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Nancy Sinatra & Lee Hazlewood

Release: 1972 / US – Reissue

Genre: Rock & Indie

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The final instalment to the trio of masterpieces from the legendary British rock group, The Groundhogs' gets a special reissue for first time since 1991 on yellow vinyl. Treading more progressive realms 'Who Will Save The World' sees Tony McPhee moving away from the blues territory of their earlier releases and towards a heavier more psychedelic sound. Achieving Top 10 album success back in 1972, 'Who Will Save The World' is the last record that features the classic line up of Tony McPhee, Pete Cruickshank and Ken Pustelnik. A definitive collector's item as part of the ongoing Fire catalogue campaign. This special reissue features the iconic artwork accompanied by a deluxe comic book insert, a bumper sticker and postcard, along with sleeve notes and an interview with the original Marvel artist Neal Adams. Also includes a bonus download of an unreleased live recording from their final live show in Pocono, USA.

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Nancy & Lee Again Big Red Balloon Swirl Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

30,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* LP available on Standard Black Wax plus Special Limited Color Editions
* First ever reissue of Nancy & Leeâ€™s 1972 classic
* Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€
* Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin
* Vinyl pressed at RTI
* Beautifully packaged and expanded gatefold LP featuring a 20-page booklet
* Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea
* Never-before-seen photos from Nancy Sinatraâ€™s personal archive
* CD housed in a digipak and featuring a 28-page booklet
* 8-track also available
* Actual LP pressing color may differ from mock-up image

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Nancy & Lee Again Nancy’s Bootique Edition pressed on Tippy Toes Teal & White Swirl Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

31,49 €* 41,99 € -25%

Millie Jackson Black Vinyl

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Millie Jackson

LP | 1972 | UK | Reissue (Southbound)

Free Will Aaa Remastered Edition

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Millie Jackson’s second album “It Hurts So Good” is a stone cold classic and climbed into the US Top 30 when released in 1973. Not only does the album contain the evergreen ‘I Cry’ but other smoking tracks like ‘Good To The Very Last Drop’ and ‘Now That You Got It.’

Recorded at her first session at Muscle Shoals, the title track and ‘Love Doctor’ not only appeared on this LP, but on the big screen in the film Cleopatra Jones starring Tamara Dobson. Issued as a single, ‘It Hurts So Good’ became Jackson’s biggest US chart hit peaking at #24. ‘Help Yourself’ and The Ashford and Simpson-penned ‘Don’t Send Nobody Else’ were also recorded at Muscle Shoals. The balance of the album was recorded in New York sessions with tracks like the finger-popping ‘Close My Eyes’ equal to anything Holland-Dozier-Holland were putting out at that time.

For fans of soul and Millie Jackson this album is essential.

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Gil Scott-Heron

LP | 1972 | UK | Reissue (Flying Dutchman)

30,99 €*

LP | 1972 | US | Reissue (Craft)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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All analogue re-mastering projects, to bring the listener as close to the sound captured on tape as possible, it pressed on 180 gram vinyl.

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Esther Marrow

Sister Woman

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | UK | Reissue (Westbound)

Fatback Band

Lets Do It Again

23,99 €*

7" | 1972 | UK | Reissue (Dynamite Cuts)

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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Formed by drummer Bill Curtis in 1970 the Fatback Band signed to Perception Records who issued this debut album in America in 1972.Recorded at Blue Rock Studio in New York, “Let’s Do It Again” featuring the soon to be patented Fatback sound, the album included originals like ‘Street Dance’ – that became a Billboard R&B hit in 1973 – ‘Free Form’, ‘Take A Ride (On The Soul Train)’ , ‘Give Me One More Chance’, ‘Goin’ To See My Baby’ and the title track. There were also cover versions of Jimmy Webb’s ‘Wichita Lineman’, David Gates ‘Baby I’m A Want You’ and the evergreen ‘Green Green Grass Of Home’. SIDE ONE1. STREET DANCE2. FREE FORM3. TAKE A RIDE (ON THE SOUL TRAIN)4. WICHITA LINEMAN5. BABY, I'M A WANT YOUSIDE TWO1. LET'S DO IT AGAIN2. GOIN' TO SEE MY BABY3. GIVE ME ONE MORE CHANCE4. GREEN GRASS OF HOME

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Rodriguez

Sugar Man

16,99 €*

LP | 1972 | Reissue (Rhino)

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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Just had to do it, this timeless classic "Sugar man" by Sixto Rodriguez. An immense tune. OG released on the funk and soul label; Sussex records. With a top line up of musicains - Bob Babbitt on bass and Dennis coffey on Guitar; Gordon Staples did the stunning Strings arrangment and Mike Theodore producer... This was previously issued as a 7" in the 70s, but sell for well over £100.00. We have used the OG White colour sleeve design instead of the South African issue with a black sleeve, in keeping with format styles. On the flip we have take another track from the LP "Only good for conversation" Heavy groove with nice bass drum loop, it has a Eugene McDaniels vibes. x500 copies Don;t miss out!!! credits releases June 21, 2024

Sixto Rodriguez Vocals, Acoustic Guitar Bob Babbitt Bass Andrerw Smith Drums Dennis Coffey Electric Guitar Gordon Staples Leader [Strings] Mike Theodore Arranged By , Keyboards Carl Reatz Baritone Saxophone, Leader, Trombone Bob Pangborn Percussion Theo-Coff Productions Producer Dennis Coffey & Mike Theodore Producer, Arranged By Detroit Symphony* Strings

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Genesis

Foxtrot

31,99 €*

Release: 1972 / Reissue

Genre: Rock & Indie

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Grown In U.S.A. Black Vinyl Edition

Homer

LP | 1972 | EU | Reissue (Guerssen)

LP | 1973 | US | Reissue (Perception)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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With their roots traced in two legendary 60s garage bands, The Outcasts and The Stoics, Homer were without doubt one the best psychedelic / hard-rock outfits coming out from Texas. “Grown in U.S.A” was their only album, released as a private pressing in 1970. Rural psychedelic rock with early prog hints fueled by stunning lead / dual guitar, melodic vocals and occasional mellotron.

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Tyrone Washington

Roots

LP | 1973 | US | Reissue (Fantasy)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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used by Krs One for 'sound of the police'

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Natural Essence

In search of happiness

Release: 1973 / US – Reissue

Genre: Organic Grooves

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LP | 1973 | EU | Reissue (Atlantic)

Donny Hathaway

Extension Of A Man

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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LP | 1973 | EU | Reissue (Musik Produktion Schwarzwald)

Baden Powell

Images On Guitar

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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LP | 1973 | EU | Reissue (Columbia)

Billy Joel

Piano Man

Release: 1973 / EU – Reissue

Genre: Pop

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LP | 1973 | US | Reissue (Sound Stage)

Ann Sexton

Loving You, Loving Me

19,99 €*

LP | 1973 | UK | Reissue (Pure Pleasure)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Extremely popular on the Northern Soul scene, Ann Sexton's 1973 full-length 'Loving You, Loving Me' gets reissued on vinyl, including reproduced artwork and labels.

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Billy Harper

Capra Black

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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LP | 1973 | BR | Reissue (Polysom)

Marcos Valle

Previsao Do Tempo

39,99 €*

Revolucion Electronica En Musica Venezolana

Release: 1973 / BR – Reissue

Genre: Organic Grooves

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This is a 180g pressing. Powered by the jazzy electronic feel of Azimuth, Previsao Do Tempo is a highlight in the Valle discography. This beautiful batch of tracks Marcos Valle has him pushing way past his bossa work of the 60s – into a cool 70s mix of electronics and sexy scoring, for a sound that's a mix of Brazilian rhythms with other styles that evoke Italian soundtracks and French pop backing.

