Love & Protection, an intriguing compilation that surfaced in the mid-1990s, brings us back to Barry Brown’s peak period as heard on the Cool Pon Your Corner and Far East LPs, along with the original unembellished mixes of two EPs released by Black Roots, as well as some harder to trace material, such as the vibrant digital title track. Running the gauntlet from ‘reality’ tunes to dance numbers to songs of loving romance and everything in between, it ultimately emphasizes Barry Brown’s impressive versatility, highlighting the important role he played in the shift from roots to dancehall.

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At King Tubby's With The Roots Radics

LP | 1997 | EU (Radiation Roots)