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Chelique Sarabia

LP | 1973 | EU | Reissue (Pharaway Sounds)

Tadao Sawai,Kazue Sawai,Takeshi Inomata,Norio Maeda,Hozan Yamamoto

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Ultimate space-age exotica trip from Venezuela.
In the early 70s, well-known composer and arranger Chelique Sarabia (who penned the famous “Ansiedad” when he was just a kid) decided to register an album of traditional & folkloric songs from Venezuela but giving them a modern touch, using especially developed equipment (M.R.A.A.), based off of the principles of the Moog.
Chelique, helped by a team of gifted musicians, employed traditional instruments like the cuatro and the bandola llanera, filtering them through oscillators, playing with feedback, tape delay, synthesized frequencies, echoing sounds… The result was “Revolución Electrónica en Música Venezolana”, an album with a truly exotic, psychedelic, and ahead of its time sound.
Originally, the album was sponsored by the Shell Company in Venezuela, given away to customers, employees and friends of the company as a Christmas gift in 1973. It was titled “4 Fases del Cuatro - Música Venezolana desarrollada Electrónicamente por Chelique Sarabia” (“4 Phases of Four – Venezuelan Music Electronically Developed by Chelique Sarabia”). Once the exclusivity period with the petrol company was over, Chelique did a commercial release, this time under the name of “Revolución Electrónica en Música Venezolana” (“Electronic Revolution in Venezuelan Music”). Thanks to this, Chelique and his team were considered electronic music pioneers in Latin America.
“In the past five decades, there have been many attempts at modernizing the vast folkloric tradition of Venezuela, but nobody has reached the level of depth that CHELIQUE SARABIA did when he put his impeccable reputation as a composer and arranger at risk with this out-of-the-blue revolutionary musical manifesto in 1971. 47 years later, an album that remains ahead of its time.” - Alex Figueira (Fumaça Preta)

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Jazz Rock

LP | 1973 | EU | Reissue (Mr Bongo)

Game, Dames And Guitar Thangs

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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They say you can't judge a book by its cover, and going by 'Jazz Rock', nor a record by its title. Though entering into jazz territory and featuring some distorted guitar, 'Jazz Rock' is more a beautiful marriage of funky breakbeat drumming and spiritual jazz instrumentation, combined with traditional Min'y music performed on the koto and shakuhachi.
Originally released in 1973, the record sounds simultaneously vintage and contemporary. It is akin to something Madlib might dream up whilst lost in Japan collaborating with Min'y players at a recording session. The record features some amazing shakuhachi (bamboo flute) playing by Hozan Yamamoto, which gives the music a haunting, dreamlike atmosphere. You can almost visualise the long grass blowing in the wind, and ear the bamboo rustling in the distance on a long hot summer's day. Takeshi Inomata, Tadao Sawai and Kazue Sawai anchor the session. Takeshi's exceptionally funky-drum work will almost certainly get some producers dusting off and firing up their MPC's. Whilst Kazue and Tadao work their magic on the koto (a traditional string instrument). Though certainly not an ambient record, 'Jazz-Rock' has the same meditative, other-worldly quality that invites you to sit back, listen and be transported somewhere else. Unfortunately, until now the 'Jazz Rock' album is a scarcity that commanded a high price-tag only for the most hardened of record collectors. So it is pleasure to make it accessible to all, and we hope you dig this lost, obscure future classic as much as we do.

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Eddie Hazel

LP | 1973 | US | Reissue (Real Gone Music)

32,99 €*

Release: 1973 / US – Reissue

Genre: Electronic & Dance

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Philippe Maté / Jef Gilson

Workshop

LP | 1973 | EU | Reissue (Souffle Continu)

LP | 1973 | EU | Reissue (Be With)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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In October 1974, the first number of “L'Indépendant du Jazz”, a small self-produced magazine DIY -before punk supposedly invented the concept- was launched by Jef Gilson, Gérard Terronès, Jean-Jacques Pussiau and a few other specialists of a different kind of jazz in France, it looked at the already long career of Jef Gilson and in detail at the album with saxophonist Philippe Maté : “The ‘Workshop’ is, with Philippe Maté (alto-sax), an undeniable success. Maté is genuinely ‘the’ most inventive French saxophonist since Michel Portal burst onto the jazz scene (who has also worked with Jef Gilson on both “Enfin” and “Gaveau”).” Even though the author of the article is a mysterious I.H. Dubiniou, and it is difficult to know if it is a real person or a pseudonym used by one of the merry bunch, it is also tempting to hear it as what Jef Gilson really thought about his new discovery. Even more so as the two men would work together over a long period, as Maté became one of the key figures of Gilson’s Europamerica orchestra up until the 1980s. Philippe Maté had started to make a name for himself with the Acting Trio when they released an album on the BYG label in 1969, and he was also one of the regular sidemen for the Saravah studios (he can notably be heard on albums by Higelin, Fontaine or his cult duo album with Daniel Vallancien). The album was recorded on 4 February 1972, at the Foyer de Montorgueuil, where Gilson had set up his studio, with more or less the same team found on “La Marche Dans Le Désert” by Sahib Shihab + Gilson Unit (recorded ten days later). This was drummer Jean-Claude Pourtier and pianist Pierre Moret (regular Gilson accomplices since “Le Massacre Du Printemps”), alongside Maurice Bouhana and Bruno Di Gioa on various percussions and/or wind instruments. On bass is Didier Levallet, of the now mythical Perception, (Jean-François Catoire would replace him with Shihab) and Philippe Maté who took top billing, rather than the American saxophonist afterwards. The two albums are however quite different. This “Workshop” is more abrasive, more free. Made up of two long improvisations each of over 22mn, “L'Œil” on side A and “Vision” on side B (Gilson specialists would recognise the nod to one of his albums from the 60s), the album plunges you into the depths, attempting to drown you in electronic waves, dragging you back to the surface by the collar, giving you a good shakedown, before showing you the light, leaving you breathless on the shore after 46mn of the most intense music French has to offer. “An undeniable success”, they said.

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Tonio Rubio

Rhythms

Spectrum Crystal Clear Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Soundtracks

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Wow! Tonio Rubio's Rhythms is a stone-cold killer, a heavyweight library breaks LP and the inaugural release in Be With's new partnership with legendary French library label Tele Music. Yes, you lucky people, there's lots to come. For this extremely special 50 year anniversary re-issue, we've reproduced the classic Tele Music sleeve with a full colour insert featuring rare photographs, fresh liner notes and personal memories of Tonio from the likes of Jean-Claude Vannier, Jean-Claude Petit and Janko Nilovic.

Sumptuous opener “Latin Leitmotiv” is all funky phasing effects and a killer montuno, with what sounds like piano and bass in tandem, stoking straight up Latin fire. The gritty hard funk of blaxploitation groove "Red Medium" is dripping in wah-wah attitude and head-nod oddness. The atmospheric, exotica-tinged "Dead Slow" emulates the languid, sensual afro groove of Quincy Jones’ wild masterpiece “Gula Matari” whilst the proggy, electric jazz fusion epic "Rock 73" is 9+ minutes of moody, rolling menace.

But the *real* highlight of this cult classic - and why it has long been *so* desirable - is the devastating, deep, hypnotic minimalist groove of "Bass In Action N°1". Very much in conversation with Quincy's rendition of "Hummin'", the loping, rumbling bassline and sweet electric piano over clean, crisp drums making it one of those tracks that sounds like a hip-hop beat 20 years ahead of time. Sensational. “Bass In Action N°2“ features Tonio's own vocal scat performance. Remarkable.

Antonio "Tonio" Rubio Garcia got his start playing the double bass in jazz clubs. In 1962, Tonio joined the Golden Stars, the first backing band of France’s teenage idol Johnny Hallyday. A genius musician with a unique guitar sound, he played on standards of French chanson including Serge Gainsbourg and Brigitte Bardot’s "Bonnie and Clyde", Françoise Hardy’s "Tous les Garçons et les Filles", Gainsbourg and Jane Birkin’s "Je T’aime, Moi Non Plus" and Serge and Charlotte Gainsbourg’s infamous "Lemon Incest". Tonio also lent his brilliance to such legendary figures as Janko Nilovic, Jean-Claude Petit, Hervé Roy, and Jean-Claude Vannier. The latter remembers Tonio as “a secretive, mysterious man, with an endearing personality, albeit difficult to reach out to. His virtuosity as a bass player allowed me to write very innovative basslines, because he was able to play any of my eccentricities!”

The audio for Rhythms has been remastered by Be With regular Simon Francis whilst Christopher Stevenson has brought the original and iconic Tele Music sleeve back to life in all its striking glory as the finishing touch to this long overdue re-issue.

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Billy Cobham

LP | 1973 | EU | Reissue (Warner)

It Hurts So Good Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Reissue as a part of the Start Your Year Off Right Kampagne von Warner. Gepresst auf 140g Crystal Clear Vinyl, mit direct to board gatefold jacket / black poly-lined sleeve / Syeor sticker. Cobham's debut record after making a name for himself collaborating with Miles Davis and the Mahavishnu Orchestra remains a remarkable moment in progressive jazz. "Stratus" would later be sampled on Massive Attack's "Safe From Harm" and featured in Grand Theft Auto IV radio. (Original RD: October 1973)

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Millie Jackson

LP | 1973 | UK | Reissue (Southbound)

Closing Time 2lp Half Speed Master 50th Anniversary Black Vinyl Edition

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Millie Jackson’s first single was released on the MGM label in 1969 but her career took off when she signed to Spring where she teamed up with producer Raeford Gerald.

The single ‘A Child Of God (It’s Hard To Believe)’/ ‘You’re The Joy Of My Life’ was a Top 30 R&B hit and ‘Ask Me What You Want’/‘I Just Can’t Stand It’, ‘My Man, A Sweet Man’/‘I Gotta Get Away From My Own Self’ and ‘I Miss You Baby’/‘I Ain’t Giving Up’ not only did more damage on the R&B chart but also entered the Hot 100.

All four singles appeared on her debut LP “Millie Jackson”, issued on Spring in 1972.

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Tom Waits

2LP | 1973 | EU | Reissue (Anti)

32,99 €*

LP | 1973 | EU | Reissue (Lantern)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Closing Time foreshadows the distinctly lyrical storytelling and original blending of jazz, blues, and folk styles that would come to be associated with Waits. It is on this debut album that Waits performs enduring classics of his career “Ol’ 55” (famously covered by the Eagles), the heartbreaking “Martha” and the gentle acoustic folk of “I Hope That I Don’t Fall In Love With You”. Reissued for the first time as a double LP to commemorate the 50th anniversary of the landmark debut with newly half speed mastering at Abbey Road Studios.

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Tapper Zukie

Man Ah Warrior

The Master Black Friday Record Store Day 2023 Purple Marbled Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Reggae & Dancehall

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Brand new reissue for the epic Tapper Zukie's first album, originally released in 1973. Supervised by the original producer Clement Bushay! Zukie never expected these cuts to turn into an album, and was quite startled to discover this record in the London shops when he came to town in the spring of 1975. After 50 years “Man Ah Warrior” is still a lively and unique collection. The bassline and trademark guitar sound from The Temptations’ “Papa Was a Rolling Stone” is instantly recognizable in the title track with the riddim featuring just drum, bass, and riffing guitar. “I King Zukie” is a big tune, an interplay between the soulful vocal of “I Dont Know Why I Love You” (originally done by Stevie Wonder) and Tapper Zukie’s toasting. All in all a series of remarkable tunes such as the wicked “Viego”, the hypnotic “Cally Dolly” and “Zukie Fashionwear” with a big trombone and at the beginning Willie Williams (although Delroy Wilson is mentioned in the song) singing lines from the Temptations song “Get Ready”.

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Chico Hamilton

LP | 1973 | Reissue (Concord)

42,99 €*

LP | 1973 | EU | Reissue (Elemental Music)

Release: 1973 / Reissue

Genre: Organic Grooves

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Quantity: 2000
Release type: 'RSD First' Release

50th anniversary edition of Chico Hamilton’s latin soul jazz classic recorded for Stax with backing from Lowell George and Little Feat. Remastered and lacquers cut by Jeff Powell at Take Out Vinyl and pressed on 180-gram Purple Marble vinyl and housed in a tip-on jacket.

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Tom Ze

Todos Os Olhos

LP | 1973 | EU | Reissue (Music On Vinyl)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Todos Os Olhos is one of the most important Brazilian records of all time. Tom Zé is considered the most “paulista” of all Tropicalistas. He came from Bahia, but his wry urban poetry, infused with the uncomfortable sounds of the largest metropolis of South America, is pure Sao Paulo.

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Blue Öyster Cult

Tyranny And Mutation

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Annette Clarke / Lee Perry

Sinner Man

7" | 1973 | UK | Reissue (Harlem Shuffle)

LP | 1973 | JP | Reissue (Three Blind Mice)

Release: 1973 / UK – Reissue

Genre: Reggae & Dancehall

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Both tracks were written and produced by Lee Perry. This is the first time ever these two complementary tracks have been released together. The A side is the first ever reissue of the gorgeous Sinner MAN by Annette Clarke. This rare track was initially released as the B side of Just ONE Look, also performed by Annette Clarke on the Technics label in the UK only in 1973. The B side Sinner MAN DUB is a very rare Lee Perry Dub version of the A side. It was released only once as a single for a Lee Perry box of 8 very rare singles by Trojan in 2005. The box is now also very rare.

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Teruo Nakamura

Unicorn

52,99 €*

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Where Are We Going / Woman Of The World

Marvin Gaye

7" | 1973 | UK | Reissue (Expansion)

LP | 1974 | EU | Reissue (Music On Vinyl)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Recorded in 1973, these two gems were originally album tracks on Marvin’s “You’re The Man” LP. Now these two and only gems curated by the Mizell Brothers are back to back for the first time on a 7” single.

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Shuggie Otis

Inspiration Information

LP | 1974 | BR | Reissue (Polysom)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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180g vinyl!

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Pedro Santos

Krishnanda

39,99 €*

Release: 1974 / BR – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Virgin)

Queen

Sheer Heart Attack

Release: 1974 / EU – Reissue

Genre: Pop

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LP | 1974 | EU | Reissue (Virgin)

Queen

Queen II

31,99 €*

Release: 1974 / EU – Reissue

Genre: Pop

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LP | 1974 | EU | Reissue (Warner Music Poland)

SBB

18,99 €*

Autobahn Translucent Blue Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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This is 180g vinyl.

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Kraftwerk

LP | 1974 | UK | Reissue (Parlophone)

Release: 1974 / UK – Reissue

Genre: Electronic & Dance

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2LP | 1974 | EU | Reissue (Reprise)

Neil Young

Carnegie Hall 1970

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Emerges Black Vinyl Edition

Stone Harbour

LP | 1974 | EU | Reissue (Out-Sider Music)

23,99 €*

Autobahn 2009 Remastered Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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The absolute king of lo-fi basement psychedelia, originally released as a private pressing in 1974 by this duo from Ohio. From dreamy melancholic tracks to insane fuzzed-out heavy psych ones.

“Two multi-instrumentalists creating a melancholic dreamlike state with songs fading in and out of the speakers, cavemen drums, primitive electronics and murky fuzz lurking in the background. The best tracks go into places no other albums reach” Patrick Lundborg (Acid Archives). " ‘Emerges’ as in slowly from the primordial sludge of the universe. 'Emerges' like a slow, slouching spectre hauling itself out of the swamps. But then what's a boy to do?

It's 1974, you're young and have a head full of Hawkwind and Roky and the Elevators, old brutalist blues in the Hound Dog Taylor / Fred McDowell backwoods whisky-fucked mode, freakfolk and LSD; you're stuck in Hicksville, USA - that's Youngstown, Ohio to you lot; the music scene sucks; glam's dead or dying slowly; punk a good year of so from even starting to get itself born. Town's too damn small to even muster up a band in. It's just and your buddy and that's it, man.

So you grows your hair and wear satin, wander wide-eyed and tripping across small town railway tracks and hang loose at the weekend in your basement. You gather a bunch if cheapo instruments on the never-never and you start cutting low-fi bedroom demos. Slowly, slowly Stone Harbour emerge.

Stone Harbour were Ric Ballas - electric, acoustic and slide guitars; organ; piano; synthesizers; bass guitar percussion and voice - and Dave McCarty - lead vocals, drums and percussion... and out of nowhere and nothing, at entirely the wrong time, they cut an LP that will blow your head clean off. This is a trip into the true dark heart of psychedelia.

The music? What can I tell you? ‘You'll be a star’ shimmers and aches in the midnight; cymbals wash over you, Dave McCarty's vocals emerge from some subterranean cave and the keyboards flicker, flicker, flash across the periphery of the song; ‘Rock & Roll Puzzle’ is dark, twisted fried garage punk blues brutality in the same mould as 'White Faces' or 'Cold Night for Alligators', pre-empting The Gories and Pussy Galore by a good ten years!!

"Who invented rock & roll? And who invented soul? Was it you or was it me?" Indeed. Songs fade in and out; finger-picking blurs into screaming squeiching synths; guitars melt in the mid-summer heat. ‘Grains of Sand’ frazzles like The Stooges through a fucked-up amp and filtered through a transistor radio with the valves burning out.

‘Thanitos’ is the freak-out ending of ‘Julia’s Dream’ lost in suburban downtown US of A with the taillights cutting on the freeway... whilst ‘Summer Magic is Gone’ is the most haunted, haunting song I've heard in many a long strange moon. Shimmers like stars in the 2am fug and haze and bleeds lost and lonely and bruised into the heat-warped dawn. You're still awake though the brain don't work like it used to. Blurred and bleary and exhilarated and stoned the very core of the soul. Best record I've heard all year." Hugh Dellar (Shindig!)

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Kraftwerk

LP | 1974 | EU | Reissue (Parlophone)

12" | 1974 | EU | Reissue (CBS)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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includes 12 page booklet

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Elkin & Nelson

Jibaro Red Vinyl Edition

17,99 €*

LP | 1974 | EU | Reissue (Real Gone Music)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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A true Balearic classic. One of a handful of records that can comfortably boast this title, Elkin & Nelson's 1979 classic 'Jibaro' sits in the canon of selections that enlightened the ears of the jet-set and globe trotting music fanatics in the heady and much storied years of the White isle in the 1980's. The Colombian brothers Javier and Leon Marin Velez brought their own rustic brand of folksy-Rock-Psychedelia to the listening public in 1974 with their debut LP 'Angeles Y Demonios' on Columbia records. The brothers had relocated to Spain, snared a major label deal and ran with it. The first of 3 LP's it proved a big hit in later years with adventurous DJ's and selectors. A cult record you might say. Of course, this LP featured 'Jibaro' in all it's forms, but it is this 1986 reissue 12" promo pressing with it's iconic, distinctive jacket that was the coveted slab sonic adventurers were seeking. Fully sanctioned and legitimately remastered from the original sources and packaged in it's original Columbia promo sleeve 'Jibaro' is back on the shelves, still an incredible record that gets pulled by the most discerning selectors across the globe. A true classic, featured here in it's long and short versions as per the '86 release. Absolute top-shelf stuff here, essential, must own and classic.

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Soul Searchers

Salt Of The Earth

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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LP | 1974 | JP | Reissue (Groove Diggers)

Weldon Irvine

In Harmony

LP | 1974 | JP | Reissue (Sony Music Japan)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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* Originally released in 1974 on the famed spiritual jazz label Strata-East * New remastering * Japanese Obi-strip In Harmony' is the fourth album by American jazz pianist and composer Weldon Irvine, released in 1974 on the famed spiritual jazz label Strata-East and acclaimed as one of his finest catalog in his early career. P-vine delightedly presents this great jazz album with new remastering just for this reissue!

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Tsuyoshi Yamamoto

Misty

39,99 €*

Promised Heights 50th Anniversary Colored Vinyl Edition

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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The second release by Tsuyoshi Yamamoto, one of the most popular works on the TBM label. A definitive disc by a Japanese piano trio, packed with lyricism, powerful swing and a variety of other jazz delights! (From series supervisor Koki Hanawa).

Remastered and cut by Bernie Grundman. Includes original reissue liner notes.

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Cymande

LP | 1974 | UK | Reissue (Partisan)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Love Ain't Nothin' But A Business Goin' On

Junior Parker

LP | 1974 | WW | Reissue (Mr Bongo)

LP | 1974 | JP | Reissue (Three Blind Mice)

Release: 1974 / WW – Reissue

Genre: Organic Grooves

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Next up in Mr Bongo's Groove Merchant Records reissue series, sees an outing for a much-loved and heavily sampled funk/soul/blues album by Junior Parker. Originally issued under the title The Outside Man on Capitol Records in 1970 with an alternative cover, this reissue replicates the Groove Merchant release titled Love Ain't Nothin' But A Business Goin' On featuring the car cover released in 1971.

The Mississippi-born, Memphis-based blues singer, harmonica player and songwriter Junior Parker (aka Little Junior Parker) had a stellar career in music. Since the early 1950s he released records on labels such as Duke, Mercury, United Artists Records and more. Sadly though, Parker died at the young age of 39 during surgery on November 18, 1971.

Originally released under the alternate title a year before his untimely death, Love Ain't Nothin' But a Business Goin' On is drenched in Parker’s trademark buttery vocals and soulful grooves, swaggering between smokey blues, raw funk outings and orchestrated soul ballads (with sublime arrangements by Horace Ott).

The album also features three Beatles cover versions in the form of ‘Taxman’, ‘Lady Madonna’ and ‘Tomorrow Never Knows’. For 'Taxman', Parker completely reinterprets the song taking into a New Orleans funk realm, a sample of which was used as the main hook line on Cypress Hill's classic 'I Wanna Get High'. Elsewhere, 'Tomorrow Never Knows' is flipped into a tripped-out, psychedelic soul-swamp blues ballad, whilst 'Lady Madonna' is given a funky blues makeover.

As shown with Cypress Hill’s use of ‘Taxman’, since the ‘70s Parker’s legacy has been immortalised for future generations through the deep well of samples that his music has become a source of. Tracks from Love Ain't Nothin' But a Business Goin' On have been sampled by some of the biggest names out there, such as A Tribe Called Quest, DJ Shadow and De La Soul.

A seriously smooth album oozing with soul and emotion from a Blues Hall of Fame inductee, Junior Parker’s Love Ain't Nothin' But A Business Goin' On is a superb example of the early ‘70s crossover funk/soul sound.

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Isao Suzuki Quartet + 1

Blue City

52,99 €*

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Universal)

Heart

Dreamboat Annie

18,99 €*

LP | 1975 | EU | Reissue (Sommor)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP reissue of Heart’s seminal debut album Dreamboat Annie. Celebrating it's 40th Anniversary this year, the hard-rock opus featuring singles "Magic Man", "Crazy On You" and the angelic title track "Dreamboat Annie" will be reissued on 180-gram heavyweight black vinyl with download card included.

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Catch Up

Volume 1

Lonnie Liston Smith & The Cosmic Echoes

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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One of the best Jazz-Funk-Fusion albums from the 70s Euro scene, featuring such giants as Charly Antolini (famous for his MPS recordings) on drums, Max Greger jr. on electric piano, Moog, Hammond, Mellotron and Milan Pilar on electric bass. Top notch jamming & soulful funky-jazz sound with some kraut-prog touches, recorded at the legendary Studio 70 in Munich and originally released in 1975 on the Calig label.
Including the rare-groove classic “Onkel Joe” and more.
Original artwork and master tape sound.

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Expansions

LP | 1975 | UK | Reissue (BGP)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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LP | 1975 | Reissue (Luaka Bop)

The Staples Jr. Singers

When Do We Get Paid

2LP | 1975 | UK | Reissue (Pressure Sounds)

Release: 1975 / Reissue

Genre: Organic Grooves

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The Staples Jr. Singers were part of a vanguard of soul gospel artists in the 1970s that broke from tradition to testify with the groove. They found their inspiration in the secular music they heard on the radio, and wrote songs that were nothing but stone cold soul.

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Yabby You & The Prophets

Conquering Lion

41,99 €*

Release: 1975 / UK – Reissue

Genre: Reggae & Dancehall

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Wilderness America, A Celebration Of The Land

LP | 1975 | EU | Reissue (Ebalunga!)

LP | 1975 | Reissue (Knitting Factor)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Before I’m gone I’d like to see us turn the corner and give up being spoilers of the land . . .

In 1975 Wallace ‘Wally’ Smith Broecker published a paper that popularised the term ‘global warming’ and against a backdrop of change and environmental uncertainty, a musical concept album was commissioned. ‘Wilderness America / A Celebration of the Land’ - is a musical exploration of our place within the cycle of living things. All compositions were specially commissioned for the album and blended with natural sounds recorded in the wild – lending the entire project a conceptual air that still feels fresh today.

The journey begins with the sun rising in the atmospheric haze of 'Dawn' - a track composed by new-age innovator Iasos. Gospel singer Walter Hawkins soon drops in with the soulful but ever so funky 'Metropolis' backed by a heavy array of session musicians with Patrick Gleeson, Ed Bogas and Tom Salisbury all adding their own misty magic to the album. David Riordan is the sorcerer conjuring up many of the compositions and also takes vocal duties on the evocative 'Mountain' and the climatic 'Before I'm Gone'.

‘Wilderness America / A Celebration of the Land’ was born when environmentalist Emily DeSpain Polk assembled a group of California residents to participate in a groundbreaking conservationist project. Christening the group Swap (Small Wilderness Area Preservation) Emily needed funds and began a project to produce a promotional nature based music album. To acquire the financial backing Emily would need to source a musician of some calibre. Contacting Cliff Branch from ‘Warehouse Sound Co.’ she was told the man she was looking for was David Riordan.

David Riordan had been around the music business for several years, first with The Yankee Dollar, then Sugarloaf and then Sweet Pain, he saw huge success with the single 'Green Eyed Lady'. David had worked on Cliff Branch’s 'Warehouse Sound Co. & Friends' albums and then released his solo album, 'Medicine Wheel'. But bored of touring he made the move to more concept-driven albums. First with ‘Christmas in San Francisco’ and then, in quick succession, 'Wilderness America, A Celebration Of The Land'.

Riordan, along with Peter Scott, a music producer friend in San Francisco, began piecing together an idea for the album. They brought in Ed Bogas to do string arrangements and Tom Salisbury to conduct. David had also asked his friend Patrick Gleeson if he knew of any R&B/Gospel singers in the Bay Area, and they soon added gospel singer Walter Hawkins into the mix.

Other than the track ‘Metropolis’, which was recorded in LA, the rest of ‘Wilderness America, A Celebration Of The Land’ was recorded and mixed by Richard Beggs at the San Francisco studio of Francis Ford Coppola. Coppola was filming ‘Apocalypse Now’ at the same time – so in between studio sessions, the musicians were able to view the seemingly never-ending film rushes arriving from the Philippines.

Eventually, the record produced by David Riordan and Peter Scott drifted onto the radar of vinyl obsessives and selectors as several of its key tracks began popping up on mixtapes and sales lists. It wasn’t long before this privately pressed, art-funded masterpiece became something of a holy grail for collectors. At long last, a re-issue of this masterpiece is now available on Ebalunga!!! Records.

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Fela Kuti

He Miss Road

Release: 1975 / Reissue

Genre: Organic Grooves

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Une Bien Curieuse Planète

François Jeanneau

LP | 1975 | EU | Reissue (Souffle Continu)

LP | 1975 | EU | Reissue (Greensleeves)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Paris, 1965. Pianist François Tusqueslaid the foundation stone of French-style free jazz with his first, soberly titled, album “Free Jazz”. Also in the team were several future key names of the French scene, (Michel Portal, Bernard Vitet, Beb Guérin, Charles SaudraisandFrançoisJeanneau) all of whom honed their skills at the beginning of the decade in JefGilson’s groups, althoughhe was none too fond of the turbulent new face of jazz at the time.Ten years later, Jef Gilsonhad obviously changed his tune, as the label Palmthat he had created in 1973 was now the launch pad for what would become the cream of French and international avant-garde jazz. This would notably be the case for François Jeanneauand “Une Bien Curieuse Planète”. His first album as leader (after brieflyerring into pop with Triangle) was recorded in 1975, a few months after “Watch Devil Go” by his old friend Jacques Thollot, and with more or less the same casting: Jeanneau on sax of course, Jenny-Clarkon bass and percussions, Lubatreplacing Tholloton drums and Michel Grailler(plucked out of Magma) was called in as a reinforcement for his completely ‘out of space*’ synthetiser sounds. Thus began a strange trip to a very strange planet, at the border of experimental jazz and swinging avant-garde.From 1960 to nowadays, from Georges Arvanitasto Laetitia Shériff, from Manu Dibangoto “Mama” Béa Tékielski, everyone has wanted to play with François Jeanneauat some point. There is a good reason for this. The saxophonist is a formidable improviser, but alsoa solid composer, as he demonstrates on this record with, for example, the monumental “Droit d’Asile”, the spooky “Theme For An Unknown Island” or the Coltranesque “Mr J.C. For Ever”. Over half a century later, the planet seems far more familiar to us. And François Jeanneau is always on the front line for a guided tour. Jérôme « Kalcha » Simonneau.

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King Tubby

The Roots Of Dub

LP | 1975 | EU | Reissue (Greensleeves)

Release: 1975 / EU – Reissue

Genre: Reggae & Dancehall

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Two albums that shook the world! The release of these two ground-breaking dubs sets in 1975 altered the course of modern music forever. Dub From The Roots & Roots Of Dub make up a crucial selection of King Tubby’s mind-altering dub versions.
Produced by Bunny ‘Striker’ Lee – both albums are essential!

The ace reissue of these wicked dub albums collecting together classic 70's dub versions by dub pioneer and leader of ‘roots’ music in Jamaica, King Tubby! Tubby’s vast knowledge of electronics and Bunny’s vast catalogue of rhythms would lay the foundations of what today is taken as a standard. All the tracks on here are versions of classic tracks from Cornell Campbell, Johnny Clarke, Horace Andy, Linval Thompson, Derick Morgan & Hortense Ellis dubbed out by the King of Dub King Tubby!’

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King Tubby

Dub From The Roots

Funkadelic's Greatest Hits Black Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Reggae & Dancehall

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Funkadelic

LP | 1975 | UK | Reissue (Westbound)

LP | 1975 | UK | Reissue (Westbound)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Keenly awaited vinyl reissue of Funkadelic’s 1975 “Greatest Hits” collection on Westbound Records.

Known as “the sheep album” for its unique cover art, it is a stunning selection of highlights from the George Clinton-led group’s first six albums.

Gathering 45 mixes, LP versions and a unique edit of the instrumental ‘A Joyful Process’, it is a perfect entry point into the world of Funkadelic.

The original 1975 release suffered from a slightly tinny sound, so we have remastered to give you the full force of the music.

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Junie

When We Do

LP | 1975 | UK | Reissue (Westbound)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Never before reissued debut album by hit-making member of the Ohio Players Junie Morrison - the first of his much-sampled Westbound recordings. Junie is best known today as Funkadelic's late 70s keyboard player who wrote their worldwide hit 'One Nation Under A Groove'. "When We Do" was released on his departure from the Ohio Players, who decided to leave Westbound after the success of 'Funky Worm'. "When We Do" features Junie's unique mix of funk and soul, including the classic 'Tight Rope' and the title track as sampled by Lyrics Born. Junie, who died in 2017, was celebrated by Solange Knowles and Andre 3000 of Outkast on the track 'Junie' on her "A Seat At The Table" album from 2016. "When We Do" is reissued on vinyl for the first time since it's 1975 original release.

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Junie

Freeze

LP | 1975 | US | Reissue (Discos Fantastico)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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In the wake of their hit, 'Funky Worm', the Ohio Players quit Westbound Records and keyboard and vocal wizard Junie quit the Ohio Players. He immediately set out on a solo career that was less commercial than his erstwhile colleagues, but musically intriguing. He recorded three solo albums for Westbound, with "Freeze" being the immediate follow up to his debut "When We Do". Recorded at the world-famous Ardent Studio in Memphis, it saw Junie play every instrument, from a traditional rhythm section to a barrage of the latest synthesizer technology. The result was an avant-funk masterpiece that ranged from the sublime 'Not As Good As You Should' to the wild 'Granny's Funky Rolls Royce' which reprised the worm character and was later sampled by DJ Shadow. Junie would later join Funkadelic, originating their biggest international hit, 'One Nation Under A Groove', and touring the world. He died in 2017, a year after Solange and Andre 3000 from Outkast lauded him on the track 'Junie' from Solange's Grammy winning album "A Seat At The Table". The album is reissued in a facsimile of it's original cover, and is reissued for the first time ever

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Grupo Celeste

El Fabuloso

Release: 1975 / US – Reissue

Genre: Rock & Indie

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LP | 1975 | US | Reissue (Craft)

Johnny Hammond

Gears

37,99 €*

Release: 1975 / US – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Wewantsounds)

Yoshiko Sai

Mangekyou

7" | 1975 | EU | Reissue (Top Ranking Sound)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Wewantsounds is delighted to announce the release of one of Japan"s most coveted albums of the 70s, "Mangekyou" by singer-songwriter Yoshiko Sai. Produced in 1975 by Master musician Yuji Ohno, the album features Yoshiko Sai"s superbly crafted songs and crystal clear voice over Ohno"s lush, funky sound and breezy arrangements. A strong buzz has been growing around the album over the years and original copies now change hands for large sums of money. This is the first time "Mangekyou" is available outside of Japan, featuring remastered audio, original artwork and a 4 page insert including new liner notes by Paul Bowler.

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Pre-Historians

Free Yourself

12,99 €*

LP | 1975 | Reissue (Be With)

Release: 1975 / EU – Reissue

Genre: Reggae & Dancehall

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The Pre-Historians' legendary 1975 track "Free Yourself" is finally getting the 7" reissue it deserves. Produced by Junior Smith (The Itals) and Elias Stewart, this roots classic from Savanna-la-Mar, Jamaica, stands as a gold standard of 70s Roots music. Its powerful message remains as relevant today as ever. Special thanks to Richard McPherson for helping bring this essential reissue to life.

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Geoff Bastow

Music To Varnish Owls By

LP | 1976 | EU | Reissue (Music On Vinyl)

Release: 1975 / Reissue

Genre: Organic Grooves

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Music To Varnish Owls By. Does Geoff Bastow have a claim for the best album title of all time? It's certainly up there. It's also one of the hardest to find library funk records. But don't let the eye-catching name fool you into thinking this isn't serious business.

As a key member of Giorgio Moroder's team, the legendary Geoff Bastow shouldn't need any introduction. You'll be familiar with his singular brilliance as the brains behind the much-sampled boogie/disco classics "You Don't Like My Music (Hupendi Muziki Wangu?!)" and "Don't Stop", released by his group, K.I.D.

But 1975's Music To Varnish Owls By is where it all began for our hero.

It's packed with incredibly soulful, soothing music that - despite being utilised a few times by Knxwledge - remains still largely un-mined. So, beat-makers, get cracking. And instead of that hyper-rare original, spend that £300 on something else.

Born in 1949, Bastow was a Munich-based English songwriter and record producer. Originally working as a guitarist and pianist in dance bands around his home county of Yorkshire, he moved to London in the early 1970s and then Munich in around 1976. He was one of the main architects of the Munich disco sound of electronic innovator Giorgio Moroder and also released heaps of killer library records for legendary labels like Bruton (with brother Trevor), Impress, JW Music Library and the Munich-based Sonoton between the 1970s-2000s. Bastow died tragically young, in Berlin, Germany on 16 March 2007, at the age of just 57. But he left behind a truly incredible electronic music legacy. He deserves to be much better known and this reissue should bring him to a fair few more ears. Let's see why...

Light-hearted opener "The Rough With The Smooth" contains a killer open drum break and is basically guitar-drenched flute-laced piano-funk. However, the first genuine highlight, "Beautiful People", is just majestic. Reflective, pastoral and silky smooth - as the title suggests, it's just straight beautiful; a chiming, deeply soulful instrumental that has to be heard to be believed. Sampled by Knxwledge but nobody else of note, which is crazy. Slo-mo soul beat "Tumbleweed" is another stone cold track just desperate to be laced by a skilled MC. Laconic, lysergic funk with nostalgic overtones, the guitar is prominent but the flute and glock really elevate it to perfection.

"Bits And Bats" is clav-enhanced Blaxploitation-esque street-funk with tough bass and crunchy drums that, despite its hardness, manages to flirt with breeziness. All in all, sumptuous, pounding wah-wah brilliance. Another huge one, up next. The insistent piano-funk head-nodder "A Change Of Pace" is a total sleuth-funk jammer, with a wonderfully soft snare and more hypnotic, melancholic flute lines. Man, we'd love to hear Alchemist chop this up. It even sounds a bit like Bastow was keeping things thoro with this one. Closing out Side A, the bright and breezy Bossa of "Janelle" makes it a perfect run of six untouchable gems. As elegant as it is sleazy, it sounds like it could've been on the classic KPM greensleeve, Piano Viberations.

Side B opens with the Ramsey Lewis-inspired "Time And A Half", a deceptively simple bass, drums and piano workout, decorated with stylish percussion with some great chord changes and hints of drama via a great bass solo. The heavy "Supersplash" is a doped-out drama suite with fuzzy wah-wah guitars, electric piano and glock. "Fillet Of Soul" is a catchy wah-wah propelled shuffle with piano and vibes, super dynamic but also incredibly chill.

"Well Above Average" is exactly that, a funky instrumental that serves as a straight ahead guitar-soul workout. Oozing bass-driven class, it gets better with every listen. Some open drums for your delectation, too. The fuzzy clav-and-vibes funk of "The Clan" - also understandably sampled by Knxwledge - is a monster head-nod slow jam whilst, seeing us out, the uber-relaxed "Sing Song" rounds things off in bright fashion with its slow but insistent clav, electric piano and glock greatness. Swoon.

As ever, the audio for Music To Varnish Owls By has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Blue Öyster Cult

Agents Of Fortune

LP | 1976 | EU | Reissue (Music On Vinyl)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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The hit song "(Don't Fear) The Reaper" is just one of the wonderful tunes on Blue Öyster Cult's fifth album from 1976. This record rocks 'n thunders, with a sensual boogie permeating these 10 great tracks.

180g vinyl.

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Bootsy's Rubber Band

Stretchin' Out In..

LP | 1976 | EU | Reissue (Far Out)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Stretchin' Out in Bootsy's Rubber Band (1976) is the first album by American Funk and Soul band Bootsy's Rubber Band, led by James Brown & Parliament Funkadelic alumnus, bassist and vocalist William "Bootsy" Collins. Stretchin' Out In Bootsy's Rubber Band peaked 10th place in 1976 in the R&B Albums Chart.

180g vinyl.

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Victor Assis Brasil

Esperanto

7" | 1976 | EU | Reissue (Horus)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Following the recent reissues of Jose Mauro's Obnoxius, Piri's Voces Querem Mate? and Victor Assis Brasil's Toca Antonio Carlos Jobim, Far Out Recordings presents a second album from Victor Assis Brasil from the treasure trove of the Quartin Records catalogue, Esperanto.

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Audrey Hall

Groove Situation

13,99 €*

Release: 1976 / EU – Reissue

Genre: Reggae & Dancehall

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Black And Blue Half Speed Remastered Edition

The Rolling Stones

LP | 1976 | EU | Reissue (Polydor)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (We Release Jazz)

Hiroshi Suzuki

Cat

LP | 1976 | EU | Reissue (Cosmic Rock)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki’s glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono. Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown. The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka’s heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums). Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui’s Scenery, has fascinated old and young generations alike.

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Relatively Clean Rivers

Courtial With Errol Knowles

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Long before the term Cosmic Americana was of common use there was a band ideally fitting the role. Back in 1976 the long psychedelic wave was rapidly fading away, but the market of private press was still in demand. The self-debut album of Relatively Clean Rivers came out the same year on the leader Phil Pearlman label. Pacific Is released just this sole album and was to a certain extent an original example of do it yourself. The brainchild of Phil Pearlman, the band was rapidly crossing genres focusing on extended long jam verging on Californian psych and proto-ambient country/folk. The man, a sort of local guru, was previously involved in two other projects: Orange County own The Beat Of The Earth and The Electronic Hole, so to speak different names for the same group of musicians. While those two early efforts were explicitly devoted to a sort of LSD inducted trip, the Relatively Clean Rivers stand on their own, merging styles and – finally – proposing an accurate songwriting. The first press of this sough after underground masterpiece has been traded for thousand dollars, now here’s your chance to grab this rural manifesto. With much of the music being acoustic, there are elements of morphing electric guitars, smattered with strange spacey moments belaying a certain stoned atmosphere. The album is imaginative, melancholic, mellow, and exotically webbed. And then there’s the band Wilco, citing the Relatively Clean Rivers as being inspirational. Not a bad companion, right ? And if you just look at Jeff Tweedy instant progression from ‘Summerteeth’ to ‘Yankee Hotel Foxtrot’ the ‘suspect ‘ is more than reasonable. We’ll give you one more hint, Kevin Morby has been probably fascinated but this long lost gem as well.

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Don't You Think It's Time

LP | 1976 | EU | Reissue (Mad About)

The Series Of Music For Young Adults: Iranian Folk Songs Black Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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First time worldwide reissue on 180 gram vinyl with original 6 pages insert book with lyrics. Cult LP including rare groove classics like “Losing You”, “Don’t You Think It’s Time” or “Love Nevermore” Released in 1976 on Pipeline, a small label from Woodside, California.

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Pari Zangeneh

LP | 1976 | EU | Reissue (Pharaway Sounds)

3LP | 1976 | EU | Reissue (Motown)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Travel back in time to the modern pre-Revolution Teheran and dig this wonderful, ear-catching album from 1976 by Iranian female singer Pari Zangeneh. Traditional Persian folk songs with a lovely, sweet psychedelic flavor with the use of beautiful strings, flutes, charming and tasty drumming, some organ and orchestration, percussions… imagine a Persian version of Mellow Candle or Vashti Bunyan and you’re there! Born in 1939 in Kermanshah (Iran), Pari Zangeneh is a Soprano singer that lost her sight after a car accident in 1972. Her work over the years on restoring traditional Persian music and regional folk songs is invaluable. In 1976 she recorded this very unique album commissioned by Kānoon (Institute for the Intellectual Development of Children and Young Adults), a social organization that produced many kinds of materials (books, films, records) for children in Iran. The arrangements were done by Varoujan (famous for his work with Googoosh, Dariush, etc…) *Sourced from the original masters *Hard cardboard sleeve + OBI

* Includes download card

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Stevie Wonder

Songs In The Key Of Life

40,99 €*

LP | 1976 | Reissue (Mute)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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180g vinyl

- "Love's in Need of Love Today" sampled by Blackstreet for "Love's in Need",
Busta Rhymes & Erykah Badu for "One",
George Michael for "Love's in Need of Love Today",
Kwame for "Can U Feel It?" and
X-Clan for "Ooh Baby"

- "Sir Duke" sampled by A Tribe Called Quest for "Footprints" and
DJ Jazzy Jeff & the Fresh Prince for "Let's Get Busy Baby"

- "I Wish" sampled by Will Smith for "Wild Wild West"

- "Knocks Me off My Feet" sampled by Ja Rule for "Thug Lovin'" and
ODB for "Shimmy Shimmy Ya"

- "If It's Magic" sampled by Craig Mack for "Making Moves with Puff"

- "Ordinary Pain" sampled by Erykah Badu for "Penitentiary Philosophy"

- "Pastime Paradise" sampled by Coolio for "Gangsta Paradise",
Cru for "Up North",
Gangsta Blac for "Blaze Up Anotha One",
Mary J. Blige for "Time" and
Three 6 Mafia for "3 6 in the Morning"

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Can

Unlimited Edition

Release: 1976 / Reissue

Genre: Rock & Indie

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Lonnie Liston Smith & The Cosmic Echoes

Reflections Of A Golden Dream

LP | 1976 | UK | Reissue (BGP)

LP | 1976 | JP | Reissue (P-Vine)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Lonnie Liston Smith was one of the most important musicians to emerge in jazz in the 1970s. His 1975 album 'Expansions' is one of the foundation stones of modern dance music and his recordings have been sampled by many of the biggest artists in the world. His music was a cosmically inspired spiritual interpretation of the music he had been making during his time with Pharoah Sanders, Gato Barbieri and Miles Davis. Released in 1976,"Reflections On A Golden Dream", the follow-up to "Expansions", was his fifth album for Flying Dutchman and featured the core band of the Cosmic Echoes, including his brother Donald Smith, David Hubbard and Wilby Fletcher. As for the music, this album is a classic, with the funky 'Get Down Everybody (It's Time For World Peace)', the reflective 'Quiet Dawn' and 'Meditations' and the sumptuous 'Beautiful Woman'. "Reflections Of A Golden Dream" was also the first of Lonnie's albums to feature his own vocals. It's a lost classic everyone should own.

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Phil Ranelin

Vibes From The Tribe

36,99 €*

LP | 1976 | EU | Reissue (Week-End)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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The final release from Tribe! Released in 1976, shortly before Phil Ranelin’s departure to Los Angeles, Vibes from The Tribe is a spiritual jazz / rare groove classic!

By 1976, Tribe had grown to be something much different than what it had started out as. A popular magazine and releases from a cadre of the most promising musicians Detroit had to offer had allowed the collective the space and finances needed to develop, and by the time of their final release, they had changed both in shape and scope. Yet their philosophy of “getting out the message” remained the same.

Since the early days of the Tribe, the influence of funk and popular music had been more evident in Ranelin’s music than that of his partner, Wendell Harrison. Even on Message From The Tribe’s first edition, Ranelin’s love for funk was clear, with songs such as “What We Need” featuring a mellow groove and horn lines that would sound at home on any Motown record. Phil Ranelin’s second album as a leader, Vibes From The Tribe sees those funk influences on full display. Opening track “Vibes From The Tribe (Prelude)” has the kind of steady snare beat that hip-hop producers would later kill for, and a bassline so groovy that you won’t be able to stop yourself from nodding along.

For The Children is breezy bossa nova of the finest degree. Ranelin’s voice is subdued and relaxed, probably taking more notes from Joao Gilberto than any of the poetry readings on Message From The Tribe. But when he begins his trombone solo, the edges of his more avant-garde past start to peek through. Lines that would sound right at home on any post-bop album are a-plenty, and as a sunny riff closes out the album, it seems like the perfect soundtrack for a warm summer night.

But the heart of the album lies in the closing track “He The One We All Knew (Parts 1 & 2)”. Here, Ranelin’s smorgasbord of influences seem to come together, creating an 18 minute long track that combines elements of Indian classical music, free jazz, funk, and more. The track begins with the gentle psychedelic sitar playing of Daud Abdul Kahafiz, creating a drone over which layers of percussion, piano, bass, and horns combine. Frequent collaborator and Tribe co-founder Wendell Harrison’s solo comes first, with the sparse arrangement giving him space to stretch out beyond the limits of conventional harmony or rhythm. It’s clear that these musicians were improvising in the truest sense of the word, and as they go from playing over ambient sitar, to what can only be described as “swing”, they never lose count or break rank. You can practically picture each of the musicians in the studio, deeply concentrated but supremely in tune with one another, communicating with nods and eye movement. Vibes From The Tribe takes everything that made the Tribe great: free jazz, funk, pop influences, and a tight-knit community and preserves it as one of the greatest spiritual jazz albums of all time.

With modern remastering and an obi-strip, this album has never looked or sounded this good! Make sure to get your copy while stock lasts!

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Joyce

Passarinho Urbano

32,99 €*

LP | 1976 | EU | Reissue (Sleeve Records & Dig This Way)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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In 1975, Joyce Moreno, who had just wrapped up a tour with legendary Brazilian composer Vinicius de Moraes, found herself in a studio with producer Sergio Bardotti in Rome, Italy.

She had been taking a break from writing and she decided to pick up a selection of her favorite compositions from contemporary Brazilian writers who‘s songs were beacons of hope in times of an ongoing intense Military leadership in her home country. Unlike their previous albums, these recordings live from their reductiveness and intimacy.

For a long time, Passarinho Urbano was considered a secret masterpiece and was highly sought after by record collectors, now Week–End Records is glad to be making it available internationally on vinyl for the first time ever.

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The Hygrades

LP | 1976 | JP | Reissue (P-Vine)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Sleeve Records & Dig This Way teamed back to bring to light the history and the tracks of this iconic early 70' Psychedelic Afro-funk East Nigeria group.
The Hygrades's album will include all 4 rare 45"s united in a single LP with an insert of their story told by a true Uchenna narrator.

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Nathan Davis

Hejira Demos Black Friday Record Store Day 2024 Edition

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Kansas City-born multi-instrumentalist Nathan Davis released the album "If" from his own Tomorrow International label in 1976, and it's widely loved by jazz-funk / rare-groove fans. Nineteen years after its reissue in 2005 for the first time, P-vine is pleased to present this masterpiece once again!

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Joni Mitchell

LP | 1976 | Reissue (Rhino)

35,99 €*

7" | 1976 | EU | Reissue (Top Ranking Sound)

Release: 1976 / Reissue

Genre: Rock & Indie

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RSD Exclusive, Limitation: 5000

This much anticipated vinyl breakout comes straight from the Joni Mitchell Archives, Vol. 4 boxset, pressed on 180g black vinyl, and featuring Mitchell's March 1976 solo demos for one of her most acclaimed albums. If you listen closely, you can even hear Rock Hall Alumnus Chaka Khan on backing vocals for the track "Black Crow".

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The Marijuanas

Tell Us When

12,99 €*

LP | 1977 | US | Reissue (PM)

Release: 1976 / EU – Reissue

Genre: Reggae & Dancehall

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The deep cut "Tell Us When" by The Marijuanas (Ewart Peters & Dennis Lawrence), featuring the Chalwah Allstars, is finally getting a reissue. Originally recorded in 1976 at Harry J's Studio and produced by Jah T (Noel Young), this roots gem takes you back to the golden age of Jamaican music. Despite the duo’s brief collaboration, the track became a vinyl collector's treasure. This restored reissue preserves the raw energy of the original, bringing its timeless themes to a new generation.

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Steve Grossman

Terra Firma

LP | 1977 | EU | Reissue (Soundway)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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An exact repro vinyl reissue of a great 1977 jazz-rock/fusion LP.

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Jay U Experience

Enough Is Enough

18,99 €* 19,99 € -5%

LP | 1977 | EU | Reissue (Mental Experience)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Soundway fans first got a taste of Jay-U’s infectious beats with the track ‘Some More’, featured on the Soundway compilation “Nigeria Disco Funk Special: The Sound Of The Underground Lagos Dancefloor 1974-79”.
Originally released by EMI Nigeria in 1977, this now-rare album was written by Jay-U and engineered by disco-boogie artist Goddy Oku. Opening with the up-tempo reggae number “Reggae Deluxe”, the album descends into mind-blowing jazz-funk featuring several killer saxophone solos. The journey ends with a trip into psych-prog rock, with a sound not dissimilar to that coming out of the early 70s British rock scene.

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Wild Havana

Mustapha / Petroleo En Bruto

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Obscure Dutch private pressing from 1977. Laid-back instrumental psychedelic / progressive sounds with jazz-funk-groove and abstract / experimental / Latin-indigenous touches. Stoned homemade atmosphere with treated / distorted electric & acoustic guitars, flute, electric piano, primitive drum machines / homemade electronics...Much in the vein of the experimental-underground scene of France & Germany during the early 70s but actually recorded and released in Holland.
Wild Havana was the project of guitar player Johan Smith, helped by his brother Cor on flute. Influenced by artists like Zappa and Herbie Hancock, Johan recorded the “Wild Havana” album at his home studio on a 4-track, using effect devices developed by himself, like a modified proto-drum machine taken from a Hammond organ. He also used effects like phase shifter, chorus, etc and experimented with putting wool on the guitar strings and electric effects on the mandolin. The result sounded like nothing else at the time.
Buried for many years, we’re excited to bring to life this unique album.

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Kamel Oil Company Band

7" | 1977 | EU | Reissue (RCA / Victor)

11,99 €*

Foreign Affairs Remastered Grey Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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From the darkest corners of the RCA vaults we bring you this super rare and wonderful, tripped out cosmic-psych rarity on 45! From 1977 this double-header is an Eastern themed, moog driven oddity from the mysteriously monikered Kamel Oil Company. Written by the legendary Bob Azzam, Eddie Barclay (founder of Barclay Records) & Greek record company owner Antoine Flamaritis, 'Mustapha' is an exotica soaked orchestral monster with choir vocals and string arrangements that only the big boys could call in. This is a serious left-field nugget from the vaults of one of the biggest majors, one ends up thinking - 'how did this come about?!'. On the flip-side we have 'Petrolo En Bruto', which is the real gem here, undoubtedly this one will appeal to fans of the far flung reaches of world music and psych, even those of you who dig the various flavours of Funk from around the globe. A truly special and unique record here, often sought after by the deepest of the crate diggers and obscure sound searchers on a promo 45, this rare EP now sees a fully legit reissue. Made in conjunction with Above Board distribution and RCA this reissue is sourced from their vaults using original materials and remastered and repressed to the highest standard for 2018 and featuring all original 1977 RCA label artwork.

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Tom Waits

LP | 1977 | EU | Reissue (Anti)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Fela Kuti & The Africa 70

No Agreement

LP | 1977 | UK | Reissue (Knitting Factory)

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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LP | 1977 | EU | Reissue (Mad About)

Syndicate

Conveyance

LP | 1977 | EU | Reissue (Our Swimmer)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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In Summer 1977, Syndicate band from Las Cruces, New Mexico, recorded and released this album "Conveyance". It is the only recording the band ever released. Super rare Latin Funk album from New Mexico with a killer cover of Curtis Mayfield and the Sisters Love masterpiece "Give Me Your Love".

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ICP Tentet

Tetterettet

LP | 1977 | UK | Reissue (Seelie Court)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Founded in Amsterdam in 1967 by saxophonist Willem Breuker, pianist Misha Mengelberg, and percussionist Han Bennink, Instant Composers Pool (or Icp) was an independent free jazz label and orchestra that would go on to release over fifty albums featuring such pillars of the scene as Derek Bailey, Peter Brötzmann, Evan Parker, Jeanne Lee, John Tchicai, and Steve Lacy. Based around the concept that improvisation was, in fact, an act of instantaneous composition, ICP's legacy on improvised and free music is impossible to overstate.

The ICP Tentet's Tetterettet is made up of recordings from 14-17 of September, 1977, cut and spliced together by pianist/composer Misha Mengelberg in a style similar to Teo Macero's work with Miles Davis. The first side is taken up entirely by Mengelberg's multi-part title track that breaks in and out of different tempos, with a loose arrangement style owing more than a bit to Charles Mingus' finest work on Black Saint or Ah Um.

Traversing across decades and styles from free-jazz funereal marches, to carnivalesque excursions, broken piano rolls, and ear-splitting skronk, ICP Tentet show remarkable skill and chops in both their compositional craft and improvisational symbiosis. There's a playful undercurrent here that finds its home in some previously uncharted land between Mingus and Spike Jones.

Featuring numerous ICP regulars along with the brilliant Alan Silva on bass, and a return to the fold of the amazing saxophonist John Tchicai, Tetterettet is one of the best of ICP's larger group recordings; humorous, unnerving, and ultimately, quite beautiful. This limited-edition reissue marks the first time this album has been in print on vinyl since its initial release.

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Hooknorton

In For A Penny

10,99 €*

Release: 1977 / UK – Reissue

Genre: Rock & Indie

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What's The Use? / Instrumental Record Store Day 2023 Edition

Tony Troutman

7" | 1977 | UK | Reissue (Jerri)

Limited Edition Black Vinyl Edtion

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Incredibly sought after (and once bootlegged) sweet modern soul track from Georgia's Tony Troutman. Feel-good grooves, delicious harmonies and joyous vocals make for a recipe that will lift any lacklustre mood. Finally released as an official reissue with original label artwork this super rare record, has been known to change hands for over £800 in the past, with only the top diggers able to hunt down this one. Yellow label version, white sleeve.

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Blue Max

LP | 1977 | EU | Reissue (Out-Sider Music)

LP | 1977 | UK | Reissue (Call Of The Void)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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“Limited Edition” was originally released in 1977 as a private edition of 1000 copies for promo purposes. Here’s the first ever official vinyl reissue with new, improved artwork, newly remastered sound and insert with liner notes.

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The Boys

Dedication Orange Vinyl Edition

Release: 1977 / UK – Reissue

Genre: Rock & Indie

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Classic Black vinyl, 1000 pressed. Arguably one of the best punk albums of the 70s, The Boys self-titled debut (produced by Dangerfield & Steel) is a cult UK classic. The album is filled with the pop punk gems, the kind of immediate salvos that would elevate Buzzcocks into the charts. In the intervening years, the history of punk rock has been written and re-written and a whole heap of bands have been sidelined. The Boys’ debut album, re-mastered here still sounds as fresh and immediate as it did back then and it also includes two classic punk rock singles in ‘I Don’t Care’ and ‘First Time’ (the latter, along with The Undertones "Teenage Kicks", the ultimate punk anthem of teenage romance and adolescent angst). Along with the Sex Pistols, Clash and the Damned, The Boys were part of the first wave of the mid-1970’s UK punk explosion. Armed with an arsenal of killer Steel/Dangerfield songs The Boys became the first UK punk band to sign an album deal in January 1977 and subsequently released two albums, their self-titled debut and the follow-up “Alternative Chartbusters” in quick succession. Highly regarded by the music press and their contemporaries, yet somehow criminally ignored by a wider punk audience, unable to grasp their heritage of vintage rock ‘n’ roll that went back to Chuck Berry courtesy of The Beatles. Their well-crafted songs, together with Steel and Dangerfield’s layered harmonies, even led to them being described as ‘The Beatles of Punk’.

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Tribe

LP | 1977 | UK | Reissue (Soul Jazz)

31,99 €*

LP | 1977 | EU | Reissue (Music On Vinyl)

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Soul Jazz Records are issuing this album as a one-off pressing special orange Colored Vinyl edition, fully remastered and with exact reproduction artwork.In similar vein to groups such as Mandrill, Jimmy Castor Bunch, The Blackbyrds, Pleasure and Kool and the Gang, Tribe blends together elements of funk, jazz, rock, latin and soul music into a unique sound (their first album was aptly named "Ethnic Stew")."Dedication" is a fantastic long-lost album of deep funk, soul and jazz from the group, originally released independently in 1977 and out-of-print for over 45 years.

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Blue Öyster Cult

Spectres

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Crossing The Red Sea With The Adverts

The Adverts

2LP | 1978 | EU | Reissue (Fire)